#and even if I know im allowed to just enjoy fandom without being a product or providing any sort of content it just feels like a waste and

[katsukikitten]

Both you and bakugou growing up on a youth reform farm, tolerating one another because of your friends until he gets jealous and calls you a buckle bunny cause you're wearing a buckle of a man ten years your senior who he used to idolize and Bakugou is jealous it isn't his.

And now the two of you hate each other's guts and it carries into your adult lives blah blah horses

[mumpsetc]

Genuinely Asking, (Not sarcastically! This ask comes across as bitchy unintentionally But Im genuinely asking) what do you think the themes of ii are. What the purpose of the story is. Im utterly confused by what you take from each episode. What You analyze and what you don't. Even more so how you think this obvious trick 'ending' Is good at all for the story theyre telling.

Because It feels as though you deeply misunderstand What ii is going for. What its supposed to be. Especially since you called the Relationships petty and useless? Or how you call s3 unimportant (I dont prefer s3 at all, i dislike it in fact. im a huge s1 fan. But to call it uninteresting Is confusing Now that we know what we know.)

So Im curious, What Do You think ii IS about. Why you think adam and justin and brian spent 13 years on this passion project. Because if it was for money, like you've said, why not animate for a Youtube Content farm. Why bother working on this and keeping a plot twist hidden since 2013. Why Would you go into the animation industry specifically siting II as inspiriation for it.

Not what YOU think ii should be about. You've talked about that plenty of times. What IS ii about. What Is the story trying to tell. What is the common Story beats between every single ii contestant, Civilian, and Host.

Now This is an Interesting Ask, and Thank You for Asking It I Enjoy Thinking About Stuff Like This. I Will Be Getting Personal in Response Because I Think This Ask Deserves as Much

To Address a Few Things Off the Bat: I Am a Very VERY Biased Source for a Multitude of Reasons. I Have Been Watching the Show For 8 Years and In That Time Have Picked Up a Lot of Personal and Fandom Related Baggage So I Have a Hard Time Looking at a Character Like Fan Without 8 Years of Feelings Towards Him. Also @ Your S3 Point, I've Actually Been Rewatching Recently to Properly Contextualize It in the Story as Well as View It as a Finished Product. I'm Only 3 Episodes Into That So I Can't Say Much on That Front Currently Other Than a Lot of My Older Opinions on It are Outdated and Also Made When I Was Very Very Angry Haha!

Finally on the General Disclaimers Thing, My Taste in Media is Really Weird in Part Because Inanimate Insanity. I Was Into ii From 13-15 and Then 17-Now. When I Got Back Into it at 17 I Made the Decision to Start Watching Movies and Reading More Books Because I Didn't Want to Limit Myself to ii and Stagnate in My Tastes. This Resulted in Me Seeing a Lot of Things Professionally Known as "Huge Fucking Bummers" and Generally Preferring Bittersweet or Unhappy Endings.

I Like the Fake Ending Because That's What I Typically Enjoy Across the Board. ii Having an Everyone Dies and Mephone Loses Everything End is What Appeals to Me and My Own Interpretation of the Series So I'm Happy. It Might Be Vapid and Emotionally Base But ¯\_(ツ)_/¯ I Think I'm Allowed As Much.

To Answer Your Actual Question Though, I Think The Themes of ii are

Existing in a Place Like ii is Damaging for Yourself and Others and Takes a Toll on Your Interpersonal Relationships

An Allegory for Being an Artist in General

There's a Few Others Floating Around Like "Forgiveness" and "What's Real on ii?" But These are the Two I Think are the Most Present and Effect Everything, and I Vastly Prefer the First Over the Second. I Think The First Encourages Interesting Character Dynamics and is At Play With Several of My Favorite Characters (Suitcase, Cabby, Apple, Marshmallow, Paintbrush). The Artist Thing Was Always There But I Just Never Really Cared for How They Executed It.

I Get What the Story Is Going For and Can Probably Atleast Make a Ballpark Swing at It's Ending. Its Steven Universe/Pixar Influences are Worn On Its Sleeve and I Get the Point I Do I Do I Do I Promise But I Just Don't Care for That Sort of Thing Anyways. Is That Unfair Towards ii? Yeah.

On Why I Think ABJ Made This? I Can't Say. I Try to Avoid Speculating on Them or Their Intentions Anymore Because I Think the OSC Treats the 3 of Them Very Strangely and I Don't Want to Be Involved With That. I Disagree With Your Sentiment That You Can't Milk a Passion Project for Money and I'll Leave It at That.

Finally, You Asked Why I Cite ii as an Artistic Inspiration Despite How Much I Dislike It. This is Funny Timing Actually, It's My Senior Year in College And We Had to Do an Assignment Breaking Down Why We Animate At All and I Did Talk About Inanimate Insanity for Mine (For 20 Minutes Too). It's a Show That Means a Lot to Me Because It Has Had an Immense Influence on the Direction My Life Has Taken. It's a Very Right Place Right Time Situation for Me and No Amount of Logic Can Override My Very Emotional Outlook on ii.

I've Been Such a Long Time Fan and I Got So Much Wrapped Up in This Goddamn Cartoon and That's Why I Talk About It, I Got a Lotta Thoughts After 8 Years. I Can Admit a Warped Perspective But This is a Casual Thing I Do for Fun, and I Trust Everyone Reading My Blog to Be Smart Enough to Come to Their Own Conclusions.

[sketchy-scribs-n-doods]

ughh ty for ur amazing tags it was so disgusting how they were 1. telling on themselves claiming poc and fat people aren't attractive and 2. wishing racism and body shaming on an actor in the name of justice(??). not that im surprised anyway their crowd was the one that demonized lucas and ignored caleb for years. one of my favorite characters is patrick and he wasn't allowed even a nightmare sequence he was just forgotten by the narrative and brushed off. a Black victim of abuse not even given a voice, just forcibly suppressed and used to move the plot along to fuel jason's satanic bullshit. he is ignored by the large majority of the fandom that focuses all their attention on white boy of the week but think hating billy is enough to compensate for their favouritism and racism. i hate how poc are treated in this show but its not enough for ppl to just direct all their performative criticism on a character they want actual racist harassment directed at them too. so disgusting.

i don't normally beef on the internet (i much prefer throwing hands irl actually, but ppl seem to enjoy hiding their shit behind a screen lol), but i really did such a hard double take at those tags.

i really can't fathom tearing down another character because your fav gets shit. i fully understand that characters like lucas and argyle don't get a lot of attention and that's likely a combination of a) the duffer's own bias sidelining those characters, and b) fans' bias in ignoring poc. that doesn't mean i'm gonna throw hands with your average eddie or steve stan or whatever, i don't find that productive. i'd rather engage with fans that already enjoy my fav or are open to consuming content about them and encourage (in this long winded example) eddie stans to enjoy argyle content without making them feel guilty about their blorbo.

