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Automation in Meat Processing: 5 Ways to Boost Efficiency & Quality in 2025
>>> Automation in Meat Processing: 5 Ways to Boost Efficiency & Quality in 2025 #AIMeatProcessing, #AutomatedMeatProcessing, #MeatIndustryTechnology, #MeatProcessingAutomation, #RoboticsInMeatProcessing #Articles https://equipment7.com/articles/automation-meat-processing-5-ways-boost-efficiency-quality-2025/
#AI meat processing#automated meat processing#meat industry technology#meat processing automation#robotics in meat processing
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Top Benefits of Investing in High-Quality Supermarket and Kitchen Equipment | Global Automation Ltd
Discover the advantages of investing in premium supermarket and kitchen equipment from Global Automation Ltd. Enhance operational efficiency, ensure durability, and improve customer satisfaction with our top-tier products designed for long-term success in the food industry.
#Global Automation Ltd#Premium Kitchen Equipment#Supermarket Equipment Supplier#Commercial Kitchen Appliances#Warehouse Storage Solutions#Durable Food Industry Equipment#Supermarket Equipment in Bangladesh#Retail Store Equipment#Supermarket Shelving and Racks#Commercial Refrigeration Units#Supermarket Checkout Counters#Cold Storage Solutions#Industrial Refrigeration#Cold Storage Bangladesh#Temperature Control Systems#Cold Chain Logistics#Industrial Storage Systems#Warehouse Automation#Storage Racks Bangladesh#Warehouse Management#Food Processing Equipment#Industrial Food Machinery#Food Processing Solutions#Food Production Equipment#Processing Machinery Bangladesh#Meat Processing Equipment#Industrial Meat Machinery#Meat Processing Solutions#Meat Production Equipment#Slaughterhouse Solutions
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are there any critiques of AI art or maybe AI in general that you would agree with?
AI art makes it a lot easier to make bad art on a mass production scale which absolutely floods art platforms (sucks). LLMs make it a lot easier to make content slop on a mass production scale which absolutely floods search results (sucks and with much worse consequences). both will be integrated into production pipelines in ways that put people out of jobs or justify lower pay for existing jobs. most AI-produced stuff is bad. the loudest and most emphatic boosters of this shit are soulless venture capital guys with an obvious and profound disdain for the concept of art or creative expression. the current wave of hype around it means that machine learning is being incorporated into workflows and places where it provides no benefit and in fact makes services and production meaningfully worse. it is genuinely terrifying to see people looking to chatGPT for personal and professional advice. the process of training AIs and labelling datasets involves profound exploitation of workers in the global south. the ability of AI tech to automate biases while erasing accountability is chilling. seems unwise to put a lot of our technological eggs in a completely opaque black box basket (mixing my metaphors ab it with that one). bing ai wont let me generate 'tesla CEO meat mistake' because it hates fun
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Alright, here's my dream Stardew Valley style game, designed for my own tastes.
You come to a small town with the usual twenty to thirty people. It's in the middle of nowhere. It's a fantasy town, and no one actually farms anymore, partly because it's only questionably profitable, partly because a lot of the knowledge has been lost. Instead, everyone uses these magic doodads which are very powerful but also very limited. The tavernkeeper has a doodad that makes him a single kind of weak ale and a single variety of off-tasting wine. The clothier has basically a square mile of linen to work with, and everyone wears her drab clothes. Tools are made from a doodad that the blacksmith owns, not even made of any actual metal, just a material that wears away after a month and needs to be replaced by a new copy from the blacksmith's doodad. People get their meals from the doodads. They get their medical checkups. It's all a bit shit.
Because I'm a worldbuilder at heart, I would have this all exist in the wake of a large-scale war that depleted the town of its fighting-age population, with the doodads being a sort of government program to ensure that more of the lifeblood of the town could be drained away. And for there to be some reason for the town to continue existing, perhaps the government is harvesting some resources necessary in the creation of doodads. That's enough for a pro-doodad faction and maybe some minor drama with them, though I do like the idea that the only reason things are Like This is because there was a war and things got bad. It's not necessarily a bleak town, but there's definitely a listlessness to it, a "what's the point".
So you're a farmer, but no one is really a farmer anymore. Maybe there are a few books, but you don't learn farming from books, you learn it from practical experience; that's a lot of what this game is about. When you start, there's no one to buy seeds from, there's just a bunch of wilderness where farms once stood, now all long overgrown.
So you go out and forage, for a start, and you clear the land, and you pay attention to the plants and how they can be used, and you start in on making recipes with them, maybe with the help of your grandfather's old, partially incomplete books. You find some wild corn that's a descendant of the old times. You find some tomato seeds in an urn. You discover potatoes because you see them dug up by a wild boar, which itself was once a domesticated animal.
In my ideal game, you need to pay attention to the soil quality, to how far apart things are planted, to what crops work well together. Farming is a matter of companion planting and polycultures. You get some chickens by giving them consistent feed, and you keep them around because they're natural pest control. Your climbing beans climb the stalks of your maize. You're attracting pollinators. (From a gameplay perspective, yeah, we probably put this all into a grid, and you have crop bonuses from adjacencies, and emergent gameplay that comes from all that, some plants providing shade, others providing nitrogen fixing.) You're a scientist making observations about the plants, maybe with your incomplete book giving you confirmation on the nature of all your crops once you hit certain production goals or a perfect specimen or whatever.
Cooking is the same. There has got to be a system that I like better than just "combine tomato with bread to get tomato bread". I'm pretty sure that it's some variant of the actual process I use when cooking, which is making sure that things are properly cooked, balancing flavors against each other, adding in a little salt or acidity or umami or whatever. Time in the kitchen, in this game, is often about making meals, ensuring that if you have a fatty piece of meat you have some asparagus that's coated with lemon to go with it. (From a gameplay perspective, I think building the dish once is probably sufficient and it can be automated after that, and building the meal is the same. I don't want to play this minigame every time I'm cooking a dish, I just want to play it a single time until I have good knowledge of the best way to grill a BBQ chicken breast with a homemade sauce.)
But if we're having a little minigame here where we pay attention to how long we're cooking the kale to make sure that it's the right texture, and we're paying attention to abstractified mouthfeel and palette, then we can get something else for free: variation. See, you're not just cooking to get an S grade, you're cooking for people with different tastes. The cobbler has a sweet tooth, the librarian loves fruity things, the mayor cannot stand fish, that sort of thing. From a gameplay perspective, maybe we represent this with a radar graph with some specific favorite and least favorite individual flavors, and maybe it's visible to the player, but the important thing is that player gets feedback and have a reason to strive for both "good" and "perfection" and some of this is going to depend on the quality of the ingredients.
And this is, gradually, how the town is brought back into the fullness of life. You're not just cooking for these people, you're also selling them food, and they're making their own recipes, and all the stuff that's not food is making their businesses not suck anymore. After the first test keg of ale goes swimmingly, the tavernkeeper wants more, a lot more, and puts in an order for hops, wheat, grapes, anything he can use to make things that will improve nights at the tavern. The clothier will skeptically take in wool and spin her own yarn, and then eagerly want more, because how awesome is it to have a new textile? There's a chemist who is extremely interested in dyes and paints, and wants you to bring him all kinds of things to see what might be viable for going beyond the ~3 colors that the doodads can provide.
So by year two, if you're doing things right, you're the lynchpin of the revivalist movement. People are now moving to the town, for the first time in decades, because they hear that you're there and doing interesting things with the wilderness. Maybe there are other farmers following in your wake, but maybe it's just new characters who are specifically coming because a crate of wine was shipped to the capital city. Maybe some of them bring new techniques for you, or a handful of plants from a botanical garden, and there are new elements for the minigames, or maybe some automation for the stuff that's old hat.
I think something that's important to me is that there's a reason for the crops you plant and the things you do. I always like these games best when it feels like I'm doing something for someone, when I can look at a plot of cabbages and think "ah, those are the cabbages I owe to Leon". Where these games are at their worst, everything is entirely fungible and I've planted eight million blueberries because they have the highest ROI.
And yeah, in most of these games, there are other minigames like fishing and mining and logging and crafting, and since this is just a blog post and not a game, I definitely could massively expand an already sizeable scope.
I think for mining the player would use doodads of their own, and maybe you could make a mining minigame out of that, using the same planting tile system to instead create an automated ore harvesting machine that plumbs the depths of the earth (possibly dealing with rocks of different hardness, the water table, and other challenges along the way).
Fishing is a question of understanding the different fish species, what they eat, where they congregate, and then setting nets or lines, since I have never met a fishing minigame I really enjoyed. Again, there's some idea that the player is gaining information over time, building up a profile of these fish, noticing that some of them go nuts when it rains, understanding the spawning season, that they go to deeper water when it's cold, etc.
Crafting really depends on what you're crafting, but if you're reintroducing traditional artisan processes to this town, then people are going to need tools and machines and things. I'm not sure I know what a proper crafting game looks like. The only experience I have to draw on is wood shop, where I made wooden boxes, cutting boards, and picture frames. Since this is an engineering-lite puzzle-lite game, you could maybe do something in that vein, e.g. defining a number of steps that get you the correct thing you're trying to make, but ... eh. I love the idea of designing a chicken coop, for example, or building a trellis if I want my climbing beans to not need maize, or whatever, but I don't know how you actually implement that. There are definitely voxel-based and snap-to-grid games where you build bases, and I tend to find that fun ... but it's mostly cosmetic, for the obvious reason that doing it any other way than cosmetic requires programmatic evaluation, which is difficult and maybe unintuitive. The closest I think I've seen is ... maybe Tears of the Kingdom? Contraption building? But I don't know how you translate that to a farming game. Maybe I should ask my wife about this, because she's always doing little projects around the house (an outdoor enclosure for our cats, a 3D-printed holder for our living room keyboard, a mounting for our TV).
Making an interesting crafting system is difficult, which is why pretty much no one has done it.
And if I'm talking pie in the sky, without concern for budget or scope, I want the villagers to all have a mammoth amount of writing for them. I want petty little dramas and weird obsessions, lives that evolve with or without my input, rudimentary dialog trees that let me nudge things in different directions. This is just an unbelievable amount of work on its own, it would be crazy, but I would love having a tiny little town game where sometimes other people would fall in love. I would like to be invited to a wedding, maybe one that happened because I encouraged the chemist to hang out with the clothier, and in the course of working together on dyes, they fell in love. With twenty people in town and another ten that come in over the course of the game if you hit the right triggers, I do think this is just a matter of having a ton of time/budget. You write tons and tons of dialogue so there's not much that's repeated, you have some lines of conversation between characters that are progressed through, you have others that trigger off of events, and then you have personal relationships between NPCs that can be progressed through time or with player intervention. Give single characters a pool of love interests, have their affections depend on their routine which depends on what's changed in town ... very difficult to do without spending loads and loads of time on it though.
Anyway, that's one of my dream games. No one is ever going to make it, it would be a niche of a niche, and as scoped here, is too much for a small team to ever actually finish, let alone polish. But it's the sort of thing I'm imagining in my head when I think about playing Stardew Valley and its successors.
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How would you rank sonic characters based on how good at cooking they are?
Putting aside the Sonic Cook Book which, while fun and cute, I wouldn't consider a true source of canon about this subject;
Amy and Vanilla are probably the best cooks if I had to guess. There's a strong suggestion in canonical material that they both know their way around a kitchen. And there are Sonic Channel art pieces showing Amy baking.


I would assume Tails is a decent cook. Though he could probably make a machine to automate the process to a degree, such as the Sonic Channel artwork showing him roasting kebabs on his own branded grill.

Sonic is able to cook meat on a bone Monster Hunter style in Sonic Frontiers. Given his nomadic lifestyle, I figure him the type to be able to rustle up grub while roughing it in the wild. Think the Survival Skill and food crafting in Fallout New Vegas. I would also assume the same for Knuckles, since he also lives in seclusion in a relatively wild and rustic location. Though in Sonic's case I believe he would probably prefer someone else make his food for him and particularly is inclined for calorie rich junk food.

Vector and the Chaotix are probably disaster cooks who have leftover parfait every other week.

I would assume Rouge is the type who may or may not be able to cook, but as a bougie bitch with a taste for the finer things in life she would prefer to enjoy fancy dining any time she possibly can. If not, she strikes me as the type to have some french MRE's (Meal ready to eat) on hand in case of emergency. Yes specifically the french ones, because they're the best.
Shadow can probably cook passably edible meals, but I imagine he prioritizes function over form. I'm going to break my own rule and reference the Sonic Cook Book, which has Shadow's main dish meal be steak burritos. This seems exactly right for him. All protein and calories thrown in a tortilla, that can also be used as a travel meal.

Blaze is canonically a terrible cook. Because that's hilarious. Haha, she's a fancy hoity toity princess but she can't cook what a loser.

On that same token, I don't know if Silver can cook but he seems adept at food decoration.

It should also be noted that for Silver and Blaze, their Sonic Cafe info blurb also mentions this. That Blaze sucks as cooking and Silver doesn't have much cooking experience but mixing drinks is all about presentation.

I imagine Eggman also automates his food prep like Tails as much as he can, but he has also been demonstrated as being a foodie so I imagine he was very hands on in all the machines he constructs that are intended on cooking and food prep for him. Like Sonic, also seems inclined for dense junk food and is prone to instant meals that are quick and easy to tear into while he's deep in a new project.


