Hypewired Unsolved Drinking Game, Rule #2: Shirayuki Despairs Over Obi’s Life Choices
Rule #1
Written for @ruleofexception on the occasion of her BIRTH. I thought this would be more ghost hunting and less metrics, but I should have known I couldn’t resist a premise-building chapter.
[Shirayuki]
Have you ever heard of the Gardner Museum Heist?
[Obi]
Oohhh.
[Shirayuki]
*laughs*
What was that?
[Obi]
Oh, nothing, nothing.
It’s just...
I love heists.
[Shirayuki]
You love heists?
*laughs* No, I take it back, that doesn’t surprise me at all.
[Obi]
*laughs*
Come on, who doesn’t love a good heist?
[Shirayuki]
This one *is* known as the biggest art heist of its kind.
[Obi]
Oh ho ho ho.
You’re saying all the right things to me.
The thing about haunted houses-- the real kind, not the ones that hire teenagers to wear stage make up and hold fake chainsaws-- is that they’re hard to book.
“Oh, in my hometown, they hired ex-convicts,” Obi says in the same casual way he says anything vaguely terrifying about his childhood, “and they gave them real, working chainsaws.”
Her jaw drops, face still plastered to her phone’s screen. Soft jazz worms into her ear. “That can’t be true. That has to be a-- a rumor or something.”
“Nah, nah, the farm had a work program with the local prison. I think sometimes they did seasonal work too?” He shrugs. “I don’t know. But it definitely made the hayride more popular. Gave it a real element of danger, you know?”
Shirayuki stares. “And they gave them real chainsaws?”
“Well, they only revved them a little.” He twitches his shoulder, as much of a shrug as he ever gives. “One time a guy hopped on the cart and chopped the bale next to me, but I mean, I probably deserved that.”
She might be sitting down, but oh, she could really do to sit down again. Harder. Mentally. Emotionally. “And you’re sure these were ex-convicts?”
“Yeah, probably.” Not an endorsement ringing with confidence. “I mean, I’m sure they were in for non-violent crimes, at least.”
There are two wolves inside of her, and one of them is pleased to hear about a local business working to place disadvantaged community members, and the other-- well, the other thinks that maybe everyone should be a little more solid on the whole non-violent convictions than they are.
Before she has the chance to suggest it, the phone clicks, and a pleasant female voice says, “Hill House, Donna speaking, how may I help you?”
“Oh, hi, yes,” she fumbles, “I’m Shirayuki calling from Hypewire. We would like to talk about booking your location.”
“Hypewire?” Donna pauses, the good long kind that means she’s probably from a generation that prefers to read its news on paper, and not from a website that has an option to react with emojis. “Oh, did you want to do an article on the house?”
“Ah, something like that.” Obi arches a brow, lips twitching as he crams another Funyon between them. He’s far too distracting to have around while she needs to have thinky thoughts, especially if he’s going to make faces at her. “I’m the producer of Hyperwire Unsolved, and we were wondering if we could possibly do a, ah--” she coughs-- “an investigation? Of the house? For the show?”
“Oh, Hypewire Unsolved!” The woman laughs. “My nephew loves you guys. But don’t you do true crime?”
Thank you for your interest in our venue for an episode. Some of our interns are big fans of your show! However, we have to admit some confusion, as we were under the impression you were a true crime show…
“How’d they get that impression?” Higata grunts, hunching further over his keyboard. His screen in the only light in the editing bay, castling a ghastly glow over his face. “The art department just sent me six different aliens to pick from for the Roswell episode, and now we’re Serial? Come on.”
Shirayuki sighs. “I know. But it seems our more popular episodes are the ones about collar bombers and serial murderers. At least by the metrics”
Higata might only be twenty-six, but he’d be right at home at the VA buffet with the way he grumbles. “You know His Highness over there was talking to me about making true crime and supernatural separate seasons. Something about...keeping views and organizational groups or something.”
“Huh.” She sits back, nibbling on her lip. “It would certainly give me more of a focus each season. What do you think?”
“I guess it’s fine. Two editing credits for my resume for one show’s work is a good deal.” He overlays a shadowy police sketch into the video, shoulders rounded and tense. “What do I know? I just sit in the dark and pick which ghostly visage I want to layer over your audio.”
She leans in with her sunniest smile, squeezing his arm right above the elbow. “And you’re so good at it!”
“I am.” He’s too much of a professional to look away from his work, shifting the same image three pixels over and then three pixels back, but his bicep relaxes beneath her grip. “I am a top tier spooky face picker. All the commenters say so.”
She blinks. “Oh? They do?”
Higata twists in his seat, gaze somehow even more incredulous in the lack of light. “No, Shirayuki, they don’t. But they should.” He gestures to the screen vaguely. “They mostly just talk about how much they want to fuck Obi.”
“OH.” There’s some information she really, really didn’t need. “That’s um, ah--”
“Your job, according to roughly half our fan base.” His mouth hooks into a grin she does not enjoy. “What do you say, Lyon? I think we could break the bank if you kissed him once on camera.”