same goes for every time i see someone thinking that if they kick down billy it will elevate nancy or lucas or max or eddie or steve. it's petty, it doesn't work, and the only things that result from it are a) an echo chambers where all your fellow salty mutuals will yes man you, or b) ppl who like what you just talked shit about are gonna roll up asking what your damage is. lo and behold.

even putting all of the dumb nancy vs billy nonsense aside (and for the record i think the duffers badly wrote both characters in different ways), those fucking tags were just. SUCH an accidental slip reveal of what that person really thinks. i don't think they're a horrible person or whatever but they're definitely a dick and think that as long as they hate the right character they're correct and good.

like you said, wishing bigotry on a person/character just because you don't like them is a weird fucking thing to say. at that point i barely care what the context of the post was. can you imagine saying that out loud in a room full of fat ppl/poc? i don't think any of them are gonna come to the conclusion that you mean it as a roundabouts insult against a popular hot white actor/character and go 'oh yes haha you're so right i totally think fans hating him for being brown/fat is preferable'. i personally would have torn down whoever said that shit to me irl, that's some white ass performative activism i don't have time for, but it seems like ppl don't think about how the shit they say would sound out loud irl to the very ppl they seem to be trying to support

nevermind that any given piece of billy fanfiction and an awful lot of fanart explores the trauma billy has gone through more than it goes 'ah yes blonde boy hot'. we can have tho conversations without being pricks saying shit in bad faith about it. like, most billy fans i see are huge fans of patrick and mourn his lost potential. because we know how the duffers treat their abused characters.

this shit isn't a contest, but often the shit you say about a character affects ppl who are similar to/identity with that character. if in your pursuit to hate and spit about a character, you say shitty things that make poc, fat ppl, abuse victims, etc., feel like you're insulting them or just using them as props for your wokeness, then you need to take a step back and ask yourself if maybe you needa chill and reevaluate what you're doing. it's not a good look, and neither is the mindset that revenge and punitive 'justice' should be prioritized above healing, growth, and connection.

(like c'mon we can redeem fictional war criminals but we can't let an 18 year old being abused by his dad work through his racial biases? like the latter isn't a much more common situation that happens irl to real abused teens with bigoted parents? alright)

anyway, i'm glad you appreciated my tag rambles, i really was just word vomiting in a fury lol

if you love patrick and enjoy the idea of patrick and billy interacting, i have a # patrick mcckinley tag and a # kingr*ve tag for each respectively (i lump all my patrick and billy stuff under their ship whether platonic or romantic bc patrick stuff is scarce enough as it is). cheers!

[iinfortunii]

rules: code of conduct.

BEGIN.

Before we start, I would like you to have certain things in mind when approaching me ooc. I am very shy and quite awkward, which results in me not being much of a talker; however, I will always try my best to be friendly to whoever wants to approach. I dislike pet names so please do not use them with me unless we are very close. There will be times when I'm just exhausted, so my wording could sound rude/aggressive, to which I apologize in advance -I never mean to hurt people’s feelings. I also reserve the right to interact with WHOEVER I want, and pestering me about it will only get you blocked.

Updates will be made as required.

I. BASIC.

A. This blog is: Selective / Independent / Canon Divergent / NSFW / Mutuals only / Singleship / Mostly iconless / Multiverse / AU, Crossover, OC, and Multimuse friendly / Vaguely affiliated with the OP RP fandom.

B. I am a very slow rper for many reasons —school, family, my ever-fluctuating mood —and I would appreciate it if you refrained from pestering me for replies. In return I offer as much patience as necessary. Think of this blog as low activity please.

C. English is not my mother language so I apologize in advance for any mistakes made.

D. I track the tag #iinfortunii, although mentioning me works just as fine.

E. Constructive criticism is always welcome but anon hate will be immediately deleted. I have no problems if you disagree with my portrayal, but it doesn't give you the right to harass me.

F. Mun and muse are both over 18, so there are chances that heavy content will be present; however I won't be writing smut. I can roleplay anything before or after the act if requested, but the moment things get far too explicit, I'll do a fade-to-black. I ask of you to not lie about your age or else you’ll be blocked indefinitely.

G. This is a heavily headcanon-based blog, and changes are likely to be made as more information is revealed about him, though I reserve the right to adjust the new information according to my interpretation of Deuce or simply ignore it, which is why I’m canon divergent.

H. If you'd like to turn an ask into a thread, you can turn it into a new post, or reblog from me, as I won't be using the Tumblr asks anymore due to the problems that come with formatting and such.

I. Ask box is open for everyone ic or ooc, but you aren't allowed to turn it into a thread and nor I will reply to it if we’re not mutuals. Please don't push me, because I won't hesitate to block.

J. No godmoding —only a minor is allowed if it moves a thread forward —or metagaming, please. Don't kill Deuce either, unless plotted beforehand, and most importantly, don't hold your muse back.

K. Discord is available for mutuals upon request.

L. Just because I write something it does not mean I condone it. Please have this in mind and again, do not pester me about it. Any and all nsfw matters will be tagged accordingly. There will be triggering topics present, and you can know more about this on the section below.

M. DO NOT involve me in drama or call-out posts. I’m heavily against both things. On this note, you’ll never see me rebloging a call-out post. This culture is so damaging and toxic, and I firmly believe no one should play the role of the judge for the good of the community just because you had issues with someone or don’t agree with the things they roleplay. Talk things privately, be mature about it, hard-block the person and move on. I am also very aware that a lot of people have done things that can’t be excused, but I like to believe that people can change for the better. If you try to drag me into it, I'll hard block any and all people involved indefinitely.

II. TRIGGERS.

A. They will be tagged as trigger tw, trigger / and trigger cw.

B. I do my best to stay up to date with my mutuals triggers. Your comfort is way more important to me than you might think, so never be hesitant to approach me via IM, (anonymous) ask or stop following me.

C. Triggers that are likely to appear, although some more than others: violence || blood || death || drugs || abuse || knives || body image || medical equipment || suggestive content || etc

D. I have no triggers, so you are free to go wild with your content. I only ask you remember to tag your nsfw (both written and visual), please.

III. INTERACTIONS.

A. Deuce won't like everyone. He might/will make wrong assumptions about your character. He will insult and bite back. He won't always be nice to those he likes. He does many things that serve his interests. You, as the mun, have no reason to take it personal, because I'm won't follow someone I don't like; if you DO take it personal however, and decide to rouse drama, then I'll be hard-blocking you. Goes for me as well —I have no reason to get angry for any of the things noted above.

B. My bonds page displays the relationships that have been built over time, not necessarily through interaction alone but over plotting as well. Refer to it for more information.

C. Interactions with OCs related to canon characters will only take place as long as said OCs have a detailed about page. Personally, I'm not interested in the idea of an OC being blood-related to my portrayal, so I apologize in advance.

D. Formatting isn’t a big thing across my blogs, save for the small text. Please don’t mix either sup/sub with small text when writing with me, as I have eyesight problems. Don’t use colored text either.

