#and they not only don't perceive it as weird or wrong but also applaud them for it

[nonokoko13]

No matter how many times I see this panel their wording always irks me

"What you might call a hands-off parenting philosophy"

Helen from where I come from that is called child neglect, I don't know if you're intelligent enough to understand this concept but I'll leave it here in case you want to open your eyes. Otherwise look up to the sky, the sun may not blind you as much as you are right now

"Im so jealous!"

Of not being around your child? Would you rather follow their example and not be there at all? What a great way to come out as probably shitty mother Margaret

Anyway I'm not sure what type of person Melinda is yet but I sure hope Yor doesn't go to her and her friends for parenting advice. Lord helps Anya if she ever does listen to them

[whinlatter]

Cho Chang for the random character ask: 4, 9, 12, 27, 43

cho! this was actually so fun to think about. cho is an underrated character and a boss bitch and i for one have relished the opportunity to think more deeply about her, so cheers for that anon! (i'm merging the other ask i got about cho with this one for a bumper cho post)

1. Canon I outright reject

i do not tend to outright reject canon because i am a boring yawn canon compliant girlie but i will say i find it weird to think that cho would be randomly checking/carrying her DA coin on the night that harry just happens to arrive back at hogwarts in DH. it’s not even for plot it’s just for the ensemble vibes. pointless cameo sorry! the whole point of failed high school romances is to never resolve them and just memory block them out for all eternity until you bump into them in the veg section at the big supermarket when you go home for christmas and make awkward small talk then see them again at the checkouts and want to die

2. A canon or headcanon hill I will die on

part of the reason cho was so (understandably) distraught after cedric's death was because of a dynamic in their relationship of cho revering/idolising cedric that only deepened after his death as he became somewhat canonised in popular memory. when they got together, cedric was a seventh year and cho was a fifth year. often when you're 15/16 you definitely look at 17-18 year olds like they're the coolest people on the planet and you're lucky to be in their orbit basking in their great worldly wise glory (lol). and while i’m not doing up age-gap-is-problematic-discourse i am saying that if you're in the last year of school and your mate starts going out with someone two years below who is doing their GCSEs or whatever you do a) obviously take the piss out of them but more importantly b) tend to see a pretty big gap in maturity and life experience that often adds a weird power differential in the relationship. that's not to say that cho didn't really miss cedric's company, but also that the grief was made worse by the fact that she likely saw him as a saint-like figure she was in awe of, a view that only received mass endorsement after dumbledore's eulogy of cedric, so she's not even really able to mourn a real person, but just the idea of someone purely heroic and good who she will never be able to replicate again

4. Favorite line

“He asked me out, you know,” she said in a quiet voice. “A couple of weeks ago. Roger. I turned him down, though.”

in this house we stan 👏 petty 👏 queens 👏

or...

“What about your parents?” asked Harry. “Well, they’ve forbidden me to get on the wrong side of Umbridge too,” said Cho, drawing herself up proudly. “But if they think I’m not going to fight You-Know-Who after what happened to Cedric —”

actually huge props for cho for joining a resistance fight club with no parental support for anti-ministry action. because in canon you have the weasleys whose parents are so politically involved, and whose sense of political right and wrong is (bar percy) so instinctual because it's how they were raised, it can be easy to overlook how significant it is when other characters who don't come from that family background/political lineage get involved in risky acts of open rebellion. like yes her defence of marietta is misguided, but cho is a boss bitch who lets her grief be fuel for a good fightback and i for one applaud it

8. Unpopular opinion about them

ok this is going to sound like me doing up pure ginny defender but for all ginny gets slated for having many a jealous moment (including with cho in DH) i do think it is Interesting that people overlook how insanely jealous cho is of hermione lol. i do like that element of cho's character - or rather, think it lets her be well-rounded and interesting, giving an insight into how the trio are perceived by other members of the student body, but also allows cho have this messy petty teenage side to her (people often tend to write her in fic as this very worldly mature grieving widow figure, instead of like, a girl going thru it and wildly acting out emotionally and developing a whole host of insecure abandonment issues that are mostly to do with her grief). but i love how she like sees red and goes full how many girls are you meeting after me!!! alexa play bust your windows!!! i am going to storm out and YOU are going to pay for these coffees!!! so yeah, my unpopular opinion is cho is petty and messy and obviously harry fucks up more but she does kind of act up and you know what, that's fine! she's still worthy of the world! (you know all i do is ride on my let girls giggle and be messy crusade)

9. Scene that first made me love (or hate) the character

i stan the temper tantrum cho has when she loses the quidditch final. go girl have your strop! she’s just like me fr

12. Crack headcanon

cho's gang of girlies wore potter stinks badges in the dormitory after that horrendous date to cheer her up. and she was like yeah you know what! he does!