“I-- I mean--” it’s a ridiculous request, clearly a joke, but her heart is pounding so loud in her ears she can’t hear her own thoughts-- “that’s not really w-what the show is about.”
Higata laughs. “That’s what you think.”
“What does who think?”
Shirayuki jumps straight out of her chair.
It’s not an exaggeration; there’s literal air between her butt and the seat, and when she lands again, the soft cushion makes the most obvious whoosh noise in existence, only worse, since it’s slow too. No obnoxious whoopee cushion womp, oh no, just an endless, air pump whoosssssshhhhhh that’s as blatant as a rattlesnake in the silence.
“Obi!” His lean shadow fills the doorway—wow, is he actually that tall?—and his head tilts, just enough so that his eyes shimmer gold. “I—nothing! We were, um, nothing?”
“We were talking about true crime,” Higata supplies, darting her a pitying look, “and how that’s what everyone thinks we are. Winchester House just emailed back.”
Obi grimaces, teeth flashing white in the dark. “Ah, great. Another one of those.”
“Yeah,” she sighs, deflating into a slouch. “I could talk about Big Foot until I’m blue in the face, but everyone thinks I have nuanced opinions about Jeffrey Dahmer.”
One narrow brow arches toward his hairline. “But you do have nuanced opinions about Jeffrey Dahmer.”
“I just think animal mutilation is probably a sign things aren’t going right in your life and someone should have noticed.” She waves her hands, at a loss. “But that doesn’t mean I don’t want to explore a supposedly haunted house.”
His lips twitch, right at one corner. “For a skeptic, you’re really into the idea you could see a ghost.”
“Stories are part of the human experience,” she explains primly. “We use them to understand what feels inexplicable. And ghosts are part of how we compartmentalize death.”
“Or they are the remnants of people who died too soon.” Obi pushes himself off the jamb, sauntering over to where they sit. “Or whatever bad juju is left by human misery—hey, that’s a sweet mugshot. Who’s it supposed to be?”
Higata squints. “I keep thinking it might be Shiira? But the cheeks are all wrong.”
“Huh.” Obi leans between the two of them, nose hovering mere inches away from the screen. His arm presses into her shoulder, too warm. “Brecker.”
“Brecker?” Higata tilts his head. “Oh yeah, I see it now. He’s not gonna like that.”
He huffs out a laugh. “Good thing he doesn’t watch joyless tripe like Unsolved then.”
“Yeah.” Higata snickers, raising the opacity. “Good thing.”
Obi settles back on his heels, hand gripping the back of her chair. She dares a glance up, and there he is, watching her with one of those looks she doesn’t know how to read. “Don’t worry, Lyon,” he says, thumb rubbing at the plastic back. “The season’s only just started. Give it some time.”
“I’d love to,” she mutters, tilting her head back, resting it on his wrist. “But try explaining that to Izana.”
[Obi]
I’m just saying, there’s no sexier crime than a heist.
...Well, I mean, that doesn’t involve actual sex.
[Shirayuki]
*wheeze*
[Obi]
You know what I mean.
[Shirayuki]
Do I?
Am I finding out too much about you right now?
Is this how you get seduced at parties? Girls just cornering you
and telling you about high-profile robberies?
[Obi]
*laughs* This is absolutely not how I get seduced at parties.
Unless you’d like to try...?
[Shirayuki]
. . .
[Obi]
Besides, it’s not like this is just a regular robbery. Heists
don’t happen to normal people. Just the rich ones.
[Shirayuki]
Well, this *is* a museum.
It’s for learning purposes.
[Obi]
Oh, like all that stuff actually *belongs* to a museum anyway.
[Shirayuki]
Actually...this time it does!
[Obi]
Wow, now there’s a mystery I want to investigate.
“We want to capitalize on the energy from this season.”
Izana isn’t a man who lounges; his mesh office chair is relentlessly ergonomic, only a few aggressively rolled lumbar supports away from a torture device. But still, he gives off the energy of a cat lazing in a sunspot, already gotten into the cream.
“Unsolved has always had excellent metrics, but since the premier--” he glances pointedly at Obi-- “they’re unparalleled by any other digital media Wisteria has put out on any of its platforms.”
Obi sprawls in one of the wire-frame chairs Izana has out, far too big for its delicate frame, every inch of him as still as the grave. Except for his one, bouncing knee, practically vibrating as he asks, “That’s...good right?”
“Very good.” Shirayuki may not be a metrics person, but working with Zen gave her more than a passing acquaintance with what success sounds like. “I think he’s telling us...we’re his cash cow.”
Izana’s lips lift into a smirk. “Just so. You’re more popular than Stand the Heat, and that’s saying something.”
