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a-clockwork-justice · 3 years

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Everything I Love About Loser Geek Whatever

So, not too long ago, it was the third birthday of Loser Geek Whatever. Yes, I know the single was released on November 30th 2018 and its considered the song’s official birthday, but the 26th July three years ago was the first showing of the 2018 Off-Broadway revival of Be More Chill and the first time Loser Geek Whatever was shown to the world in any capacity. Therefore, I consider that day to be the song’s unoffical birthday and I’ve been waiting to write down everything I love about it so here I am. (This was originally gonna be posted on the 26th July but I can’t make anything concise so it took longer than that).

I’ve gone on and on about what Loser Geek Whatever means to me personally, how a slew of random chance introduce me to it, got me deep into Be More Chill, introduced me to 90% of my current friends, and overall up-ended my whole life, but now it’s time to dissect the song itself and why it’s so great. As much as I adore Loser Geek Whatever, it could’ve easily been any other song that threw me down a rabbit hole and that I could’ve latched onto- no, wait, it couldn’t have been, because Loser Geek Whatever is unique in that way. I did about a year of music at A-Level so I’m gonna delve into some of the technical aspects here too. I’m chronicling this mostly for myself so I am going as deep as I see fit because this song is a treasure hiding yet more treasures. If you happen to love Loser Geek Whatever as much as I do, this’ll be your goldmine.

So, grab a snack my fellow fans, because here’s a comprehensive list of everything to love about Loser Geek Whatever in roughly chronological order. Long post incoming:

The song starts off strong from the first millisecond - I don’t know what instrument(s) they used but just listen to the single version again - that opening chord blares at you like a siren. It calls for your attention, screaming this is incredibly important, and indeed it is. That chord, an F chord, has no indication as to whether it’s major or minor - it’s just the tonic F with its dominant C and another tonic F above it. In other words, it’s unresolved, it hangs in the air. From a narrative standpoint, Jeremy is at a crossroads, torn between giving into the SQUIP or staying loyal to Michael, and the music paints this. It has the same effect on both the single and album versions - I always hold my breath as it holds, it’s the gap in this crucial transition for Jeremy between who he was and him becoming something he isn’t.

To continue the thread of musical painting, the melody line contains the accidental E-flat which doesn’t belong to the key of F major. This once again illustrates Jeremy’s uncertainty, but there’s more - the whole introduction is a slowed-down version of the Apocalypse of the Damned theme from Two Player Game, arguably the point in the show when Michael and Jeremy’s relationship was at its strongest. Jeremy’s recalling everything he had with Michael, but the slowing down of the melody shows hesitancy, along with highlighting the accidental E flat. These latter points of course aren’t unique to Loser Geek Whatever - they’re also in the section of Upgrade that twins with Loser Geek Whatever. I’m just laying out why they work so well.

I’m glad I waited until after I saw the show in London to finish writing this - I’m something of a Loser Geek Whatever purist, as made clear by my ire at them cutting it in half and tacking the end of Upgrade back on for the London version. I still enjoyed the show in London though and I’m glad I knew about this change ahead of time, because they did change something about the song that I think really worked - they added two notes in the bass to each bar, like heartbeats, which once again signifies Jeremy’s uncertancy and the importance of this major turning point.

It’s been firmly established by this point that Jeremy is a loser and he knows it. He doesn’t want to be a hero, he just wants to survive, but there’s a difference between that and feeling “inconsequential.” Jeremy is basically admitting that, in his eyes, it doesn’t matter to the world or anyone except Michael if he even survives or not. He’s not just a loser, or a geek - he’s a whatever, with no one caring who he is. And he’s felt this way for years - since middle school began. He’s now in his Junior year of high school - that’s five years of being in this state of being unnoticed at best and picked on at worst. He’s “the one who’s left out”. With just one little line, hell, one word, we’re given more layers as to why he so badly wants to change that.

Moving from the first verse to the chorus, we start to see Jeremy’s attitude shift, from being sad to being angry - he’s frustrated, resentful that he’s spent so long in this state (A lot of people have made similar comparisons about Will Roland’s Jeremy as a whole in relation to Will Connolly’s Jeremy and I think this song exemplifies that). He doesn’t deserve to feel this horrible - not now and certainly not for the next two years until he and Michael can be “cool in college.” When you think about it, what options does he really have? He could either give into the SQUIP or reject it and go back to where he was, still miserable and lonely. Yes, he has Michael and Michael is an amazing, kind, loyal best friend, but as many have pointed out, he’s also dismissive of Jeremy’s feelings of inadequacy whether he means to be or not, which only made Jeremy feel more lonely. Should Jeremy just expect to feel better about himself at some point before college? He’s waited for years, why would that happen at any other point?

More layers baby! Second verse, Jeremy rants on about his father’s advice about following his own instincts and how it’s gotten him nowhere he wants to be. Come to think of it, Michael’s advice about staying the same and waiting for their environment to change can be seen as similar - it’s arguably easier for Michael as he has two loving mothers who undoutably give him plenty of positive reinforcement. Meanwhile, Jeremy’s mother has left them, which likely instilled further feelings of not being good enough, and his father has fallen apart to the point where he can’t even put pants on, let alone step up to take care of his son, meaning that Jeremy likely isn’t going to take his advice very seriously, especially after it’s failed him so thoroughly. But to Jeremy, the problem isn’t necessarily the advice itself - it’s that it’s being followed by him. So now he’s going to turn around and put his life and every choice in something else’s hands, even if - no, especially if it goes against his own instincts. It still doesn’t feel quite right, it “feels bizarre”, but it’s getting him somewhere, so it has to be right in the most meaningful capacity, and to Jeremy, the “most meaningful capacity” is any capacity that isn’t his own.

Now the best line - the one about being a “normal, handsome guy”. Let’s get this on the table - Jeremy is trans. Will Roland himself said that he often thinks of the show’s young trans fans when he sings that line. Naturally, societal transphobia plus gender dysphoria would have a pretty catestrophic effect on the self-esteem of any growing teenager, even more so one in Jeremy’s situation for the reasons I’ve just laid out. He’s probably missed out on a lot of things that “normal” guys take for granted, with most girls barely looking in his direction, let alone in any positive manner. Jeremy’s own sexuality aside, it’s mostly society, and the SQUIP by extension, that considers scoring with girls to be a “manly” or masculine activity, and through Brooke treating him as dateable material, Jeremy feels better about fitting into society’s rules of how a man should be and act. This isn’t the only reason he feels good about Brooke finding him attractive, of course, but it’s just another layer that Jeremy sees more value in conforming to how society says he should be rather than in how he actually is.

I know I just said that the last point was about the best line, but honestly, there’s more than one best line in this song. The bridge is where we start to see Jeremy’s language becoming more technologically inclined - “prompt”, “command” and “bandwidth” are all terms used in computing and used to show how Jeremy is likening himself, or his intentions, to a computer, effectivly merging himself and his SQUIP into one entity and Jeremy willingly giving over his own individuality.

And HERE, we get to the kicker. I’ve talked a lot about layers throughout this whole essay, about themes and motifs building on each other. Jeremy is essentially peeling back the layers of his own situation and only finding reason after deeper reason after deeper reason as to why he should follow the SQUIP and not be a loser anymore. Now, he hits the core, the seed, the crux of it all - “The problem has ALWAYS BEEN ME!!” Everything he is, everything that makes Jeremy Heere himself, is and has always been wrong. This line is a gut punch and EVERYONE knows it - the performer always takes a few seconds to let it sink in before continuing.

As an aside, I wanna mention the differences between the single and the album versions of the bridge. The album version starts of quieter after the vocalising of the last chorus, and builds up to the climactic final line, while the single version is loud all the way through but gets even louder and punchier at the end. Both are good, but I personally prefer the single version - the album sounds like Jeremy is broken and desperate and on the verge of tears as he reaches his inevitable but ugly realisation. The single is also desperate, but it’s pleading and all-consuming and a THOUSAND times more powerful, I get chills every time I hear it. (Side note, the London version starts of loud like the single and ends quieter like the album, almost as if Jeremy is reluctant to admit what he truly believes about himself, and it’s easy to see why, it’s a damn harsh condemnation).

