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#and the show is like 'can you BELIEVE Spike is trying to steal the prophecy Angel EARNED by being so heroic???'
lilatara · 2 months
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just thinking about how despite AtS trying to portray it as comedic bickering amongst bros, Spike actually has decades worth of reasons to hate Angel, while Angel has remarkably few reasons to hate Spike. And it should maybe be concerning that from School Hard on, Angel adopts an absolute "don't see what this has to do with me" reaction to him?
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rachelbethhines · 3 years
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Tangled Salt Marathon - Be Very Afraid
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This is the best story arc episode in season three and arguably the best written episode since The Great Tree, but it’s still season three so there are still issues with it. 
Summary: When Zhan Tiri tells Cassandra she must destroy Rapunzel in order to wield the Moonstone's true power, Cassandra discovers that she can create, with fear, red rock spikes that cause fear and freeze their victims. Varian discovers the red rocks and teams up with Rapunzel to use his amber solution on them. Meanwhile, Eugene and Lance decide to throw a talent show to distract everyone from their fears. 
Why Can’t Cassandra Control The Rocks?
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The series never gives an actual explanation for this. She could control them just fine in Rapunzel’s Return, so what’s changed? 
There is No Destiny!
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There’s no prophecy, no oracle, no grand design nor master of fate to fight back against; the characters literally have no reason to do what they do. If you want destiny to be a goal then you have to establish what that destiny is first. 
What does Cassandra want? How does this connect back to Gothel, Rapunzel, and the Moonstone? Why she just failing about like an idiot here? Did she not have a plan when she threw her life away for this stupid rock? 
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And of course Zhan Tiri is lying here, but why should Cassandra believe her? What does she gain by listening to a creepy ghost girl? This ‘destiny’ has not been established, so therefore there’s no hook nor bait for Zhan Tiri to trap her with. 
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Leading directly into “you should kill your bestie’ should logically put Cassandra off of Zhan Tiri’s advice for good because Zhan Tiri isn’t actually offering anything. Temptation requires the person to be, you know, tempted by what they want, but Cassandra doesn’t know what she wants so none of this makes sense. 
The writing is desperately trying to make Cass sympathetic here, but all it winds up doing is making her look like a moron instead. 
This Isn’t Consistent
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Not only does this fail to explain why Cass could control the rocks previously but no longer can, but it’s also contradicted just a couple of episodes later with the incantation bullshit. 
You need an established magic system in place in order for the character’s actions to make sense show!
This Ultimately Goes Nowhere
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Ignoring how Varian should have been in season two and how translating the scroll should have led to freeing his father, which we’ve talked about previously; this subplot should have had more impact on the narrative than it actually did. Yes, Varian’s translation winds up driving the plot of Cassandra’s Revenge, but 90% of that episode winds up being utterly pointless, including the incantations themselves, so.... 
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I Like This Sequence; Shame It Winds Up Being Undermined Later  
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Unlike the majority of dream sequences in this show, this nightmare has an actual point. It more firmly establishes Varian’s fears and gives the audience some insight into what happened to him back in season one. Something we were sorely lacking. It also becomes the core conflict and drive of Varian’s character development through out the episode. 
Only for the episode to ignore Varian’s real issues and fail to adequately address anything. By series end this plot point will be completely forgotten. The show acts like bringing it up once and then never acknowledging it ever again just magically revolves Varian’s character arc. It doesn’t.  
So How Come Quirin Isn’t Affected By the Rocks? 
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He’s right there next to them and he shows no reaction to them at all. You’re telling me the man who lost his home twice to these things, almost died to them, and nearly lost his only child because of them, is just not going to respond to new creepy red ones popping up? 
Quirin would have a treasure trove of trauma to explore in his own right, that undoubtedly would connect back to Varian’s own issues, but we’re just going to ignore it and have Quirin off screen for the majority of the episode?
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Are These New Character Models?
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Are you shitting me!? 
They built five new models just for a short two minute scene, one where none of the new characters are named nor given lines, only to never appear ever again!
What the fuck? Why did you waste time and money on this? What happened to all of the other background characters you already built? Did a bunch of season one models just get lost or deleted or something? 
Also why are they all wearing green? Is it St. Paddy’s Day? 
This Plot Point Wasn’t Established Enough Beforehand
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Look, I’ll buy that there are people in Corona who still blame Varian for what happened in season one and for the Sapoiran take over. I mean they’re only getting half the story and were directly effected by his actions whether or not he intended harm to them. But we needed to see more of it beyond just this one scene.
