#and there's really no requirement to show interest in my original work just bc u follow me

[bogkeep]

just like according to keikaku

[shalomniscient]

Sevvvvvvv is there any more sevchino lore? Bc need. Domestic arle pls 🥺🥺🥺🥺🥺

this idea was originally from @e-hibiscus but it's SO yummy that it has been rotting my brain for the past few days.....

but i like to think that hair care is one of our more intimate rituals, in a sense. arle's hair is long and soft and requires a lot more care than anyone in the fatui really realises, and it's an immense show of trust for her to let anyone else touch it, much less brush or wash it. but her wife gets special privileges, of course <333

so every few days or so it's an unofficial hair day, and we take turns washing and doing each others' hair. arle will sit on a cushion by the foot of the bed, braced between my knees as i run a comb through her fluffy hair. her hand brushes along my calves and thighs, mindlessly affectionate. if we don't have places to be tomorrow, i'll maybe style her hair a little, like braiding it or something similar.

we keep this routine even after all the kiddos are born. when it was just estelle, she would sit in arle's lap on the floor and watch intently as i do arle's hair. later she's joined by noé, who is a little less interested in it all but enjoys being in his father's arms all the same. the twins are a little rowdier, sitting on the bed next to me instead, curious eyes watching as i braid arle's hair.

the kiddos get their chance to try their hand at it too, of course. estelle, high achiever that she is, once styled arle's hair into a crown braid. it was a little messy, but it worked. the twins are less serious about it, and will put all sorts of bedazzled clips and hairties in arle's hair that she finds endlessly amusing. and noé, surprisingly, is the best out of all of them, despite being the least interested. he's very meticulous, and his braids usually don't even have a single strand of hair loose.

my hair isn't so long, so there's not much to style, but when it's my turn, arle is very gentle with her brushes, and once she's done, throws in a bonus scalp massage because she knows i get tension headaches a lot and massages always help.

gkshfgkshdgf as u can tell i got very carried away.......................... i am in need of my husband so badly it's embarassing HLDJSHDLSJHD

[sunsetstarving]

would like to start this by saying there is DUH no time limit on answering this i sooooooooo get it <3

i finished legend of korra and have been mulling it over playing minecraft and just RRRHRHSDFERRRLKFD

i think my favorite part of the whole show is how humanized all the villains are? underneath it all theyre just guys who've been fucked over one too many times. and each time the *basis* of their quest is valid.. it's just that they go about it in ways that actively hurt people. it's like, okay, so you want this, but the people who are directly affected by this change have to *agree* with it before you start enacting it. you cant just... force people to change their entire way of life thats not how life works. which....... SUCH parallels to palestine im kinda going crazy over here bc its rlly just enforcing my like. not understanding of how zionists can uphold their ideology. really ANYONE who's belief system requires the putting down of another group. but especially with zionism.

its like.. ok sure you want the land but fun fact?? people literally already live there?? and you cant in any way make yourselves look like the good guys by forcing people out of their homes. ESPECIALLY when you already have your own land.

mainly connects to the fourth season lol

also lowkey HILARIOUS to me how much the spirit vines felt like a metaphor for nuclear power lmao. like ok?? way to go making a critique of something that happened like 70 years ago (when season four was released anyway).

obviously not the most eloquently put as it is past midnight and i am sorta shaking from either the windows being open or the avalanche of thoughts being had about korra (probably a combo)

my other favorite part got realized during the last episode and idk if you care about spoilers or not so i wont say anything too detailed but basically just admiring korra's growth as a character etc etc. tbh something the people making these shows are so good at????? like give the same attention as character arcs to romance plotlines :') (i will say, however, that by the time mako/asami/korra were all just friends i LOVED them it was never more awkward than it shouldve been and i super appreciated that)

RAHHHHH YEAH!!! oh man i knew u would love the villains they're just so fantastically done. i think my personal favorite had always been zaheer because of how interesting his philosophical debate was with korra but also as i've been rewatching i've also come to appreciate all three of the main villains just. how much their debates are also something that korra gets to (in some ways) understand?? iirc. and yeah it is horrific how it compares to real life and how vividly similar it is. tbh i find a lot of the comparison to current events also in the original atla just because like... the total destruction because they think that they deserve this power more, and then the insane propaganda that affects those on the inside if that makes sense. i didn't like the live action show but watching the first episode just had me sitting down and staring at a wall because in general just. how can we look at death like this and think that it's okay. anyway

i mean hey man we can always use some more critique of nuclear power it's always good to dissuade the kids who will become adults someday

anywho DO tell me more about korra's development i would love to hear ur thoughts (also YEAH the mako/asami/korra platonic dynamic was extremely nice and deeply appreciated. it settled nicely despite all of the pains)

[stonyponyofficial]

hi!!!! :3 here are "some songs" ive been "listening to" that "i" think "you" should too!

spotify || youtube

notes on each below ^w^

Big Dipper - Death Grips: this song has such a good bounce to it, it makes me move no matter what, i cant help it. especially the chorus cuz ill start singing along and, well, then theres no stopping me. ill wiggle in my seat or like put some bounce in my step. which is all fun when im listening to music at home, but at work, where i mostly listen to music, i cant i have to skip the song. plus i love u songs that end with a good few minutes of noise just because, i never skip u i swear 🥺

classic j dies and goes to hell - glass beach: im fiiiinally getting around to glass beach and why didn't ANYONE say it was good? don't think ive heard the opinion that the first glass beach album is good yet. i wanted to listen to more bc of the hazel "Twinkle Park" version of the self titled song which is also very good but i put this one on this list bc it builds energy and emotion soooo well. it starts so somber but builds and builds till we're screaming about supporting each other and making a home for yourself despite despite despite.

DOGTOOTH - Tyler, The Creator: he creates once more! i always forget i had a kinda big tyler thing in high school until he releases new music. out of all his recent releases post-Flower Boy, Call Me didnt connect with me as much, but this single from the Call Me If You Get Lost "estate sale" of stuff that didnt make the album surprisingly did! it feels a little flowerboy-ish in the production but has the call me vibes of like "i can afford all these cars, buy my neighbors house, and ill still take my private plane to Switzerland for the day just cuz i was craving some nice chocolate" very braggadocio, very tyler, very good :)

Dumbass!! - Machine Girl: this song both sounds like and has similar effects as brainworms. it fuckin. got in there and made me quantifiably more insane than i was before. said brainworms make me wanna scream the lyrics and scuffle my feet and just like run into traffic and dance around the cars bc this song makes me believe i could and id be fine. i hope to fucking god they play this at the mg/100 gecs show. this song is also one of the few times ive looked up the lyrics for a machine girl song, usually content to just let the beats jar my head, and as soon as i did i couldnt get them out :) like some sort of... thought... eating... something or other idk theres probably a word for it (<-the worms are finally getting to her)

Fantastic Cat - Takako Minekawa: this song is sooooo cute, there is so much synth and whimsy to be had! unfortunately i don't know much about the artist bc this was one of the first songs i found after using Radiooooo (which u should be basically required to use if u like music and finding new music) set to Japan in the 90s, but she's part of the 'shibuya-kei' genre/subculture that was popular during that time, which sounds like an interesting topic to dive into :3 the whimsy contained in this song is almost too much tho. the melody is so sweet, that wind instrument is so silly, and the moog breakdown in the middle too is. well, its all quite fantastic.

HI 5 - Frost Children: i took too long making this post that this entry went from originally a cheeky indirect plug for their upcoming album bc i just really liked this single to just,, oh the album came out... but either way i wanted to talk about the song bc 2 me its just more proof of how exciting of a voice in hyperpop the frost children are. the bass on it is as crazy and slick as the one on the cover. this whole song just explodes with eccentricity i think ull really like it :) also check out the epic music video! its ai generated for those who'd like to know beforehand, but they use it to like. rotoscope real footage its preddy neat!

Introduce me to your family - Otoboke Beaver: i made a little post recently about Otoboke Beaver's influence on six impala's WFLYTD, and after revisiting their album, Itekoma Hits, after making that post i got this one stuck in my head for a while. the hook hooks (the main reason i had it in my head for so long), the bass is groovy, the guitars are sharp, the rage is channeled, its all here! they keep all the energy going and growing the whole time until you cant help but scream along.

こんがらがった! (Kongaragatta!/Tangled up!)- Necry Talkie: started reading the bocchi manga recently (im just past where the show ends as of now :3) and they have art at the beginning of each chapter with the kessoku band members that references visuals from like irl japanese bands and music videos which i thought was really cool! of course i had to find a collection of all the referenced songs, and what do ya know... this cute little number was in there! (if ur wondering it's the art for chapter 18 that references this song's music video :3) its such a dinky beat at first (said so so lovingly) but it evolves into a precise, energetic little jam.

One Million Dollars - 100 gecs: this fucking sonnng.. not everyones fav off 10k i know but it is for me :3 it just rattles me in such a specific way. it originated and is the only way to sate the need in my brain to hear what it was like for nic cage in that "not the bees!!!!" scene. i love it sm, but im absolutely biased from my hearing this at a gec show and falling for it right then and there. the live version and the album version are a bit different and i think the changes they made for the album make it a fuller song i just. loved the feeling of hearing this live so much. i would just search up the epic live version at terminal 5 where Laura fucking SHREDS on the guitar at the end over and over while i was waiting for the album. again, makes me very excitied to see them and machine girl soon :3

o (__*) - Hakushi Hasegawa: i dont know much about this artist but goddamn the few songs i have heard from them have made such an impression. u know a song is good when its not even dnb but uses the "yeah.. woo!" sample to keep everything going. and yeah with how crazy fucking banana bonkers jazzy and technical the drums and piano get at times it needs that tiny bit of stability at least. this song feels like the epitome of controlled chaos in the absolute best way possible.

PARTY GIRL - Angel Electronics: after rook's latest solo album came out i decided to go back and visit this collab project of hers with ash nerve i had missed at first and.... weeeeeeh ;w; this song makes me wanna cry every time. rook can obviously write some bangers but i love her more tender songs too. so many parts come together to make it just the sweetest thing. the part that stuck with me the most was the chorus, like it's sooo cute id just sing it to myself on loop bc it leads into itself so well. i wanna just keep talking about how fucking cute this song is but like George Costanza voice the love story between the party girl and the weird shy girl got to me okay?

