#and try to figure out the overarching message of stranger things

[dinitride-art]

Mike Wheeler in Season Four (Analysis/Theory) Pt.3/3

Ignoring most of the symbolism in this scene because I simply don’t have the space here (I will later in my lighting analysis, though so. Part like... 45-50 will be an absolute banger of a post)- I’m going to focus on Will.

Will’s been the one keeping Mike together this season, but as they’ve come back to Hawkins that has evened out. And now it might be flipping slightly. Will is still in the light/Mike’s light, but clearly is the one who needs someone to lean on.

Will’s still in the light but it’s becoming more obvious that now that they’re back in Hawkins, he’s struggling. He’s reaching out to Mike for the same comfort he’s given this season. The same way that Mike was with him in season two. The way that Mike and Will are looking for comfort in each other is becoming more equal. 

They’re both struggling. But Will still has a blue background, and Mike a yellow one. And Will’s still in the light, and Mike’s left eye is still in shadow. The way we see Mike is in a juxtaposition to his background. His left eye is next to a window with a yellow curtain, and the side of his face in the light is next to the dark. Similarly, Will is in the light, but behind him is a blue tinted background- like that of Vecna’s trances. 

Neither of them are doing well. But they’re still looking to the other for help. 

Will’s reaching for Mike and Mike’s meeting Will halfway. Just like Will’s done for him, and like he’s always done for Will. But they might now be able to fix this on their own. Not when they’re both starting to crumble. 

Still, Will looks to Mike for help first. And Mike tries to reassure him and comfort him the best he can. Mike doesn’t reach out to Will a lot this season. It’s Will that has to ask him what’s wrong, or bump into him. Sometimes he’ll look to Will for reassurance, but he hasn’t really initiated any physical contact. 

As soon as Will asks him for it though, he reaches out. 

And holds onto to Will for as long as he can.

(Again, I am skipping past so much stuff here. So ignoring 90% of what’s happening here-) We see Hopper and El looking at the Byers family reunion. Mike and Nancy are also in the middle of this shot, looking at the Byers. If Hopper didn’t immedietly talk to Mike after, I wouldn’t say there’s much backing up the thought that Hopper is looking at Mike here. But I think he is. Because Mike’s not with El in the cabin where Hopper found her, he’s with Will. And Hopper sees that.

El and Will on either side of Mike is showing that he really sees that. Another person is taking note of Mike and Will. 

They’re staying by each other’s sides. And it’s becoming a lot more obvious to the other characters- and the audience- as to what that actually means. 

And that’s terrifying. 

They can’t hide anymore under the shelter of being traumatized kids. Not when Mike can’t tell El he loves her until she’s dying on the table in front of him. Not when Will’s the only one who Mike talks to. Not when Will and Mike are meeting each other halfway every time. As they’re getting just a few years older, the people around them are starting to look further. And they’re starting to understand exactly what’s going on. 

Before Mike and Will even have a chance to let their relationship change, people are noticing that it might. 

[brakish-tea]

Fears as dreams I have had:

End: I dreamed my best friend faded away and died before my eyes

Desolation: I was in a burning restaurant trying to frantically find my way out

Slaughter: I was running through an oddly wide and empty version of museum adjacent London when I saw a child who looked like my secondary school bully. I went up to him and he asked in a child's voice "Are you here to kill me?"

Hunt: I spent the last two years going between Canada and London on the run from a scrawny man with a rifle. I was with my mom. We would close the blinds and live in hiding and we weren't scared because it felt normal to us. One day, my mom gave me a hunting rifle to defend myself. On that same day, my mom was having too long a conversation with one of the neighbors and had left the door open and I was silently gesturing for her to come inside and when we did go to the door it was closed and unlocked. We both knew he was inside and so we both scattered before I heard the gunshots of my rifle echo out across the street and the scrawny man's face was angry. I ran all the way down the near by highway and the air was cool. It all felt normal. He was behind me.

Flesh: My skin texture was melty and strange. Very bad.

Corruption: A recurring dream where I had a very contagious orange coloured terminal infection. I laughed and joked for people not to come near me to make it seem like I wasn't scared to die while making it so that others wouldn't get infected.

Stranger: I was not!them and I was running through a Russian community center (I have never been to Russia in my life). The walls were white plaster and bare save for a pink ballet advert flyer I couldn't read. Jonathan Sims was chasing my with a metal pipe as I was about half way into climbing into the skin of some blonde guy before he hit me. I remember being indignant that the hit meant I made the my torso the wrong height. A similar feeling to when someone jogs your hand while you're drawing.

Buried: I was a young child at the pool with my mom when I fell into a small thin rectangular pool that seemed to go down forever. I was drowning and I couldn't swim back up. I couldn't breathe. When I woke up, it turned out I had choked on my tongue while I slept and that was why I had that dream.

Web: In this dream, I was quite literally The Web. There was a plan over many years where 10 people were sent anonymous paypal money over imessage which would, 5 years later, lead to the death and coverup of a 19 girl hiking in the woods. This would eventually lead to strings based rapture into the skies. When I woke up and felt like a person with an identity again and not an overarching force/concept I was confused and felt like some kind of cosmic horror protagonist which was cool.

Eye: Honestly don't think I have ever had an Eye dream which is odd given my track record.

Spiral: I was in a really fucked up trippy hotel maze thing with blacklights and ladders and messages that didn't make sense and Ryker 8:11 was there and then I climbed out of a trap door and I was on the ground at night in the rain in Brighton.

Lonely: I snuck onto an Antarctic research team base under a fake name after faking my own death. I stood at the outskirts of our little town looking at the warmth and the lights contrasting the tundra and it struck me that this was the only place anyone even knew I existed.

Vast: A childhood memory of a storm came back to me in a dream when I talked to a friend from that world. I still remember it clearly. I must have been 7 or so and I was going with my friends to the park. We stood on the side of the hill and saw a storm. It was so low and small as if it were my storm. As if it were there to strike me. But it was so tall and impossibly vast and dark and roiling and crashing I could not understand it. When the flashback finished, the girl in my dream asked if I had been struck by lightning but I explained I would have a lichtenburg scar if I had.

Dark: I was a priest like figure in a cult that worshiped dark and stars. I remember I was lying in my bed. It was accommodation provided by the cult themselves. The bed was cool and the room was dark, but cast into a deep blue black by the faint light of the stars outside. I felt fulfilled and in tune with the world in a way I have never done so to any meaningful extent.

Extinction: I was standing in the rain and my friend said that the rain drops were too small. I looked at them. They were cloudy and feeble and polluted and tasted unnervingly sweet.

[mizufae]

I think I’m going to have to write this fucking fanfic before Stranger Things season 5 comes out. It won’t leave my damn head and there doesn’t seem to be anything really like it already written. But I can’t figure out the like, plot parts. Like I know the beginning and the middle and stuff but I can’t figure out the like… overarching conclusion bits. So, uh. If anyone wants to brainstorm with me, please send me a message.

The fic will be a reverse isekai fantasy Mike and will traveling to immediately post season 4 Hawkins by accident, but they are older and very much established relationship, and canon Byler has to deal. But the plot would be like, older sword Mike actually is a super good strategist and older wizard will actually is a super perceptive (and extremely gay) powerful magic user so the canon characters lay out the Vecna problem for them while trying to help them get home and in turn they help plan how to actually save the world and stuff. And probably something they learn about in canon Hawkins helps them when they go back home so more people don’t fall through dimensional portals or whatever the hell happened. And also along the way there is a bunch of character interaction and funny shit and Hopper recovery and Eddie mourning and shenanigans and will and mike make out in the woods or whatever. But I know all of THAT. I don’t know the plan to actually save the world and stuff!! And I can’t figure out how to get Cleradin to Hawkins without figuring out the world saving plan because they have to both be related to each other in some conceptual way! Haaaalp

[girl4pay]

This might be a big question but what would be the ideal way for the raven king to have ended in ur opinion. Bc it doesn’t make sense as is and thematically falls apart I feel but I can never quite figure out what the actually most narratively satisfying thing would be

lets get married. okay keeping in mind i haven't read the series in full in a couple years my core issues with trk are: i think gwenllian was criminally misused, i think adding in laumonier and blue's dad made very little sense and i think doing the gansey noah and cabeswater deaths back to back the way they were was a terrible way to handle a climax. you don't need blue's dad and you don't need laumonier. too many random new parents and men who are absolutely vestigal. gwenllian should be blue's mentor, you focus the piper plotline completely on a professional antagonism between her and henry's mom who can act as the antithesis to piper's greed and recklessness. the grey man is the reader's familiar link between Crime and Magic here, so you can still have him face the challenge of his old life threatening his new life by having to forge an alliance with seondeok to take down a shared threat. 

gwenllian as blue's mentor would come with a similar but almost opposite effect to persephone's mentorship on adam: blue isn't getting stranger, she's getting angrier. this witch who knows what she is keeps getting mayo in her hair and her teachers don't understand her and her family is being evasive and the boy she loves is going to die. also a demon is clouding her perspective, but she doesn't really know that yet. more adam and blue scheming to keep gansey alive. more research and bugging relatives and desperately looking into rituals while it becomes clearer to the reader that adam is losing his agency and blue is losing her clearsightedness. gansey's panic attacks begin to attune themselves to the moments where noah is not himself as well. his chest hurts, he can't breathe - it feels like something is sucking away at his heart. at the same time adam is still trying to help ronan with waking up the dreams, and blue is getting closer to gansey and henry, trying to imagine a future that feels like her own when she has the weights of her confused identity and her fate hanging around her neck. 

i would have ronan and gansey's relationship blow up here: between the hospital and aurora's death, maybe after his birthday party, ronan finds out - probably through declan, to add insult to injury and even more fucked up brother resentment - that gansey is trying to buy him a diploma. actually definitely just after the night of truth bullshit for prime outrageousness lmao. it goes nuclear. blue is, catastrophically to gansey, on ronan's side. adam is, infuriatingly to everyone, judgmentally neutral. things progress as they were except instead of henry getting kidnapped we get a very reluctant henry passing a message to tgm - things have progressed past the point that is acceptable with piper, and his mother wants to meet. also the visit with gansey's family is tense - they love her and henry, and they just can't understand what's gotten into gansey, who's distracted and snappy, and when helen confronts him, he blows up at her, saying a lot more about his worry for ronan and his fear about what will happen to him than was revealed in the initial fight. they're siblings, their relationship can handle it, but there's still an overarching sense that she doesn't really understand, because gansey is still holding his real fear of dying close to his chest. 

cut to auroras death and the grey man having to leave maura with this tragedy to join seondeok - a king, joining a king, doing what needs doing, instead of just a continued trope about being made for violence or whatever that was. there scene with ronan at the bmw goes more or less the same. gansey goes off on his own because he feels isolated and like the burden of fixing all this lies on his shoulders, gwenllians weird witch pep talk goes to blue instead. here is where you would insert cool fun shit about what being a mirror actually means! all of them reunite as in canon, ronan and gansey reconcile after ronan is like you dumb motherfucker i need you here you're my brother and gansey says some self sacrificing shit and blue and adam make it clear without Making It Clear they are going to stand by him, because they still don't know he knows he's going to die. 

here is where we reach the core difficulty: i think the death kiss is incredibly stupid and i don't know how i would write around it. i know how i would finish trk from here, but the kiss curse would not show up at all. i like the kiss curse as a concept but it just doesn't make any sense in the narrative of agency trc constructs and i think it limit's blue's storyline. so without considering the kiss curse: as the demon hijacks adam and tries to use blue as an amplifier to spread to other ley lines, everyone realizes the stakes. everything cabeswater has touched, everything the ley line has touched is at risk, and the ley lines are ALL CONNECTED. blue and adam have been skirting around the realization that the demon and cabeswater are like mirrors the whole book. you can't have one without the other. there is no corruption without something to corrupt. the way cabeswater focuses the ley line for ronan is how the demon has been getting power too, but it's a self contained loop, consumption instead of guidance. kill cabeswater, kill the demon. gansey asks it, realizing in a way they others don’t seem to that he and cabeswater are linked, and the others act. there's a little giving tree moment between ronan and cabeswater, which will surely not contribute to any farreaching survivors guilt that might show up in a sequel series. here is where blue being a mirror comes into play. when neeve was trying to see farther than she could, she used a mirror and it sent her there. the demon is trying to consume beyond it's bounds. a mirror sends it inwards. here blue sees the moment of violence that birthed the demon, and she's terrified and it's tragic. it's a very bildungsroman moment of grief and terror of what will come after for everyone. death of the child birth of the man etc. noah, perpetual child, gets laid to rest with cabeswater, but without cabeswater the ley line floods. here is where gansey dies: without noah fighting his hardest to keep him going, because noah loved him, because cabeswater needed him, his heart simply stops. here is where blue kisses him, because it doesn't matter any more, because he dies even though she didn't, because she's seeing without the demon clouding her for the first time in what feels like the longest time and all she can see is grief. shit gets magically weird with adam and ronan too, and it's henry who grounds them all, who is used to enforcing practicality on the unknown to keep himself safe. with his help the three of them dream something to save gansey. ta da! 

i feel like this would also feed much better into the theme of the dreamer trilogy of like opening ley lines etc bcus trk completely glosses over what happens to the ley line without cabeswater there, and adds to it making sense that ronan thinks opening the ley lines is a good idea - he saved gansey with it! what more could he do! whereas adam felt overwhelmed and out of control and spends the next year trying to construct and repair his own real life conduits and safeguards on the ley line as ronan builds lindenmere. what are your thoughts did i miss anything that you were like absolutely not hate that need it to be gone

[engagemachine]

Anonymous submitted:

I really enjoy all the content you share on this blog! It’s so beautiful! So thank you for that in these gloomy times. I am always inspired by your ability to produce and curate art so movingly.

My question: do you think that the Joker is capable of being seduced? By Taylor? I don’t see Taylor ever deliberately manipulating the Joker (who knows though, almost every girl has used their feminine wiles at some point in their life, push comes to shove), butً I could certainly envision Taylor catching the Joker off guard and putting him under her spell (if just for a moment or two). Perhaps unconsciously pressing that advantage?

The Joker is no gullible, green boy, but he is still (albeit far, far less than the rest of us) vulnerable to human needs and desires. And so, while I can see lust and power warping into one and the same in the Joker’s mind, I guess I’m fascinated by the idea of the Joker experiencing an attraction to Taylor that isn’t just an extension of the thrill of dominating/possessing her. Maybe a moment when the tables turn, and he’s the one who stumbles, who is consumed by his want for her.

I don’t know why I’m so interested in this concept. I think it might be because most girls can remember the moment when they first were the target of unwanted sexual attention (Taylor certainly does), but an equally significant milestone in female adolescence is the realization that you, in turn, can also wield your sexuality to have some power over others.

All this being said, I think that if the Joker suspected any level of artifice from Taylor, or perceived any such weakness in himself, he would NOT respond kindly. But I’d like to think that the Joker isn’t a god, isn’t always two steps ahead of all the rest of us, isn’t beyond having his strings pulled. What do you think?

First of all, thank you so, so much for this incredible message. I love this sort of detailed analysis and I was giddy the whole time I was reading it. I really enjoy other people’s take on this dynamic as I find the relationship between these two characters endlessly fascinating.

Secondly, you posed some excellent questions that I am eager to sink my teeth into, but in doing so, I have to be careful and try not to reveal too much of what I have planned for the coming chapters.

Do I think the Joker is capable of being seduced? Absolutely. He’s a man, and men aren’t immune to their vices, even if the Joker probably tends to indulge (at least in this specific vice) fewer than most. Do I think a stripper or some random person off the street has the ability to seduce the Joker? …probably not. We’re talking about seduction in the sense that it’s going to result in some form of loss of control for him, the idea that he’s giving into his wants/needs to the point where he can’t control himself—so some stranger off the street isn’t exactly going to do it for him, nor would he allow them that power to begin with. And it isn’t about them not being “talented” enough or not pretty enough, either, which I think goes without being said, but is still an important distinction to note. He doesn’t care about those things, and it’s never been about that.  

