#the only episode that got it right

[lilatara]

just thinking about how despite AtS trying to portray it as comedic bickering amongst bros, Spike actually has decades worth of reasons to hate Angel, while Angel has remarkably few reasons to hate Spike. And it should maybe be concerning that from School Hard on, Angel adopts an absolute "don't see what this has to do with me" reaction to him?

[insertsomthinawesome]

Okay I started this waaaaaaaaaaaaaaaaaaaaaaay back right after Episode 10 launched. Yeah. Ages ago. I actually finished it around probably 1-2 months ago??? I've just been slow to uploading it ^^;; Back then I was... not necessarily theorizing??? But had fun indulging in an idea like this xD

-NO ROMANCE INCLUDED-

[grapejuicegay]

i genuinely loved that final scene so much though because these characters can judge boston all they want and blame him for all their relationship issues but now boston is a world away living a whole different life and they're all in solid stable relationships but the appearance one singular mix sahaphap has all of them drooling and offering to keep him company. like how do you blame boston for any of the mess this would cause.

it's also the biggest fuck you to the contractual obligation of giving the fixed pairs their happy ending because you can spend the whole episode showing how they're all happy and sorted and over their issues while nick and boston need to figure themselves out but you can also put mix sahaphap into a scene and say yeah it's a month after their very fun new year where everyone got along super well and their relationships were all great and solid and you can have ray dressed like sand and mew dressed like top but they will still all clamber over each other to get to mix and it just ENDS on that and there's enough plausible deniability but also WE KNOW. we know.

[poorly-drawn-mdzs]

your horse meshi comic made me think that laios would have the craziest monster fursona just a thought

I would give anything to have your fresh eyes upon the story and plot of Dungeon Meshi.

[adelrambles]

Tips on Writing Bishop

I've been asked a couple times for advice on how to write a good (03-style) Bishop, and I'm well-aware he can be a bit tough to get a grasp on. As someone who's studied him specifically to learn how to write him as accurately as possible, I figured I'd compile some thoughts in case it'd be helpful to anyone else. I know a lot of Rise takes on him are basing off the 03 version, so maybe this could help generate ideas, too. SO!

Big Overall Points!

At the core of EVERYTHING Bishop does are two primary motivations. The first: the protection of the earth. What this means to him can get tricky, because it doesn't necessarily mean protecting the people, at least not all of them. But it will be better understood alongside the other:

The second: The protection of his sense of safety. Bishop has been deeply traumatized, and everything he does is born of a want to avoid that pain ever again. In his mind, earth is a safe area, a controllable factor, and anything outside it is a danger that must be eliminated. This is why he will still be willing to put himself and other people on the line in service of this; any sacrifice is worth the greater goal. (It's worth noting, Bishop will claim the first as his motivation freely, but is likely not consciously aware of the second.)

Bishop deals in Big Picture ONLY. Another reason Bishop will willingly throw away anything, including the lives of the people he claims to protect, is that he seems incapable of understanding things on a small, individual basis.

Bishop is a cold personality. He does not have strong displays of emotion. He does emote, but for the most part it's muted, so I recommend using emotional bursts very sparingly. (In my own writing, as an example, I try to limit my use of exclamation marks in his dialogue as much as possible.)

At his core, Bishop is afraid, and his response to fear is aggression. This also makes it particularly difficult to talk him down, if he's put in an emotional state. His response to not being in control is often violent retaliation.

With those basic tenants understood, let's move next to some major personality traits:

Bishop is a controlling personality. This is a direct result of his trauma response. Things that can be controlled are safe, therefore he must control everything. If something cannot be controlled, it's a threat that must be eliminated. If he doesn't know why something happened, he becomes angry (including even when it benefits him.)

Bishop is very low-empathy. When writing him, I try to keep in mind that he cannot put himself in the perspective of others. (Or if he can, he doesn't care to.)

Bishop is a sadist. He gets personal enjoyment from hurting others.

Bishop likes fighting, but only when he's winning. He will quickly leave if he can't see a guaranteed victory.

Bishop is paranoid. This is probably self-evident, but it's the reason he's often so well-prepared even when things don't go to plan.

Bishop genuinely seems to enjoy science. He's shown to be far more lenient with scientist characters than anyone else, and he seems to involve himself in his scientists' projects to a degree. Enough to, at the very least, understand their work. (Given he was the one set to dissect the turtles, it might also be argued he has some medical or biology background, himself.)

Bishop is an opportunist and scavenger. He can roll with failures as long as he can find something to get out of it. If he's presented with an opportunity to stab someone in the back, and he has something to gain? He'll take it without a second thought.

Bishop is deeply self-blind. For all his perceptiveness and strategic prowess, Bishop is not very self-aware in the slightest. He is completely blind to his own hypocrisies, and thoroughly confident in his own righteousness.