Prime - Marnie Stern: kinda the reason im making this list hehe :3 this song was on char 'igottawin' mp3's most recent WILT (what im listening to) poast (hi char :3) and it was What Im was Listening To... too... (both of us bc of this epic animation) so here it is on MY knockoff WILT post too mwahaha hahaha! haha but seriously guys this song is quite good. it does so much with all the variations on just that one verse and i get sucked into the lyrics and the guitars. and by the fourth time im chanting this same unending verse the song is surprisingly over and i just wanna listen to it again. this one deserves a 10 hr extended version frfr

Wait and Bleed - Slipknot & 青春コンプレックス(Seishun Complex) - Kessoku Band: whats this? a double entry? ahaha yes! 😈 i would've put these songs here separately bc ive been getting into both slipknot (thank u char :3) and the actual kessoku band album, both of which are quite good on their own. but i only combine their entries here bc of this epic mashup of these two songs by the aforementioned rook blackdresses which makes me unable to sing either without thinking of the other song. like the first three chords of the bocchi theme start playing and my brain wants to scream the GOODBYEEEEEE from Wait and Bleed. the slipknot chorus melds with the kessoku band guitars soooo well. to me they are pieces from different puzzles entirely but they still fit together <3

wants mom to know she looks cool and doesn't plan on changing - leroy: i finally listened to the dariacore and accompanying berdlycore serieseses and ive loved diving into this little subculture of silly hyperpop meme mashups that fuck immensely. takes the silly to earnest and very good pipeline to a new level. plus having been a fan of dltzk and jane's other stuff its the one thing i never really got into but there are. so many dariacore related things i need to listen to now. i feel like theres lore i have to catch up on but im excitied :3 this is one of my faves off dariacore 2: electaria corebaloo (not what its called)

This has been... Post! thanks for your time. if u read this far i love u so much please never forget that. 'til summer music-heads! *curtsies and shows myself off-stage*

[bowtiesarecool123]

yk what guys time to refute all of the hate all quiet has been getting bc i have nothing better to do

ok so i am having a very hard time understanding how a film score without lyrics can be offensive. does it make fun of something that requires nuance? no??? this score is not satirical in any way nor does it appropriate cultural music so where the fuck did offensive come from??? also what is so bad about the score being anachronistic? in fact i think this is one of the best aspects of it, if a film score has to be strictly within whatever period the film is set in not only does it lead to one dimensional uninnovative film scores, it just doesnt make sense in some scenarios. does a prehistoric film have to feature sticks as its only instrument?? ok even if we take all of that at their best, i feel like we're being too severe a couch critic, like cmon, they won for a reason, we don't have to be this rude about it, just say it's mid and call it a day...

yay lets generalize a very diverse fanbase bc it makes it easier to strawman and push my argument!! ok anyways i think a rlly big thing with sucessful adaptations is that ur gonna have to change some stuff. what works on paper might not necessarily work on the big screen. i get that a huge point of contention is the ending change and the cutting out of the returning home section. so about the ending first, i actually liked the changes bc while i get the poetic ending of the book, i think the movie ending does rlly well for character development and rlly goes all in to show the psychological changes paul experiences during the war. if we did keep what they were doing in the book, we might run into a lot of issues bc we're able to know what paul is feeling however that might be difficult to translate on film. also, we get interesting interpolation and final emphasis on the theme of how war is essentially just a puppet game. without the changes of the 11am armistice or the final orders from the evil general dude, we lose the new themes that the film brought in which would feel less complete than status quo. ok so the returning home argument, the novel is obviously more complex than the film but that doesn't make it better or worse. our film at hand already has a huge run time, if we tried to shoehorn in another whole theme, that might be too ambitious and we lose the focus the film has right now. i would definitely choose a world where they focus on one theme and do it really well, which is what's happening rn, over a line by line adaption that could feel messy and end up being too ambitious. again, a line by line adaptation has already been done and i wouldn't fault anyone for thinking the 1930 version is better, it just means it would be even worse and completely redundant to make another line by line adaptation rn. also again, these are completely all my opinions and its def valid to disagree on all of them but the real root of the issue i have with op's comment is how they chalk it all up to ppl not reading the books. it just comes off as rlly elitist and just not representative of what ppls actual opinions rlly are. also it's better to attack the media itself rather than ppl who enjoy the media 💀

braindead bird app time, here we have the classic case of someone thinking it's cool to shit on the film that all their twt mutuals are shitting on rn without ever having seen it. sorry if this is a bit left field but next time maybe watch the film b4 commenting on it?????????

this is honestly one of the least problematic opinions out of the all quiet haters so far but i am still responding to this bc the only category all quiet beat banshees in was original score (why is it always this) and the score doesn't have much to do with whether or not this film is a war film or if soldiers appeal to u or how many times this has been remade. and like i agree, banshees score, phenomenal, but if all quiet lost it still would go to babylon so i feel like the anger here is rlly misdirected.

all quiet haters cannot seem to comprehend that this film is not a remake holy shit. and even if it is inferior, it would only be inferior storywise bc u cannot fucking argue the point that 1930s vfx and cinematography are better than the 2022 version. and the only sweeps all quiet got were technical category sweeps so the inferior remake point is entirely irrelevant. and i am willing to bet 5 bucks this person didnt watch the movie bc then they would understand that technical aspects and story aspects are different bc what it sounds like rn is they're repeating whatever they've heard without properly applying the criticism to its accurate category.

.

.

ok im done now very slay if you've read all of this im sleep deprived bc of babylon dickriders so ignore my gramatical mistakes ty.

[bloodbenderz]

humaniterations (dot) net/2014/10/13/an-anarchist-perspective-on-the-red-lotus/ this article from oct 2014 is very dense — truly, a lot to unpack here, but I feel like you would find this piece interesting. I would love it if you shared your thoughts on the points that stood out to you, whether you agree or disagree. you obv don’t have to respond to it tho, but I’m sending it as an ask jic you feel like penning (and sharing) a magnificent essay, as is your wont 💕

article

i know this took me forever 2 answer SORRY but i just checked off all the things on my to do list for the first time in days today so. Essay incoming ladies!

ok im SO glad u sent me this bc it’s so so good. it’s a genuinely thoughtful criticism of the politics in legend of korra (altho i think its sometimes a little mean to korra unnecessarily like there’s no reason to call her a “petulant brat” or say that she throws tantrums but i do understand their point about her being an immature and reactionary hero, which i’ll get back to) and i think the author has a good balance between acknowledging like Yeah the lok writers were american liberals and wrote their show accordingly and Also writing a thorough analysis of lok’s politics that felt relevant and interesting without throwing their hands up and saying this is all useless liberal bullshit (which i will admit that i tend to do).

this article essentially argues that the red lotus antagonists of s3 were right. And that’s not an uncommon opinion i think but this gives it serious weight. Like, everything that zaheer’s gang did was, in context, fully understandable. of course the red lotus would be invested in making sure that the physically and spiritually and politically most powerful person in the world ISNT raised by world leaders and a secret society of elites that’s completely unaccountable to the people! of course the red lotus wants to bring down tyrannical governments and allow communities to form and self govern organically! and the writers dismiss all of that out of hand by 1. consistently framing the red lotus as insane and murderous (korra never actually gives zaheer’s ideas a chance or truly considers integrating them into her own approach) 2. representing the death of the earth queen as not just something that’s not necessarily popular (what was with mako’s bootlicker grandma, i’d love to know) but as something that causes unbelievable violence and chaos in ba sing se (which, like, a lot of history and research will tell you that people in disasters tend towards prosocial behaviors). so the way the story frames each of these characters and ideologies is fascinating because like. if you wanted to write season 3 of legend of korra with zaheer as the protagonist and korra as the antagonist, you wouldn’t actually have to change the sequence of events at all, really. these writers in particular and liberal writers in general LOVE writing morally-gray-but-ultimately-sympathetic characters (like, almost EVERY SINGLE fire nation character in the first series, who were full on violent colonizers but all to a degree were rehabilitated in the eyes of the viewer) but instead of framing the red lotus as good people who are devoted to justice and freedom and sometimes behave cruelly to get where theyre trying to go, they frame them as psychopaths and murderers who have good intentions don’t really understand how to make the world a better place.

and the interesting thing about all this, about the fact that the red lotus acted in most cases exactly as it should have in context and the only reason its relegated to villain status is bc the show is written by liberals, is that the red lotus actually points out really glaring sociopolitical issues in universe! like, watching the show, u think well why the fuck HASN’T korra done anything about the earth queen oppressing her subjects? why DOESN’T korra do anything about the worse than useless republic president? why the hell are so many people living in poverty while our mains live cushy well fed lives? how come earth kingdom land only seems to belong to various monarchs and settler colonists, instead of the people who are actually indigenous to it? the show does not want to answer these questions, because american liberal capitalism literally survives on the reality of oppressive governments and worse than useless presidents and people living in poverty while the middle/upper class eats and indigenous land being stolen. if the show were to answer these questions honestly, the answer would be that the status quo in real life (and the one on the show that mirrors real life) Has To Change.

So they avoid answering these questions honestly in order for the thesis statement to be that the status quo is good. and the only way for the show to escape answering these questions is for them to individualize all these broad social problems down into Good people and Bad people. so while we have obvious bad ones like the earth queen we also have all these capitalists and monarchs and politicians who are actually very nice and lovely people who would never hurt anyone! which is just such an absurd take and it’s liberal propaganda at its best. holding a position of incredible political/economic power in an unjust society is inherently unethical and maintaining that position of power requires violence against the people you have power over. which is literally social justice 101. but there’s literally no normal, average, not-politically-powerful person on the show. so when leftist anarchism is presented and says that destroying systems that enforce extreme power differentials is the only way to bring peace and freedom to all, the show has already set us up to think, hey, fuck you, top cop lin beifong and ford motor ceo asami sato are good people and good people like them exist! and all we have to do to move forward and progress as a society is to make sure we have enough good individuals in enough powerful positions (like zuko as the fire lord ending the war, or wu as the earth king ending the monarchy)! which is of course complete fiction. liberal reform doesn’t work. but by pretending that it could work by saying that the SYSTEM isnt rotten it’s just that the people running it suck and we just need to replace those people, it automatically delegitimizes any radical movements that actually seek to change things.