“Take a breath and get prepared” - Jeremy sings to both himself and the audience. The first half has been heavy and we need a breather. Yet just before he goes over the brink, he has second thoughts. His conscience, his own voice in his head, breaks through, warning him that his choice will have consequences for other people than himself. People will get hurt - Michael most of all. Not just by Jeremy ditching him; here’s something else - when Jeremy is the “cool dude”, he might end up being a bully to those who are losers just like him, cutting them down just as Rich’s SQUIP made Rich do to him. Who would be the perfect target for Jeremy’s potential future bullying? His former best friend and fellow loser, Michael Mell. It’s pretty damn likely that if the SQUIP hadn’t optic nerve blocked Michael, it would’ve told Jeremy to pick on him, and even though Michael has ostensibly been pretty good at brushing these things off before, the takedowns would hurt a LOT more coming from his former best friend - and we know this because IT ACTUALLY HAPPENS, granted without the SQUIP influencing Jeremy directly (also let’s just clear up that just because the SQUIP wasn’t on doesn’t mean its influence on Jeremy hadn’t disappeared - that’s not how emotional abuse works).

Twelve years of loyal friendship, of borderline unhealthy codependency … can he throw all that away for Christine, a girl he’s thus admired from afar and is only just starting to get to know as a person? Moreover, even if Jeremy gets Christine, what about himself, who he wants to be? He just wants to be something other than himself because he thinks that anything is better but … what? The cool dude, the hero or … whatever. He’ll take anything because he’s that desperate, but what about when he gets it? Will he finally be satisfied? Will it be worth failing his one real friend, an act so scummy that the only way he could possibly stomach it would be to somehow pretend he hadn’t done it?

But none of those questions matter to Jeremy now - he’s fully gaslit into believing that every thought and inclination that comes from himself is wrong and shouldn’t be followed. He needs to sync up with the SQUIP and the rest of the world and mute his own defective inner voice. When you think about it, the relationship between Jeremy and the SQUIP is one of the most intense abusive relationships ever put to fiction - we’ve seen emotional abuse and brainwashing before, but here, Jeremy is literally preventing from THINKING the wrong way because the SQUIP can detect his every thought. See what I mean when I say that doesn’t go away when the SQUIP turns off for a few minutes?!

Throughout all of this is the undercurrent of Jeremy wanting to get better. He’s been trying so hard for so long to have a better life, but nothing has worked. Not listening to his dad, not trying to get closer to Christine through theatre, and certainly not listening to Michael’s advice to wait until college. Why should he resign himself to even more time being miserable with no end in sight? After all, being cool in college isn’t a guarantee. After all he’s been through, it’s his turn to finally be cool, after an eternity of being someone he doesn’t want to be.

Another best line in this song - “I’m Player One.” As mentioned a few times in the show before, like in the Broadway upgrade, Jeremy feels lower even in his friendship with Michael - he’s Player 2 as the more experienced Michael is Player 1. As previously established, Jeremy admits that he’s “not the one who the story’s about.” Now he’s ready to finally take control of his life, be the main character and have good things happen to him, and that means cutting out Michael, the old Player 1. The irony here is that Jeremy is less like Player 1 and more like a video game avatar. In reality, the SQUIP is Player 1, making Jeremy do whatever it demands of him.

More best lines! The slew of insults towards the end serves not just as yet more gut punches for the audience but as a major catharsis for Jeremy - It’s telling that the insults get harsher as his rant goes on, from the “weirdo” to the “weakling freak” to the “failure” to the climactic “please don’t speak”. He’s unloading everything that he’s been carrying over the years, ripping out the bullets that have been embedded in his skin and re-opening all the wounds in the process, but he’s done with the pain and he’ll never ever let himself be hurt like that again, if he follows the SQUIP.

I’ve made a whole post about the significance of the best line “Please Don’t Speak” before so I’ll mostly be repeating a lot of what I said there because it’s been a while since that post and because I want to. Who would’ve said that to Jeremy? Probably not Rich or Chloe, it’s not like them. It had to have come from an adult in a position of authority that could’ve commanded Jeremy not to speak like that - one that apparently did so enough times for him to internalise those words like he did the others. (Even worse if it was more than one adult ...). Out of all of the insults, it’s easy to see how that can easily be the most scarring out of all of them - how would an adult let a child know they’re inadequate? By silencing them. Making it clear that their expression of self not only means nothing, but should be forcibly avoided. Put like that, it makes it much easier to see how and why Jeremy fell under the SQUIP’s influence so easily - telling it was hardly different from authority figures he’s experienced before. In even more sad irony, as Jeremy claims that he’s breaking free and letting go of his past as the “please don’t speak”, he’s just walking right into another, similar trap that he can’t easily escape from. The SQUIP literally vocal cord blocks him during The Play - if that doesn’t say “Please don’t speak,” what does?!

The climax is growing! The music shifts into the relative minor as Jeremy fully gives in to the SQUIP’s evil influence. This is the point of no return, the point where he’s literally being surrounded and overtaken - if you’ve seen this on stage or even just a bootleg, you’ll know what I mean, when the lighting shifts and the circuitry start closing in around him, it’s wonderful. The bass ascends, Jeremy declares once and for all that HE IS NOT THE LOSER, THE GEEK, OR WHATEVER, and he never will be again! As some have pointed out, the sequence of notes on the final “again” is the same as at the end of Be More Chill Part 2, except the last note is different. In BMC part 2, it goes further down by a minor third, but in Loser Geek Whatever, it rises up to the same note it started with. This foreshadows Jeremy’s fate - that he will eventually overcome the SQUIP and that he still has it in him to do so. Man, let me just point out how amazing that last belt is - it lasts for a full 15 seconds in a really high range and takes a LOT of control to bring it back up to the high B without breaking. This song really was written for Will Roland - his voice can pull it off seamlessly, but other actors and understudies have had to find workarounds. No disrespect to them, it’s a damn hard song and it kicks ass all the way through. Scott Folan apparently had trouble with it too, but on the day I happened to see him, he pulled it off without breaking, so props to him!

Overall, Loser Geek Whatever is my favourite song in Be More Chill and not just for its sentimental value to myself. It’s a genuinely deep, complex piece that earned every second of its six minutes. Loser Geek Whatever is definitely the missing piece the show needed - not only is it Jeremy’s solo song, it’s also his “I Want” song and, in a way, his 11 o’clock number all in one, as he’s having a major epiphany after going on a journey, albeit only half of one. It’s easy to see why Joe Iconis dubbed this his anti-Defying Gravity, but it’s also easy to draw parallels to No Good Deed - how both Jeremy and Elphaba vow to become something that society is forcing upon them rather than what they are, even if that society’s will is objectively worse for them. Loser Geek Whatever deserves a thousand times the recognition it has and I still wonder to this day what the fandom reaction would’ve been if it had been in the original soundtrack.

So, that was it. I’m not sorry it was this long.

TL;DR: Loser Geek Whatever is wonderful and anyone who doesn’t think so is wrong.

#be more chill #loser geek whatever #joe iconis #will roland #be more chill meta #music theory #broadway be more chill #be more chill 2.0 #be more chill 3.0 #musical theatre theory #tw depression #jeremy heere #michael mell #be more chill analysis #tw emotional abuse #trans jeremy heere

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transsexualhamlet · 4 years

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the many sins of tokyo ghoul :re

or: 13 reasons why :re is fucking terrible not clickbait

Disclaimer: I think no matter how long this post gets I’m missing something, so let’s just outline the worst ones. And I mean to be transparent, the only reason I actually read :re was so I could make this post... (and bc i wanted to see the what, five panels of hide) Well, I couldn’t stand hating it without evidence beyond hearsay and General Vibes. But I knew it was gonna be bad, I knew it was going to ruin me jesus christ. Obviously I’m not hating on people that like it, and I don’t think there’s anything wrong with genuinely enjoying it (I do genuinely enjoy parts of it, and by parts i mean chapters 1-50 with exceptions and 75) I think it’s wonderful if you can derive joy from it (lmao) but I can say that through my lens in life, there’s so much fucking wrong with this goddamn fucking piece of shit manga and I feel the need to yell about it because i am ✨autism✨ so let’s get going (this is r e a l l y long just a warning)

tl;dr Ishida stay in your fucking lane

1. Transphobia and Homophobia:

alright here we are first off with the big one and if I had to choose, one of Ishida’s greatest sins here. It’s quite unusual in mangas like these to have any sort of representation for such things in and of itself, and yeah of course that annoys me, but having no represntation at all is like so much better than getting actively harmful representation. Most manga that aren’t specifically about those things shy away from those topics, and it’s tiring but it’s normal. You wouldn’t want a mangaka to try to write about something like that without experience or informed opinions. So I say if you can’t write something correct, just don’t write something like that in at all. Ishida clearly,,, does not get this.

