#asia artist awards 2021

[seungyoun-updates]

211202 Cho Seungyoun at 2021 Asia Artist Awards‬‬‬ © fairy pitta do not edit, crop, or remove the watermark

[nunuxhoho]

hyunjin and han’s reaction when watching wonho’s stage 😏

[fyeah-kangdaniel]

211202 Kang Daniel at 2021 Asia Artist Awards © d-scope do not edit, crop, or remove the watermark

[fyeah-younghoon]

211202 The Boyz, Kim Younghoon at 2021 Asia Artist Awards © tss do not edit, crop, or remove the watermark

[irlvernon-moved]

[favorite svt looks] woozi ; asia artist awards 2021 (remade)

[usersjeonghan]

JEONGHAN 2021 Asia Artist Awards Behind

[morebedsidebooks]

Academic Books on JP Pop Culture and Beyond

A list of nonfiction books I’ve enjoyed, largely around Japanese comics but also other literature, fandoms and even one book on a fashion I love.

Fanning the Flames: Fans and Consumer Culture in Contemporary Japan edited by William W. Kelly

Exploring different Japanese fandoms such as music, baseball or rakugo this older book from 2004 has one particular essay I still find memorable despite its age. Girls and Women Getting Out of Hand: The Pleasure and Politics of Japan's Amateur Comics Community by translator Rachel Thorn, which she has also put up on her blog.

Manga: 60 Years of Japanese Comics by Paul Gravett

An overview of the history of modern Japanese comics this title was notably banned in libraries in a California county in 2006. All because it chose to not shy away from including a few pages on the genre of eromanga.

One Thousand Years of Manga Paperback by Brigitte Koyama-Richard

Originally published in French this broader look at the artistic development of Japanese sequential art has also been translated to English by Daniel Radzinowicz, and there’s a newer 2022 edition.

Boys Love Manga and Beyond: History, Culture, and Community in Japan edited by Mark McLelland, Kazumi Nagaike, Katsuhiko Suganuma, James Welker

With a wide-raging collection of essays this 2015 book, nominated for an Eisner Award for best Academic/Scholarly work, is still an informative title available in English on the phenomenon of boys love.

Queer Transfigurations: Boys Love Media in Asia edited by James Welker

Edited by a professor who was also a contributor in the previously mentioned Boys Love Manga and Beyond, this 2022 essay collection looks at the expansion of boys love media across Asia.

Manga in America: Transnational Book Publishing and the Domestication of Japanese Comics by Casey Brienza

If one hasn’t been curious already, any reader of Japanese comics in English could use a look at this 2016 book on the processes and people that brings their favourite material across borders.

Passionate Friendship: The Aesthetics of Girl’s Culture in Japan by Deborah M. Shamoon

While shoujo manga is not just romance comics, this is still a lovely book from 2012 that looks at the 20th century development of various girls’ literature in Japan.

Age of Shojo by Hiromi Tsuchiya Dollase

As well this 2019 book covers the creation of girls’ fiction in Japan, from the turn of the century over 80 years and the at times expression of transgressive ideas.

International Perspectives on Shojo and Shojo Manga: The Influence of Girl Culture edited by Masami Toku

Published in 2015 this not to be missed collection of essays, also with interviews of several Japanese comics artists (including as Takemiya Keiko and Hagio Moto) and their work in girls’ comics.

The End of Cool Japan: Ethical, Legal, and Cultural Challenges to Japanese Popular Culture edited by Mark McLelland

Academics from four continents of the Anglophone world, excepting an inclusion from China, begins to reveal just how convoluted and varied the legal, ethical and cultural questions around Japanese comics and animation are both within and outside Japan’s borders in this 2016 collection of writings.

So Pretty / Very Rotten: Comics and Essays on Lolita Fashion and Cute Culture by Jane Mai and An Nguyen

 This 2017 book on Lolita fashion is what I recommend on this sometimes misunderstood subculture still found in street fashion to depictions in media.

The History of Hentai Manga: An Expressionist Examination of EroManga by Kimi Rito

Translated to English by Molly Rabbit in 2021, this is a tenderly dense examination of expressions in a (in)famous genre by a Japanese media critic.

Manga in Libraries: A Guide for Teen Librarians by Jillian Rudes

With Japanese comics popularity only increasing a New York librarian has a 2023 book out to help better understand, value, include, advise, and use comics from Japan for readers, especially teens.