and that’s the most interesting thing about this article to me is that it posits that the avatar...might actually be a negative presence in the world. the avatar is the exact same thing: it’s a position of immense political and physical power bestowed completely randomly, and depending on the moral character and various actions of who fills that position at any given time, millions of people will or won’t suffer. like kyoshi, who created the fascist dai li, like roku, who refused to remove a genocidal dictator from power, like aang, who facilitated the establishment of a settler colonial state on earth kingdom land. like korra! she’s an incredibly immature avatar and a generally reactionary lead. i’ve talked about this at length before but she never actually gets in touch with the needs of the people. she’s constantly running in elite circles, exposed only to the needs and squabbles of the upper class! how the hell is she supposed to understand the complexities of oppression and privilege when she was raised by a chess club with inordinate amounts of power and associates almost exclusively with politicians and billionaires?? from day 1 we see that she tends to see things in very black and white ways which is FINE if you’re a privileged 17 yr old girl seeing the world for the first time but NOT FINE if you’re the single most powerful person in the world! Yeah, korra thinks the world is probably mostly fine and just needs a little whipping into shape every couple years, because all she has ever known is a mostly fine world! in s1 when mako mentions that he as a homeless impoverished teenager worked for a gang (which is. Not weird. Impoverished people of every background are ALWAYS more likely to resort to socially unacceptable ways of making money) korra is like “you guys are criminals?????!!!!!” she was raised in perfect luxury by a conservative institution and just never developed beyond that. So sure, if the red lotus raised her anarchist, probably a lot would’ve been different/better, but....they didn’t. and korra ended up being a reactionary and conservative avatar who protected monarchs and colonialist politicians. The avatar as a position is completely subject to the whims of whoever is currently the avatar. and not only does that suck for everyone who is not the avatar, not only is it totally unfair to whatever kid who grows up knowing the fate of the world is squarely on their shoulders, but it as a concept is a highly individualist product of the authors’ own western liberal ideas of progress! the idea that one good leader can fix the world (or should even try) based on their own inherent superiority to everyone else is unbelievably flawed and ignores the fact that all real progress is brought about as a result of COMMUNITY work, as a result of normal people working for themselves and their neighbors!

the broader analysis of bending was really interesting to me too, but im honestly not sure i Totally agree with it. the article pretty much accepts the show’s assertion that bending is a privilege (and frankly backs it up much better than the original show did, but whatever), and i don’t think that’s NECESSARILY untrue since it is, like, a physical advantage (the author compares it to, for example, the fact that some people are born athletically gifted and others are born with extreme physical limitations), but i DO think that it discounts the in universe racialization of bending. in any sequel to atla that made sense, bending as a race making fact would have been explored ALONGSIDE the physical advantages it bestows on people. colonialism and its aftermath is generally ignored in this article which is its major weakness i think, especially in conjunction with bending. you can bring up the ideas the author did about individual vs community oriented progress in the avatar universe while safely ignoring the colonialism, but you can’t not bring up race and colonialism when you discuss bending. especially once you get to thinking about how water/earth/airbenders were imprisoned and killed specifically because bending was a physical advantage, and that physical advantage was something that would have given colonized populations a means of resistance and that the fire nation wanted to keep to itself.

i think that’s the best lens thru which to analyze bending tbh! like in the avatar universe bending is a tool that different ethnic groups tend to use in different ways. at its best, bending actually doesn’t represent social power differences (despite representing a physical power difference) because it’s used to represent/maintain community solidarity. like, take the water tribe. katara being the last waterbender, in some way, makes her the last of a part of swt CULTURE. the implication is that when there were a lot of waterbenders in the south, they dedicated their talents to building community and helping their neighbors, because this was something incredibly culturally important and important to the water tribe as a community. the swt as a COLLECTIVE values bending for what it can do for the entire tribe, which counts for basically every other talent a person can have (strength, creativity, etc). the fire nation, by contrast, distorts the community value of bending by racializing it: anyone who bends an element that isn’t fire is inherently NOT fire nation (and therefore inherently inferior) and, because of the physical power that bending confers, anyone who bends an element that isn’t fire is a threat to fire nation hegemony. and in THAT framework of bending, it’s something that intrinsically assigns worth and reifies race in a way that’s conveniently beneficial to the oppressor.

it IS worth talking about how using Element as a way to categorize people reifies nations, borders, and race in a way that is VERY characteristic of white american liberals. i tried to be conscious of that (and the way that elements/bending can act in DIFFERENT ways, depending on cultural context) but i think it’s pretty clear that the writers did intend for element to unequivocally signify nation (and, by extension, race), which is part of why they screwed up mixed families so bad in lok. when they’ve locked themselves into this idea that element=nation=race, they end up with sets of siblings like mako and bolin or kya tenzin and bumi, who all “take” after only one parent based on the element that they bend. which is just completely stupid but very indicative of how the writers actually INTENDED element/bending to be a race making process. and its both fucked up and interesting that the writers display the same framework of race analysis that the canonical antagonists of atla do.

anyway that’s a few thoughts! thank u again for sending the article i really loved it and i had a lot of fun writing this <3

[toxicsamruby]

hello! i have to ask: what do you think about supernatural au's where monsters don't exist/monster hunting is not a thing? do you think the characters could even exist out of that realm? i honestly have conflicting views on this because on one hand i do enjoy the character dynamics but i also feel it would be wrong to just take away something that is fundamental to this show, idk though

i LOVE this question. thank you. im going to write a very long post now

obviously there are infinite ways to interpret a story, right? but sam and dean (and castiel too of course) as characters are completely inextricable from their backstories, and their backstories are inextricable from themes of transience, poverty, loneliness, violence, familial duty, masculinity, otherness, american protestantism, horror, humanity, and monstrosity. i dont think that it’s Wrong to take away the monster hunting as an element in the story, but i DO think it would be bad storytelling to do so bc the fact is that these characters w these personalities wouldnt EXIST without a few VERY crucial plot points/themes. and thats a GOOD thing!! say what u will abt the writers (and i do. i do) but the early seasons do an EXCELLENT job of building characters who are inseparable from their stories, characters whose every action is reflective of the Story itself in a bigger sense, characters who are interesting because of the way that they’re used to tell that bigger Story. there’s a sense of cohesiveness between character and theme and narrative, and removing one of these aspects would lessen the other two. that is the mark of good storytelling (that, in my opinion, distinguishes seasons 1 and MAYBE 2 from all the rest; although funnily enough i think castiel’s arc in s4 is the best example of what im talking about outside of s1-2. but anyways).

without these crucial themes and narratives, who ARE sam and dean? why do they even matter? what’s the value of them as characters? aus that strip away all those VERY important themes and plot points strip away the actual artistic value of the characters, and reduces them to objects of the audience’s emotional whims. the only reason u have any affection for these characters in aus is because you know and understand the source material, and you remember why those characters STARTED to matter to u in the first place. this is something that happens in a lot of fanfiction i think: the most essential themes of the original work are ignored for the sake of emotionally expedient scenarios where both writer and reader can clock out of having to do a bigger analysis of the story and just focus on, for example, a certain ship getting together and/or having sex, or a certain character getting a happy ending. and like i wont deny that theyre fun to read! they are essentially transplanting already-developed characters from their already-developed stories into a new fun scenario without the themes and narratives that actually made the characters compelling. and sure, sometimes a truly good author offers us a compelling new set of themes and narratives, ones that are interesting and make us think, but i’d argue that the characters in those rare good fics are 1. not...really the same characters from the show, since the story they’re in has been so completely transformed 2. basically shortcuts for the author to cut their teeth on writing original fiction. in any case, a vast majority of fics that remove the themes and narratives of the original story DONT offer a truly satisfying replacement, so the point is almost moot.

my answer, in short, is that aus without monster hunting destroy the character-theme-narrative cohesion that all good stories require, and by extension doesn’t require either author or reader to think critically about the story as a whole. you know that joke that goes around about supernatural just being a crate full of toys that we’re all sitting around and playing barbie dolls with? that is what the fics ur talking about basically are. it isn’t seriously engaging with a story as a piece of art, it’s grabbing a few barbies from a box and putting them in different clothes. and i think the fact that supernatural does fall apart both thematically and narratively so early in its incredibly long runtime is what allows people to treat it as a box of dolls, because most of the time it seems like the writers themselves treat the show as a box of dolls instead of a story that deserves respect and care and thought. so i actually do understand the urge to play with the barbies, so to speak, and to a certain extent i dont even think it’s a bad thing. but i DO think that sometimes, especially online, ESPECIALLY with a show like this where the lines between genuine engagement with the text and playing barbie dolls gets so blurred, people actually start to lose track of which is which, and THATS what irritates me. people start to view the ENTIRE STORY as just a way to see their personal favorite character do what they want that character to do. the character (and their emotional attachment to said character) becomes the whole reason for the story, instead of the story being the reason for the characters. playing barbie dolls is fine! but it DOES need to be balanced out with actual engagement, with literary analysis, with criticism if the story needs it (and my GOD does supernatural need criticism!), and there needs to be an understanding of the difference between genuine analysis and personal loyalty to a character. 

like, not to be a snob or anything, but it is important to engage truthfully and fairly with a text. things arent good just because you want them to be good, and stories can only offer you genuine satisfaction and critical/artistic growth if you truly engage with them. engaging with supernatural means thinking/writing about monsters and the Other, and to remove monstrosity as a theme and narrative hollows out the story completely.

[lady-feste-pendragon]

so we know there’s a bunch of arthurian adaptations out there. what elements (not from any particular source) do u *have to* keep/remove from ur perfect version?

oh lord, tbh nonnie i am not the person to ask this. I’m not a scholar or anything i just have a special interest. I started answering this originally just thinking about screen adaptations but then i realized you’re just talking about adaptations in general and i had to switch gears soooo

okay these are just my tastes/opinions/observations but non-screen adaptations: you can p much do whatever you want and it’ll be good. Personally i’m not too keen on adaptations where arthur is The Bad Guy (tm) somehow. It feels really inauthentic and gimmicky. make your arthur complicated by all means--the older i get the more i Obsess over Complicated Characters--but like, doing a full one eighty and saying ‘in my adaptation arthur is the Villain’ never goes over well. unless you’re seeing this happen later on in a series and it’s part of character development, in which case that’s fascinating as heck

-also for book adaptations, for my tastes, dig into the side stories and don’t be afraid to get absurd, bc the source material is comic books basically. you can still do sweeping serious romantic epics with v little Comedy but you can also do that while keeping and adapting the silliness that goes into some of the source material. and while you can keep the sort of ‘grumpy kay, rash gawain, tragic flawless lance, flighty gwen” -esque sort of stereotypes and execute them well and the story still be Good, there’s also both a Lot of difference source-stereotypes of behavior and motivation to pick from and it’s good to mix it up. also canon is fake and you can do whatever you want if you don’t find anything you like

-Personally i like stories with a good guinevere so My Ideal Story would have guinevere as an active agent in her own life but who is also a Good Queen, or if she’s not a good queen then with good Reasons as to why someone raised as a princess wouldn’t make a good queen in whatever sort of capacity that Good and Queen are defined by in your world. you don’t Have to do the love triangle (please plEASE by my little ace heart consider noT doing the love triangle) but if you do don’t make it shallow!!! also consider: they all have two hands. just sayin i may or may not have developed a taste for poly stories in the last couple of years 

-beyond that like as far as books or audio formats or what have you i will literally read p much anything. 