And it’s not just the case of Mutsuki, who, well, gets it bad enough, there are three full fucking trans characters Ishida made like, just to shit on.

Big Madame- god, made like that specifically to perpetuate the predatory trans woman trope jesus christ is Ishida friends with JK fuckface Rowling. Ah yes the ugly, human trafficking, predatory, pedophilic killer that tried to make their male child more feminine? Has a dick. Really? Could you be a single bit more transparent about your fucking agenda here? I really don’t have to say much here.

Kanae von Fuckwald- Technically Ishida says here that basically this bitch was just like??? Pretending to be a guy for years just to what?? I don’t even know?? Get together with Tsukiyama? Cause he’s fucking gay or something? I don’t even get it but like i read this post yesterday and that’s a whole ass thermian argument. It’s like “oh well this is fine because well this person’s not actually trans and therefore the representation thing doesn’t apply”... it’s useless. You created the character that way and you made it intentionally to for whatever way promote this idea that people would “pretend” to be a different gender and that eventually they’ll realize that it’s a “lie” and they never really wanted it. This is what you’re saying about the real people who are,,, actually trans? Jesus christ. Also thinking that a twink like that would be trans? God yeah trans guys can be feminine but buddy that’s clearly not what you’re going for here.

And of course, Mutsuki- There’s just... so much wrong here. I mean like. Before we even get into anything about his character and what they did to him let me just discuss his entire design. Buddy like if you had to choose one person in that show to be trans that’s the least likely one. Ah yes, the feminine one. With the androgynous haircut and the shy disposition and the physical weakness compared to the others. God that’s like, a fujoshi’s take on ao3 of what character should be trans. As much as yeah of course, trans guys can be feminine, they are in no way obligated to be such and you shouldn’t make them more so to be more “believably” so. Ask any actual trans person ever. A character like that is just perpetuating the notion of trans guys being inherently more feminine or trying to pretend to be otherwise.ThEn, of course, there’s the ridiculous sexualization, infantilization and fetishization of this character, going through a thousand plot hurdles to make him constantly stripped, put in girls clothing, chased by perverts, assaulted, ET FUCKING CETERA. Give him a fUCKING BREAK. Creating this character the way he’s portrayed in canon (including so called backstory of murdering parents because of sexual and physical abuse) is perpetuating a notion that someone would be a trans guy because of internalized misogyny and/or trauma instead of because they’re just... a guy. It’s just it’s just it’s just Really bad. Plus taking his character, demonizing him and making him like, supposedly love haise (which i Really hate for a thousand reasons, god that’s like, a parent and child type relationship they have there not romantic,,, god,,,) try to like fucking murder touka and stop seeing sense, and then just... return him to being infantalized. God. Jesus christ fucking goddamn it I love Mutsuki and he deserves better.

Oh yeah and then the homophobia, this one’s smaller because... most of the trans people are here to go “it’s gay... wait it’s not Really gay so it’s ok” but I would like to leave a small note here for all the gay characters who got thrown under the bus not just in re but in the original, like, you know, Nico and shit? I really do not know shit about Nico but all the things about Jason? God if I had a thing for one person that you shouldn’t try to portray as representation it’s Jason. IDK what’s up with him and Naki but god it wasn’t healthy. (i’d like to say here that i love naki and i think naki deserves the world but honey there are better heroes than yamori) Anyway yeah I think that’s also bullshit and Ishida should stay in his fucking lane. (or her i guess, i just feel like it’s probably a guy bc of just... so much sexism)

Ok, now that we have the big one out of the way-

2. The mishandling of portrayals of various mental illnesses:

I’m not an expert on this one like I can say about the gays TM but just like in general, the whole manga’s very messy and portrays a lot of gritty stuff, and Ishida clearly attempts to throw in some mental illness for fun, but god fUcking damn it they’re bad. I couldn’t really even give you examples bc it’s pretty widespread and i’m stupid, but it was really like trump throwing paper towels “and you get a demonization, and you get an infantalization, and you get a butchered character, and you get a fetishization-”

3. Ishida having no fucking clue how science works

This particular factoid led me to have a very hard time reading this manga because it went from being about like, yknow, torture and fights and crying and stuff to weird experimentation bullshit and mutated whatever and everyone’s a hybrid now I guess. When I heard this thing about the quinxes, I thought that made no sense, because I was like “yeah but wait,,, how tf does that work didn’t Ishida say earlier that kagune literally were fueled by human meat isn’t that like the entire point the ccg is against?” and then Ishida’s explanation of how they’re not just exactly like Kaneki is that “oh yeah well there’s like, metal around it, so it’s different.” OH YEAH OK THAT MAKES PERFECT SENSE NOW, THANKS.

The thing is... there’s no way of actually regulating that. You couldn’t move a kagune unless it was attached to your cells, and if it’s attached man, it’s attached and it’s part of you. Also yelling “frame two” won’t like make it any bigger lmao, either you’re gonna have it based on theoretical science in this universe or you’re going to have a dumb supernatural magic pokemon fight deal. The whole thing makes no sense. The science issue isn’t just about this either, it’s also about how the entire thing basically undermines the point of the whole story. When you blur the lines between human and ghoul with little to no real rules or basis in real science, every rule kind of just becomes cheap plot convenience.

So the Quinxes can eat human food unless they use their kagune too much, alright, but Kaneki couldn’t eat human food before he’d even ever used his though the only difference between their bodies was this,,, theoretical metal thing?? And Haise... was never really covered, before he went black hair emo bastard and like vored Eto, did he eat human food like the rest of the CCG? He certainly cooked it. And the squad that lived with him wasn’t aware he was a ghoul until he pulled out the kagune. So I’d assume so, but then how could he have a kagune, how could he survive when his body still was like that?

Is it the RC suppressents? Then couldn’t he just have taken those and lived as a human the entire time? Is that all he fucking needed, is that the only difference between human and ghoul? It doesn’t make sense and the rules are bent so much they don’t function anymore. Ishida like write down your rules somewhere even if they’re bullshit, they shouldn’t contradict each other.

Damn man I’m not even going to go into the dumbass rules of the half humans or the special fast aging thing or the fucking,,, folded up cells deal,,, or the Imagination Kagune, or the fucking,,, Dragon, or the zombie ghoul apocalypse or the “whole new species made of just kagune” i don’t even have the time it is fucking ridiculous and I can’t even with it. Physics. Laws of physics. If not biology, at least follow physics Ishida??? Please???? And if you’re not you need to do that consistently??

4. character glow ups actually being character glow downs

(with the exception of nishiki, he baby now, and akira, i think her development was valid af)

God, this one gets me every time. Touka was cool. Touka was fucking badass, she had a complex character with many motivations and wants, and in the original having her eventually kind of soften bc of Kaneki is valid. But taking her and turning her into like literally nothing but Pretty Housewife Yearning For Husband At War? God, kill me. She’s a strong person. She can like Kaneki without the guy being her only character trait. Also uh, Touka and Kaneki being a couple was valid before this change, now I honestly can’t stomach it. Like they were the kind of “both bisexual” m/f couple that we stan. No longer I guess.

She’s the most egregious example, but I’d also like to point out Juuzou, not everything they changed about him is bad, honestly we fucking stan his knife legs, but he’s kind of like a rip off L now? You got rid of his ~unhinged~, we do not stan. I’m on the fence about him bc i think that kind of is a valid transition to adulthood and I guess he’s grown up, but again, why change his fucking hair color? What is the explanation for this?

Also Hinami. I mean, I don’t really care about her a lot in general, but it’s weird to see her as like an adult when Ayato emo boy looks like exactly the fucking same and they’re like,,, supposedly the same age.

There are definitely more I’m missing here. Honestly, Hide was valid. God him with his fucking burlap sack. With a fucking lenny face on it. I can’t with him. That’s so Hide. But there were some bad ones.

5. one hair color change was my limit, enough said

black white black and white black white more white god bitch get some variety

6. Showing me great new characters and then promptly ruining them

And you can tell this one’s about quinx squad, my favorite bastard children. God, I love them. They’re the only good things about Re other than Hide and Haise and like everything else, Ishida took them and went “what if i *guts*” god why. I love these kids with all my heart. Why. Why. Why did you do that to Mutsuki. Why as soon as Haise isn’t in the room they all get themselves tangled up with pedos. Why they gotta break up the squad. Why make all of them lose all the wholesomeness and lessons they learned from Haise. Why do you ruin them all with weird unreciprocated random crushes on each other when they’re like basically siblings. Why fuckinG KILL SHIRAZU HE IS THE APPOINTED CHIEF DUMBASS OF THE SQUAD WHY HIM. WHY. WITH SO LITTLE IMPACT. YOU COULD FUCKING MISS IT SO EASILY. THAT’S NOT RIGHT. AND KANEKI JUST FUCKING ABANDONS THEM BC HE HAS HIS MEMORIES AGAIN N O ? NO ACTUALLY NO.