CBLDF Presents Manga: Introduction, Challenges, and Best Practices edited by Melinda Beasi

Along with popularity unfortunately comes book challenges and bans. Though this guide from the Comic Book Legal Defense Fund is from 2013, it still contains beneficial information for anyone involved with anti-censorship work.

[growing-cosmos]

Kim SeonHo for ELLE Singapore May 2021 Issue - Full Interview

Kim Seon Ho Is On His Way To The Top

Caroline Suganda

For the uninitiated, Kim Seon Ho might seem to have emerged out of nowhere, but the South Korean actor's meteoric rise did not just happen overnight nor by luck. The humble and charismatic actor is taking over the world at his own pace.

If 2020 was a year that life came to a standstill for many, it proved to be the opposite for South Korean actor Kim Seon Ho — thanks to a TV drama role that singlehandedly propelled him to stardom: Netflix’s Start-Up. Airing last October, the drama had Kim starring alongside idol drama heavyweights Nam Joo Hyuk and Suzy Bae and told a story of young entrepreneurs trying to forge a path in the world of start-up companies. To his 400,000-odd Instagram followers then, the 35-year old was playing the second lead in his eighth TV drama; to his new followers, which quickly amounted to three million over the course of 16 episodes (two months), it was more like love at first sight.

It’s not hard to understand why. Kim may play the second lead, but his role as Han Ji Pyeong made him hard to resist. In fact, Han is what a 21st-century dream man looks like: A handsome, young, clever investor who is living in his bachelor pad overlooking Seoul’s Han river [read: loaded]. His backstory is equally compelling: An orphan with nowhere to go helped by a stranger — a grandmother who stood by him through the tough times. His cold and reserved demeanour was eventually overturned to show a warm, affectionate side, but alas, his narrative (albeit expected) left many heartbroken. But despite all that, Han emerged as the crowd’s favourite, topping the Brand Reputation Index for South Korean Actors last November (when Start-Up was airing) and winning the Best Emotive Award from the 2020 Asia Artist Awards, not to mention inducing fans to flood the internet to console each other over the heartbreaking ending.

Kim attributes Han’s popularity to his character. “Like in a fantasy, it’s a great rags-to-riches story. He has all the circumstances I wanted to experience and that’s what attracted me to this role. And I guess, that could be why viewers think he is really attractive too. I want to be as smart and capable as him,” says Kim, whose name has since become indistinguishable from Han’s — but not for long.

The way fans took the character of Han to their hearts is only matched by their recognition of Kim’s skill as an actor, leading to his well-deserved shot to fame that followed. Up is only the way to go, as Kim grows out of Han’s shadow to find his own footing. Soon after Start-Up wrapped, Kim returned to his roots as a stage actor. Earlier this year, he acted in Ice, a two-person play whose tickets were sold out within minutes. “I couldn’t even get any [tickets] for my friends,” says Kim. “I was in disbelief, but very thankful too. It felt great.”

In the theatre industry, Kim has already established his own fan base — rightfully so since he has been in the scene since 2009. In the past, fans would form a line outside the theatre to buy tickets, so much so that it would cause traffic jams. After the show, fans would wait around, hoping for a chance to speak to him, and he would always gladly oblige. “I was really moved by their support for me and I would always think about how else I can improve or try different things for my future acts. It was really enjoyable to meet and greet my fans then,” says Kim.

Stage acting was something Kim fell into after graduating from college. “I wanted to act but didn’t know how to start, so I decided to take a six-month break. One day, I met a junior of mine who was already in the scene and he asked why I hadn’t thought of stage acting when I love theatre so much. So, I thought: ‘Oh yeah? Should I give it a go?’” says Kim, who went for an audition that eventually led him to his first stint on-screen with a supporting role in the TV drama Good Manager (2017).

Whether on stage or on screen, acting has always been what Kim dreamt of doing. While it may seem to many that the theatre was merely a stepping stone to bigger things for him, the actor says that performing live gives him a sense of contentment the latter can’t replicate. “In stage acting, we can interact with the audience live, so we know their response right away. I think the audience contributes to the play as well because their laughter, or even the sound of their breathing instigates our next move or spurs us to do something more. That was an ecstatic feeling that I cannot forget,” says Kim.

In the short span of the last six months, Kim’s Instagram following has grown 1,150 per cent, and stands at five million strong now (as of press time). Congratulations are definitely in order. In response, he smiles shyly and laughs before saying thank you. “In the beginning, the numbers were going up so fast that I would randomly check my followers in the midst of filming — it was exciting. I am really thankful that [there are people] out there who show interest in me,” he says.