It is saying something-- Obi’s show consistently has the most hits and the highest likes-to-views ratio. It’s been the backbone of Hypewire’s digital media section since it premiered last year, and now-- now Unsolved has passed it. If the graph Izana’s laid out is right, they’ve passed it by...a lot.
Shirayuki sneaks a glance at Obi as he leans over, taking in the numbers. She can’t move, can’t even breathe as he stares, eyes rounding as he understands what’s happening.
He rips the paper off the desk, shaking it at her. “Do you see this?”
She blinks. “Y-yes?”
His mouth breaks into a grin, like a Labrador who has found a particularly giant stick. “We’re awesome.”
“Oh,” she breathes, and wow, this is really not the time to think about the-- the Abayan effect, even if that smile makes it extremely hard not to. “Okay.”
“We should have you on the show.” His knee bounces a mile a minute, words barely keeping pace. “See if that makes the ratings draw even.”
Shirayuki stares at him, but there’s no hint of sarcasm, no undertone of agitation. For all intents and purposes, it seems as if he’s just...inviting her on his highly rated cooking show.
That can’t be right.
“Not a bad thought, Abayan,” Izana hums, fingers tapping at the desk. “Turn that in to me with the rest of your proposals for next season.”
Obi grins. “No problem, boss.”
“Wait.” This is all happening too fast; it’s all too much. Three weeks ago she was scrambling for a new co-host, and now she’s sitting next to Hypewire’s media darling, talking about how she needs to be on his show for his ratings. “I don’t-- we shouldn’t--”
“Oh, can you not cook?” Obi smiles, and it’s-- entirely too much. “Don’t worry, Lyon, you’ll be on top when I’m done with you.”
“N-no!” she chokes. “I-- I’m the daughter of a bar! I mean, my grandparents--” ugh, four years to get a journalism degree, and she still can’t word good-- “they owned a pub.”
“Great.” His teeth flash, half-feral. “Then you’ll know how to follow my lead.”
“I think,” Izana says, tipping her a speculative look, “that Shirayuki is less worried about her prowess in the kitchen, and more about what these sort of numbers might mean to a show like Unsolved. Isn’t that right?”
“Ah, I mean...” It’s terrible how good he is at his job. “It’s all so...quick. We’re still editing this season, and already I’m working on the ideas for next one, and I have to not only write scripts but also scout locations, and Higata is already stretched thin--”
“We’ll get you another editor.”
Her jaw drops. “W-what?”
Izana folds his hands, so calm, and tells her, “We’ll get you another editor.”
Shirayuki stares, mouth utterly dry. It had been a struggle to get Higata last season; after Obi had roasted the idea during Pitch Fight, Hypewire’s higher-ups had been loath to put any actual support behind Unsolved. Only his dogged enthusiasm-- and flagrantly working on the project behind their backs-- had gotten him on board after the pilot took off. And now Izana Wisteria was just handing her someone else. Personally.
She reaches down and pinches herself. Yep, this is-- this is real life. Somehow.
“You want to-- you mean that--” she gulps-- “you want to give Unsolved a team?”
He nods, brusque and efficient. “I can get you another researcher as well. Or if the locations appear to be a problem, perhaps a personal assistant?” He lifts a hand, a Wisteria shrug. “Just let me know your needs, and I’ll see what I can do.”
“Unless it’s time, right?” Obi asks wryly. “That’s straight out.”
Izana’s mouth stretches into the barest grin. “The internet is instant, I’m afraid. You have to strike while the iron’s hot. I hope--” he fixes her with a meaningful look-- “we are all able to make the best of this opportunity.”
kisskissfall4luv:
does ne1 no f this guy is gonna b here 4 the hole sesson? i luv Zen but i lik the nu guy 2 hes so funny!
kayla0202:
I hope he is! I never thought I’d like something as much as Stand the Heat, especially a show about aliens and weird crime, but Obi and Shirayuki make me tune in every week! How long are Unsolved’s seasons again??
unsolvedjunky42:
There’s only one other season, and that was 12 eps, though a lot of those were 10 minutes long, and these ones are averaging 17-20min. It looks like Obi Abayan is credited as co-host for the rest of the season: [follow link] So glad he signed on, I thought Unsolved would be dead in the water without Zen but Obi brings a whole new dynamic I didn’t ever realize the show was missing.
zenluvr999:
i no were only 3 eps in but i think im gonna need a new name lmao
“Ah, I understand, but we really are looking to--” Shirayuki clenches her stress artichoke, its plush petals ballooning out from between her fingers, and stifles a sigh. “Yeah, I see. Thank you.”
The call cuts off with a beep, too cheerful a sound for its finality. Another opportunity lost. Shirayuki spills over her keyboard, groan lost beneath the function keys.
“Going that well, huh?” Kihal barely spares her a glance, but she does pull aside a headphone; the way editors show they care. “Tell me again how much you love this job.”
“I do love it,” she insists, muffled by the cool metal of her desk. “It’s just...so much work.”