7. the casual racism and sexism :)

i just :) can you stop having girls constantly bring themselves down for being female :) and making them be oversexualized, less full characters :) always in some way connected to a guy :) more weak and hurt more often :) my fucking god :) also yeah it’s way less prevalent but there were a few racist caricatures thrown in there for taste if you don’t know how to draw lips just don’t

8. Ishida being too much of a pissbaby for a real death scene

Basically: undermining the impact of “deaths” fom the first series while also randomly and badly killing off new characters. Oh that character that died in the original in a really cinematic way that made you cry and think about the meaning of life and how beautifully tragic this story was? Oh lol they’re not Actually dead. (x10) Doing that with Hide (at least in the manga, not the anime, god root A really did it with him but we’re not talking about that) was valid, seeing as I love him your honor and in the manga one of the lessons that his character hinges on was like in chapter 75 to live on instead of giving up even if it hurts and all that... (this is obviously kind of the opposite from root A where his character was like more about sacrificing for kaneki since kaneki had already done so much, i think both are valid but we’re Talking About The Manga) he was done well. That was right (even though i think they should have done More of it) but there were so many characters this kind of thing was done to without the proper adjustment in the handling of the messages given here.

Like with Koma and Irimi, who,,, honestly should have stayed dead because their entire character arc kinda ended there and showed how they were sorry for their actions and this was how they were making it up. And then they just like... come back. And fight more. Really? This wasn’t the only instance either, same deal with Shinohara (though him coming back made me cry) it like, kind of undermines it if you’re going to have Juuzou derive his character development from that. Either Juuzou gets to keep his unhinged and his dad, or he loses his dad for real and he also grows up. God guys choose. What’s the message you’re playing here. (at least they kept Yoshimura dead, his death made me cry and I would have stabbed something if it wasn’t real, probably Ishida.) And even with Kaneki himself, god, if he can’t die from being stabbed straight through the fucking eye, what COULD kill him? It really diminishes the anxiety you feel about “omg is this person gonna die i want them to be ok” if they basically evade the laws of physics and their own previous character arcs 70 times. I’m definitely forgetting more of the same, Ishida can’t write a good death, he needed the anime writers to do it for him.

9. Kaneki. Just. Kaneki.

God they fucking butchered this man. I could go on about his character is weird and confusing in the manga from the beginning, but we’re focusing on mostly all his weird :re character development, the bad handling of Haise and his memories, and all his iterations.

Before I read :re, what I could glean from fanart and the occasional fic that wasn’t tagged properly was really confusing and kind of a mixed bag. I knew Haise was Kaneki but without his memories, now in the ccg trying to be a pacifist and going :DDDDD a lot yknow. And what I came up with in my own mind for that change was a deal of (this makes more sense with the anime canon tbh, the manga honestly doesn’t do any of this well) like Kaneki after The Shit Went Down With Hide (whichever canon you’d like to interpret that as) he basically realized that he really couldn’t be a ghoul, he didn’t want to be, he didn’t want to hurt people and he wanted to be happy and make other people happy instead of what he thought was right before (trying to fight to protect others on his own etc) because that mentality had gotten people he loved hurt, and well subconsciously I guess that kind of factored into his development into Haise and maybe caused his memory loss (along with the, yknow, shanked eye.) So when I started to read it that kind of checked out, this is what he’s trying so hard to be now. But then this whole bullshit of the whole other like, 37 different versions of kaneki complicated things.

Haise was scared that when he got his memories back he would cease to be, well, Haise, and he would just like revert back to what he was before everything. Which I can understand him being scared of and I think was a good point in the plot for him to worry about that, but I was like “oh honey don’t worry that’s not how it works” and was kind of vying for him to eventually get his memories back, come to terms with the fact that those were his memories, he did do those things, he was half a ghoul, and maybe come back to his original fight of wanting to bring the humans and ghouls together, still caring about his human people in the ccg and all. That development was real, and it wouldn’t just go away if he got his memories back, he learned a lot and grew a lot and he has a different outlook on life now. Right?

Fucking wrong I guess. Dude gets his memories back (very ambiguously, it was really hard to tell when that even happened tbh) and like. Turns into a flaming ass looking like ebony darkness dementia raven way. Haise gone. Fucking completely. No trace left. Doesn’t care about his kids anymore. When he’s done with that and goes white again he’s just Kaneki again and there’s really not enough left of things that like, really wouldn’t go away? He loses the flair? The dumbass? The :D? The Extra? WHY? Why would those things go away? Haise shouldn’t have been right that he would disappear when he got back his memories. That killed me. I love Kaneki and all but H a i s e. He is my b o y. H i m. With his e n e r g y s h o r t s. And his m o m. And his c o o k i n g. And his k i d s, I l o v e him. And Ishida doesn’t seem to realize that they’re... literally the same person. Haise isn’t just some stupid bastard occupying Kaneki’s body, he’s a valid part of Kaneki himself and to be honest, peak Kaneki. Should have stayed that way. Would have been great for Hide tbh. Not just having him pretty much revert to his old self, but basically respond equally to both names and balance the world between human and ghoul. I would have loved that. What happened for real? It doesn’t make sense and it breaks my heart.

Some people on the interwebz try to kind of even that whole deal out by trying to say he like, has DID, which although is obviously a valid thing, like, so does not apply to him. God I’m like so not an expert on this but I feel like it’s not that hard to tell. His 87 little Kanekis in his head aren’t separate personas, they’re metaphorical representations of his past morals, experiences, and ideologies that all conflict. Again Haise here is peak conflict because when he gets his memories back, he has all these different conflicting ideas that were all previously separate. They’re all him. Tortured Kaneki constantly yelling at him in Jason’s chamber is basically again, a metaphor for how he’s denying his ghoulhood and the trauma that he’s been dealt. It’s not that this dude still exists just the way he is ready to show up at any moment lmao. Ishida kind of dealt with that badly too because Haise really said

after his memories happened so I can see why people might, but it’s... not right, and it’s Ishida’s fault about that which is Incorrect

Also just blanket statement, black reaper Kaneki? Fuck him and all he stands for. 0% valid. I can excuse literally every other version of him. But wh y. God he leaves the room and Urie starts misusing his power and getting groomed by a pedo, Saiko is just, left behind and sad, Mutsuki gets captured by a perv and mentally destroyed again, Shirazu dies and the bitch is like like “lol it’s your fault” yeah helpful, die

10. P- the- the porn chapter-

Idk about you but that was so fucking unecessary??? Not even going off of how terribly awkward and weird it was to have it there when the opening was “i’m sad about my best friend who’s gonna get executed what do you do when you’re sad about your best friend” “i simply do not think of him or i might actually just curl up and die” “yo lmao same” “wanna fuck” Like ok um I’m biased bc i’m not straight but I like, really hated that. Even just flipping through the pages as fast as I could to get to the end of it like. God. It’s not a fucking hentai. I’m here for the plot. If you’re not gonna release the director’s cut of kaneki fucking voring hide, i don’t think i need to see 20 pages of straight fucking sex. And if you absolutely must have porn, kaneki is a fucking bottom. That man gets pegged do not try to prove otherwise. You started it out that way god I love how they’re like “oh god wait that looks kind of gay, the woman being dominant, better stop that right now” god Ishida not having a single iota of knowlege about his own characters aND THEN SHE GETS PREGNANT? NO. Excuse me. No. I just. I. Why. This isn’t. A fucking porno. This isn’t tentacle porn i swear oh my god kill me

11. Giving the wrong characters attention

Basically, redeeming characters that should have been redeemed and not going into/discussing characters that should have been redeemed/had more backstory. For example, Tsukiyama can go fucking die. I like, do not even care rich boy. I don’t understand how anyone could think he needed to be redeemed he’s just a gay attention whore who really needs to let this kid get on with his merry fucking life. I don’t care. I literally did not need to read three whole books about his dumbass hangup over eating Kaneki. Kaneki doesn’t fucking want you bitch move on. He didn’t need to be redeemed or seen to be in any way sympathetic, no one wanted it. Same with that bitch ass Furuta, he wasn’t really redeemed but he was given w a y too much time to play out his sob story. God man Rize doesn’t fucking want you. These gross ass simps. I swear.