-for screen adaptations it gets.......tricky. because so many of them are bad for so many reasons. and caveat i have not seen a lot of them. I mean.....yeah i have seen a Lot of them. but i also follow..................a reasonable number of arthurian blogs and i am Aware that i’ve seen only a tiny fraction of what’s actually available and even Commonly Viewed for people who get reaaaally into the legends with the kind of energy i haven’t had since like. School. (man i wish; in literally everything else i’m happy with my life circumstances in ways i can’t possibly vocalize but as far as motivation goes Take Me Back)

-i’ve just noticed that it’s apparently Extremely Difficult to actually adapt The Arthurian Legends to screen

-so in my humble opinion Stop Trying

-adapt Adaptations. adapt self contained side stories. there’s so much stuff that gets overlooked that makes for An Incredible Story that won’t be made into a movie bc it’s not part of the generic public consciousness of a king arthur story. but don’t try to adapt Arthurian Mythology bc that’s going to blow you way over budget and you’re going to need A Series Of Movies and you won’t get them and it’ll be unsatisfying for everyone involved. So don’t make epics.

-stop trying to be historically accurate or historically ‘edgy’, make more movies about side characters  with their own stories, get creative about setting and magic systems!! if you’re going to be original especially, but i can’t stress this enough, adapt adaptations. They’ve already done the work for you. 

-i know you want to know about what specific ‘elements’ need to stay the same to be good For Me, but tbh my reading is so Wildly Variable that you can Everything differently and i’ll still give it a shot, but for screen adaptations i really only require three things.

make your cast of characters either small enough that you can really dig into their stories (for side stories) or make them broad enough that you can include side characters that don’t get much screen time often while concentrating on whatever larger story you’re trying to tell

show us that you did your research even if you don’t Use it. that’s why i liked the guy ritchie hot mess so dang much and Still love it and watch it today. there are so many little hidden references and easter eggs you can tell someone on board did Research and was in a high enough position to get those little tidbits in

your arthur Has to be On Point. your arthur has to be Perfect ok. You can slub a lot of stuff but if you’re making a king arthur movie your arthur has to be Flawless. you can get away with this if you’re not focusing on arthur himself but even as a side character he needs to Inspire Something in the viewer. He needs to be Recognizably Arthur via source stuff/adaptation material sure but he also needs to be someone the audience Instantly Likes to the point of almost reverence. You need to either start at the point or get to the point in the narrative where arthur says like three sentences and you Instantly Understand why people would pledge service and loyalty to him. You Need to See Him and you need to Love Him. everything else is adaptable. 

[ionlycareaboutyou]

henlo it is me sending u a prompt!! u can pick either pairing that u mentioned i don't mind but can u do them moving in together for the first time, specifically dealing with all the weird quirks + household habits that you discover when you start sharing a space with someone? what odd things do each of them do + what makes the other person annoyed or enamoured? ty ily 💖

hello thank u! i thought i’d do sethon for this one bc it seemed fitting for them! ily 2! this turned out SOOO sappy so i’m sorry if it gives you a toothache fkdajs

cw for smoking and references to sex

After their wedding, they go to Seth’s place right away, skipping the cast and crew after-party to drink wine in bed and kiss, undressing each other slowly and almost carefully. Their lips are stained and bittersweet, and Seth’s delighted to find that Stefon had worn something pretty under his skinny jeans and Ed Hardy shirt.

“I can’t believe I almost let Anderson have this,” Seth half-jokes, mouth hot over the lacy front of Stefon’s panties.

He giggles. “I knew you’d chase after me.”

“Am I that predictable?” Seth quirks an eyebrow, one hand coming up to squeeze and stroke his husband’s inner thigh.

“Mm...not predictable...stubborn,” Stefon replies, then lifts his hips up a bit. “Now, can we please consummate this marriage, Seth Meyers?”

“Is it considered consummating if we’ve done this before marriage?” Fabric is pushed to the side. A kiss is pressed to a sensitive place. A gasp echoes in the room.

“Well--oh--no, I think that just makes us sinners.” Hands thread in between dark hair that’s streaked with silver.

“Sounds about right,” Seth decides, and shuts up from there on out. 

Afterwards, they’re thoroughly exhausted, but manage to keep their eyes open for a little longer, to clean themselves up and brush their teeth side by side. When he looks up in the mirror, Seth is struck at the tender image of them, and he can perfectly picture a future where this is an everyday occasion. 

They slide into bed, legs entwining and lips pressed to jaws, necks, underneath ears. “I want to ask something,” Seth says, before he can forget it and drift off. 

“Mm, ‘kay.”

“You wanna move in with me?” He lets his hands run up Stefon’s chest and over those broad shoulders that have been a subject of maybe ten different fantasies.

Stefon cracks one eye open. “Like, here?”

“‘Course. Where else? I mean, if it’s too soon--”

He gives a light and airy giggle. “We’re married, aren’t we?”

“Yes, we are,” Seth replies, a finger trailing up his husband’s neck. “But I’m open to whatever you’d like, I don’t know if you’re really attached to that apartment.”

Stefon doesn’t actually live in a garbage can like he joked about once on Update, but it’s barely a step up from one. Seth had picked him up from the place a few times, and Stefon always claimed that he was barely there, it was a place to sleep every other night if nothing else. It’s a tiny studio above a shady drugstore that keeps odd hours and always has flickering lights. The ceilings are low, and Seth isn’t sure how Stefon manages to get around with his long legs without hitting his head constantly. So it’s not really a surprise when he says, “No, not too attached. I like it here better. My lease is up next month anyway.”

“Good.” He gives him a sleepy smile. “I’ll help you move.”

“Perfect,” Stefon says, and nestles his face into Seth’s neck. They’re asleep within minutes.

--

Stefon doesn’t own too many things, but what he does own is extravagant. The closet in Seth’s--their bedroom is suddenly filled with color. The top row of shirts are a mix of patterns and neon and pastel and strange sayings. The bottom row is filled with button ups in neutral colors: greys and blues and light greens, and maybe a plaid patterned one to switch things up. It’s apparent to anyone whose clothes are whose. The living room is decorated with strange and abstract art that Stefon got from friends. Each tiny sculpture or painting or sketch has a story. Russian and French literature in their original languages joins British literature on the bookshelf. Boots with sequins and heels go next to loafers in the coat closet. Intricate and pretty bongs are not very well hidden in the living room. It’s something that requires adjusting, that’s for sure, but Seth loves it. He loves the color that his husband brings to their home, and his life.

There are other things that require adjustment, too, and they’re a bit harder to adjust to than the new things that clutter their place. Seth knew Stefon kept weird hours, but experiencing it firsthand is another thing. He’ll roll over at 3 AM, open bleary eyes, and find the other side of the bed is empty. Stefon is pacing in the living room, feet light and silent, like some sort of cat. Seth always tells him to come back to sleep and Stefon will tilt his head, eyes half lidded as he nods slowly and waves a hand. He’ll slip between the sheets sometime before the crack of dawn. Seth will sometimes ask in the morning why he woke up, and Stefon will shrug and say “I was just thinking”. It’s something that they’ll work up to, Seth reminds himself.

They find differences that they didn’t notice before. Seth wears socks in the house, often mismatched, and often a point of teasing by his husband. “No one sees them except you!” He insists. “They’re no-shows!” Stefon, on the other hand, wears slippers that slide across the tile floor of the kitchen every morning, or just pads around barefoot with his toes always painted a different color. Bark Ruffalo usually trails behind him.

Stefon has an interesting affinity for healthy vegan food despite not being vegan himself. The freezer has dairy free ice cream (that, Seth has to admit, isn’t so bad) in it, and one week Stefon finds himself on a kale salad kick and eats them for dinner nearly every night. Seth can’t understand the appeal, but Stefon is the one who does most of the grocery shopping, so Seth is just quietly amused by the presence of all the green foods in his pantry and fridge. It doesn’t stop them from drinking sweet wine now and then, or buying a small cake just to buy one and kissing the frosting off the corner of each other’s lips.

Seth quit smoking a few years ago, but sometimes he’ll smell smoke from the balcony of their place, and Stefon will be out there, smoking a long and skinny cigarette and looking over the city. “It’s not good for you,” Seth always says, even though they’ve smoked together plenty of times outside of 30 Rock. 

“I know,” Stefon says, one time. “But I can’t stop giving in to peer pressure. Everyone tells me I won’t be cool if I don’t smoke.” His voice is adjacent to a bad Fonz impression.

Seth kisses his lips, not minding the smoky taste at all. “I thought coming out here while you were smoking would make me crave a smoke, but--”

“Oh, I know what you crave, Seth Meyers. I can see it in your eyes.” They kiss some more, until Seth pulls him inside so they don’t get in trouble for balcony-indecency.

Despite their many differences, there’s things in their life that come together with incredible ease. Their shower schedules match up perfectly; Seth in the morning, Stefon in the evening, but it doesn’t stop them from sharing one every now and then. They still brush their teeth side by side in the morning when they’re both up at the same time, smiling around their toothbrushes when they make eye contact. Sometimes Stefon will prefer to languish in bed while Seth gets ready for the day, but he stays awake until Seth leaves so he can give him a goodbye kiss.

Within weeks, they’ve “christened” every room of their place, and found out countless things about each other, and they’ve had moments where they’ve been frustrated and they’ve needed time apart, for just a few hours. But they always come back, they always curl into bed at the end of the day, closely intertwined with their dog at the foot of the bed. Lips will press against lips, jaws, ears, foreheads. It doesn’t feel like the first time every time, rather, it feels better than the first time. There’s new things to discover and fall in love with and laugh about together every day.