No, I think what would ultimately seduce the Joker is the knowledge that some deeper form of connection exists between him and his “partner” (I almost feel like I should say “victim” here). Which brings me to your next question: is Taylor capable of seduction? I definitely think she could be (and, spoiler: she later will be) but what’s more is that the Joker’s attraction to her has less to do with her physicality and almost entirely to do with this relationship he has cultivated with her over the years, how he’s had the distinct pleasure of witnessing the all-consuming power of his influence, how he’s been able to exert and fine-tune the level of his control, manipulate her and shape her into exactly how he wants her. He practically has it down to a science. His attraction to her lies in the knowledge that she is his creation, he built her, has shaped her, and he continues to manipulate her and bend her to his will. The leash he keeps her on is relatively long, right now, but it’ll have to pull taut eventually; he can only let her go so far before he runs out rope and is forced to pull her back.

As much as there definitely is an overarching element of control/domination/power to their dynamic and that’s ultimately what gets his blood pumping (remember when he has her pinned to the mattress and tells her she’s ‘so easy’ in chapter four? the way she melts under his touch, almost needing no coaxing whatsoever) there’s also most certainly an element of pure fascination towards her on his part. He’s intrigued by her. She puzzles him, I would even go so far to say—and he loves studying the frayed edges of all her pieces, trying to figure out exactly how they all fit together, and how he can manipulate the shapes to create his own unique design. Next to Batman, it’s his second favorite game to play. He’s captivated by her goodness, her unflinching loyalty, her resilience. How he can push her to the edge over and over again and yet she always finds a way to hang on, and, not only that, but she always comes crawling back to him—and she does so willingly.

What you said about there being “a moment when the tables turn, and he’s the one who stumbles, who is consumed by his want for her” –I’d love to see this too. In fact, we already have, a little bit, in chapter five, in the scene after he’s just gifted her with the cell phone and Taylor kisses him on the cheek instead of the mouth, as he had requested. One of my readers summarized it brilliantly when she said, “I think the Joker severely underestimated how much HE wanted that kiss. All that high-powered perception and he didn’t account for being the temptress, the tempted, and the “slut” in this story line. A little jaw peck had him lit, and when he realizes Taylor’s not yet on the same page as him - when she apologizes - that rattles him.” This is a brilliant analysis and it’s also spot on in its accuracy. This is the first time we get to see the Joker really rattled, the one who “stumbles”, as you said, and I like to think there is definitely more of this to come as their relationship takes a nosedive in chapter six into previously uncharted waters. It’s going to be intense.

Of course, you brilliantly noted that any attempt at artifice—for example, if Taylor were to try to “tempt” the Joker for nefarious reasons (maybe she’s gunning for something in particular, maybe she just wants her leash loosened up) the Joker would be able to see right through it, and, as you so gently put it, “would not respond kindly.”

I think it’s tantalizing to imagine the Joker losing his control and just giving into his baser desires, really letting loose and allowing himself to indulge in the fantasies that have clearly been playing on loop in his head for so long—but the caveat is that he wants Taylor to initiate it first. She has to want it. She has to come to him—this is the power he craves, her giving into him. Finally. That’s why the scene where she kisses his cheek is so poignant—his sudden outburst and lack of control brought on by her kiss threatens to upheave the carefully-woven threads of his master plan.

As for Taylor, it might take her a little while, but I do think you’ll slowly see her begin to blossom into something that is more of her own. She is going to start wielding some more power over the Joker as they enter this new phase of their relationship. Who is to say seduction isn’t in the cards? ;)  

Last but not least, thank you for saying you enjoy my blog. It makes me so happy knowing that you enjoy the (often times) random stuff I post on here. Some of it is kind of silly, but it’s what makes me laugh. I also love being able to answer direct questions from you guys and share sneak peaks of upcoming chapters. Thank you for enjoying my content and also for reading my work. Messages like these really provide me with the fuel I need to keep going, and I can’t thank you enough for it.

[aion-rsa]

High-Rise Invasion Review: Bloody Anime is a Satisfying Character Study

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This review contains no spoilers and is based on all 12 episodes of High-Rise Invasion season 1.

“I refuse to die. I won’t lose to a world like this.”

There’s nothing quite like a good, heightened mystery, especially if it’s working in tandem with something like the horror genre. Audiences have become increasingly savvy towards and desensitized by even the most extreme examples of each genre, which pushes entertainment to go even further. 

This isn’t always the right approach, but it can sometimes be just the right kind of crazy and High-Rise Invasion succeeds in finding that balance. The new Netflix anime initially feels like Rob Zombie’s animated take on The Most Dangerous Game or Battle Royale, but it soon becomes far more than a parade of blood, guts, and lunatics. High-Rise Invasion has a complex message that it wants to convey and the anime cuts much deeper than the simple flesh wounds that cover the cast of characters. 

Yuri Honjo is a typical teenager who wakes up in an abstract prison reality that consists purely of the tops of skyscrapers and pits regular humans against deadly individuals in intimidating masks. It’s a lot like if John Wick’s assassins consisted purely from the serial killers in The Strangers. It’s a chilling scenario and Yuri is running for her life too quickly to be able to properly question what’s going on. Yuri learns that her brother, Rika, is also in this strange scenario and her goal becomes to reunite with her sibling and find an escape together.

Read more

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Aesthetics are a major factor in anime and High-Rise Invasion tries its best to present visuals that are as engaging as central mystery and story. High-Rise Invasion comes from the more recent anime studio, Zero-G, but it’s definitely one of their most polished works. There’s a strong art direction here and the animation style even feels reminiscent of a grungy anime OVA from the ’80s. The anime’s soundtrack beautifully taps into this energy and it’s full of electric guitar rock riffs that honestly feel like they could be Queen tracks. They intensify and become more wild during the anime’s more chaotic moments. 

At first it appears as if the objective in High-Rise Invasion is rather cut and dry, but Yuri learns something radically different each time that she digs deeper into her surroundings or the murderous individuals who wear masks. The anime does a good job with how it illustrates that the masked antagonists are victims in their own ways and that there’s an even higher power that’s using everyone as tools to fulfill a twisted game. The complications and layers behind the new “realm” that Yuri is stuck in are what give the anime such life and make it more than some edgy hack-and-slash action series. 

The ideas that High-Rise Invasion poses turn the anime into a larger meditation on what humans will do to survive and how far they will sell their values in order to secure their safety. This isn’t exactly an original idea, especially with how some mysterious and shady benefactor is behind the whole operation, but the execution is at least very unique.

It becomes a creative character study that does manage to say something new on these themes. Some of the most entertaining material that’s tackled through this is Yuri’s struggle to find a way to survive, but to not become worse than the monsters that hunt her. It’s a struggle that’s present from the very first episode and High-Rise Invasion explores it in a pseudo-realistic manner that doesn’t feel overly rushed for Yuri’s development.

A major source of tension in the series stems from how Yuri is trusting and wants to see the bests in others, but this makes her a major liability in the process. This is a game where no one should be trusted and allies are collateral damage in the making, but Yuri finds a real sense of purpose and security when she meets another lost soul in this world, Mayuko Nise. Mayuko’s aggressive personality is quite the contrast to Yuri, but there’s immediately a palpable chemistry between them.

Mayuko gets introduced as an ally for Yuri, but Sniper Mask gets brought in just as quickly as a formidable opponent. He’s treated as a parallel figure to Yuri who also wants to figure out the basics of this world, but he comes at it from a different angle than Yuri and Mayuko’s necessity for survival. Sniper Mask ultimately becomes the most fascinating of High-Rise Invasion’s characters since he exists in this fractured state where he has some level of awareness that allows him to question the rules that govern this realm. 

High-Rise Invasion unpacks this larger mystery with three separate series of events between Yuri’s party, Rika’s group, and Sniper Mask’s team. These three narratives all cover different aspects of this universe and it’s an effective strategy that builds real excitement once these disparate objectives get to align and come together. It all helps contribute another layer to how the true goal of this situation may not be to escape and that there’s actually something more appealing to those within the universe.

People will likely come into High-Rise Invasion for the murder and trippy concept, but they’ll leave talking about the friendship between Yuri Honjo and Mayuko Nise. Yuri explodes with joy whenever Mayuko shows her appreciation and they form a sisterly bond that’s truly wonderful, as is Mayuko’s embarrassment every time she opens herself up to Yuri a little more. These two have somehow brought out the best in each other in this twisted world and the growing bond between them is one of the highlights of the series. They’re the new reigning Murder Wives.

No one in the cast feels like a waste, but Yuri and Mayuko grow into especially entertaining protagonists who have a surreal sense of humor and empathy that add a lot to each of them. Mayuko’s romantic love towards sharp blades is a good example of High-Rise Invasion’s wild mix of sensibilities. The dynamic between Yuri and Mayuko is a consistent delight, but High-Rise Invasion develops strong character dynamics across the board and there are multiple pairings of unlikely figures that blossom into endearing friendships by the end of the season. Sniper Mask is often played in juxtaposition to Yuri and his bond with Kuon Shinzaki is also genuinely sweet. 

The vocal performances in the English version are also exceptional across the board and add a lot to the characters. Suzi Yeung as Yuri and Jonas Scott as Sniper Mask are the best of the lot, but everyone makes a strong impression. The Mask characters are by nature caricatures and all have generalized names that speak to their weapon of choice like Sniper Mask, Axe Mask, or even Masked Rider Mask. Baseball Mask and Chef Mask are some of the most creative of the lot and are also highly terrifying. High-Rise Invasion at least seems to be aware of how absurd and exaggerated all of this is and is in on the “joke.”

It’s common for series with an overarching mystery as dense as High-Rise Invasion to drag things out or for there to not be enough content to sustain the entire season. High-Rise Invasion very carefully parses out details where different characters collect disparate nuggets of what’s going on in this “realm,” while the audience is allowed to piece all of this together and try to get a little ahead of the game. The anime is also a case where it only improves as the season goes on and it doesn’t run out of ammunition after the first few installments. If anything, it uses this time to work out its more awkward impulses and really find its groove with the characters and structure.

Once everything does come together there’s a considerably different story being told than what it initially seemed. The answers that High-Rise Invasion provides are satisfying and still leave plenty to be discovered in subsequent seasons. These episodes do feel like the end of a first chapter and that the anime and its world are about to get considerably bigger in its second season, yet there’s still enough of a full story being told that the ending doesn’t feel incomplete. 

High-Rise Invasion is a very satisfying journey that’s thankfully more than the sum of its parts. It’d be easy for this series to coast on some creepy imagery and boatloads of violence, but there’s a more intricate story that’s in play here. It does give in to some of its baser instincts at times, but this first season delicately builds a gripping mythology and solid foundation to fall back on. 

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This is an anime with dozens of murders across its 12 episodes, heightened brainwashed assassins, and those that want to ascend to a level of deity, but it’s really about finding independence in an oppressive world and how the right friend can change someone’s universe. High-Rise Invasion manages to make its gonzo murder party somehow feel relatable and spill just as much empathy as it does viscera.  

All 12 episodes of season one of High-Rise Invasion are now available to stream on Netflix

The post High-Rise Invasion Review: Bloody Anime is a Satisfying Character Study appeared first on Den of Geek.

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[fyrapartnersearch]

looking for a writing partner

a bit about me -20something who RPs to unwind. I try to reply as many times a day as I can, but of course, real life comes up. If anything major crops up, I would inform my partner ASAP. I live in the US, in the eastern timezone. I am searching for a long term writing partner. -As I am over 18, I would like my partners to be too. This is a non-negotiable, since I enjoy have mature content (sex, drugs, rock and roll, along with language and violence). -In relation to the above, I am fine with smut, but it can't dominate the story. I prefer plot above all else. A good story is the fun part of RP for me and too much smut drags the story down. I do have my limits and things I'm fine with but that can be discussed when we connect. -As for my writing style: paragraph/novel style, 3rd person. I try to put in at least two decent sized paragraphs a post. One liners are not my thing, so no worries about that from me! -I prefer to play female main characters. All of them are over 18 and range in personality, color, beliefs, etc... Side/secondary characters are whatever they need to be and I can play as many as required. A good cast is important! But I don't double, at least in the traditional sense. -well rounded characters are life. I love figuring them out, crafting backstories and personalities for them, seeing how they react to situations. -Romance is always fun. I prefer to play out m/f relationships, with me as the female.  -As for where I prefer to RP: email (pasteldust@outlook.com), skype, googledocs, Discord. I have Hangouts, but that is for planning and ooc chatter. plot related matters -original characters and settings are my jam. While I do take inspiration from fandoms (Harvest Moon, Shameless, Grey's Anatomy, AHS Coven and Freak Show, Clerks and all films in that universe, It's Always Sunny in Philadelphia. Community ), I only use original characters and settings. So, all of the above are things I am only open to using as inspiration, either a little or a lot. The genres I prefer are mainly slice of life, 'historical' (for lack of a better term) and urban fantasy. We can also just do a thing where we make characters and have sort of a TV show structure: smaller plots with an overarching plot/theme/whatnot (ie the adventures of two friends as they fall in love, with supporting cast members being family and friends). That is mainly because there are ideas I would be open that don't seem like they would work long term and it would just be fun to throw our characters into a variety of adventures. now, onto less vague plot ideas! Best Friends:  basically the idea above. That seems like it would be fun, jumping from story to story as two best friends fall for each other. Hooker/Client: which explains itself, now that I think about it. A hooker and her client get too close when they should not be. The client can be anything but a married man, since infidelity is a no-go. Maybe he's a doctor, lawyer or business executive. Or a literal superhero or supervillain, which could be a fun twist. Online: Our characters are YouTube famous, making videos and those Benjamins. So they have to deal with that unique brand of fame and a budding relationship. Knocked Up: again, it explains itself. Two people have an unplanned pregnancy. It could be two friends, two strangers, the world is open! I would love to combine this with the Shameless inspired plot aka slice of life with a heavy dash of dysfunction, chaos and drama in case you have not seen the show. Or maybe she's pregnant by a guy who is no longer around but is vibing with someone else (so no cheating here), which could add more drama. Could be combined with the best friends plot, or even the freak show idea! Related to the above: not quite accidental pregnancy. A single man decides to hire a surrogate so he can have an heir. Feelings crop up, shenanagins ensue. Maybe there are Jane the Virgin-esque shenangins, to varying degrees depending on what you want. And of course, the RP continues after the kid is born. A slow burn is preferred with this plot. Homecoming: Something like the above would be the backstory. A couple has a thing and have to part ways, for whatever reasons. He could have gone into the military, maybe it was work or school, something happened to break them apart. And some time later, they reunite and surprise, she has a kid. Now they must navigate parenthood, old and new feelings and general drama RJ/BB: Romeo and Juliet meets Breaking Bad. Two people from rival drug dealing cliques meet and there is a spark. But their crews are dicks, to be concise. Or maybe only one of them is dealing. Arranged Marriage: Can take place in modern day or a historical setting. For the modern day, it could be a business deal on the parent's end that includes a wedding of some sort. As for a historical setting, it could be a few things. Maybe it is how they end a war. Or it is a business deal of some sort. For those two or something similar, I like the idea of them sniping, having hate sex, generally being snippy and then, thing progress and they learn to work together. Or...Maybe it's like what Dany and Drogo from Game of Thrones had, but with a happier ending (I would love this one). Or it is just an outright kidnapping sort of deal. Which could tie into the Beauty and the Beast dynamic. Maybe one of them is like a prize to the other (ie a warrior/gladiator being gifted a prize for winning a tournament or battle in the form of a bride or a warrior is taken hostage and is given as a prize to the ruler's daughter?)  But I am open to ideas of course! Related to the above, kinda. A cruel, tyrant of a king takes a bride for reasons that are not all that genuine. Someone who is either part of the rebel forces or maybe a lone wolf kidnaps her and they wind up on the run, first as captor and captive and then as something more. Untitled: Set in the classic pseudo medieval time period, a person of noble or royal blood has either fled or been cast out of their home (the latter could tie into a beauty and the beast ish plot). They cross paths with a person of common blood and things develop. Untitled 2: A princess/noble woman and a knight (or other kind of castle worker) become close, but their stations in life and maybe a few other things make it complicated. Untitled 3: Something with pirates could be fun! Untitled 4: This idea is a cracky one but hey, lets throw it out there. It's a fusion of Grey's Anatomy and Buffy. Basically my character is a Slayer who decided to go into medicine instead of slaying since due to the events of the finale, she is not the one girl in all the world. But this is still the Buffy-verse and with the soapy dramatics of GA thrown in, life is not simple. So there will be romance, action, adventure and so much more. Note: I have only seen the shows and have not read the comics. And of course, original stories inspired by the fandoms listed above. Something Shameless, AHS Freak Show, Dany/Drogo or IASIP inspired would be amazing right now. It could be combined with a plot of course.  As I have said, I deal in originals only. misc: There are some relationship dynamics I would like to explore: love to hate, age gaps (older man, younger woman, up to 15 years), best friends falling for each other, werewolves or werewolf/human, vampire/human, artist and their muse, opposites attract, boss/employee, co-workers or partners. The three shows I would use to sum up my sense of humor are: It's Always Sunny in Philadelphia, The Most Popular Girls in School and Community.