On the other hand, I kind of liked Eto even though she’s a pile of shit, and I got mad when they didn’t really go into much about her. And you know who could have gotten much more screen time/development? TOUKA. God, I love her and she was just sitting around in the background being straight. Let her have some spicy development. Also obviously, Hide. He was... so underappreciated and underexplained? What happened with him? He didn’t just pick himself off the ground in the sewers and go ‘well i’d better get back to the ccg now’ we have a whole two years which are completely unexplained, most of which he was off mysteriously being involved in things but completely missing the eye of Haise and other major players. Where tf was he? How did he get around? What was he even doing??? I wanna know about that! Not all the characters I hate’s tragic backstories that make me feel 0% more sympathetic towards them :)

12. ARE WE ALL JUST GONNA COLLECTIVELY IGNORE THE WHOLE VORE THING???

Ok like i know i say “the entire reason I read :re was __” but like to be honest this was the turning point, I saw pictures of hide’s vore face and went like

So I was like “god fucking damn it ok, Ishida would you care to explain this to me” *cracks open re*

And then they DIDN’T.

Like. It’s actually laughable how much that entire situation was just glossed over. They gave that maybe like two pages. Like what. I. This manga has more sex scene than no homoing that. They just don’t even bother to. I feel like Ishida had that as a plot point but realized halfway in how it looked (i.e., really fucking gay) and decided that was something that he was just gonna, not deal with. Just act like that’s a completely normal heterosexual bro thing to do. Like of course anywhere would be pretty gay but Kaneki chose his face. His face. Like his face and his wholeass neck and his shoulders and nowhere else. (and assumedly like, his tongue, seeing as how the dude can’t talk... bruh) Dude really said extreme hickey. French kiss to the max. Ishida clearly did realize that generally, you can only get a bitten off face by,,, having your face bitten off, which is just inherently really fucking gay. Like, I’m just at a loss as to how it even makes sense. You wouldn’t think that the skin off his face, and specifically around his mouth, would really be the most nutritious thing to consume? I can get like the shoulders but generally you’d think something like his arm or leg would be 1.less inconvenient, and 2.much more logical and nutritious? But NO, Kaneki was like “you know what i’m gonna do? eat your Face” and hide’s like “lmao sounds cool”

(not to mention, wasn’t there another guy with a vore face somewhere? like that old guy in the ccg with the bigass turtleneck, i wanna know about him) But like... my bro Ishida went “yeah this happened but i’m going to cover it up with speech bubbles and the ends of panels guys they clearly had their socks on” Dude didn’t even TRY to explain otherwise. Like hey man, that’s pretty damn gay, you are kind of at liberty to either tell me why otherwise, or accept those implications and acknowledge them?? It’s really hilarious when you ignore it cause it’s like

kind of

pretty damn

WEAK of you to leave it at that fucking pissbaby

hmmmmmmmmm however could this happen i guess we’ll never know

13. What the fuck was even the plot omg

God I’ve been writing this post for like five hours so like, I’ll keep it short but like it made sense in the original, not to be like an anime fan but the anime made fucking sense (not re i mean like the original) this lore is so fucking stupid god, the horrors of the entire fucking dragon arc bleach my eyes, unresolved plotlines who???? (the whole ‘oh yeah also ur dying of old age’ thing etc, is kaneki like??? still doing that?? or was that randomly resolved with the whole spewing ovary bullshit i’m going to fucking kill myself) and to top it off, good job Ishida at a real fucking cheap ending.

You gave them. Fake human. Really? They just come up with artificial human at the end. Kind of undermines the entire fucking story my guy. Ah yes throw out our whole plot. That was the whole tragedy. You gotta eat human. The ghouls have to eat human and that’s tragic bc they have to kill people or whatever. Or i guess they fucking don’t well fucking ok. God you could have just had them negotiate a kind of peace where the ghouls can get dead humans and such, there are plenty of them and no one has to kill anyone then, there could be a rule system for it, it would be messy but eventually everyone would be ok with it, and I think that would work a lot better than “quick fix i made some hamburger helper human you can eat it fine” guys wtf. It’s like Ishida started plotting out the ending for re approximately 2 hours before his deadline. Anyway yes I hate re and I love yelling about it thank you for coming to my ted talk.

#tokyo ghoul #tokyo ghoul re #essay post #god just fucking kill me #rowan's hyperfixation essays

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littlehollyleaf · 4 years

Text

(I had a really long, detailed version of this....... but Tumblr ate it D’: so this is... heavily abridged, sorry!)

Tagged by the ever lovely @castiel-saved-me-from-myself <3

pick 10 ships without reading the questions

Interesting... ok!

1. Dean/Cas (obviously)

2. Aziraphale/Crowley

3. Nygmobblepot

4. Foxma

5. Babitha

6. Amy/Rory

7. Nomi/Amanita

8. Eve/Flynn

9. Catradora

10. Cosima/Delphine

1. Do you remember the episode/scene/chapter that you first started shipping 6?

I think I started shipping Amy/Rory during the Venice fish monster ep - cos that was when I felt Amy really did love him back and they had a future together. Before I suspected that her running away with the Doctor was a sign she and Rory weren’t right for each other.

2. Have you ever read a FanFiction about 2?

Only read a handful of Ineffable fic. Overall I’m perfectly happy with the canon alone.

3. Has a picture of 4 ever been your screen saver/profile picture/tumblr?

Yes I’ve had Foxma themed phone backgrounds and a tumblr header :)

4. If 7 were to suddenly break-up today, what would your reaction be?

Disbelief and disapproval. Nomi and Amanita were one of the great constants of Sense8 for me. I think a break up would be out of character for them tbh. Plus it would be denying the black and trans characters a rare example of a happy ending, which would suck.

5. Why is 1 so important?

I wrote such a detailed thing about how DeanCas is not only important to me personally but also how I feel it’s been important for TV/media in general... ugh, tumblr!

In a nutshell - this ship helped me better myself in various ways. It introduced me to fandom, which boosted my confidence and independence via increased socialisation; it encouraged me to write more, which improved my writing skills; meta discussions educated me on lots of issues, inc. but not limited to abuse, sexuality, gender identit, autism and racism.

I also genuinely believe that the loud and open fandom support of the ship has been a significant help in the ongoing battle for more and better queer rep in media.

6. Is 9 a funny ship or a serious ship?

Serious! Catra and Adora’s relationship is a core part of the whole show, relating to lots of the wider themes of abuse, toxic behaviour, growth and forgiveness. Plus the significance of a same sex romance involving the lead character in a CHILDREN’S CARTOON really cannot be overstated.

(but it is also cute and funny sometimes :p)

7. Out of all of the ships listed, which ship has the most chemistry?

I’ve spoken before about having issues with the concept of ‘chemistry.’ If I ship characters it’s usually because I find the combination of their characterisation and story arcs interesting/compelling. I often don’t notice (or I guess care about?) chemistry.

So I think I’m not qualified to answer this one.

8. Out of all of your ships listed, which ship has the strongest bond?

Agreeing with @castiel-saved-me-from-myself here - you can’t really beat the Ineffables millenia long romance :)

9. How many times have you read/watched 8’s fandom?

I’ve rewatched The Librarians 2 or 3 times now. It’s DAFT. But it’s fun. And Eve and Flynn make me feel warm and fuzzy.

10. Which ship has lasted the longest?

Again, as @castiel-saved-me-from-myself said - it’s gotta be the Ineffables, both within AND outside of the story, since Good Omens was originally published over 30 years ago and the Zira/Crowley shippers have been going strong all that time. Otherwise it’s DeanCas.

(though idk if Catradora was a ship back when the original She Ra cartoon was airing, or when the original cartoon was made, so it’s possible that is also a contender!)

11. How many times, if ever, has 2 broken up?

Lol at @castiel-saved-me-from-myself for getting Nygmob for this one, as their relationship is, like, 90% break up :P

For the Ineffables though it’s basically just the once - when Zira chooses Heaven over Crowley. Not made such a Big Deal in the book IIRC, but in the show it’s the infamous Bandstand Break Up scene.

All other separations are only minor, temporary squabbles imo. Which is what makes the Bandstand scene so PAINFULLY, BEAUTIFULLY, ANGSTY AND EMOTIONAL and why I love it so!

12. If the world was suddenly thrust into a zombie apocalypse, which ship would make it out alive, 2 or 8?

I figure angels and demons probably can’t be killed by zombies, so the Ineffables are the most likely.