No one was bullying him in Lost Treasure or The King and Queen of Hearts, so for all purposes he appeared to be integrated back into society, and now you’re telling me he’s not and that Rapunzel risked his well being by forcing him to interact with people who were hostile to him back in Lost Treasure? 
And yeah you can’t really move Lost Treasure back any further than it already is cause that’d leave a giant hole in the wall of the throne room for over a year. Which also makes no sense either. 
Or hey, maybe it’s just Feldspar being an asshole. In which case why should Varian or the audience care? 
Eugene is Wasted
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Look I understand that there’s only twenty five minutes to tell this story and that Eugene isn’t the focus of the episode. I also understand that the B-plot is meant to be comedic in order to relive tension from the A plot, but this wasn’t the best way to go about it. 
The B plot swings too far wide in the other direction that it dilutes the tension too much. The A plot now has to work over time to keep the urgency going. I could understand it, if the show wanted start off with small fears first, but it needed to ramp up the drama as it got closer to the climax, not under cut it. 
We never see Eugene freak out over anything other this this cowlick. In fact we never see him scared of anything else beyond this one scene, which undermines Rapunzel’s arc this episode as she’s suppose to be the only one bottling things in. What makes Eugene so special that he can keep a lid on it with out consequences, or are you telling me that a dumb cowlick is his only fear? 
Either answer is stupid. 
I Hope You Have Copies of the Map
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You went through all that trouble to steal the journal for this very reason and now here you are prancing around without it like it’s not that big of deal. Way to undermined past story arcs. 
It’s like the writers know that season one was their most successful season, and therefore try to make callbacks to it whenever they can, to make up for ignoring it in season two completely, but they still don’t want to actually acknowledge anything that happened during that season so they just refer to it in the laziest way possible, rendering the previous events pointless. 
So Close and Yet So Far
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I’m mainly posting this whole conversation so that you dear readers will have context for what I talk about next. 
For you see, this scene starts out okay and it looks like we’re finally going to address the elephant in the room regarding Rapunzel’s involvement in Varian’s past trauma, only for the scene to immediately side step the issue all together and not resolve the conflict at all. 
No! Don’t Interrupt; Listen! 
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Or at least go all the way and accept some of the blame yourself. 
It may look like Rapunzel is comforting Varian here on a superficial level, but without her verballing acknowledging what she did wrong, this action just winds up taking the focus off of Varian and what he needs and places it upon Rapunzel, both narratively and physically.
So what happens is that, in universe, it comes across like she’s just consoling Varian for her own personal comfort rather than genuinely trying to help. 
Why Would Varian Ever Think This? 
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Okay, first off this has nothing to do with what Varian was talking about previously. Why would he jump from discussing his trauma to praising Rapunzel? You know the woman who is responsible for said trauma? 
Secondly, this switches the focus of the conflict off of Varian’s specific trauma and makes it about a generic “over coming fear” lesson mixed with an out of place validation issue. Which is not what’s actually needed for his character development; nor for Rapunzel’s for that matter. 
Third, being the sundrop has nothing to do with Rapunzel as a person. Her being born with magical powers was an accident of fate, same as her being royalty. She’s not innately better than anybody else because of this and nobody has any narrative reason to assume otherwise. Especially since her powers are utterly disconnected from her actual personality, choices, and actions. All three of which have become unbearably unpleasant by the last season. 
Finally, Varian, of all people should be the last person on earth to ever think so highly of Rapunzel. Them being friends again is already pushing believability. Him suddenly kissing her ass the same as everyone else this season is just flat out bad writing.  
Varian knows better than anybody what an awful person Rapunzel is. He’s seen her at her worse. He’s seen her not live up to her hypocritical ideals. He knows the larger problems that steam from placing people in power on pedestals. As her former victim, Varian by all accounts should be the one person who can bring Rapunzel down to earth and poke holes into her ego, even while still being her friend. Especially while still being her friend. She needs that! Writing Varian as another blind Rapunzel stan is not only writing him out of character, but it also damages Rapunzel’s own development. 
Also Varian hates magic. Why would he now worship someone just for having magic? 
THIS AIN’T ABOUT YOU BITCH!!!
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I literally yelled that at my tv screen when I first saw this scene. Those were my exact words upon the episode’s first airing. And believe it or not, I’m not one to usually scream obscenities at inanimate objects. 
