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holyhellpod · 3 years

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Holy Hell: 3. Metanarrativity: Who’s the Deleuze and who’s the Guattari in your relationship? aka the analysis no one asked for.

In this ep, we delve into authorship, narrative, fandom and narrative meaning. And somehow, as always, bring it back to Cas and Misha Collins.

(Note: the reason I didn’t talk about Billie’s authorship and library is because I completely forgot it existed until I watched season 13 “Advanced Thanatology” again, while waiting for this episode to upload. I’ll find a way to work her into later episodes tho!)

I had to upload it as a new podcast to Spotify so if you could just re-subscribe that would be great! Or listen to it at these other links.

Please listen to the bit at the beginning about monetisation and if you have any questions don’t hesitate to message me here.

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Transcript under the cut!

Warnings: discussions of incest, date rape, rpf, war, 9/11, the bush administration, abuse, mental health, addiction, homelessness. Most of these are just one off comments, they’re not full discussions.

Meta-Textuality: Who’s the Deleuze and who’s the Guattari in your relationship?

In the third episode of Season 6, “The Third Man,” Balthazar says to Cas, “you tore up the whole script and burned the pages.” That is the fundamental idea the writers of the first five seasons were trying to sell us: whatever grand plan the biblical God had cooking up is worth nothing in face of the love these men have—for each other and the world. Sam, Bobby, Cas and Dean will go to any lengths to protect one another and keep people safe. What’s real? What’s worth saving? People are real. Families are worth saving.

This show plugs free will as the most important thing a person, angel, demon or otherwise can have. The fact of the matter is that Dean was always going to fight against the status quo, Sam was always going to go his own way, and Bobby was always going to do his best for his boys. The only uncertainty in the entire narrative is Cas. He was never meant to rebel. He was never meant to fall from Heaven. He was supposed to fall in line, be a good soldier, and help bring on the apocalypse, but Cas was the first agent of free will in the show’s timeline. Sam followed Lucifer, Dean followed Michael, and John gave himself up for the sins of his children, at once both a God and Jesus figure. But Cas wasn’t modelled off anyone else. He is original. There are definitely some parallels to Ruby, but I would argue those are largely unintentional. Cas broke the mold.

That’s to say nothing of the impact he’s had on the fanbase, and the show itself, which would not have reached 15 seasons and be able to end the way they wanted it to without Cas and Misha Collins. His back must be breaking from carrying the entire show.

But what the holy hell are we doing here today? Not just talking about Cas. We’re talking about metanarrativity: as I define it, and for purposes of this episode, the story within a story, and the act of storytelling. We’re going to go through a select few episodes which I think exemplify the best of what this show has to offer in terms of framing the narrative. We’ll talk about characters like Chuck and Becky and the baby dykes in season 10. And most importantly we’ll talk about the audience’s role, our role, in the reciprocal relationship of storytelling. After all, a tv show is nothing without the viewer.

I was in fact introduced to the concept of metanarrativity by Supernatural, so the fact that I’m revisiting it six years after I finished my degree to talk about the show is one of life’s little jokes.

I’m brushing off my degree and bringing out the big guns (aka literary theorists) to examine this concept. This will be yet another piece of analysis that would’ve gone well in my English Lit degree, but I’ll try not to make it dry as dog shit.

First off, I’m going to argue that the relationship between the creators of Supernatural and the fans has always been a dialogue, albeit with a power imbalance. Throughout the series, even before explicitly metanarrative episodes like season 10 “Fan Fiction” and season 4 “the monster at the end of this book,” the creators have always engaged in conversations with the fans through the show. This includes but is not limited to fan conventions, where the creators have actual, live conversations with the fans. Misha Collins admitted at a con that he’d read fanfiction of Cas while he was filming season 4, but it’s pretty clear even from the first season that the creators, at the very least Eric Kripke, were engaging with fans. The show aired around the same time as Twitter and Tumblr were created, both of which opened up new passageways for fans to interact with each other, and for Twitter and Facebook especially, new passageways for fans to interact with creators and celebrities.