“Interest” is an understatement — “immense interest” is more fitting. Newly-minted fans who are converts after watching Start-Up thronged the internet to see more of him. Netflix quickly made 100 Days My Prince available one day after Start-Up wrapped, where Kim played the second male lead, an advisor to the Crown Prince. Video streaming service Viu even curated a playlist known as “Kim Seon Ho Specials”, compiling all of his shows to date, from Good Manager (2017) where he played a nerdy accountant and Welcome to Waikiki 2 (2018) where he acted as a struggling singer, to his first leading role in full-length series Catch the Ghost (2019) as a police officer. He also starred in a four-episode miniseries You Drive Me Crazy (2018) where he played an introverted artist, a role he resonates with the most. But what fans gravitate towards the most is 2 Days 1 Night, a reality-variety show series where Kim is a cast member. The show’s concept takes the six cast members on various 2D1N trips around places of interest in South Korea, while competing in missions to earn rewards such as meals and sleeping arrangements. The show, while having a certain format, is entirely unscripted, allowing the cast members to show their candid, spontaneous reactions when placed in surprising or stressful situations.

Indeed, 2 Days 1 Night is popular with Kim’s fans because they get to enjoy a side of the actor that they otherwise would not see. In the first episode (of season four, when he joined as a new member) which aired in December 2019, Kim entertained the viewers just by being himself — a variety show rookie who failed his first mission finding his way to the set after being dropped off at a random location, and came in last, or to be exact, 26 minutes later than the cut-off time. He also got caught sneaking in snacks (food is almost like a currency in the show) and demonstrated his unfamiliarity with the variety show cameras by back-facing them while surrendering said goods — all within the first 30 minutes of the show. In the same episode, fellow cast member Ravi (from South Korean boy group VIXX) said veteran cast member Kim Jong Min (who has been in the show for 14 years) predicted Kim would be a superstar. When asked about that moment itself, he says, “I felt really happy, and I asked [Kim Jong Min] why he said that, and he replied, ‘Oh? I just randomly said it.’ He said that I have a ‘good’ image. I don’t think I have become a superstar. I’m just very grateful.”

Kim must have been quite enthralled; after all, Kim Jong Min is more than just a fellow cast member — he’s also a role model. “He is much more serious off-screen, very self-aware and I would say, mentally healthy. By observing him, I realised that if I were to just change my perception on certain things, I would be able to overcome whatever problems I may face. I learnt how being mentally healthy is important and good for the individual, thanks to Kim Jong Min. For the past one year, as an actor and an entertainer, I’ve learnt a lot about the importance of having a good attitude,” says Kim.

It has been 15 months since Kim joined 2 Days 1 Night, a gig that has since won him KBS Entertainment’s Rookie Awards for Show and Variety. Sleeping alone on a deserted island, awkward dancing to Jessi’s Nunu Nana in front of the rapper herself, impersonating a baby dinosaur hatching from an egg — Kim has done it all. From starting off as a clueless and shy rookie, he’s now quick-witted and sharp, sometimes even initiating pranks in order to win. From someone nicknamed “Paper Doll” for his clumsy dancing skills, he’s developed into someone who won the audition to dance in South Korea’s tourism board video Feel the Rhythm of Korea: Incheon — a 2 Days 1 Night special project for season four’s first anniversary. But in the game of reality-variety show, strength and wit are nothing without luck — which he has no lack of, so much so that there was an episode loosely dubbed as “Kim Seon Ho’s Special” where he won almost every game. “My luck has been so good in the show and I think it’s probably due to the amazing people I get to work with on set.” These days, he looks forward to shooting the show, “It’s really fun!” he says. But what happens when he lost a mission, has to sleep outdoor or skip meals? “No stress at all. I feel very comfortable with the people I play and work with on set so it’s really fun.”

Luck is something that took the humble actor a while to realise he has. “I learnt that I’m very lucky,” he says. He attributes his luck to the fact that he has many good people who work with him. But luck wouldn’t have materialised without the faithful combination of opportunity and capability, which is what has actually brought him to the top. These days, besides shooting 2 Days 1 Night, Kim is busy with endorsement engagements for numerous lifestyle brands, as well as preparing for his upcoming drama where he will play the male lead against veteran actress Shin Min-A (our February cover star). A romcom drama set to launch in the second half of year, it is a remake of the 2004 movie Mr. Hong with a working title of Seashore Village Cha Cha Cha and Kim will play an unemployed, go-to guy in a fishing village.