Those are all the ones off the top of my head anyway.
#sonic#sonic the hedgehog#cooking#tails#miles tails prower#amy rose#eggman#dr. eggman#shadow the hedgehog#rouge the bat#vanilla the rabbit#silver the hedgehog#blaze the cat#the chaotix
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Hi miss Terra. Any advice for someone 22 and really lost and depressed from being dependent on my parents. I live in a rural town and I feel like I'm crumbling into dust.
This is what I wish I heard when I was 22 in a rural town: as an adult you need to find full time work and do WHATEVER it takes to keep that work, the commute time/distance/walking miles/salary/hardness is not a negotiable until you find better work. This is your responsibility only, not your parents/loved ones/the government. amazon and mcdonald's always have openings with no interview/resume, doordash and uber if you have a car. This is the only time you will ever be able to do 22 hour days and spring right back into it. You need reliable set income every 2 weeks of your life. You need to save all the income you get. Your expenses and bills and groceries should be scheduled and automated. Every week/month. You should be spending $25/week or less on non-emergencies or necessities. Your happiness will never come from consumer goods. Your groceries should be real things that came out of the ground and real meat if you eat it, not processed fake food that will just make you sick. Eating out is only a socializing treat. You need to get up early before 8am to shower thoroughly and clean your teeth and groom yourself until you look successful and feel confident. You need to wear professional work clothes or a uniform every single weekday, and only dress comfortably/lounge wear when you are done working. You need to clean your room and your home every day after work. Yes you will be tired! but not doing all this is infinitely exhausting and terrible in a much, much worse way that kills you inside out. You're going to need to do these things forever. But they will all become way easier, better, and more rewarding every year.
Lastly, working hard to get yourself the success you deserve feels really GOOD!! This will all actually make you feel truly happy in a way that makes you depression/anxiety proofed for a long time. Good luck!
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Kia ora! Just a wee re-introduction
I'm just another solarpunk in Aotearoa looking for other like-minded friends, inspiration, and advice on other ways I can green up my life. I love sewing, baking, making, gardening, and animals.
I live in an off-grid tiny home I built with my partner in 2016 out of wood and second-hand windows/doors/appliances. We run off solar power, rain water, a composting toilet, and try to repair, mend, make, borrow, and buy 2nd hand or local. Our meat is all hunted, which here in Aotearoa is a huge help for our environment as our only native mammals are seals and bats. Everything else is a pest. We also grow a lot of our own fruit and veggies, but the garden is still a work in progress. This year, i have a new wing of the veggie garden built, but I still have so much work to do around the herb and fairy garden.
I'm looking at irrigating the garden and automating the process. I saw something about https://www.home-assistant.io/ online but would love any advice you might have. I'd like to automate and chart my watering as well as integrate moisture monitors and a weather monitoring system.
I have an electric bike and an old 1996 honda crv. I'd like to switch to an electric vehicle, something like a Pickman 4x4 or another small farm vehicle, as I only need to get to the village bus stop, neighbouring farms, and the occasional trip into town via back roads.
Clothes are me-made with 2nd hand materials, mostly from the dump shop. I've helped start a collection point for alternative recycling like bottle lids and tetrapaks, a library of things, and a community workshop. We are working towards a bike repair hub and time bank but it might be a couple years before they are operational.
Please share all your inspiration, book recommendations, and thoughts around other ways I can make an impact in my community 😊
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Happy Pokémon Day! February 27th is the anniversary of the first two Pokémon games’ release in Japan, and it’s a minor holiday in my house, as a fun excuse to make Pokémon inspired food, watch some Pokémon shows or movies (we’re going to watch Netflix’s new Pokémon Concierge this year!), and get excited about upcoming games and releases. This year, we’re making a Pokémon Sword and Shield inspired burger-steak curry and I’m making a dessert from the Pokémon Cookbook by Victoria Rosenthal. It’s one of my favorite fandom cookbooks – all the recipes are vegetarian or vegan, to get around the awkward question of where does the meat in the Pokémon universe come from?
But that’s not all we’re making! Ever since Nicki and Isabel were released, I’ve been dying to do a post about them and Pokémon’s infamous “Jelly Filled Doughnuts”, better – and more accurately! – known as onigiri.

Pokémon was released in the United States in 1998 via two Gameboy games: Pokémon Red and Pokémon Blue. The games quickly caught on to be one of the biggest pop culture phenomenon of the late 90’s and early 00’s, and as a kid at the heart of this explosion, I can’t overstate how much of a big deal it was. One of the great things about Pokémon – and probably why it has such lasting, widespread appeal – is that there are so many ways to interact with the franchise, and the marketing doesn’t skew hugely towards one gender or the other. Cool, tough Pokémon like Charizard got pretty similar billing to cute, pink Pokémon like Jigglypuff, and there were so many options for potential favorites that it was easy for any kid to find some creature to attach themselves to.
One of my petty complaints with Nicki and Isabel’s collection and books is the almost complete lack of mention of Pokémon and other anime that was really popular among kids in 1999. I know AG probably didn’t want to shell out for licensing deals with Nintendo or The Pokémon Company, but their stories just don’t feel accurate without discussing their prized binder of Pokémon cards or begging their parents to take them to see the Pokémon movie in theaters. Maybe the authors were just a little too old to get caught up in Pokémania?
I’ve also always thought its close overlap with the Beanie Babies crazy helped get millennial children like me very into the “gotta catch ‘em all” aspect of the franchise. Is this why I’m such a crazy toy collector as an adult? Who knows.
The Pokémon anime was one of the main ways kids like me got hooked on the franchise, because not everyone was allowed to have a Gameboy of their own (me), and not everyone liked video games, but even if you didn’t like video games, the cartoon might appeal to you. Although it was far from the first Japanese cartoon to air on US television, Pokémon was one of if not the first truly mainstream favorites of the 1990’s. 4Kids, the company in charge of dubbing the show into English, decided that American kids wouldn’t understand or be open to certain aspects of the show that reflected its Japanese roots, and so made a lot of strange choices in rewriting the script. One of the most notorious was deciding Brock’s rice balls were actually jelly filled doughnuts:

Onigiri – also known as omusubi or nigirimeshi – are balls of rice with a variety of fillings inside. They’re often compared to sandwiches, as an easy, quick, cheap meal or snack that combines carbs and other ingredients. While the concept of taking a rice ball and stuffing it full of other tasty treats goes way back to ancient Japan, the triangle shape became popular in the 1980’s thanks to a new machine that automated the filling process. Further developments over the last 40 years have created unique ways to prepackage onigiri without making the nori wrapping sticky. The ones we made were an attempt at recreating the “Hawaiian” (spam and pineapple) rice balls from our favorite food hall back in DC. One of my favorite pandemic indulgences was getting take out from the food hall, which often included a sampler of some of my favorite onigiri, and I haven’t been able to find anything close to similar where we are now. One of the many reasons I’m excited to move!
Even as a kid, I wasn’t convinced the food in the anime was fried dough with fruit jelly inside, because they sure look like rice. I also think 4Kids didn’t anticipate that Pokémon’s widespread popularity would inspire many of its fans – including me – to become absolutely obsessed with Japanese food and culture. I would’ve been more excited if they’d just been straight with me and shown more Japanese food on the show, and then probably begged my parents to make it or take me to a restaurant that made it. While I can’t confidently cite numbers of how many other people were first exposed to Japanese culture and food through Pokémon and franchises like it, I do think it’s a bit of a missed opportunity to highlight how things like this exposed kids like Nicki and Isabel to parts of a culture outside their own!