“You know, we could just get that personal assistant.” Higata drops his headphones around his neck, settling back in his chair. It creaks beneath him, protesting his slouch. “I still can’t believe you said no to that.”
“We don’t need another team member.” Shirayuki lifts her head, just barely, to give him a warning glance. “We already have Kihal. That’s more than enough.”
“Really? We still have half a season left to edit, you have another season to write, and you want to tell me we couldn’t use another set of hands?” His eyebrow twitches up toward his hairline. “You just love making all those phone calls, huh?”
“It’s not that.” She rolls back, lifting herself upright. Her spine reminds her sharply that it doesn’t like doing that, that it was having a fine time as she was, but if there’s one thing Shirayuki knows how to ignore by now, it’s a complainer. “Unsolved was my idea to begin with, and if we can’t do the proposal we submitted last week, it should be me who’s to blame for it, not some poor intern.”
“She’s so cute,” Kihal coos across the cluster. “She’s got morals and everything.”
“That’s rich, coming from you,” Higata deadpans. “Didn’t you unionize the Yuris office?”
Her teeth flash predator white between the crimson stain of her lips. “Why do you think I volunteered to work this gig?”
He sighs, long-suffering. “See, this is the problem: the both of you like working too much. It’s getting in the way of having someone fetch my coffee for me.”
Shirayuki levels her best glare at him, the one she’s honed from one too many long nights in the editing bay. “If we had a PA, their job would not be to get you coffee.”
“If we had a PA, their job would be to make these stupid phone calls so Shirayuki can get actual work done,” Kihal informs him with a playful superiority than makes his eyes roll. “Instead of spending all day in a fugue of sadness and misery because no one will take her seriously.”
Shirayuki almost protests—there’s no fugue, and if anything, the rejections just make her more desperate and determined, but—
Her list of high-profile options has been reduced by a half, red lines spiking through some of her best hits with no relief in sight. She is about two seconds from eating her feelings through the oversized cinnamon buns in the company vending machine, and a fugue state is starting to sound like a preferable way to spend her afternoon.
“Ugh,” she decides, and lays down again.
“There, there,” Kihal croons, patting her back across their desks. “Someone will have to give you the time of day at some point.”
“I’m getting calls back.” She rolls over onto one cheek, thoughtful. “People are fans of the show! They just...don’t think we’re serious.”
Kihal scoffs. “About what? Aliens? Ghosts? I’ve been fielding queries all morning from Shuuka asking which direction we want to go for The Alexandria episode.”
“It’s the whole ghost hunting angle.” Higata leans over, liberating her artichoke from her grip, tossing it between his hands. “If I want to be fair, which I don’t, but here we are—it’s a new direction for the show. I guess it could be confusing to people used to our format.”
“I know, I know.” She pillows her chin with her hands, letting out a sigh. “I just wish one of them would give us a confirmation instead of—“ she waves her hand at her empty schedule—“all this.”
“They will.” She doesn’t know where Higata unearths all this unearned confidence, but she’s glad one of them has. “Let this season run its course. Zen was never big on the supernatural episodes, but these ones with Obi...people are definitely going to pay attention.”
He wouldn’t be saying that if he had to suggest waiting to Izana Wisteria. “They’re already paying attention to Obi. I’m always getting asked if--”
“If I’m as handsome as I look on screen?”
The thing is-- she’s not expecting it. One minute she’s sprawled across her desk, and the next Obi’s purr is tickling her ear, and--
“Ow, fff--” his gaze darts over where he clenches his nose-- “fudge. Sicles.”
“Nice save,” Kihal deadpans. “Now if only you could do that in the first minute of every video.”
“What can I say,” he honks, rubbing his nose. “I’m an off-the-cuff kind of guy.”
“You’re a ‘ruining our monetization’ kind of guy,” she shoots back, though she pushes over an abandoned chair for him to sit on.
“Oh, Obi!” Shirayuki yelps, hands hovering on either side of his face as he sits. “I’m so sorry! I was just--”
“Surprised, yeah, got that part.” he lifts his fingers, wobbling the bridge of his nose. “No harm done.”
“Good thing,” Higata mutters, “that face gets views.”
“Oh please.” Obi grins, devastating as always. “Chicks love a broken nose.”
Kihal barks out a laugh. “When it comes to you, chicks love breathing.”
He shrugs, sliding into a slouch. “Still no luck, I’m guessing?”
“None,” Shirayuki confirms. “Though people have been saying they enjoy the new season.”
“The concierge at the Roosevelt says you’re a lot cuter than Zen,” Kihal offers, needlessly.
Obi’s grin widens, wolfish. “You don’t say.”
“Maybe you should start using that Abayan charm to get us some bookings,” Kihal suggests wryly. “Earn your keep around here.”
“Please, I earn my keep. I’m the eye candy.” He winks. “Besides, I’d be happy to, but the big boss over here always tells me--”
“You don’t need to worry about it,” Shirayuki says, “it’s really my job--”
Higata waves a hand, long suffering. “You see the problem.”