[bloodfcst-a]

given the revival of the vii fandom with all of the hullabaloo surrounding remake, i can think of no better time to do this meme. i also suggest you check out my updated nav page if you haven’t already! i worked really hard on it okay sobs.

things a new rp partner should know about me !

write 3-5 things a new rp partner (or those who want to be) should know about you and tag 3-5 people! it should be related to rp and not to other interests. 

tagged by: no one, but it’s a shame bc... i got thoughts. you were warned.

tagging: @angereve​ @enshijou​ @breselin​ @serophs​ @strfe​ @fractempyreal​ @extremepath​ @localmagicalboi​ @shimmerseas​ @duplikiss​ @verumking​ @asterites​ + if it strikes your fancy.

i. i am not your mother’s/father’s yu.ffie blog. while i do have a verse reserved for compilation content, that’s not the main premise of this blog. if you came here for oversexualized underage ninjas.... i’m going to have to direct you elsewhere. out here we’re primarily an adult modern interpretation... who does not daylight as a ninja constantly. she can, however, be a y.akuza or a sheltered member of high society who enjoys kicking ass for justice so if you’re interested in that, y’know. c’mon down.

ii. the typical ‘ yu.ffie is a kleptomaniac ’ / ‘ stop stealing my stuff ’ trope is like. one that grates my very existence. i have talked about this many times, but for those of you who are new: yufi has only stolen out of necessity to her cause. the only time i’ll refer to petty theft on this blog is if she like steals a fry or something. if we’re joking around, okay, but... please don’t consider that to be the sole core of her characterization. i’m begging. i’m on my knees. i’m warning you, i’ll cry and then i’ll probably ignore whatever post you’ve mentioned it in if you’re serious. just. don’t be that person if you’re following me.

if we’re going into it, the only times she’s stolen anything were: > in crisis core, as the ‘ treasure princess. ’  but this is arguable, as the treasure is truly up for grabs to start with & zack repeatedly goes after these locations she’s sent to him ( which, by the way, were sent to her from rufus to attempt to retaliate against + destroy shinra hq ). zack already knew what was up when: 1) she showed up in his spam folder; 2) she literally said she’s on the hunt for treasure; and 3) he knew at least after the second time that he was gon’ get goinked ( please see definition #2 ) so... can’t help him there. > in vanilla vii, when the party is foolish enough to meet her and not recruit her off the bat ( it be ya own self ). to be fair, 99% of her interactions with easterners / non-wutai prior to that moment had been people who either wanted to kill her or exploit her, so... it’s only self-preservation to use them before they use her or worse, leave her for dead. a sad reality for a 16 year old. > in vanilla vii, only after the party arrives to wutai & she thinks she can successfully finish her mission of “ getting all the strongest materia. ” after she’s captured, she does apologize, and then afterward makes cloud sign it in writing. so. y’know, she did learn from her mistake & said “ ugh, guess i gotta put that diplomacy training to use. ”

y’all could argue that she’s a thief class and that’s what they do, but note that it’s NOT one of her core skills-- it’s a MATERIA. which means everyone out there with a steal materia could be out here being a kleptomaniac. cloud? barret? tifa? red xiii? none of your favs are safe. her skills in the game, however, are shit called “ blood festival ” ( oh? see the username’s relevance all of a sudden? aha! ) and “ doom of the living. ”  she’s out here summoning ghosts and reigning otherworldly power on ur ass but... fandom wasn’t ready for that conversation !!  some folks were too BASIC and couldn’t handle her true strength... so i will gladly champion that for you.

iii. i like to emphasize that yufi is an emotionally strong yet traumatized figure, which stems from her origins and that i just put that in the forefront. we have a character who is haunted by her mother who died after childbirth, seemingly rejected from her father yet held to the highest of his standards, has attachment issues because she’s the “ black sheep ” and doesn’t just accept defeat or dejection even if it comes from her core community, survived multiple wars, has led in post-war rescue efforts on multiple occasions, was wrongfully imprisoned, was on the forefront of pandemic outbreaks as a first-responder, joins and rises to the top of an organization created to restore world order, is one of the two top operatives in said organization ( and the one out on the field longer--sorry vin.cent, but u only got involved at lu.cretia and when the actual gunshots disturbed your brooding and wine session filled isolation sessions. but like, mood tho ), pretends to be cheery despite clearly remembering all the hauntings and death and other bullshit she’s been facing since she was a toddler.... oh, and she disarmed bombs when her country was wrongfully targeted + used as political bait for terrorists...when she was a child. that’s canon, if we’re talking about  “ accuracy. ” even in vanilla vii, she had no outlets, no one to turn to, ‘cause everyone was cloud vc: “ not interested. ”  

so if you’re on this blog, it’s not like you won’t see happy  yufi... but realize that i recognize that she is multifaceted and has a lot of baggage. emotional issues which unfortunately i bring to every verse gfdohfofh but u know, it’s core to her character + y’all gon have to deal, or... idk, go find another yufi. i’m not forcing you to be here.

iv. in my opinion, the best plotting comes with ooc conversations/interactions. i’m not saying if we plot that we’re required to be friends, ‘cause i don’t wanna force anyone into friendship, but i truly believe that if you want super deep plots with frequent interactions, we should... probably talk more than once. pretty simple, imo !  sometimes people claim i play favorites, but i really don’t... if you never talk to me and you don’t respond to my attempts to interact, then how am i supposed to know you’re interested? 

as a general rule, i’ll put in as much effort as i receive. if i see you’re interested in me, if we’re really vibing when it comes to plotting, if you’re sending asks & liking posts, we’ve got some threads going, rad !  if i like starter calls and send you asks and message you and you never respond to me... ?  i’ll take that as a sign you don’t wanna talk + i should move on to someone else. if i’m wrong, well... do something to change my mind.

v. i know i went hard as fuck on this meme, but that’s bc I’M REALLY PASSIONATE ABOUT ABOUT THIS MUSE.  in reality i’m actually quite soft + a weenie babie. if you ask.......... most people, i think they’d say i try really hard to be approachable and adaptable. i think everyone who talks to me on discord laughs at me because i’m scared of the stupidest things + i love to make jokes and just be funny and relatable. so please be nice and love me and my sassy fighty extremely tough deprived child. we both need hugs. 

kthx i’m finally done.

[phoebehalliwell]

How did you first come up with your next gen fic? Do you have any advice for anyone else interested in writing about them?

okay well the origin of my next gen fic is i was taking a television studies course and i chose to write my term paper on charmed so obvi i had to do a rewatch which was like my first rewatch since like,, middle school and i was like goddamn i love this show and i personally like writing next gen fics bs i get to make up the personalities.

so like my first step was making a google sheet w all nine characters bc i knew from the beginning that i wanted all nine leads and i put them in birth order i gave them all birthdays i wrote down what their ages would be i marked down who has which powers, their occupations, & basic motivations. that was like july 9th and then i made this blog on july 15th and i started writing july 21st. my first episode was published on august 25th. so like everything in between that was sorta like research i have multiple docs & spreadsheets i’ve got a full google folder that’s got 

1. my graphic organizer for the characters + their powers (and power developments) 

2. a spreadsheet with the episodes i want which like definitely isn’t complete but usually goes 2 to 4 episodes ahead of what i’m writing 

3. a list of monsters from different mythologies as well as potential demons and warlocks that i made up based on charmed lore + potential plotlines / which kids i would want to have which powers (there’s also another section of that that’s like potential overarcing plotlines and big bads)

4.just like a page of sum facts that i might need since i have wyatt working in an art gallery i literally just went on indeed and found a job at a pretentious gallery in oakland and copy/pasted all of their requirements + the jobs they’d have u do there and whenever wyatt’s at work i’ve got that doc open so like i can make it at least quasi accurate

5. i also have a doc w all my deleted scenes (if i liked them) so maybe i can work them back into a later episode

but that’s just my method and it is hella specific so in general my advice would be this

pick who you want to focus on

i know a lot of next gen fics don’t want to do all nine kids bc let’s face it that’s a lot of main characters. some only do piper’s kids, some only do phoebe’s, some do Just Chris, idk man it’s your story you get to pick

if you aren’t doing all nine, making a small note of where the others are is always nice imo just because if it’s like a Wyatt + Chris + Melinda centric one, it’s like,,,melinda was born the same year as the twins & pj it’s safe to assume she’s friends with them and when they’re not mentioned i’m like Where Are They. but also i write a fic with all nine so i’m sorta more invested in these other characters more than others

make a list of who was what powers trust me on this man it’s so helpful

also since it’s ur fic you can add / cut powers however u so chose it’s ur story bc let’s face it wyatt’s powers could always use some pruning

think about where you want your story to go

do you wanna have romance be a driving factor? maybe you want it to be more action/adventure. maybe you’re going gritty reboot and it’s like more horror. maybe u wanna do all three. either way, consciously acknowledging what u want the vibe to be will greatly help you come up with / focus your plotlines

deadass just start writing

like just spitballing. voice type a rant then go back an edit it later. usually there’s like this block when you’re trying to start a story bc you want it to have like a really good opening you don’t want it to be shitty but life hack!! if you just make it all really shitty like intentionally then you can move forward and once the ball’s rolling and you’re in like Writing Mode then you can go back and write a Good Opening

also i don’t think this is about specifically a tv formatted fic But if you do want to write in proper tv/film format celtx is a formatting platform and it’s free babey🤙🤙 so it makes the whole scriptwriting process 10x easier

[iobottle]

atissi

replied to your post

“it kinda makes me sad when artists giving out tutorials on character...”

oh could you talk more about this? :o

ABSOLUTELY thank u for enabling me to go off about designs i love this shit this may get a bit long so its going under a readmore (sorry if ur on mobile i hope it works)

gonna start this off with im no expert Nor have i taken any sort of official art class this is me just analyzing characters from what i found that makes them memorable to ppl (most of these examples are going to be from games sorry i got them on my mind)

ok so basically making a memorable revolves around personality and appearance now theres different ways to go about showing these things and i think from consuming media you like will help narrow down how you wanna go about it, basically thinking about your character inside and out!

SO shapes and hyperstylization is a good way to get a fun appearance across in a cartoon esp media and is often what a lot of artists stress on an example of using shapes and a good silhouette to make a memorable character is sonic!(specifically comic sonic)

(had to google idw sonic for a non...u know image)

but not only do they use lots of triangles for this hedgehog they also made him blue! you’d be more likely to remember a blue headgehog over a realistically colored one!(also almost all of the sonic characters have a combination of fun shape + unusual color to help you remember them! the designs werent afraid to use color to make a bold statement)(he’s also segas mascot so of course they put a lot of work in his design)

now sonics appearance is not the only reason why people like him or remember him so much he’s also got personality! he’s cocky, fast, always getting into trouble, “you’re too slow!”, accompanied by shitty butt rock and a cool guy persona ie he’s got personality! and they weren’t afraid to give him some weird interests(see the butt rock) and he’s not perfect( see arrogance) if youve ever played a sonic game you have almost always remembered the crush 40 theme that went with it

all in all to go with his unusual appearance he’s got some unusual traits! it helps make him believable! admittedly he’s not the most embarrassing of the sonic crew (see knuckles or shadow) but he’s definitely rounded and not boring from an objective standpoint(you can not like sonic or his games i dont care)

(another example of something that requires good shapes is pokemon altho they arent really like very depthy since there are 600+ and some only have like a pokedex entry worth of info but still they have good and memorable designs)

NOW something that doesnt have the most “good shapes” design off the top of my head is link

now in the most recent zelda game his most memoriable physical attribute is that he’s on the androgynous side w his longer hair and smaller build but in his older designs he looked something like this

(art for a loz:link to the past)

not really that much of a striking silhouette, but what do we look at and kinda leaves an impression on us? his hair and hat! its very silly to see someone in such a big green hat with that big of bangs/mullet, the hat at least became so ridiculous of a look that in botw nintendo didnt include his hat in links main outfit bc it was too hard to make look good, its silly! thats good! its fine to have a normal human looking characters because sometimes stories are about humans, but if you want us to remember them include something that will strike us as strange for them

also probably a good thing to note is the noises link makes when he swings his sword, jumps, pushes something, ie any action they have always been something that has stuck with me