I understand what the writers were trying to accomplish here. They wanted Rapunzel to ease the tension by saying something funny and to make Varian laugh to distract him from his woes; thereby defusing the situation. But it doesn’t work because of season three’s tendency to make Rapunzel the most egotistical, smug, self-centered, abusive, self-righteous twat in the show. 
It really boggles the mind just how unaware the writing is. Like, surely no one makes their protagonist this unlikable on accident. Clearly they meant for Rapunzel to be an ass on purpose right?  They wanted Cass to have a reason to hate her so they decided to make her insufferable to the viewer in a misguided attempt to make Cass more sympathetic? Right? 
Then where is the bloody comeuppance? 
I genuinely thought this was all going to lead somewhere. That Rapunzel was going to learn to be a better person and I would have been fine by that. I would have applauded the show if they had turned her into an asshole intentionally so that they could teach a mature and nuanced lesson about morality. 
But they didn’t, and here I am; still shaking my head in confusion over a year later. 
Seriously what the fuck happened behind the scenes to cause this? How can processionals paid by the largest animation company in the world be so incompetent? 
Having Trauma is Not the Same Thing as Having a Phobia  
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This is where Varian’s arc falls apart. Not only does the episode fail to have Rapunzel acknowledge her past wrongs for a second time, but it also completely mishandles Varian’s trauma because it equates it to being an irrational fear. One that can be overcome through pure force of will at that, same as Lance and everyone else’s fears in the episode. 
Ok first off Varian’s fear isn’t irrational. He even just said so at the start of the conversation. Varian’s trauma is very real, it’s not a hypothetical unlike clown-spiders and cowlicks. Also has been given very little reassurance that it won't happen again. Varian has no reason to trust Rapunzel or anybody else in the show. They never owned up to abandoning him previously, and both he and the audience have little reason to believe that Rapunzel wouldn’t just neglect him again if it was convenient for her.   
Secondly one does not simply ‘overcome’ trauma. Oh you can deal with trauma, you can manage it and learn to live with it. But it never goes away. It doesn’t magically disappear just because you ‘faced it’. 
In fact confronting it head on is actually the opposite of what your suppose to do when going through something traumatic. Studies have shown that distracting your mind after a car crash or what have you actually helps with PTSD later on. And ‘dealing with it” doesn’t mean ignoring the problem out right, but rather learning how to function despite the pain. 
But as the show acts like Varian’s trauma never even existed after this episode. 
This Doesn’t Resolve Anything!
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What does “being special” have to with fear? How does this help Varian with his trauma? Empty validation has nothing to with what we were just discussing. 
Everyone gets afraid. Everyone has trauma of some sort. Are you telling me that my need for therapy some 20 years after being physically assaulted is just because I’m not special enough? Fuck you show! 
Moreover, this doesn’t resolve the story arc from season one. Varian and Rapunzel’s conflict with each other has nothing to do with self esteem. It was about personal responsibility, conflicting needs, and abuse. Yes, self image and acceptance was a small factor in their motivations, but it was never the driving goal behind their decisions. 
This is yet another broken narrative promise to the audience. There’s no closure to be had from this and leaves the viewer wanting, if not outright frustrated. 
In order to justify this exchange fans have to ‘read between the lines’ and make shit up in order for any of this to make any sense. People who still defend season three do by doing all the heavy lifting that writers themselves should be doing. 
If it’s not on screen, it doesn’t count. 
If Rapunzel never apologizes on screen, then she never apologized. If Rapunzel never checked up on Varian on screen, then she neglected him outright. If Rapunzel never acknowledges her wrong doings on screen, then she’s never learned anything. The characters pretending like she has doesn’t make it so. 
Why Does Cassandra Even Want a Destiny? 
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Yes, Zhan Tiri is lying, there is no destiny, but Zhan Tiri being a liar doesn’t absolve Cassandra of her own actions. 
Cassandra herself believes in destiny and is looking for her’s, but why? 
Why does she want a destiny? What is this destiny she’s after? Why does she believe such a thing exists? What does she believe it’ll gain her? Why is she willing to risk so much for such a vague goal? What does any of this have to do with the moonstone or her mother? How does this destiny connect back with her personal feud with Rapunzel? 
It’s all disjointed and confused. Nothing lines up. It’s like the writers just had this dart board full of ideas for Cassandra’s villain arc, but couldn’t decide on which one to go with, so they just threw darts randomly each episode and went with whatever stuck for any given scene.