23. If they were a scented candle, what would they smell like?

ohhh man i am going to have to pass on this because i literally cannot name any smells. she's too prestige and gorgeous to not smell lovely though!

28. How they feel about insert character of your choice from the same fandom

i am kind of obsessed with a cho vs ginny bitter rivalry that doesn't actually have all that much to do with harry lol. cho is two school years older than ginny (given ginny is an end-of-august birthday baby, cho fully could be three years older than her, given hermione is two calendar years older than ginny and is only in the year above). so ginny is a little pipsqueak irrelevance to cho, whereas i expect cho lives in ginny's head rent-free while she's still in the throes of her deep unrequited crush on harry. then ginny goes out with michael, cho's teammate, and is in the DA, so probably is around a lot more, maybe they're semi-friendly, all going fine - until ginny pops up for the quiddich final in ootp and publicly demolishes cho on the quidditch pitch. can you imagine being a (almost or actual) seventeen year old getting the snitch snatched from under your nose by gryffindor's fourteen year old second-rate substitute seeker (especially after a year of playing badly?) i'd be fuming. no wonder cho cries and chucks her broom on the ground. so then ginny chucks michael for being a 'sore loser' (i think this must have also been a bit connected to cho, if all ravenclaw are having a great big public sulk lol), and then michael immediately gets with cho (canon implies that evening lmao). even if ginny didn't care about michael all that much, there is something pretty galling about your ex moving on to your sporting rival an hour after you break up lmao, and something very messy from cho to try and get back at the girl who just beat you by immediately hooking up with her ex lol. you can just imagine michael and cho bitterly slagging off ginny in between snogs at that post-match commiseration party. and then the following year, when ginny beats cho again, in a match cho 100% viewed as a re-match and a chance to finally best the person who humiliated her... i'm just saying, those two hate each other (at least as teenagers) and it doesn't even really involve harry lol. and i for one love it!

43. 3 favorite foods and 3 they despise

i am also bad at questions like these i'm so sorry 🫣 literally have no world/character-building capabilities to imagine people's favourite anythings. i do like the idea of cho being thoroughly unimpressed by the quality of the hogwarts cooking though! do i back a fleet of house elves living out their days in a castle in the scottish highlands to know their way around any kind of asian cuisine? no i do not. cho would have every right to fume

[kiisaes]

Hey! So I read your post about my hero academia, the one where you talked about having a weird fatherly connections towards it and I wanted to ask you about what aspects you don’t like about the series? I share a lot of your sentiments but I do think it’s probably more than mid series? A lot of the details and writing I like and I think is considerable better than other shounen mangas. Anyways sorry for rambling. I just wanted to know what aspects you liked on the series and the ones you didn’t like.

Also complete side note: I absolutely love you’re art it’s so beautiful you’re and really skilled drawer!

sure! and thank u anon!

i want to preface this by saying that everything here is my opinion. media analysis is inherently subjective and something i think is bad might be something you think is good. considering how mha is not a shounen that's universally applauded for any or all of its writing choices, it's expected that you and i may perceive this content differently. doesn't mean i'm right and you're wrong and vice versa, it's just a different individual take on the source content.

also, even though i think mha is "mid to mid-good" (as quoted from my textpost) i don't use "mid" as either an insult or in a "it's so average it's bad" way. i know that word has been fucked over bc ppl automatically assume that something being mid means something is bad or bland or boring. it's a middle of the road series with a good share of flaws and strengths, and it doesn't particularly stand out as anything incredibly amazing or awful. just an average to decently good story, and its level of quality fluctuates throughout its run.

at the end of the day, i do like mha. despite what i think of it, it's a series i hold close to my heart and one i can enjoy even without a critical eye. if i didn't, i wouldn't have been making content for it for 2, almost 3 consistent years.

