I’m excited to finally be able to share my drawing of my favorite Camp Camp X Gravity Falls crossover idea! :D
A long string of my thoughts regarding the crossover under the pics, you have been warned lol
It’s crazy to me that despite all the jokes that Harrison looks like a human Bill Cipher there is absolutely no fanart (that I have found) of him interacting with any of the Pines.
Yeah there’s art of him with Bill, but the Pine’s family are the ones that have trauma from him and therefore would have the best reaction.
Just imagine them meeting the one kid that not only looks like someone possessed by Bill but also does real honest to god magic and has an affinity for fire!
With how much shit the Pine’s have dealt with it wouldn’t be a stretch for them that Bill came back as a kid. They’d probably assume Harrison was being possessed or something.
Harrison especially looks like Bipper so I’d imagine he’d be especially unsettling to Dipper and Mabel. (Probably gonna draw him and Mabel interacting next)
Dipper immediately being super suspicious of Harrison and doing that stalking thing he does to try and figure him out. Dipper seeing Harrison make a mistake with his magic that makes him not look great and Dipper just freaking out more.
Mabel being uncomfortable with Harrison but trying her hardest to be nice to him because he hasn’t actually done anything yet. Becoming friends when she realizes that Harrison is just a kid and not anything like Bill personality and morality wise.
Harrison enjoyed coloring in that one episode so she could probably get him to do art with her. They’d have so much fun with him showing her his magic tricks, he’d be so happy someone is genuinely interested. His magic would probably improve with the encouragement she would give him.
Mabel being reminded of Bipper whenever Harrison gets a bit arrogant. The thought goes away pretty quickly though cause he usually gets humbled really quickly and just accepts it lol
Ford also immediately being suspicious of Harrison but not doing anything rash yet until he can test him. Losing his shit the first time Harrison does magic in front of him.
Someone on here posted a mini fic thing where they said Ford almost dropkicked Harrison the first time he does magic and I love that (I’ll look for the post later and tag it here) Edit: here’s the link! https://www.tumblr.com/the-sprog/659871894550577153/i-just-had-an-idea-could-you-imagine-a-crossover
Stan giving Harrison the benefit of the doubt but keeping a close eye on him whenever he interacts with one of the twins. Not outright hostile to him but not exactly kind either.
Stan somehow finding out about how Harrison accidentally made his brother disappear and immediately noticing the similarities to what happened with him and Ford. He probably gains a bit of a soft spot for Harrison after and gives him pointers on random things, probably a few pep talks.
Oh also I know it’s just a difference in the two art styles but CC characters tend to have more yellow sclera and oval pupils/irises and it really doesn’t help Harrison’s case lmao
I can keep going but this post is already really long so I’ll stop for now haha 😅
98 notes
·
View notes
I’d love to hear your thoughts on what Eldritch peredhel entail
-@@outofangband
Sorry this took so long @outofangband and thank you for asking this I am! Delighted! And am preemptively putting a read more down because I cannot shut up about they <3
alright I'm just gonna put stuff and headcanons down as they occur to me so expect low-moderate levels of coherency
shapeshifting is an obvious one (gets weaker down the generations) but because my brain is Like This I have caveats!
thanks to my whole peredhil things=gender allegory that my brain spit out without my permission I've long struggled against my inherent feeling that while they can shapeshift they don't like it
but because I'm now aware of my brain's reasoning I can say it's because of ✨fantasy dysphoria✨
that's oversimplifying, obviously, but peredhil already have so much issues with working through who and what they are and compromising between body and mind and spirit that actively choosing to change into/present as something/someone who They Are Not is. Not usually their cup of tea.
As a whole they tend to have specific forms that they prefer as being closer to themselves, and distinct enough that it doesn't feel like they're faking something they're not
(changing to look like a different person, or a edited version of themself is Very Very not fun unless either explicitly for disguise or shenanigans)
(the exception to this is that Luthien can make herself look almost perfectly human without any real issue. she doesn't do it often but especially as she ages she likes to catch glimpses of her reflection and get both excited and sappy. this is in contrast to making herself look almost perfectly like an elf which makes her feel like her skin is on fire.)