E. Non-romantic pre-established relationships are allowed! Just make sure to talk it out with me first, yeah?

01. Spade / Whitebeard pirates (canon and original characters alike that i am MUTUALS with) will have a pre-established relationship as long as the other mun is comfortable with such idea, though that relationship will be limited to merely crewmates, unless discussed otherwise.

F. You don’t need to match my writing length as long as I’m given enough to work with. If something about my reply bothers or doesn’t work with you, let me know and I’ll re-work it.

G. I really enjoy plotting scenarios or talking out about the relationships my muse could have with other muses, so hit me up if you’ve got any ideas! I’ll try to do the same!

H. Mun does not equal muse, so don’t go assuming I’m a jerk simply because Deuce is an asshole from time to time. I’m set on the idea that I’ll give people the same treatment they give me —which is always nice and kind. Kudos to everyone for this ♡

I. I don’t use a threadtracker because I rely on my memory (terrible mistake, I know), but I try to draft people’s replies as soon as I see them. If by any reason it seems like I lost it, then please let me know / send me a link with it and I’ll be deeply grateful.

J. I don’t do nor reply to greetings starters for matters of my own comfort, so I ask of you to never expect a starter or a reply from them.

IV. SHIPPING.

A. Singleship, with the spot taken by daadzi, which means Deuce is no longer open for romantic relationships.

01. Under no circumstances, I will accept more romantic relationships once the spot is taken. That being said, I won’t discourage your muse from falling for / hitting on him, although I ask you to understand he will never respond with the same interest or will never react gently if he’s pushed too far.

02. If my shipping partner is comfortable enough, I'll interact with duplicates with the condition that the relationship is strictly platonic.

B. Constant interaction, mutual interest, and chemistry are a must for the sake of better communication (both ic and ooc, preferably).

C. Please do not approach me if you wish our characters to have either a: one night stand or friends with benefits type of relationships. It won’t work out due to the nature of Deuce’s personality, and for that I apologize.

E. My ship has its own tag so you're free to block it if you don't want to see it on your dashboard. In addition, I'll also tag those posts with only the ship name for this very purpose.

F. Please do not force ships on me.

V. CELEBRATIONS.

A. First off, I am absolutely terrible at keeping up with dates, and to be frank, I am not the biggest fan of celebrating, which is why I think it’s necessary to say I won’t be partaking in any holidays, not even Deuce’s birthday (not that he has one, to begin with). Obviously I will still reply to any gifts received, and will send out things in return —you know, common courtesy.

B. I won't be sending out birthday gifts every year, and I might write drabbles for people once in a blue moon; it doesn’t mean they will be done for the specific date though, so please be patient.

VI. REASONS TO NOT FOLLOW BACK / UNFOLLOW.

A. Too much drama / call-outs / vague posts / sexual content.

B. Content makes me uncomfortable.

C. You are a personal blog without a visible rp sideblog. Please make sure it's easy to find.

D. You do not have a proper tag system.

E. Your blog doesn’t have a rules and about pages.

F. You lack the manners to deal with people respectfully.

G. I have no interest / lost interest.

H. I'm constantly / only used as a meme archive.

I. Other reasons may apply. I will soft block so we can both cease following each other and avoid any potential awkward situations. I won’t make a fuss if you decide to unfollow so I expect the same courtesy.

VII. ABOUT BEATRICE.

She is not a real person. Her concept as Deuce’s (toxic) pseudolover is my creation and was somewhat inspired from the real life Beatrice Portinari. Do have in mind that Deuce doesn’t talk about her so your muse can’t simply approach him and ask about her unless they can go through his memories / read his mind / any capability alike or he speaks about her, though it won't take a genius to figure out that she's a product of his imagination.

You can read about her by clicking here -link to be added.

She serves as a lie to shield himself from the internalized homophobia he deals with up until meeting Ace.

NOTE: As stated previously, Mun =/= muse, but I too have been dealing with compulsory heterosexuality for far too long, so I'd like to apologize in advance for projecting a bit of that into my portrayal. I'll work so that this part makes sense with what we've been given from Ace's novel.

VIII. MISCELLANEOUS.

A. I will never force people to follow me, so if by any reason you have to unfollow/block me, please go ahead. Your comfort matters and have every right to do what you must to ensure your wellbeing. With that said, I will not tolerate and will immediately hard block if you try to police my content.

B. I do not follow back immediately, and it can take me from a few hours to several days to follow back. Do not take it personally if I choose not to.

C. If I follow it’s because I am interested in interacting. I only ask you to be patient because it might take me a while to gather the courage to send something to your inbox or talk to you.

D. I have. ZERO knowledge about medicine. Don’t expect me to go full force and try to be 100% accurate, because I won’t.

E. I practice reblog karma (send a meme to someone if I’m rebloging it from them). If you see something you’d like to reblog but have no intention in sending something yourself, then please reblog from the source.

IX. FINISH.

Thank you for taking the time to read this! As you might have noticed, there’s no password to send. Make sure to check the psa tag for any updates, or don’t hesitate to send an ask if there’s anything unclear! I do my best so as not to post too much OOC posts, but sometimes it just happens. If it's nothing important, then I'll erase it whenever I have the chance/remember.

Keanu Reeves vc: You’re all breathtaking!

[iluvsexyvoltageguys]

Full Service

Fandom: Irresistible Mistakes (Love 365)

Pairing: Shunichiro x Reader

Note: @rougepetale this is for you, hope you enjoy your man 😏

You had been completely ready for work, just about to put on your coat and head out the door when you felt his hand on your shoulder. It was early and you hadn’t expected him to wake before you left, but you turned toward him and saw fire in his eyes.

He wanted you.

Knowing it wouldn’t take long, and feeling his heat light you up, you tossed the coat aside and let him press against your body, his erection obvious even through his boxers and your pants. The kiss was brief, dirty and deep, meant only to agree upon the level of need. Shunichiro pulled you into the living room where you could brace yourself on the back of a chair, right after unfastening your pants and letting them fall to your ankles. He stepped behind you to take care of your panties, pushing them roughly to the side as he bent you over.

He freed himself from his boxers and pushed forward, using his knee to open you as wide as your clothing would allow, sliding home with one long stroke. He hadn’t even bothered to check to see how wet and ready you were; not that there was a need for that. You were always wet and ready.

You wanted him.

There was never a rhythm, the pace frantic from the first thrust. You didn’t hold back, letting your cries for more echo throughout the room. Shunichiro was well aware that you loved to be fucked hard, but you liked to remind him anyway, pleading for his cock even as he gripped your hips with enough force to leave marks. When he leaned forward to nip your shoulder through your blouse, you came on a violent shudder, breathlessly demanding that he fill you up.

He couldn’t remember you ever wording it quite like that. Sure, you had told him to come plenty of times, but the specific request to fill you up was different. Primal. And he reacted to it. “You want to be filled up? You want to feel everything I can give you? The way only you can make me come?”