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THE KING'S CANARY TAKES FLIGHT!
The king's canary has abandoned his duty. Jimmy would argue he just quit a bad job. Either way there's a bounty on his head and a curse around his neck, and with Grian and Joel's voices ringing in his ears, Jimmy's dreams of freedom seem further out of reach by the day. That is until he saves a blaze hybrid who, for some reason, is hellbent on returning the favor. Alone, Jimmy is pathetic. Honestly, even with Tango, Jimmy still thinks they're kind of pathetic. But with a little bit of luck they just might make it.
[My gift for the @mcytblrholidayexchange, for @thesleepycat! I'm so sorry it's so late, but I hope you enjoy it, and I hope you had a stellar holiday!]
[alternatively read on ao3.]
:
THE KING’S CANARY TAKES FLIGHT!
It’s a catchy headline. Jimmy glares down at the trodden newspapers and admits at least this: it is a catchy headline.
One week and three towns out from the capital and the gossip still refuses to die. Jimmy blames the excess of perfectly reproduced ink on paper; if redstone wizardry hadn’t automated the process, he’s certain the printing press would never have taken off, and he’d have been able to slip through the cracks of the kingdom long before news could spread.
He skirts the edge of the street and keeps moving. The phantom twinge of a boot grinding into his toes is easy to ignore. Less easy to ignore: the voices of the townsfolk, tittering over his crime. He hears his name but more often he hears his title. Canary. Canary. Canary.
“Poor birdie. Can’t be easy, being the king’s canary,” says one woman. Jimmy doesn’t know if she’s being sarcastic or sincere; he can’t risk looking her in the face.
“Pah! Canary. Yellow-bellied sapsucker, more like,” says a man. “All he ever had to do was stand there and not die and get paid for standing there and not dying. Couldn’t even do that.” He’s starting to sound like Joel. “Got no idea what a real, honest day’s work looks like. Spoiled and ungrateful, you ask me. If I were him, with gifts like that, I’d be up in the castle no questions asked. Bitty canary’s nothing but a coward—ow!”
The man hops up and down on one foot, glaring at the oblivious butcher who’d stomped on it.
Jimmy draws his hood low.
:
Joel thought he was cursed by a witch. Grian thought he was born with it. The Red King said it was a gift from the gods, divine proof that he was meant to rule and no harm was to come to him.
Jimmy doesn’t know anything about a witch, or the gods, or the circumstances in which he was born, but he thinks Joel was closest to the mark. It’s a curse. It's always been a curse.
:
A dilemma: Jimmy needs food.
His wings are numb with cold and his feet feel like he’s leaving behind the skin with every step, but food is the pressing issue. It’s taken two weeks and five towns of varying industry, but he’s finally run through the stock he took from the castle. He’s got plenty of money for more, but money isn’t really the problem. They just put out a reward for him. Martyn’s doing, if he had to guess. If anyone was considering letting him go before, they certainly aren’t now.
Redstone has taken hold here, turned the town metropolitan, and he can hear as well as smell all the local dishes that the vendors are hawking: caramelized redstone sweets, charred and spiced meats, cups of blazepowder soup. They smell so good. He keeps to the outskirts of the market square, watching from the corner of his eye as steam wafts up every time the vendor ladles out chunky red broth. Jimmy feels the hiss of a burn on his hand; a second later the vendor’s eye twitches at a splash of hot soup. She looks up, and Jimmy ducks away before their eyes can meet.
There are no good options. If he pays for a meal, he’s almost guaranteed to be recognized and exposed. If he tries to steal something, he’s almost guaranteed to be caught and exposed. (He has no talent for thieving, as Grian and Joel proved every time they dared Jimmy to nick something, back when money was tight.) If he does nothing, his traitorous stomach will complain loud enough to garner attention, and then he’ll be exposed. Or he’ll starve. Which is also bad.
If he could, he’d have hiked through the forest until he got to the plains biome. Away from the towns and the crowds, free to hunt for his own meals. But every time he drifted from the path Joel and Grian’s voices rang in his head, reminding him that he’s never been good at camping, that mobs seem drawn to him like they knew he was weak, that he could barely hold his own with them around and on his own he was next to useless.
He’s almost at the end of the square. What then? Keep going and hope he doesn’t collapse on the road to the next town? Even the thought of food leaves him lightheaded, he’d never make it. Wheel back around and pass through the market a second time, and risk being recognized? His pace slows to a crawl. Joel and Grian were right—he can’t survive on his own. He doesn’t know why he tried. He was warm and well-fed in the castle, and if he wasn’t appreciated then at least he was secure, and he only had to die occasionally.
Among all the spiced fruits and roasting meats, there is a small cart selling apples. The man working the cart is distracted (reading a paper with Jimmy’s reward plastered across the front, because what else would he be doing), only halfheartedly calling out prices to the bustling crowd. Jimmy is several yards away. Then only a handful. And then he's within arm’s reach, and no one has looked his way once. Surely no one will miss an apple? The owner of the cart shouts, and Jimmy flinchs, but he's only making a sale to a man on the other side of the cart. They fall into animated conversation. Jimmy stands scant feet away, unnoticed.
He could do it. He could do it now. That would show Grian and Joel. If Jimmy could steal an apple, what else could he do? What couldn’t he do? Of course he could survive on his own! Oh, they’d feel so terrible for thinking otherwise. They’d fawn and shower him with praise, and they’d tell him how capable he was, how strong and clever, how they were wrong to doubt him. They’d grovel, probably. They’d tell him they were sorry that he had gone through what he’d gone through, and how they appreciated that it had been for them, and that he didn’t need to do it any longer because he had tons, oodles of other skills and gifts that made him worth the burden of keeping him. He’d show them.
If he ever saw them again, he’d show them.
The nearest apple is shiny and perfectly red. Jimmy reaches out.
Pain ravages him. It explodes hot along his side, blunt force that shatters his arm and leg and pulverizes his insides, even as it doesn't. He staggers. He chokes. Every breath feels like a betrayal, his body piercing itself over and over. The ghost of broken ribs. He chokes. He groans.
It doesn’t stop hurting. It’s getting worse. Fear and pain leave him nauseous. Where will it come from? Where where where—
There. A redstone automobile down the street, blurred by his tears. It’s moving too fast. The wheel is wobbling wildly, the redstone in the undercarriage is sparking. It’s coming straight at him. No, it’s—it’s coming straight at the apple cart.
The crowd is parting around him, now, he thinks. He’s getting looks—recognition or alarm, he doesn’t know. He tries to say run, but all that limps from his mouth is a moan. The man speaking to the vendor turns and sees him. Jimmy thinks he sees him. They have seconds.
“Run,” he thinks he says. Gasps, sobs, something.
The world jags and falls sideways. A man is above him. The man from the apple cart, and the vendor looking perturbed over his shoulder. One of them is speaking, the words bleeding and incomprehensible. Jimmy retains none of it. The pain is sun-bright. It razes away everything else.
Scant feet away, a vehicle screeches, and an automobile, out of control, smashes into the apple cart. There’s shouting, screaming. The vendor is gaping at the wreckage that is his livelihood. The man he was speaking to gapes as well, first at the splintered remains of the automobile and the cart, then at the mashed apples, then at Jimmy. If Jimmy could see him, he would know, then, the difference between alarm and recognition.
Jimmy doesn’t see him. Jimmy is dead.
:
Jimmy doesn’t wake up right away. First, he stops being dead. Then he’s sleeping. He’s aware when this happens, in the loosest sense of the word—there’s no dreaming, no out of body experience, nothing in particular to tether him to the world at all. But the body knows when it’s dead and when it’s not, and so Jimmy knows. He lays quietly, thoughtless, floating, starry, until his body decides to stop doing those things. Then he wakes up.
The first thing he notes is that he’s still starving. At least he’s no longer cold.
The ceiling is a bland beige, splotched with dull scorch marks. Not back in the castle, then. That’s good. He blinks. He blinks again. His eyes are crusty and dry. So is his mouth. It’s very, very dry in here, actually, and very hot. Practically boiling, but in an arid way. Now that he’s awake, his armpits and the small of his back start to prickle with sweat. He has to wrestle his arms out from under a heavy quilt to rub the last of the sleep and death from his face, and his palms scrape against chapped lips. Still, he’ll always take too hot over too cold.
“Hey, you’re awake,” says a voice. “How are you feeling?”
There’s a blaze hybrid standing in the middle of a small, round room. He’s stoking a little fireplace with—with his bare hands, by the looks of it. Wow. Jimmy’s never seen that before.
The hybrid turns to him fully. He’s shorter than Jimmy, wiry and sharp all over. He has wild blond hair, swept back from his face, the ends of it wavering into candle-like flickers of flame. His eyes are red all the way through. A long, slender tail flicks behind him, tipped in a merry ball of orange flame.
“I’m okay,” Jimmy says neutrally.
“That’s good. You, uh, looked like you were in a lot of pain before.”
Jimmy does his best not to react to that. Grian always chides him for wearing his heart on his sleeve. “Okay. I’m feeling much better now.”
“You look it,” says the blaze hybrid. Jimmy chances a glance at his expression, then away. Does he know? Impossible to tell—mostly he just looks relieved. “Do you remember what happened?”
He does, for the most part, though he doesn’t remember this man. But the faces were all blurring together at the end. “Kind of.”
The blaze hybrid scrapes a small wooden chair out from a small wooden table and drags it to Jimmy’s bedside. Jimmy does his best not to stiffen up too noticeably. The man throws himself into the chair, his limbs poking in different directions like an awkward bundle of sticks.
“We were in the market. You looked like you were in pain,” he says. “A lot of pain. You called me and the apple vendor over to you, and then a carriage took out the cart behind us. Then you—” He pauses. “Passed out. I brought you here.”
Passed out. Jimmy doesn’t correct him. Instead he focuses on the “here,” and how very not a doctor’s office “here” is. Unless this man is the town doctor, and this is just the very cluttered and unsanitary place he practices medicine. Or maybe he’s a trained healer so he saw no need for a doctor? This could be innocent. It could mean nothing.
Stupid, says a voice in his head that sounds like Joel. He knows.
Jimmy does not panic. He is so so good at not panicking. “Well. Thank you. For that. Um. And—and where is here, exactly?”
“Oh! Yeah, of course. Welcome to my home!” The blaze hybrid throws out an arm, gesturing to the small room: the tiny fireplace, the tiny table, the tiny dresser, the few utilitarian appliances and the many tinkering knick knacks scattered all over that Jimmy can’t make heads or tails of. “Temporary home. Place I’ve been renting for a few months, I guess. Welcome either way.”
“Thank you,” Jimmy says again. Still in town, it sounds like. Okay. Okay. He can work with this. What would Joel and Grian do? Fight their way out. Not really an option for Jimmy; he’s always frail after revival, unlikely to win a fight or a foot race. But he’ll figure it out. And the blaze hybrid might not know who he is. Probably. Definitely!
The blaze hybrid says, “Sorry if this is forward, but. You’re the king’s canary, aren’t you?”
“I don’t like that name,” Jimmy says immediately, like an idiot. Death always muddles his brain, blunts his filter. “I—I actually have to go, right now, immediately. Places to see, people to go, you understand how it is, thank you again for the help—”
He lurches for the side of the bed, where the floor, predictably, rises to meet him. Less predictably, the blaze hybrid catches him around the shoulders.
“Hey, hey! Careful, man, slow down.” He pushes Jimmy back to the bed. Jimmy wishes he could say it was forceful, but Jimmy's pretty sure he's just as weak as a foal, and terrified out of his mind. He must do a poor job of hiding it, because the man makes a funny sound in the back of his throat. “Oh, I’m not—I’m not going to, like, turn you in or anything. No one else recognized you, and I didn’t tell them. Don’t worry about that.”
Jimmy will absolutely worry about that, thank you very much. “Um. Okay.”
The blaze hybrid holds up his hands. “I mean it. You’re safe here. The only reason I asked is because I was wondering if it was your, uh, power that happened? Back at the apple cart? I think that’s what happened, I just wanted to be sure.”
This feels like a trap. Like the king’s men are just outside the door, waiting for confirmation before they burst in and drag him back, where Ren will likely soliloquize about loyalty and betrayal and then Martyn will lob off his head. But if that were the case, shouldn’t they have already done the bursting and the dragging? Jimmy all but confessed his identity two seconds ago. He sees no way out of it now.
He nods, just once.
“I thought so.” The blaze hybrid's eyes are deeply red. Fire dances inside them. Jimmy can’t tell if it’s reflection from the fire or something inner and innate. “Thank you. You saved my life.”
Jimmy swallows. “You’re welcome.”
“Seriously. Thank you.” He reaches out and squeezes Jimmy’s shoulder. He’s smiling. “So: don’t call you canary. Got it. What should I call you?”
“Jimmy,” Jimmy says, after he fails to think of a proper alias that isn’t Joel or Grian or King Ren. “Jimmy Solidarity.”
“Jimmy Solidarity. I’m Tango, of the Tek variety. You can just call me Tango.”
Jimmy nods. He doesn’t know what else to say.
Tango says, “You hungry?”
Is he trying to stall Jimmy long enough for the king’s men to get here? Most likely. Jimmy’s stomach decides he doesn’t care. “Oh my gosh yes please I’m starved.”
:
Three bowls of blaze powder soup later (better than what was being sold in the street, if only because it is now in Jimmy’s belly), Jimmy finally feels like more of a human again.
“Thank you,” he sighs, reclining back on the pillows of Tango's bed. The bowl is still warm in his hands. He’s loath to let go of it. “That was amazing. I’m, uh. Sorry if I took too much.”
Tango is still on his first serving. He laughs, and it doesn’t sound mean-spirited at all. “Dude, don’t worry about it! Nothing a chef likes more than someone enjoying his food.”
Jimmy swirls his spoon through the creamy broth at the bottom of the bowl. “Is that what you are? A chef?”
“Nah, not really. I just like cooking. Sometimes you gotta have a hobby that’s just for you, not for money, you know?”
“Sure.” It’s not something Jimmy has ever thought about, but he likes the idea. “Um, I should. I should probably go.”
“Okay,” Tango says easily. “You want some tea before you head out?”
Jimmy might actually cry. “Yespleaseohmygosh.”
:
The tea is even better than the soup, spiced and fragrant, smoky in the aftertaste. Somehow, against all odds, the company is even better.
Rather than being a wildly successful chef, Tango works with a nomadic troupe of demolitionists. Not a job Jimmy’s ever heard of before, but it sounds cool when Tango describes it. According to Tango and his expansive hand gestures, the redstone wizardry boom has resulted in cities and infrastructure rapidly expanding, deconstructing, rebuilding. In the chaos—his eyes brighten with the word—there’s opportunity for innovation, discovery, entrepreneurs.
“And blowing stuff up in creative ways,” he adds. “So that’s always fun. I just figured out how to make the buildings implode instead of explode—reduces debris and collateral damage, and just looks awesome.”
“That’s amazing,” Jimmy says sincerely, and Tango’s smile glows, literally. It is suddenly imperative that Jimmy break eye contact.
“Another cup?” Tango asks.
Jimmy wants to, very badly. He’s enjoying talking to Tango. He’s enjoying the warmth and the tea and the conversation where both parties see each other as people, instead of a tool or a burden. “I should probably get going.”
“Oh,” Tango says, then laughs, a little bashful. “Yeah, of course. Look at me, chatting your ear off! Let’s get you up.”
He takes Jimmy’s cup and then his arm in a firm, claw-tipped grip. His hand is bony and pleasantly hot. With his support Jimmy finds his feet, and manages three whole steps before his knees buckle.
“Whoa whoa whoa!” Tango catches him, and leads him back to the edge of the bed. “You okay, buddy?”
“I’m fine,” Jimmy says. He feels a little lightheaded, a little breathless, more than a little humiliated. “This just happens when I—it just happens sometimes. I’m used to it.”
“Do you want to rest up a little longer?”
“I really should get going. You’ve done enough for me as it is.”
Tango nods slowly. “How far are you headed?”
“Far.”
“Right.”
A pause. Jimmy clasps his hands between his knees and wills strength into his body. Usually it takes about three hours after revival to fully recover, not that Jimmy will tell Tango that. It’s not like he hasn’t had to get up and go minutes after death before. Ren was the target of back to back assassination attempts once, and Jimmy made do then. He can feel Tango reappraising him, the paleness of his face, his worn clothes and unwashed hair. He struggles not to shrink on himself.
This was a nice reprieve—a lovely surprise after a terrible death. He needs to leave before he ruins it. Oversteps Tango’s bounds, annoys him, reveals himself as something to be used or pitied.
Tango hovers, then sits beside him.
“It’s just that…you still look kinda iffy, dude. Is there anyone I could bring you to? Anyone you trust to help you get…wherever you’re going?”
“I do,” Jimmy says quickly, eager not to be thought of as pathetically alone. “I mean, I did. I mean—I don’t, anymore. They wouldn’t have been safe, is all, with the whole on the run thing, and anyway, they wouldn’t have—that is, I…” He trails off, and says lamely, “It’s complicated.”
Tango’s voice softens. “Okay. I get that.”
They sit together. Tango offers him another cup of tea; Jimmy takes it. He blows across the surface, watches the flecks of leaves bob on rippling waves.
After a minute, Tango claps his hands on his knees and stands up.
“Well hey, if you’re going to go you should at least go in some good shoes.”
He crosses the small apartment to the door, where Jimmy’s tattered shoes are propped up against the frame. Instead he grabs the sturdy pair of work boots beside them.
Jimmy blanches. “I can’t take your shoes!”
“Sure you can.” Tango sizes up Jimmy’s foot, decides it’s close enough, and pushes the boots into his arms. “They’re my extra pair, so you’re not putting me out. They might be a little snug, but I think snug is better than what you were working with.”
“That’s not the point! You’ve done too much for me. I can’t take your food and your tea and your shoes, I just can’t.”
Tango gives him an amused look. “Okay, but you saved my life, remember? I value that a little more than an extra pair of shoes. Take ’em. I insist.”
Jimmy does take them, but only because Tango also tries to give him new clothes, cloak, and packed-up food, which he turns down. This time when Tango helps him up, though Jimmy teeters, he keeps his feet.
Outside it’s still winter. In the warmth of Tango’s apartment, Jimmy had almost forgotten. Since his death night has fallen, and the streets are empty and bitterly cold.
“You’re sure I can’t convince you to rest a little longer?” Tango asks.
Jimmy draws his cloak tight around his shoulders. “Long way to go, I’m afraid. Thank you for everything.”
Jimmy looks back at him. It’s the first time he’s looked into Tango’s face in a while: he’s pointy all over, angular, bordering on gaunt. He’s a candle in the dark. His smile is tinged with concern.
“No need to thank me,” he says. “I hope you get where you’re going, Jimmy. Take care.”
He offers his hand. Jimmy shakes it. If either of them linger, Jimmy tells himself it’s only because Tango is so warm.
Jimmy walks away. With every step further he remembers that he’s a fugitive, and that he needs to go quickly, quietly, and carefully. On to the next town, and the next, and the next, until he’s run out of towns entirely and has made it to where the sky is blue and the horizon opens into forever. He looks back once, and sees Tango still standing there, waving. He looks back again, but now the door has closed, and Jimmy doesn’t know which window was Tango’s. The gifted boots squeeze gently at his toes.
His hands twitch with splinters as he reenters the market square, where the stalls have been folded up for the night and the street is empty.
Only it’s not empty. The owner of the apple cart is despairing over the broken remains, picking through sharp shards of wood. He hisses and shakes out his hands. Jimmy grimaces. He tugs his hood lower and turns on his heel.
“Hey,” the man calls behind him. “Hey you!”
Jimmy walks faster.
“You! You’re the one who—stop, blast it! You owe me a new cart!”
“I really don’t, actually,” says Jimmy, dropping his voice two octaves. A hand grabs his shoulder. Jimmy’s wings protest, pushing back hard under the cloak. The hand is shaken off. So is his hood.
“It’s you,” the man says.
“No it isn’t,” says Jimmy.
“It is! You’re the canary! That reward could buy me a whole fleet of new carts.” He looks around wildly.
“Please don’t,” says Jimmy, but the man is already hollering.
“I’ve got him! I’ve got the canary, guards! Someone!”
Jimmy turns to run but the man seizes the back of his cloak. His hand closes on the arch of a wing, and Jimmy yelps.
“Hey! Let go of him!”
There’s the distinct, winding pain of a body shouldering hard into Jimmy's ribs. Then Tango is tackling the man to the ground.
Jimmy goes sprawling. He struggles to his knees through the phantom dings and scratches of two men wrestling on cobblestone. Behind him, Tango is fuming, “What the hell, man! He saved your life, what are you doing?”
All along the street, lights are coming on. Doors are opening. Heads poking out. Eyes going wide. The town is folding in on him. Jimmy can’t breathe.
And Tango is above him, once again.
“Come on!”
He offers his hand. Jimmy takes it.
They run.
:
Grian and Joel would have come with him.
If he’d asked. If he’d told them. Of course they would have. They would have protected him, taken care of him. They would have sighed and scoffed the entire time. They would have resented him, and made sure he knew exactly how much of an inconvenience this was, and didn’t he know he was upending all their lives, and why couldn’t Jimmy just do his job? He was always causing problems, and never considering the effect it had on others.
The moment Jimmy revived on the cold marble of the throne room and realized he had to leave was the same moment he realized he couldn’t bring Joel and Grian with him. He couldn’t even tell them. They would have insisted on joining, whether Jimmy wanted them to or not. Whether they wanted to or not. They cared for him; they would risk implication and conspiracy for him. And they would never let him forget it.
He’ll never see them again. That hurts too much to think about, so he doesn’t.
:
“I’ve ruined your life.”
“You haven’t ruined my life, come on.”
“I have, I absolutely have. Your home—”
“My temporary home.”
“Your temporary home, your job, all your things. Poof! All gone, Tango! Because you helped me!”
Tango is starfished flat on his back. Jimmy is making the ground’s acquaintance with his face. They fled down the darker road out of town, figuring they were less likely to be followed, and after an hour of hard running, they both pancaked in the dirt. Jimmy has too many cramps to name, and a doubled echo of Tango’s cramps on top of that. The stars above feel judgmental. Jimmy is glad to stare at hard-packed earth instead.
“Oh my gosh, you’re my accomplice now,” he moans. “They’re going to be looking for you too. Tango, your life is over, I’ve ruined it.”
A warm hand pats at Jimmy’s back with infinite, undeserved patience. “You didn’t ruin anything, buddy. I mean it! This is for the better, if you think about it.”
“For the better. Ha.” Jimmy spits out a little bit of dirt. “How?”
“Like you said, that place was temporary. My team will pick up my stuff, so I haven’t lost any of it. Well, except for what Bdubs will scavenge. That’s a given.” Tango waves a hand like being forced to abandon his entire life in the dead of night is hand-wavable. “And the good thing about working with your buds is that they’ll always have a job for you if you need it, so no harm there. Honestly, demolition was fun, but I’ve been thinking of trying something new for a while now.”
“You’re a wanted man now. How are you going to go back? You’ll be arrested on sight.”
“Pshaw. One guy saw me help you.”
“The whole town saw you help me!”
“Hey, you’re the one they’re after, not me. By the time I get back, they’ll have completely forgotten I exist. Tango Tek who?”
Jimmy rolls his head to one side to give Tango a flat look. Tango is already looking back at him. He looks amused. That makes no sense.
“Okay, honesty time? I wanted to offer to go with you before,” Tango says. “Help you get wherever you’re going. But you seemed pretty jumpy, and I thought it would freak you out. Offer’s still on the table, though. I like traveling new places, seeing new things. Makes for good machination inspiration. And two is safer than one, right?”
“You don’t know me,” Jimmy says. His voice is weak.
“I don’t know how many times I can say this, but you literally saved my life. That makes you a pretty cool guy in my book.” He looks Jimmy dead in the eye, and says simply, “You seem like you could use some help. I’d like to help.”
Jimmy believes him. In the back of his mind he can hear Joel and Grian taunting: just like Timmy to trust the first stranger he meets. Can’t ever hack it alone, can you, Tim? Probably he’s about to run off with some maniac bent on selling his curse to the highest bidder. Or an opportunist who intends to hold this favor over his head for the rest of his life. Would be just like him to get into hot water like that. Sure, it would be nice if there were someone out there who really wanted to help for the sake of helping, and it would be nice if doing so didn’t lead to resentment or blackmail or a direct ticket back to the castle. But that person is a fantasy. That person doesn’t exist.
But Jimmy believes him.
He sniffles. Some dust goes up his nose. “We don’t even have a torch.”
“Okay, you got me there,” Tango concedes. “We’ll need to get some supplies in the next town. Oh—here, this is yours.”
He reaches into his pocket and pulls out Jimmy’s coin purse.
“It’s why I followed you. You left it in my apartment.”
Jimmy just gapes, so Tango plops the purse on his back.
“Take your time,” he says, generously.
Jimmy does take his time. After a few long seconds of fish-mouthing, he says, “I hope you took some. I was going to bribe you into not giving me up.”
Tango snickers. “Darn. Missed my chance. Guess you’ll just have to buy our first meal instead.”
He shouldn’t. He knows he shouldn’t. Even if Tango is being genuine, Jimmy is still a wanted man. Bringing him along could only put him in danger. Grian and Joel would be judging him so, so hard if they knew.
But Grian and Joel aren’t here.
“Deal,” Jimmy says.
Tango smiles. Jimmy dares to smile back.
Then Jimmy yelps at the ghost of sharp fangs sinking into his neck. “Ow ow ow—Tango, spider! Spider spider spider!”
“What spider where now—whoa!”
Jimmy yanks him up just as a spider the size of his torso skitters out of the forest, barely missing a lunge for Tango’s face.
The spider chases them a full second hour until torches intersperse the road again. If this had happened yesterday—or even a few hours ago—Jimmy is sure he’d have burst into tears.
But Tango makes this funny yelp-laugh sound when he screams, and when they finally reach safety, he cheers. Jimmy, despite himself, cheers too.
:
The next town is close enough to reach by afternoon the next day. They walk through the night and arrive exhausted, unwashed, hungry, and in better spirits than Jimmy expected. By a lot, actually. Turns out sharing misery halves it instead of doubling. Who knew?
Jimmy tries to keep a low profile while Tango goes to retrieve food and supplies. Waiting in an alley with nothing but his thoughts (and Grian and Joel’s imaginary advice), feeling equal parts conspicuous and insignificant, he half-expects Tango to return with guards. Maybe more than half. Even if it hadn’t all been a ruse to gain his trust and turn on him when most profitable, Jimmy finds it hard to believe Tango won’t come to regret his decision when he realizes what deadweight Jimmy is.
But all Tango returns with is two loaves of bread stuffed with roasted peppers and Jimmy’s exact change. He even managed to secure lodging. The innkeeper refused to give them a two-person room when she hadn’t vetted the second person, so Tango conceded to a single. Then he helps Jimmy climb through the window in the back. There’s a lot of flailing and scrambling and frantically beating wings, but once they’re through, Jimmy lays flat on the floor and stares up at the ceiling in wonder.
“I can’t believe that worked,” Jimmy says breathlessly. “You’re a genius.”
“Aw shucks.” The flame on Tango’s tail flares and puffs. “Thanks, man!”
They crowd onto the tiny bed and Jimmy is out as soon as his head hits the pillow. He wonders, as he falls asleep, if maybe Tango cut the innkeeper in, and he’ll wake to guards waiting to arrest him and Martyn laughing at him for thinking he got away, and Tango and the innkeeper splitting the reward money…
He wakes twelve hours later to Tango fiddling with some new redstone contraption. He sees Jimmy’s awake and says, “Morning, buddy!” Then he hands him a bowl of oats with fresh winter fruit, and a hot cup of spiced tea.
:
In the next town, Tango sells his little redstone doohickey, and uses the money to pay for their meals. It’s only fair, he says. And when Jimmy protests that bankrolling the trip is the least he can do for all the help, Tango just laughs.
“Back with my crew, we split everything evenly,” he says. “Theoretically, anyway, when we weren’t enabling Etho’s spending habit and Bdubs wasn’t trying to weasel his way out of it. Regardless! We should be supporting each other equally. That’s what partners do, right?”
Partners. Jimmy doesn’t trust himself not to say something stupid, so he just nods. Partners. That sounds nice.
:
On the road, they talk about their people.
Skizz, Impulse, Bdubs, Etho—Tango’s demolition crew, a cast of colorful characters. “You’d like them. They’re good guys. Skizz especially, he’s my bestie. Nicest guy in the overworld.”
Tango has loads of stories, a broad range from heartwarming moments with Skizz to absurd adventures with Bdubs to wild tales of Etho that make Jimmy question whether he’s a real person or not.
“He soloed a wither once,” Tango declares proudly.
“No way.”
“He did.”
“No way! You’re lying.”
“Jimmy,” Tango gasps, scandalized. “Would I lie to you?”
Jimmy’s gut instinct, for some reason, is no. “No one can solo a wither.”
“Etho can. Though if you asked Bdubs, he’d tell you he soloed it. Now that’s a lie.”
Jimmy hums. Night is falling rapidly but the sky clings to a deep, dusty orange. Joel always says that means snow.
“Grian and Joel might be able to take down a wither together,” he says. “Especially if I was there to help them. Definitely not alone, though.”
“You talk about Grian and Joel a lot,” Tango says, a gentle invitation.
“Oh, sure. I spent most of my life with those jerks. Don't really remember anything before I met Grian. I think I lived by the sea?” He daydreams sometimes about sparkling blue that stretches on forever. He’s not sure if it’s a memory or a dream. “But then I got saddled with Joel and Grian, and we kept each other alive. Or I kept them alive with my curse, not that they’d be caught dead saying thank you, no sir.”
He chuckles, and thinks to stop there. But Tango is watching him and smiling. Jimmy snaps his eyes back to the sky.
“I sort of grew out of my wings as I got older, can’t really fly with them, you know? But I could fly when I was a kid, and there I was, zooming through the trees, when bam! I get slapped in the face by some invisible brick wall, and that makes me bam! smack right into a tree. A second later, and bam! Grian smashes into a tree right next to me. Turns out he was flying behind me, saw me crash, and that made him crash, and his crash is what made me crash in the first place.”
Tango laughs. “Feedback loop of pain, huh? That’s how you met?”
“Yep. Then we found Joel two years later, and that was that. Locked in with two bullies. We kept each other alive. Or I kept them alive with my curse, not that they’d be caught dead saying thank you, no sir! They’re my—”
He almost says brothers. Thank goodness he didn’t. Even the thought of Grian and Joel’s ridicule makes his cheeks burn with shame.
“They’re my roommates, kind of. Or they were, before I started working for Ren and living in the castle. They’re why I stuck around so long, actually.”
The way their jaws had dropped, the first time he gave them their cut. He’d had the thought: I can finally repay you. I can finally be of use.
“They were the first ones who called me a canary,” Jimmy says, brightening. “It was just a joke. An annoying one that I hated, but it was ours, so I didn’t really mind that much. Martyn heard it once, and he told Ren, and, well.” He stares hard at the orange sky. “Kind of got overdone, after that.”
“Yeah,” Tango says. When Jimmy glances over, his smile is a little dim. “I bet it would.”
He seems glum. Jimmy doesn't like that. "You know, Joel has a curse too. Turns into a big monster at night. Needs true love's kiss to break it, the whole thing."
"Yeah?" Tango perks up. "What kind of monster?"
"Oh, you wouldn't believe me if I told you," Jimmy says breezily.
Tango's grinning again. Thank goodness. "Try me."
:
Money was always tight, when it was just the three of them. Jimmy minded, of course, though not as much as Joel and Grian did. Privately he liked that it was them against the world. The worst part, to him, were the nights they had to split a thin serving of broth and Grian and Joel were in foul enough moods to needle Jimmy for not pulling his weight.
Still, they made ends meet. And there at the end, they were even doing well. Jimmy can confidently say that Grian’s the best architect in the kingdom, and his reputation was only ever growing. He was commissioned by some nobles in the capital. This is the one, boys, this one changes everything, Grian would say, over and over, and Joel would grumble, it blummin’ better be, how much you keep banging on about it, but he’d catch Grian and Jimmy in headlocks and knuckle at their hair, so he was excited too.
They got to the capital. It was bigger and busier than any place Jimmy had ever been, built into the shadow of the king’s castle. While he worked, Joel took up odd jobs throughout the city. He was hired to clear out a nest of phantoms that was terrorizing the outer districts. He let Jimmy tag along.
Jimmy felt the death coming up on him. Claws raking his back, tearing his throat. He swung around, looking for Joel, and saw a king’s guard instead. He was bleeding and exhausted. Jimmy tackled him out of reach of a phantom’s talons; somewhere in the distance Joel screamed Timmy!; before the pain had a chance to fade, Jimmy shuddered. Jimmy died.
Jimmy un-died in the castle. Joel and Grian were nowhere to be seen. Instead there was the king’s guard, who was actually the king’s hand, who was actually Martyn.
Your whole life’s about to turn around, mate, Martyn said. You’re welcome.
:
“Why didn’t you turn me in?”
He manages to rein the question back three more days, until it pops free on the road. It’s started to snow, just a handful of delicate flakes that Tango tries to catch in his mouth. He’s looking at Jimmy, frozen, with big eyes and a pointed tongue poking out of his mouth.
The question is still as ill-advised as it would have been on day one. He’s sure Grian would think so. Why would you bother putting the idea in his head, he would say, why push it? Grian is smart about things like this, keeps his cards close to the vest. Joel is more forward, likes to know things upfront, doesn’t mind being confrontational about it. But Joel wins fights that Jimmy doesn’t. He’d say it’s plain stupid.
Tango doesn’t say it’s stupid. He says, “Yeah, that’s fair. I’d want to know too.”
It makes Jimmy feel almost reasonable for asking. Tango wipes his mouth and kicks thoughtfully at the road.
He says, “I’ve got no loyalty to the king. Nothing against the guy, I’ve heard some good things, but I’m netherborn, right? And I barely feel any national pride there, so not much obligation here.”
“There’s a reward,” Jimmy points out. Imaginary Joel and Grian groan in frustration.
Tango’s eyes narrow skeptically. “Sure, but you didn’t commit a crime, did you? Unless I read that article wrong. Seems to me you just left your job. You should get to quit like anyone else. I don’t see what the big deal is.”
He says it so simply. Just as simply as Jimmy thought it was.
“I mean,” Jimmy says, “I did steal some bread.”
Tango barks a laugh. “Well, now I have to turn you in. Moral obligation.”
Jimmy nods solemnly. “It’s only right. Clap me in irons, throw away the key.”
Tango keeps laughing. His nose scrunches with it. Jimmy feels a little silly for being so proud. He’s made loads of people laugh before, thank you very much. It’s just that he’s usually the butt of the joke instead of the one making it.
He likes making Tango laugh. It’s a nice laugh.
It doesn’t snow much longer, but they spend the time counting who can catch more snowflakes on their tongue. Jimmy wins by one.
:
“Here,” Jimmy pushes one horn into Tango’s hands. He’s so excited.
Tango turns it over, as confused as intrigued. “Is this an animal horn? Where did you get this?”
“Just now, when I went to the bathroom! There was a goat out there, it tried to kill me—”
“What—”
“Honestly it shouldn’t even be here, Grian says they only live in the mountains. But it missed, and it broke its horns off against a tree trunk.”
“Wow.” Tango admires the color and the shine, the smooth break and the grooves in the dark keratin. “It’s so cool.”
“It gets cooler.” Jimmy lifts his horn to his lips. A sweet note carries, and a flock of birds take to the sky. Tango’s jaw is on the floor.
“How’d you do that?”
“Grian knew how, and he showed me and Joel,” he says. “I thought if we were separated, or lost, or see a threat or something, we could blow this to find each other.”
Tango’s eyes are shining. “That’s an awesome idea. Can you show me?”