(Also I'm pretty sure all of them can flip their agab presentation while only feeling varying degrees of off, and even then it's a different feeling than the shapeshifting dysphoria. Dior and Elwing are the two who I think mind it the most)
They all have the (agonizing to write) trait of feeling very distinct relationships to their species in their body vs soul/mind vs spirit/fea and they all feel it very differently! This isn't exclusive to Luthien's line but the maia blood does make it worse.
Oh! This is a new headcanon of mine actually but!
They all have faces that are very very hard to capture in image. They are the bane of portrait artists (and, to a degree, sculptors) everywhere because the art never looks accurate to life
It's not blatantly off it's just. missing something? Or something was added? maybe it's a little too wide, or narrow, or long, or short, in one place or another
It's not unrecognizable but if you've ever seen the subject in real life you can just tell
It's especially bad with Luthien (and Daeron) and Dior (to a lesser extent) because everyone literally sees them differently, as in their features will be slightly different depending on what each person finds attractive/aesthetically appealing and beautiful
(not a lot, again, it's not unrecognizable, but there has never and will never be any accurate depiction of Luthien as she was as a person)
(as a concept, though, as the most beautiful creature to have ever existed in Arda, a little of her image exists in every portrait lovingly made of a beloved spouse, every child's drawing of their family, in biological sketches of songbirds and field mice, in a sculpture of a stranger's face. Daeron remembers his sister perfectly, but he collects these regardless)
(Arwen, Luthien come again, isn't described as such by her grandparents. Galadriel and Celeborn both knew Luthien, and while Arwen and her father both look as closely to her as genetically possible, to those who actually know them both it's nothing more than uncanny family resemblance. Luthien was to most a concept personified, Arwen is a person with concepts imposed on her.)
The list of people who have seen Luthien how she actually, physically, defaultly is, essentially consists of Melian, Daeron, Beren, and Dior
Beren doesn't see her as she is right away because he doesn't know her right away, but they learn about each other and she shows herself and he sees her and by the time she rescues him from Tol-im-Gaurhoth there are no echoes on her face
(He's always a little bit haunted that he nearly died without realizing he'd never quite seen the truth of her before)
Neither Thingol or Beren can quite see their own features on their children's faces. They clearly take after their mothers, after all!
(This leads to much affectionate eye-rolling on Melian and Luthien's part)
Hair stuff!
It's alive! kinda! it's definitely not normal hair!
It moves a lot on its own. Sometimes like a breeze is blowing where there isn't one. Sometimes more like tentacles. It depends on its mood.
They've got some very pretty traditional cosmic horror vibes swirling around on their heads. It's very sparkly and colorful but in a Forbidden Shrimp Colors that your brain is unable to comprehend way so it reads as iridescent black mostly, or holographic white, where applicable
Luthien's hair actually is a glimpse into space, Daeron's is a glance at a star
(Luthien's magic hair cloak survives, I think, into the 4th age and beyond, though if anyone/anything has found it they certainly don't know the origins of the beautifully intricate living star map. It has seen the reign of countless north stars, yet the lines always point to the same coordinates- where the ancient, sunken, ruined remains of what once was Tol-im-Gaurhoth lay)
Speed round!
Fangs and talons and horns oh my! Are they tooth and keratin and bone, or are they petrified wood and gem and stone? Yes!
They all smell a little like ozone and a lot like petrichor, flowers, and Green. If you've smelled green you know what I'm talking about. Also, unfortunately, like bird. Birds don't smell great, especially wet bird.
Weird Foresight Powers++
(Most of them don't have actual foresight, but all of them are more in-tune with the Song than is natural for an incarnate)
Their eyes glow, most notably in the dark, unless the irises turn black as they sometimes do. They are also all unnaturally bright versions of the less-spooky parent's- Dior's are gold, Elwing's are blue-green like a tropical sea (Elured and Elurin split the color between them- ultramarine and emerald), Elrond and Elros have pale star-gold, Elladan, Elrohir, and Arwen all have silver.
