the depopulation of the palestinian village of kawkab al-hawa is far from the only case in which a palestinian village was violently, entirely depopulated during the 1948 nakba. it's also not the only case in which neighboring kibbutz residents advocated for and even themselves participated in the destruction of houses, nor is it the only case in which elements of the village were only kept so they could serve a neighboring tourist attraction. however, it is a conspicuous case of all of the above, combined.
kawkab al-hawa happens to sit by belvoir castle, one of the best-preserved crusader castles in palestine. the village itself had been testified to in some shape or form from antiquity - the crusaders had referred to the village with the frankish name "belvoir", hence the name of the castle. after saladin retook it, the village as we know it today expanded into and around the castle's confines. by 1945, the castle had been in ruins for centuries, while the rural village housed 300, mostly farmers.
in the words of meron benvenisti: "In the Israeli context, it is preferable to immortalize those who exterminated the Jewish communities of Europe (in the late eleventh and early twelfth centuries) and murdered the Jews of Jerusalem in 1099 than to preserve relics of the local Arab civilization with which today's Israelis coexist...Arab buildings spoil the myth of an occupied land under foreign rule, awaiting liberation at the hands of the Jews returning to their homeland."
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god i'm thinking about how "the stolen chariot" takes place post-"titan's curse" and how that's a turning point for percy and clarisse's relationship, and how clarisse probably saw straight through percy's facade and saw exactly how he was treated during that time at camp and how sad and lonely he probably was because grover was tripping over himself around the hunters and chiron was so focused on thalia and annabeth was gone
and that leads me into thinking about the head counselors again and how maybe, in their own ways, they gave percy little things to show their support. moments of help, little gifts.
silena sitting in the pegasus stables with percy, holding onto his arm and being a big sister presence to him. not talking, just being there for him, giving him some semblence of stability
beckendorf dragging percy off to test new weapons he made in the arena, turning it into a game that had a smile spreading over percy's face for the first time in days
travis and connor sneaking coke and candy into camp for their honorary brother, leaving it in the poseidon cabin with little cards that had the corniest jokes written on them
clarisse spars with percy more, pulling him to the arena when she sees the stormy look in his eyes, when he can't think about anything else but how frustrated he is
lee pulls percy into the medical tent to test his healing abilities with water, because it's been an obsession for the apollo cabin since percy arrived, and he can't help but make percy laugh with his eagerness
castor and pollux convince their father to let up on percy, just a little bit, to let him have a looser curfew, letting him sit out by the lake for as long as he needs, sometimes sitting with him in the quiet
katie leaving little plants in the poseidon cabin, little succulents and flowers that are easy to care for, something small that makes percy's eyes light up every time he gets a new one, and he lines the windows of the cabin with them
malcolm, bless him, is so aware of his sister and percy's crushes on each other, and takes it upon himself to make sure that his sister's best friend doesn't waste away, and he's the one who makes sure percy eats and sleeps and stays healthy.
and clarisse will deny it until the day she dies, but percy knows that she's the one setting everything up. it was her suggestion, though the other counselors know they'll get fried if they say anything.
and he doesn't say anything, not until after "the stolen chariot", when he and clarisse are sitting down for a burger, and he brings it up quietly. and clarisse just huffs and rolls her eyes, and percy's heart warms so much at the fact that, despite the winter being the worst one of his life, he was surrounded by people who loved him and supported him.
(annabeth definitely gives hugs to all the head counselors when malcolm tells her, because they kept her seaweed brain going)
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Since I see a lot of reactions on articles/quotes from the Loki crew and cast, here are some general reminders when it comes to stuff like this;
There are so many people working on a show/movie and everyone make decisions creating the final product we watch. Of course they do a lot of work to unite their visions and make it cohesive, but "contradictions" may still happen. We often talk about the obvious people behind a show, the actors, writers and directors, but there are also costume designers, composers and editors, etc. All of these people can have different perspectives and pull things in different directions, that just sort of comes with the nature of making such a big show.
And then it comes to producing a show itself. Productions are messy. Things get reworked on the spot because what might've worked on the page didn't work in practice, props break and need to be changed, actors can't be in for the day, etc. All of these affect the final products in chaotic ways. Sometimes unpredictable things like this may get in the way of or improve the story.
And finally articles/interviews purpose is to provide this one specific person's perspective and promote the show, or engage fans.
So take these things with a grain of salt. You don't need to base your entire view on the show on statements from cast/crew. Is the line less meaningful because it was improvised? Should we consider an episode to be less canon because it was apparently rewritten a lot from its original state?
Your fan experience will likely be healthier and more fun if you try to mainly engage with the art you have in front of you. If you read quotes from creators and feel frustrated that they are inconsistent with the art - first of all, art is subjective, it just comes with the territory. But my main point of the post is that even if a person is working on the show, it doesn't mean that their view is 100% represented within the text. You don't need to go full Death of the Author here, but you gotta remember there isn't just one author and that author's intent at work here, there is a production, with all that comes with it. And honestly? That's what makes it interesting. All of these visions coming together to create art that we get to take part in, and whatever vision we're getting as a viewer might be something completely unique.
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