Kim seems to have it all — he’s a TV actor and an entertainer on the rise, albeit a “late bloomer” which he acknowledges but he really wouldn’t have it any other way. He debuted in his first TV drama at 31 years old, almost 10 years late compared to most of his peers. But that doesn’t bother him at all, in fact he prefers to chart his career trajectory at his own pace and that often works in his favour. “If I were to go back in time [and change things], I wouldn’t have been able to debut at all,” he laughs. “I don’t think I was good enough to debut early [on TV], and I think now is the right time. I’m not saying that I’m very good now, but I think I’ve improved enough that I’m able to express my character well. Also, debuting later [on TV] helped me to form a good acting foundation, without being too arrogant or carried away.” It’s evident that Kim is a humble person, and also an endearing one. When asked if there is anything he can be proud of, “I don’t think I have anything to brag about in particular… Maybe my dimples?” he says with a laugh. “I never liked them when I was younger, but as more people complimented me [his nickname is Dimple Prince], I’ve grown to like them. I’ve got my mum’s eyes and so I love them since there’s a saying that goes ‘the eyes are the windows to the soul’.”

If 2020 was a career-defining year for Kim, 2021 is only going to be bigger. He shares that his wish is to hear someone say, “Wow, I could never imagine anyone else acting as this character apart from Kim Seon Ho” or “Nobody can play this role as well as Kim Seon Ho”. But ask anyone who has watched Start-Up, chances are they would tell you, Kim has already nailed that.

—

[digital cover]

source: discountmags.com

special thanks to havennary

[fansof-heo]

Squid Game: The reason why Jang Deok-su had to go back to the game 👀

Throwback to 2 years ago when Squid Game became a worldwide hit Netflix Series ✨️ Awards and success exceeded with our actors. The only character I laid my eyes on 🤩💖

Heo Sung-tae Awards:

• 2021 Asia Artist Award - Best Actor

• 2021 Korea Culture Entertainment Awards - Excellence Award

• 2021 Asia Model Awards - Special Award

• 2022 APAN Star Awards - Best Supporting Actor

[experimentik]

Experimentik #71 / February 21. 2024 / Peter Cusack / Kaffe Matthews / DuChamp

February 21. 2024 / 20:30- (doors 20:00)

3 x Solo:

Peter Cusack - field recordings, guitar

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Kaffe Matthews - live processing the Ripley and Worm. 15th century alchemical systems

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DuChamp - no-input mixer

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FB event: https://fb.me/e/1clG9gmh3

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Peter Cusack is a field recordist and sound artist/musician with a long interest in the sound environment. He initiated the “Favourite Sounds Project, which started in London and has since taken place in Beijing, Prague, Manchester, Taranto, Hull, Berlin, Braunschweig. His project ‘Sounds from Dangerous Places’ (sonic journalism) has investigated the soundscapes of sites of major environmental damage like the Caspian oil fields, the Chernobyl exclusion zone and the Aral Sea, Central Asia, and asks the question, “What can be learnt about dangerous places by listening to their sounds?”. He is a member of Crisap (Creative Research into Sounds Arts Practice) at the University of the Arts, London and during 2011/12 was a guest of the DAAD Berliner Künstlerprogramm. His current work – field recording, audio streaming, soundwalks, guitar playing on location – often concerns the environmental crises as it is heard close to home, particularly in Berlin where he lives.

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Kaffe Matthews is a pioneering music maker who works live with space, data, things, and place to make new electroacoustic composition. Site, accessibility and the physical experience of this music has always been central to her approach and so she has also invented some unique interfaces – the sonic armchair, the sonic bed and a variety of sonic bikes which enable new paths into composition for makers, and ways in to listening for wide ranging audiences.

2021 and she developed the breathing Enviro Bike to enable riders to hear music made by the pollution of the air as they ride.  Summer 2022 saw the Buzz Bike in street compositional research in Berlin, now ready to make new vibrational composition.

Today, Matthews is back live on stage with no laptop. Instead a new DIY instrument the Ripley, a noise filter system designed on alchemical discoveries made by G.Ripley, a 15th British alchemist, flanked by 2 processing ipads.

Long concerned with community and the environment, Matthews has also established the collectives ‘Music for Bodies’(2006) and ‘The Bicrophonic Research Institute’(2014) where ideas and techniques grow within a pool of coders and artists using shared and open source approaches, publishing all outcomes online.