:
Not every town can be reached in one hard day’s walk. Sometimes they have to camp out on the road, laying out bedrolls and building fires to keep winter at bay. Tonight it’s cold enough that Tango gives Jimmy his extra bedding; he’s netherborn, he says, so he doesn’t need as much to keep warm. They keep the fire high and scoot the bedrolls close, talking too late into the night. And Jimmy just…tells him.
“You’re going to build a ranch?” Tango asks.
He sounds surprised. He probably looks surprised, not that Jimmy would know, since he’s having trouble looking at him.
The ranch isn’t something he likes to talk about. Every time he says it out loud, it sounds sillier, so he tries to keep it tucked safe and close behind his heart. He mentioned it to Joel and Grian once, though he���s sure they don’t remember it. Why would they? They’d been so dismissive at the time. There aren’t enough riches in the world that could convince me to sell you a farm, let alone teach you how to run it, Grian had sneered. Joel pointed out that even if there were, no one in their right mind would stick around once they realized what a slow study Jimmy was. Jimmy felt small, and he never mentioned it again.
With Tango, he told him only as much as he needed to. They were heading out of the forest biome and into the plains, where the land unfurled into smooth, rolling prairies and burst with sunflowers. The logic was sound enough on the surface: Ren’s borders ended with the biome, and with one step past Jimmy would be free and clear. Tango was just glad to visit somewhere he’d never been before. He didn’t ask further questions, and Jimmy didn’t offer further answers.
But they’ve been traveling together for weeks, now. Tango has never made Jimmy feel small.
“I’m not planning on building one, exactly,” Jimmy mumbles. He busies his hands by sitting up and thrusting his hands at the fire. A talent of Tango’s: he can build a beautiful fire in three minutes flat. “Grian’s a way better builder than I am. I’m just hoping to buy it off of someone. Something small, if the owner was already hoping to retire or something. And then I’ll pay them extra to stay on a little while and teach me how to run things.”
Tango sits up too. “That’s an awesome idea.”
Jimmy’s head snaps up. “Really?”
“Yeah, man! Way better to admit when you need help than to crash and burn just because you tried to tough it out alone. Keeping the old rancher on until you’ve got the hang of it is smart.”
Tango looks genuinely impressed. He looks admiring. Jimmy’s wings start to flutter.
“Do you know anything about running a ranch?” Tango asks. He doesn’t sound accusing like Joel, or mocking like Grian. Just curious.
“Not really,” Jimmy admits. “But I’m pretty good with animals, and I don’t mind hard work. It might take me a while to get the hang of something, but I’ll stick with it until I do.”
“That’s great,” Tango says earnestly. “I think it’s way more useful to be able to stick to something than to be good at it right away.”
One of Joel and Grian’s favorite pastimes was poking fun of Jimmy until he shouted and flustered, and then laughing at how splotchy he got. They said he looked like he had a rash. He hopes he’s not as pink as he feels now. “Thanks,” he says again.
Tango leans forward, elbows on his knees, eyes bright. “What kind of animals will you have?”
Jimmy hums. “Chickens, for sure. Lots of cows. A couple goats, I think. Maybe a warden?”
Tango’s laugh is surprised and delighted. “A warden?”
“Yeah. I was thinking like—if I could train it, then maybe it could use it’s sonic thing to round up the herd. Is that weird?”
“No, I love it! Wardens are so cool, and we know so little about them. Plus they’re kind of cute, in a scary monster way.”
Jimmy beams. “Exactly! Tango, I could not possibly agree more.”
“You’d have to bring that one up from the underdark yourself,” Tango says thoughtfully. He lights up like a firefly. “I could help you! I bet I could think of a way to get it safely to the surface.”
“You definitely could, that’s not even a question. You’re brilliant.”
Tango’s eyes go ruby round. Jimmy’s mouth opens and shuts. Should he take it back? He should take it back.
But Tango just smiles, broad and lopsided. “Thanks, Jimmy.”
“You’re—” Jimmy’s voice cracks. God damn it. “You’re welcome, Tango.”
They stare at each other. Tango says, “You have frost in your eyelashes.”
Jimmy’s eyebrows shoot up. “Huh?”
“You have—” Tango clears his throat. “You know, because it’s so cold. It doesn’t happen to me because I run too hot, so I just, uh. I noticed.”
“Oh,” says Jimmy.
Tango nods, pink at the ears. He turns quickly to the fire, stoking it with a few deliberate pokes of his fingers, then says a little too loud, “I’d love to make some mazes for your animals. The warden especially. Obstacle course type things, you know, for enrichment.”
They're just daydreaming. Jimmy knows that. But he wants it. It’s a little too revealing, how much he wants it.
He wraps his arms around his knees and rests his chin on them. “Yeah? Like what?”
:
The good news is that they’re getting closer to the border, if Jimmy’s map is to be believed. The bad news is that they misjudge the distance to the next town and run out of food a full three days before they get there. Tango slaps together ingenius redstone traps to catch hares that tide them over, but that doesn’t stop them from ordering two full stews each when they finally come upon a tavern, nor does it stop them from hunkering down right outside the building and inhaling the stew in companionable, ravenous silence.
Deep into the second bowl, Tango giggles, “Oh no, we’re pathetic.”
Jimmy thinks that yeah, they kind of are. He thinks, maybe, he doesn’t mind being pathetic with Tango.
:
Working for the king wasn’t so bad. It really wasn’t.
On his good days Ren was generous, kind, goofy and forgiving. He cared about his subjects’ problems and pushed for the industrialization that improved quality of life throughout the kingdom. He treated Jimmy like a subject instead of an equal, but like a subject he was respectful of. Most of the time. Half the time.
The issue was that, the other half the time, he stopped being the good King Ren and started being the Red King. Vicious and uncompromising. A nose for weakness and for bloodshed. Jimmy suspects it’s a curse, though it’s clear he’s not eager to break it. He makes lots of enemies, the Red King does. Jimmy knows that better than anyone. Once he died impaled on a traitorous guard’s spear. When he came to, curled around a wound that wasn’t there, Martyn was beheading the would-be assassin three feet away, the spear was cracked in half at the foot of the throne, and the Red King was howling with laughter.
Never look him in the eye, when he’s like that. Never expect an apology. Never expect to be free.
But reiterate how generous he was. Happy to pay for Jimmy’s services, and provide him with safety, food, comfort. On Jimmy’s first day he said, The crown appreciates your service, lad. You have been touched by divinity to prove our birthright by providence, and for this we shall be gracious. How might we show our appreciation? No price is too high for the king.
Jimmy is still surprised he managed to stop quaking long enough to request a stipend for his family. (Family sounded more sympathetic than roommates, he figured. He was glad Joel and Grian weren’t around to hear.)
Martyn looked annoyed by the request, imposing at the king’s right side, and Jimmy tried to clarify, something modest, please, but Ren didn’t hesitate. The first payment was enough to set the three of them up for life, if they were scrupulous. The second payment ensured they could live comfortably without having to work another day ever again. The third payment was excess, and it never stopped. Grian and Joel were overjoyed.
Tango is frowning. It’s a strange look on his narrow face. Jimmy has rarely seen him without a smile.
“I guess that’s generous,” he says, slowly.
“It was,” Jimmy insists. He fingers the leather pouch weighed down by his earnings. More than enough to get him where he’s going and then some. The Red King may be waiting to kill him for abandoning his post, but Jimmy can’t deny that the only reason he has any chance at all is because of his kindness.
“Right. Right.” Tango scrubs a hand through his hair—it sends sparks flying off the ends. Jimmy watches them swirl with the snow, and then he watches Tango’s mouth purse as he makes funny humming and scoffing sounds. Jimmy looks back at the sparks again with renewed focus.
“It’s just,” Tango blurts, “You didn’t really have a choice, right? I guess it was nice that he paid you, but you weren’t allowed to say no to the job offer, because it wasn’t really an offer. And obviously you weren’t allowed to leave.”
Jimmy shifts uncomfortably. “I guess. What’s your point?”
“I don’t know. I just don’t think you should be defending him, is all. He forced you to hurt for him. He didn’t give you a choice. You shouldn’t have to be grateful.”
His eyes are fierce. Striking, hot like live coals. The sharp angles of him look harsh in a way that Jimmy’s never seen before. He doesn’t know what to say.
The indignance goes out of Tango’s shoulders. His tail curls. “Sorry. Not my place.”
Jimmy thinks of agreeing with him. Instead he says, “Don’t be. That’s nice of you to say. Thanks.”
Tango smiles, but it doesn’t have the spark it usually does. They walk for a few more hours. Tango’s silence is uncharacteristic, and it makes Jimmy antsy. He feels like he’s done something wrong. He doesn’t know how to fix it.
Eventually they decide to take a break before the next leg. Not for long, if they want to sleep in beds tonight, but it’s good to get off their feet for a little while. Jimmy nibbles at some jerky and sips at his waterskin. The only downside to the break is how the winter reasserts itself. He very carefully does not wince at the cold water that needles down his throat.
“Here,” says Tango.
He holds out his hand for the waterskin. Jimmy gives it to him, though he knows he has his own. Tango clasps it firmly between both hands, and after a moment, hands it back. Steam puffs cheerily from the top. The next sip Jimmy takes is hot enough to make him shiver.
“Thank you,” he sighs. He takes another scalding gulp and shuts his eyes to focus on the warmth as it flushes through his chest and belly. “You’re amazing, Tango.”
Tango says, “You know, I worked in a coal mine.”
It catches Jimmy off guard. “You did?”
“Yeah, for about a year. They hired me as an engineer, to make things safer and more efficient. Not an easy balance, but a fun challenge.” Tango licks his lips, then says, “I actually worked with canaries. Designed an apparatus that resuscitated them when they passed out.”
“You did?” Jimmy says again. Broken record, Joel would say. Jimmy can’t be bothered to care. His chest is winding tight.
“Yeah.” There’s something off about Tango’s face, his voice. He looks a little earnest. He looks sad. “The owners of the mines weren’t too interested, but the miners themselves, they took as many as I could make. We all loved the little guys. Didn’t want to see them get hurt.”
“Oh,” Jimmy says. “That’s really cool.”
It’s a silly thing to cry over, so he doesn’t. He does indulge in a moment of bravery and reach out to hold Tango’s hand in his. Tango just runs his thumb over Jimmy’s knuckles, over and over. He doesn’t let go, even when they make it to town and a room and a bed.
When Jimmy wakes the next morning, Tango is still holding his hand.
:
“Tango!”
Tango jumps up with a start, sending the wood for their fire pit scattering. “What! What’s up? Are we running?”
“No no no—” Jimmy skids to a stop in front of him, wings flaring for balance. He’s grinning so wide his cheeks hurt. “That caravan we just passed. There was an old woman in the last cart, did you see her?”
Tango, gathering the sticks back up again, gives him a quizzical look. “Yeah?”
“Right, well, she had a thorn in her foot, I could feel it, and I figured she wouldn’t recognize me because she could barely see. So we got to talking, and I took the thorn out—bunions the size of mountains, man, I’m telling you—and look! Look what she gave me!”
He sweeps his hands out from behind his back. The green glass bottles slosh and clink together. Tango’s jaw drops.
“Ohmygosh, is that—is that wine? Jimmy! That’s wine! You’re amazing!”
Jimmy laughs, triumphant. “I know! I’m amazing!”
They jump up and down for a while.
“Okay okay okay, we should be smart about this,” Tango says. He stops jumping but keeps flapping his hands. “If we’re careful, I bet we could make these last the rest of the trip.”
Jimmy nods rapidly. He’s already removed the stopper on the first bottle. “Right. Just a couple sips a night, to warm us up.”
He takes a swig, then hands the bottle to Tango. “Right! Just a night cap. We’ll play it smart.”
:
“Can you?” Jimmy asks, deep into the second bottle of wine.
Tango has been giggling for the past hour, this funny consonant sound like an ignition clicking. The more they drank the bigger he built the fire pit, until the flames roared higher than they are tall, but Tango is happy, so Jimmy is happy. “Absolutely! Can I what?”
“Tango, Tango. Can you tango?”
Tango’s face is flushed. The pink clashes with the red of his eyes and the amber of the fire. Jimmy thinks it’s lovely. “Can I what?”
“Don’t laugh, this is an important question!” Jimmy is giggling too now. “I’ve wanted to ask you since we met. Do you actually know how to tango?”
“Jimmy.” Tango lifts his chin, expression sloppily stern. “What kind of question is that? Of course I know how to tango.”
Tango does not, in fact, know how to tango. They dance anyway, spinning and dipping and swinging each other in circles. They make flagrant and frankly ugly use of their horns. Tango nearly throws Jimmy into the fire by accident and then fishes him out at the last second. In return, Jimmy tries to lead Tango in a waltz he barely learned at the castle. They laugh so hard they stomp on each other’s feet.
They dance and dance and dance until they spin out of the safety of the firelight and get attacked by a skeleton. Then they stumble back to the fire and dance some more.
:
THE KING’S CANARY AND HIS COAL MINE?
“Is this kind of racist?” Jimmy asks. “It feels kind of racist. They’re calling you a whole coal mine.”
Jimmy and Tango squint together at the newspaper that nearly got them caught. Tango’s involvement has finally been noticed. His attempt to get them lodging for the night was met with guards and a frantic escape into the forest, where they crouched beneath a rotted old log until their legs fell asleep and their pursuers moved on. Then Tango pulled out the flier he’d grabbed in his haste.
He pokes at a short paragraph detailing his life. Well. His work history, mostly. “I think maybe it’s a reference to the fact that I used to work in a coal mine. I’m surprised they knew that.”
“Still feels kinda racist,” Jimmy says, then sighs. “I’m sorry, Tango. I knew you’d get caught up in my nonsense eventually, and it’s finally happened.”
Tango snorts. “I think I’ve been caught up in your nonsense for a while now, partner. This is like recognition for all my hard work! It’s kinda cool being on a wanted poster, huh? None of the other guys have bounties on their heads, not even Bdubs. I can’t wait to see their faces.” He prods Jimmy with a pointy elbow. “Guess we really are partners in crime now, huh?”
Jimmy knows he should feel guilty. But Tango is smirking at him, like they’re sharing a secret, and Jimmy banks the warmth of it in his chest like like something to be hoarded and adored. “Guess so.”
Tango’s name in the papers means they have to avoid towns and main roads. Meaning, in turn, that the safest option is to just keep to the forest.
This is fine in the daylight. Exciting, even! Jimmy always marvels at how Tango keeps their energy up. Cutting through the forest is more direct than the roads, anyway. It’s a bit of a struggle, but they’re making good time.
Then night falls, and suddenly it’s mobs mobs mobs, and Jimmy is shrieking and fighting with creepers and zombies and spiders while Tango is scrambling to find a clearing and build a fire big enough to ward them off. Somehow, they manage, after many scrapes and bruises, but winter is only ever deepening. The cold reaches into Jimmy’s bones. All of his joints ache, and even with the fire beside them and all of Tango’s extra bedding he shakes so hard he can’t sleep. He tries to keep his teeth chattering to a minimum.
“Jimmy,” Tango whispers from the next bedroll. Jimmy cracks his eyes open. From one side Tango is lit up in gold, but from the other the moon bleaches all his warm hues blue. “Jim?”
Jimmy does not let himself stutter. “Yeah, Tango?”
“You’re still shivering.”
“Um. Yeah. I guess I am. Sorry.”
“Why are you apologizing?”
Jimmy falters. “You already gave me all your blankets. I—I keep putting you out.”
“You’re not putting me out. Don’t think that.”
His hand brushes Jimmy’s cheek. Jimmy sees it coming and still he jumps at the first brush of warm thin fingers.
“You’re freezing,” Tango says, brow screwing into a knot. He bites at his lips, his eyes wide and worried. Moonlight glints off the points of his teeth. “Okay, so—I run hot. Blaze hybrid and all. If you’re up for it, I think it would help a lot if—if I get in there with you? Insulation and body heat and stuff.”
Oh, Jimmy won’t freeze to death at all. His face is on fire. “You don’t have to, Tango.”
“I want to,” Tango blurts, a few sparks flaring off the ends of his hair. Then he subsides, fidgety and shy. “If you want to, I mean.”
“I want to,” Jimmy says. “That could—that might be nice. Thanks, Tango.”
Tango’s shoulders sag in relief. His smile is toothy and painfully awkward. “Okay. Cool. I’ll just, uh—wriggle on in then. Incoming.”
Jimmy snorts. Tension, miraculously, dissipates. Tango does wriggle in, and when he’s done wriggling, he tucks the blankets under him to insulate the heat. The difference is instant, cocooning Jimmy in warmth so profound it practically tranquilizes him, eyelids suddenly heavier than bricks. He knows he should be embarrassed. Gratitude and affection drowns it out.
“Is that better?” Tango asks.
“Yeah.”
“Good. Okay, good.”
His arm rests gingerly across Jimmy’s shoulders. Already half asleep, Jimmy nudges into the narrow cage of his body. His sternum is hard and Jimmy’s nose thaws against it. "Thanks, Tango."
Tango’s arm relaxes. The world smells of spiced tea. "Always, Jimmy."
Jimmy sleeps better that night than all the many nights he’s spent on the road thus far. Better than any night in the castle. Better than he has in a long time.
:
They’re less than a day’s travel from the border when the snowstorm hits. While the sun is up Tango and Jimmy trudge and trudge and lob snowballs at each other, and when the sun is down they’re forced to cobble together some sort of shelter. Eventually Tango rigs up something droopy and wet that does nothing to keep out the cold but at least will keep them from being buried alive.
“Oh my god, it’s awful,” Tango laughs.
“Shut up, it’s amazing,” Jimmy says, because it is.
They drink the very last of the wine and then hold each other close for the rest of the night. For the first time since Jimmy met him, Tango shivers. Jimmy holds him hard and tries his best to rub warmth into his back.
And then Jimmy gets caught.
:
It’s his own fault. Of course it is. It always is.
The snow has stopped by morning, but Tango is still shivering. His golden hair is just hair, no sparks or flames at all. His tail is barely a smoldering ember.
“I’m fine,” he assures Jimmy though cracked blue lips. “It’s just a cold, it’ll pass. Not so good in the rain and snow, is all. I’ll be right as rain in no time, don’t even w-worry about it.”
Jimmy does worry. The only food they have left is hardtack, and the only water is freezing cold. Tango’s so weak that he can't even heat it. “There’s a town near here. You rest, I’ll keep my head down and get you something warm to eat.”
“Don’t,” Tango says, but any sternness is undercut by his trembling. “I’m telling you, I’ll be fine. If we get going now we’ll make it to the border before sundown. I’m serious, Jimmy, don’t.”
“I won’t go,” Jimmy lies. “Rest anyway. One nap to regain your strength won’t kill us.”
It takes some convincing, but eventually Tango agrees, and drops off nearly as soon as Jimmy cards a hand through his hair. Then he tucks Tango in, builds the fire as high as is safe, and hikes through the snow to the nearest village.
When he gets there, the townsfolk are too busy digging themselves out to really spare him a second glance. Notably, he doesn’t see a single paper with his name on it, not even in the tavern. He keeps his head down anyway, he’s careful, and he doesn’t whoop with joy when the tavernkeeper says they serve blaze powder soup, no matter how badly he wants to.
As soon as the town is at his back he sheds his cloak to wrap up the bowl and keep the heat in. A little sloshes over the side, but not much. In minutes his spine is aching and his muscles are seizing with cold, but it’s fine. Tango isn’t far.
He doesn’t see the club coming at all. Suddenly his head is cracking open, and his teeth are rattling in his skull, and starbursts are blotting out his vision and he’s on the ground, in the snow.
There are men. There are ropes. Jimmy blinks sluggishly and stares at the soup, splattered and steaming, and thinks, but that was meant for Tango; what will Tango have to warm him now? And he thinks, I’ll have to get free, so I can get more.
Darkness pulls him under.
:
“For the last time,” says the mercenary. “Where’s that coal mine attached to your hip?”
He’s one of five. Jimmy doesn’t know which one; they all look the same, even a week out, with the same rough beards and ugly laughter and bad humor. He might be able to discern them if he ever looked at their faces for more than a second at a time, but he refuses to do that, even when they yank on the rope slowly skinning his wrists and grab his chin and sneer inches from his face.
“For the last time,” Jimmy says back. “I wasn’t traveling with anyone.”
The man growls. Jimmy’s wanted poster is shoved in his face. It’s old, the ink smudged and barely legible.
“Bullshit. It says right here, coal mine. We want that reward, canary, and we’ll have it.”
“The paper’s wrong,” Jimmy snaps. “But kudos, you know, for being able to read. You don’t look the type.”
The back of his hand splits Jimmy’s mouth open. Blood speckles the snow in bright ruby droplets. The earth spins and Jimmy starts to list toward it until a meaty hand throttles his collar and brings him nose to nose. Jimmy looks sharply to the side.
“Watch yourself, canary. Mouth off like that again and I’ll skewer and roast you over this fire.”
It’s a bad fire, objectively. Tango’s are better by far. Jimmy shouldn’t say so, but he’s going to, because he’s angry. When he woke up and realized what had happened, he was angry. The next day he was angrier. And the day after that he was angrier still. He keeps expecting himself to cower, but his fury won’t let him. He’s angrier than he’s ever been in his life. He’s angry at the mercenaries, and at Ren and Martyn. He’s angry at Joel and Grian and his curse and the world and himself. He’s so sick of fear and sadness and hurt. The hurt won’t ever stop but he can get rid of the others. He can spit in this man’s face and damn the consequences. It’s not like he hasn’t died before.
Jimmy opens his mouth but all that comes out is a grunt of pain, echoed by the mercenary when another one comes and kicks him in the hip.
“No, you fuckin’ won’t. Reward’s only if we bring him in alive. You kill him, I kill you.”
Around the pitiful fire the other mercs guffaw in unison. The first man growls, gives Jimmy a shake like a dog with a rabbit, and then throws him aside.
“Reward don’t say nothin’ about roughing you up,” the man says. His boot digs into Jimmy’s stomach. Jimmy glares down at the snow and dirt and blood and doesn’t give him the satisfaction of crying out.
They try to get Tango’s whereabouts out of him for a while longer, but eventually grow bored with his silence. After a short debate they toss Jimmy the bones of their dinner. Jimmy ignores it.
In the dead of night, when most of the mercenaries are sleeping except the one on watch, Jimmy thinks he can hear the musical call of a horn in the distance. He thinks he must be dreaming.
:
At the end of the second week, the mercs get drunk. More drunk than any other night. At first Jimmy thinks this might be an opportunity for escape.
They drink more. They get reckless. Jimmy thinks, oh, this is bad. He’s right.
All they do at first is taunt him. Shove him around a little. A few more bottles in and they come up with a quick, admittedly creative game involving Jimmy’s curse. One mercenary grabs a rock and has the others stand around him in a loose circle. Jimmy is forced to stand in the center as well, and as the man with the rock turns slowly, threatening each of his friends one by one, the other merc watch Jimmy for his reaction. When Jimmy flinches at a strike to the shoulder or hip or face, the mercenaries try to dive out of the way of the hit they know is coming.
They do this for an hour. Jimmy is barely standing by the end of it. He doesn’t cry out once.
He doesn’t cry out, either, as they drag him to a tree and tie him to the trunk. Drunk fingers make poor knots. He could get out of this, he thinks. If he could just get his feet under him. If he could just make his hands work and his vision stop swimming.
The mercenaries are speaking to him. Words register on delay.
“Can the canary sing for himself?” one mercenary slurs. “Let’s find out!”
“It won’t work,” Jimmy mutters. His curse has never worked on himself. They don’t hear him.
One pulls a crossbow, and takes too long fumbling a bolt in. The others egg him on. “If you kill our reward, I’ll take it out of your hide,” one of them says, but doesn’t stop him.
“Stop distracting me,” says the man with the crossbow. He takes wavering aim. “I’ll jus’ knick his arm.”
Jimmy stares down the stock. He thinks about all the time Joel and Grian have ever laughed at him. He thinks of all the times Joel and Grian have ever made him laugh. He thinks of Tango, and the fragrance of spiced tea. He wonders if dying for real will feel like every other time he’s died.
A bolt slots neat and sharp between his ribs, and Jimmy thinks, yes, this hurts just as much as every other time.
The pain is blinding. He died to an assassin’s arrow once, choking on blood that both was and wasn’t flooding his lungs. It took ages. He hopes this is quicker. He can’t catch his breath. His head hangs and tears press from his eyes. For a second his vision clears.
There’s nothing there.
His head snaps up. The mercenary is still taking aim.
He shouts, “Tango, don’t—”
An inferno consumes the camp, and Jimmy’s vision sears to colorless white.
The mercenaries are screaming. A fire is roaring. Someone cuts Jimmy free, but he doesn’t see who. He can’t see anything. Pain comes in from everywhere, too much to separate. He’s burning and he’s bruising and he’s coming apart. All of it coalesces, all of it becomes the one lancing bolt that isn’t in his ribs. He can’t think of anything else. He can’t think at all.
“Tango,” he chokes. “Tango—”
His vision starts to go. No. He can’t die, not to this. If he dies, then that means Tango—
If Jimmy could lift his head, he’d see the forest on fire, and the mercenaries burning alive. He’d see Tango’s heaving back, bright as a star, and he’d see him turning back to find him, a hand pressed to the wound in his side.
Jimmy does not see. Jimmy is dead.
:
First, Jimmy stops being dead. Then he’s sleeping. In some starry, dreamless place, he grieves. Then he wakes up.
The first thing he notes is the ornate ceiling, a mural to Ren’s magnificence. Various takes on this same theme are painted in every room of the castle, so it's pretty obvious where he is. Either he was dead much longer than he's ever been or some other mode of transportation cut the travel time down to a fraction. Maybe both.
The next thing he notes is Grian and Joel standing over him. That explains that--Grian probably flew him here. They stood over him like this the first time he died, too. An old man had had a heart attack nearby, though they didn’t know it then. Jimmy was dead, and then he wasn’t, and then he was staring at Grian’s face, a thousand miles away, and Joel beside him, blubbering into his hands. When they realized he was alive they screamed.
They don’t scream this time, and they aren't crying. They look like they might have been, though. Their eyes are rimmed with red.
“Look who’s awake,” Grian says. His wings are poorly groomed and his smirk doesn’t look half as shit-eating as it usually does. He nudges Joel in the side. “Go get him, Joel.”
Joel glares. “Why me? You go get him!”
They argue about it for a minute, though Jimmy is too muddled by death to follow. Who are they fighting about getting? Ren? Martyn?
He settles back into his pillows. It doesn’t matter, does it?
Grian wins, eventually, much to Joel’s chagrin. He turns his glare on Jimmy, as he usually does. Jimmy expects to be noogied or boxed around the ears. Instead Joel hooks an arm under his neck and butts their foreheads together.
“If you ever scare me like that again,” he says, and sniffles hard, “I’ll bloomin’ kill you, you hear me?”
He huffs and grumbles his way out of the room. Jimmy watches him go. He turns his attention to Grian.
Grian waves a little. “Hi, Tim.”
“Hi, Grian,” Jimmy says, and he bursts into tears.
Grian holds him. “There there, you big baby,” he says, and pats his back gently.
Tango is gone, Jimmy tries to say. He tries to say, I’m sorry you had to save me again, I’m glad to see you, Tango’s gone. Tango’s gone.
Instead he cries and snuffs and gets snot all over Grian’s red sweater. Somehow, Grian lets him. He pushes at Jimmy until he scoots over on the bed. There’s more than enough room for them both; the beds in the castle are bigger and softer than any he shared with Tango on the road. That thought sets him wailing again. Grian chirps at him, sits him up until Jimmy’s slumped in the center of the bed and Grian can sit comfortably behind him, picking through his wings while he hiccups and sobs and shakes.
The tears don’t stop, but eventually they quiet. Various saline fluids drip silently down his face while Grian preens him.
Grian says, “Why didn’t you tell us you wanted to leave, Timmy?”
Jimmy’s breath shudders out of him. “You—you would have come with me.”
“Obviously.”
Jimmy can hear Grian’s eye-roll in his voice. He bites the inside of his cheek. “…You would have made me feel bad about it. I didn’t want to ruin your life.”
Grian’s practiced fingers twitch to a stop deep in his feathers. He huffs, withdraws his hands, then closes them firmly on Jimmy’s shoulders and turns him in place.
“You ruin my life every day, Timmy,” Grian says. He's frowning, but he meets Jimmy's eyes with determination. “But so does Joel. And I ruin yours and his too. We're all messing with each other, all the time. That’s how it’s meant to be, or we wouldn’t be—we wouldn’t be—”
“Yeah,” Jimmy says. Grian’s face falls into relief.
“We went after you anyway, you understand?” he says, gentler than before. “It was a lot of work, but we’d do it again. And we’d only make fun of you a little. So next time, just take us with you, save us the trouble.”
“Okay.” Jimmy’s eyes swell up again. “Okay.” Then he says, “I met someone.”
“I know. We were tracking you both. We found him first, then he helped us find you.” Grian pulls his sleeves down over his hands to wipe carefully at Jimmy’s face. More tears take the place of the last.
Jimmy can barely get the words out. “He’s gone, Grian. I don’t, I can’t—he’s gone.”
Grian’s eyebrows fly into his hair. “What?”
The door opens. Joel staggers in, supporting a wild-eyed Tango. His hair is a mess, singed at the tips. His slim chest is a cocoon of white bandaging. He is very much not dead.
“Jimmy!”
Tango breaks free despite Joel’s protest. He launches at Jimmy and immediately falls flat on his face. Jimmy feels it first.
Jimmy screams a little. Then he lurches out of Grian’s grasp and straight off the side of the bed.
“You’re—you’re alive! Tango, you’re alive!”
“I’m alive? You’re alive!” Tango springs up. His nose is bleeding. His hands are warm on Jimmy’s arms, helping him up, then on his face. The calloused pads of his fingers, the chips of his claws, the warmth of him. Alive. “I can’t believe you went to town like that, I told you not to, ooohhh, I’m so mad I could kiss you—”
“You’re alive,” Jimmy is sobbing. “You’re alive.”
Tango’s mouth wobbles, then purses, then wobbles some more. That makes no sense. What reason does he have to cry?
He pulls Jimmy into his chest. Every awkward angle and sharp jut of bone digs into him, and Jimmy only holds closer, tighter.
“I thought I lost you,” Tango says. His voice cracks. “I thought I’d never see you again. When I saw what those bastards did to you, I lost my mind. I could have burned the whole forest down. I could have killed them all.”
“You did kill them,” Grian says flatly. “Like, all of them. Barely left any for me and Joel. Rude.”
"I hurt you," Tango says. His arms around Jimmy stop holding so tight, which won't do. "When I burned them, I hurt you. You died for me, again. I'm so sorry."
"I don't care about that. I come back to life, Tango, you don't. You—" He pushes Tango back by the shoulders, feels his heart break at the sight of the bandages. "Oh my god, you did get shot. I knew it. You can’t do that again, not ever.”
Tango makes a clucking, clicking noise. Through the panic, Jimmy thinks: I missed your silly noises. “Yeah, okay. I’ll do my best to not get shot again.”
He’s smiling. It’s brilliant. He’s brilliant. He's alive.
Tango taps their foreheads together. Jimmy’s eyes flutter shut. His nose is clogged, but he fights for a deep breath anyway. Just one breath of that spark and spice. Just one more. Just one more.
“Also I’m here,” Joel says loudly. “If anyone cares.”
Jimmy ignores him.
:
Jimmy is on the road again. The air is cold but not bitter. The snow is finally starting to thaw.
Grian and Joel filled him in on what happened to his bounty. Turns out as soon as they learned that he fled, they went to appeal to the king on his behalf. Predictably, the king ignored them. Joel and Grian are not to be ignored, as Jimmy knows better than anyone.
After weeks of dedicated campaigning and psychological warfare, in which they managed to turn the whole capital city against its monarch, the Red King gave way to King Ren. King Ren remembered that actually he liked that funny little canary guy, and didn’t think it was all that groovy to hold him against his will. The bounty was lifted, a retraction was printed, and Grian and Joel took off after Jimmy. Instead they found Tango fuming in the snow. The mercenaries were acting on a bounty that wasn't even live anymore.
Jimmy isn’t ready to believe any of it until Martyn, grudgingly, hands him a severance package in the form of several bags of gold, the reins to a genuinely massive horse, and an official pardon with the king’s signature and seal. Ren calls Jimmy dude in it.
“What are you going to call him?” Tango asks.
“Norman, I think,” Jimmy says. Tango nods approvingly.
“Norman. I like it!”
Tango is walking beside Jimmy with a pardon of his own, and even a small sack of gold as an apology for the bounty. No horse, though. He’s the main reason Jimmy hasn’t mounted and rode off into the horizon. Joel and Grian are closing out their own affairs, and then they’re planning on catching up to Jimmy and helping get him set up in the next biome. Ranching still doesn’t seem like the kind of life they’d enjoy, so he doubts they’ll stay. Jimmy will live on without them. He did in the castle, and the did on the road. They can survive apart. It's nice to know, still, that they'll come when he calls.
As for why they're trailing a day behind, Jimmy suspects the only real reason for that is because they’re giving him and Tango time to…he’s not sure what.
Jimmy says, “I guess you don’t have to escort me to the border, anymore.”
Tango kicks at some slush. “I guess not.”
“You could go back to your demolition crew. Or anywhere else you wanted.”
“Yup. Yup.”
The sun is rising. The sky is mostly pink. In the distance birds are singing.
“I was thinking—”
“If you wanted, you could—”
They look at each other. Jimmy laughs, and so does Tango, clear and loud.
“You first,” Tango says.
Jimmy summons his courage. He’s surprised at how easily he finds it.
“You could stay,” he says. Tango stops walking, and so does Jimmy.
“What?”
“You could stay at the ranch, I mean. You said you wanted to see the plains, so you’re still welcome to join. You could stay at the ranch. For a little while, or—or however long you’d like.”
Tango stares at him. Jimmy’s courage falters, but does not crumble. He starts rambling.
“You wouldn’t have to pay rent or anything. Just help me around the ranch sometimes, with the cows. And the warden. And when you want to go explore, you could, and the ranch could be like—like a homebase or something. I’d never expect you to get hurt for me. And you’d—you’d never expect me to get hurt for you.”
“I wouldn’t,” Tango says. “Never.”
“I know.” Jimmy’s throat is tight. “I know you wouldn’t.”
Tango takes a few deep breaths. He looks a little starstruck, which Jimmy wasn’t expecting, and is very sweet. With each one breath the flames in his hair and tail swell and ebb, swell and ebb, until they calm down with one firm exhale. Jimmy waits patiently.
Tango meets his eyes and clears his throat. “Yeah, yes, I’d like that. I’d really really like that. I was going to say the same thing, but you said it better. You’re really incredible, you know that?”
Jimmy kisses him. Quick, the corner of his mouth.
Tango looks starstruck again. “Wow.”
Jimmy spins to face his new horse and mess with the bridle. It nickers knowingly. “Ahem. Um. Are we both going to be able to fit, do you think?”
There’s a sound that might be Tango slapping his cheeks. “Only one way to find out!”
They do both fit, though it takes about ten minutes of flailing and sliding off the side and Norman probably laughing at them in horse. The whole thing is objectively humiliating. Jimmy doesn’t care a whit.
It’s full morning by the time they’re ready to start moving again. Tango’s arms come around Jimmy’s waist. His smile is sharp and crooked at his shoulder. “Ready, rancher?”
A thrill goes up Jimmy’s spine. “Born ready!”
He gives Norman a little kick. They rocket into a gallop, and in under five minutes Jimmy is somehow the one tumbling off the side of the saddle.
Tango howls with laughter. He pulls Norman into a canter, then a trot, then a walk. It’s clear which of them have actually ridden before. “Oh man, I’m sorry, are you okay?”
Jimmy groans from the ground. “Maybe you should drive the horse.”
That sets Tango off again. “Sure, sure. I’ll drive the horse. Here, let me help you up.”
He leans down, offers his hand. Jimmy takes it.
“My hero,” he laughs. “My rancher.”
:
#life series#traffic smp#double life smp#team rancher#mcytblrholidayexchange2023#jimmy solidarity#tangotek#tango tek#grian#joel smallishbeans#ran's writing#life series fic#fantasy au#Jimmy is on the run for his life#Tango is just along for the ride#Jimmy and Tango's Big Disaster Road Trip
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Marrying Maru