But being the creators, they have ultimate control over what is written, filmed and aired, while we can only speculate and make our own transformative interpretations. But at least since s4, they have engaged in meta narrative construction that at once speaks to fans as well as expands the universe in fun and creative ways. My favourite episodes are the ones where we see the Winchesters through the lens of other characters, such as the season 3 episode “Jus In Bello,” in which Sam and Dean are arrested by Victor Henriksen, and the season 7 episode “Slash Fiction” in which Dean and Sam’s dopplegangers rob banks and kill a bunch of people, loathe as I am to admit that season 7 had an effect on any part of me except my upchuck reflex. My second favourite episodes are the meta episodes, and for this episode of Holy Hell, we’ll be discussing a few: The French Mistake, he Monster at the end of this book, the real ghostbusters, Fan Fiction, Metafiction, and Don’t Call Me Shurley. I’ll also discuss Becky more broadly, because, like, of course I’ll be discussing Becky, she died for our sins.

Let’s take it back. The Monster At The End Of This Book — written by Julie Siege and Nancy Weiner and directed by Mike Rohl. Inarguably one of the better episodes in the first five seasons. Not only is Cas in it, looking so beautiful, but Sam gets something to do, thank god, and it introduces the character of Chuck, who becomes a source of comic relief over the next two seasons. The episode starts with Chuck Shurley, pen named Carver Edlund after my besties, having a vision while passed out drunk. He dreams of Sam and Dean larping as Feds and finding a series of books based on their lives that Chuck has written. They eventually track Chuck down, interrogate him, and realise that he’s a prophet of the lord, tasked with writing the Winchester Gospels. The B plot is Sam plotting to kill Lilith while Dean fails to get them out of the town to escape her. The C plot is Dean and Cas having a moment that strengthens their friendship and leads further into Cas’s eventual disobedience for Dean. Like the movie Disobedience. Exactly like the movie Disobedience. Cas definitely spits in Dean’s mouth, it’s kinda gross to be honest. Maybe I’m just not allo enough to appreciate art.

When Eric Kripke was showrunner of the first five seasons of Supernatural, he conceptualised the character of Chuck. Kripke as the author-god introduced the character of the author-prophet who would later become in Jeremy Carver’s showrun seasons the biblical God. Judith May Fathallah writes in “I’m A God: The Author and the Writing Fan in Supernatural” that Kripke writes himself both into and out of the text, ending his era with Chuck winking at the camera, saying, “nothing really ends,” and disappearing. Kripke stayed on as producer, continuing to write episodes through Sera Gamble’s era, and was even inserted in text in the season 6 episode “The French Mistake”. So nothing really does end, not Kripke’s grip on the show he created, not even the show itself, which fans have jokingly referred to as continuing into its 16th season. Except we’re not joking. It will die when all of us are dead, when there is no one left to remember it. According to W R Fisher, humans are homo narrans, natural storytellers. The Supernatural fandom is telling a fidelitous narrative, one which matches our own beliefs, values and experiences instead of that of canon. Instead of, at Fathallah says, “the Greek tradition, that we should struggle to do the right thing simply because it is right, though we will suffer and be punished anyway,” the fans have created an ending for the characters that satisfies each and every one of our desires, because we each create our own endings. It’s better because we get to share them with each other, in the tradition of campfire stories, each telling our own version and building upon the others. If that’s not the epitome of mythmaking then I don’t know. It’s just great. Dean and Cas are married, Eileen and Sam are married, Jack is sometimes a baby who Claire and Kaia are forced to babysit, Jody and Donna are gonna get hitched soon. It’s season 17, time for many weddings, and Kevin Tran is alive. Kripke, you have no control over this anymore, you crusty hag.

Chuck is introduced as someone with power, but not influence over the story, only how the story is told through the medium of the novels. It’s basically a very badly written, non authorised biography, and Charlie reading literally every book and referencing things she should have no knowledge of is so damn creepy and funny. At first Chuck is surprised by his characters coming to life, despite having written it already, and when shown the intimidating array of weapons in Baby’s trunk he gets real scared. Which is the appropriate response for a skinny 5-foot-8 white guy in a bathrobe who writes terrible fantasy novels for a living.