anyway, stuff i like + stuff i don't like under the cut: (warning: VERY LONG)

mha stuff i do like:

deku. he is my little boy

for the most part, horikoshi's character writing is one of his strongest abilities. characters like bakugou, shigaraki, and dabi (and honestly the todoroki family as a unit) are some of the most compelling characters in a story like this. they're allowed to be complex, dynamic and a blend of virtuous and damning traits. they match the overall themes of mha, which is that the sheer concept of "good vs evil" is surface level at best, and that placing people into strict boxes blocks them from everything else that they are. basically a complete "fuck you" to viewers who must condemn a morally grey hero/villain, for example. even less morally grey characters like ochako (imo) are still fun twists and explorations on their given character stereotypes. however i'm obligated to say "for the most part" because hori's superb character writing only matters when he gives those characters time to breathe and actually exist. i'll get into this more later

horikoshi's art is fantastic and undoubtedly his greatest attribute as a mangaka. i firmly believe that, as far as shounen art goes, there aren't any that can rival mha that are also at its global reach. there's never a single moment where i read a chapter and go "wow that art wasn't incredible" because that's not possible. he utilizes his art knowledge so effortlessly and brings out so much in every panel he makes. the manga art never feels dull. i'm so insanely jealous and in awe of him. i guess i could be biased when making this point but i find it hard to genuinely hate his art. it's so polished every time

this is a smaller point that adds to the last one but i do appreciate how he draws women. not when he's using them for uncomfortable gags, but just in general. there's like, actual meat on their bones. they have realistic body proportions (for his style). many of the women are "chubbier" than other shounen women, and a good amount of them are buff as FUCK. it feels like hori puts the same amount of effort into drawing his female characters as he does his male characters, even if he might not dignify that writing-wise

as a fellow comic artist, i absolutely love his understanding of comic language. it's small details like his onomatopoeia reminiscent of western superhero comics that really tie the presentation together. each panel is full of life, with characters and backgrounds working together in the most effective ways. i can't remember what tumblr textpost brought this up, but he also loves playing around with panel borders. he spices them up by using different subjects or objects to split up panels. and this was more of a strength earlier in the series imo, but his pacing was also pretty quick and resourceful. it shows to me that he truly loves creating manga and knows when it's the right time to visually deviate from the norm. again, i'm truly envious of how he can do this. i only hope to reach his level someday ...

this is definitely a biased point, but some of the series' arcs/storylines are some of my favorite ones in fiction. these include the tournament arc, the kamino rescue arc, the overhaul arc, twice's death, and anything relating to the todoroki family. obviously i'm only listing a handful of examples here because i think nearly every arc has its good moments that i can comment on. but when i think of good mha storylines, i think of these first

i also think that mha as a whole is a fun series that knows how to laugh at itself. there's nothing more awkward than a story that takes itself way too seriously, but the content itself is poorly written or not interesting. thankfully, horikoshi doesn't really fall into this issue

there are canon lgbt characters in this series. even if that's kind of a low bar atp (considering how only 1 out of the 3 play a consistently important role), a win is a win is a win. especially in mainstream shounen, beggars can't exactly be choosers.

mha is a story about systemic societal injustice, which is a lofty concept to tackle. thankfully the story is about powers being the norm so the whole "i'm born better than you because i have abilities" is less of a status quo rejection and more of a status quo enabler. as a story concept, it's a good basis, doesn't seem too hard to comprehend, and opens the door for nuanced storytelling and discussion. i think hori does this well at the start of the series. but as the story goes on... uhhh. i'll talk about it.

mha stuff i don't like:

man do these women have basically nothing interesting to do. i complimented how they're drawn earlier, but with the exception of a few notable ones, a lot of their characters pale in comparison to the men. it's even sadder considering that the amount of women in mha is significantly lesser than, so 5 important female characters is like, 1/4 of the female cast. 5 important male characters is like, 1/12 of the male cast. idk i didn't count the amount of characters in this series but it sincerely feels this way, especially if you remember that there are definitely more than 5 important male characters at any moment throughout this series. and when female characters do have their time to shine, there's a 50/50 chance that they die, get gravely injured, or lose limbs. which normally isn't an issue in a battle shounen like mha, but out of the important character deaths in this series, a fair amount of them are women. midnight, magne, and star and stripe have pretty anticlimactic deaths too, to add insult to injury. lady nagant talked her shit then exploded. she's still alive but like ... what? did these characters have to be treated this way? i can't really think of any important male characters who get introduced then axed from the story like this, except for maybe stain (though he's a far more important character narratively). the reason why i bring up this really lengthy point is not because i think horikoshi is actively misogynistic. i just think he falls into the trap that many shounen mangakas face, which is that male characters are more interesting to a male dominated audience. hence, female characters usually get thrown to the side. there are some important women in mha that stand toe to toe with male characters, like toga and ochako, and there are definitely certified girlbosses like mirko and yaoyorozu. but god do i wish i could add more women to this list without having to think really really hard.