Bishop adapts fast. He accepts situations for what they are and acts (Though he may still be angry about them, or what have you.) This is likely a skill developed via longevity; the world around him has changed rapidly, but he doesn't feel out of place at all.

Bishop will take extreme risks and thinks wildly outside the box. Also self-evident, if you're familiar with the plans he enacts throughout the show. He'll put a lot on the line if he thinks the reward is worth enough, and he's willing to go to extreme lengths to get what he wants, even if his plans would be considered crazy by normal standards.

Bishop is persistent. If he wants something, he won't stop until he gets it. If he fails, he'll retreat, make a new plan, and try again. It is very difficult to convince him to back down (and certainly not on moral grounds.)

Habits and triggers I've noted:

Being restrained of any sort puts Bishop in a panic. He is more likely to have an emotional response in these scenarios, and seems to have (an albeit muted) desperation to escape. (See: Leatherhead restraining him in the first encounter; His reaction to being trapped on the surgical table in Head of State.)

When being duplicitous or suppressing a reaction, Bishop will go to adjust his tie. This could possibly be considered his tell.

Bishop seems to have a particular fear of aliens blending in as humans. His slayer project was built around the assumption that this is a common threat. (Worth noting: This makes The Shredder the model of the exact threat Bishop is afraid of. Technically, Bishop himself may also fit the description of a threat shaped like a human.)

Writing considerations:

In 03's narrative, Bishop is EPF and EPF is Bishop. Narratively speaking, any organization Bishop is head of acts as if it is an extension of his will and character.

Bishop is shown to strike fear and/or discomfort into most characters he interacts with. Anything beyond this is an outlier, and will draw a reader's attention.

Dialogue-wise, Bishop is generally succinct and blunt. He does dabble in gloating, though, and especially likes to upset others. If he's given a chance to be mean, he'll usually take it. It can help to consider he has a Mission Mode and a Normal Mode. When it comes to Mission Mode, he gets straight to the point and hates unnecessary talking. Otherwise, he's still not very talkative, but will take the time to make pointed jabs or talk through a plan. A lot of his sense of humor seems to be rooted in how He's Better Than You (And You're Going To Die Painfully.)

It's a common pitfall that Bishop is depicted as seeking out the turtles. In 03, once he gets their DNA, he's done with them. Any encounters after that are incidental. Bishop does not care about anything that won't effect his greater goal. If he's targeting another character, it should have to do with a greater plan.

Bishop is an extremely competent combatant, shown to be able to handle up to 7 opponents at once. For a breakdown on his fighting style check out my other post on that!

Bishop is hard to kill, and oftentimes he accidentally contributes to his own defeat. (The hook from Bishop's Gambit is an example I get a LOT of mileage out of, as a perfect symbol of his self-defeating prophecies.)

We almost only ever see Bishop in the context of his work. While it could be construed that he depersonalizes himself, it's much more clear that the narrative depersonalizes him. As far as we, the audience know, Bishop's work is all that he is.

It's unclear if Bishop was released from his abduction or escaped. Depending on which you ascribe to, this can have ramifications for his mindset on how to deal with the alien threat. (Personally, because so much of his inability to cope hinges on a feeling of helplessness, I believe he was released. If he escaped on his own power, that undercuts it, somewhat.)

Thematically-speaking, Bishop parallels both his own torturers and his own victims at the same time. He has perpetuated the cycle that traumatized him in the first place by trying to fight fire with fire. (In that vein, I don't think he's capable of understanding that, not seeing aliens as people in the first place, just dangers. Considering how deeply ingrained his trauma is in his worldview and actions, it would probably ruin him, if he were ever able to actually grasp it.)

Bishop and EPF are likely a commentary on the military of the time 03 was coming out. This can be something worth keeping in mind, when figuring out his greater themes in your story, though it can just as well be discarded if it doesn't fit.

Adding to that, Bishop has an extensive american military background. His skills and knowledge will reflect that.

Bishop also plays on and references a number of real-life alien conspiracies. It can be worth digging through conspiracy history to drum up ideas and themes, too.

The ethical and philosophical quandaries of Bishop's body-hopping and humanity tend to not hold too much weight, because Bishop, himself, doesn't seem to care.

If I think of more I'll certainly be adding on to the reblogs of this post! Or, if you have more thoughts, please feel free to add! If you're in the mood for more Bishop ramblings, that's practically most of this blog atm, but this post is a particular favorite. If you're interested in Fast Forward!Bishop, specifically, consider this post! (also read Taking Pawns. slipped in that self-promo, nice.)

[lavatory-sealed-hanako-kun]

Genderbent designs! Teru has two because Teru is special.

And a bonus comic cause yeah Mitsuba really didn't change much. He has the androgynous rizz regardless of what gender he is.