“I do.” Kihal settles back. “Well, if you really just need a place...”
“I’ll take anything at this point,” she says to the particleboard of the ceiling. “Even if it’s just a haunted hole in the ground.”
“All right, well--” Kihal grins, sheepish-- “my condo is haunted.”
[Obi]
So you’re telling me that this is just some crazy lady’s
house, filled with all her stuff?
[Shirayuki]
Isabella Stewart Gardner was a socialite and a philanthropist,
*not* a crazy lady.
[Obi]
Right, okay, but...she did turn her house into a museum,
and then made everyone promise not to touch it.
Not exactly what I think of when someone says ‘stable.’
[Shirayuki]
Because she *curated* it, Obi!
[Obi]
So what you’re telling me is that she knew that from forever
to the end of time, she would have better taste than everyone
else on the planet.
[Shirayuki]
*sputtering* W-well--
[Obi]
No, no, you’re right. I retract the crazy lady thing.
Because that’s *baller*.
[Shirayuki]
*laughs* O-obi!
[Obi]
I want to be that lady. Like that is shade from the grave.
[Shirayuki]
. . . .
She also was personally friends with Monet.
[Obi]
SEE?
Life goals.
“So,” Obi hums from around a dumpling, his chopsticks already rooting for another, “what do you think?”
Shirayuki looks up, halfway through a very un-dainty bite of her own. “About--? Oh! I can’t believe they’re only fifty cents each! Where did you find this place?”
Despite his reputation on camera-- forward-facing, casual, intimate-- Obi isn’t someone who looks at people head-on. She’ll catch a glance sometimes, or maybe a considering look from the corner of his eyes, but for the most part, he’s always moving, eyes darting around to watch who filters into a room, or at the cars moving outside, or staring down the squirrel that likes to scratch at their window.
So when he looks at her, gold eyes trapping her as thoroughly as amber, she notices.
“Well,” he says after a long moment, “when you run a food show, people do give you some hot tips. But, ah--” he rubs at the back of his head, ears pink at the tips-- “that wasn’t really what I, ah, meant.”
Her mouth rounds. “Oh.”
His hands raise, chopsticks knitted under his knuckles. “Though I’m glad you like it! It’s, ah, one of my favorite places too. I just thought that you might have some, er--” he grimaces-- “thoughts, about the whole haunted condo thing.”
“Oh! That.” She taps her chopsticks on her plate, trying to gather her thoughts. “I just think...I don’t know. It’s not a bad place to start, but I just wanted...”
She blows out her cheeks on a sigh. “The ghost hunting is a new aspect of the show, and I wanted us to come out strong with an actual location...”
His mouth curls at a corner, too knowing. “And having us just carry around proton packs and talk about cold spots in a friend’s house isn’t really going to do much for our supernatural cred?”
“Yeah.” She slumps against the chair, defeat. “That. But I also feel like beggars can’t be choosers, and no one else is telling us yes, so...”
He nods, mouth pressed into a thoughtful line. “So there’s no rush to say no.”
“Right, yeah.” She glances at him from the corners of her eyes. “How about you?”
Obi blinks, eyes fluttering wide. “Me? This isn’t really my--” he hesitates, mouth working, starting a half dozen words-- “ah, I mean, I think...it’s smart. You’re right, a bigger place will give us more credit, but if one doesn’t come through then we have to start somewhere. Besides,” his mouth tics at a corner, twitching toward a smirk-- “I’ve always wondered whether she’s bikini or boyshorts.”
It’s only when her chin hits her chest that she realizes her jaw has dropped. “We’re not there to look in her underwear drawer!”
“Well, we’re not at work for her to look in my gym bag either,” he replies, sour, “but she did anyway.”
“She already said that was an accident--”
“--a likely story--”
“--That’s not what I meant anyway,” she admits with a huff. “I wanted to know if you were okay with the whole, ah...” her shoulders round, shy-- “metrics thing.”
“Metrics?” His head cocks, quizzical, but then-- “you mean, the stuff Izana showed us weeks ago?”
“Two weeks ago,” she corrects, heat flaring on her cheeks, “and, um, yes. I just...you’re not mad?”
Obi stares. “About what?”
“Unsolved.”
He shakes his head. “You’re...really going to have to be more specific than that.”
“The ratings.” She pokes at a dumpling, miserable. “Stand the Heat-- that’s your baby isn’t it? You pitched it and everything.”
“I...did?” he says, brow furrowed. “What does that have to do with anything?”
“It’s just-- Unsolved is doing better.” It’s not bragging, she knows that, but it feels like it. “And it’s-- it’s okay if you’re, um, upset about it. You’ve been doing this for--”
“OH.” Obi coughs, suddenly looking anywhere but at their table. “No, I really-- you don’t need to worry about that. At all. Please.”