“Fuck, yes.”

Any further encouragement was unnecessary and Shunichiro pumped only twice more before he held himself deep inside and let your pussy help milk him of every drop. He was still draped over you, his cock slowly softening within you, as you mumbled into the chair cushion. “I should go change before I leave for the office.”

“No.”

“No?”

“You wanted to be filled up. I want you to stay that way.”

Something in his tone kept you silent, so he took the opportunity to slip out from you, fixing your panties as quickly as possible. Your pants followed, though he let you handle the zipper and button. You were quiet long enough that he thought he might have pushed you too far, but when you turned around and hungrily attacked his mouth, letting your tongue tease the roof of his mouth before you nipped at his lower lip, he stopped worrying.

You finally pulled away and smiled wickedly, loving the secret you would share with him all day. Without another word, you picked up your coat and left for work.

~~~~~

The rest of the morning was relatively normal; you, Toma and Toshiaki continued to work on the story board of the current commercial you were working on. However, even surrounded by the mundane, you couldn’t stop thinking about the way you were marked, feeling it with every step and embracing the warmth crawling just under your skin.

When you saw Shunichiro step off the elevator, two coffees in hand, you swore you felt a new wave of your own wetness mix with his. He handed you the steaming cup at your desk, leaning forward to whisper in your ear. “I can smell myself on you.”

Wide-eyed and blushing, you whipped your head around to where the guys were huddled around Toma’s computer, then slowly turned back to Shunichiro. “Really? Do you think they’ve noticed?”

“I hope so.” He walked away before you could respond, and you couldn’t even figure out how you felt. Powerful? Dirty? Needy? Some of everything? You supposed being ashamed would be a normal reaction, yet there was absolutely none of that. Hurrying to rejoin your team, you did what you could to push it all from your mind so that you could focus on work.

Things were fine until lunchtime, when everyone went to grab lunch and you and Shunichiro were left alone for several minutes. You were leaning against a desk, still editing the story board, but he made his presence known when he nudged your shoulder and grinned mischievously, “Still filled up?”

“Well, I’m not sure how ‘filled up’ I am, but I’m plenty wet.”

He studied you for a long moment. “What happened to keeping it in all day?”

“Um, gravity?”

It was a simple fact, but he just shook his head and grabbed your hand, pulling you away from the office and down a familiar hallway. There was a small storage closet that you had become rather acquainted with, though you really tried to avoid too much sex at work. The idea of getting caught was both arousing and appalling, but on days like this, it just didn’t matter.

You both crowded into the tiny room and shut the door behind you, leaving you with a sliver of light. It only took a minute of fumbling to find the sturdy boxes you knew were there, then stack them to a height that would allow you to sit at the perfect angle for him to fuck you with little effort.

Just as had happened earlier, your clothes hung around your ankles; he let his fall as well, unconcerned with anything but coming inside you again. Your mouths met sloppily just as his cock drove deep, a gasp of relief coming from both of you. The sound of your joining was louder and wetter than normal, a reminder of what you were doing and how much you were turned on by it. He reached for a handful of your hair and pulled your head back, giving him room to suck on your neck as he repeatedly pounded into you

Your hand dropped between your bodies, fingers quickly finding your swollen clit. He looked down at your colliding hips and groaned at the sight. “You want me to come hard inside you? Fill you up again?”

"Please!”

You let yourself go, your entire body tightening as you tried to stay silent, only a desperate mewl escaping your lips. He followed quickly, in tune with your body and on edge with the desire to leave you with more evidence of your shared lust. As he spilled inside you, his forehead fell forward against yours, and you both took a moment to catch your breaths.

By the time he slid away from your body and you carefully moved off the boxes, your eyes had adjusted to the darkness and you were able to watch as he eased your panties back into place. Before his hand fully let you go, he tucked it under the elastic and dragged his fingertips through the cum he had just left behind. Bringing them up to your mouth, he touched your lips and you opened for him, sucking his fingers clean as you stared at him.

“You’ll try harder to keep it all inside this time?”

Your tongue still held him in your mouth, your lips sealed around him as you nodded.

~~~~~

You managed to make it through the rest of the day with some semblance of productivity and concentration, even as the heavy scent of sex followed you like an illicit haze. The guys had to have noticed something, but stayed quiet, the topic too intimate for either of them to bring up. Still, just knowing that they must have had their suspicions was enough to keep the arousal thrumming steadily throughout your body.

For his part, Shunichiro did lots of staring, but far less talking than normal. Instead, he followed you with his eyes, territorial and proud, eager for the moment he could get you alone again.

You had dinner reservations at a swanky restaurant and needed to stop at the apartment to change first, so you left work at a decent hour. You were both quiet on the drive home, simply holding hands with an innocence that belied the day’s earlier activities, but once you were through the front door, you grabbed at each other, removing clothing at a feverish pace.

How you made it to the bedroom was unknown, even to you. Your panties were the last barrier between the two of you and they were unceremoniously tossed to the floor, just a second before his naked body pressed you down into the mattress. You attempted to lock your legs around his waist, pulling him closer, but he stopped you, instead moving them to his shoulders. The angle allowed him to get deeper than he had been all day, and hit your g-spot perfectly. It didn’t matter that you had already fucked twice that day; neither of you would last long.

You got loud, begging to be filled up one more time. Your string of expletives urged both of you on, and you finally screamed his name, your pussy gripping him desperately and pulling him in. Several seconds later, he emptied himself for a third time, sticky streams adding to everything he had already given you.

As soon as you both recovered, he moved to pick up your panties, dropping them onto your bare stomach. “Pick any dress you want, but keep the same panties on.”

You made it to the restaurant in time, dressed to the nines and sinful as hell. There was no way to tell which of you were riding more of a high throughout the meal; he still felt dominant, having left his mark on you all day long, while you felt powerful, flaunting your unions with poorly-hidden evidence. It was outrageously dirty, but you both owned it.

By the time you had finished dinner, you were fully sated, all appetites and cravings having been satisfied over that past several hours. Well, almost all of them.

Your server came over to you offering a choice of crème brulee, cheesecake, or tiramisu, but you spoke up before Shunichiro had the opportunity to respond. “No, thank you. He’ll be able to eat dessert at home.”

IM Masterlist

[bubypjm]

why bighit is trash

or, alternatively, a list of things that bighit, an entertainment company/music label, should start doing and stop acting like a small company.

im puting everything under a read more bcos its a lot, for one, and im also sure that not everyone wants to read it or cares lmao

a little disclaimer;  i speculate and connect things based off of the things we are shown/told, i will spoil some parts of their recent movie AND its not bighit-positive, obviously

okay to start this off, bighit released an official statement to say that bts will be going “on an official and extended period of rest and relaxation” and that’s honestly one of the best things that bighit has done for bts.

the statement is linked, but since i will be referring to a fair few points on it i will also attach it here

the issues start with the opening sentence.

