Tumgik
#and decide whether or not to do crimson flower or blue lions again
pea-green · 3 years
Note
Crimson Flower! I liked it a whole bunch (Byleth’s heart!) but it was also very sad & such a relief I could protect my kids (aka army of lethal women). I had no idea how anything worked but I loved having lunch with everyone (so much I ran out of vegetables!) & I got some great endings (Dorothea & Manuela - no war, no husbands, just happiness! Lysithea cures herself! Hubie & Ferdie!) and I loved El’s arc. I haven’t started again yet, I can’t decide who to choose! (1/2)
(2/2) I had thought of siding with Rhea this time, but I don’t know if I can betray El & R was so unexpectedly creepy in the run up to the tomb! I liked Claude too - not sure I’m a fan of Dimitri. Do you have a favourite route or ending? Ahh there’s so much juicy stuff to think about!! I’m so glad you recommended it! Thank you! (2/2)
You're SO welcome, I'm glad you enjoyed it!!! Crimson Heart is an intense first playthrough, i'm so glad you got some good endings for your characters - i love doing lunch with them (esp forcing my faves to bond with each other whether they like it or not) but surely the crowning glory of the whole game is 🌹✨~perfect teatime~✨🌹 it makes me laugh SO MUCH
i haven't finished the blue lions route but so far Dimitri's my least fave of the three (or 4, counting rhea), golden deer is a REALLY fun house and going against El is hard but getting characters like Catherine and Flayn is worth it!! i think it's also the lightest plot-wise, and it's a ton of fun to carry over people's skills but train them up in different classes (again, against their will lololol) and pair them up differently for different endings - although tragically there aren't as many f+f endings as there should be, and basically all the m+f ones are romantic. let me know how you get on!!
also ALL of dorothea's female (byleth, eldegard, manuela, and especially petra imo) endings are SO great, i adore her 💛💛
1 note · View note
Text
Okay, so I was sent that video about how Rhea did mostly nothing wrong a week back and now that I’ve finished all the routes, I want to give my own thoughts in this. I’m looking at this as someone who completed Crimson Flower first and is very atheist. All of this is going under a read more because it is very, VERY long and I don’t want to subject people to too much.
First, I’d like to bring up that a reddit post was brought up to me responding to this video. I’ve actually read through it before and I agree with points brought up in it (thought I forget bits and pieces b/c it was days ago). Anyhow, here’s a link to the reddit thread if you want an interesting read.
Still, I want to give my own ideas and opinions on this front. For easy reference to what I’m responding to, here’s the video:
youtube
The first thing I will state is based on the talk of impressions at the start of the video. It should be noted that while first impressions can be strong, a person’s mind can be changed. I’ll be honest that my opinion on disliking Rhea has not changed, but that came before even starting Crimson Flower because Creepy Lady is Creepy. My opinions on other characters has changed throughout, though as I learn more of them. It should also be stated that Verdant Wind is a copy of Silver Snow, but even more pro Rhea (which I have my own beef with, but deserves its own analysis). As such, the writer of this video would likely start off with a strong pro Rhea bias (not to mention how they speak of Rhea, so).
But that aside, I want to talk about the actual points in this video. The first aspect I will agree upon is that both Rhea and Edelgard make mistakes. Both are flawed characters. And both do things right. The two are opposite sides of the same coin, in my opinion. They have tragedies that back their stories and actions. They do some things similar. It’s just they way they decide to approach such things and their reasoning is very different and leads to very different results. Since this is about Rhea, I will focus on her. Perhaps another time I will talk about the flaws and merits of other lords.
The first major point the video brings up is Edelgard talking about the church wishing to rule the world. Which, yeah, they don’t want to rule the world, instead acting as extremely isolationist. Rather, what the church prefers to do is having an iron grip on Fodlan. That is in fact another version of the use of the word “world” as world can also just refer to a region or group of countries. I believe that in this speech and every other of Edelgard’s, her use of the word “world” is meant to refer to Fodlan alone. That is what is meant to be taken away, at least.
Fodlan is a group of three countries and is the world Edelgard talks about in her speeches, as she talks about it in terms of the goddess, church, nobility, etc. These are things she speaks of as specifics to Fodlan, conveying that “the world” is Fodlan. One way to take complete control of an area is to enforce isolationism, something Rhea VERY much does.