But Eve and Flynn did actually face off against zombie-ghost things in an alt universe during a whole Loom of Fate plot and survived, so I think they’d probably also make it.

13. Did 5 ever have to hide their relationship for any reason?

No, Babs and Tabs were always open about being together, even when Tabs was also in a relationship with Butch.

I might argue they hid the depth of their feelings for each other though, even from themselves, and instead made out what they had together was just a casual ‘friends with benefits’ type thing.

Though Tabs did hide things a little when she sent assassins after Jim cos she blamed him for putting Babs in a coma. She clearly knew her brother would disappprove, which is why she didn’t tell him what she was doing. I guess that kinda counts as hiding her relationship with Babs? She was trying to conceal how much Babs mattered to her?

14. Is 4 still together?

Lol, Foxma were never together (ALAS!). But the show did end with their lingering fondness for each other intact I think.

15. Is 3 canon?

Is Nygmobblepot canon? Rather a touchy question for the fandom tbh.

If we are talking EXPLICIT canon - then no.

They never got a kiss or a MUTUAL love declaration (and they had a controversial ‘we’re brothers’ exchange in the penultimate episode) - ergo there is not enough, imo, to say they ended the show officially romantically involved.

However, Ozzie DID EXPLICITLY DECLARE HIS ROMANTIC LOVE for Ed, and that was never rescinded. There is also LOTS OF SUBTEXT floating around Ed to imply he reciprocates. Plus they did end the show together as clear Partners in Crime.

So is Nygmob subtextual canon?

I would say yes.

But explicit, CANON canon?

A frustrating no that fandom remains, understandably, critical about.

16. If all 10 ships were put into a couple’s Hunger Games, which couple would win?

I think a toss up between Nygmob and Babitha - because everyone else has too many morals that would hold them back from killing :p

(and since Ed and Oz have both bested Babs and Tabs in the past I lean towards them... but it would depend on when in Gotham canon the games were happening!)

17. Has anybody ever tried to sabotage 10’s ship?

Breaking up Cosima and Delphine was a LITERAL PLOT POINT of Orphan Black at one point, so very much yes! I forget the details (the show got very twisty, with lots of different organisations working on different agendas in the shadows), but I’m pretty sure Delphine was shot because she was protecting Cosima. I remember it BROKE MY HEART and I thought it was a casebook example of Bury Your Gays. But, spoiler: it wasn’t ;)

18. Which ship would you defend to the death and beyond?

Going with DeanCas, because I think that, historically, it’s the one that’s been in most need of defending.

19. Do you spend hours a day going through 1’s tumblr page?

Not anymore I’m afraid. Though 3 or so years ago I used to spend most of my free time on DeanCas and spn meta. Ah, nostalgia.

20. If an evil witch descended from the sky and told you that you had to pick one of the ten ships to break up forever or else she´d break them all forever, which ship would you sink?

Foxma. Because while I adore the idea of a messy, confused ~something between them, in my heart I know that Foxy deserves better :P

I was too tired to bother with tagging the first time I completed this - DEF not gonna bother now!

Play if you want - it’s fun :D

#a true but boring story #about me

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direquail · 5 years

Text

An NB reading of Grace in Terminator: Dark Fate

Disclaimer:

Before I start, just want to get this out here: I’m in no way insisting that Grace *has* to be non-binary, that we’re *supposed* to read her as non-binary, or that that’s in any way what she’s “meant to be”. This is just some stuff I’ve noticed that, as someone who sits on the genderqueer/non-binary/transmasc side of things, really resonated with me. Again--read her as entirely woman-identified if that’s what you want to do or feels right to you. I am ecstatic that lesbians and wlw-identified folks have someone that they feel represented in, too. I wish I’d had more characters like her when I was growing up and felt so out of place because of my gender non-conformity.  

But I, for one, would love a non-binary or even trans reading of Grace.

So what I’d like to do instead is just lay out a couple ways someone who is NB-identified *might* connect with Grace as a nonbinary character. Starting with the obvious.

Androgyny Now, I do want to be clear that I know that gender presentation =\= gender identity. And again, obviously, people will latch onto things that they relate to in characters, and I really do believe that there’s no “one right way” to read a character. The character of Grace isn’t a real person; she’s part of a story, told by people, who had something specific to say, and her character reflects that. But from the perspective of the people who watch her, who internalize and connect with her character, there can be points of connection that have nothing to do with the author’s/creator’s intent, and so, Grace-the-character can be many things to many people. The only real way to know how a person IDs is to ask them. That’s it, that’s all. You can’t assume. But also, sometimes, people do “ping” a certain way. They give off a sort of “energy”, and for me, Grace’s energy isn’t the sort of “diaphanous femininity” that even visibly-gender-nonconforming AFAB characters are often framed to exude. Grace’s energy isn’t masculine, either. Her mannerisms don’t seem intended to read that way; rather, they seem intended to read as soldier. I’m not very skilled at breaking down movements, especially when it comes to how actors move and what it all means. It’s totally possible that a lot of what’s unique about how Grace moves is because Mackenzie Davis is, self-admittedly, not the most athletically-inclined person. Grace is long-limbed and rangy and sometimes very stiff/poised, but never stiff through the hips like a Straight Dude(TM), or heavy through the shoulders like a musclebound meathead. She takes up space, too; she’s taller than Dani and Sarah both, and the only recurring characters who are “bigger” than her throughout most of the film are Carl and the Rev-9.

To be clear: Women can be tall, and rangy, and androgynous, and take up space, and that doesn’t make them less women--unless they don’t identify that way. My point with all of the above is just observing that Grace doesn’t move like a “male action hero”—but she also doesn’t seem over-the-top feminine in the way that mainstream-y media will “compensate” for perceived unfemininity, and that’s kind of wonderful. Her stature, her physique, all of that, seem to be chosen and calibrated towards an end goal that isn’t gendered: Combat, efficacy as a warrior. Whether you want to read her as a woman or as nonbinary is largely going to be about your personal preference. This also has the effect of giving the impression that Grace is absolutely unselfconscious about her body and how it looks—and she has no reason to be, not because she looks good or bad, but because what she can do with her body is just so vastly more important, and because she’s so willing to put her body and everything it can do on the line in order to fulfill her mission (and protect Dani). If Grace has a gender, it’d be “Protector” or “Warrior”. And in a way, what makes Grace so appealing to female-identified lesbians is the same thing that makes her appealing to NB people—Her character was explicitly designed not to cater to “the male gaze”, and therefore, she also exists outside the typical gendered confines reserved for “female characters” in media. The emphasis is just slightly different: Instead of a different way of being female, NB!Grace has little to no use for those categories at all. Again, it’s all in how you want to read her. Grace comes from a future where survival and fighting take first priority, and you could project the same tired “Gender isn’t a ~problem~ in the future/after the world ends” approach that a lot of cis and hetero men take to sci-fi--but also, why? It’s tired. Give me a Grace who is preoccupied with survival, yes, who maybe doesn’t have time to think too much about this gender shit--but also, a Grace who finds that this “androgyny” (although she might not call it that) suits her, who takes to this way of moving and being in the world, this way of using her body, and identifies more with that than with being a “man” or a “woman”.  

(Sidenote: as someone who took a fair amount of Queer Studies classes, it does irk me a bit that discussions of mainstream-y speculative media seem permanently suspended between this sort of “genderblind” futurism where “identities” just don’t exist because they’re apparently not needed anymore, or copy-pasting our contemporary discourses about identity into a future that is materially very different than ours. The point of these identities is, in part, to describe our experiences, the good as well as the bad, and those experiences of gender and sexuality don’t exist in a vacuum. So, the words we use will necessarily change to accommodate that—especially in the post-apocalypse. BUT, everything that comes after us will also bear the stamp of what came before it; it’s just a matter of what the creator means to emphasize.) Augments & Body Mods This is a little dicey, because there’s some clear tension in the movie between the idea of robots = inhuman/unfeeling = bad, and humans = good/feeling. And in that light, it’s potentially problematic to (even incidentally) imply that nonbinary/gender-nonconforming = not human.

But I’d like to point out that the film does deliberately challenge any neat separation of “human” and “machine” with Carl’s evolution as a person.  And based on what I’ve read from James Cameron and Tim Miller interviews, there is some “blurring” intended between human and machine in the franchise.

In fact, Carl and Grace are foils for each other, somewhat, in the sense that they’re on opposite ends of a spectrum where human and machine become blurred, and I love that. As a genderqueer person with a very fluid experience, it appeals to me on a deep level because you could spend literally forever breaking down where does one “gender” end and another begin--emotionally, socially, spiritually, and physically.  

