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» Sex Toy Chronicles #2 — Continuation of She bought five of them «
Attuma had tied her to their bed, using shreds of pillowcase. Okoye had purchased handcuffs for this purpose—ones made from inferior materials so that he could easily breakthrough them if the need arose—but, knowing how she reveled in displays of his strength, he’d grabbed the nearby linen and torn through it as though it was tissue paper. His eyes had roamed her scantily clad body the entire time, heating her flesh and moistening her pussy with their intense leer.
He'd been creative with his ties—ripping the cloth into long strips that he’d entwined around the headboard, twisting them so they resembled rope before they flattened to gently curve around her wrists. His efforts made it so he could maneuver her body as he pleased while keeping her fixed to the bed.
Testing the strength of the binds, she moaned, rubbing her thighs together. When she’d originally made the purchase, it’d been Attuma she’d imagined shackled, held down and at her mercy, but this worked for her just as well. No matter who was in control, their play was always euphoric for them both.
Stood at the foot of the bed, he’d taken his eyes off her to rummage through the velvet sack that contained the rest of what she’d bought. The handcuffs, which she’d greeted him with upon his entrance into their bedroom, were discarded on the floor. The negligee, she’d also acquired, was on her person. Its sheer fabric left little to the imagination and teased her erect nipples as she shifted on the bed. That left the several butt plugs as the bag’s only contents. The pink rose one, that had captured her attention, immediately came to mind.
As if reading her thoughts, he retrieved that exact one, looking it over while putting down the rest.
“Is this for what I believe it is?” he asked. Joining her on the bed, he parted her legs, running the plug’s glass surface over the inside of her thighs. Its cool touch caused her to jump, but quickly warmed with the passes he made along her skin.
“It’s for my ass,” she murmured, intently watching the flex of his biceps. “I want you to put it inside me then fuck my pussy.” She spoke bluntly, her eyes meeting his when his arm stilled.
Her nerves nipped at her, but were unceremoniously forgotten when he suddenly flipped her over, the binds crossing above her head. Her face pushed into the mattress when he lifted her hips, pointing her bottom in his direction. The thong she’d worn to tease and tempt him met the same fate as the pillowcase, the material seeming to disintegrate in his fingers. Okoye panted, spreading her legs, wordlessly urging him on.
Despite her display, he still asked, “Are you comfortable, my love? Is this what you truly desire?”
His hands drove her mad, fondling the globes of her ass. He pulled them apart, blowing lightly on the puckered hole, awaiting her answer.
“Yes! Yes, please!” She begged, pushing back as far as her position and his hands allowed.
She could only groan in relief at the feel of his thick, slick finger entering her body. (Of course, he would take care of her, fetching the lubricant she’d forgotten to lay out.) Needing more, she arched her back and relaxed her pelvic floor, readying herself for the night’s coupling.
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i’m having so many emotions about teru
that was such a fast-paced, high-stakes situation, and he was thrown so many curveballs he barely had any time to cope with, and he still managed to adjust at impressive speed and never lost his faith in mob.
specifically: that moment right before ???% grabs him by the throat, when he’s kneeling on the ground trying to catch his breath. in that split moment, that’s when the realisation dawns, that this version of mob has no qualms in hurting him even with his bare hands. mob being non-violent to the point of letting himself get choked to unconsciousness was literally how they met, it’s one of the foundations at his core, and teru was well aware of it. having that knowledge suddenly be proven wrong, and all that means for his own safety, must have been a lot to take in. i can’t quite tell if it’s fear that we see on his face for a second, but if it is, that really adds to the element of horror - that sudden realisation that you’re in so much more danger than you thought and your initial plan is not going to be enough.
and then of course: when ???% lets loose his power despite so many people still being around and unable to evacuate. the horror on teru’s face, man. i don’t think it’d really clicked for him what mob being in this state actually meant until then. sure, him attacking teru was unlike him, but teru’s still an esper. he’s in great danger but he can somewhat defend himself. but civilians are different, and you can really tell teru did NOT think mob would put them in danger like that. he’s completely shell-shocked. i think that was another huge moment where he had to very quickly reassess the situation and what to do about it, all while coping with the emotional side of it all, since this is one of his closest friends and someone he really admires. he has to very quickly reckon with the fact that despite the pedestal he put him on, mob is just as human as he is and is capable of making mistakes just like everybody else, mistakes that don't detract from his worth.
which brings me to the point of it all. that DESPITE ALL THAT, teru was still able to 1) understand that mob desperately wants someone to stop him and would never want to harm anyone like this (bc he remembered that mob cried after realising what he’d done to his school....... where he’d only really harmed one person, who had done much worse to him..... if he cried after that, how will he feel when he finds out what he’s causing now?), 2) save all the people caught up in the devastation and get them all out of harm’s way, while being in a lot of pain (his EYES were BLEEDING), and 3) never once lose faith in mob. he saw him go on a (unintentional and unwilling, but teru doesn’t know that) rampage, doing things he would never in a million years think mob would ever do, and still took all of that in in record time considering the situation, and came out on the other side still whole-heartedly believing in shigeo and his goodness, and almost dying trying to stop him. because he knew that being the reason hundreds of innocent people got injured (or worse) would completely and utterly break mob.
and while, knowing teru, he might think he failed since he couldn’t achieve his goal (stopping mob’s rampage), what he succeeded in doing was ultimately just as important. he saved all the people he could, and gave his best for the one person he couldn’t.