-I use face claims, but only if my partner does as well. So it is not mandatory at all.

-Also, OOC chatter is fine with me. I like to geek out  over characters as well, chatter about them, talk headcanons, maybe do little AU sidestories and whatnot. I love pinterest, polyvore and even making playlists on spotify.

I am open to ideas and plots can always be combined. Don't just send a message saying 'hey wanna rp?'. Tell me about yourself and what you want to write. I am fine with drama and angst in the story, but not all the time. RP is supposed to be fun!

[desperatelyseekingroleplay]

a bit about me -20something who RPs to unwind. I try to reply as many times a day as I can, but of course, real life comes up. If anything major crops up, I would inform my partner ASAP. I live in the US, in the eastern timezone. I am searching for a long term writing partner. -As I am over 18, I would like my partners to be too. This is a non-negotiable, since I enjoy have mature content (sex, drugs, rock and roll, along with language and violence). -In relation to the above, I am fine with smut, but it can't dominate the story. I prefer plot above all else. A good story is the fun part of RP for me and too much smut drags the story down. I do have my limits and things I'm fine with but that can be discussed when we connect. -As for my writing style: paragraph/novel style, 3rd person. I try to put in at least two decent sized paragraphs a post. One liners are not my thing, so no worries about that from me! -I prefer to play female main characters. All of them are over 18 and range in personality, color, beliefs, etc... Side/secondary characters are whatever they need to be and I can play as many as required. A good cast is important! But I don't double, at least in the traditional sense. -well rounded characters are life. I love figuring them out, crafting backstories and personalities for them, seeing how they react to situations. -Romance is always fun. I prefer to play out m/f relationships, with me as the female.  -As for where I prefer to RP: email (pasteldust@outlook.com), skype, googledocs, Discord. I have Hangouts, but that is for planning and ooc chatter. plot related matters -original characters and settings are my jam. While I do take inspiration from fandoms (Harvest Moon, Shameless, Grey's Anatomy, AHS Coven and Freak Show, Clerks and all films in that universe, It's Always Sunny in Philadelphia. Community ), I only use original characters and settings. So, all of the above are things I am only open to using as inspiration, either a little or a lot. The genres I prefer are mainly slice of life, 'historical' (for lack of a better term) and urban fantasy. We can also just do a thing where we make characters and have sort of a TV show structure: smaller plots with an overarching plot/theme/whatnot (ie the adventures of two friends as they fall in love, with supporting cast members being family and friends). That is mainly because there are ideas I would be open that don't seem like they would work long term and it would just be fun to throw our characters into a variety of adventures. now, onto less vague plot ideas! Best Friends:  basically the idea above. That seems like it would be fun, jumping from story to story as two best friends fall for each other. Hooker/Client: which explains itself, now that I think about it. A hooker and her client get too close when they should not be. The client can be anything but a married man, since infidelity is a no-go. Maybe he's a doctor, lawyer or business executive. Or a literal superhero or supervillain, which could be a fun twist. Online: Our characters are YouTube famous, making videos and those Benjamins. So they have to deal with that unique brand of fame and a budding relationship. Knocked Up: again, it explains itself. Two people have an unplanned pregnancy. It could be two friends, two strangers, the world is open! I would love to combine this with the Shameless inspired plot aka slice of life with a heavy dash of dysfunction, chaos and drama in case you have not seen the show. Or maybe she's pregnant by a guy who is no longer around but is vibing with someone else (so no cheating here), which could add more drama. Could be combined with the best friends plot, or even the freak show idea! Related to the above: not quite accidental pregnancy. A single man decides to hire a surrogate so he can have an heir. Feelings crop up, shenanagins ensue. Maybe there are Jane the Virgin-esque shenangins, to varying degrees depending on what you want. And of course, the RP continues after the kid is born. A slow burn is preferred with this plot. Homecoming: Something like the above would be the backstory. A couple has a thing and have to part ways, for whatever reasons. He could have gone into the military, maybe it was work or school, something happened to break them apart. And some time later, they reunite and surprise, she has a kid. Now they must navigate parenthood, old and new feelings and general drama RJ/BB: Romeo and Juliet meets Breaking Bad. Two people from rival drug dealing cliques meet and there is a spark. But their crews are dicks, to be concise. Or maybe only one of them is dealing. Arranged Marriage: Can take place in modern day or a historical setting. For the modern day, it could be a business deal on the parent's end that includes a wedding of some sort. As for a historical setting, it could be a few things. Maybe it is how they end a war. Or it is a business deal of some sort. For those two or something similar, I like the idea of them sniping, having hate sex, generally being snippy and then, thing progress and they learn to work together. Or...Maybe it's like what Dany and Drogo from Game of Thrones had, but with a happier ending (I would love this one). Or it is just an outright kidnapping sort of deal. Which could tie into the Beauty and the Beast dynamic. Maybe one of them is like a prize to the other (ie a warrior/gladiator being gifted a prize for winning a tournament or battle in the form of a bride or a warrior is taken hostage and is given as a prize to the ruler's daughter?)  But I am open to ideas of course! Related to the above, kinda. A cruel, tyrant of a king takes a bride for reasons that are not all that genuine. Someone who is either part of the rebel forces or maybe a lone wolf kidnaps her and they wind up on the run, first as captor and captive and then as something more. Untitled: Set in the classic pseudo medieval time period, a person of noble or royal blood has either fled or been cast out of their home (the latter could tie into a beauty and the beast ish plot). They cross paths with a person of common blood and things develop. Untitled 2: A princess/noble woman and a knight (or other kind of castle worker) become close, but their stations in life and maybe a few other things make it complicated. Untitled 3: Something with pirates could be fun! Untitled 4: This idea is a cracky one but hey, lets throw it out there. It's a fusion of Grey's Anatomy and Buffy. Basically my character is a Slayer who decided to go into medicine instead of slaying since due to the events of the finale, she is not the one girl in all the world. But this is still the Buffy-verse and with the soapy dramatics of GA thrown in, life is not simple. So there will be romance, action, adventure and so much more. Note: I have only seen the shows and have not read the comics. And of course, original stories inspired by the fandoms listed above. Something Shameless, AHS Freak Show, Dany/Drogo or IASIP inspired would be amazing right now. It could be combined with a plot of course.  As I have said, I deal in originals only. misc: There are some relationship dynamics I would like to explore: love to hate, age gaps (older man, younger woman, up to 15 years), best friends falling for each other, werewolves or werewolf/human, vampire/human, artist and their muse, opposites attract, boss/employee, co-workers or partners. The three shows I would use to sum up my sense of humor are: It's Always Sunny in Philadelphia, The Most Popular Girls in School and Community.

-I use face claims, but only if my partner does as well. So it is not mandatory at all.

-Also, OOC chatter is fine with me. I like to geek out  over characters as well, chatter about them, talk headcanons, maybe do little AU sidestories and whatnot. I love pinterest, polyvore and even making playlists on spotify.

I am open to ideas and plots can always be combined. Don't just send a message saying 'hey wanna rp?'. Tell me about yourself and what you want to write. I am fine with drama and angst in the story, but not all the time. RP is supposed to be fun!

[heartofsnark]

Black Market Wonderland (Chapter One): Down The Rabbit Hole

Notes:  This has been a long time coming, I never shut up about my oc and this idea. But, I’m finally posting this damn thing. This is gonna be pretty episodic and not have a lot of overarching plots, I’m gonna be stealing canon stories and adding my own spin to them as well as adding my own stories. It’s a shitshow and I hope you’ll come along for the ride.  

Special thanks to @catoinette, @otomemonogatari , @d-om , @enchantedbythebidders , @voltage-fanfictions , and @piplup235  for not only reading through and giving me feedback but also being the incentive I needed to actually write and post this. Without you all, this would still be rotting on my computer. 

 Summary:  Almost a year ago Tsuneko managed to destroy her entire life and she’s been stuck ever since. She works as a maid at the Tres Spades in Tokyo; it’s not her dream job, but it pays the bills and puts a roof over her head. Her days are spent peacefully enough cleaning hotel rooms, that is until she stumbles into Wonderland and discovers the secrets lurking within the hotel. Will this turning point be exactly what she needed or a tragedy in the making?

Word Count: 10196

Warnings:  Some blood and violence, people being bought and sold (it’s kbtbb my dudes)

The colors of the sky outside her window are just beginning to shift, soft pinks and purple coming in as the sun starts to set. Tsuneko lets out a sigh and checks her phone again, still no response from Shinobu. While not surprising, disappointment settle in her chest. It’s stupid to be upset, she shouldn’t be so emotional. She scolds herself, setting her phone down a little harder than necessary. Her desk chair creaks as she leans back and lets out another heavy sigh.

Kiyohito is curled up on her bed in a position that doesn’t look comfortable. The dark sable ferret is in a dead sleep with his tongue peeking out, any hope of him being a distraction are dashed. It’s her day off from work and she’s desperate to keep herself preoccupied. Her thoughts wandering is always a danger when she has down time, more dangerous when she’s left to ruminate on the shit show that is her life at the moment.

It’s been almost a year since her life officially went to shit and she started working at the Tres Spades hotel. It’s a glitzy place, the first legal casino in Japan. She’s a maid, spending all of her days cleaning up after people richer and more important than her. And that’s the highlight of her days, besides Kiyo, because otherwise she’s in her apartment just trying to distract herself.

The job itself is fine, given her situation, she’s damn lucky to have it. Good pay, plenty of hours, employee housing, her coworkers are mostly nice, and she even has lots of chances for overtime. But, she can’t say this is what she wanted her life to be. Being a maid isn’t exactly what she dreamed of for herself. Disappointment seems to be the theme of the day and her life.

She’s done her best to be a busy bee throughout the day; her dorm is cleaned, she’s baked, done her laundry, played with Kiyo until he passed out, messed with every entertaining app on her phone, watched any video on Youtube that caught her interest, and messaged Shinobu. Maybe she could try getting in contact with Runa? Not that she thinks it will do her a lot of good, but even getting told to fuck off is more fun than staring out the window.  

Tsuneko stands up from her chair, stretching her joints as she meanders into her kitchenette area. The dorms are nice, like one bedroom apartments essentially. Given how much she likes baking and cooking, a bigger kitchen area would do her some good, but beggars can’t be choosers. She grabs one of the cookies she baked and crams it into her mouth as she begins looking through her fridge. The sweet vanilla calms her nerves, if only marginally. But, she knows what will relax her most.

She groans, she’s out of booze. Of course. Her rum supply ran out last week and she downed her last bit of vodka yesterday. Looks like she’s gotta put on real clothes and stock up. A walk through the city might be nice to clear her mind anyway.

Her work ringtone echoes through the room just as she’s tucked Kiyo into his cage. She scrambles over to desk, stumbling over her own feet to do so.

“Tomori speaking,” she answers, holding the phone between her ear and shoulder so she can pick out a change of clothes.

“Yes, this is Kenzaki, I’m sorry to bother you on your day off. But, we’re short staffed for this evening, between the I.V.C and some people calling off sick. Is there anyway you could come in? You’d be given over time pay, of course.”

“I can be there shortly.” She throws on a tee and shorts, sliding on her shoes.

“Please report to Matsuda when you come in, she’ll give you a work schedule.” She rolls her eyes at the mention of Erika, the head maid has always had an issue with her, what that issue is remains a mystery. There’s still a huge pile of cookies on the counter, her coworkers might appreciate a snack, especially with such a busy day. And eating all of the cookies herself is kind of sad, something she’s done before, but still sad.

She says her goodbyes to Kenzaki as she starts packing the treats away into tupperware, stuffing one more in her mouth. Tsuneko picks out a sticky note, jotting down what’s in them in case of any allergies or dietary issues. Content, she grabs them and heads out the door, double checking her dorm is locked before she leaves.

Working during the I.V.C is like a double edged sword. On one hand, she’s extremely busy which she likes. She loves being able to bustle around and always having something to do. The International V.I.P Convention is a huge ordeal for the Tres Spades, a giant party held at seemingly random intervals where the rich and famous gather to stroke each other’s egos. Tsuneko has the lowest seniority of the maids, so she doesn’t have to deal with the V.I.P’s directly. But, it stretches the entire hotel staff thinner and the worse part is dealing with the V.I.P’s in passing. It may seem minor, but those kind of people seem to take even the smallest opportunity to be a pain in her ass. The last time she worked some man in a suit worth more money than she’s ever seen flagged her down to ask a question, then mocked her for her dialect, acting like she was stupid. And that was after some snooty woman grabbed her in the lobby to scream about the toilet paper in her suite. Looking back, that might have been the only time Erika was nice to her.

The evening air is cool on her skin as she leaves the dormitories, the Tres Spades looming just a short walk away. It stands out even in Tokyo among all the other huge buildings. She remembers seeing it when she first visited Tokyo, thinking how over the top it was with its giant impractical spade shaped cut out. Her feelings haven’t really changed, it’s just more relevant to her life now, fortunately or unfortunately depending on the day.

Her nose wrinkles, the acrid stink of smoke hitting her nose as she nears the back entrance. An older schlubby man is lighting a cigarette near the dumpsters. There are stomped out cigarette butts around his feet; has he been out here chain smoking all day? The stench of smoke seems to drift off of him in waves, like the man sweats nicotine. Who even is he? He’s definitely not a worker and guests at the hotel generally don’t come by the back entrance. And, as judgemental a thought as it may be, he doesn’t look like the kind of person who’d stay at the Tres Spades.

He starts to look up from his cigarette and Tsuneko ducks her head down to make a beeline for the door, just avoiding eye contact with the stranger. If he caught her staring, he’s kind enough not to say anything as she darts through the door.

She drops the cookies off in a thankfully empty staff room, she doesn’t wanna deal with any hassles or questions. She’ll just have to pick up her tupperware at the end of her shift, hopefully no one tries to take it, the cute Pokemon designs makes it a favorite of hers. .

The employee locker room is just as empty, so no one will question why the stink of cigarette smoke is now clinging to her clothes. She’s never been so happy to change into her uniform. Just a touch of perfume for extra measure then she ties her hair up in the neatest ponytail she can manage. She makes sure she has everything she needs for the work day on her, before taking a deep breath and venturing into the hotel lobby.

To the surprise of absolutely no one, the lobby is packed tight with people. Tailored suits and slinky gowns as far as the eye can see. The V.I.P’s bustle around and chatter, their words all blending into a cacophony of unintelligible noise. A select few members of the press are allowed in to snap photos and get quotes about the event. The party should be getting ready to move down to the ballroom, so with any luck this should be her only encounter with the V.I.P’s. Erika should be around here somewhere, given her seniority, plus she never misses an opportunity to kiss ass.

Tsuneko searches through the crowd for the familiar head of maroon hair. She carefully moves around people, muttering ‘excuse me’s as she goes, not letting her customer service smile and tone falter. Where the hell is Erika? She always seems to pop up when Tsuneko messes up, it figures, she’s nowhere to be found when she’s actually wanted.

Something warm and solid slams into her side, she’s knocked to the ground with a thud. A man looms over her with a scowl, she can feel the contempt emanating off of him. He’d be attractive, if he didn’t look like such an asshole. He’s tall, especially from her current vantage point, with layered oak brown hair and hazel eyes. Silence falls over the lobby, like the world’s been stopped. Everyone’s eyes focus  on them, expressions of abject horror. Hushed whispers start to fill the eerie quiet, something about ‘the king’, but she can’t make out anything more. This guy is important; she’d have to be deaf, dumb, and blind not to realize that. Thankfully, she’s only one of the three.

“I’m so sorry, sir,” she apologizes, customer service smile in place as she get back up to her feet. This doesn’t seem to appease him, he glares  at her like she’s garbage. Which while not inaccurate, is still rude.