So the fact that there’s (1) no hard binary between human and machine (it’s explicitly subverted), and (2) we’re given multiple points of inflection, especially if you count Sarah and the Rev-9--alleviates a lot of the tension I’d feel otherwise in mentioning this. But I don’t think this is something that should be allegorical or a direct comparison; I think that it operates best on a metaphorical or theoretical level.  

And just, it’s the whole vaguely-cyberpunk idea of modifying your own body, not in a mass-produced or manufactured sense, but in this organic and highly individual sense, born out of contingency and necessity, that makes Grace’s Augments so meaningful. It’s one of the things that makes her read as human, too, because it feels more in line with our tendency to stick ink, steel, bone, what have you, through our skins whenever we get the chance--as opposed to some kind of symbolic dehumanization by “becoming a machine”.

Grace routinely refuses to categorize herself in anything other than the most general terms, or explain the details of her Augments, and she seems very protective of them. Rather than seeming ashamed, this refusal reads a lot like the popular queer identity explanation “not gay as in happy, but queer as in “fuck you’”. Her Augments are part of her, and part of her humanity; she volunteered for them, she owns them, and is even protective of them, viewing CBP’s invasive examination of her Augments as a kind of violation of her bodily autonomy. They’re clearly complicated for her, but they’re anything but depersonalized.

And going even further, the reason why she volunteered for them is so that she can defend humanity--and also someone she loves (Dani). They’re an extension of her sense of family, loyalty, love, and willingness to sacrifice.

And I don’t know for sure, but I imagine that Grace is basically one-of-a-kind, even among other Augments, if only because those Augmentations seem to be performed with the tech that’s on hand--salvaged Legion tech, by the sound of it, at least to start with. So the outcome depends on the parts available, the complexity and maturity of the Augmentation technology and process, and the skill & experience of the surgeons, all of which would vary over time.  

And honestly? If that doesn’t qualify as “beyond the binary”, I don’t know what does.

Some other general observations:

- Grace’s short hair is a constant throughout the post-Judgement Day scenes. As someone who started wearing their hair short as a preteen and hasn’t had hair to my shoulders since age 12, that does seem significant.

- Grace only introduces herself by name after Diego shouts “HEY LADY” in the factory before dropping an engine block on the Rev-9. Granted, most women don’t like to be addressed as “HEY LADY”, either, but it stood out to me, especially because she refused to give her name only a couple of minutes before that. Either way you read it, the line feels like it expresses some level of discomfort with or objection to that gendered statement. Maybe she finds that particular reference annoying or even offensive, but also, maybe she doesn’t really identify as a woman. She’s just... Grace.

- there were multiple times I mistook the back of her tank top for the back of a binder, even though she clearly was not binding.

- she constantly steals mens’ clothes--partly because she’s too tall for a lot of womens’ clothes around her, partly out of utility (like at the factory and CBP, where a lot of the guards are men). But also, it pleases the genderfucking queer in me quite a bit. And, I should note, when she had the option to take a female guard’s clothes at the CBP facility... she didn’t.

But ultimately, when I look at Grace, I see someone whose gender is “Warrior” or “Soldier”. And it’s so wonderful to see that so purely represented on a character we’re meant to perceive as female. So, please believe me when I say I don’t want to “take away” what Grace means for other people.  And, for the record, I do mostly default to using she/her pronouns for Grace, because that’s how she’s canonically referred to. But just for fun--try this on for size: Using “they/them” pronouns for Grace. They (Grace) came back in time to protect Dani. It rolls off the tongue, right? It feels nice. Let’s re-try a couple of sentences from above:  

- “multiple times I mistook the back of their tank top for the back of a binder, even though they clearly weren’t binding”  

- “Grace’s Augments are about their ability to be a soldier. They were Augmented in order to hunt Terminators... Everything else is secondary to that, and their mission to protect Dani”

- “Grace only introduces themself by name after Diego shouts “HEY LADY” in the factory before dropping an engine block on the Rev-9 ... Maybe they find that particular reference annoying or even offensive, but also, maybe they don’t really identify as a woman. They’re just... Grace.”

And finally:  

Can you imagine the poor sod who tried to make fun of Grace for having a “girly” name? lmao rip

#terminator dark fate #tdf grace #meta #mine

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dykeabetic · 5 years

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gail's ocs :^)

a masterpost of my ocs because im on mobile and my oc page is outdated

cain ornigana

aka cain gilmore

there r so many cains because i use them as an insert LMAO so this will be generic info that fits most of them.

agender (they and sometimes he pronouns)

bi and mlm

mixed cuban/brazilian/white

most cains are in their mid-late 20s/early-mid 30s. there is one version of them (the original, actually) who is 18.

has anxiety, adhd, depression and insomnia, along with type one diabetes because i give them everything i have

very kind and passionate! often very emotional. loves their friends so damn much.

#cain ornigana; #cain gilmore; #runner 5; #courier six

aerial whitton

there are like.... 3 versions of her rn lol!

cis girl (she pronouns)

mixed black/samoan

around the same age as cain..... the original is 17.

autistic

super sweet and full of life! also really loves her friends. literally wants nothing more than for the people she loves to be happy! :^D

#aerial whitton; #lone wanderer

keira lowenfall ornigana

technically not my oc, she actually belongs to amanda, @kid-icarus-uprising-addict, but i stole her so shes mine now. originally amanda's d&d character. she and cain are a package so if cain exists in a world, keira's probably there too

also keira lowenfall gilmore, keira whitton ornigana, etc. she always has a lot of names.

girl, probably (she pronouns)

doesnt know what her orientation is, doesnt care. shes too young and has more fun things to care about

8 - 13 years old depending on the source.

in d&d, she is the run-away child of some nobles, and was adopted by cain and their husband. in my original works, she is cain and aerial's daughter. she is very excitable and hyper, always moving, very sweet but also very blunt!

#keira lowenfall gilmore; #keira ornigana

quinn marton

trans girl (she pronouns)

lesbian

black

literally so wise, very kind and gentle and always gives good advice. wants to make the world a better place.

#quinn marton

autumn primrose alvarez

cis woman (she pronouns)

mixed white/peruvian

in her 30s

very kind but takes no shit. a very loving but will throw hands if youre not careful! would kill for her friends and family

#autumn primrose

yivian schmidtz

not cis (they/she pronouns)

queer/gay (doesnt know if shes into dudes or not. she might be!)

white

adhd and type 1 diabetes

loves to party and have fun. very nice. good to rant to, very ride-or-die. loves to make friends!

#yivian schmidtz

hira karki

cis woman (she pronouns)

lesbian

nepali-american

amputee; has a prosthetic arm

i just made her so im still making her personality! shes yiv's gf though

riley winters

a final fantasy vii fan oc; i have an original story for her too though

trans woman (she pronouns)

lesbian

mixed filipino/white

in her 30s

has adhd and cystic fibrosis

literally the physical embodiment of stereotypical adhd --- very energetic and excited and passionate! a joy to be around and talk to.

#riley winters

ahn "stella" duong

transfem and nonbinary (they pronouns)

lesbian

vietnamese-american

in her 30s

disabled and in a wheel chair

very fun to be around, nice and has a great sense of humor! loves their friends, loves to give hugs

#stella duong

april adams

nonbinary (she/they pronouns)

lesbian

white

adhd and probably other undiagnosed things

april is the angriest fifteen year old that you will ever meet. she's like those mean goth girls from like 80s movies. if you gain her trust and love she will kill for you. as of now the only person she loves is my brother's oc june, her girlfriend! can see ghosts, and is easily possessed

#april adams

june rosewood

like i said, june is my brother's oc! but im putting her here just because

trans girl (she pronouns)

lesbian

mixed japanese/white

june is very very sweet! kind and gentle, june is a ray of sunshine in contrast to april's constant gloom. her kindness and authenticity can make just about everyone love her -- hence her winning even april's heart! has visions of the world ending, and can see ghosts.

#june rosewood

august "auggie" francis

another oc my brother and i share

cis boy (he pronouns)

gay

deceased; died when 14; a ghost

auggie is a sweet but very anxious and timid boy. gender nonconforming. does not remember anything from when he was alive. can be seen by april and june; really likes them, but is very intimidated by april, who does not like him.