“Oh she want’s revenge for her mother during this scene, or wait no, she’s actually looking for destiny this episode?” “What destiny?” “Who knows. Now for this scene we need her to be sad because reasons...” “What reason?” “I don't care, make something up... Uuuuh, she’s sad cause she’s not a royal guard still” “But she became a guard during season one.” “Ignore that. Kids won’t remember. Now she needs to be angry and threating here” “Why?” “Because it’ll look cool.” “But why is she angry?” “Cause it looks cool Bob! Geez! Oh but she still needs to be sympathetic so give her a frowny face afterwards. Just have Zhan Tiri remind her how much she hates Rapunzel later, so as to egg her on and keep her doing stupid shit?”  “But why does she hate Rapunzel?”  “Do I have to think of everything BOB!!!???”  
There, there’s my non-so-accurate behind the scene’s glimpse into the Tangled writer’s room when discussing Cassandra’s arc. I could be wrong. There could have been some intricate and complex plan thought out that just didn’t make it onto the screen for whatever reason, or maybe everyone involved was so far up their own ass that they just forgot to give their main villain an actual reason for being the villain. But regardless the over all effect is that Cassandra is handed the idiot ball for a whole freaken season in order to even have a conflict and that is never good writing; or rather she’s hit in the head with it repeatedly. 
This Actually Goes Against Zhan Tiri’s Plan
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Zhan Tiri’s short term goal is to be released from her dimensional prison and apparently she needs Cass and Raps to fight into order to do this. This was never established before hand and goes against her disciples pervious plans, but whatever. One could argue that this is just a lie in order to get them to fight later... 
However, this lie jeopardizes her long term goal. She eventually wants to wield both the moonstone and the sundrop herself in order to destroy Corona, but Rapunzel is the sundrop and you can only take her power during an ellipse, supposedly, which means if Cass actually succeeds in killing Rapunzel before then, then Zhan Tiri is up a creek without a paddle. Also if Cassandra did manage to steal Raps’ power with or without an ellipse then Zhan Tiri would still be out of luck. 
This was wholly unnecessary; you didn’t have to go from zero to sixty in one fell swoop. Have Zhan Tiri claim that fighting Rapunzel will award the power to the winner or something. There’s no need to bring up the ‘kill her’ option. That should logically just drive Cassandra away and puts Zhan Tiri’s plan at risk. 
The series wants to act like Zhan Tiri is this master manipulator, a chess master like Zantos or Palpatine, but she couldn’t even tie their shoes. Her plans make no sense and often contradict one another. They only work because the rest of the cast are reduced to imbeciles in order for them to work. 
This Plot Point Contradicts Season Two
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His fear of spiders was establish early on, and I’ll accept the clown thing as there’s nothing to contradict it, but Lance has preformed numerous times before now and has never show stage fright. He’s a huge ham and back in Return of Quaid he mentioned how much loved acting and preforming and apparently been on stage before, so where does this fear of singing in public come from? Heck he sung in public just a few episodes ago in Rapunzel’s Return. 
If you have to sacrifice established character into order to make your plot work then you need a new plot. 
This Song is Nice; It Just Needed to Be in a Different Episode 
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I’m glad Lance got a solo. He deserved one and the song is good. However it breaks the tension of the climax and gives the episode tonal whiplash. 
More than a song, Lance needed an actual focus episode in season three. One that was fully his. If anyone else shared it with him it needed to be Red and Angry, not Varian and Cass. 
Just imagine if this song came during an episode where he had to watch the girls. Imagine if he was singing it just for them. How much more impactful would that have been? 
Now imagine that we had a Rapunzel and Varian duet in it’s place here. That would have tied the episode together better and helped to further their own stories. Glenn Slater can write lyrics far better than Chris can write dialogue. I bet you a thousand to one Tangled the Series would have solved like half of it’s problems had Menken and Slater been allowed write and actual apology duet between Raps and Varian. 
Such a duet was proposed during Rapunzel’s Return but it could have worked here too, and you could have placed Lance’s solo in Day of the Animals or something, just leave Rapunzel out of that episode all together. 
Nothing honestly needed to be cut music wise, yet for some reason season three has less songs than the other seasons, even when counting the reprises, and they’re mostly shorter too. 
That’s mismanagement right there. Plain and simple. Someone at the top didn’t know how to balance the budget or resources and didn’t know where to the throw the money at. 