“Get out of my way,” he demands with a sneer and brushes off the front of his suit, like he’s come into contact with something vile. Tsuneko takes a tentative step to the side and the man storms past her up the stairs. What a bitch. This is why she hates rich people.

A few people stare at the man’s retreating back, but once he’s out of sight, it’s like the whole thing never happened. The world starts spinning again and the lobby returns to its former state. She shakes her head, it’s not worth another thought, she doubts she’ll ever see him again.

“Are you okay?” A familiar kind voice asks, it’s Chisato, another maid at the hotel. She’s always been nice to Tsuneko and is among her favorite coworkers.

“I’m fine, that guy was just a dick.” Tsuneko says with a shrug, the crowd is loud enough she can get away with talking shit.

”Uh,” Chisato sucks in a deep breath, brown eyes soft with worry, “do you know who that was?”

“Should I?” Tsuneko doesn’t really pay attention to celebrities or the elite types, it’s all nonsense to her.

“Just what were you thinking making an idiot out of yourself!?” Erika’s harpy screech rises above every noise in the lobby. Her hands are on her hips and her glare is trained on Tsuneko.

“What were you thinking?” The twins, Rina and Kana, chime in from behind Erika with similar expressions, contributing nothing to the conversation.

“It was an accident,” she answers honestly, she was so focused on finding Erika she forgot to keep an eye out for where she was going. These things happen, all she can do is apologize and move on.

“It was your fault, you should pay attention to where you’re going!”

”I apologized, unless you have a time machine, there’s not much else I can do.”

”You have no business even being around V.I.P’s, especially if you’re gonna get in their way!”

”Oh, cause I’m sure your banshee screeches just make them feel oh so special.” Tsuneko and Erika glare at each other, she may be the head maid, but Tsuneko has never been one to bite her tongue.

“Go drop off all the special boxes in the basement storage room for the guests staying for the spa package, everyone else is too busy.” Her sharp gaze drifts over to Chisato at the last part, making it clear she shouldn’t offer any help. The task isn’t particularly difficult, just tedious and will take the rest of the day.

“Of course,” Tsuneko forces a bright smile and makes her voice sugary sweet, “maybe we should offer them some complementary ear plugs, as well.”

She scurries off before Erika can say another word, the head maid can screech into the void for all she cares,  she got her work for the evening and that’s all that matters. It’s a couple flights of stairs to make it to the basement, so the elevator is best, whoever decided maids should wear heels is an asshole.

“I can’t take it anymore! It’s over, you cheater!” A woman screams as Tsuneko rounds the corner. A couple is standing outside the elevator, the woman throws a small mask at a man in a tacky red suit and storms off past Tsuneko.

The mask bounces off his face and onto the ground, it’s  small and silver with intricate details. Judging by the man’s suit and the woman’s gown, they’re here for the I.V.C, which she doesn’t recall being masquerade theme. The man picks up the mask and tucks it into his jacket with a heavy sigh.

“Now I don’t have a date,” he murmurs then looks up, his gaze meeting Tsuneko’s.

“Excuse me, sir, I needed the elevator.” She points over his shoulder.

“You just saw the whole thing, didn’t you?”

“Ah, uh, yes. Sorry, sir, I didn’t mean to intrude. I’ll just take the stairs actually.” She turns around, content to evade the awkward situation, then a hand wraps around her wrist and tugs her back. He’s  pulling her towards the elevator, she instinctively tries to get out of his grip, but he’s stronger than her.

“Aw, c’mon, no reason to run away. I’ll explain everything when we get there.” He continues pulling her away, he doesn’t seem to notice or care about her trying to evade him. A part of her wants to deck him, but that will get her fired in a heartbeat.

‘Sir, leave me alone.” She keep her tone even and stern, hoping something will make it through his thick skull. One more strong pull and he yanks her right into the elevator, making her yelp. She’s met with the sight of broad back, blocking the elevator doors and button panel. He jabs a button, the doors slide close, what the hell is this guy’s problem?

“Whew, I’m lucky I found another date. There’s no way I could go to the party without a beautiful woman on my arm.” He turns to face her, entirely too close, with a smile that would be charming in another situation. He’s trying to take her to the I.V.C, the ballroom is on the basement level, so that’s not that big of a deal. She just needs to get away from him once the elevator stops.

“Sir, I am not your date, I suggest you find someone else to accompany you.” She maintains her cool, taking a step back  as the weirdo inches closer. He’s acting like a desperate romantic, though he seems a little old for that kind of thing.

“What are you talking about? I was so lucky to meet a pretty girl like you.” Her back hits the wall of the elevator, he’s closed in on her completely. His hand cups her face, his breath fansn across her skin. Her cheeks feel warm, whether from anger or embarrassment she’s not sure. He’s not unattractive, an older man with shoulder length light maple brown hair. But, regardless of looks, he’s being completely inappropriate.

“Sir, I’m working, I don’t have time for this nonsense.” Her words don’t seem to have any impact, caramel brown eyes  busy taking in every detail of her face.

“Yeah, you’re just my type. This is fate.”

”I’d would hope fate wouldn’t be so cruel to me, sir.”

The elevator comes to a stop and the doors open behind him with a ding.

“Let’s go, princess!” His hand is back around her wrist and he pulls her out before she has a chance to fight. She tries to step back and pull, or twist her wrist out of his grip, but she can’t manage. Punching him still might get her fired, but they can’t expect her to just let a guest do whatever he wants. Why the hell is he so strong?!

“Let go of me, now!”   

The noise of the ballroom drowns out her demand. She’s never been in the ballroom. She’s definitely never been in the midst of the I.V.C like this. The carpeting is a plush red, the walls have gold etchings, and white marble pillars are throughout the room. Everyone is dressed beautifully, perfectly tailored suits and designer gowns. They talk and sip from champagne flutes as they all bustle around. Spread of gourmet food are laid out, servers intermingle with the crowd, never letting a glass go empty for too long. An aquarium at the back of the room catches her eye, colorful fish swimming through crystal clear water, a dolphin passes through. The hotel owns a dolphin? She would have liked to know that. If the whole ordeal wasn’t a pretentious rich nightmare, she’d be into it. If only for the booze, food, and dolphin.

“Micchy!” A woman yells out and Tsuneko nearly slams into Stranger Danger’s back when he stops.. He lets go of her wrist and goes off towards the woman. All of this hullabaloo just to run off,  he seems more like a hormone driven teenager than a grown man.

“Hey, do you have any champagne?” A voice asks just by her ear, their breath tickles and makes Tsuneko jolt. Her face feels hot as she turns to find the source; a man around her age with strawberry blonde hair and amber eyes. She’s clearly wearing a maid uniform, not a server’s.

“I do not.”

“You do work here, right? You’re looking around like Alice at the Mad Hatter’s tea party.” His smile doesn’t reach his eyes, he’s cute, but something is off about him.

“I’m going to level with you, sir. I’m not suppose to be here right now, sorry.”

“That’s fine, hope you make it out of Wonderland, Alice.” His fake smile turns into a genuine smirk right as he leaves. Yeah, he’s definitely off. Still, cute though. She decides to shake it off and starts on her way out of the ballroom. It’s gonna take her forever to deliver those packages at this rate.

A sweaty hand grabs her wrist, bringing her to a halt, what the fuck now? The world is truly testing her today. It’s a stocky man in a garish green suit, he leers and looks her up and down, her stomach churns.

“Mhmm, I love girls like you. You wanna come with me to give me some special room service? I’ll make sure to tip you for the extra work."

“Gross.”

“What was that?”

“This is a hotel, not a brothel, sir." She’s able to break away from him much easier and starts towards the door again, he’s not deterred.

“You’re pretty lucky you met me. My net worth is 500 million,” he tells her, reaching out to touch her, she dodges him.

“Not enough for my dignity, sir." Her blood boils, at least Stranger Danger had the decency not to treat her like a prostitute. Does he really think her and the rest of the girls here are so beneath him and desperate for cash?Her hands clench into tight fists, she’s not allowed to punch guests. An unfortunate fact at the moment.

“C'mon, everyone has a price.” His hand presses against her hips, fuck this guy. She spins to face him, she needs to stop this, if she doesn't he's just going to hound every other female employee, until he finds someone he can bully into it. She’s not letting that happen.

“Look here, sir! I don't have the time, energy, or desire to deal with you disrespecting me and the hotel. I assure you, there’s not enough money in the world to convince anyone here to touch your pathetic excuse for a dick. Now, get your disgusting grubby hands off of me!” The color drains from the man’s face, when did the ballroom get so quiet? Just a few whispers, it’s like when she bumped into-

“This party is getting trashy,” a deep and sadly familiar voice rings out over her shoulder, making her jump. The asshole from the lobby was behind her, a group of women cling to and hover around him. They glare at Tsuneko, but asshole is glaring at the pervert. The look he gave her in the lobby seems downright kind in comparison.

“Uh, I'm so sorry Mr. Ichinomiya,” the pervert apologizes and runs off. Ichinomiya, that sounds familiar, but she can't place it. She rattles her brain for a moment, but she can’t seem to find it. The headache she has coming on isn’t helping. His eyes find hers, now that the pervert’s gone, the contempt has waned. It feels more like he’s looking at a fly under a microscope, like he’s trying to dissect and understand her.

“You again.”

“You again,” she mimics without thinking, her patience with the day is gone. His expression grows angrier, same for his groupies. She bites her lip to hold back laughter, normally she’d be more polite, but she just called a guest’s dick pathetic, so she might as well mock Ichinomiya, whoever he is.

“Get out of my way.” This seems to be his favorite phrase.

”Happily.”

“I hate when people don't know there place,” one of the women says as they move past Tsuneko. She forces a smile, but rolls her eyes once they’re gone and starts another attempt to leave this god forsaken party.

Her shoulder knocks into someone, making them both stumble.

“I’m so sorry.”

“Don’t worry about it,” he assures her before going on about his business, as small as the exchange is, a friendly normal person feels like a breath of fresh air. Something on the ground catches her eye, a small good luck talisman. The cloth it’s in is a bit worn, black with small white rabbits. He must have dropped it when she bumped into him.

She tucks the charm into her pocket and finds his back in the crowd, she jogs after him. Calling after him does nothing, he either doesn’t hear her or doesn’t realize he’s who she means by ‘Sir’. His long legs take him further away quicker than her stubbier ones and she sees him go out door towards the back of the room. She manages to get through the door a few moments after.

The hall that greets her is absolutely empty, her heart sinks, he’s nowhere to be seen. Doors line the hallway, did he go into one of those rooms? She’d hate it if she wasn’t able to get it back to him. It’s clear he’s had it for a while, it must mean a lot to him. If push comes to shove, she may just have to put it in lost and found, but then there’s no way of knowing if he gets it back. She walks down the hallway, the dead silence is eerie after being surrounded by so much noise.

A few moments pass and she hears soft murmurs, they seem louder in the quiet hallway. There’s a door ajar, maybe that’s where he is, there’s a bounce in her step as she nears it. She peeks into the room; gunmetal glints in the low-light of the room. Suitcases filled with cash and guns are strewn across a table. Men in suits are standing around, speaking in a language she doesn’t understand. This is illegal, this is definitely illegal.  Her breath catches in her throat, she’s seriously watching an arms deal right now.

The world goes out from under her feet and she’s spun around, her back slams against the wall. She’s at least a foot off of the ground, large hands pin her in place and sharp blue gray eyes glare at her. Her heart hammers in her chest, like it’s trying to escape her rib cage.

“What are you doing here?” His voice is harsh and demanding. A part of her wants to fight, but if he’s involved with what she just saw…. There’s no guarantee he’s not armed. She’s not keen on being murdered.

“I got lost looking for someone, sorry sir.” She doesn’t let her voice break and maintains eye contact. Showing her fear won’t help anything.  He lets go of her and she falls to the ground, not too gracefully.

“You have five seconds to get out of here and forget everything you saw. Otherwise, you’ll be wiped off the face of the earth.”

“Understood.” She walks away, ignoring the impulse to run. Muscle memory leads her through the floor, the storage room shouldn’t be far away.

She steps inside, closing the heavy door behind her before she sits down on the floor. Her breath is shaky and she clutches her head in her hands, nails digging into the skin of her temples. What the hell is she suppose to do now?

She’s been threatened and there’s apparently gun deals going on in the hotel. People are getting hurt, there’s no way they aren’t if guns are involved. She can’t be certain how serious that man was about killing her. But, she doesn’t wanna test it and he didn’t seem like the kind of person to speak lightly.

Reporting it isn’t really an option; she has no evidence and there’s the whole being killed thing. Even if she is believed, if the hotel gets shut down, her and all her coworkers would be left without a job or home. Is the hotel even aware of this? Does Kenzaki or the owner know what’s going on here? Who even owns the hotel again? Some sort of CEO who’s head of a conglomerate group. What was it called again? Ugh, she can’t think straight.

She jolts to her feet, she needs to focus and get her shit together. Freaking out isn’t going to help anything. She needs to deliver those packages and go on with her work day, then she’ll drop the charm off in the lost and found. Work now, panic attacks later.

Tsuneko starts stacking up packages in her arms, her movements frantic and she nearly drops a few.. Her brain is a scrambled mess, she needs a dolly, she should have brought one over before stacking them in her arms. She’ll just carry the packages to the dolley, wherever the damn thing is. She can’t even see over the pile of boxes, she tries to look around them as she moves.

Something slams into her and knocks her back, the packages fall to the ground. A heavy thud rings out through the room, the sound of shattering follows. Her ass hurts and she can already feel the bruises forming. She’s spent the majority of this day on her ass.

“Fucking hell!” There are two men, they’re frenetic as they try to pry the lid off of a crate that’s fallen. She doesn’t recognize them, they’re not in any sort of Tres Spades uniform. Maybe they’re just here to move stuff?

The lid hits the floor with a clatter and she peeks inside, it’s filled with shards of what looks like broken glass. She can tell how high quality whatever the original object was from the quality of the material. It’s pristine and the light it catches reflects back iridescent.

“The statue's been smashed to pieces!” One of the men yells, his face turning red with rage.

“I’m sorry,” she struggles to keep her tone even, “I’ll talk to the manager, we’ll get it figured out.”

This entire day has been a mess, but if the worse thing to come out of it is having her pay docked for a decoration, she’ll be okay. It may be high quality, but she doubts a statue is worth too much. It’s just nice glass.

“This was the showcase piece for the auction! How are you going to pay for it!?”

“Look, I’m sorry,” she says again, but what do they mean by an auction? The men glare at her and creep closer, she takes a step back as chills run up her spine.

“You think an apology is going to cut it? You owe us?”

One of the men makes a grab at her and she throws a punch. Her fist connects with his nose in a spray of blood. The man staggers back and she makes a run for the door. His cohort gets in the way and pushes her back, knocking her flat on her ass.

“You really think you’re gonna get out of here that easy,” he taunts, standing over her.

The crate brushes against her as she scrambles away, she grabs a large shard of glass from it and buries it deep into the man’s thigh. He screams out and a gush of blood spurts out as she twists the shard out of his flesh. She clambers back up on her feet and makes another run for the door.

A weight slams into her back, her face smashes into the ground, her scream muffled. He presses his knee down on her back, his nails dig into the cuts on her hand as he rips the glass out of her grasp. One hand keeps her wrist pinned behind her, the other searches her pockets. She writhes and twists, trying to get out from under him, but it does nothing. He tugs her phone from her pocket and throws it across the room.

“I got an idea of how we can make our money back,” the other man says.

Wheels roll across the floor, stopping in front of her. She can’t wrench her neck up enough to see anything else. The man yanks her up on her feet and her heart sinks. A large golden bird cage glimmers on top of a dolly. Her throat tightens and her stomach churns.

“Do you just have this shit on stand by!?”

“Shut up.” The man in front of her opens the cage door, the other pushes her forward. She jerks back;  kicks and stomps at the man’s feet. He digs his fingers into her hand again, pain jolts through her and her scream reverberate through the room. Taking advantage, he shoves her forward into the cage. Her hand sting as she catches herself, her head nearly smacking into the bars. They lock the door behind her, tears sting at the back of her eyes.

“She’s a little damaged, but she should still be worth something.” The men share a laugh at her expense, they can’t be serious. They can’t sell her, that’s ridiculous. She can’t get a deep enough breath, her lungs burn. She can hear the pounding of her heart, feel the thump of it against her ribs.