Not too long ago, I married Maru, the nerdy Stardew Valley girl who makes robots. I then proceeded to get her final 14 heart relationship event, after which I lost interest in Stardew Valley.
This has happened to me before. 20 years ago, when I was into Harvest Moon 64, I chased Karen incessantly, giving her all the random gifts that I could forage in the forests and spending my evening hours in the bar with her at the expense of my farm. Upon winning her heart, I stopped playing the game.
Back then, I liked to joke that this represented some sort of cad-like behavior in myself - that the chase was all that mattered to me. But as an actual married fella these days, I know this isn't the case. Rather, I've realized that I enjoy Stardew Valley (and by extension the Harvest Moon games that inspired it) not so much as the cute farming game it mostly is, but as a relationship game. And when I say relationships, I don't just mean the ones that occur with Maru and the other dating options. I mean the whole idea of moving into a small country town, making friends with the villagers, and becoming a fixture of the community. All of that stuff vibes with me way more than the act of growing turnips, milking cows, or building silos so I can grow turnips more efficiently and milk even more cows.

To explain this in more detail, many serious Stardew players post pictures on Reddit showing their pimped-out farms that are entirely automated with turnips that grow themselves. My farm, in contrast, is a bit of a mess - it's semi-automated, but I've got trees planted far too close together, my crop arrangements aren't aligned, and the western sector of my farm continues to remain a shitshow because I just can't be arsed to clear away those rocks and stray weeds. All this aside, my farm is good enough, and I don't feel like continously improving it because it's not the meat of the game to me.
The meat, rather, is those aforementioned connections made with villagers, all of whom are kind enough to show me their current affection level with a handy little colored dot representing a heart in the righthand corner of their text boxes. Over the process of wooing Maru, I managed to max out the hearts of her parents, her brother Sebastian, all of the villagers who live in proximity of her family's mountain home (hello Linus, you swell hobo), and almost all of the other bachelors and bachelorettes, who proceeded to hit on me shamelessly after Maru and I went steady, because that's just how this game works. (Everyone lusts for the farmer.)