You Have a 70 Foot Shield Made of Magic Hair, Rapunzel
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You couldn’t think to just block those rocks instead?
Giving your protagonist a big hero moment doesn’t work if they placed the person the have to save in jeopardy to begin with show. 
I Do Not Care About Rapunzel Right Now, Show
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Yes, she’s the main character. Yes, her feud with Cass is the main conflict of the season and kicked off the episode. That does not mean that I automatically care about her personal feelings at this moment in time. 
Rapunzel has kept such a tight lid on her real feelings for the whole episode that this just comes out of nowhere. I was never waiting with baited breath for her to confess her deep dark secrets or whatever. 
It’s not even an interesting reveal. It’s just “Oh, see Rapunzel’s human too. She’s gets scared just like everybody else.”. I already fucking knew that, thanks. And what she’s afraid of isn’t even that compelling either; it’s a just a rip off of the prophecy dreams she had back in season one. The same ones that had no explanation and never furthered the story, so why should I care about this one?  
You have to earn the audience’s investment in your conflict. The character’s likability, as little as that may be currently, will only carry you so far, you have to establish shit first.  
Varian’s conflict has been the focus of the entire episode so far, and it’s a conflict that was set all the way back in season one, so of course that is what I’m invested in seeing get resolved. Rapunzel is once again just butting in and making it all about her when it’s not actually her story. 
And if you wanted it to be her story then you should have made her the actual focus to begin with and had her learn something by the end of it. 
This is Poor Choice of Words, Writers 
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I could be generous here and pass this off as Rapunzel not fully believing in this prophecy. After all Corona’s destruction is still a hypothetical at this point and Cassandra really has left already. Since the episode is about fear, Rapunzel is of course more afraid of losing Cassandra’s friendship as it’s real tangible possibility. 
More than a possibility even, Rapunzel’s been dumped. Season three is a classic break up story, right down to the poor plotting and tunnel vision, hence why it’s so gay baity. 
However, this reading only carries so far. For starters this is Rapunzel’s what, fourth prophecy dream so far? Haven’t the past three already came true, so why would she think this one wouldn’t? 
Secondly, all that good grace goes right out the window once it becomes clear that, yes, Cassandra is indeed a threat; a threat that Rapunzel refuses to take seriously because she cares more about her own personal validation than her kingdom. 
Even as Cassandra does succeed in destroying Corona, and no doubt harms other people while at it, Rapunzel still is obsessed with ‘winning Cassandra back’. Oh and make no mistake, this is not because she actually cares about Cassandra as a person and her needs or feelings. Nope. Rapunzel just doesn’t like being dumped. 
Why Does Varian Need to Shove His Feelings Aside for Rapunzel’s Bullshit?
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Rapunzel’s ‘confession’ has fuck all to do with Varian’s current issues. They do not connect in any way.  
Varian is dealing with real trauma, trauma that she helped cause, while Rapunzel is only dealing with a hypothetical prophecy and one very shallow, self-centered fear. There’s nothing to relate to here. Neither for Varian himself nor the audience. 
Yet for some undefined reason this is what gets Varian to ignore his PTSD flashbacks? What? 
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This is once again break the narrative promise. I was promised closure for Varian’s story arc and instead of that the writers just brush it up under the rug. 
From the outside looking in this doesn’t come across as Varian ‘overcoming’ his ‘fear’. It looks like an abuse victim using learned helplessness to placate his abusers.
And yes, for the last time Rapunzel is Varian’s abuser. 
NEGLECT IS ABUSE!!! 
And and even though he is no longer her ‘responsibility’, she is still neglecting him emotionally as his supposed friend. 
Varian’s and Cassandra’s Stories Undermined Each Other’s 
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Varian stopped the rocks. Rapunzel had nothing to do with it. Zhan Tiri blaming Rapunzel for it steals agency away from both her and Cassandra. 
However, if Rapunzel had used the hurt incantation to stop the rocks and Cassandra had felt it rom the other side, then you’d have something to back up Zhan Tiri’s claim and an actual point of real conflict to carry the rest of the season. Not to mention an actual tangible goal for Cassandra to work towards, survival. 
Cassandra’s conflict with Rapunzel not only prevents the resolution to Varian’s arc from being satisfying, but Varian fulfilling his arc in turn winds up cutting off Cass’s story at the knees. 