She stares. “Obi, it’s okay. I’m not going to take it personally if you--”
“Kid, please,” he begs, holding up his hands. “It’s nothing. I mean, yeah, if Stand the Heat was on top, I’d be happy. I mean, I was happy when it was on top. But, this is...” his fingers twirl his chopstick mindlessly-- “this is good, too.”
“But--”
“Listen, I know you may find this hard to believe, especially with how we, uh, met, but I wasn’t kidding when I said I was a huge fan of the show. Not even a little. Understated it, in fact.” The tips of his ears flush. “So, uh, it’s kind of cool that I joined my favorite show, and now it’s super popular. That’s sort of the whole fanboy dream, right?”
“O-oh!” She stares down at her hands, willing them to stop trembling. “I, uh...I didn’t...I didn’t really think of it like that.”
“Yeah, well, now you know you don’t have to worry about it,” he says with a laugh. “I’m living the dream here. Not only am I on the show, but I’m more popular than the last guy. And I get to take the cute host out to lunch and call it business. The only square I need to finish fanboy bingo is getting to ki--”
His teeth snap down, so loud she hears the click. “Haah, never mind. Hey look, is that the waiter? Could we, ah, get the check?”
Is there any reason this isn’t in my inbox already?
Shirayuki closes her inbox with a grimace. “Ah, hey, Kihal?”
Her editor looks up, brows raised. “Yeah?”
She licks her lips, bracing herself. “Just...how haunted do you think your condo is?”
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The Night CRACKHEAD FRANK GORSHIN AND THOSE DARN HIPPIE COMMIE ROCK-AND-ROLL CULTISTS Came Home: IGOR AND THE LUNATICS (1985)
What’s in a name? Well, for a horror movie, a name should have some signifier as to the frights one can expect within. Paranormal Activity relays to us that there will be activity, and that it will be of the paranormal nature. The Texas Chainsaw Massacre informs us that there will be a massacre, in Texas, with a Chainsaw. These are good titles. What is one supposed to do with a title like Igor and the Lunatics though? I mean, is that, like, a band?
Well, um, I really don’t have anything else with which to introduce today’s film, so, uh, let’s get to it. Today we look at Igor and the Lunatics, presumably about a rock band.
The film begins with a young woman running through an abandoned saw mill. She is pursued by a trio of characters, dressed in a manner that does nothing to dissuade me from believing this film centers on a rock-and-roll band, who capture her. “You’re scum” the woman spits.
“Who’s scum? We’ll see,” one of the bandmates replies, before tearing the woman’s clothes off, tying her down, and chopping her in half in a saw mill, a manner that does nothing to dissuade me from believing that they are indeed scum.
The opening credits that play over this scene list the film as being directed by Billy Parolini. It also has a credit stating that the film’s “Horror, Action, and Suspense sequences” were directed by Tom Doran and Brenden Faulkner. Now, this may lead one to wonder what exactly Billy Parolini directed in this horror film in which he did not direct any of the horror scenes, but upon watching the movie, I’m more curious about which scenes the other two were in charge of, given that the film does not have any horror, action, or suspense that I can make out.
We cut to a mustachioed man, Tom, brandishing a gun in front of a mirror, before leaving a note at the bedside of his red-headed lover, Mary Anne. Mary Anne awakens and reads the note, which tells her to read this diary. She then puts down the note and begins to read the diary. One may wonder why the film felt it necessary to make this a two-step process, but perhaps it was to establish that Tom expresses himself in many ways, as also indicated by the fact that his voice-over noticeably switches recordings every other sentence.
Tom narrates this diary to the audience in voice over, as the film cuts to footage of the transcribed events. The diary regales us with the history of a group of people with whom Tom used to drink, do drugs, and pray. Turns out that they are not a rock-and-roll band though. They were a group of hippies. No, wait, they were a group of communists. Nope, nevermind, they are actually a cult. There is no distinction between these three groups that the film cares about making.
The cult is centered around worshiping a man named Paul… or maybe Byron… The characters in the film can’t seem to decide what to call him. After having sex with one of his followers in the hopes of conceiving an heir, Paul stands up suddenly and rigidly, and declares in a monotone voice, “Let this mark the end of our time together.” This is, of course, the proper procedure for announcing when one has finished.
Paul moves the hippie commie cult from the “Lower East side” to a cabin in the woods, where, as Tom informs us, he “outlaws monogamy.” Now, Tom was perfectly happy with all this drinking, taking drugs, and packing up his entire life to go live with this random man in the middle of nowhere, but outlawing monogamy is just a step too far for him! After being unable to convince Sharon, a cultist pregnant with his child, to accompany him, Tom decides to leave the cult. But, as with all cults, this is easier said than done!
Nope, actually it’s pretty easily done. They just let him leave. I guess this was one of the scenes that didn’t fall under that “Horror, Action, and Suspense” umbrella.