As far as I can remember, this is the first explicitly metanarrative episode in the series, or at least the first one with in world consequences. It builds upon the lore of Christianity, angels, and God, while teasing what’s to come. Chuck and Sam have a conversation about how the rest of the season is going to play out, and Sam comes away with the impression that he’ll go down with the ship. They touch on Sam’s addiction to demon blood, which Chuck admits he didn’t write into the books, because in the world of supernatural, addiction should be demonised ha ha at every opportunity, except for Dean’s alcoholism which is cool and manly and should never be analysed as an unhealthy trauma coping mechanism.

Chuck is mostly impotent in the story of Sam and Dean, but his very presence presents an element of good luck that turns quickly into a force of antagonism in the series four finale, “Lucifer Rising”, when the archangel Raphael who defeats Lilith in this episode also kills Cas in the finale. It’s Cas’s quick thinking and Dean’s quick doing that resolve the episode and save them from Lilith, once again proving that free will is the greatest force in the universe. Cas is already tearing up pages and burning scripts. The fandom does the same, acting as gods of their own making in taking canon and transforming it into fan art. The fans aren’t impotent like Chuck, but neither do we have sway over the story in the way that Cas and Dean do. Sam isn’t interested in changing the story in the same way—he wants to kill Lilith and save the world, but in doing so continues the story in the way it was always supposed to go, the way the angels and the demons and even God wanted him to.

Neither of them are author-gods in the way that God is. We find out later that Chuck is in fact the real biblical god, and he engineers everything. The one thing he doesn’t engineer, however, is Castiel, and I’ll get to that in a minute.

The Real Ghostbusters

Season 5’s “The real ghostbusters,” written by Nancy Weiner and Erik Kripke, and directed by James L Conway, situates the Winchesters at a fan convention for the Supernatural books. While there, they are confronted by a slew of fans cosplaying as Sam, Dean, Bobby, the scarecrow, Azazel, and more. They happen to stumble upon a case, in the midst of the game where the fans pretend to be on a case, and with the help of two fans cosplaying as Sam and Dean, they put to rest a group of homicidal ghost children and save the day. Chuck as the special guest of the con has a hero moment that spurs Becky on to return his affections. And at the end, we learn that the Colt, which they’ve been hunting down to kill the devil, was given to a demon named Crowley. It’s a fun episode, but ultimately skippable. This episode isn’t so much metanarrative as it is metatextual—metatextual meaning more than one layer of text but not necessarily about the storytelling in those texts—but let’s take a look at it anyway.

The metanarrative element of a show about a series of books about the brothers the show is based on is dope and expands upon what we saw in “the monster at the end of this book”. But the episode tells a tale about about the show itself, and the fandom that surrounds it.

Where “The Monster At The End Of This Book” and the season 5 premiere “Sympathy For The Devil” poked at the coiled snake of fans and the concept of fandom, “the real ghostbusters” drags them into the harsh light of an enclosure and antagonises them in front of an audience. The metanarrative element revolves around not only the books themselves, but the stories concocted within the episode: namely Barnes and Demian the cosplayers and the story of the ghosts. The Winchester brothers’s history that we’ve seen throughout the first five seasons of the show is bared in a tongue in cheek way: while we cried with them when Sam and Dean fought with John, now the story is thrown out in such a way as to mock both the story and the fans’ relationship to it. Let me tell you, there is a lot to be made fun of on this show, but the fans’ relationship to the story of Sam, Dean and everyone they encounter along the way isn’t part of it. I don’t mean to be like, wow you can’t make fun of us ever because we’re special little snowflakes and we take everything so seriously, because you are welcome to make fun of us, but when the creators do it, I can’t help but notice a hint of malice. And I think that’s understandable in a way. Like The relationship between creator and fan is both layered and symbiotic. While Kripke and co no doubt owe the show’s popularity to the fans, especially as the fandom has grown and evolved over time, we’re not exactly free of sin. And don’t get me wrong, no fandom is. But the bad apples always seem to outweigh the good ones, and bad experiences can stick with us long past their due.

However, portraying us as losers with no lives who get too obsessed with this show — well, you know, actually, maybe they’re right. I am a loser with no life and I am too obsessed with this show. So maybe they have a point. But they’re so harsh about it. From wincestie Becky who they paint as a desperate shrew to these cosplayers who threaten Dean’s very perception of himself, we’re not painted in a very good light.