And so, with most of the townsfolk that I cared about either in love with me or enamored with me as a close friend, my interest in the game dwindled. Oh, there's still stuff to do in Stardew Valley, like finishing the community center or getting a 100% score, and for a while I considered both of those challenges. But the community center is infamous for the busywork required to complete it, and it forces me to pay attention to my seasonal crop output, fishing catches, and recipes in a way that requires min/maxing or guide-consulting, which is something I feel reluctant to engage with in a game about retiring from the stress and monotony of city life for the simplicity of the countryside. Once the center is complete, as well, nobody in town actually uses it, which is perhaps the most lamented fact on the Stardew Reddit. And as for the 100% score, I'm just not built to achievement-hunt and do every little thing for the allure of getting the 'perfect' game these days.
Stardew Valley also carries over an unfortunate habit from most of the Harvest Moons. Once you marry someone, their personality slowly diminishes as their story reaches a conclusion. This is fairly typical for video games, which have never managed to represent marriage as something that's a beginning rather than an end. Yes, you can have kids with your spouse, but those kids only grow to toddler age and end up waddling around your farmhouse for all eternity, only slightly more interesting than furniture. And I don't really want to have kids with Maru anyway - I just want to manifest the outcome of her 14 heart event, which was a cute astronomy date where we reminisced about her robot MARILDA, who gained sentience and decided to fly through the cosmos. At the end of it, we watched a falling star, and I told her I'd made a wish to grow old with her, and she said she had the same wish. But this wish shall never play out.