Since 1995 Matthews has performed and taught worldwide, receiving awards such as the NESTA Dreamtime Fellowship; Honorary Professor of Music, Shanghai Music Conservatory; a Scottish BAFTA with Mandy McIntosh & Zeena Parkins; Distinction Prix Ars Electronica Sonic Bed_London and Honorary mention for cd cécile. She is the first woman to have received the Edgar Varèse guest professorship, computer music, TU Berlin. Kaffe has also been releasing solo works on Annette Works since 1996.

photo © Samuel Carnovali

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DuChamp is an Italian scientist, musician and curator based in Berlin, religiously devoted to drone. She released albums for Boring Machines ("Nar"), Idiosyncratics ("Sculpture"), Full Body Massage ("A Blazing World"). Since 2017, aside baritone guitar and keys, DuChamp incorporate real field recordings in her music, related to her personal memory, into her drone compositions, by adding layers of sounds and noise in attempt to recreate some kind of apophonias.

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Experimentik 2024 is kindly supported by inm

[seungyoun-updates]

211202 Cho Seungyoun at 2021 Asia Artist Awards‬‬‬‬‬‬ © love sick do not edit, crop, or remove the watermark

[fyeah-kangdaniel]

211202 Kang Daniel at 2021 Asia Artist Awards © d-scope do not edit, crop, or remove the watermark

[aifunaki]

Born in Tokyo

Ai is a self-taught painter and will begin her career as an artist based in Tokyo in 2021.

She draws landscapes and stories in her head, centering on the character "JOE" that reflects her own feelings.

JOE is modeled after a cat that she used to love. He embodies her world in her works. JOE is the person closest to her, and also her self-portrait.

【Solo exhibition】

2022

Hausofcontemporary in Hong Kong “ MY WORLD“

2023

・Mozuku gallery in Taiwan “Beautiful days“

・Uyartgallery in Taiwan “planetarium“

・Vlabgallery in Madrid “Love and nostalgia “

【Group show】

2021

・SHIBUYA AWARDS 2021 Selected works exhibition

・CROSS OVER Vol.35,37in Thailand

2022

・SHIBUYA AWARDS EXHIBITION 2022 SSSelected and awarded PLUS

・offtherecord in Hong Kong k11

・learn&skate in Mongolia

・Mozukugallery in Taiwan “ PLANET IS BURNING “

・VILLAZAN LAB in Madrid “MIRAGE.“

2023

・Ailegallery in Korea “ THE SANCTUM “

・ART FORMOSA at Eslite Hotel in Taiwan.

・ART FAIR ASIA FUKUOKA

2024

・Hankyu MEN'S OSAKA "Metamorphoses"

[lgcsena]

name: kwon sena birthday: june 11th, 2004 birthplace: seoul, south korea blood type: a zodiac sign: gemini favorite motto: “the limit does not exist.” – mean girls (2004).

2024 goals

participate in writing a song for nova

learn a new language

be invited to a fashion or make-up brand event

random facts:

she is the only child of a semi-known trot singer.

she keeps three different journals: one for her calendar and habit trackers, one for writing out her thoughts and feelings, and one for practicing writing lyrics.

she was part of her talent academy's cover group in elementary school, and would perform at small family festivals and events around seoul.

she had her first vocal lesson at six years old, and was taught by a friend of her mother's.

she passed the auditions for multiple companies, but chose legacy because she felt it was the best fit for what she wanted from her career.

appearances/projects

award shows

performer - mama awards (2023)

performer - melon music awards (2023)

performer - asia artist awards (2023)

performer - gayo daechukje (2023)

performer - music bank global (2023)

performer - gayo daejeon (2023)

performer - gayo daejejeon (2023)

performer - golden disc awards (2024)

performer - circle chart music awards (2024)

concerts

lgc family concert 2k20 (2020)*

lgc family concert 2k21 (2021)*

lgc family concert 2k22 (2022)

lgc family concert 2k23 (2023)

cfs

healing bird haircare (2023-2024)

levi's (2023-2024)

musicals

ensemble - dream high musical (2021)*

shows

skye - nova iuventa: amare (2023)

competitor - future dreams s6 (2023)

music videos/performances

stay with me - class of 2023 (2023)

attention - class of 2023 (2023)

hurt - class of 2023 (2023)

hype boy - class of 2023 (2023)

generation - see u l8r! (2023)

draw my time - see u l8r! (2023)

other events

lgc give love event (2020)*

lgc sports festival (2020)*

lgc love month (2023)

* denotes sena was not in the rp when that particular event took place, but canonically would have been part of it in some way.

most memorable event:

sena's most memorable event this year is the filming of beautiful christmas, nova's holiday release. it was the first time she felt that there were people who had her back, and the first time she really experienced the spirit of the holiday season. it gives her hope that she is growing from her experience as a member of nova.