(another example similar to this is in mgs solid snake in mgs is this cool super spy but is rocking a full on mullet which is considered a joke hairstyle. this leaves an impression on us. a spy with a mullet! how ridiculous! another example is raiden who was specifically made bc a woman wrote that she didnt want to play as an “old man” so the protagonist of the super spy game is a longer haired pretty boy (with a huge ass))

now ive explained a little on a character with good shapes and personality and a character with a more “boring” shape design that makes up for it with almost quirky design choices but i feel like theres another series thats what originally got me thinking about how even a memorable silhouette doesnt need hyperstylization

ace attorney! (which is out on switch now if u havent played it i would def recommend it)

if you dont know the protagonist is the guy in the blue suit(phoenix), which well he looks like just a guy...with ridiculously spikey hair enough so that in his silhouette you can recognize him but also his posture (the pointing) makes for a sticking recognizable image bc if you’ve played the games you can practically hear objection just from looking at phoenix’s silhouette

which is another thing id like to talk about! not only are a good shape a way to have a good silhouette but posture is also important! how the character holds themselves can say alot about them just from a glance! such as meekness, arrogance, confidence, sadness, anger, happiness its a very important too especially when you arent relying on stylization

now onto the characters of ace attorney ive gone over phoenix's design a bit but theres a few others id like to look at with some Weird style choices that make us remember them(just going to glance over them since this post is so long)

now, this woman, franziska von karma, she dresses kind of strange for a prosecutor but her outfit is not too out there and her silhouette is not striking

but you see that whip? remember how i said she was a prosecutor? yeah she will strike people in court for getting off topic and will even hit phoenix when he starts breaking down her witnesses testimonies, which what literally strikes up about her

another prosecutor, godot, now his hair could provide a somewhat memorable shape but what we first notice is the strange mask on his face which is weird, but not the Same weird as franziska bringing a whip to court thus having both of these prosecutors being Weirdly memorable for different things (another note is his liking of coffee that he does not give up even in court ha ha)

now onto the other protag for the aa games

apollo! who also has weirdly spikey hair, but even if you put a silhouette of him next to phoenix you could tell there some was a difference between the two! its showing a pattern with the protags while also keeping them distinct enough to be able to tell who is who! although you cant say the pointy haired guy from ace attorney and not get just One answer unlike saying the prosecutor who has a whip but still they are distinct to people who have little experience with the series

sorry i dont have any sort of conclusion on this this was just sort of me rambling on about character design, but my main point is if you are discouraged bc all your characters dont have wildly different silhouettes thats ok! there are other ways to establish a good memorable character! dont be afraid to make them a little weird! give your character pink hair in a medieval setting, have them be ridiculously in love with tigers they have a striped shirt and pants, let them love childrens tv shows and have them never miss an episode, give them wacky hair or an extreme love of gum, show us some personality!! but dont forget about how they act and their values and dont forget that posture can go a long way for establishing a first impression

there are also many other methods to making a good character! like colors and dress!

silly is the way to go! have fun with it!!

there isnt just one way to make a good character!! theres plenty of more series that have good character design that i didnt mention pay attention to why you like the characters you like! also watch this video bc its really good

[cosmicmoved]

𝐖𝗔𝗥𝗗𝗥𝗢𝗕𝗘    /    𝐅𝗔𝗦𝗛𝗜𝗢𝗡    #1

I’m going to add a Part 2 to this and I’ll use that to actually explain the more technical details of this stuff (i.e; what he actually wears, what silhouettes & vibes he likes, an actual explanation as to uh...literally anything) just because I feel like this post is more about the visual and less about me not shutting up. This will be more about the details. Little points to give you a general idea.

I WILL establish right away that he goes pretty heavy on accessories for the most part. If he’s not wearing something silver and shiny and at least a little clattery, it’s not really a Tomo Look. Earrings are a favourite addition to any look (hehe thank u to his fc for having a bunch of ear piercings bc that helps my case a lot) and he’ll wear pretty much any style, besides plugs and stuff like that, so long as it comes in some variety of silver or metallic black. He tends to avoid gold jewellery altogether unless he’s had it forced on him by a stylist. Tomo likes wearing makeup and learned how to do his own makeup when he was younger. His mother told him it wasn’t worth focusing on but, because he was personally interested, he hunted out a family friend (a makeup artist his father had known) and enlisted help there. He’s no expert but he knows enough to handle his own looks, although he tends to keep it subtle most of the time.

His sense of style can be a little hard to pin down as his rule for fashion is essentially just to dress according to his mood on that given day, which is as about on-brand for Tomo as it gets. He kind of lives by a rule of doing what he feels like when he feels like doing it (in his personal life anyway; he’s a LOT stricter with himself where professional matters are concerned but that’s a story for a whole different post) and that’s kind of reflected in how he presents himself. Sometimes, if you’re careful enough, you can even judge how much he’s willing to put up with that day based on how much effort he’s put into his outfit! He owns a lot of clothes in general so there’s a lot of room for variety, even if he ultimately sticks to a pretty limited colour scheme. His wardrobe tends to lean towards the more monochromatic. Not that he’s got anything against colours, he just prefers the silver jewellery on black & white look. The all-important pop of colour tends to come from his hair, granted he isn’t in the process of filming something that requires he keeps his hair a more natural colour (that said, Tomo tends to avoid dressing up at all while he’s filming because he usually exhausts himself and he’d much rather spend his free time locked up indoors, staring at a wall for hours, but that’s whatever lmao).

Also, he dresses quite expensively, for no reason other than because he can. I wouldn’t say he’s so stuck up that he wouldn’t buy and wear something that was a reasonable price if he genuinely liked it but he I WILL say that he’s often pretty chill about shelling out money on things he only sort of wants because he has the ability to do so. In another post, maybe I’ll talk about Tomo’s relationship with money because, as with most things, it’s a little all over the place; his family had money when he was born (and then things got a little shaky after his parents’ divorce) but his dad would spend all his money on dumb shit and his mother spends too much of her on throwing parties so nobody actually bothered to teach Tomo how to be remotely responsible with money.

i actually wanna change bits of this graphic and make it more accurate bc i put it together right when tomo was v fresh & new to me but i managed to delete the original psd for it so that would require remaking the whole thing from scratch and...i don’t wanna do that so i’ll just make a part 2 at some point lmao! anyw, the biggest correction is that the pic in the middle isn’t incredibly tomo but i guess it works for...real casual wear...it’s just a little too laidback for tomo. also i cropped the bottom right wrong, there was supposed to be a choker on show but what can u do !!

[seokjins]

I’m not the original anon but I loved reading that so much, please do their strengths! It’s really interesting to hear about this stuff from people who know what they’re talking about

I’m a different anon but I’d be interested in reading what you think their strengths are if you feel like sharing. 

AAAAA wow thank you so much !!! i will try to do my best, but it’s very hard to talk about this kind of stuff because, as i mentioned in my first post, i’m not there for the rehearsal process. 

this affects my ability to talk about their strengths bc im not able to see them build a piece from the ground up. one of the things i admire the most + dancers hold to high regard is the ability to pick up choreography, how fast they can adapt to the style, and how quickly they reach a performance-ready image. additionally there’s rehearsal attitudes, how focused one can be, and how willing a dancer is to accept corrections + self correct + work w the choreographer 

this said .. !

jin

his work ethic. it’s no secret that even from AHL and pre-debut days, jin has always been one of the hardest workers in terms of his dancing ability compared to the other members. to come from a NON DANCING background for the majority of his life (it gets harder to start picking things up the older you get due to habits and posture that ur body becomes used to) and to be able to pull off any single one of bts’ dances WITHOUT standing out and looking like a true professional is something that i greatly admire. with all my dance experience, albeit in ballet, i can’t dance the way he did in NMD even now. many many many idols and dancers will never reach his level of proficiency/energy/attitude in that piece as well. 

currently i would say his greatest strength is probably his upper body movement. the only other member that rivals his loose flow is hoseok (re: mic drop dance break w the body rolls), as well as his incredible ballon. he has this ability to seem suspended when he’s doing certain dances … !!! 

he also has incredible stamina. he is stable when he sings and dances, and often isn’t pitchy or sounding super out of breath. compared to 99% of the population, this is a talent and skill that many don’t have LOL this can only come from his natural altheticism and his work ethic due to hours and hours of practice ! he also always appears at ease when he dances (unless the song is an “edgy” or “angry” song), which is difficult to accomplish TT 

yoongi

his strength as an overall dancer! he’s not just a one-trick pony. he doesn’t have any tricks (except for the recent double endehans that we saw in tokyo “so what”??????omg) but he excels in every single bts dance . there is always a point/move that he does better than his members. for a non dancer, he has such innate ability to move and feel the music, something that is rare for people just breaking into the dancing scene like he was pre-debut.

his footwork in dope is unparalleled. his stylistic choices in fake love r so fitting and unique and fjalsdhgalkhg i can’t praise him enough for opening himself up mentally (because dance is also greatly taxing on ur BRAIN) and getting to a place where it seems judgement has decreased on his OG dance abilities. this allows him more freedom in molding to new pieces and making sure he excels in them !!!!! 

namjoon

wowowowowow namjoon also has unbelievable work ethic. i cannot imagine have a stiff, non-dancer’s body (pre-debut) shape itself into the Dancing Machine it is now. there are people who are born to dance, have movement sewn into their bones, but namjoon wasn’t given all of that and yet he continued to work until he found his own rhythm. 