It should be noted that after the division of the Empire into three countries, they were forced to band together beneath the church due to the threats of other countries invading. This suggests the church having isolationist policies which keep foreigners out of the country, fighting them and not welcoming them as brethren. Not only that, but people must obey the church. Look at Claude’s supports. There is legitimate fear in him speaking out against the goddess because doing such a thing is heresy and he could be put to death for saying such things in Fodlan. At least, I would assume this much, otherwise, that fear wouldn’t exist.
The next point I wish to speak on is about whether or not the church actually split up the Empire into three countries so as to weaken the power of humans and put down her authority in those countries. Now, I’m no politician--even if my friends want me to be one--and I definitely don’t know everything about politics, but I can definitely say that the church wasn’t totally neutral in these conflicts.
I, being the nerd I am, actually spent the time to read all of the books within the monastery library to get an idea of the history of Fodlan. Of course, these books do have lies and half-truths themselves (especially since Seteth chooses what to censor (shit, I’m getting war on Protestantism vibes again)). Anyways, we can’t actually tell what the full truth is of what happened in the past as history is written by the victors. And the church. But I’ll do my best with what information there is.
First, there was the war of the Eagle and Lion. This went on for years until the church intervened as a “neutral” party to end the conflict and allow the creation of the Kingdom. The thing is, the church isn’t exactly neutral in this. The result of the negotiations is that Loog gets crowned the first king of the Holy Kingdom of Faerghus. Rhea made a deal with the Kingdom that they would get their independence so long as they followed the teachings of Seiros. As a result, all of the nobles of the Kingdom are required to be devout followers of the church.
This in’t neutral at all as it acts as a gain for the church who wasn’t even involved in the conflict as far as we know, just benefiting off of giving Loog the crown. I would also note that it makes sense for Rhea to do so in order to gain control, considering that the Empire’s relationship with the church strained over time, eventually leading to the destruction of the Southern Church 100 years before the start of the game. While the war of the Eagle and Lion happened long before then, there was likely still some strain between the Empire and church which would lead to Rhea making such a decision to take control of the Kingdom in this way.
The second part is with the Alliance. As far as I am aware, the church did not involve itself in any way with the conflict, but the effects of Rhea’s negotiation with the Kingdom does affect the Alliance in the long run, as it split off from the Kingdom with some of the ideals of the nobles carrying over. You can see this most clearly in Lornez. If you talk to him early on in the game, he actually comments on how the nobility are required to show faith to the church, even if he himself doesn’t necessarily believe in the faith. This is interesting because he is an Alliance noble, not a Kingdom noble, and ONLY the Kingdom was directly given this requirement to follow the faith. This means that when the Alliance did offshoot from the Kingdom, they kept that same die-hard religious stuff. So perhaps Rhea didn’t work in splitting off the Alliance, but her work still lingers there, digging its claws deep in controlling the people.
We don’t know the full events of either split, so Rhea could have been subtly involved, but we would never know. And while the person in this video says Rhea is never subtle due to how we see her act in game, we must keep in mind that people change with time. She likely could have been more stable then, but perhaps not. So past history is kind of up in the air. Though, it also could have been those who slither, like the video suggests. The truth is, we never learn what happened during those conflicts as they are not the main drive of the story, and, as such, we will never know the full story of such events, leaving us only to walk circles in speculation.
I will make a small comment that it’s interesting how Garreg Mach is perfectly in the center of all the regions, though. Like, why was there no country that cut off and had no borders next to the church? 🤔
Onto the next point in the video. There’s a relatively quick part on the church exploiting people for gold and living in extravagance. The creator of the video says there’s no proof of such, but there is a very, very tiny bit. Due to Dimitri’s research on Lord Arundel in Blue Lions (this part can easily be looked over b/c Arundel isn’t spoken of much in BL), it is discovered that Arundel would give very large donations on a regular basis to the church before suddenly stopping (which was likely when Thales replaced him).
Looking at this, we can take it that the church gets its money via donations and the very, VERY expensive fees for entering the Officer’s Academy. I don’t actually know where all of the money goes and what it’s used for, but it seems apparent that the church gets quite a bit of money from the nobility across Fodlan and through the academy. And with the nobility across Fodlan, look back to what I said about the founding of Faerghus.
Many of the nobility are required to follow the faith and making donations is likely a great show of faith. And money can act as a great way of gaining power. So all I’m saying is that the nobility are giving quite a bit of power to the church (because they feel they must or are required to) and we have no idea what this money is being used for.