“for the first time since their debut” bts will be going on an official and extended period of rest. to rephrase, for the first time in 6 years, the 7 men of bts will not be surrounded by cameras, will not be expected to attend any rehearsals or interviews and will not be expected to produce or write lyrics. they will not have any responsibilities tied to their work. or, that is what we all had assumed, but as we now know the members were expected to film content on what they do during their break and, if jungkooks video is anything to go by, they were also expected to edit and send it in to the company for “review”.

judging by the release/filming of Hoseok & Becky G’s CNS, it seems like their “break” does not include solo activities. or does bighit consider the building of ones own reputation as an individual artist an “extra” and not a part of ones work?

“enjoy the ordinary lives of people in their 20s, albeit briefly”

this just hurts. it was bighits responsibility to make sure that they got more chances to enjoy their lives.

the good

bighit reminding uglies to stay the fuck away from them during their short break.

okay, the statement aside, i want to talk about a few other bighit-bts related things.

bighit staff and sasaengs

- stalkers appearing in hoseoks bday vlive (no its not staff, the girls’ accounts were found on instagram. they were quite pleased with themselves) were was the security ? how did the girls know which room the boys were in ? doesn’t bighit rent out the entire hotel floor ? does that mean they were allowed in ? why ? did they pay ? do their parents have connections bighit could use ?

- giving away members clothes, providing concert entrance, giving away members numbers ect

the thing that occurred during hoseoks vlive was not looked into, as far as i am aware, however Jimin’s Gucci concert shirt being 'lent’ to a stalker was.

However, minimum to little effort was put into the case because no staff was fired, no disciplinary measures were taken and no consequences occurred.

- during either DNA or Fake Love comeback stages on music shows, some armys were not permitted entrance and some privileged people were taken backstage to meet the members (which is NOT allowed, at any point. those are PRIVATE areas for the idols to rest and prep for the stage) source 1 & more if you look around.

- not firing a manager that hit jungkook source (some speculate he was fired, others speculate he was removed from being a manager and took another position within bighit.)

- bighit restricting any and all interactions with the members among staff. according to one of the backup dancers during Not Today and/or Singularity, bighit staff was very strict about NOT speaking with the members.

take the last point as you will. I have my own thoughts about it

- no subs on army kit content, no subs for bangtan bombs (other channels have them. bighit claims themselves to be a global company but doesn’t move as such). its all well and good to say “you’re stanning a korean company, learn korean!” and this may work for bangtan bombs, but what about army kit content? why isn’t that subtitled? or should that be dismissed with “you don’t have to buy it”?

the good

- giving bts a private jet and not making them go through public entrances and exits. thank u bighit

the movie

this will contain spoilers.

- big hit staff filmed the members during their vulnerable moments.

jungkook nearly passing out, filmed and slotted into the movie. the members crying and clearly feeling emotionally vulnerable ? recorded and snipped into the movie. this would’ve been fine if the members were fine with it, but jungkook was clearly trying to hide his face from the camera and jimin expressed not wanting to show himself in bad conditions.

- treatment of bighit staff

we all know that jungkook had to sit out during some stages during the love-yourself tour. what we didn’t know was that he got stitches without any medication that would ease his pain because he had to go on stage.

jungkook hurt himself so badly that he needed stitches, but was not allowed anything to subdue the pain while getting the stitches because it would not make him stage-ready. the staff members watched as he screamed while getting stitches.

now, i don’t really care whether it was jungkook’s decision or not. nobody in their right mind would let someone they care about go through with something like that. there will be other stages, there will be other concerts. however, idk why i find this surprising since jungkook was hit by a staff member before and the only reason why he got fired was bcos it was spotted in the bg of a bangtan bomb and armys demanded for the man to be fired.

- secondly, jimin’s neck and dropping out of the graham norton show.

i cannot find the translation rn, but while deciding what to tell the fans with regards to what happened to jimin and why he isn’t able to perform with the rest, namjoon tries to opt for telling the truth in a gentle way while one of the staff members suggests a white lie as to not worry the fans.

this has also happened before with the korean vs english statement regarding jungkook’s heal injury. the korean explanation stated that it was serious, while the english one explained it more casually. i cannot find the sources currently, but if you look around yourself you can find them. 

bighit.

- keeping supreme boi employed

- forcing jimin and jin to sing in female key in fake love, despite both of them expressing their struggle with reaching such high notes.

- not providing a vocal coach while on tour (jimin had to ask jungkook for advice)

- vocal line still have not got their own studios despite expressing their want for it, yet txt members have their own studios already. source

- members having less and less influence over the groups music. even recently yoongi mentioned that the songs he makes don’t match with bts’ music/style anymore source

- bighit being immensely difficult to work with overseas (strict venue rules regarding staff, changing things last minute, not being time-efficient)

- leaving taehyung’s stage name out of promotional works/promo tweets

- not taking action against death threats made against taehyung

- forcing jimin to speak about his death threats during a live, global interview in korea

- not cleaning up the copyright matter over using michael jackson’s song “black or white” in the festa performance of jimin and jungkook - resulted in their performance being taken down 

- no bangtan bomb behind jimin creating his song “promise”, while recently there have been videos released of jins, jungkooks and taehyung’s solos

- bighit shooting down collaborations and picking and chosing the artists that collab with bts, despite the members wanting and expressing interesting in collaborations with said artist (why did we get a chainsmokers collab before a tinashe one? a khalid one?)

- bighits deal with dispatch. dispatch is known for exposing scandals and relationships among idols, so the fact that they get an exclusive peak into the bangtan life is interesting and rather worrisome.

-however, one of the dirtiest moves that bighit pulled was during the break between DNA and Fake Love. as we know now, that time was very hard for the members. it was in that gap that the members spoke of disbanding, there were rumours/concerns about jungkook’s well being and fans also pointed out taehyung’s odd state.

during this time, instead of allowing the members time and space to decide everything, bighit had applied for the legal copyright regarding everything bts. the group name was copyrighted, as were the members stage names, fandom name among other things (there are articles on naver, if you’re interested).

SPECULATION

i just want to stress that these are my thoughts and you are welcome to disagree and have your own opinions.