Dean says to Demian and Barnes, “It must be nice to get out of your mom’s basement.” He’s judging them for deriving pleasure from dressing up and pretending to be someone else for a night. He doesn’t seem to get the irony that he does that for a living. As the seasons wore on, the creators made sure to include episodes where Dean’s inner geek could run rampant, often in the form of dressing up like a cowboy, such as season six “Frontierland” and season 13 “Tombstone”. I had to take a break from writing this to laugh for five minutes because Dean is so funny. He’s a car gay but he only likes one car. He doesn’t follow sports. His echolalia causes him to blurt out lines from his favourite movies. He’s a posse magnet. And he loves cosplay. But he will continually degrade and insult anyone who expresses interest in role play, fandom, or interests in general. Maybe that’s why Sam is such a boring person, because Dean as his mother didn’t allow him to have any interests outside of hunting. And when Sam does express interests, Dean insults him too. What a dick. He’s my soulmate, but I am not going to stop listening to hair metal for him. That’s where I draw the line.

Where “the monster at the end of this book” is concerned with narrative and authorship, “the real ghostbusters” is concerned with fandom and fan reactions to the show. It’s not really the best example to talk about in an episode about metanarrativity, but I wanted to include it anyway. It veers from talk of narrative by focusing on the people in the periphery of the narrative—the fans and the author. In season 9 “Metafiction,” Metatron asks the question, who gives the story meaning? The text would have you believe it’s the characters. The angels think it’s God. The fandom think it’s us. The creators think it’s them. Perhaps we will never come to a consensus or even a satisfactory answer to this question. Perhaps that’s the point.

The ultimate takeaway from this episode is that ordinary people, the people Sam and Dean save, the people they save the world for, the people they die for again and again, are what give their story meaning. Chuck defeats a ghost and saves the people in the conference room from being murdered. Demian and Barnes, don’t ask me which is which, burn the bodies of the ghost children and lay their spirits to rest. The text says that ordinary, every day people can rise to the challenge of becoming extraordinary. It’s not a bad note to end on, by any means. And then we find out that Demian and Barnes are a couple, which of course Dean is surprised at, because he lacks object permanence.

This is no doubt influenced by how a good portion of the transformative fandom are queer, and also a nod to the wincesties and RPF writers like Becky who continue to bottom feed off the wrong message of this show. But then, the creators encourage that sort of thing, so who are the real clowns here? Everyone. Everyone involved with this show in any way is a clown, except for the crew, who were able to feed their families for more than a decade.

Okay side note… over the past year or so I’ve been in process of realising that even in fandom queers are in the minority. I know the statistic is that 10% of the world population is queer, but that doesn’t seem right to me? Maybe because 4/5 closest friends are queer and I hang around queers online, but I also think I lack object permanence when it comes to straight people. Like I just do not interact with straight people on a regular basis outside of my best friend and parents and school. So when I hear that someone in fandom is straight I’m like, what the fuck… can you keep that to yourself please? Like if I saw Misha Collins coming out as straight I would be like, I didn’t ask and you didn’t have to tell. Okay I’m mostly joking, but I do forget straight people exist. Mostly I don’t think about whether people are gay or trans or cis or straight unless they’ve explicitly said it and then yes it does colour my perception of them, because of course it would. If they’re part of the queer community, they’re my people. And if they’re straight and cis, then they could very well pose a threat to me and my wellbeing. But I never ask people because it’s not my business to ask. If they feel comfortable enough to tell me, that’s awesome. I think Dean feels the same way. Towards the later seasons at least, he has a good reaction when it’s revealed that someone is queer, even if it is mostly played off as a joke. It’s just that he doesn’t have a frame of reference in his own life to having a gay relationship, either his or someone he’s close to. He says to Cesar and Jesse in season 11 “The Critters” that they fight like brothers, because that’s the only way he knows how to conceptualise it. He doesn’t have a way to categorise his and Cas’s relationship, which is in many ways, long before season 15 “Despair,” harking back even to the parallels between Ruby and Cas in season 3 and 4, a romantic one, aside from that Cas is like a brother to him. Because he’s never had anyone in his life care for him the way Cas does that wasn’t Sam and Bobby, and he doesn’t recognise the romantic element of their relationship until literally Cas says it to him in the third last episode, he just—doesn’t know what his and Cas’s relationship is. He just really doesn’t know. And he grew up with a father who despised him for taking the mom and wife role in their family, the role that John placed him in, for being subservient to John’s wishes where Sam was more rebellious, so of course he wouldn’t understand either his own desires or those of anyone around him who isn’t explicitly shoving their tits in his face. He moulded his entire personality around what he thought John wanted of him, and John says to him explicitly in season 14 “Lebanon”, “I thought you’d have a family,” meaning, like him, wife and two rugrats. And then, dear god, Dean says, thinking of Sam, Cas, Jack, Claire, and Mary, “I have a family.” God that hurts so much. But since for most of his life he hasn’t been himself, he’s been the man he thought his father wanted him to be, he’s never been able to examine his own desires, wants and goals. So even though he’s really good at reading people, he is not good at reading other people’s desires unless they have nefarious intentions. Because he doesn’t recognise what he feels is attraction to men, he doesn’t recognise that in anyone else.