It didn’t have to be this way. Varian’s and Cassandra’s arcs should have complimented each other, but instead the creator decided to make them complete for screen time and relevance. 
It is such an gratingly stupid and petty decision that winds up being a disservice for all the characters involved.   
Cassandra’s motivation and goal should have been revealed back in season two. Varian should have been the sole focus of Rapunzel’s Return and gotten his big hero moment there along; with an actual ending to his conflict with Rapunzel that didn’t feel so lopsided and half assed. Then Rapunzel and Cassandra could have both been held accountable for their conflict in season three, instead of pretending like their shit smelled of roses the whole damn time. 
Lance Got a Whole Crowd Cheering Him On For Singing a Song, Varian Just Gets One Asshole Giving Him a Single Line of Congratulations
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Did I mention this show has an odd anti-Varian bias? Cause it does. For whatever reasons his own creators hate him and that’s just utterly baffling to me. Like why create a main character that you don’t like? 
I look down on professional writers who treat characters they didn’t create poorly within their works, like with James Gunn and Scrappy Doo in the Scooby Doo Movie, Adric in the Doctor Who spin offs, or even the treatment of Doofus in Ducktales 2017. I don't care how much a character is liked or disliked by fandom, that shit is just tasteless and often unfunny. But at least I understand where they are coming from when they do it. 
But I’ll never understand what compels a writer to sabotage their own work; one that they are getting paid to write no less. Especially when said character is super popular with their fans. And Chris knows this. He knows the ratings plummeted without Varian in season two. He knows the merch didn’t sell because there wasn’t enough Varian products. That’s why he hyped up Varian’s return a whole week before Season Three’s airing with a massive online campaign, but he wasn’t smart enough to treat the character decently afterwards? 
I mean congrats, you convinced a just enough viewers to come back to season three to keep the show on the air I guess, but you left them all pissed off and have nothing to show for it to the higher ups a Disney. 
And Chris wonders why he wasn’t asked back to work on new Disney princesses shows that are currently in the works. 
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That is Not Quirin. That is a Plank of Wood Pretending to be Quirin.
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*Beep* *Boop*...*Dad Bot Is Proud. exe* 
Quirin is such a pale shadow of his season one self that he might as well not exist. I genuinely don't know why the writers released from the amber so early if they weren’t actually going to use him until the season finale. 
For the longest time I honestly thought that Rapunzel sucked out his soul with that decay incantation; what with that lyric about “setting the spirit free”. I genuinely thought that would be a later plot point, but nope, it’s just bad writing
Him just saying hi to son once and smiling blankly isn’t compelling and it’s isn’t fulfilling. It doesn’t actually resolve his arc. I mean he’s at least shown spending time with his son, but that’s not enough. We need to see him acknowledge past, we need to see him acknowledge his own flaws, and we need to see him being more attentive when Varian is in need. .  
Season one Quirin would be trying to stop Varian from going near the red rocks, a post season one Quirin should logically go after his son to make sure he’s alright, even if he’s know longer trying to actively stop Varian like he once did. 
There’s also that damn note and it’s secrets! 
You know what? That’s it. That’s the problem. The focus is all wrong in season three. Episodes get pulled into to many directions trying to juggle too many characters rather than dedicating the needed time to each individual arc. 
Season two’s finale should have been a three parter with Cass’s full motivation and goal laid bare before leaving.
Rapunzel’s Return should have been solely about Rapunzel and Varian’s conflict and resolving that arc fully 
Either Who’s Afraid of the Big Bad Wolf or Day of the Animals should have been a Lance episode about him and the girl’s, no Rapunzel. 
And this episode should have been about Quirin and Varian resolving their issues, with the Rapunzel and Cass stuff as the B plot not the stupid talent show 
There, all fixed. You don't even have to cut much, just rework the focus and leave Rapunzel and Cassandra out of conflicts they have no business being in. 
This Does Not Excuse Rapunzel’s Later Negligence Regarding Cassandra
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Just because the red rocks was an accident doesn’t mean Cassandra should get a free pass for all the awful things she does later. Rapunzel uses this one interaction to excuse everything else Cassandra does in season three, as if she was just some poor lost baby and not a grown ass woman out to kill them. 