The next point is about the hypocrisy of the church leading Fodlan when they can’t lead an era of peace. Now, I can agree that the church has led a long era of peace within Fodlan for quite some time. But if such peace was held in a similar fashion to how we see Rhea holding it (i.e. sentencing people who rise against the church to death without providing them a trial), then I would consider it a false peace. That would be a peace upheld by fear.
Of course, there weren’t many large wars within Fodlan for quite a long time, but there were other conflicts that the church has done nothing about, allowing conflict to destroy the borders of Fodlan. See, if it’s true that the church is isolationist, the locket can’t be torn down and the Almyrans can’t be reasoned with. As a result, we have this eternal conflict in the borders of the Alliance with Almyra, a war without end. The same can be said of Sreng, as The Gautier house is at constant war with Sreng to keep them out of Fodlan. Again, no peace could possibly be negotiated if it’s true that the church has isolationist ideas.
For true peace to exist in Fodlan, there must be no conflict with the outer world as well. But to end such conflicts, the church should help work to create a resolution of conflict with the outside world in a more peaceful way. So, no, the church does not entirely keep peace, and while I have no clue whether Edelgard would, too, she at least seems to wish to make an effort to speak with other countries to try and end conflict.
The next point is about the Crest system and governance. Rhea enforces feudalism, which is not a fun form of government and is very oppressive. I will also admit that Edelgard does not change the government from that of the Empire. But it should also be stated that the Empire isn’t an Imperial dictatorship. See, after the insurrection of the seven, power was taken away from the emperor, giving it to the most powerful nobles, who became ministers.
The emperor can’t actually do much without the support of the ministers. We see this through comments from people like Linhardt and how there are subtle details about Edelgard going off to talk to certain ministers, likely so they would join her side and allow her the power to start this war/help prepare for it. Without the ministers, Edelgard doesn’t actually have the people and resources for what she needs to do. So this isn’t a dictatorship, but rather an oligarchy. This is even further highlighted as ministers who didn’t support Edelgard were forcibly put under house arrest or killed and another would take their place.
I’m unsure of exactly what power the emperor does hold, so Edelgard was either able to put ministers under house arrest due to her power as emperor or through force (considering the people/soldiers seem loyal to her/her ideals and has a few soldiers of her own). Though it seems she cannot strip ministers of their power, as it was rather taken by family of said ministers who then vowed support to Edelgard (i.e. Ferdinand, Hubert, and Count Varley’s wife).
Edelgard wants to put a meritocracy on this existing oligarchy, which either would work, or would fail. The video points out that feudalism is far preferable to the fall of a meritocracy and I’d actually say otherwise. See, if there’s anything I’ve learned from this semester in my classes that spoke on the world and human rights, it’s this: progress can’t happen without change.
Rhea keeps the system stagnant, unchanging. Fodlan is to remain with feudalism eternally. Or at least so long as Rhea and her church have power. With Edelgard’s meritocracy, either one of two things will happen: (1) a change for the better where the government will be more inclusive or (2) the complete collapse (fast or slow) of the government and Empire, which will lead to a new era of change where the people will pick up the pieces and create their own government that will improve the world. This is simply how progress comes about.
I should also note that this is a theme I see within Silver Snow itself. When you follow Rhea and choose to support the church, everything remains stagnant. This is noticeable among the Black Eagles as they don’t get their full development. I don’t want to make this too long, so I won’t go in-depth, but the greatest example is how SS Bernie remains a recluse, unlike CF Bernie who has learned to be more outward. A lot of Silver Snow shows the church using people in a way to try and keep order, creating an unchanging and stagnant world. This is what Rhea does. And this creates more harm than good. Sometimes the best thing to happen is when all falls apart and the people build something new on the cleared foundation.
Next, the video states that Rhea isn’t enforcing the Crest system at all, but that’s not exactly true? Rhea, in a way, is enforcing the Crest system by giving the nobles access to the Relics. These are powerful weapons that can easily be used to hold people at bay or kill them. To provide such power to a select few ensures they hold their status high-up as nobles. I mean, we have an entire chapter which ends with us being required to give the Lance of Ruin back to Rhea so she may bestow it upon House Gautier. And if you don’t give it back to her, she gets PISSED. She is actively enforcing this system.