Although we know that the members have re-signed the contract with bighit for another 7 years, I do believe that their pens were pushed by bighit’s copyrighting run. the members had 2 choices; either bind yourself to another contract and stay with that which you have built for years, or drop everything and start anew. however, something tells me that bts didn’t sign the contract with no leverage.

namjoon had said previously that although the group started with 7 boys with the same goal, it now consists of 7 men on one boat, each with their eyes set on different horizons. i believe that with namjoon’s collaborations with more and more overseas artists (honne, fall out boy, lil nas x ect), he may have gotten himself more opportunities for solo work.

similar could be said about yoongi. the man is a musical genius and with his production of suran’s wine and heize’s we dont talk together, yoongi may also end up branching in that direction.

taehyung has expressed his interest in fashion and photography a lot over the past years. seokjin has not acted at all in his life, despite starting off to do just that. hoseok began to branch out with CNS but jimin and jungkook have seemingly little to no outside projects, either (though you could count wiom for jungkook)

the boys’ previous contract was, clearly, restricting and very demanding. i think that their new contract allows them a lot more freedom and room to establish a reputation as individuals. that isn’t to say, however, that bighit let the boys end bts as a whole and permitted them to go off and start solo careers.

from what is happening now and what has happened in the past, I do not believe that bighit would let bts disband, you can decide if that is for better or for worse. however, the only way to keep bts together and satisfied, is to give room for the members to do that what they want. i think that we may start to see some more solo projects from the members, and a lot more control and influence from the outside over bts’ music, concepts and management. ever since LY: Tear had been released, i find myself thinking that their next release will be the last one before a mass hiatus due to enlisting. this time, however, i feel like it may be their final release and concert tour before the group steps back for a while.  bighit debuted a new group and is pumping a lot of money into it. they had also recently obtained an entire new company that not only has a lot of trainees of its own, but also manages Gfriend - an already debuted and established group. bighit is no longer the little underground company that relied on 7 boys to bring it out of its debts. however, it will not let its biggest source of income fall away because, at the end of the day, bighit is a company. the most likely scenario, to me, is that once seokjin and/or others enlist, bts as ot7 will go on a break, but bighit will still get to cash in through the boys’ solo work. so, we may see sneak peaks of their solo careers here and there, but bts will remain active as 7 until it can’t no more.

[shoushatohaisha]

review: hajimari no kyojin (osaka 6/1)

so. hello. i usually write up my butai thoughts as, um, 100+ tweet threads in the immediate wake of whatever i just saw, but this time around i thought i'd work them out into a proper report, of a sort. if you, too, have seen this show already and want to talk about it... please. any time. always.

about reviewing: this is my very favorite 2.5D franchise, ever. but this is also a review, not a cheerleading exercise, so not every single thing i have to say is unrelentingly positive. having said that, i respect kinoshita, wada, suga-zachou, and the staff at large more than just about any creative team in this corner of japanese theater fandom so like. i'm not here to drag, lol.

about spoilers: i talk about the plot elements covered but try to avoid spoiling any of the fun production surprises. :) happy to do a more spoilery play-by-play later if folks are curious.

about length: i just checked and it's 2400 words im so sorry.

without further ado...

first of all, i admit that based on the preview clips i doubted, and i was swiftly taken to task for doubting. IM SORRY WORRY-SAN i trust u implicitly and i should have known better. after the major changes in shinka no natsu, i was concerned that bringing back the revolving stage and the original opening theme would feel stale/regressive. it did not. while they did bring back the revolving element they also extended the stage backward and added a second level behind a full stage height projection screen – the second level was used to do some neat staging for flashbacks/parallels and the screen was used to, how shall we say this, up their projection game in a major way, which i frankly did not think was possible. i will not spoil the details but it was pretty great, on a purely technical level.

i also realized that a lot of the repetition – opening with the bike scene, bringing back the original opening credits music, the staging, etc – is the "look back" over the last couple years that i'd expected to come this fall. they are very obviously already preparing for the end – you could think of this as part one of their last show, with the fall as part two. the show opens with a restaging of sixth grader hinata seeing the little giant on tv for the first time – then the current karasuno team take the place of the tv and hinata joins them for a team jog. "karasuno, fight!" "oh!" "fight!" "oh!" only then each character calls out their signature line from the show so far. "uchi no renchuu wa chanto tsuyoi" / "mou tobenai karasu nante yobasenai" / "murabito b mo tatakaemasu!"

and haha. let me tell you. BOY, DID I FEEL THINGS. a lot of things. i think yachi got me the worst but they were all real bad. (i have so many feelings about yachi's story and what a beautiful job saitou ami did with her character on stage. god. ;_;)

the theme of this play was the role of captain – what makes a good captain, what a captain does for the team, and how to step into those shoes when the captain is gone. the johzenji match is fun, but here, in a sense, it exists more or less to set up the wakutani match – (re)establishing daichi's importance so that his absence feels like the gut punch it is. and fully settling the weight of that responsibility on ennoshita's shoulders, as both daichi's substitute on the court and the captain-in-waiting.

with that in mind, the rival schools: imo it wasn't strictly necessary to cast full teams for each school – each match got its own dedicated act, and unlike, for example, nekoma/datekou in karasuno fukkatsu (which had a similar story structure), there aren't really any individual characters on these rival schools who have a role as such other than terushima and takeru. (you know, the captains. see above. XD) so in theory one could get this done with, like, one actor for each captain and then an ensemble cast playing the rest of the team across both matches. HOWEVER, having all those bodies allows them to do super cool stuff visually, and why force yourself to create the illusion of a full team if you don't have to? i.e., /i/ sure am not complaining, isn't it nice to have $$$ to achieve the max vision of your choreographer. XD

i also have no doubt that the kids playing these other characters are doing whatever they can to create a character within the ensemble, and i suspect there's plenty for repeat viewers to pick up on, esp during say the johzenji match (see below). however for the first time viewer following the main flow of the story it's more or less a very large ensemble cast.

the johzenji chaos was well expressed, haha, there was so damn much going on all the time that i hardly knew where to look. (i've also seen opinions on j-twitter that that diluted the impact and i can see that too – it worked for me as a "funny" match that didn't cross the line into comic relief, but ymmv.) i thought the final scene with misaki would pack more of a punch, but i fully expect them to cry at daisenshuuraku so that might fill in the last 10% that's missing rn.

wakutani are another Good Dance Team. one did get a sense, stylistically, of fukurodani- and nekoma-lite with johzenji and wakunan, respectively – i assume that was intentional. mirroring the cats vs owls match, as it were. yanagihara rin's takeru was like… scary?? i had to rewatch those episodes this weekend to see if i'd just forgotten something, but no, stage takeru is not so much reliable middle brother as scowly quiet tough guy. he looked like a kyoutani tbh, and looking at the kid actually cast for kyoutani, one wonders if someone in casting mixed up some paperwork or something. having said that, yanagihara was great at being the character he was, i enjoyed what he did on stage. i'm just not sure that character was takeru. XD (edit: ok having just rewatched, i have to revise this somewhat, i think a big part of my impression was due to being too far back to properly see his expressions the first time around -- up close he was much smilier, and bc i was thinking about it i noticed some nice details like him going over for a family hug afterward.) otoh big post-match scene – all of wakutani, actually – was really good. v effective, i heard sniffles around me.

during this match, johzenji reappeared dressed as takeru's family: FUCKING HILARIOUS omg, everyone involved has clearly learned how to do this right wrt blocking, the very fine line between comic relief and intrusion, etc, after the, er, shaky shousha to haisha experiment of kuroken doubling as oikawa's fangirls. seichou shita na, errone.