[finallydelight]

SEVENTEEN's Ming Selected as MC for the Asia Artist Awards for 2nd Consecutive Year

SEVENTEEN's Ming has been selected as the MC for the upcoming '2022 Asia Artist Awards IN JAPAN', her 2nd consecutive year to host the awards ceremony.

The ceremony will be held in December of this year and the female idol will be hosting the awards ceremony alongside Super Junior's Leeteuk. Previously, Ming became the youngest MC to ever host the 'AAA' ceremony back in 2021 and she impressed many with her stable hosting skills. Thus, there are high expectations for Ming as the MC for the upcoming award show.

The '2022 AAA' ceremony will be held on December 13 KST.

October 27, 2022

Taglist: @mystic-luv @cosmicwintr @mythicalamphitrite @billboard-singer @stopeatread @still-astray @sakuurra @multiplums @giverosespls @seongwhaffels @kimhyejin3108 @smoooore

[malaysiankpopfans]

2023 KIM SEON HO ASIA TOUR in KUALA LUMPUR <ONE, TWO, THREE. SMILE>

Excitement fills the air as Korean heartthrob KIM SEON HO prepares to make his way to KUALA LUMPUR for his highly anticipated fan meeting, the 2023 KIM SEON HO ASIA TOUR in KUALA LUMPUR <ONE, TWO, THREE. SMILE> powered by PULP Live World and Happee Hour, happening on August 18, 2023, 8PM at the MEGA STAR ARENA.

KIM SEON HO, a name that has become synonymous with talent and charm, has taken the Korean entertainment industry by storm. With his magnetic presence, versatile acting skills, and undeniable charm, KIM SEON HO has emerged as one of the most beloved and sought-after actors in recent years.

KIM SEON HO made his acting debut in the drama series Good Manager (2017), cementing his reputation as a versatile actor capable of both comedic and dramatic roles. He also appeared in the fourth season of the Korean variety show 2 Days & 1 Night (2019), where he won ‘Rookie of the Year’ at the 2020 KBS Entertainment Awards. He afterwards starred in numerous notable dramas and series, one of these is Start-Up (2020) which marked his breakthrough role, earning him widespread recognition and a massive fan following.

His performance in Start-Up was recognized by various award-giving bodies. He was nominated for a Supporting Actor for TV award, and won Most Popular Actor at the 57th Baeksang Arts Awards and Best Emotive at the 2020 Asia Artist Awards. KIM SEON HO is also known for his lead role as ‘Hong Du Sik’ in the hit series Hometown Cha-Cha-Cha (2021). This drama became one of the highest-rated series on television, and he was named ‘Gallup Korea's Television Actor of the Year’ for his role as Chief Hong.

KIM SEON HO’s rise to stardom has been accompanied by an ever-growing fan base both in South Korea and internationally. His infectious smile, warm personality, and humble demeanor have made him a favorite among fans of all ages. And this year, he is set to embark on an exciting fan meeting tour across Asia which includes Kuala Lumpur as one of his tour stops.

The 2023 KIM SEON HO ASIA TOUR in KUALA LUMPUR <ONE, TWO, THREE. SMILE> this August 18, 2023, 8PM at the MEGA STAR ARENA is an opportunity for KL Seonhohada to witness his charm, wit, talent, and genuine connection firsthand. To all Seonhohada in Kuala Lumpur, brace yourselves for a romantic Friday filled with laughter, joy, and precious moments with our good boy, KIM SEON HO!

This show is proudly brought to you by SALT Entertainment, APLANET Entertainment, ACO Media, and Philippines’ Live Show giant and K-Pop Concert Pioneer, PULP Live World and Happee Hour.

Secure your tickets starting August 10, 2023, 12PM via www.ticket2u.com.my. Ticket prices are VIP RM 888 | KIM RM 688 | SEON RM 488 | HO RM 288 (excluded RM4 booking fees) For show updates, please stay tuned on to PULP Live World on Facebook, Twitter, and Instagram, or visit website www.pulp.ph.