Not to mention that once again, she requires many nobles to follow the Seiros faith, and follow her as a result. She asks that the commoners have faith in the nobles, which is another hit at her basically enforcing the Crest system. I’d also like to note that the only place where she has less control is in the country that has no nobles with crests of the ten elites (and as such, no relics). Crests seem to matter less in the Empire as we can see many powerful nobles who lack Crests (like, our minister of military affairs has ZERO Crests), which may be part of the reason the church has less control. It just seems that the Crest system is so heavily tied to the church, and it’s only strengthened with the lie the faith spreads about Crests.
I also want to add that Silver Snow shows that the most powerful people within the church are actively given Rhea’s blood and Crest shards??? So she is actively providing Crests to people in power which would only further fuel those with Crests being higher/mightier/more important than anyone without Crests.
The next bit that the video speaks on is how the one major wrong Rhea does is her creation of a false faith and outright lying to people about the past. Here’s what I have to say: Rhea can think of Sothis as a goddess all she wants, but she then forces this upon humans. The forcing of humans to celebrate Sothis as a goddess is partially what led to Nemesis killing off the Nabateans (as far as we are aware, though even that could be a lie, but it remains consistent across routes (Seiros was not the one enforcing faith then, but likely Sothis herself)).
After Seiros killed Nemesis, she created the church of Seiros, which seems odd. Why would you name your faith after a saint (and yourself) and not the goddess you celebrate? It seems odd. I mean, Christianity is called Christianity, not Peterism or whatever (I do realize that there are subdivisions of Christianity like Lutheranism, but that is, again, part of Christianity).
By covering everything up and creating a religion, Rhea simply makes a new way for people to worship her mother as she so desires. It allows her to take control of Fodlan slowly so she might have complete religious control over the people, as that seems to be one of her desires.
There’s a statement in this ending part of the video that really struck a chord with me. The video states that if the church put its beliefs closer to reality, those who slither would have nothing to manipulate Edelgard with. But it should be noted that they aren’t manipulating her. In fact, they weren’t the ones to tell her this. She gained this information from her father, the emperor. This was information passed down to her through the generations.
Her tipping point was being experimented upon so that she might have a second Crest which is also a major Crest. The only way this could have been averted is if the church never took control of Fodlan and enforced the Crest system, preventing Edelgard from possibly being harmed by it and obtaining a secondary Crest. But the only way to do so would be to destroy the Crests and Relics, which I doubt Rhea wants to do (since those are her siblings). In fact, she herself ADDS to this problem as she and all of the saints (excluding Macuil) gave their blood to the nobles who assisted them, which would further assist the creation of a Crest system.
The last bit of the video I wish to comment on is about Rhea’s questionable experiments. No matter how you look at it, what she did was wrong. We don’t know what the first dozen experiments were like, but we know how Byleth’s went. Sure, at first it was to save their life. But then Rhea became obsessive, wishing to turn the child into the progenitor god.
The video states that it seems like Rhea simply wanted Sothis to be reborn in spirit outside of Crimson Flower. But I don’t think so. In every route, Rhea makes comments on Byleth being a vessel and wishing for the power to overcome them, making Sothis return. It seems that the entire time, no matter the route, Rhea has desired for Byleth to be a sort of human vessel to sacrifice for the return of her mother. It is only when this fails and Byleth fights against Edelgard that Rhea gives in and just sees Byleth as being the progenitor god in spirit, Sothis having had passed down her powers to her vessel.
Since the video speaks nothing on anything of the war phase, I will also speak nothing of Rhea’s actions during the war phase. It is then stated that many of Edelgard’s accusations towards Rhea are either outright false or missing context, but I believe otherwise. All of them are true in some form or another, and we never know everything Edelgard does. Edelgard does in fact know the truth of Rhea, but we never know how much of the truth she knows of the Relics (though it’s highly likely she does and just never speaks on it).
It should also be noted that the video says Edelgard is walking the same path as Rhea, though from a different direction. And I do agree. They are two sides of the same coin. People struck by tragedy who wish to right this wrong. The difference is how they choose to pursue fixing this. Rhea does so by becoming some almighty power. Edelgard does so by becoming a tool for her people.
After writing all of this, I will say that Rhea is one of my favorite characters in Three Houses for her writing, and that is due to her tragedy. She’s of so much interest because she’s someone stuck in their past, wishing for nothing more than what they used to have. But they can never have that back, dragging other people down with them as a result.