#auggie francis

caelyn valya

caelyn is a d&d character i made but havent used yet! she's a spring eladrin (an elf who was born in the faewild) and a ranger

cis girl (she pronouns)

lesbian

she's the child of sun elves so she has light brown skin. also, since she was born in the faewild, she's covered in green freckles

in her early 20s

adhd

caelyn spent all of her life in the faewild, where her parents were in hiding. because of this she is a bit sheltered and niave now that she's in the material plane! she's VERY sweet, a bit too trusting, and incredibly excited to be somewhere new. (you should ask about her knives)

#caelyn valya

kahayag nakamura

ok tbh..... kahayag is a minecraft oc. im still trying to work out what i want her story to be but i always saw minecraft as some post-apocalyptic world or something so im thinking she's one of the few survivors of the apocalypse

nonbinary woman (she / they pronouns)

lesbian

mixed filipino/japanese

i mean..... she survived the apocalypse so like..... shes probably got something

kahayag lives on her own with a dog in the middle of nowhere in a world where humanity is basically extinct. before the apocalypse, she was known for being nice, cool, and funny. now she doesnt talk much, but would still do anything to help her fellow man!

#kahayag nakamura

i have..... many more ocs, some of which are on my oc page (their info might be incorrect though), but these are the ones im gonna want to talk about!

edit 11/28: added hira!

#💜.txt #gail's ocs #cain ornigana #aerial whitton #quinn marton #autumn primrose #yivian schmidtz #riley winters #stella duong #april adams #caelyn valya #kahayag nakamura

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reubscubes · 7 years

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Horizon Zero Dawn: ReubsCubes Review

Mankind has a few standout achievements. The Wheel, Fire, Internet, cheesecake. Sadly however, the list does not include robot dinosaurs. And until such time as the scientists of the world rectify this grievous error, videogames will have to make it up to us. I can only assume that was the opening of the design document for Horizon Zero Dawn, because this the best thing since Cheesecake.

The following contains spoilers for Horizon Zero Dawn. I will attempt to keep overall plot points and character moments vague, but if you’ve not played the game then proceed at your own risk.

Tumblr ReubsCubes Twitter ReubsCubes

I love dinosaurs. Love is a strong word and it is exactly the one I want to use. I was obsessed with them as a child, dragged my long suffering parents to the Museum of Natural History at every opportunity and Jurassic Park remains one of my favourite movies. As a consequence I am incapable of being objective about anything involving dinosaurs, large aquatic or avian reptiles and almost all megafauna in general.

But my predilections for animatronic extinct reptiles aside, HZD is already a contender for my favourite game of this year. Please note that I haven’t played Neir Automata, Resident Evil 7, Persona 5, Mass Effect Andromeda, Breath of the Wild, Torment: Tides of Numenera or any other fantastic games that came out in 2017.

Horizon (and i’m choosing to shorten the name because the whole thing is a really awful mouthful) tells the story of Aloy, a young woman born under mysterious circumstances into a primitive world that humans share with gigantic highly advanced machines, in a world that is clearly our own, an unknown time after some kind of apocalypse. As Aloy attempts to understand more about her own origins she is drawn into conflict with a evil cult known as The Eclipse and must battle for the fate of the world. Along the way she discovers more about the long gone old ones and the secrets of her origin.

Nothing particularly out of the ordinary there, naive but intelligent hayseed sets out to find their place in the world and finds evil deathcult. Friends are made, difficulties overcome and we all learn a few precious lessons about friendship, family and how entitled tech sector dickheads will be the downfall of us all.

The world itself is more interesting than either the bog standard medieval fantasy or nuke blasted post apocalypse might be. Rather than the immediate aftermath of the calamity, where people are trying to rebuild their societies and loves with the shattered remains of the world they’ve lost, the time and distance between the old world and the societies that have followed after are much more pronounced. There’s a lot of sun and nature worship and even the most basic and obvious facts about our world have been lost in time. Case in point, the scholar in the city of Meridian who’s convinced coffee cups were ceremonious vessels used in holy rituals, as opposed to cheap tat mass produced to drink instant coffee from. The issue of instant coffee itself never comes up as presumably nescafe did not survive the downfall of humanity.

Women are at the forefront in Horizon Zero dawn. Aloy’s belongs, ostensibly, to a tribe called the Nora. They have a tribal society where led by a group of venerable women called the Matriarchs and worship a goddess they call the All-Mother. There doesn’t seem to be much in the way of proscribed gender roles for men and women, they all share in hunting and fighting and childrearing. Members of the tribe are of various different ethnic backgrounds, although again in a post apocalypse racial origin become a little vague. It’s a pretty equal society for all genders and races and a society that respects and elevates women is pretty rare, especially in the overly macho world of videogames. Diversity is dealt with pretty well, gay and trans characters are given plot lines and backstories that don’t hide their identities, but also don’t get caught up pointing out how inclusive they’re being. The interaction with the character of Jeneva, the warden of Sunstone Rock prison, is a particular standout. But it’s not all sunshine and rainbow in the valley of the Nora.

The Nora are a fair and equal society true but they’re also intensely superstitious and insular. They see themselves as one of the chosen people and anyone who leaves their blessed homelands is not allowed to return. Aloy was raised s one of the outcast, the members of the tribe exiles for various crimes. The Nora only ever treat her with disdain or fear and as a result she has even less respect for their customs and traditions as you might expect. Aloy cares about people and wants to do what she can to help them but has absolutely no patience for their restrictive belief systems.

The characters are noble but flawed in all too believable ways. This kind of excellent writing defines the world of horizon. The world is a mix of ancient cultures mixed with hyper advanced technology. The world is full of machines, technology so far beyond the imagination of the people in the world around it regard it as the magic of the gods. Which bring me to the most impressive part of Horizon’s incredibly detailed and designed world. The machines.

Holy mechanical t-rex they’re amazing! Most open worlds populate themselves with flora and fauna to hunt and be hunted by. Whether it’s the more grounded animals from the Far Cry series or the creatures of european myth that haunt the fields and forests of the Witcher, worlds are defined in a very significant way by the creatures that roam them. And the machines of of Horizon are spectacular, in design and execution. Based at least partly on real life animals mixed with the stylized technology, they’re the apex predators of Aloy’s world. Many of the designs, like the Behemoths and Watchers, recall prehistoric animals, but even the more recognisable critters like Grazers and Lancehorns straddle the line between beautiful and practical.

If the machines themselves are spectacular then the places they’re built are even moreso. The cauldrons are secret caves deep within mountains at the edges of the world where the machines are built. Once it has been located and the outer perimeter breached, either by solving a puzzle or overcoming the powerful machines guarding the gates, then Aloy can descend into a puzzle dungeon that would not seem out of place in Legend of Zelda. These environments are absolutely beautiful and more than a little eerie. And once you realise what they are and how they work you’ll want to run through them all again.

Where Horizon differentiates itself from a lot of other games in the genre is how it expects you to hunt its wildlife. You don’t have the firepower or defense to go in guns blazing so instead you have to use stealth and manipulate the environment to bring down the beasts. Aloy is armed with only a bow and arrow and a few gadgets like trip wires to take down sentient robots capable of crushing her underfoot. You can’t go up against a herd of Tramplers and expect to melee them to death. Much more likely they’ll trample you. Hence the name.

Instead you have to pick your moment, analyse the weaknesses of each type of machine, (a process which becomes easier and more natural as the game progresses) choose the type of ammo then set your traps. Then, when halfway through your perfectly constructed ambush a lone Ravager suddenly dives into the melee and ruins your painstaking set up you have to improvise feverishly to try to salvage the situation or at the very least not die. There are shades of Witcher and Monster Hunter to the combat, even some Shadow of the Colossus. Like the titular Colosi, the machines feel like part of the world, and feeling the more majestic creatures is almost tragic.

Once the beasts have been felled they can be scavenged for parts, although this whole system does feel underdeveloped. There two types of collectables that you can harvest from enemies but most of them only really need to be used once or twice. You can sell them for money but that leads to you having far more than you can possibly spend. After a little while it becomes a little tedious to hunt machines for its own sake. Although the combat is reminiscent of monster hunter it has a very long way to go before it matches that franchise as far as rewarding players goes.

That a slightly unfulfilling crafting system is the worst thing horizon has going for it is indicative of how excellent a game it is. The world manages to be familiar and brand new all at once, and the same applies to the mechanics of its open world. Guerilla games have created something very special in horizon and I hope that we’ve got lots more of it to look forward to.

Thanks for reading!

#horizon zero dawn #horizonzerodawn #hzd #hzd spoilers #guerrilla games #guerillagames #playstation #video games #videogames #review

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