Tom explains that he wasn’t the only one who wasn’t on board with these new teachings, referencing another cultist named Sara. “I only learned what became of her years afterwards,” Tom narrates from his diary. The film then proceeds to replay the opening scene of the woman being killed in the sawmill. In its entirety. The same scene. Played again. I, uh, already used up all my comments on this scene, so not sure what to do with this. Mindless repetition is conducive to cult-building, not to movie making, Igor and the Lunatics.
To be fair, there is some new footage attached to this scene this time around. It’s here that we are introduced to the eponymous Igor. Well, maybe not, considering he’s actually credited as “Ygor” with a “Y”. There is never a character named “Igor” with an “I” though, so presumably this is the one. Perhaps the inconsistent spelling is meant to indicate to us how unhinged this man is, though this is immediately evident through Joe Niola’s performance. The best way in which I can describe this performance to you is that it is essentially Frank Gorshin’s Riddler from the 1960’s Batman show… if he was constantly on large amounts of crack.
…Hmm, actually, come to think of it, that might not be a necessary distinction. It’s hard to see how there weren’t already lots of drugs involved in the making of 60s Batman.
This new footage of Ygor actually uses a nice bit of misdirection. Ygor awakens, chained to a tree, and is distraught over Paul going off to kill Sara. He yells out her name in agony, and tugs at the chains. After breaking free, he witnesses Sara being sawed in half. It is revealed that his expressed concern was not because he cared for Sara, but because he wanted to kill her with a knife, instead of using the “dirty machine.” It’s a fun trick, only undone by the over-the-top performance, nonsensical editing, and bad writing. I guess what I’m trying to say is that it’s a good scene, except for the fact that it is a bad scene.
Tom goes on to narrate how the cult was eventually broken up by the police, as shown in this scene where policers officers break into their cabin, punch everyone in the face repeatedly, and leave Sharon’s newborn baby abandoned in the woods. If you’re having difficulty figuring out who the good guys are in this scenario, why then you’re probably a darn hippie communist yourself, goshdarnnit!
Paul and his cultists are arrested, and spend the next several years in jail. The film then jumps forward in time, where the hippies are released on parole. “The exact day and time that I predicted!” Paul declares triumphantly, as he steps outside the prison gates. WOAH! YOU GUYS! THIS MAN PREDICTED THE EXACT DATE AND TIME OF HIS PRISION RELEASE! A THING THAT IS SCHEDULED FAR IN ADVANCE AND TYPICALLY HAS TO GO THROUGH MULTIPLE LEVELS OF BEURACRACY TO CONFIRM THE EXACT TIME. TRULY THIS MAN HAS AN EXTRAORDINARY GIFT AND WE SHOULD ALL JOIN HIS CULT!
Anyway, Paul, Ygor, and the other hippies decide that, because the town rejected their cult’s teaching, they should start killing everyone in town. They begin by picking up a random hitchhiker and having Ygor cut out her heart. “One day you’ll have your own operating license. But now it’s time for me to operate!” Ygor screeches before he cuts open the woman, apparently implying that he himself holds an operating license. I mean, I guess after seeing Hospital Massacre, I’m no longer surprised by killers going through all the years of expensive medical school just for the chance to cut one woman’s heart out.
And this point, when the movie has rambled on for quite a while without establishing any coherent direction, it decides to reintroduce us to Mary Anne, the woman who has been reading the diary this whole time. It’s unclear why the movie is making Mary Anne read from Tom’s diary about the events she participated in and Tom did not. Maybe it’s to help her make sense of what exactly those events were, because, well, I certainly can’t.
First, Mary Anne meets two random guys drinking on a park bench, who tell her about the cult that used to reside in town. Following the surefire advice of two random drunk sexual harassers, Mary Anne decides to visit the cult’s cabin in the woods, where an arm reaches out through a window to grab her. This window is covered by a thin sheet of plastic wrap that the arm tears through to grab Mary Anne, and I’m not sure whether this was to indicate that the cabin has been rundown for a while now, or if this film honestly couldn’t afford a plate of glass.
After being attacked, Mary Anne runs into town, not to the police, but to the nearest bar. It is here that she meets two more random drunk characters that she is apparently familiar with, yet who will never show up again in the film. Later, she meets a painting woman named Lucielle… or maybe Colette… The film can’t seem to decide. Mary Anne suggests to Colette that she should try painting “the cornfield behind Galen’s house,” which Colette agrees to do. We cut to Colette in this cornfield, where she is promptly killed by Paul and the other cultists. You know, Collette really should have just taken a lesson from the director of this movie and outsourced the production of her art!
We’re then reintroduced to Tom’s character, having now grown his mustachio from the film’s beginning. Tom is back in town to speak at “The convention,” though what convention is never specified, so feel free to speculate. He meets Sharon again, who’s now working as one of the three prostitutes in this small town. Despite trying to distance himself from the cult, Tom gets dragged back in when one of the cultists send him a tape-recording of Sharon being murdered. Well, half of the recording is of the murder, the other half of the tape is the sound of this cultist punching his way through a wooden door. It’s unclear why the cultist felt the need to include that half of their recording, but it makes sense when you consider that I don’t think anyone involved in this film knows what editing is.