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https://alchemistc.tumblr.com/post/752677794079752192
your tags on this, are you going to write this? please please please?
You bet your ass I am, it's all I was able to think about while I was working tonight. And since you asked so nicely:
He’s curled in on himself oddly, torso angled towards Buck, the leg closer to the ground bent almost fetal, top leg angled ungainly behind him— Jesus, it’s pinned.
“Tommy.” He’s still got no fucking clue what's going on, except maybe there’d been an explosion? And Tommy’s pinned under the fucking engine and there’s someone just around the corner who keeps yelling and Buck hears something about the captain but his attention is focused on the road rash painted across Tommy’s forehead and the unsteady way he’s blinking at Buck and the way he’s shifting his body weight. “Hey, Tommy hey. Don’t — just don’t move for a sec, okay. Just — just relax.”
(”Relax, Evan, I’m not expecting you to be able to deepthroat the first time you’ve got a cock in your mouth. Breath through your nose. That’s — fucking — shit Buckley, you never do anything by halves.”)
“A van,” Tommy mumbles, curling the hand laying on the pavement into a fist, grimacing. Buck doesn’t see a van anywhere, but maybe Tommy’d seen a van before the explosion? If it’d blown the fuck up, of course Buck wouldn’t be seeing it anywhere.
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Was doing my second playthrough of cotl when i encountered Haro and I realised something about the dialogue that I hadn't originally.
This is an interesting choice of words. The others are described with adjectives delineating their personality: "temperamental", "cowardly", and "brightest". Given what we see and hear from them in our encounters I would even say that these words are the pillars of their characters, their singular most identifiable traits (that don't relate to their domains).
But hapless? I don't feel like our encounters with Leshy really get this idea across to us, and I suppose how could they from dialogue alone? To save anyone who doesn't know from a trip to google, hapless means unfortunate, or unlucky. My first thought was that this could be referring to how Leshy, generally speaking, is the first to die in a playthrough... but I also feel as though that would be an odd contrast to the adjectives we get for the other bishops - surely dying first alone wouldn't warrant Leshy's entire character to be distilled into "hapless". I'm also not sure if you even need to have defeated Leshy to get this dialogue from Haro either (I don't really feel like checking), which would render that point null.
I feel like this is alluding to something in his character that we don't actually know about yet, or maybe we will never know about. Does it allude to the order in which Narinder maimed the other bishops (could be, Leshy's dialogue about trusting 'the chained one' is... interesting depending on how you choose to read into it)? Or is it something else entirely?
Am I overthinking this? Definitely. Am I going to take this tidbit of dialogue and absolutely fucking Sprint with it for my headcanons? yes, yes i am
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It's now afternoon for me so I've come to check up on some of my favourite artists!
How are you? ^^ /mf/genq!
I'll be honest bud, I know a little bit of tone indicators but I have no idea what /nf stands for, however I do think it's really funny to send this super sweet nice ask and then casually call me a motherfucker at the end lol
But to answer your question I'm good! Kinda tired cause I didn't sleep a lot last night BUT I got really pretty solar lights when I was doing groceries and me and my sister are going to look at a house we like tomorrow so I'm excited for that! :D How are you doing friend?
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I am just somehow OBSESSED with Takeru DRIVING. Like is he a bad driver? He speeds past the gang waiting outside of Daisuke's restaurant (or the restaurant where Daisuke works, whatever), so maybe? Is that his mom's car? Or is it his car? Why does he NEED a car? What is he doing that requires him to drive? Is it going to be a plot point in the movie? Is Takeru being a BAD DRIVER going to be a plot point? I need to know.
Ken and Miyako are also visibly startled when Takeru speeds past (Miyako JUMPS!!!!), while Iori and Hikari don't even flinch. What does that say about DYNAMIC?! Are Iori and Hikari more used to Takeru's (presumably bad) driving? That would make sense, no, cause they are (canonically???) closer with him? Just such a small interaction and I can interpret so much and draw so many conclusions!!! How fun!!!
There's just something really so fun about watching characters you've loved your whole life continue to grow - to see new details about them spring up, new traits, new things to add to canon.
It's the most delightful thing about the Digimon Adventure franchise to me. Sure, the stories they have told over the last decade have mostly been all various shades of mediocre, but the character moments - goodness, the character moments just don't hit the same in any other media for me. It's so special to me.
ETA: WAIT, looking at the screencap, Iori looks slightly concerned. Only Hikari looks calm (though she does turn her whole body to look at the car once it stops). Does this mean HIKARI is the only one comfortable with his driving? Cause Hikari is closest to him? (I don't even think their closeness is something that is debatable - I feel like it is PRETTY CANON that they are closest with each other???????????)
HERE'S HOW TAKARI CAN STILL WIN.
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