also, some great wire work for hinata and takeru – you could tell kenta is really comfortable up there these days. the first time the wires came into play one of the women behind me went "UWO!" which, when a japanese theatergoer makes a noise out loud, that's a true sign something's impressive. XD

nekoma vs fukurodani: Yeah, That Happened. it is a testament to how well done karasuno vs wakunan was that i didn't just spend the entire time screeching BRING BACK CATS VS OWLS because fjkdajfkdlsfjd KYAA. another good staging moment – they used mirrors to create the effect of two full teams playing at a crowded gymnasium, it was brill. i won't spoil some of the fun details but vvjakdlfjdf. and tbh i think the best performance of the four was probably shouri's?? not that this is news but istg idk how someone so soft offstage does THAT on stage. is it this "acting" thing you speak of.

new bokuaka: i mean it was clear some of this material was meant for yoshimoto kouki and i did kinda miss him – i appreciate higashi-san's pinch hitting and he did a solid job. but. ah well. HAVING SAID THAT. fucking "michi wo tsukurimasu yo" i mean we should all be grateful it wasn't kouki and yuuki or it would have just been a fucking fanfic on stage. it was still bad and i don't even go here. XD

and last but not least, arita ushiwaka kenji: not exactly the world's most natural line delivery but that's fine because, i mean, he's ushiwaka. and his physical presence was perfect. which was about all he was called on to do in this particular show, ahaha.

now, for karasuno. and specifically, for my son, kawahara kazuma. remember what i said approximately a thousand words ago, about captains and captains in waiting and stepping up to the plate? (or onto the court, as it were.) ennoshita's story was the heart of the wakutani match and kazuma carried the second act. he was. so. good. he had good material to work with, of course, but he made it even better. i was saying to a friend that in retrospect i think this is one of the very very few parts of the series that actually played better and more emotionally affecting on stage than in the source material (as opposed to differently good/differently affecting). in the manga/anime, you can only see what the paneling or the frame shows you, and those initial paneling/framing choices are focused on the drama of CAPTAIN DOWN. but on the stage, daichi goes down… and off to the side you see ennoshita freeze. and from that moment on, for kazuma, it's go time. he doesn't let up until the end of post-match scene in (here) the locker room – which, jesus, that scene. it packs ten times the punch it does in the anime. because of kazuma.

sorry if i sound like a crazy person here ahaha. but like. like, imagine you have been acting since childhood, you've studied dance with famous choreographers and innovators, you had a main role in The Franchise That Changed 2.5D as a teenager, you've done a solo album, you have a serious history in performing arts... and you get cast in what was initially the smallest role of the entire karasuno team. and you take it! and pull your weight! kazuma was a team player for three years and he deserved this chance to let his actual skills shine so much. ;_; because i don't necessarily think he would have been better in any of the other roles than his actual teammates – but i do think he is a much better actor than several of his actual teammates. and he finally got the opportunity to show that.

anyway, when it came time for curtain calls, the applause swelled noticeably for kazuma – a louder ovation than anyone except kagechan and kenta. and one of those people clapping her hands off, say in row 20, just a random row choice, was definitely tearing up at the same time.

IN OTHER KARASANEWS. kt-san. LIVE IN PERSON KT-SAN BACK IN THE ROLE HE WAS MEANT FOR cries into my hands i love him daichi-saaaaaaaaaan. very occasionally his delivery reminded me he's a model not an actor, if you know what i mean, but like, for the vast part it didn't matter because he is naturally such a perfect fit. have i mentioned i love him.

new suga: mmmmm. he looked and moved fine but his line delivery did not convince me. tbf it's not like suga has a huge role to play in these matches so 1) it's not a huge deal 2) he didn't get much chance to get into the character. either he'll get better or he won't, and if he doesn't it's not going to sink the next play or anything. he seems like a nice enough kid, i wish him well!

kageyama tatsuya: still can't yell and enunciate at the same time. loved that they brought back the archer analogy from shinka no natsu though!! it was one of my favorite things about his kageyama, and it's nice that it's something he "owns" instead of imitating/inheriting from tatsunari.

tsukishima & yamaguchi: miura kairi continues to get even better, i'm so pleased. <3 also, i love love love that they still use the musical motif from shousha to haisha for yamaguchi's jump float serve. it was the same in shinka no natsu, it's the same here. THE TSUKKIYAMA WAS REAL CUTE, great detail work before and after the serve as well as after tsukki's block(s). as for tsukishima, much as they brought back kageyama's archer imagery, they brought back tsukki's fancy katana kill block. (they didn't waste kondou shouri, either, i'll leave it at that.)

last but not least, MY ACTUAL SON AND FEELINGS TWIN, SUGA KENTA: ok like. to set the scene here. i have mad respect for this kid and also love him to death as a human. i think he puts more thought into this production than anyone else in the cast – he is practically worry-san's AD. and he clearly has a lot of real deep thoughts and feelings about the source material. so deep in fact that it took a while for me to come around to his hinata because while, for example, tatsunari's kageyama could have walked straight off my television screen, kenta went down to the manga and built hinata up from there. he didn't have a choice – he's nothing like murase ayumu's voice. all too often we, and i include myself here, think of the two dimensions in 2.5D as anime, rather than manga... but just as there's a big gap between the two dimensions of animation and the three dimensions of live theater, there's as big a gap again between static black-and-white drawing, and movement and color and sound. and when i looked at kenta's hinata as something created solely from furudate's art style, it all slotted into place for me. (naturally, ymmv.)

it also took kenta longer than some of the others, i think, to portray all of what he wanted to. shoen hinata was pretty yelly, and pretty single-register yelly. hinata is a yelly character, of course, but the balance between that hinata and Serious Match Hinata was out of whack at first. this got better and better with every show. and then—

his encounter with ushiwaka here. was IT. it was what i was looking for all this time. his delivery of hinata's big line there was like – i think maybe i clapped my hands over my mouth, unclear, bc it was like the final missing piece and i was so happy. kentaaaaa. ;____;

part of me wonders if this is what kenta's always had in his head but maybe couldn't get his face/voice to express the way he wanted it? OR, IT'S KENTA, SO MAYBE IT WAS ON PURPOSE and his previous Serious Hinata was meant to be like, just a feral hunger child whereas this is the kid who experienced the heartbreak of losing to seijou. i would love to ask him tbh. XD

anyway, my son, after five plays continues to grow in his portrayal of this character. kenta is the heart of gekidan haikyuu in so many ways, and i will be at their graduation show if it kills me.

(breathes out) i think that's. everything. a best setter award to anyone who read this far, and feel free to ask if there's anything specific you want to know about? i will be seeing it again this weekend for daisenshuuraku and will be sure to report back on who cried, etc. all hail volleyball stage the end. 🏐

[caseyrose13]

Thank you.