Rhea may have done some good things in her time, but if she did, I have yet to see or hear them. Perhaps the church has done things to help Fodlan, but it cannot be ignored how much harm Rhea has done as well.
31 notes · View notes
benisasoftboi · 5 years
Text
Unorganised thoughts on Silver Snow:
When I finished Golden Deer, I said that it had felt like a more traditional Fire Emblem story than Blue Lions. Silver Snow is that but even more so (though GD is still the most trad-FE cast, IMO)
Having already played those two routes, it felt very much like a whirlwind tour of them both, plus another battle thrown in at the end - a battle that probably should have been harder, but I (completely accidentally) built the bulkiest Byleth imaginable, especially resistance wise, plus high magic - and so, by pairing high defensive stats with Nosferatu, I tanked every attack that came my way 
Gaming, for me, is just doing whatever the hell I feel like, stumbling into good results, and then pretending that I did it on purpose
I spent the whole battle with the Dragon Tales theme song stuck in my head. Kind of killed the mood
I really enjoyed that after wrapping up both the Edelgard and TWSITD plots, they basically Persona 4 you by trying to convince you that the whole game’s done now and all that’s left is to chat with everyone - though unlike in P4, there’s very obviously something left to do because they give you a whole month of prep time, rather than just one day
I felt the same way about this on Golden Deer - none of the characters are appropriately shocked by Rhea’s highly questionable actions 
Also - she says she’s going to explain the whole truth! And she doesn’t! Only the Byleth creation stuff! The other revelations from Golden Deer are missing! Rhea! Why! Are! You! Like! This!
This is actually a problem I have with this game as a whole - they want to keep certain lore and secrets exclusive to certain routes, but it results in every story feeling in some way incomplete. Like, Fates gets a lot of crap, but at least you did get a full story from your half (third? never played Revelation) a game for the price of a whole one. Blue Lions gets the worst of it, I think 
Plus, when you know some of said secrets, it makes characters who refuse to share them in other routes seem weirdly (and sometimes, contrivedly) cagey about things they really do not need to be cagey about. See: Claude refusing to tell Dimitri and Byleth in Azure Moon that he wants to End Racism, and instead vagueing about ‘achieving his dream’. This is not Edelgard wanting to conquer Fodlan and dismantle the entire social structure, Claude, your ideals really are not so controversial that you need to be this coy. Dimitri and I are cool, we getcha 
My one sentence review of the whole game is basically: Great characters, great world building, great gameplay - but really, really frustrating plot structure
I’m also really upset that Seteth does not have a dragon form
Speaking of Seteth, I married him this time around. I mostly decided to do it for laughs, but while Byleth/Dedue is still my number one Byleth pairing, I came to really, genuinely like them together. Seteth is one of my favs, now more than ever
It helps that romancing Seteth feels a lot less... creepy than romancing most of the students. I like Linhardt, but romancing him felt very weird to me because I couldn’t get over Byleth having first known him as a 16 year old under their care. Dedue, for the record, doesn’t elicit this response  because he doesn’t really feel as much like a student to me? Role-wise he feels a lot closer to the knights, and it’s just that he's been enrolled as a student for convenience’s sake, which makes him and Byleth feel more equal than they do with most of the other kids. Helps that he’s also on the older end
Anyway, Seteth and Byleth would be the nerdiest couple ever, is the impression I got from their ending. The confession scene made me laugh in how ‘oh we’ve got a lot of work to do - btw wanna get married? - sweet, now let’s get back to work’ it was. Mark Whitten is a gem
It’s also the the first time I felt like the game was actually shipping me with a main lord (Seteth taking that role in the absence of the box lords on this route). Haven’t done Crimson Flower yet, so no opinion on the Edelgard/Byleth relationship yet, but regarding Claude and Dimitri my (pretty damn controversial, possibly a bad idea to put out there) opinions on them with Byleth are that
Claude and Byleth are platonic bros, regardless of Byleth’s gender. I just don’t get any feeling of romance from their relationship at all, and so pairing them off feels weird (to me, personally - I don’t hate the ship or anything, though)
Meanwhile Dimitri 100% had a crush on his teacher at school, but after more than five years of enduring trauma after trauma, and then half a year of beginning to heal (whilst fighting a war culminating in the execution of his step-sister), Dimitri is nowhere near ready for a romantic relationship. And when he is, I wouldn’t want him with any of the main cast, Dimitri x Village Girl OTP. I guess if it has to be anyone, I’d be okay with Mercedes, maybe Marianne - hell, maybe even Claude - but really, I just want him to get a fresh start. I think that’s the healthiest option for him, in the end
I do think it’s a pairing that could work in an AU where Dimitri doesn’t have any of the experiences he has in canon, though 
And again, this is just my personal reading