I say all of this with some facetiousness. Obviously, Stardew Valley is a very good project made by one very hardworking guy, ConcernedApe, who put years of his heart and soul into it. Marriage was just one piece of the puzzle for him to implement into a game that needed to juggle enough elements to appeal to fans of Harvest Moon, Rune Factory, and heck, even Legend of the River King. But as someone who loves the relationship side of these life sims more than anything else, I simply daydream of more. I chose Maru because she's the closest Stardew character who resembles my real-life biracial wife, and as one of only two POC characters in the game, I demand to know more about her existence as a half-Black resident of a mostly white town. On that note, what are her thoughts on being neurodivergent and having astronomy and robots as her special interests? (Yes, her dad Demetrius is most certainly on the spectrum, and Maru probably is too.) What about her relationship with her half-brother Sebastian, who resents her as the child who receives more fatherly affection?
All of these character traits gleamed at me as I got to know Maru, and alas, they remain mere gleams that are not further developed. Once again, I suppose it's a bit much to ask for Stardew Valley to delve into topics like race relations, since this is after all a very white game due to what I assume are the life experiences of ConcernedApe. (Maru herself is a 'Black girls do STEM' sterotype, admittedly.) But the fact that Stardew even bothers to bring up these topics at all makes me see the lovely potential that exists beyond the stars, and I wish that potential could be cultivated.
If I were to turn all of these hopes into reality, I suppose my ideal Stardew Valley would be one that still looks the same, but doesn't place end goals on farm success. (Indeed, I think you could replace farming with a wide number of professions - I'd personally love to play as a bookstore owner or libarian in a small town.) Rather, the finale would depend on raising those little heart levels in everyone's text boxes, creating community to the fullest, finding friendships that don't always exist in real life, and loving someone with all of their warts and drama - through spats with their family, realizations of their deeper self, and wishes that may never fully develop. Until we finally grow old and die together. The closest Harvest Moon ever got to managing this was with A Wonderful Life, but to quote an old meme, I think we can go deeper.
So that, in a nutshell, is why I married Maru and stopped playing Stardew Valley. To me, my game more or less reached its natural finale when the two of us smooched under the stars and thought about a future where we grew old and crusty together. That's the future that I long for with my real-life waifu...and I guess I kinda want it with my in-game waifu as well.