They roll her out of the room, slowly taking her through the halls of the hotel. It’s mostly empty at first, but slowly more people start to appear, moving random things. From art to what looks like a baby leopard, it’s a mishmash of things being carried through the halls. But, no one seems to care about her. It’s like this is just a normal everyday occurrence. She shakes the bars of the cage, they don’t budge at all, she yells out for help. Nothing. No one bats an eye.

“Hey, where’s the final item?!” A young man yells from beside a pair of double doors, inside it seems to be a backstage area. Her kidnappers start explaining that there’s been a change in item.

She pries a bobby pin out of her hair, it’s mostly lose already, her ponytail coming undone in the entire struggle. Taking advantage of  her kidnappers distraction, she snaps the pin into two pieces and starts trying to pick at the lock. Her hand stings with every movement and she can’t clearly see the lock, but she’s desperate. If she can get it undone, she can make a break for it.

“What the hell-” His words are drowned out by Tsuneko’s howls of pain, his blunt nails dig into her open cuts pressing into tender skin and making more blood flow. The two broken pieces fall to the ground, he lets go after what feels like hours and she yanks her hand back, holding it close to her as she presses against the other side of the cage.

Her eyes sting, a few tears stream down her face. The men only laugh at her pain, she focuses on their injuries, the man’s broken nose and the steadily bleeding wound on the others thigh. It’s a small comfort to know at the very least, she gave as good as she got.

She’s rolled through the double door and her suspicions are confirmed, it’s definitely backstage of this auction, she presumes. As pointless as it is, a part of her is still hoping that’s a joke. It seems so unbelievable, like something out of a horror movie or a nightmare. She’s tries to steady her breathing, to calm down even a little bit. But, it’s all in vain. Her heart beat is frantic,  she struggles to breath, her throat feels tight, and she struggles to keep more tears from falling.

The backstage is a bustle of activity as she’s taken to just beside the stage, still concealed from the audience, but she can look out and see what’s taking place. It’s a huge crowd of people,  they watch the stage with rapt attention, faces concealed by masquerade masks. A man on stage talks and moves dramatically, dressed in what appears to be a mad hatter costume. His face painted a stark white and his eyes an unnaturally electric shade of blue.

A small clang catches her attention, she looks up and one of the men attaches a hanging chain to the top of the cage. Someone starts pulling somewhere and the chain starts to lift the cage off the dolly. Tsuneko yelps, if she’s suspended, her chances of escape become slimmer. It ascends higher and higher, until she knows that even if she could manage to shake the bars lose or bust the cage open, she’d fall and break something or bust her head open. The latter doesn’t seem like a bad option at the moment, at least it might kill her.

Slowly her cage is pulled to the side, taking her to center stage. Bright lights and eyes all trained on her. She’s really being auctioned off, someone is going to buy her.

“I present to you, our showcase item of the evening! A healthy young Japanese woman. Yes, that’s you!” The hatter gestures towards her with a flourish and bile rises in the back of her throat.

“Yeah, I caught that,” she screams back at him, kicking the cage. The bars still don’t budge, the gilded cage is firm and shows no sign of busting open.

“I’ll start the bidding at one million!”

Even if she managed to escape the cage and managed not to hurt herself in the fall, she’s surrounded by the crowd. There’s no way she can avoid being grabbed.

“Keep her as your slave, keep her as a toy! Do whatever you please with her, it’s truly up to you!” The hatter continues, not caring about her distress. She kicks and shakes the bars, at this point more an explosion of anger than a genuine attempt to escape, she screams in frustration. Tears prick at the back of her eyes and she doesn’t care enough to stop them anymore.

In the front row of the audience is a stocky man in a garish green suit, the masquerade mask does nothing to hide the pervert from the I.V.C. He grins and bids on her.  She looks behind her and sees a screen just above her cage, a number on it rising more and more. More money than she’s ever seen. Her stomach churns and she kicks the cage again, no budging. The most she can do is make the cage sway back and forth, nothing shows any signs of breaking.

“She is a feisty one, all the more fun to break her,” the auctioneer taunts, all his actions colored with the flamboyance of a true showman.

“If I could reach you, I’d wring your fucking neck,” she screams, her throat raw from the force of it.

“Going once, going twice, sold to seat one hundred for twenty-million!” The hatter says as a bell dings, the number on the screen behind her has stopped. She can’t make out what seats are what numbers past the first couple rows. It’s not the pervert, he’s seat number five. But that doesn’t mean it’s anyone better.

The hatter closes out the auction; the lights die down and the curtains close. Tsuneko sits and pulls her knees to her chest, her cage lowers down. It’s settles back down on the stage with a small sound, it makes her feel just a tiny bit better, slightly less helpless than she was before. Someone is still staring at her, she can feel it, even while she’s curled up against herself. Peeking up, it’s the hatter. His harlequin style hatter costume is slightly unnerving, his unnaturally blue eyes are trained on her, his expressions seemingly curious. There’s something child like to it. Someone yells out and he jolts, like being woken up from a trance and goes scurrying off.

Her owner, her stomach churns at the the word, should be coming to collect her. Maybe, this will be a chance to escape. She’s not in the best state to fight, but maybe, just maybe, she’ll be able to take them down. She kicks again, a dull ache pulsing in her toes. She wipes away at tears, holding back sobs.

 Footsteps echo out, growing closer and closer. Two men make their way to her cage, the small silver masks do nothing to hide their identities. At this point she has to wonder if they truly serve a purpose beyond aesthetic. She can tell right away it’s Stranger Danger in his bright red suit and the cute but off guy from the party. If it was just the latter, she’d be able to take him. He doesn’t seem particularly strong, shorter and thinner than Stranger Danger.  But, she knows that the taller of the two was able to drag her around like a rag doll.

“This way.” Stranger Danger unlocks the cage door. She gives them wary glares  as she stands on shaky legs and steps out of the cage. Tsuneko hides her injured hand in her pocket, not wanting to give them an easy target if they decide to hurt her.

The men stay quiet as they lead her to an elevator, the only one that goes to the penthouse. Sure enough, once they’ve stepped inside Stranger Danger pulls the penthouse elevator key from his pocket. The doors close and the carriage lurches into movement. She knew they were V.I.P’s, but not very many people have access to the penthouse. Sakiko has mentioned some people who stay their. An artist, who’s name escapes her, and the owner of the hotel. Who the hell owns this hotel again? She’s trying to rack her brain for that name again, Ishi, something? Her brain is fuzzy from everything going on. But, if she’s being taken to the penthouse, surely the owner is aware of what’s going on. It would be hard to hide the auctions, especially at that scale, from the person who owns the damn place.

It’s a silent tense elevator ride, Tsuneko racking her brain for an escape strategy. She already knows she can’t fight Stranger Danger, but maybe she could make a run for it when the elevator opens, go for the stairs. But, if the owner is involved, she wouldn’t get far. She doesn’t exactly have anywhere to go other than the employee dorms. Waiting for a better chance might be the best idea.

The elevator dings and stops, doors sliding open. She’s never seen the penthouse suites before. They step into the hallway, red carpeting and doors along the walls. A huge pair of double doors standing out among them. The only employee she knows of that has access here is Kenzaki, even Erika isn’t allowed in the penthouse.

The pair push open the double doors and Tsuneko follows, it’s a lounge. Lavish, with plush chairs and couches. A large set of of red carpeted stairs lead up to another level, a large window covers almost the entire expanse of a wall, showing a view of the Tokyo Bay. There’s an extravagant high tech television mounted on one of the walls. Two men are in the center of the lounge; both of which she recognizes.  And there appears to be man passed out on one of the couches, he could be dead, she can’t be sure. The man who threatened to wipe her off the face of the earth and the asshole from the lobby, Ichinomiya, are in the center.

Ichinomiya. He’s the owner of the hotel. It hits her as hard as she hit the floor earlier. She sassed her boss. Prior to this auction nonsense, she’d be panicking, but the fear of upsetting her boss pales in comparison to the terror of being sold. 

“We’ve brought her,” the cute but off guy announces, he doesn’t seem to have a care in the world. She’d like to punch him.

Ichinomiya sits on the red couch at the center of the lounge, crossing his legs as he looks her over. Him and the man who pinned her to the wall have intense stares, but she meets their gaze with the same ferocity. She’s not backing down. 

“We bought you,” Ichinomiya states.

“I noticed.” Her response seems to amuse him, a smirk plays on his lips. She’s just happy her voice didn’t crack.

“So, we ended up catching you after all,” the tall man who pinned her comments, his dark hair is slicked back and his eyes are sharp. Even without him having her against a wall, he’s kind of intimidating, or perhaps it’s just the situation making him seem that way.

“You know this woman, Soryu?” Ichinomiya asks.

“You could say that.”

“He threatened to kill me.”

“Yeah, sounds like Sor,” Stranger Danger says with a laugh, pulling off his mask and adjusting his fedora. Cute but off guy pulls off his mask as well, both completely nonchalant..

“Look, you can’t actually buy me, this is stupid,” she decides to keep talking, maybe the more she talks the more it will all make sense and she’ll be able to get out of this.

“Anything and everything’s for sale at the auctions. If there’s someone out there to buy it, you can sell it. There are no rules,” Stranger Danger boasts, no one here seems to care about the abject horror she’s been through.

“Yep, you can get stolen art, secret information about politicians, even hire a hitman,” Cute but off guy adds.

“This is actually the first time a person’s ever been auctioned off, though,” Stranger Danger’s eyes seem to soften a bit as he looks over at her, a shred of empathy seeming to make its way through.

“You must have done something pretty bad, huh?” Followed by the apathetic question of cute but off guy.

“I accidentally broke some statue, that was apparently expensive, or whatever.”

“The statue of Venus. If it’s worth anything, it’s here,” Ichinomiya states with confidence.

“You’re reckless as always. This woman isn’t worth anything,” Soryu tells him.

“I agree, let me go home.”

“But, it’ll be fun thinking up ways to use her.” Cute but off guy is smirking, he’s a shit head it seems.

“No, it will not.”

“Who gave you permission to speak? Don’t open your mouth unless I say so,” Ichinomiya demands; she bites her lip and keeps her glare. She wants to strangle him, she wants to actually murder her boss. This fuckwit puts her through hell and doesn’t even wanna let her talk.

“If you got a problem with it, would you rather go back to number five?” Soryu asks with a smirk, at least none of them seem keen on violating her in that way, but she just glares at him. She needs to stay calm, as difficult as that is.

“C’mon now, Boss…Sor. You should be nice to girls,” Stranger Danger talks again, he’s calling Ichinomiya boss, too. He’s really the one she needs to get convince to let her go.

“Listen,” she starts, no one stops her, “there no reason to keep me. My existence does not benefit any of you in any way, shape, or form.”

“You’re just trying to lower your value,” cute but off dude chimes in, he’s getting less cute and more gremliny with every annoying word.

“Besides, a cute girl has plenty of benefits.” Any brownie points Stranger Danger earned have vanished, his comment and wink makes her grimace.

“I sincerely hope you aren’t desperate enough to waste twenty-million on getting your dick wet.” She levels a glare at him.

“Looks like she already has you figured out, Baba,” Gremlin, as he’s now being dubbed, says through a laugh.

“You wound me, princess.” Stranger Danger, Baba apparently, responds with a dramatic sorrowful expression.

“You know about the auctions,” Soryu takes back control of the conversation, “we can’t have you running off and telling someone.”

“No worries, I haven’t suffered recent brain damage.” Though her face feels significantly bruised after being slammed against the floor, Soryu raises an eyebrow at her, “Worst case scenario, you kill me and best case scenario I end up unemployed and homeless. I have no proof, police wouldn’t believe me and you’d kill me for talking. Even if they did, if the owner of the hotel goes to jail then the hotel goes under and I’m out of my job and housing. I’m not stupid enough to bite the hand that feeds me.”

“I’m not so sure about that,” Ichinomiya smirks “you didn’t seem too friendly earlier.”

“To be fair, I didn’t know who you were, so,” his glare harshens, but she’s not done talking, “look, I don’t even have a phone to call the police. I’ll sign an NDA, confidentiality agreement or whatever, I’ll give you the legal right to screw me over if I even think about telling people about the auctions. There’s no reason to keep me, I’m not worth twenty-million, I assure you.”

Soryu looks to Ichinomiya, he almost seems to be on board with her idea. Maybe he’s not that awful, if he supports getting her out of here.

“Boring!” Gremlin complains, she could wring his fucking neck, but she keeps her eyes focused on Ichinomiya. He makes the decisions here, that’s painfully clear.

“No,” Ichinomiya says as he gets up from the couch, “I determine your worth.”

“What!?” Her voice breaks more than she’d like it to, indignancy ruining her composure.

“We bought you, you belong to us. End of story. You’ll be staying in Soryu’s suite for the night, he’ll assure you don’t go running off.” He’s still smirking, despite the fact that Soryu looks absolutely pained. Ichinomiya leaves up the twisted staircase, pulling out his phone as he does so.

“Man, Soryu gets to play with Koro first, not fair,” Gremlin pretends to whine, but he’s smirking; who the fuck is Koro?

“Time for introductions,” Baba winks at her, “what’s your name princess?”

“.…Tomori Tsuneko,” she murmurs, she feels completed defeated, there has to be a way out of this mess.

“Pretty name for a pretty girl. I’m Baba Mitsunari. I’m a thief, 35, single and ready to mingle. You can call me Micchan, Micchy, whatever you want.”

“Baba it is.”

“Pfftt, rejected. I’m Kisaki Ota, people call me the angelic artist,” Gremlin introduces himself.

“You already know Boss, so it’s Sor and Mamo’s turn,” Baba says, looking at the far less enthusiastic men.

“Kishi Mamoru,” The apparently not dead guy finally sits up and lights a cigarette.

“He’s a cop or unemployed, who knows?” Baba grins, “And the tall quiet guy is Oh Soryu, leader of the Ice Dragons.” Soryu looks so pained, you’d think he was the one who was just bought.

“Ice Dragons…?”

“Mafia,” Kisaki explains, like it’s the most normal thing in the world.

“Enough of this,” Oh says curtly, “follow me, since I’m stuck babysitting you.” He strides out of the lounge without giving her another look.

“Sor’s kinda shy. You better go after him before he locks the door on you,” Baba tells her and she scurries off after Oh, who leads her down the halls towards one of the suites. She has to speed walk to keep up with his pace.

He’s stiff and rude, but if she’s being entirely honest, he’s pretty low of her current shit list. At the very least, he seems just as keen on getting her out of here as she is. His biggest concern seems to be keeping the auctions secret; she already told them she wouldn’t blab, but she gets the feeling if she steps out of line he wouldn’t hesitate to kill her. And the fact he still seems like one of the lesser evils here despite that, really says something.

She’s follows him into his suite, it’s easily five times the size of her dorm. They step into the living room, more than likely where she’ll be sleeping. The couch looks comfy, she’ll manage for the night. Oh starts pulling off his jacket, then unbuttoning his shirt. She catches a glimpse of bare muscles before she turns around, offering him something resembling privacy. It might seem naive, but she doesn’t think he gonna try anything, he seems pained by her presence let alone trying to touch her. Footsteps ring out, Oh walking past her shirtless. He’s in really good shape.

“Don’t get any weird ideas.” He steps into another room, a moment passes and then running water. Sounds like a shower, couldn’t he have started stripping down in the bathroom? She doesn’t really understand the point of the peepshow, she decides not to ponder on it too long and instead lets out a heavy breath.

She slumps onto the couch, exhaustion settling in to take the place of her anxiety. Running away isn’t an option, despite how tempting it is, the Ichinomiya Group has the power and money to find her anywhere. She’s not sure how far reaching the mafia is and she doesn’t want to find out. Even so, she has no intention of giving up. She’s got to convince Ichinomiya to let her leave. Though, clearly it isn’t happening tonight.

Tsuneko looks at her hand, surveying the damage done by the glass. It’s starting to throb and ache more. The largest mark is a nasty gash across her palm, then smaller cuts around her fingers. It hurts more when she bends or flexes them, but the slash across her palm is more concerning. She doesn’t think it needs stitches, but she isn’t a doctor, so who knows.