In fact Cass showing hesitancy here actually makes her later actions even worse. This means that she fully acknowledges that what she’s about to do is wrong, but goes ahead and does anyway, even gleefully so at times. Then she has to gall to act baffled when people see her as a threat? 0.o 
When fans say Cass isn’t redeemable or shouldn’t be redeemed, it’s not because he actions are so much worse than everybody else’s (even though they are), It’s because she doesn’t act like she wants to be redeemed half the time. The show doesn’t properly set up her ‘redemption’, instead it just lazily has Rapunzel yell at us how she’s ‘not lost’. 
Like below for instance. 
What Does Cass Need Saving From?
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Cassandra is not in danger. She is the danger. 
She made the conscious decision to leave taking a world endangering artifact with her, and she later makes the conscious decision to come back and be an asshole for no adequately defined reason. 
She’s never shown to be in any physical danger from the rocks, the moonstone, or even Zhan Tiri herself. She apparently can take care of herself in the wild for over a year. She also has the capability of getting a job else where and just living out her life if she wanted to. Nothing is forcing her to listen to Zhan Tiri. 
Heck, even her hurt arm, the one thing Rapunzel is responsible for and could potentially be a continued threat to Cass’s well being, is just completely forgotten about.
And no, mental illness and past trauma are not excuses as well. In fact it’s rather insulting to both people with mental heath problems and abusive survivors to suggest otherwise. We don't need ‘saving from ourselves’ and we aren’t automatically dangers to anybody. Nor do we get free passes if we hurt someone. A jerk who happens to have a mental illness is just a jerk who so happens to have a mental illness; coloration is not causation. 
Conclusion 
It’s better than Rapunzel’s Return, but this episode was still a disappointment. A small part of me whishes this was a two parter because it has so much untapped potential, but I know it’s just be wasted in Chris’s hands. 
Anyways, I consider this to be the true mid-season finale of S3. Not only did the hiatus kick in after this episode, but it also clearly divides the season between the first half filler and the later Cass conflict. As such the next entry will be the mid-season recap. See ya, then. 
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angstbotfic · 7 years
Text
Fic: Ak’tephari Prophecy Ch 50
Read at AO3
November 5th
A clearing opened in front of them, and there, at last, was the second Citadel of the Ancients. The journey through the mountains had become arduous with the first snow a few days ago, and everyone was tired. They were glad to be here, and Emma was planning to give them a few days’ rest.
Just as soon as they got this piece. Her adrenaline spiked as she thought about going in. Unlike the Krannan Citadel, the Eyad had had copies of extensive records from Marna about how this one functioned. This was the piece associated with fire, and they needed to use a torch held by the chosen one to unlock the chamber and then defeat a fire imp. Merlin had been refreshing his memory on every spell he knew to counteract flames. None of that made any better, and from the way the soldiers were refusing to meet her eyes she knew none of them would volunteer this time around. But they had do this one way or another, and there was no sense in putting it off since they still had plenty of daylight.
“Alright, let’s get to it. August, Walter, Leroy, Tom, Kristoff, and Eric, it’s your turn to come in. Robin, you’re in charge out here.”
They didn’t look happy about it, but they were too well-trained to grumble, and Emma took pity on them and took the lead as they entered.
It only took a few steps in for Emma to realize this Citadel felt different. It wasn’t just the difference of being dedicated to fire—it didn’t have that weight of magic pressing down on her. She wondered why.
**
“The piece isn’t here,” Merlin said finally.
They had searched every square foot of the Citadel, and Emma’s sense that there was no magic here had been right. The passage to the room with the altar hadn’t been sealed at all, and no guardian had materialized. She and Merlin had checked for secret passages with all their burglary knowledge, and Merlin had felt around with his magic, too. This was just an old stone building now.
“So someone got here before us?” Henry asked.
“It looks like it,” Emma said. “What are we going to do now? Can we stop this thing without all the pieces?”
“No,” Merlin answered. “And we might as well take Regina back to Silben to keep her safe-”
"Shit," Regina gasped in sudden recognition. "I know where it is. I saw it once."
"What? Where?" Emma asked.
"In the treasury. In Silben. It was taken from the Citadel during the rule of my grandfather. He thought it would bring good fortune to Marna." She shook her head. "He called it the Shard of Power- the Orb of Aern was never mentioned." She looked pained. "I can't believe I didn't remember before."
Emma squeezed her hand in sympathy.
"Luck has clearly abandoned us," Merlin muttered. "It’s a long journey back to Silben, and then to regain the road to Rowa-" He trailed off, sighing, then continued, "That's assuming we can get in and out of the city without incident, and that your father would let you go again." He directed the last at Regina.