YES he is tall, and YES that means he has to move his body faster than everyone else in order to stay on the music, and YES that means when the group cleans a piece he has to bend lower than the others just to be on their same level – a task that can build exhaustion when it’s done over and over the course of a song – but YES he manages to pull it off EVERY TIME. 

i cannot believe the amount of growth i’ve seen from him in all different styles. i could never imagine the hard hitting NMD dancer being able to do spring day or, an even better example, FAKE LOVE !!!!!!!!!!!!!!!!!!!!!! he is light in the chorus section (so less resistance compared to JM or JK) but then he contrasts that immediately after w bound-flow, showing innate understanding that dance cannot all be one energy level; you need to have contrast in order to give impact to important parts & keep the audience engaged. otherwise if U attack a piece w the same energy the whole time, it will actually end up looking flat and boring, like all the movements are the same since they will read the same way to the crowd 

hoseok

i cannot cannot cannot talk about hoseok enough. for me his greatest strength is his performance quality. ignoring everything else he does so well, i’m gonna cut straight to the chase and say he’s the best dance performer in bts. when he dances – between rehearsal and the stage – there is a clear difference; he’s engaged in both, but there’s a level of freedom that he allows himself which demonstrates his connection to the audience. 

he’s very focused on what he looks like in the mirror during practice, but like all great performers, he throws the mindset of “fix technique fix technique fix technique” away once there is an audience and actively invites them to join in on his joy. he has pure passion in his heart for his craft, and it’s never been more clear. the love he has for his art is breathtaking. his fearlessness in switching styles; he’s an absolute chameleon. from spring day to NMD to seo taiji, i’ve never seen him falter before, and all topped off w the most electric connection to the crowd 

like WOW is that breathtaking. being confident in choreography is one thing, but going above and beyond by pushing himself to be in performance mode (a whole beast and a half on its own) as much as possible requires more space within himself that i’m lacking from the other members. YES he is an idol, and he is very aware of this business of tricks, but he never forgets that dance speaks it own language, that it has its own rules, that it possesses his body and governs his movements the minute he sets foot on that stage. i can’t even explain the sheer talent thats in him when it comes to this aspect 

jimin

oh jimin TT his greatest strength is style. i know i talk a lot about how he doesn’t let go enough of it to really excel in all sorts of genres, but what he’s built from a background in classical-esque styles is incredibly admirable. i’m not sure i would be able to do what he did, coming off of 14 yrs of ballet and not much else. to establish himself pre-debut/debut as a member of dance line in a COMPLETELY different style is so unbelievable to me. he knows his body and he knows how to push his body to get the results he wants

i mean . obviously bts are overworking themselves but to have the mental strength to push thru and continuously crank out all these different pieces w a touch that’s uniquely Jimin™ is smth you can’t deny !!! homeboy knows what lines look good on him, and he adapts the choreography to best suit his body 

he also is a great camera fiend. this is more of an industry dancer situation (since great dancers ≠ industry dancers) where his idol status comes into play, but there is a good reason why his fancams get so many views on music shows ! he knows what the camera wants ! he knows how to be sexy ! he knows how to change his image ! he knows how to work with what he’s given and make a whole new meal out of that and its just ! wow ! fuckn yum ! 

taehyung

ok so let’s talk tae’s upper body. let’s talk . tae’s upper body .

he has such control and awareness over his movements, especially his body rolls. he knows how to make his torso fluid, which is something a lot of the members actively struggle with today. he has such ?? nuanced articulation thru his chest that is typically absent from male dancers , so it’s always a treat to watch him perform 

additionally he has great confidence and performance aura. as u can tell from singularity or stigma stages, he also (like jimin) knows how to work a camera well. but this also translates to his dancing. while he can’t catch all the footwork that others may, he understands that facials and his upper body will make up for the deficit. 

i’ve said this before but if you want to see how good of a technician a dancer is, you look at their legs and feet. if you want to see how good of a performer they are, you look at their upper body (arms too) . he knows how to make an impact w the way he moves & it’s so clear in the division of his energy thru his body (more towards his chest since) so ! 

jungkook

for me JK’s strength is how solid he is as a dancer. while he doesn’t excel at a particular style or have a Thing™ which sets him apart from the group, he does exactly what he’s given and he does it well. he works hard. he’s undeniably clean. there’s never a moment where his limbs are flopping around for no reason, and his energy is always portioned exactly where it needs to be. this innate cleanness and confidence in his ability is what allows him to move quickly and look like it’s not costing him much energy 

he also has incredible stamina TT i can’t even begin to explain ???begin????him singing it live???WITH THAT FOOTWORK?????? god 

his footwork is so strong. i would argue the strongest in bts ... the speed and the sharpness of what i’ve seen him do . while singing. is unbelievable. he is able to keep his wits about himself when the choreography is fast shows just how relaxed he is when he dances. he doesn’t feel the need to rush because he knows he’s just . gonna do everything right LOL (at least that’s the impression i’m getting)

again it’s just so hard to say what his tru strength it without seeing him in rehearsal. this is becoz the level of dancing ability in bts is so high already TT so the basis of my comments are a little redundant since i’m comparing members to members instead of members to regular people lmaoo

[krakenator]

Chapter 11 aka “Welcome to Chili’s”

SPOILERS are sprinkled around extremely liberally for The Property of Hate

Masterpost here

Oh damn alright that answers my earlier question of “what will cause RGB to make like a cuttlefish”. He can fiddle with his colors at any time, but he’ll fritz and settle on colors after power surges as well

And he DODGES the black button question. Look at that anxious cane fiddling!

White knob handles color, black knob brightness, he’s just shown that the white panel opens to adjust brightness/saturation/color… is the black button just plain off?

“I lose you I leave you” is such a damned lie lmao

Let’s see what kind of Stuff people trade here!

Moments manifest as clocks, har-har

I’m in love with the borzoi vender bc I love borzois they’re such ridiculously ethereal dogs

Don’t like your current eye? Trade it for a better eye!

or you dont care about eyes, just revenge-feelings

Kisses of varying flavors, all shaped like X’s

STOP RIGHT THERE crimincal scum. RGB stole a farewell kiss (HAR HAR). But seriously, does the Market have law enforcement for this kind of thing?

I’m sorry but my shit fandom brain see’s discussion about trading body parts and my mind immediately goes to Skulduggery “lost his original skull when sleeping and replaced it by winning another one in a poker game” Pleasant

Incidentally ALSO a story about a standoffish dapper non-human taking a young girl on Adventures

uh oh

Lmao he ends up dropping his cane in panic

I love the movement in this panel. RGB just scooping her up with one arm

Goodbye New Suit we barely knew ye

RGB’s able to fine tune his pallet extremely specifically for just 3 sliders

This might be my favorite interaction in the entire damn comic

CAREFUL RGB YOUR ATTACHMENT IS SHOWING

I love how RGB decided “you know what i like what that quick camouflage did for my trousers, I’m going to coordinate my upper half to match it”

Interesting visual and sound effect- we saw a character swap out heads earlier without that CRACK. Considering Assok’s had trouble twice now with static cling to RGB’s face, is this an electric spark of sorts?

I like the detail that Watcher only speaks in one word sentences

God but that cane is convenient. What I wouldn’t give to have possessions that are impossible to lose

I love RGB quietly, actually checking in with Assok after accidentally knocking them off Hero’s head

And now for something completely different!

WHOLESOME ASSOK HUG

RGB’s starting to poke her towards her epiphany about the Make Believe

As a someone who spent a long time being a short person that’s such short people talk RGB

Dude I skimmed over Dial’s dialogue this page last time because, really. Look at it. So lets actually read this sucker

Oh shit Dial actually mentions the Elastic Valley way before we get there ourselves

He’s got to what now. TOby is there on a JOB? Someone put him here on PURPOSE? I thought he just ended up there and was so surly to every fucking thing and everyone passing by was like “ok u can stay there rudepants”. What’s he on watch for?? Unless it’s far more punishment than it is useful assignment

Bad puns, go to jail

Oh shit does Watcher have another pair of eyes on his wings? Damn! For a guy with 4 eyes he sure is not very helpful at his job later on!!

Hooo does his boss make Dial nervous. Lookit that stutter and devolution to muttering

When Dial says TOby took his eye off things, is he referring to letting RGB+Hero pass by (how would he stop them)? Is it that the wind blew him over and blocked his vision (THAT IS LITERALLY NOT HIS FAULT)?

And what the hell has TOBy done to defy Hate previously? What does he have opinions that Hate/Dial would have him change his mind about?

See you space cowboy…

And because I can’t make up my mind on what to meme here: “mm whatcha saaay”

A thought on Dial’s design… his head says “ON AIR”. Later we know that Hate can listen in on him. D’you figure he ever makes himself “OFF AIR” other than when he sleeps?

Now this little here combined textbox gives me some thoughts…

I haven’t paid attention to the color of character text beyond Hero’s voice getting eroded by sand, but… boxes can be any color and shape, its not uncommon for characters to have separate fonts, but words themselves? Only ever black and white. Now this could be for the sake of no eyestrain against backgrounds, but... consider the dichotomy TPoH is building up over its story

white in this comic is associated with bad things quite often. Lies, [-----], Hate’s realm. The blinding, scorching, destructive light of the unmasked Sun. meanwhile, darkness hides the Market from danger, and nighttime is tied intrinsically with dreaming. in fact, we JUST had an entire chapter dedicated to framing the Dark as good, protective, and aligned with trees and water, other positive entities

For a minute I got all excited because Dial and the Butterfly both have white text, thinking “oh, my god. do all Hate-aligned characters have white text?” this gets jossed pretty hard by Julienne’s white text, as well as Cell and Tailor.

but while THINKING on that, I jumped back to Storytime in chapter 10 and check this out: the moment RGB starts his story, text is suddenly white. Most of it continues to be in white… except for these two sentences

AND CHECK THIS SHIT OUT: THE TEXT COLOR/SCENERY CHANGE COLOR TO THE FIVE COLORS OF RGB’S SCREEN. HOW DID I MISS THAT??

(flips table) WHAT DOES IT ALL MEEEEEEAN

… y’know, the only character to have a white bubble color for their speech is RGB, who speaks in black

He’s both. He’s NEUTRAL.

Considering my talent for creating OCs but chronic deficiency in building coherent and decisive stories for them, they’re all probably wandering this Market and world right now. at the very least most of them have spent a DAMN long time here before becoming realized (im so sorry guys im trying)

The ones that are complete as themselves but their stories are unstarted/uncertain? That’s like. most of them. whoops. maybe this will be the kick in the pants i need

But on a brighter note: Fosters Home for Unfinished OCs

BUT by the rules of this world, RGB doesn’t have a story… yet this is his story.

Assok’s newest position of travel is adorable and im dying

Y’know… Hero and RGB have very different ways of solving things. A little obvious, but- RGB’s solutions are always convoluted, require multiple steps, and are a little ridiculous. Or, he at least FRAMES them as complex. See: Click escape, train escape, entire scheme to find a Hero to right the world. Hero’s far more straightforward but her solutions are also more, like… sensible than RGB’s if that makes sense. If it was just RGB up on the burning heart his plan would have probably involved more "im very intelligent” and pizzaz, while Hero went for the comparatively simple “lets zipline” (versus RGB’s upcoming Click escape clusterfuck)

All of which to say, I got thinking on that with RGB being like “it’s a very complex topic I can’t possibly boil it down to anything smaller” and Hero describing what the Make Believe acts as in one word

So if this worlds objects come from the sea, the sea is connected to other worlds? And it was confirmed early on that ‘stuff’ and ‘thought’ are basically synonyms- these foreign objects can exist in the Make Believe because they’re infused with enough Stuff!

Hero and presumably all of the other Heroes came from outside the Make Believe… they are not unrealized characters, or they didn’t start out as such. To exist here like this, they must then be imbued with enough Stuff/Thought… if we specify Stuff as equivalent to creative thought… by jove! I’ve hit on (another) theory!