I’ll also admit that I may be influenced by the fact that his two most popular pairings are with Byleth and Dedue, who I greatly prefer with each other. Mostly because I love Dedue with all my soul and his ending with Byleth is by far his happiest, in my eyes at least. It’s the only one where he puts some distance between himself and Dimitri and evens out the power balance in their relationship, which makes me happy because oh boy, the Dimitri/Dedue relationship is super interesting and compelling, but also (again, by my reading) all kinds of unhealthy as it’s presented for most of the game - power balance issues like I say, the fact that they tend to indulge, even encourage, each other’s worst instincts and behaviours, mutual guilt complexes - like I say, it’s fascinating, but damn screwed up. IMO, they’re one of the best examples I’ve seen of how unhealthy relationships aren’t always the result of one bad person, and how two good people can end up being very bad for each other
Though it is, again, a pairing I can see working (and actually being incredibly cute) in an AU where they’ve lived less horrible lives
And it’s not like I don’t want them to be friends, I just want them to also develop healthier boundaries and equal levels of respect
oh my god none of this has anything to do with silver snow what am I doing
But hey, speaking of Dimitri - I flip flopped on whether I thought his death was handled better or worse here than Golden Deer. It was given, I felt, more appropriate gravitas, but again suffered from ‘Dimitri’s dead! No, Dimitri’s alive! Oh wait, now he’s dead again’ in like, three successive scenes. And then you see his... ghost? I guess?
Dimitri really seems to get the short end of the stick on routes outside his own. Claude’s non-Deer roles were, in both cases I’ve played, much stronger and more fitting, and Edelgard is Edelgard
Maybe he’ll be good in Crimson Flower. Please. I miss Dimitri mattering. He’s probably my favourite of the three
There’s a point - obviously I don’t fully know Edelgard yet, but from what I got from the White Clouds section, above anything else she strikes me as an incredibly realistic depiction of a slightly edgy, extremely idealistic, but also highly naive and short-sighted teenager
Her whole goal, it seems, is meritocracy. She hates the crest system and the nobility, and she wants to create a system of equal opportunity. I can get behind that, but I really hope she’s prepared to accept the fact that true equal opportunity is basically impossible without recreating The Giver, as inequality is always more complex than one single factor being to blame for everything. Has Edelgard considered other limitations that make true meritocracy difficult to achieve? Has she been working on, say, a comprehensive benefits system? Or is she more of a libertarian type, and so primarily all about negative freedom and removing direct oppression? I hope Crimson Flower goes into detail on this, I’d be genuinely interested to know
I also find it interesting that she gets very angry about the fact that people hurt her and her family as a means to their own ends, so she decides that her own ends are to eliminate the system that lead to that happening - and she doesn’t care who she has to hurt in the process
This isn’t a CinemaSins *ding* plot hole observation, I genuinely think it’s interesting, and not actually that unrealistic
I also suppose her goal is no less naive than End All Racism By Being Nice To People, but Claude isn’t killing and persecuting people in attempt to achieve that, so it invites less scrutiny
I do wonder if I would have felt more strongly positively about her if she’d been my first playthrough. I do believe she’s a person that sincerely means well, and she’s certainly sympathetic, but - hmm. I’ll make my mind up when I finish CF
Anyway, paired endings. A few that I got include Raphael and Bernadetta (by far my favourite Bernie ending so far, seriously, what is that Caspar ending), Shamir and Leonie, which was cute and goofy (as Leonie’s endings tend to be, I notice, I do like that girl), Felix and Dorothea (not my favourite for either, but cute), Sylvain and Mercedes (the same but even cuter), Cyril and Petra (which felt wrong, partly because I love Cysithea a hell of a lot, and also because despite knowing there’s only about a year between them, Petra looks so much older pre-time skip), Ferdie and Marianne (super wholesome and sweet), and Linhardt and Caspar (my boyyyyssss that I refuse to ever separate again)
Not sure what I’m going to aim for on CF aside from keeping those boys together and also Ferdie/Hubert, as I’ve Heard Things
Flayn and Manuela have an A support so I figured they had a paired ending and it turns out they do not, which means Manuela was alone forever and Flayn ran away because apparently she hated having Byleth for a step mother I guess, rude
My Byleth (Myleth?) was prepared to be the best step mother in the history of the world, so offended
I realised ‘Javelins of Light’ is one of my absolute favourite tracks in the whole game. Mostly because it sounds like something out of Danganronpa, which made me nostalgic
I also like ‘Guardian of Starlight’ for somehow managing to sound like a Danganronpa/PMD: Explorers crossover track
I love how out of nowhere the Immaculate One fight is. It really does just feel like they needed something to distinguish the route from Verdant Wind outside of Claude not being around, so they just had a map that was less cool in every way except for the dragon
Is there an explanation for why Nemesis doesn’t show up on this route?