Something glints and catches her eye, from under the chair. She leans over to get a closer peek and her blood runs cold, it’s a gun. It’s not shocking, he was the one who threatened her after she saw the gun deal. But, she still can’t help being afraid. The potential of him killing her seems even more viable.

The water stops, doesn’t seem like a long shower, a minute or two tops. She tucks her hand back in her pocket and presses her back closer against the couch as the bathroom door opens. His hair is no longer slicked back, soft around his face, but it doesn’t look wet.

“You didn’t try to run away.” He was just testing her.

“I’m not stupid.” She can’t help the vitriol in her tone.

“That remains to be seen,” that earns him a glare, “As long as you keep behaving, I won’t do anything bad to you.”

“Got it.”

He walks around the couch to stand in front of her, she presses further into the back of the couch, he’s in her space. Oh cages her in, arms on each side of her head and hands on the top of the couch, he leans in until they’re almost nose to nose. She bites her lip and meets his glare, her face feels hot.

“I have no idea what Eisuke’s thinking, but let's make this clear. You better not tell anyone what you saw today. No matter what. Telling anyone else is the same as signing your own death warrant. Yours, your friend’s, and your family’s.”

“Got it.”

“You can use the living room and bathroom, just don’t come near my bedroom,” he tells her as he pulls away, gathering his discarded shirt and jacket.

”Understood. What about work? If I’m not there tomorrow people will get suspicious.” She’s not sure if they actually would, if any of them would care enough to notice, but any excuse to leave in the morning sounds good.

“You work as a maid here, right?”

“Yes.”

“As long as you remember to keep your mouth shut and don’t go running off, it’ll be fine. Understood?”

She nods as Oh leaves into another room, she assumes the bedroom. Tsuneko pulls off her shoes, her feet ache just a bit. He told her she could use the bathroom and a shower sounds nice, but she doesn’t have anything to change into. Plus showering in an unfamiliar place doesn’t sound too pleasant. There’s a shower in the employee locker room, she’ll wait til morning.

She curls up on the couch, carefully finding a position that won’t hurt her hand. A yawn escapes her, she needs to think of ways to get out of this, but she’s too exhausted to think straight. The whole ordeal has drained every last bit of energy she has. She closes her eyes and slowly drifts off to sleep.

[littlestloaf]

maybe around a month ago, i’d had to watch christopher nolan’s memento for my film studies module, and i’ve had a piece titled “memento: remembering to forget or forgetting to remember or simply doing whatever the fuck you want because reality isn’t real” sitting in my drafts folder since then. i’d really wanted to review it, because it’s the first time i had Thoughts after watching a nolan film. (in all fairness i’ve only ever seen one other nolan film which is inception but it was too much mindfuckery and i Did Not Like It.) i know never to procrastinate my writing because once i lose inspiration it’s Gone For Life (i have no reason to be capitalising random words but it is adding an Effect i cannot explain.) anyways. memento review not done, and it’s probably the only film i enjoyed in this module so far. go figure. 

last night, because of eye redness and pain that should be diagnosed as chronic at this point, i found myself throwing an ice pack we used as kids to break fevers into a green hello kitty handkerchief we also used as kids and slapping it onto my eyes to relieve the itchiness and scary red veins. while praying that this better not be linked to my diabetes or turn me blind, i decided to pick back up on my recent public transport hobby - listening to podcasts. the title was “why did two parents murder their adopted child?”, from the guardian audio long read. (highly recommended by the way, especially if reading long articles turns you off.)

and i thought, yes, why?!?!?!? i wanted answers. i wanted to know if they were monsters, who made them monsters, or if this was just an elaborate media conspiracy. 

this could be a spoiler if you plan to listen to the podcast, but also not very much so if you are an avid reader of keigo higashino’s books. which is that you pretty much do not get the why. there are speculations of course; the calm british male voice narrating the podcast points out that investigators thought the couple were selfish, narcissistic individuals, adopting the girl in a bid to elevate their already elevated upper middle-class nice friendly neighbourhood couple status. psychologists state that the mother was slightly mentally impaired by her depression and anxiety. the overarching theory was that, whatever reason they adopted the child for, they’d gotten tired of the effort required to raise her, the mental energy necessary to lavish on a pre-adolescent girl whom they’d already spent so much money and time on through ballet, violin, french, chinese, piano lessons. she was an intelligent, precocious young girl. months and weeks prior to her death she’d complained of giddiness, of feeling like someone was trying to kill her. it is unknown whether she was aware that, if the investigators’ theories were right, her parents had been trying to poison her with lorazepam for months, so much so that traces of it were found on the first 3 centimetres of a strand of her hair. 

if you’d watched memento you’d know that the basic premise of it is about this man who suffers from extreme short-term memory after a blow to his head from the murderer-rapist of his wife who is, by the way, yet to be caught. so he takes the investigation and revenge into his own hands. but the catch is, he can never remember anything for more than a few hours at a time. so he uses badass homemade tattoos on his body, polaroids, and little notes to self written on those polaroids to give him a narrative to return to whenever he forgets. except nothing is at all as it seems and you should really watch the film if you haven’t because it’s probably nolan’s best movie even if other people won’t tell you that. 

the similarity between memento and this podcast is that both tell the story backwards - nolan quite literally, and this author in retrospect through tracing the lives of those involved. and because they are backwards, you are sitting at the end of an event with all the evidence laid out right before you. yet, there is a strange unknowability to all of it. it disturbs me that you can never really get down to the root of anything, no matter how much you investigate it. maybe you’ve convicted a murderer, and they said they killed their victim out of jealousy. all evidence could point to that fact, they get convicted, etc. but did they really kill out of jealousy? did they even kill the person? what if all the evidence is only circumstantial and happens to point towards them in a very bizarre coincidence? honestly, that’s between them and god. between them and nobody if there is no god. 

i’ll always want to know why. i’ll always want honesty in a world where there is no objective reality whatsoever. maybe it has to do with wanting comfort. if i knew why they did it i could prevent anyone else from ever doing it again. maybe it’s just plain, simple curiosity. but it just sucks, for the lack of a better word, that i’ll probably never get any closer to the big, capital T truth. 

people who knew the couple expressed shock upon knowing they had become convicted child murderers, while members of the public accused them of devious heartlessness. i thought investigators were supposed to be neutral. calling someone selfish and neurotic isn’t neutral. my main point is that everything is so mediated, so filtered through something else, that perhaps by the time it gets through to you it may be unrecognisable. a large scale game of telephone. 

kurosawa plays with this premise in rashomon, coining what we know now as the rashomon effect, which occurs whenever two or more witnesses give competing interpretations of the same event, thereby preventing listeners from determining the objective truth. other forms of media which deep delve into the idea of public enemies, like miller’s enemy of the people and the untamed, similarly point out how perspectives are circulated, warped and destroyed. how power frames things one way and then another. 

even if my dreams of living in a world where everything can be simply Known will never be fulfilled, it’s nice to have these things that shine a mirror right into your face. our culpability can never be underestimated; we are all a node in a great big game of telephone. no message can hope to survive to the end, and can only die trying.

i guess this should be salient given the era of fake news and whatever but i am mostly thinking about how all of us are these tiny little beings in a large world, forever, strangers to the workings of it, to ourselves and to one another. we just...never know, you know. ha. (apparently my sister and i use “you know” so much at the end of sentences that L has started to imitate us. how do i let him know that nobody will ever know.)

[theliberaltony]

via Politics – FiveThirtyEight

In the video, the host of a local independent news radio program surveys the late-night shadows of a Kenosha, Wisconsin, car lot. You can just make out four men, long rifles in their hands, as they pace on top of the building. “We got militia on the roof here, and it’s pretty neat,” he says. On the ground, the videographer chats with other people he identifies as part of “the militia” — including an eager and excited-looking kid who tells the videographer his name is Kyle.

Kyle Rittenhouse would go on to allegedly kill two people and injure a third later that night. In the aftermath, the extent of his ties to militia activity — and militia activity itself — have been widely discussed: Are militias hate groups? Was Rittenhouse actually a part of a formal militia group? When people who identify as militia members show up in the middle of a protest … whose side are they on?

For the purposes of this article, when we refer to the militia movement, we are referring to an umbrella term that encompasses paramilitary activists and groups with strong anti-government leanings. But beyond that, modern militias are hard to explain and categorize — what even counts as a militia is up for debate. One thing is for sure: There is no one militia — not in Kenosha that night and not anywhere in the country. Instead, experts say, “the militia” is really a multifaceted movement with fluid boundaries. The key to understanding that movement’s role in the chaos of 2020 is knowing just how difficult it can be to pin down what apparent militia members believe — much less how they’re connected to each other and the broader movement.

While established militias are kind of like a heavily armed scout troop — formal organizations with ranks and membership dues and training programs and regular meetings — some academics argue that many people who are falling into the militia movement’s orbit these days are more like loosely affiliated individuals. “Members” is a strong word for this kind of community, with lots of people drifting along, sharing memes online or showing up, guns in tow, to protests — despite having no clear ties to any specific group. Even the organized, club-like militias don’t ascribe to a single overarching ideology, which makes it especially difficult to figure out what motivates individuals like Rittenhouse, or even how to describe them. “It’s almost like people are choosing their own adventure,” said Oren Segal, vice president of the Center on Extremism at the Anti-Defamation League.

So a crowd like the one that showed up in Kenosha can be made up of individuals, even strangers, with little connecting them except a shared interest in gun rights and a sense that they’re the only ones who can protect their community. And in these trying times — amid a pandemic and protests against racial injustice, plus a president who is giving them more public support than they’ve ever had from the national political establishment — those individuals are taking a collective turn in a direction that, experts fear, is likely to result in more violence.

An armed militia — or even a lone individual with ties to the militia movement — is not, of course, unique to 2020 or even the Trump era. Experts who study modern militias quibble over when the movement actually emerged, but most whom we spoke to date it to the late 1980s and early 1990s, when paramilitary groups and self-described “sovereign citizens” (who believe they, and not the government, get to decide which laws they follow) began to organize, partially in response to the deaths of political dissenters in Waco, Texas, and Ruby Ridge, Idaho. These groups didn’t bear much resemblance to the colonial-era militias mentioned in the U.S. Constitution, but they had a few things in common — specifically, anger at the federal government, and a strong belief in their individual right to own weapons and use those weapons to defend themselves against perceived government overreach or a threat to their community.

How the various members of the movement define that threat is where things get muddy. For instance, some — but not all — militia members are also part of the white power movement, and see themselves as part of a struggle against the federal government that would eventually lead to a race war. Other parts of the militia movement, conversely, have explicitly rejected the white supremacist label. But that doesn’t mean that their members don’t hold racist views. And the decentralized nature of the movement has made it easy for militia groups or leaders to disavow individual people who committed acts of violence, even when they were likely influenced by some part of the movement’s ideology. Social media has made it even easier for someone with a passing interest to find out about militias online, and get involved — even tangentially — in whatever part of the movement fits their ideology and goals.

“People are organizing more around concepts and less around groups,” Segal told us. Some people might be pro-police; others might be anti-police. Some might be libertarian, others might be trying to stoke a race war. “They identify with an ideology, maybe with a movement. But not everyone is going to be part of Militia Group A, B or C,” he said.

The rise of President Trump, and the tumultuous events of 2020, have made it even more difficult to untangle what militias are doing and what their individual adherents believe. From the beginning of his candidacy, Trump’s rhetoric — his attacks on the “deep state” or the anti-Muslim and anti-immigrant insults that peppered his tweets and speeches — have resonated with and garnered public responses from people within the militia movement. When Trump tweeted about an impending civil war or warned about threats from the left, it brought extremist theories and conversations into the national conversation. “With Trump, the fringe entered the mainstream,” said Lawrence Rosenthal, the chair and lead researcher of the Berkeley Center for Right-Wing Studies at the University of California, Berkeley.

The pandemic — and the racial injustice protests that have roiled cities throughout the summer — appear to have brought even more people into the militia movement’s orbit. Suddenly, people were at home all day, feeling anxious and fearful about the future and spending a lot more time online. Many in the militia movement chafed at state lockdown orders, and started appearing, heavily armed, at state capitols across the country to protest what they saw as an assault on their individual freedoms. “It’s the same central narrative about government tyranny: ‘I have the right to get a haircut, you don’t have the right to tell us we have to shelter in place,’” said Cynthia Miller-Idriss, a sociologist at American University, where she runs the Polarization and Extremism Research and Innovation Lab.

The same messages were echoing across internet forums and Facebook groups, including among more loosely organized corners of the militia movement, prompting people who weren’t part of formal militia groups to show up. And they didn’t just appear at protests of government lockdowns — militia members also materialized at the protests of police brutality that sprang up in the wake of the killing of George Floyd in Minneapolis. People in that city are still arguing, months later, over whether those people were supporting protesters, supporting police, simply trying to incite violence, or some combination thereof.

Many of those people might never have met before in real life, but they sported signs of a shared identity, like Hawaiian shirts, the emblem of the apocalyptic “Boogaloo” movement, an amorphous online militia that has been described as a “meme-based insurgency.” “Boogaloo” identifiers aren’t held together by a coherent ideology — or even a shared sense of what it means to don a Hawaiian shirt. But their ranks have swelled quickly since the pandemic began, according to research by the Network Contagion Research Institute and others. And what these individuals do have in common is a tendency to be armed to the teeth in situations where tensions are already very high. For obvious reasons, that increases the likelihood of a violent confrontation.

Fear and anxiety are predictors of people — particularly young people — turning towards extremism and violence, said Miller-Idriss. In that context, the conditions of the pandemic are a perfect culture for radicalism to grow. “We know from the research that unemployment itself does not lead to greater risk of engaging in extremist behaviors but economic precarity does,” she said. For the last six months, the entire country has lived on the edge of economic and social precarity. What if our institutions crumble? What if we can’t get our normal lives back? Extremist ideologies can offer meaning, purpose and a narrative of control when everything feels out of it.

The president’s rhetoric has fed into that, experts say. By the time he was elected, Trump was a hero to many in the militia movement. “Donald Trump has succeeded in being at once the head of government and the head of anti-government,” Rosenthal said. “It’s a remarkable thing, actually.”

With Trump saying both implicitly and explicitly that militias or even just armed individuals are the only thing standing between America and the chaos of a leftist takeover of the country, the promise of control becomes even stronger. It becomes a call to arms — one that more young Americans, sitting at home without school or even work, may try to answer.

But if the head of the government isn’t the threat, who is? The answer, said Sam Jackson, a professor at the University of Albany and the author of a new book on one of the country’s most prominent modern militia groups, has turned out to be other Americans — specifically, left-leaning ones who oppose Trump.

That transition wasn’t as hard to make as it might seem, Jackson said, because many of the individuals loosely affiliated with the militia movement never really saw themselves as exactly “anti-government” to begin with. Instead, it’s better to think of them as radical libertarians, who wanted drastically less government, or maybe different government. “So when their man is in office, it’s an easier pivot for them to say … not all government is bad, but we don’t need to target the White House anymore,” he said.

But targeting opponents of the White House means a drastic change in the character of the American militia movement, said Robert Churchill, a history professor at the University of Hartford who extensively researched the militia movement of the 1990s. The majority of militia members back then were radical libertarians, he said, agreeing with Jackson, but their opposition to the federal government broadly meant they weren’t a partisan force. In fact, that definition of militias — small, armed groups of civilians fighting against the government — has characterized these kinds of movements throughout American history, Churchill told us.

Until now. Given the way things are changing, the people who study the militia movement and have spent years talking to its members think there’s a risk of American militias becoming more like the militias of other, often politically unstable, countries. “What matters is if the movement becomes essentially a more traditional Latin American pro-regime paramilitary, which seems to be what Trump is trying to create or wants,” Churchill said.