Emma frowned. They could spare a few days to rest here, but nothing like the weeks that journey would take. They weren’t going to make it.
Regina sighed, then asked him, "Do you have any spells that can help?"
"Somewhat. If we were there, I could get in. You Marnans never spell-ward anything, so the thieving would be easy. And I could get there, but it would be so exhausting I’d have to stay several days before I could come back."
"How's your Distance Speak?" Emma asked, beginning to hatch a plan.
"Excellent," he replied casually. "Why?"
"Have you heard of Lady Maleficent of Silben?"
"Heard of her! She's infamo- ah, legendary."
"Do you think she could transport herself here? That would be a one-way trip."
"Undoubtedly, but even Distance Speaking to her to tell her what we need and why won't make her want to. Not to mention that she's unlikely to even take my call."
"No, but she'll take mine," Emma said without smugness. "I was acquainted with the Lady before I left Silben. She said to call if I needed help."
"I’m not one for magic, but it seems like you could have mentioned this sooner," Leroy grumbled.
She shot a quelling look at him, then explained, "I tried to use the charm she gave me, but I couldn't get the spell to work. But it just occurred to me that Merlin can cast the spell and use the charm as a focus point."
Merlin nodded.
"And, if I had called her in earlier, we wouldn't be able to call her now," Emma pointed out. Then she said to Regina, "Think hard for every bit of detail you can recall about what you saw. We're going to break into your father's treasury from here."
**
"Emma? Is that you?"
Emma was surprised to hear the usually unflappable mage's voice so strained. "Yes, Lady," she responded.
"Thank heavens. I was worried when I didn't hear from you. Why didn't you call earlier?"
"There were- That is to say, I- uh, had difficulties."
"Emma, dear, don't tell me you couldn't activate a simple charm."
"No," she answered, trying not to be too embarrassed by the exasperated tone.
"Why all the formality?" Maleficent asked. A moment later she seemed to realize, "Ah, I see, you've enlisted help."
"I did- Forgive me for not announcing the mage Merlin of Lukmán."
"I shall have to remind you of your manners when I see you next, Emma."
Emma looked at Merlin, hoping he wouldn’t catch the insinuation.
Merlin, perhaps too distracted by the spell to think much about it, simply greeted: "It’s a great honor, Lady Maleficent."
"I am honored to meet you as well, Merlin. Your name precedes you."
"Thank you, Lady," he replied, with a smile of obvious pride.
"And, of course, I saw the wanted posters all over Lukmán when I was there.”
Merlin's eyes widened. He’d clearly forgotten about the gravity of his transgressions in all the questing they had been doing.
"Lady," Emma said, trying as much to spare Merlin as to get them back on topic, "We've called about something urgent, and- delicate." Emma provided a very brief sketch of what had happened - Kranna's real reason for abducting of Regina, the prophecy, and their attempts to reassemble the Orb and travel to the temple at Kyna by year's end. Then she explained that King Henry held one of the pieces in Silben.
"Your story is fantastic, dear Emma, but I know it’s true. Philip was killed by a servant of the Xan for even seeking information about this prophecy. When I realized, I personally tracked the scum down and killed him, of course." The hatred in her tone was palpable even at this distance. "The trash even had the audacity to be walking around impersonating a mage," she added, and Merlin and Emma realized it was probably another agent of the Xan like the man who’d chased them leaving Lukmán. Maleficent, unable to see their facial expressions, went on, "In my investigation I learned enough to confirm what you've said."
"Lady, I’m sorry for the loss of your friend. Philip was well regarded at the Eyad," Merlin offered.
Maleficent didn't respond for a moment, then simply asked, "So, you wish for me to steal the piece of the Orb of Aern from the royal treasury of Marna?"
"Well, yes." Emma replied, a bit startled that Maleficent had understood her intent, though with the older woman's quick wit it shouldn’t have been surprising.
Maleficent laughed. "It’s no small thing, but it shall be most satisfying to show King Henry a thing or two about respecting mages. And, I'm sure I can imagine some favors to ask in return."
Emma closed her eyes briefly, wishing this conversation could have been conducted without Merlin's help so she could speak privately with Maleficent. Despite the mage's understanding of the importance of the request, she was half afraid she would reconsider if Emma denied whatever she asked in return. She knew she would have to tell both Regina and Maleficent about each other as soon as possible.
Before she could explain, Maleficent simply commanded, "Tell me what you know and I will bring it to you."
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