Taylor Swift, this one is for you. I wrote this back in October when you celebrated the 10 year anniversary of your career, and this is my way of saying how much your presence and talent mean to me. I hope I can meet you one day and hope you enjoy this poem I wrote for you. I love you girl. 🖤 @taylorswift Yours truly, Casey Rose. Hello to you, my dear friend and cyber based big sis I have a few words for you, after meeting you ten years ago, And for how much you make me feel bliss Taylor Alison Swift, where do I even begin. From sparkles, surprises, and living parallel lives, To proving to everyone that women empowerment can truly win You are a typical star every girl dreams of being From your fashion sense, confidence, sweet manners, and lyrics It’s people like me and your fandom that feel life has so much meaning Ten years is a long time But if it weren’t for all your hard work and blessed talents I would’ve never been able to get through growing up without your clever rhymes It was ten years ago when god gave the world a precious gift Of a young woman born in 1989 And was destined to bring us all a little bit more uplifted I’ve always admired how relatable you are How every move you make in the studios and streets is perfection That even if you’re in your 20’s, your music expresses being a teenager at heart You value family, friendships, and fans the most You go out of your way to make a cancer diagnosed kid feel special inside Instead of inspiring kids and teenagers that it’s cool to do drugs on such a high dose On behalf of the fandom let me just say Though we’re far apart we’ll always give our real love And we’re thankful you reach out to us online and want say hey We’ve met internet friends from around the world because of you If anything we’re a fandom that always looks out for one another And for that we truly love you so Some fandoms are selfish to other ones, and some call people snakes But be proud to know yours spreads love and listens to one another I’ve never seen a fandom so sweet and one that knows how to properly handle hate The memories of laughter, albums, concert, awards and surprises, Are the ones I wish we could put on repeat This past decade with you has been a perfect fantasy Because of you I became a writer. Back in freshman year I was writing a sonnet and ran out of ideas, Until I looked and a colorful painting and thought of the line “we were in screaming color” I’ve grown up in the atmosphere of acting and musical theater. Emotions and love stories that never come out of the woods, Are reasons that make my soul meant to be a creator Just like you, when it comes to love I’m young and reckless I have the longest list of dashing ex lovers The rep I had in middle school was the same serial dater rep you have w/ the press I’ve made mistakes and dreamed of fairytale endings. I’ve jammed to too many break up records and watch too many chick flicks. And just like your 1989 era, the past year or so my heart has happily been dancing I’m thankful people like you exist. I love your clothes, friends, hair, and selfless acts When you die I will cry and I know an angel like you will surely be missed. You’re beautiful inside and out, You always put on a grammy winning show, You are part of the reason my happiness was found. You are mature, hardworking, smart and so loving to all, You’ve given warm hugs and all you fans kisses, Meredith and olivia are to die for your heart is anything but small Every performance you give you always 100% slay Every outfit and makeup product you own looks like it came from the runway Your super talented all these awards yet still so cute & awkwardly astray Your squad is goals and iconic all the same Our ears are blessed to hear your intelligent speeches and interviews You are so grounded and professional it’s almost insane The voice you have is soothing and satisfying I’m so proud that my icon is you And lucky that when needed at anytime, your music can release anxiety When it’s midnight on my sister’s bday, we’ll be singing the song 22 Dance around the kitchen and bake treats in our pjs Laugh away and hope all her wishes come true I have a whole playlist of 16 songs that’s titled Taylor Swift, With the anniversaries of red, speak now, 1989, and your very first album, I keep calling out to God lately, saying “long live this everlasting gift” A while ago I met some sweet girls from the fandom in an instagram DM chat They’re different and kind and spread joy from around the globe I love having a mini girl squad even if their time zone is 3 hours back Happy 10 years to a girl I love, Who will always be my friend even when traveling all over the world, I hope one day I can meet my idol and give her a big big hug. Happy ten years to charitable and giving soul, To someone who conquers those who hate Who stands up for herself, explores her curiosity, and is a grammy winning writer Happy ten years to the girl whos makes others smiles Who can relate to growing up as a young teenage girl And taught many that with cookies, close friendships, and the coolest cities, life can be worthwhile Happy ten years to a woman with an abundance of intellect A part time supermodel and the right gal to be those most influential Because of her people have met best friends they will never forget Taylor, I hope that I’ll be singing along to your albums ‘till im 40 But until then I’ll shed teardrops on my guitar out of joy And on this decade anniversary, made God bless you and all of your beautiful glory Stay goofy, stay yourself, and live life with no regrets Make your own decisions and take leaps of faith Through paparazzi and busy schedules, life is short, so let’s make the most of it I hope you will read this message some day And maybe reach out to me wanting to meet Allowing me to hug you in real life and whisper hey I love you, taylor alison swift, and I hope you do too After helping me feel comfortable and complete May we "long live" this moment, and Thank you.

[lilacpages]

Alright so I know this is late and I don't wanna be creepy or anything, but I love the concept of omega Ashton you wrote (and your work in general) and I only just worked up the courage to send this ask. What I want to know is: what kind of omega do you think Ashton is? Does he try to be loud and outgoing in an attempt to mask his status, or do you think he is just content to be mellow and giggly and soft as usually expected???do you have any other ideas about life for Ashton??

aww babe 😭  thank you so much for sending this, holy shit!! Trust me, ur not creepy at all, it actually makes me really happy to know that you liked my abo verse (and my writing in general, I CRY). I loooooove abo so much but unfortunately not many ppl in the fandom like it or even know it exists, so im always thrilled to find others who enjoy it too. There’s no need to be afraid to talk to me, i’m always chillin and always willin to talk fic :))

As for omega ashton, the way I picture him, he’s definitely not fully comfortable with his status. As you said, he def tries to be loud and outgoing to kinda make it less obvious that he’s an omega and also to fight the stereotypes that come with the status. I think it’s a by-product of his life. In abo verses, I’ve always loved the headcanon that Ashton has had bad experiences with alphas and that he’s faced a lot of discrimination for being an omega, and so bc of that he’s not very trusting of alphas and also a little bit resentful towards them. It also explains why he feels somewhat ashamed of being an omega. 

And in canon abo verses, I always headcanon that his dad was an alpha and when he left their family, it gave ashton a bad image of alphas while also forcing him to step up and be the protector/provider for his family (aka, forcing him to kind of give up those omega aspects of his nature and be an ‘alpha’ instead).

I think the only time Ashton allows himself to truly be his giggly, soft self is when he’s with his friends or when he’s with his partner (we’ll say Luke, just for ease’s sake). Another headcanon I love about omega ashton is that the reason he falls for Luke is because luke is not the typical alpha. Luke is kind and shy and totally non confrontational and he doesn’t really care for posturing or “proving” his “alpha-ness” and Ashton is immediately GONE when they meet bc Luke is basically an alpha without all the parts of an alpha that scare him.

(Just a note: I love lashton, but if you know me, you know that mashton has me by the heart even more so, and that last headcanon works incredibly well with gentle, docile alpha michael as well 😭)