(Daeron and Luthien being the exception again, because I decided they have Melian's eyes before I decided this, and I don't know what color eyes Thingol has. Watsonianly: Melian's spooky genes overwrite a lot. Luthien's genotype is probably much closer to his than her magically overwritten phenotype)
Their sclerae turn black and their pupils white, on occasion, usually when using powers
They don't bleed right. It's a little too red for an elf, a little too light for a human, and it shines strange as it beads like quicksilver on the skin
They have very shiny, cool skin. Luthien looked like her's was silver plate under a stretched stocking, the rest toned it down from there but it's still noticeable.
The Song is. Attached to them. They are all very much Main Characters. Their lives have a clear story arc with symbolism and narrative parallels. They are all subconsciously aware that their lives are a fairytale, whether tragic or no, and yes this has many Implications and affects. They are not the only ones like this, but they are the only ones who, to some level, know they are in a story.
This is the fundamental separation between them and everyone else.
The difference in how they perceive themselves between heart soul and spirit is very difficult to explain and understand, but not impossible to someone who knows them and is willing to put in the work.
The life-long knowledge that they are Important to the Song and their every choice and event they experience and their mere existence serves a greater purpose in a way that most other people simply do not- that's very, very isolating.
No one else can understand how they see the world. Very very few people are willing to try, and even fewer in a way that's not frustrating. There is a reason most of them find only one person to latch on to outside of their family, and a reason they hold on through hell and high water.
(This is about being neurodivergent)
29 notes
·
View notes
to me, the question of whether hera would want a body is first and foremost a question of autonomy and ability. she has an internal self-image, i think it's meaningful that the most pivotal moments in her character arc take place in spaces where she can be perceived the way she perceives herself and interact with others in a (relatively) equal and physical capacity, and that's worth considering. but i don't think it's about how she looks, or even who she is - and i think she's the same person either way; she's equally human without a body, and having a body wouldn't make her lived experience as an AI magically disappear - so much as it's about how she would want to live.
like most things with hera, i'm looking at this through a dual lens of disability and transness, both perspectives from which the body - and particularly disconnect from the body - is a concern. the body as the mechanism by which she's able to interact with the world; understanding her physical isolation as a product of her disability, the body as a disability aid. the body as it relates to disability, in constant negotiation. the body as an expression of medical transition, of self-determination, of choice. as a statement of how she wants to be seen, how she wants to navigate the world, and at the same time reckoning with the inevitable gap between an idealized self-image and a lived reality, especially after a long time spent believing that self-image could never be visible to anyone else.
it's critical to me that it should never imply hera's disability is 'fixed' by having a body, only that it enables her to interact with the world in ways she otherwise couldn't. her fears about returning to earth are about safety and ability; the form she exists in dictates the life she's allowed to lead and has allowed people to invade her privacy and make choices for her. dysphoria and disability both contribute to disembodiment - in an increasingly digitized world, the type of alienation that feels like your life can only exist in a virtual space... maybe there's something about the concept of AI embodiment, in particular as it relates to hera, that appeals to me because of what it challenges about what makes a 'real woman.' when it's about perception, about how others see her and how she might observe / be impacted by how she's treated differently, even subconsciously. it's about feeling more present in her life and interfacing with the world. but it's not in itself a becoming; it doesn't change how she's been shaped by her history or who she is as a person.
i think it comes back to the 'big picture' as a central antagonistic force in wolf 359, and how - in that context, in this story - it adds a weight to this hypothetical choice. hera is everywhere, and she's never really anywhere. she's got access to more knowledge than most people could imagine, but it's all theoretical or highly situational; she doesn't have the same life experiences as her peers. she has the capacity to understand that 'big picture' better than most people, but whatever greater portion of the universe she understands is nothing next to infinity and meaningless without connection and context. it's interesting to me that hera is one of the most self-focused and introspective people on the show. her loyalties and decisions are absolute, personal, emotionally driven. she's lonely; she always feels physically away from the others. she misremembers herself sitting at the table with the rest of the crew. she imagines what the ocean is like. there's nothing to say that hera having a body is the only solution for that, but i like what it represents, and i honestly believe it'd make her happier than the alternatives. if there's something to a symbolically narrowed focus that allows for a more solid sense of self... that maybe the way to make something of such a big, big universe is to find a tiny portion of it that's yours and hold onto it tight.
165 notes
·
View notes