[desperatelyseekingroleplay]

a bit about me -20something who RPs to unwind. I try to reply as many times a day as I can, but of course, real life comes up. If anything major crops up, I would inform my partner ASAP. I live in the US, in the eastern timezone. I am searching for a long term writing partner. -As I am over 18, I would like my partners to be too. This is a non-negotiable, since I enjoy have mature content (sex, drugs, rock and roll, along with language and violence). -In relation to the above, I am fine with smut, but it can't dominate the story. I prefer plot above all else. A good story is the fun part of RP for me and too much smut drags the story down. I do have my limits and things I'm fine with but that can be discussed when we connect. -As for my writing style: paragraph/novel style, 3rd person. I try to put in at least two decent sized paragraphs a post. One liners are not my thing, so no worries about that! -I prefer to play female main characters. All of them are over 18 and range in personality, color, beliefs, etc... Side/secondary characters are whatever they need to be and I can play as many as required. A good cast is important! But I don't double, at least in the traditional sense. -Well rounded characters are life. I love figuring them out, crafting backstories and personalities for them, seeing how they react to situations. -Romance is always fun. I prefer to play out m/f relationships, with me as the female.  -As for where I prefer to RP: email (pasteldust@outlook.com), googledocs, Discord. I have Hangouts, but that is for planning and ooc chatter. plot related matters -original characters and settings are my jam. While I do take inspiration from fandoms (Harvest Moon, Shameless, Grey's Anatomy, AHS Coven and Freak Show, Clerks and all films in that universe, It's Always Sunny in Philadelphia. Community ), I only use original characters and settings. So, all of the above are things I am only open to using as inspiration, either a little or a lot. The genres I prefer are mainly slice of life, 'historical' (for lack of a better term) and urban fantasy. We can also just do a thing where we make characters and have sort of a TV show structure: smaller plots with an overarching plot/theme/whatnot (ie the adventures of two friends as they fall in love, with supporting cast members being family and friends). That is mainly because there are ideas I would be open that don't seem like they would work long term and it would just be fun to throw our characters into a variety of adventures. now, onto less vague plot ideas! Best Friends:  basically the idea above. That seems like it would be fun, jumping from story to story as two best friends fall for each other. Hooker/Client: which explains itself, now that I think about it. A hooker and her client get too close when they should not be. The client can be anything but a married man, since infidelity is a no-go. Maybe he's a doctor, lawyer or business executive. Or a literal superhero or supervillain, which could be a fun twist. Online: Our characters are YouTube famous, making videos and those Benjamins. So they have to deal with that unique brand of fame and a budding relationship. Knocked Up: again, it explains itself. Two people have an unplanned pregnancy. It could be two friends, two strangers, the world is open! I would love to combine this with the Shameless inspired plot aka slice of life with a heavy dash of dysfunction, chaos and drama in case you have not seen the show. Or maybe she's pregnant by a guy who is no longer around but is vibing with someone else (so no cheating here), which could add more drama. Could be combined with the best friends plot, or even the freak show idea! Related to the above: not quite accidental pregnancy. A single man decides to hire a surrogate so he can have an heir. Feelings crop up, shenanagins ensue. Maybe there are Jane the Virgin-esque shenangins, to varying degrees depending on what you want. And of course, the RP continues after the kid is born. A slow burn is preferred with this plot. Homecoming: Something like the above would be the backstory. A couple has a thing and have to part ways, for whatever reasons. He could have gone into the military, maybe it was work or school, something happened to break them apart. And some time later, they reunite and surprise, she has a kid. Now they must navigate parenthood, old and new feelings and general drama RJ/BB: Romeo and Juliet meets Breaking Bad. Two people from rival drug dealing cliques meet and there is a spark. But their crews are dicks, to be concise. Or maybe only one of them is dealing. Arranged Marriage: Can take place in modern day or a historical setting. For the modern day, it could be a business deal on the parent's end that includes a wedding of some sort. As for a historical setting, it could be a few things. Maybe it is how they end a war. Or it is a business deal of some sort. For those two or something similar, I like the idea of them sniping, having hate sex, generally being snippy and then, thing progress and they learn to work together. Or...Maybe it's like what Dany and Drogo from Game of Thrones had, but with a happier ending (I would love this one). Or it is just an outright kidnapping sort of deal. Which could tie into the Beauty and the Beast dynamic. Maybe one of them is like a prize to the other (ie a warrior/gladiator being gifted a prize for winning a tournament or battle in the form of a bride or a warrior is taken hostage and is given as a prize to the ruler's daughter?)  But I am open to ideas of course! Related to the above, kinda. A cruel, tyrant of a king takes a bride for reasons that are not all that genuine. Someone who is either part of the rebel forces or maybe a lone wolf kidnaps her and they wind up on the run, first as captor and captive and then as something more. Untitled: Set in the classic pseudo medieval time period, a person of noble or royal blood has either fled or been cast out of their home (the latter could tie into a beauty and the beast ish plot). They cross paths with a person of common blood and things develop. Untitled 2: A princess/noble woman and a knight (or other kind of castle worker) become close, but their stations in life and maybe a few other things make it complicated. Untitled 3: Something with pirates could be fun! Untitled 4: This idea is a cracky one but hey, lets throw it out there. It's a fusion of Grey's Anatomy and Buffy. Basically my character is a Slayer who decided to go into medicine instead of slaying since due to the events of the finale, she is not the one girl in all the world. But this is still the Buffy-verse and with the soapy dramatics of GA thrown in, life is not simple. So there will be romance, action, adventure and so much more. Note: I have only seen the shows and have not read the comics. Inspired by Stranger Things/Twin Peaks/Riverdale: A Bad Thing (to be thought up by us) happens and upheaves a small town or suburb. Our characters try to navigate the aftermath and figure things out. The cause can be supernatural or not. And of course, original stories inspired by the fandoms listed above. Something Shameless, AHS Freak Show, Dany/Drogo or IASIP inspired would be amazing right now. It could be combined with a plot of course.  As I have said, I deal in originals only. misc: There are some relationship dynamics I would like to explore: love to hate, age gaps (older man, younger woman, up to 15 years), best friends falling for each other, werewolves or werewolf/human, vampire/human, artist and their muse, opposites attract, boss/employee, co-workers or partners. The three shows I would use to sum up my sense of humor are: It's Always Sunny in Philadelphia, The Most Popular Girls in School and Community.

-I use face claims, but only if my partner does as well. So it is not mandatory at all.

-Also, OOC chatter is fine with me. I like to geek out  over characters as well, chatter about them, talk headcanons, maybe do little AU sidestories and whatnot. I love pinterest, polyvore and even making playlists on spotify.

I am open to ideas and plots can always be combined. Don't just send a message saying 'hey wanna rp?'. Tell me about yourself and what you want to write. I am fine with drama and angst in the story, but not all the time. RP is supposed to be fun!

[fyrapartnersearch]

a bit about me -20something who RPs to unwind. I try to reply as many times a day as I can, but of course, real life comes up. If anything major crops up, I would inform my partner ASAP. I live in the US, in the eastern timezone. I am searching for a long term writing partner. -As I am over 18, I would like my partners to be too. This is a non-negotiable, since I enjoy have mature content (sex, drugs, rock and roll, along with language and violence). -In relation to the above, I am fine with smut, but it can't dominate the story. I prefer plot above all else. A good story is the fun part of RP for me and too much smut drags the story down. I do have my limits and things I'm fine with but that can be discussed when we connect. -As for my writing style: paragraph/novel style, 3rd person. I try to put in at least two decent sized paragraphs a post. One liners are not my thing, so no worries about that! -I prefer to play female main characters. All of them are over 18 and range in personality, color, beliefs, etc... Side/secondary characters are whatever they need to be and I can play as many as required. A good cast is important! But I don't double, at least in the traditional sense. -Well rounded characters are life. I love figuring them out, crafting backstories and personalities for them, seeing how they react to situations. -Romance is always fun. I prefer to play out m/f relationships, with me as the female.  -As for where I prefer to RP: email (pasteldust@outlook.com), googledocs, Discord. I have Hangouts, but that is for planning and ooc chatter.

plot related matters -original characters and settings are my jam. While I do take inspiration from fandoms (Harvest Moon, Shameless, Grey's Anatomy, AHS Coven and Freak Show, Clerks and all films in that universe, It's Always Sunny in Philadelphia. Community ), I only use original characters and settings. So, all of the above are things I am only open to using as inspiration, either a little or a lot. The genres I prefer are mainly slice of life, 'historical' (for lack of a better term) and urban fantasy. We can also just do a thing where we make characters and have sort of a TV show structure: smaller plots with an overarching plot/theme/whatnot (ie the adventures of two friends as they fall in love, with supporting cast members being family and friends). That is mainly because there are ideas I would be open that don't seem like they would work long term and it would just be fun to throw our characters into a variety of adventures. now, onto less vague plot ideas! Best Friends:  basically the idea above. That seems like it would be fun, jumping from story to story as two best friends fall for each other. Hooker/Client: which explains itself, now that I think about it. A hooker and her client get too close when they should not be. The client can be anything but a married man, since infidelity is a no-go. Maybe he's a doctor, lawyer or business executive. Or a literal superhero or supervillain, which could be a fun twist. Online: Our characters are YouTube famous, making videos and those Benjamins. So they have to deal with that unique brand of fame and a budding relationship. Knocked Up: again, it explains itself. Two people have an unplanned pregnancy. It could be two friends, two strangers, the world is open! I would love to combine this with the Shameless inspired plot aka slice of life with a heavy dash of dysfunction, chaos and drama in case you have not seen the show. Or maybe she's pregnant by a guy who is no longer around but is vibing with someone else (so no cheating here), which could add more drama. Could be combined with the best friends plot, or even the freak show idea! Related to the above: not quite accidental pregnancy. A single man decides to hire a surrogate so he can have an heir. Feelings crop up, shenanagins ensue. Maybe there are Jane the Virgin-esque shenangins, to varying degrees depending on what you want. And of course, the RP continues after the kid is born. A slow burn is preferred with this plot. Homecoming: Something like the above would be the backstory. A couple has a thing and have to part ways, for whatever reasons. He could have gone into the military, maybe it was work or school, something happened to break them apart. And some time later, they reunite and surprise, she has a kid. Now they must navigate parenthood, old and new feelings and general drama RJ/BB: Romeo and Juliet meets Breaking Bad. Two people from rival drug dealing cliques meet and there is a spark. But their crews are dicks, to be concise. Or maybe only one of them is dealing. Arranged Marriage: Can take place in modern day or a historical setting. For the modern day, it could be a business deal on the parent's end that includes a wedding of some sort. As for a historical setting, it could be a few things. Maybe it is how they end a war. Or it is a business deal of some sort. For those two or something similar, I like the idea of them sniping, having hate sex, generally being snippy and then, thing progress and they learn to work together. Or...Maybe it's like what Dany and Drogo from Game of Thrones had, but with a happier ending (I would love this one). Or it is just an outright kidnapping sort of deal. Which could tie into the Beauty and the Beast dynamic. Maybe one of them is like a prize to the other (ie a warrior/gladiator being gifted a prize for winning a tournament or battle in the form of a bride or a warrior is taken hostage and is given as a prize to the ruler's daughter?)  But I am open to ideas of course! Related to the above, kinda. A cruel, tyrant of a king takes a bride for reasons that are not all that genuine. Someone who is either part of the rebel forces or maybe a lone wolf kidnaps her and they wind up on the run, first as captor and captive and then as something more. Untitled: Set in the classic pseudo medieval time period, a person of noble or royal blood has either fled or been cast out of their home (the latter could tie into a beauty and the beast ish plot). They cross paths with a person of common blood and things develop. Untitled 2: A princess/noble woman and a knight (or other kind of castle worker) become close, but their stations in life and maybe a few other things make it complicated. Untitled 3: Something with pirates could be fun! Untitled 4: This idea is a cracky one but hey, lets throw it out there. It's a fusion of Grey's Anatomy and Buffy. Basically my character is a Slayer who decided to go into medicine instead of slaying since due to the events of the finale, she is not the one girl in all the world. But this is still the Buffy-verse and with the soapy dramatics of GA thrown in, life is not simple. So there will be romance, action, adventure and so much more. Note: I have only seen the shows and have not read the comics. Inspired by Stranger Things/Twin Peaks/Riverdale: A Bad Thing (to be thought up by us) happens and upheaves a small town or suburb. Our characters try to navigate the aftermath and figure things out. The cause can be supernatural or not. And of course, original stories inspired by the fandoms listed above. Something Shameless, AHS Freak Show, Dany/Drogo or IASIP inspired would be amazing right now. It could be combined with a plot of course.  As I have said, I deal in originals only. misc: There are some relationship dynamics I would like to explore: love to hate, age gaps (older man, younger woman, up to 15 years), best friends falling for each other, werewolves or werewolf/human, vampire/human, artist and their muse, opposites attract, boss/employee, co-workers or partners. The three shows I would use to sum up my sense of humor are: It's Always Sunny in Philadelphia, The Most Popular Girls in School and Community.

-I use face claims, but only if my partner does as well. So it is not mandatory at all.

-Also, OOC chatter is fine with me. I like to geek out  over characters as well, chatter about them, talk headcanons, maybe do little AU sidestories and whatnot. I love pinterest, polyvore and even making playlists on spotify.

I am open to ideas and plots can always be combined. Don't just send a message saying 'hey wanna rp?'. Tell me about yourself and what you want to write. I am fine with drama and angst in the story, but not all the time. RP is supposed to be fun!

[desperatelyseekingroleplay]

a bit about me -20something who RPs to unwind. I try to reply as many times a day as I can, but of course, real life comes up. If anything major crops up, I would inform my partner ASAP. I live in the US, in the eastern timezone. I am searching for a long term writing partner. -As I am over 18, I would like my partners to be too. This is a non-negotiable, since I enjoy have mature content (sex, drugs, rock and roll, along with language and violence). -In relation to the above, I am fine with smut, but it can't dominate the story. I prefer plot above all else. A good story is the fun part of RP for me and too much smut drags the story down. I do have my limits and things I'm fine with but that can be discussed when we connect. -As for my writing style: paragraph/novel style, 3rd person. I try to put in at least two decent sized paragraphs a post. One liners are not my thing, so no worries about that! -I prefer to play female main characters. All of them are over 18 and range in personality, color, beliefs, etc... Side/secondary characters are whatever they need to be and I can play as many as required. A good cast is important! But I don't double, at least in the traditional sense. -Well rounded characters are life. I love figuring them out, crafting backstories and personalities for them, seeing how they react to situations. -Romance is always fun. I prefer to play out m/f relationships, with me as the female.  -As for where I prefer to RP: email (pasteldust@outlook.com), googledocs, Discord. I have Hangouts, but that is for planning and ooc chatter.