[possamble]

do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up

i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.

she's never corrected anybody whose called her an elf either.

never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-

i wish the half-elf thing was built upon more. also, underrated marcille line:

okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.

the first reaction we get from Marcille is this huge panel that takes up half of the page

she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later

so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions

"you'll live out your entire life [...] and die that way too"

"a hundred years from now, nobody will be there"

Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.

I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.

On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.

Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.

And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.

Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.

Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it

and look at how exasperated and resigned she looks

And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.

(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)

The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.

And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)

I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.

and one last very important panel, right after Mithrun tells her that all her desires would be devoured

In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.

(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)

[jo-gakky]

getting really into Dungeon Meshi! Wanted to draw one of my fave fellows!

[wynandcore]

Call me Tron.

[dinitride-art]

“Mike wheeler’s armpit of a basement”

“I’ve seen Mike’s room look worse than this”

“I was being a total self pitying idiot”

“Why am I the bad guy”

“One day she’s going to realize that I’m just some random nerd”

“At least Lois Lane is an ace reporter for the Daily Planet”

“I’ve been bullied my whole life”

“Mike’s always whining about it”

“And yet you still have a C in Spanish”

“You can’t even write it Mike”

“You made it super clear that you’re not interested in anything I have to say”

“-and if I said that thing then maybe she’d want me there with her, wherever she is”

“The bad government dudes are after your super-girlfriend right? Right?! Okay, so, maybe the cops can help us find out where she is because they’re gonna kill her, man. And if they kill her, there gonna kill us!”

“Oh, no, no, no, no- it’s a shitty knock off, yeah”

“Who’s that twig with her?”

“That doesn’t mean he’s wrong. I mean, if that guy would’ve lived one more second- one more second- th- we could know where she is. Wh-why didn’t he just say the number? I-I should’ve explained myself, cuz then maybe, Eleven would’ve taken me with her and things would be different but I-I didn’t know what to say”

“And I feel like maybe I-I was worrying too much about El, and I don’t know, maybe I feel like I lost you or something”

“Y’know the last few days, I’ve had to think about the last talk we had. You know, before the cops and the whole word went to shit and everything? I- I guess- I just- I- I dunno- I guess I just wanted to- to say-”

“But… but what if after all of this is over… sh-she doesn’t need me anymore?”

“No I… it’s so stupid, given everything that’s going on. It’s just… I… I don’t know. I just”

“I, love you.”

Mike’s flopping on the floor like a miserable and suffocating fish out of water season. His friends make fun of him. Eddie made fun of his clothes. Karen told Dustin he’s welcome at the Wheeler’s anytime which implies that Mike isn’t really talking to his friends outside of school. Dustin and Mike didn’t know when Lucas’ basketball game was, which implies that they haven’t really been talking to Lucas a lot. Mike did call the Byers but wasn’t able to get through. El and Will are have been in Lenora for months and Mike hasn’t really been able to talk to either of them. El’s been lying to him in her letters and writing and signing letters is a reminder that he’s avoiding writing the word love. Everyone’s telling him that he’s doing something wrong. This kids going through it.

[egophiliac]

The chapter is insaneeeeeeeeeeee insaneeeeeeeeee please your thoughts pleaseeeee twest really went all out

HIS HORNS LIGHT UP

and all the other stuff that happened, look, I'm processing

[im-no-jedi]

Hunter’s Spidey Sense™ tingling in “The Crossing”

[omaano]

“You’ve come for your turn early,” the stranger says, turning to look at Boba as if Gregor does not exist. Gregor flashes Boba a grin, all too-sharp teeth, as the stranger steps away, shaking off the attractive glamour as if it’s nothing. Gregor seems as delighted as Boba is troubled to realise that their would-be customer is more cunning than he seems.

Mereel & Family Booksellers by binz, shiplizard

Allow me to recommend one more awesome Bobadin fic - since @sidhebeingbrand and @toughbreaks were kind enough to let me illustrate their fic for my "Jaster lives" square for @bobadinweek's Bobadin AU bingo card... with a bit of cheating - my love for which only grows and grows with time (and trust me, it does get better with every re-read! ). Fantastic and delightful world building with Victorian era and fae magic, and beautifully written characters where every single one of them vibrate with life. (Boba gets to suffer his 99 siblings, Jango is forced through some emotional catharsis kicking and screaming, and Din is trying his best to be a dad of a fae child. It's just the best, okay?) I'll eventually want to make one more drawing for chapter 2, I just realized during my latest re-read that I imagined the whole scene wrong ^^;

[notsosecretlyalesbian]

"Janine, how many times is tattling gonna bite you in the culo before you quit being a narc?"

Lisa Ann Walter as Melissa Schemmenti in Abbott Elementary | 01×11: Desking

+bonus:

[spkyart]

Ranma 1/2

[bowl-of-fruit-loops]

hey why did bill’s ex-wife move to clivesdale? literally no one from hatchetfield would do that. people die and go missing all the time and they refuse to leave. and if they do they don’t move to fucking clivesdale