Haven’t all past Heroes been artists? Julienne is a dancer, Melody a musician, Dial works radio, Ticker is a craftsman, and Tailor works with textiles. TOby and Assok don’t have anything obvious, but if I was Hate, I’d turn puppeteers into motionless dolls and empty-voiced sock puppets.

oh yeah, and Click. betcha he was a toymaker

I wonder what kind of artist Hero would grow up to be? She clearly draws, we saw her work taped to her bedroom wall

Of note… RGB is also an artist. It looked like that alternate human-self we glimpse later was involved with TV production, or perhaps script writing.

Tfw your ex walks past and doesn’t even hesitate like wow Magnus be a stone cold bitch like that

also like how his speech tail loops around his neck like a noose upon seeing Maggie

ALSO, that conveniently timed mention of hands when giving examples of what makes Stuff valuable in the Market- the nostalgia and undertones of regret are strong in this one

(watches this character die) oh jesus Christ. (looks at list of decommissioned ocs) ... oops

So this is what it looks like when a character dies… what does it look like when one is realized

do you like puns? want some more quality RGB roasting? like clothes shopping? the next chapter is for you

[sol1056]

a bunch more asks waiting their turns so politely

These are all various asks about the likelihood of a remake, a rewritten season, or a spinoff. 

1 could we get an alternate version 2 is a rewrite for S8 a viable option 3 would they change the ending for a spin-off 4 are single-episode edits possible for S8 5 will S7 reactions affect S8 6 how will DW get us to watch S8

Behind the cut.

With the shitstorm that vld became, would dreamworks ever take pity on us and remake some seasons of voltron that turned out like crap, or not even air, just release them as alternate versions on dvd? Im questioning the possibilities, not the probabilities, bc Im really not optimistic about that, I just wanna know if a show can do that and what would it take for the company to snap their fingers and be like "lets do it" (besides having money)

It’s not like frequent reboots don’t have precedent in other franchises; hell, comics do it on the regular. It’s also much cheaper to do a series of graphic novels or full novelizations geared towards an older audience. The problem there is that Dreamworks isn’t a comic book company or a publishing house; that part of the franchise would have to be farmed out to someone else. 

My guess --- if another remake is ever a possible option --- it’d be several years down the road. The first version would be set aside as, say, the Y-7 version for kids and family, and then you’d find a new angle for the next version. 

If DW got the impression there was a massive older crowd (say, 25-45) who would’ve eaten up a more mature, somewhat darker, version? Sure, why not try to grab that audience? I mean, look at the Castlevania series: it’s not pulling any punches on making clear it’s for adults. That would also require a different business model, since what adults like to buy for themselves is very different than what kids want. Skip the cake toppers, for starters. 

do you think given the reaction to VLD S7, is a rewrite for S8 a viable option? I feel the fandom is divided about the general reaction to S7. If JDS and M can just [focus on the fanbase segment] that liked it, why [bother trying to fix it for those] that didn't?

Given what I’ve been seeing in terms of data from the season... I think they aimed to please everyone and ended up pleasing no one. 

Pretty sure I’ve said something to this extent before: when you can’t please everyone, the answer isn’t to split the difference and piss everyone off. The answer is to pick your audience and give them the best damn story you can. The rest will sort itself out.

Let me put it this way: there are enough people who didn’t like S7 for the crummy animation, the OOC dialogue and actions, and the nonsensical storyline overloaded with a host of new characters that stole time from the actual protagonists. And there are also enough people who didn’t like S7 for queerbaiting the audience, killing off three out of four queer characters, and sidelining the one remaining queer character. There may be some overlap between those two sets, but taken together, those two sets are pretty much the dominant majority of the fan base. 

I don’t know if that makes a rewrite a viable option, but it should be making a few execs think twice about letting the EPs/staff carry on in the same direction. I mean, you want a series to end on a high note, not an ‘omg that had such potential but boy did it self-destruct in the last two seasons’ note.  

So if DW wants to do a Voltron spin-off, would they consider changing the ending to VLD to give Shiro the things he earned so this spin-off wouldn't be dead out of the water?

That would depend entirely on whether they’ve gotten the message that Shiro’s current status isn’t good enough for a significant part of the fanbase. If all they’re hearing (or all they choose to hear) is that it’s great to sideline one of their protagonists with no in-story explanation whatsoever, what’s to tell them there’s anything that needs addressing?  

Additionally, if the entirety of the issue is Shiro --- and everyone else is just fine, thanks --- I’m not sure that’d rate as enough to warrant changing so much. More likely any spin-off would start some X length of time between, and we’d get an implied intermediary backstory (or even a mild retcon), and go from there. 

Truth is, whomever gets the spin-off will (I really hope) be a better writer and not have to deal with intrusive newbie EPs. Even then, they’d be kinda limited on what they could do, given the spin-off does need to make sense placed against the first series. Then again, VLD hasn’t respected its own premise or continuity for the past few seasons, anyway. 

So I guess there’s always the option to start with an episode that retells VLD’s ending... Kinda awkward, but not unheard of, to basically retcon a previous series out of existence.  

I have no doubt DW is looking into what went wrong with this season. I know it might be a little to late to fix all of Season 8, but do you think they would have at least maybe the last few episodes changed to give a better ending to the show - or at least more respect to Shiro as a character?

Normally I’d say no. I mean, episode 1 should have characters making choices that in turn impact episode 2, and those choices prompt the events in episode 3... but that’s a logic VLD threw out the window somewhere between S3 and S4, and it’s only gotten worse since then. 

In which case, oh sure, why not? It wouldn’t make any less sense than what they’ve already got planned, if S7 is any indication. 

Could the reaction to season 7 cause any change the execs minds going into season 8? 

One problem: this is a Dreamworks production, but it’s not a DW-owned story. It’s a franchise: there are other players involved. There are the two guys who first butchered GoLion into Voltron, Toei whose story got that embutcherment, Netflix as the distributor, along with Playmates and Lion Forge and other contracted partners. There’s a lot more people at the table than just DW. 

It’s one thing for the EPs to say they messed up, and apologize. It’s quite another for Dreamworks to admit publicly their lousy (or nonexistent) oversight allowed the situation to happen. 

Legal would have apoplexy, for starters. What wins you a franchise is often showing you have the confidence (if not sheer chutzpah) that you can do this job justice like no other. And then you hit S7 and must admit you hired people who made a complete hash of it? 

If there’s anything that will cost the EPs any future roles of a similar position, it’s that they’ve put DW in a very uncomfortable position. Caught between a furious fanbase and overly-interested co-owners, someone --- or several someones --- are treading very lightly right now. They’re not going to forget the EPs are the ones who precipitated the whole mess. 

I think we are in a unique situation where the fact that the EPs were vocal about [changing] VLD ... could be a blessing for us & DW. [But we know it] was changed, & DW's part seems to be more negligence than direct fault like the EPs. So DW can drop it or fix it, and a rewrite would be worth us sticking around, while restoring DW's name.

Again, that depends on whether DW is in a position that they can do so. I assure you they’d throw the EPs under the bus at the first opportunity, because that’s how the corporate world works. So their failure to do so is either because they don’t see the EPs’ actions as untenable (as far as we know), or because doing so would expose DW corporate to greater retaliation from elsewhere. (It could also be part of the agreement that these particular EPs are in place for the duration of the series’ production, too. Sometimes that happens.) 

I still can’t get over the fact that the EPs were so blunt about having already had a script fully written when they asked to revise. From the Studio Mir leaks, we can guess at least some of the animation was already in production at least a year ago, or earlier. That’s a lot to redo. 

Here’s something that only just occurred to me, when I listed the co-partners in this franchise: the Koplar brothers. These are the geniuses who figured they didn’t need to know Japanese to make GoLion into an american production; turns out they were geniuses on some level ‘cause it was a hit, anyway. They went on to produce Voltron: Fleet of Doom (1986), Voltron: the Third Dimension (1998), and Voltron Force (2011). If there is anyone at the table who’d be likely to have nostalgia goggles, it’d be the Koplars. This has been their ongoing story in one way or another for over 30 years. 

Originally, the EPs said they weren’t tied to nostalgia; they weren’t going to redo the story as it was, but the story as they remembered. (I’d argue this actually indicates a stronger set of nostalgia goggles, but eh.) Their determination to get rid of Shiro has always felt like nostalgia goggles to me. Perhaps the Koplars were the greatest supporters of Keith as BP --- since that would respect the pattern they’ve followed, over and over, in all the iterations. 

Considering the Koplar’s somewhat litigious background over Voltron ownership, they may’ve had the ability to overrule. So... if you want to bench Shiro, you pitch your work with the execs who are most likely to agree with you. And if you can do that in the window between the previous VP of TV retiring and a brand-new external hire coming on as VP... welp, you got permission, and the new VP may’ve signed off, not realizing the impact. 

Which would put DW over a barrel, in some ways. If DW could’ve overruled their partners, the EPs never would’ve been able to make that end-run in the first place. 

How do u think DW will try to get us to watch s8? They & the EPs have shattered our trust and the show is so messy its almost unsalvageable. 

Stay to see X point's resolution? Yeah, we stayed many seasons for nothing, next. 

We have more rep? Ex. blonde girl is autistic... So we should be scared for her too??? 

There's more queer rep? Yeah, we heard that one already. 

Unless everyone responsible is fired and a new crew runs the next seasons?

I don’t know. I would hope the answer is ‘by giving us a story that makes sense, and creates closure for all the protagonists, and not just by making two of them emotional rewards for two other characters.’ 

At this point, there is only one thing that’s going to make Dreamworks change course: if the fallout from VLD impacts its other projects. If the majority of the VLD fanbase up and announced it would be boycotting She-Ra or Fast & Furious or Trollhunters on the grounds that DW screwed up so badly with VLD that it cannot be trusted... Then you’d see movement. If the PR got so bad from so many upset and angry VLD fans that major news outlets paid attention and started writing articles about the situation, that would also put a black mark beside Dreamworks’ name -- and then you’d see movement. 

With the VLD toys a failure (for whatever mismanaged reasons) and a financial model set entirely on toys, fixing VLD now would be throwing good money after bad. Unless, of course, there’s an impact beyond just this single series. 

Until Dreamworks can see the impact in some concrete sense, they have far more to lose from their partners than they have to gain from their fanbase. It’s just how it is, with corporations in late capitalism. 

You want to make an impact? You tell Dreamworks ahead of time, and then you follow through: pick a week and go silent. Nothing about VLD, here or on twitter or anywhere else. No reblogs on She-Ra updates. Ignore the podcasts. Don’t click on the articles. That stuff’ll be there when the week is over, after all. Show DW what it’s like when a fanbase checks out, by doing it. It’s a short-term boycott, but the reason groups do boycotts is because they work.