plot related matters -original characters and settings are my jam. While I do take inspiration from fandoms (Harvest Moon, Shameless, Grey's Anatomy, AHS Coven and Freak Show, Clerks and all films in that universe, It's Always Sunny in Philadelphia. Community ), I only use original characters and settings. So, all of the above are things I am only open to using as inspiration, either a little or a lot. The genres I prefer are mainly slice of life, 'historical' (for lack of a better term) and urban fantasy. We can also just do a thing where we make characters and have sort of a TV show structure: smaller plots with an overarching plot/theme/whatnot (ie the adventures of two friends as they fall in love, with supporting cast members being family and friends). That is mainly because there are ideas I would be open that don't seem like they would work long term and it would just be fun to throw our characters into a variety of adventures. now, onto less vague plot ideas! Best Friends:  basically the idea above. That seems like it would be fun, jumping from story to story as two best friends fall for each other. Hooker/Client: which explains itself, now that I think about it. A hooker and her client get too close when they should not be. The client can be anything but a married man, since infidelity is a no-go. Maybe he's a doctor, lawyer or business executive. Or a literal superhero or supervillain, which could be a fun twist. Online: Our characters are YouTube famous, making videos and those Benjamins. So they have to deal with that unique brand of fame and a budding relationship. Knocked Up: again, it explains itself. Two people have an unplanned pregnancy. It could be two friends, two strangers, the world is open! I would love to combine this with the Shameless inspired plot aka slice of life with a heavy dash of dysfunction, chaos and drama in case you have not seen the show. Or maybe she's pregnant by a guy who is no longer around but is vibing with someone else (so no cheating here), which could add more drama. Could be combined with the best friends plot, or even the freak show idea! Related to the above: not quite accidental pregnancy. A single man decides to hire a surrogate so he can have an heir. Feelings crop up, shenanagins ensue. Maybe there are Jane the Virgin-esque shenangins, to varying degrees depending on what you want. And of course, the RP continues after the kid is born. A slow burn is preferred with this plot. Homecoming: Something like the above would be the backstory. A couple has a thing and have to part ways, for whatever reasons. He could have gone into the military, maybe it was work or school, something happened to break them apart. And some time later, they reunite and surprise, she has a kid. Now they must navigate parenthood, old and new feelings and general drama RJ/BB: Romeo and Juliet meets Breaking Bad. Two people from rival drug dealing cliques meet and there is a spark. But their crews are dicks, to be concise. Or maybe only one of them is dealing. Arranged Marriage: Can take place in modern day or a historical setting. For the modern day, it could be a business deal on the parent's end that includes a wedding of some sort. As for a historical setting, it could be a few things. Maybe it is how they end a war. Or it is a business deal of some sort. For those two or something similar, I like the idea of them sniping, having hate sex, generally being snippy and then, thing progress and they learn to work together. Or...Maybe it's like what Dany and Drogo from Game of Thrones had, but with a happier ending (I would love this one). Or it is just an outright kidnapping sort of deal. Which could tie into the Beauty and the Beast dynamic. Maybe one of them is like a prize to the other (ie a warrior/gladiator being gifted a prize for winning a tournament or battle in the form of a bride or a warrior is taken hostage and is given as a prize to the ruler's daughter?)  But I am open to ideas of course! Related to the above, kinda. A cruel, tyrant of a king takes a bride for reasons that are not all that genuine. Someone who is either part of the rebel forces or maybe a lone wolf kidnaps her and they wind up on the run, first as captor and captive and then as something more. Untitled: Set in the classic pseudo medieval time period, a person of noble or royal blood has either fled or been cast out of their home (the latter could tie into a beauty and the beast ish plot). They cross paths with a person of common blood and things develop. Untitled 2: A princess/noble woman and a knight (or other kind of castle worker) become close, but their stations in life and maybe a few other things make it complicated. Untitled 3: Something with pirates could be fun! Untitled 4: This idea is a cracky one but hey, lets throw it out there. It's a fusion of Grey's Anatomy and Buffy. Basically my character is a Slayer who decided to go into medicine instead of slaying since due to the events of the finale, she is not the one girl in all the world. But this is still the Buffy-verse and with the soapy dramatics of GA thrown in, life is not simple. So there will be romance, action, adventure and so much more. Note: I have only seen the shows and have not read the comics. Inspired by Stranger Things/Twin Peaks/Riverdale: A Bad Thing (to be thought up by us) happens and upheaves a small town or suburb. Our characters try to navigate the aftermath and figure things out. The cause can be supernatural or not. And of course, original stories inspired by the fandoms listed above. Something Shameless, AHS Freak Show, Dany/Drogo or IASIP inspired would be amazing right now. It could be combined with a plot of course.  As I have said, I deal in originals only. misc: There are some relationship dynamics I would like to explore: love to hate, age gaps (older man, younger woman, up to 15 years), best friends falling for each other, werewolves or werewolf/human, vampire/human, artist and their muse, opposites attract, boss/employee, co-workers or partners. The three shows I would use to sum up my sense of humor are: It's Always Sunny in Philadelphia, The Most Popular Girls in School and Community.

-I use face claims, but only if my partner does as well. So it is not mandatory at all.

-Also, OOC chatter is fine with me. I like to geek out  over characters as well, chatter about them, talk headcanons, maybe do little AU sidestories and whatnot. I love pinterest, polyvore and even making playlists on spotify.

I am open to ideas and plots can always be combined. Don't just send a message saying 'hey wanna rp?'. Tell me about yourself and what you want to write. I am fine with drama and angst in the story, but not all the time. RP is supposed to be fun!

[fyrapartnersearch]

a bit about me -20something who RPs to unwind. I try to reply as many times a day as I can, but of course, real life comes up. If anything major crops up, I would inform my partner ASAP. I live in the US, in the eastern timezone. I am searching for a long term writing partner. -As I am over 18, I would like my partners to be too. This is a non-negotiable, since I enjoy have mature content (sex, drugs, rock and roll, along with language and violence). -In relation to the above, I am fine with smut, but it can't dominate the story. I prefer plot above all else. A good story is the fun part of RP for me and too much smut drags the story down. I do have my limits and things I'm fine with but that can be discussed when we connect. -As for my writing style: paragraph/novel style, 3rd person. I try to put in at least two decent sized paragraphs a post. One liners are not my thing, so no worries about that from me! -I prefer to play female main characters. All of them are over 18 and range in personality, color, beliefs, etc... Side/secondary characters are whatever they need to be and I can play as many as required. A good cast is important! But I don't double, at least in the traditional sense. -well rounded characters are life. I love figuring them out, crafting backstories and personalities for them, playing with AUs, stuff like that -Romance is always fun. I prefer to play out m/f relationships, with me as the female.  -As for where I prefer to RP: email (pasteldust@outlook.com), googledocs, Discord. I have Hangouts, but that is for planning and ooc chatter. plot related matters -original characters and settings are my jam. While I do take inspiration from fandoms (Harvest Moon, Shameless, Grey's Anatomy, AHS Coven and Freak Show, Clerks and all films in that universe, It's Always Sunny in Philadelphia. Community ), I only use original characters and settings. So, all of the above are things I am only open to using as inspiration, either a little or a lot. The genres I prefer are mainly slice of life, 'historical' (for lack of a better term) and urban fantasy. We can also just do a thing where we make characters and have sort of a TV show structure: smaller plots with an overarching plot/theme/whatnot (ie the adventures of two friends as they fall in love, with supporting cast members being family and friends). That is mainly because there are ideas I would be open that don't seem like they would work long term and it would just be fun to throw our characters into a variety of adventures. now, onto less vague plot ideas! Best Friends:  basically the idea above. That seems like it would be fun, jumping from story to story as two best friends fall for each other. Hooker/Client: which explains itself, now that I think about it. A hooker and her client get too close when they should not be. The client can be anything but a married man, since infidelity is a no-go. Maybe he's a doctor, lawyer or business executive. Or a literal superhero or supervillain, which could be a fun twist. Online: Our characters are YouTube famous, making videos and those Benjamins. So they have to deal with that unique brand of fame and a budding relationship. Knocked Up: again, it explains itself. Two people have an unplanned pregnancy. It could be two friends, two strangers, the world is open! I would love to combine this with the Shameless inspired plot aka slice of life with a heavy dash of dysfunction, chaos and drama in case you have not seen the show. Or maybe she's pregnant by a guy who is no longer around but is vibing with someone else (so no cheating here), which could add more drama. Could be combined with the best friends plot, or even the freak show idea! Related to the above: not quite accidental pregnancy. A single man decides to hire a surrogate so he can have an heir. Feelings crop up, shenanagins ensue. Maybe there are Jane the Virgin-esque shenangins, to varying degrees depending on what you want. And of course, the RP continues after the kid is born. A slow burn is preferred with this plot. Homecoming: Something like the above would be the backstory. A couple has a thing and have to part ways, for whatever reasons. He could have gone into the military, maybe it was work or school, something happened to break them apart. And some time later, they reunite and surprise, she has a kid. Now they must navigate parenthood, old and new feelings and general drama RJ/BB: Romeo and Juliet meets Breaking Bad. Two people from rival drug dealing cliques meet and there is a spark. But their crews are dicks, to be concise. Or maybe only one of them is dealing. Arranged Marriage: Can take place in modern day or a historical setting. For the modern day, it could be a business deal on the parent's end that includes a wedding of some sort. As for a historical setting, it could be a few things. Maybe it is how they end a war. Or it is a business deal of some sort. For those two or something similar, I like the idea of them sniping, having hate sex, generally being snippy and then, thing progress and they learn to work together. Or...Maybe it's like what Dany and Drogo from Game of Thrones had, but with a happier ending (I would love this one). Or it is just an outright kidnapping sort of deal. Which could tie into the Beauty and the Beast dynamic. Maybe one of them is like a prize to the other (ie a warrior/gladiator being gifted a prize for winning a tournament or battle in the form of a bride or a warrior is taken hostage and is given as a prize to the ruler's daughter?)  But I am open to ideas of course! Related to the above, kinda. A cruel, tyrant of a king takes a bride for reasons that are not all that genuine. Someone who is either part of the rebel forces or maybe a lone wolf kidnaps her and they wind up on the run, first as captor and captive and then as something more. Untitled: Set in the classic pseudo medieval time period, a person of noble or royal blood has either fled or been cast out of their home (the latter could tie into a beauty and the beast ish plot). They cross paths with a person of common blood and things develop. Untitled 2: A princess/noble woman and a knight (or other kind of castle worker) become close, but their stations in life and maybe a few other things make it complicated. Untitled 3: Something with pirates could be fun! Inspired by Stranger Things/Twin Peaks/Riverdale: A Bad Thing (to be thought up by us) happens and upheaves a small town or suburb. Our characters try to navigate the aftermath and figure things out. The cause can be supernatural or not. And of course, original stories inspired by the fandoms listed above. Something Shameless, AHS Freak Show, Dany/Drogo or IASIP inspired would be amazing right now. It could be combined with a plot of course.  As I have said, I deal in originals only. misc: There are some relationship dynamics I would like to explore: love to hate, age gaps (older man, younger woman, up to 15 years), best friends falling for each other, werewolves or werewolf/human, vampire/human, artist and their muse, opposites attract, boss/employee, co-workers or partners. The three shows I would use to sum up my sense of humor are: It's Always Sunny in Philadelphia, The Most Popular Girls in School and Community.

-I use face claims, but only if my partner does as well. So it is not mandatory at all.

-Also, OOC chatter is fine with me. I like to geek out  over characters as well, chatter about them, talk headcanons, maybe do little AU sidestories and whatnot. I love pinterest, polyvore and even making playlists on spotify.

I am open to ideas and plots can always be combined. Don't just send a message saying 'hey wanna rp?'. Tell me about yourself and what you want to write. I am fine with drama and angst in the story, but not all the time. RP is supposed to be fun!

[desperatelyseekingroleplay]

a bit about me -20something who RPs to unwind. I try to reply as many times a day as I can, but of course, real life comes up. If anything major crops up, I would inform my partner ASAP. I live in the US, in the eastern timezone. I am searching for a long term writing partner. -As I am over 18, I would like my partners to be too. This is a non-negotiable, since I enjoy have mature content (sex, drugs, rock and roll, along with language and violence). -In relation to the above, I am fine with smut, but it can't dominate the story. I prefer plot above all else. A good story is the fun part of RP for me and too much smut drags the story down. I do have my limits and things I'm fine with but that can be discussed when we connect. -As for my writing style: paragraph/novel style, 3rd person. I try to put in at least two decent sized paragraphs a post. One liners are not my thing, so no worries about that! -I prefer to play female main characters. All of them are over 18 and range in personality, color, beliefs, etc... Side/secondary characters are whatever they need to be and I can play as many as required. A good cast is important! But I don't double, at least in the traditional sense. -Well rounded characters are life. I love figuring them out, crafting backstories and personalities for them, seeing how they react to situations. -Romance is always fun. I prefer to play out m/f relationships, with me as the female.  -As for where I prefer to RP: email (pasteldust@outlook.com), googledocs, Discord. I have Hangouts, but that is for planning and ooc chatter. plot related matters

-original characters and settings are my jam. While I do take inspiration from fandoms (Harvest Moon, Shameless, Grey's Anatomy, AHS Coven and Freak Show, Clerks and all films in that universe, It's Always Sunny in Philadelphia. Community ), I only use original characters and settings. So, all of the above are things I am only open to using as inspiration, either a little or a lot. The genres I prefer are mainly slice of life, 'historical' (for lack of a better term) and urban fantasy. We can also just do a thing where we make characters and have sort of a TV show structure: smaller plots with an overarching plot/theme/whatnot (ie the adventures of two friends as they fall in love, with supporting cast members being family and friends). That is mainly because there are ideas I would be open that don't seem like they would work long term and it would just be fun to throw our characters into a variety of adventures. now, onto less vague plot ideas! Best Friends:  basically the idea above. That seems like it would be fun, jumping from story to story as two best friends fall for each other. Hooker/Client: which explains itself, now that I think about it. A hooker and her client get too close when they should not be. The client can be anything but a married man, since infidelity is a no-go. Maybe he's a doctor, lawyer or business executive. Or a literal superhero or supervillain, which could be a fun twist. Online: Our characters are YouTube famous, making videos and those Benjamins. So they have to deal with that unique brand of fame and a budding relationship. Knocked Up: again, it explains itself. Two people have an unplanned pregnancy. It could be two friends, two strangers, the world is open! I would love to combine this with the Shameless inspired plot aka slice of life with a heavy dash of dysfunction, chaos and drama in case you have not seen the show. Or maybe she's pregnant by a guy who is no longer around but is vibing with someone else (so no cheating here), which could add more drama. Could be combined with the best friends plot, or even the freak show idea! Related to the above: not quite accidental pregnancy. A single man decides to hire a surrogate so he can have an heir. Feelings crop up, shenanagins ensue. Maybe there are Jane the Virgin-esque shenangins, to varying degrees depending on what you want. And of course, the RP continues after the kid is born. A slow burn is preferred with this plot. Homecoming: Something like the above would be the backstory. A couple has a thing and have to part ways, for whatever reasons. He could have gone into the military, maybe it was work or school, something happened to break them apart. And some time later, they reunite and surprise, she has a kid. Now they must navigate parenthood, old and new feelings and general drama RJ/BB: Romeo and Juliet meets Breaking Bad. Two people from rival drug dealing cliques meet and there is a spark. But their crews are dicks, to be concise. Or maybe only one of them is dealing. Arranged Marriage: Can take place in modern day or a historical setting. For the modern day, it could be a business deal on the parent's end that includes a wedding of some sort. As for a historical setting, it could be a few things. Maybe it is how they end a war. Or it is a business deal of some sort. For those two or something similar, I like the idea of them sniping, having hate sex, generally being snippy and then, thing progress and they learn to work together. Or...Maybe it's like what Dany and Drogo from Game of Thrones had, but with a happier ending (I would love this one). Or it is just an outright kidnapping sort of deal. Which could tie into the Beauty and the Beast dynamic. Maybe one of them is like a prize to the other (ie a warrior/gladiator being gifted a prize for winning a tournament or battle in the form of a bride or a warrior is taken hostage and is given as a prize to the ruler's daughter?)  But I am open to ideas of course! Related to the above, kinda. A cruel, tyrant of a king takes a bride for reasons that are not all that genuine. Someone who is either part of the rebel forces or maybe a lone wolf kidnaps her and they wind up on the run, first as captor and captive and then as something more. Untitled: Set in the classic pseudo medieval time period, a person of noble or royal blood has either fled or been cast out of their home (the latter could tie into a beauty and the beast ish plot). They cross paths with a person of common blood and things develop. Untitled 2: A princess/noble woman and a knight (or other kind of castle worker) become close, but their stations in life and maybe a few other things make it complicated. Untitled 3: Something with pirates could be fun! Untitled 4: This idea is a cracky one but hey, lets throw it out there. It's a fusion of Grey's Anatomy and Buffy. Basically my character is a Slayer who decided to go into medicine instead of slaying since due to the events of the finale, she is not the one girl in all the world. But this is still the Buffy-verse and with the soapy dramatics of GA thrown in, life is not simple. So there will be romance, action, adventure and so much more. Note: I have only seen the shows and have not read the comics. Inspired by Stranger Things/Twin Peaks/Riverdale: A Bad Thing (to be thought up by us) happens and upheaves a small town or suburb. Our characters try to navigate the aftermath and figure things out. The cause can be supernatural or not. And of course, original stories inspired by the fandoms listed above. Something Shameless, AHS Freak Show, Dany/Drogo or IASIP inspired would be amazing right now. It could be combined with a plot of course.  As I have said, I deal in originals only. misc: There are some relationship dynamics I would like to explore: love to hate, age gaps (older man, younger woman, up to 15 years), best friends falling for each other, werewolves or werewolf/human, vampire/human, artist and their muse, opposites attract, boss/employee, co-workers or partners. The three shows I would use to sum up my sense of humor are: It's Always Sunny in Philadelphia, The Most Popular Girls in School and Community.

-I use face claims, but only if my partner does as well. So it is not mandatory at all.

-Also, OOC chatter is fine with me. I like to geek out  over characters as well, chatter about them, talk headcanons, maybe do little AU sidestories and whatnot. I love pinterest, polyvore and even making playlists on spotify.

I am open to ideas and plots can always be combined. Don't just send a message saying 'hey wanna rp?'. Tell me about yourself and what you want to write. I am fine with drama and angst in the story, but not all the time. RP  is supposed to be fun!