and to add onto the previous, shallow, unimportant characters only gain backstories when the narrative demands for it. horikoshi used to write characters revealing their intentions and history in relatively natural ways, like with ochako and her goal to become a hero for money. it kind of came out of nowhere, but it's a valid conversation a teenager would have with other teenagers. in context, it was revealed normally. i'm not sure when these reveals turned forced, but i remember seeing kirishima's backstory and being like "well .. would this have ever been told to us if kirishima wasn't a main character in this arc?" this isn't against kirishima's character; i love the guy and i think his history was short but contextualized his personality really well. but with the recent shoji backstory reveal i could only think, "wow. horikoshi must be really glad he made a mutant character to project this theme onto, huh." it didn't feel like shoji was ever meant to have a backstory — not to mention a very depressing one — but he got one this late in the series run because it was convenient for the plot. perhaps i'm a cynic and this isn't an issue for others, idk. that being said, i think characters like shoji and even star and stripe and lady nagant could have benefited from more natural character developments, maybe with more time given so it doesn't feel like a weirdly convenient reveal.

i just really fucking wish mineta would die already. like get kicked into the sun or blown up with TNT or run over by a car or something. he's less of an openly creepy loser than he was in the beginning of the series, but i'm sure that's because he literally doesn't have the luxury to be creepy at the moment. he's one of the least appealing gag characters that never grows and changes as a person. and he got a backstory before kaminari. can you fucking believe this shit? why does horikoshi keep entertaining this bullshittery— oh yeah. i just remembered that the girls were perved on quite a bit in this series, which wasn't funny and moreso uncomfortable for a lot of readers. like, i know it's shounen, it's animanga, fanservice is kind of the unfortunate norm. but by god, do we need a series poster child for pervy, male-gaze behavior?

i commented earlier about mha's themes and that i think, at least at the start, hori had a good grasp of what he was writing. framing society's systemic flaws and failures in a wacky superheroes vs villains story is not only clever, but makes this actually serious topic accessible to those who might think social-cultural politics are too intimidating. he sets this up starting from deku and bakugou (oppressed and privileged), then adds onto it with stain (heroes who retain the status quo by seeking money and status are not true heroes, because they don't help those in need). shigaraki is thrown into the mix along the way (society fucks over the underprivileged, even those who want to do good, which breeds more villains and in the real world, more criminals) and his little league of villains all have their own stories (spinner: those who don't look like the masses are cast aside, harassed and villainized; dabi: if you don't live up to cruel expectations established by society and parroted by those in your life, you might as well be worthless; toga: any unconventional worldviews and actions are deemed scary and evil; magne: trying to conform to a rigid society as a queer person is fucking hard, man). there's also endeavor (even though you're in a position of power and respect, it doesn't automatically make you a good person). these are all GREAT, and are super compelling set-ups for mha's overall themes: that society should change somewhat, villains are a product of this flawed system, there aren't fully good people nor fully bad people, rehabilitation/growth is good, and true heroes aren't identified by title, but by actions.

these themes are quite apparent throughout mha's entire run. but i feel like the further it goes, the less horikoshi knows how to verbalize them. the latest mini arc dealt with spinner vs shoji in a strangely awkward clash of ideals. spinner is seen as a martyr who really just wants mutants to be accepted into society, and his status rallies up those who have also been hurt. shoji retaliates by... telling them to stop? by saying this isn't the right way? because he was fortunate enough to be in this position, he suddenly has the authority to tell those like him to find a better way to get their voices heard? what, should they all just become heroes? haven't we established that the society they all belong in is fucked up, and that drastic change must be made? i understand what horikoshi is trying to say but it's... off. like the point is there, but the execution is clumsy. shoji even says something like spinner's revolution setting them back 30 years, which is so fucking bizarre to say, and would certainly raise eyebrows in the real world. it sounds like villains can express their grievances with society but they can't dare revolutionize. otherwise, they'll be silenced/ignored again. it's the whole "violence breeds more violence" belief, but there's more to that that should be explored. man, i dunno.

i'm harping on this one story instance but recent mha is riddled with well-meaning but clumsy storytelling like this. and since the narrative relies on these complex, nuanced themes, it's jarring when the nuance falls through. if mha is about breaking harmful norms, why do they still dictate the execution? hori did it so right with deku and bakugou, their relationship being a definite high in the series. but i truly don't how he'll treat the villains at the end of this arc

ok tumblr's telling me to shut up anyway these are my thoughts. again, even though i've rambled so much about my dislikes, i think mha is still a fun and enjoyable series. it misses the point sometimes, but it doesn't detract from its successes. either way my opinions should not rule over how you consume the series. it's always important to form your own opinions!!!