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I’m overanalyzing something that’s canonically not meant to be thought about, for fun, so here’s a speculative Saiyan biology question: how often do they actually need to eat? I’ve sort of joked about the possibility that it’s like large predators irl where they gorge themselves occasionally and then wait until the next big kill. This would balance out the amount they’re eating to closer to a normal human, just a surprising amount in one sitting, and dodge the thing I’m about to go off the deep end about. But I think they’re probably supposed to need that amount frequently? Which is like, rodent levels of frequency and portions, but unlike a small mammal, a huge amount of actual food consumed. It’s fine if there’s only a handful of Saiyans on a whole planet but how did that work when there was a lot of them? That’s a massive amount of food, where is it coming from? Are they mostly feeding their army by taking food from conquered planets? They’d still need to be producing enough for their homeworld. Is it being farmed automatically and that’s how they can have the majority of their whole species be soldiers? But like, Gine has a job processing meat, so it’s clearly not entirely automated. Stuck thinking about Saiyan agricultural production and supply logistics help.
Unfortunately, I can also say that almost immediately after finding out the amount that Saiyans eat, the back of my mind did jump to “how fast do they starve?” Like, is that a much bigger threat for them than a human or do they have about the same amount of reserves, even if they’re eating more? If it is way faster, how does that affect how they view food/hunger? As a fun irl example, hummingbirds have such an insane metabolism that they would potentially starve to death if they slept at night. So they don’t sleep like normal, they enter a state that’s more like hibernation to slow their metabolism down enough to survive. Many hummingbird species are fiercely territorial because they need access to their food source or they starve. I imagine a theoretical hummingbird society would be thinking about food differently. And because this is my indulgent post where I get to talk about animals, I’m also going to bring up vampire bats, which could also potentially starve if they can’t feed within two days or so (I did not go deep into scientific literature to find original numbers and sources for this estimate I’m sorry true bat fans. Actually same goes for the hummingbird estimate but I know more about birds.). Unlike the more territorial hummingbirds though, vampire bats roost together during the day in colonies, with the same other bats repeatedly. And their food source can’t be guarded like a flower patch can, so there’s less purpose to territoriality. So they can form long term friendships with each other by interacting in ways like grooming each other. Within these friendships, when one bat gets a meal during their few-hour-a-night feeding window, but the other one doesn’t, the one who got enough food will often share with their friend to keep them from going hungry. Then their friend returns the favor when their roles are reversed, keeping them both alive, along with the rest of their friend network.
So those are some very different responses to needing food nearly constantly. If I were deeper in ecology mode I could probably try and come up with explanations based on the types of food source and territory and other factors for why, but I’m here to apply this to Saiyans lol. Honestly, a cooperative strategy would make more sense given that they’re pretty human-like, but that’s certainly not the sense we get given of their society. Were they always super individualistic or is that a recent development? Are they even actually individualistic or is that fully a societal role thing (elites are different from lower class warriors)? Or is the idea that they don’t cooperate partly a lie made up after their deaths anyway? Speculative biology for intelligent species get the extra layer of culture just to make things more messy and fun. We also know pretty much nothing about their original home planet and the actual context that shaped them, so I don’t get to apply other factors, like how easy it is to defend food sources or how important it is to stick together. We probably won’t ever get to know anything more about their original homeworld/Sadala, which is disappointing given that we got hints about it, but it does leave more room for speculation.
#I don’t feel like putting this in anyone’s main tags I think it will find its audience#And if not I got to talk about birds and bats to myself#Also this is not the post I meant to make today but I’ll see about it tomorrow instead#At this point that other post would involve making a graphic and my skills are not amazing#I’ll give it a shot though#I did go into the deep end on this post#Some day I should start answering my own questions and come up with a saiyan society framework#Fun worldbuilding project#I’d probably get sucked into coming up with critters for them to share their world with though ngl
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Kopos Kos 🪿 for your travels
(wip content)
Kopos Kos, a proud and quickly developing nation located across what we know as Vietnam and Cambodia. The current emblem is definitely not my proudest work😓
The bird featured is a great cormorant, domesticated by our sophont wallabies (now called Walaba), used to aid in fishing to supply the Kepa-ka-o-o populations which base a lot of seafood in their diet as opposed to Walaba whom are completely herbivorous. The great cormorant represents initiative, resourcefulness and union between peoples, and is worn as a symbol of patriotism in Kopos Kos.
Kopos Kos was originally established as a farming colony, taking advantage of tropical soils and the abundance of wildlife but quickly established itself as a trade center, bringing in many Lau merchants and immigrants who began making their own settlements. The name Kopos Kos originally referred to a single town, though it is now a giant web of interconnected cities and villages across large stretches of land. By human terms it would be a country, however this concept doesn't yet exist on Beatha.
Because Walaba are herbivorous, livestock is generally uneeded in terms of meat, however domestic animals remain a common sight. The water pig, the equivalent of a Central Asian boar, is a new discovery that has been quickly integrated into agricultural life.
While many wild boars are aggressive when threatened or nervous, this domestic species tends to be docile and flees rather than fights if it comes down to it. Water pigs live in forests and jungles, preferring darker environments. Because of their excellent sense of smell, they are particularly good at locating food and water sources in areas that would be almost impossible to navigate through if you were unfamiliar with them, proving helpful to early settlers who often found the pigs near streams which lent them their name. Coincidentally, it was later discovered they have an excellent swimming ability. In Kopos Kos, water pigs are kept for their manure which is an incredibly efficient fertiliser for crops. The pigs also dig up root vegetables, and can be trained not to eat the roots and allow an owner to collect them instead. This process also aerates soil, which means automated tilling of small fields. Of course, even if they're not kept for meat, water pigs will eventually die. The skin can be harvested for leather, bones for jewellery and tools, hair for clothing and paintbrushes, etc, while the meat is sold off to Kepa-ka-o-o and Lau or used as food for meat eating domestic animals.
#Beatha#spec bio#spec evo#speculative biology#speculative evolution#digital art#art#speculative zoology#original species#this should be taken as a given but ignore what any words mean in other languages. olive oil or whatever
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CHICKENS
Chickens, named verbally by humans after the Old World creatures of a similar disposition, are a widely distributed livestock animal kept for their meat and feathers. Chickens have been shaped by generations of selective breeding prior to Human arrival to grow and shed an impressive amount of their coats, which are comprised of sturdy, hollow “pinfeathers” that contain softer fibers within, much like a flax plant. The sheddings are then collected and woven into a material called featherwool, which was the most common textile prior to the appearance of Human animals with the Santiago and still sees prolific use to the modern day, though it sees fair competition with the introduction of manewool (see Sheep). The Dragonsign name for chickens can be roughly translated to “featherfriend”*.
Traditionally, chicken feathers were collected from the ground with a wide rake and then sieved and washed to remove dirt and debris before being processed. Since the arrival of humans gave birth to widespread industrial revolution, this process has been automated in various manners, though it’s still done manually in many smaller settlements.
*Many widespread dialects of Dragonsign have two base words for animals, one meaning, generally, “animal who is a friend”, referring to domesticated animals and pets, and one meaning “animal who is not a friend”, referring to any non-domesticated animal (regardless of hostility). Prefixes are then attached to these words to give more specific meaning. The sign that has been translated here as feather for brevity refers specifically to the hollow fiber-feathers grown by domestic chickens, as opposed to other types of flimsier branching feathers that make up the decorative frills of many Dragons.

SHEEP
Sheep were named so as the successors of Old World sheep, who were introduced to Alcoritrés with the Santiago and, after mingling extensively with several local species of wild herbivores – most notably the cold-blooded greenrunners* native to nearby prairies, which led to the predominant modern-day hybrid pictured above – proceeded to thin out and almost entirely die off after a few generations or so due to their inability to evolve fast enough to survive the harsh weather that differentiated Alcoritrés grasslands from their previous pastures, leaving their genes behind in the form of their fortified hybrid offspring.
As a result, the sustained wide-scale rearing of domestic sheep on Alcoritrés only truly dates back about ~2950 years, by which time the recently-arrived Humans had recovered both the resource capacity to settle down with livestock and the hands-on knowledge of how to raise and interact with the newly-bred species.
In the modern day, sheep are kept for their meat, lanolin and wool, which is commonly referred to as manewool to differentiate it from the featherwool produced by Alcoritrés chickens. Sheep scales, spines and claws are also sometimes sold and eaten for their nutritional benefits: they contain high amounts of calcium and magnesium, similar to fish scales.
*Though the syntax resembles many Dragonsign verbal name translations, greenrunner was an epithet given to the animals (in Dragonsign called roughly grassclaw-notfriend – see the chickens footnote for further translation context)) by early Humans, whose initial encounters with them were most often when flocks of them approached the edges of the northern forest the Santiago had crashed in to search for food and shelter during harsher storm seasons. The fleeting glimpses of them along with their warbling vocalizations gave them a more eerie reputation than they rightfully deserved to the wary settlers, who weren’t entirely sure if they were observing a sentient species or not.
#fuck it. we posting. i dont want to get scared to post random shit on here or itll just be empty#LIVESTOCK LORE
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anyway another game update. because the last one isnt done
1. hardrock version
so, last few entries, i talked about getting silkworm and backpacks. turns out these things arent on my version of tfc. its on the hardrock version that requires you to boil your water, added a temperature system, and i think it also has tornados and piranhas? its much harder than the one i played. pro tip: if your installing the mod, dont just install tfc. i had a hard time with a lot of recipes because the tfc field guide on its own isnt very detailed. i got a lot better once i installed the essential beginner modpack that include map and coord help and JEI support to look up crafting recipes. even the harder version like hardrock was actually a modpack i believe.
tfc actually had a lot of version like tfc tng that only covers 1.18+ update, 1.20 current version, tfc plus, tfc hardcore, even the old original versions like 1.7.10 that came out ten years ago. the rule is, when in doubt, check field guide on github, install JEI mod, or ask their discord.
2. welding
anyway, back to the game. since my thatch bed is done and all i have to do is wait for the alpaca to be ready to shear again, i decided to make an anvil.
welding is an evil mechanic. the charcoal forge is evil too. i swear watching the copper ingot heats up is like watching water boil. but then if i look away and do something else the copper gets too hot and disappears. i lost quite a bit of ingots during the trial and error process. it is quite satisfying to see my first double ingots though. and crafting some bellows helped lot in making the forge heats up faster, and once you got it handled down, you slowly gets used to it and it becomes easy.
and then, you got your first copper anvil.
smithing is more fun and less tedious, because its a mini-game. but if there's one thing i want to automate, its that. more motivation for me to start making windmills. but then i realized the gear box needed to harness mechanical powers are made of brass, a metall alloy so i might have to do a lot of smithing manual anyway. fml
but seriously, smithing isnt as bad as welding things in a stone anvil. the waiting game isnt as horrible. i think, all the trouble i got just for my new copper boots and copper shields are worth it. im actually planning to do a helmet, but i dont have enough copper right now.
you know, i've been thinking of making a beginner's welding/smithing guide because there is a lot of ppl complaining abt it. i think once you got it handled its fun, but the documentation are hard to get through if youre very much a beginner gamer. i might not help ppl do a perfectly forged item (yet) but i can make crafting a copper anvil less of a pain in the ass.
3. farming / food
i might have made a mistake in moving after my base burned down. my place is cold. it has some very bright summers and spring, but its snowing more times in the year than it is sunny. its good for a steady supply of deer meat, but not good for farming.
but i still have quite a bit of a harvest. its so much that i need to make an extra food container and some of the crops rot because i just cant eat everything in time even when i mix everything up in soups and sandwiches. i can preserve and pickle things up more but i need vinegar and it requires sugar which grow from sugar canes and it doesnt grow in my area and maybe i also need to make jams so i have to make a jar but then that requires glassworking and turns out i need to craft a blowpipe and that requires. iron. and smithing on the anvil. astagfirullah.
back to farming, i can at least mitigate the short planting and growing season by using fertilizers to make things grow faster. which is where the crop rotation part came in. fertilizers have different ratio of phosphorus, potassium, and nitrogen, while plants require just one of said nutrients. if i keep planting the same type of seed in the same farm soil, the nutrients that affect its growth will slowly deplete along with the crop yield over time while the other nutrients that could be used to double the yield and make faster growing time are left unused in the soil. there is also the matter of some plants being more resistant to cold weather like cabbages and barleys. i might need to make a excel sheet arranging the most efficient crop rotation and the best way to get as much out of the short planting season of my base's cold climate.
(to be continued because this has gotten too long already!)
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