“I knew then I had to stop them myself,” Tom informs us in voiceover. “So, I rented a car,” he adds, as the film shows a five second shot of a still image of a Budget Rental Car location, in case you were wondering just where this rental car was rented from. One does have to wonder why this was the one plot point that the film was insistent on clearing up, given that they seem content to let so many other things slide.
Speaking of things that the film could have developed instead of informing us of Tom’s exact preference for renting cars, there’s this character called Hawk who the film never bothers to properly introduce. All you really need to know about him is that he wears green camouflage in order to hide himself in a wooden barn, and that he picked up Sharon’s baby in the woods when the cops left him there so many years ago.
After Mary Anne discovers Colette murdered, she runs into the police station, but her cries for help are ignored. She runs outside, where she finally crosses paths with Tom, who runs her over with his car. As learned in Silent Night, Deadly Night Part 2, this is always the start of a great romance. “She came out of nowhere,” Tom says in voiceover, after hitting Mary Anne three steps after she exited the front door of the police station.
While I’ve tried my best so far to craft a navigable path through this film’s inept narrative structure, my efforts fall apart in explaining how the film tries to weave together its disparate plot threads for its conclusion. After Mary Anne meets Sharon’s son whom Hawk adopted, the cultists come to kidnap this child, believing him to be Paul’s heir. Though as Tom later explains to Paul in a gunpoint confrontation after going after the cultist, “He was my son all along, Paul. It takes longer than 5 months from conception to birth!” See, this is the problem with outlawing monogamy! You have to rely on pesky things like math to figure out who your parents are!
Pursued by the cultists, Mary Anne, Tom, and the boy try to get the help of an elderly woman, but are rejected. Man, where’s Granny from Silent Night, Deadly Night III when you need her?! So, they instead run into a barn for shelter. It is within this barn that Igor is hunted down by camouflaged Hawk, who kills him with a crossbow arrow to the skull. Paul is then later taken out by Mary Anne with this same crossbow. “It’s good to see him go,” the police chief later says to Tom, as the EMTs load a clearly still alive Paul into an ambulance. Let’s give the chief the benefit of the doubt, and say he was simply wishing Paul a successful ride in the ambulance, and not celebrating an unrealized demise.
We then cut back to the film’s framing story, in which Mary Anne is reading Tom’s diary of events she participated in, meant to explain to her what danger Tom must now go face alone, even though she lived through that danger and faced it with Tom. Maybe if Tom hadn’t felt the need to mansplain the entire movie to Mary Anne and had gotten his head out of his patriarchal ass, his quest to investigate if Paul and Ygor really had broken out of prison would have made it further than his living room, where he is shown dead.
Mary Anne subsequently heads downstairs, as is confronted by Igor, who is wielding what is apparently a two-inch tall butcher’s knife. I guess that, unlike the killer from Slumber Party Massacre II, Ygor feels no need to compensate for something with his choice of murder weapon. Before Ygor can kill Mary Anne, Tom gets up again and attacks Ygor. This is a pointless development, considering the film immediately cuts to news footage informing us that both Tom and Mary Anne were killed.
The film ends with a bizarre non-sequitur epilogue, in which some old couple visit a teppanyaki restaurant. “My little Jimmy,” the old woman moans, but her husband reminds her that they came to this teppanyaki place to forget about the death of this “Jimmy” person. Yes, I don’t know who Jimmy is, you guys, and I’m done backtracking through this film to figure out who it is. He can’t have been that important if simple teppanyaki can get this couple’s minds off of his passing. The couple suddenly look up to see that their chef is none other than Ygor, and the two scream as he turns his knife on them. I’m not quite sure when and how Ygor got this chief gig. You would think that, considering his operating license, he would be severely overqualified.
Igor and the Lunatics may not have been about a band after all, but the film does play an upbeat rock song over the end credits, in what amounts to a somewhat successful attempt to console my disappointment. Still, this can’t erase the fact that “Igor and the Lunatics” is a terrible title, for a terrible movie. Not only is there no “Igor” to be found anywhere, but the film seems to think that it can use its vague title to forgo having to construct any kind of central conflict or coherent path for the story to follow. I suppose this kind of incoherence can be expected from a horror film that delegates its actual “horror” scenes to a completely different director. You know, watching a film this incompetent really forces one to begin asking the big questions in life. Who am I? Why am I here? What does life even mean if a film like Igor and the Lunatics can get released? Can I even trust the nature of reality, because there is no rational reality I can realize where this was a film someone was willing to spend money making? With questions like these, there’s really only one place a person can go: into the welcoming arms of a rock-and-roll band! Who’s with me?
Igor and the Lunatics is available to stream on Amazon Prime, and is on DVD.
NEXT: The Night A DRUNK REAGAN-HATING SOUTHERN ZOMBIE OUTLAW Came Home…
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