Also - I didn’t mention this in Golden Deer thoughts but I also found that final battle way, way easier than it was probably meant to be because I’d made everyone into a flier and so the floor damage hazard was meaningless
Which I totally did on purpose and not so I could make a stupid joke post about my all-wyvern team 
Anyway, in conclusion, Silver Snow was a good route, I enjoyed it more than I thought I would (I’d kind of thought it was just going to be GD without Claude, which isn’t... totally wrong, but it’s got some other stuff going on too), I liked Seteth getting to have a bigger role, I thought it had the best final boss (if not the best final boss map), and I liked that I got some more Dragon Lore (never a bad thing)
please don’t yell at me for my controversial shipping opinions 
12 notes · View notes
amber-gimlet · 5 years
Text
Me trying to sort out my complicated feelings on Claude below the cut. This will get rambly and unorganized, plus I haven’t finished Golden Deer route. Or seen his supports with Byleth.
“Why didn’t you run? I was counting on your running!” not an exact quote, but roughly what Claude says when you kill Hilda in the Crimson Flowers route, and ‘discover’ that he’s the Prince of another, powerful nation in addition to being able to rule one of the three factions of Fodlan.
Despite putting his horse in the race, Claude can disengage at anytime without much personal cost as long as he survives. But the people who put their faith in him, the golden deer, can’t. I think if you asked Claude if he knew that he’d say ‘of course’, but I wonder if he really understood that until Hilda died. That he’d become something to believe in.
In the Blue Lions route, the Alliance gets screwed at the second battle of gronder when Claude decides its too much trouble to differentiate the Kingdom and Empire forces. Admittedly, Dimitri is feral and his army reflects that at this point, but its not like Claude would be averse to vulturing the weakened army after the Kingdom and Empire fight.
It feels a bit like Claude treats the conflict as a game, whether he means to or not. Because again, as long as he survives, as long as he doesn’t become too attached to the people fighting and dying for him, the stakes are incredibly low.
This is an emotionally invested in conflict that Claude himself probably cares about, but he can still disengage at anytime as long as he’s willing to harden his heart and put on a face of calm. I’m projecting a lot here because I hate that that used to be me to a T, which might be part of why I have so many issues with Claude.
The fact that his route makes me feel like I have no autonomy is another thing that bugged me. With Dimitri, you put your foot down and tell him to get his shit together at multiple points, and people ask you your opinion on things and you get different options to choose from. Do your choices actually matter that much? Of course not, programming in that much route flexibility would be insane and I’m glad they didn’t try. But crafting that illusion of choice is important, and in Claude’s route you’re just his puppet bishop.
Again, projecting. I want to like Claude but he reminds me of a person I decided I didn’t want to be anymore.
Then there’s the thing with the journal, which even people who like claude seem to have an issue with and its little wonder why. What makes me so upset about it is that its in character, Claude is desperate for secrets and its not like Byleth can hide or destroy the journal. His argument of “I’ll just steal it later anyways” makes perfect sense for his character even if its more brazen and open about his cunning than he would normally be, but he just... gets it. You don’t even get to make him go through the trouble of stealing it, much less sulk about it.
Claude does a lot of shady shit, and has a luxury of detachment that others don’t. He’s fighting purely on principle because he wants to make the world how he thinks it should be, but its not the desperate struggle to fix the problems that hurt him before karma catches up to him. An honestly, I think that’s cool. Its a neat character concept, and feels very real. But I want to be able to check that, when he crosses a line like he does. And I don’t get to.
2 notes · View notes