Okay that’s completely off topic, wow. Getting back to metanarrativity in “The Real Ghostbusters,” I’ll just cap it off by saying that the books in this episode are more a frame for the events than the events themselves. However, there are some good outtakes where Chuck answers some questions, and I’m not sure how much of that is scripted and how much is Rob Benedict just going for it, but it lends another element to the idea of Kripke as author-god. The idea of a fan convention is really cool, because at this point Supernatural conventions had been running for about 4 years, since 2006. It’s definitely a tribute to the fans, but also to their own self importance. So it’s a mixed bag, considering there were plenty of elements in there that show the good side of fandom and fans, but ultimately the Winchesters want nothing to do with it, consider it weird, and threaten Chuck when he says he’ll start releasing books again, which as far as they know is his only source of income. But it’s a fun episode and Dean is a grouchy bitch, so who the holy hell cares?

Season 10 episode “fanfiction” written by my close personal friend Robbie Thompson and directed by Phil Sgriccia is one of the funniest episodes this show has ever done. Not only is it full of metatextual and metanarrative jokes, the entire premise revolves around fanservice, but in like a fun and interesting way, not fanservice like killing the band Kansas so that Dean can listen to “Carry On My Wayward Son” in heaven twice. Twice. One version after another. Like I would watch this musical seven times in theatre, I would buy the soundtrack, I would listen to it on repeat and make all my friends listen to it when they attend my online Jitsi birthday party. This musical is my Hamilton. Top ten episodes of this show for sure. The only way it could be better is if Cas was there. And he deserved to be there. He deserved to watch little dyke Castiel make out with her girlfriend with her cute little wings, after which he and Dean share uncomfortable eye contact. Dean himself is forever coming to terms with the fact that gay people exist, but Cas should get every opportunity he can to hear that it’s super cool and great and awesome to be queer. But really he should be in every episode, all of them, all 300 plus episodes including the ones before angels were introduced. I’m going to commission the guy who edits Paddington into every movie to superimpose Cas standing on the highway into every episode at least once.

“Fan Fiction” starts with a tv script and the words “Supernatural pilot created by Eric Kripke”. This Immediately sets up the idea that it’s toying with narrative. Blah blah blah, some people go missing, they stumble into a scene from their worst nightmares: the school is putting on a musical production of a show inspired by the Supernatural books. It’s a comedy of errors. When people continue to go missing, Sam and Dean have to convince the girls that something supernatural is happening, while retaining their dignity and respect. They reveal that they are the real Sam and Dean, and Dean gives the director Marie a summary of their lives over the last five seasons, but they aren’t taken seriously. Because, like, of course they aren’t. Even when the girls realise that something supernatural is happening, they don’t actually believe that the musical they’ve made and the series of books they’re basing it on are real. Despite how Sam and Dean Winchester were literal fugitives for many years at many different times, and this was on the news, and they were wanted by the FBI, despite how they pretend to be FBI, and no one mentions it??? Did any of the staffwriters do the required reading or just do what I used to do for my 40 plus page readings of Baudrillard and just skim the first sentence of every paragraph? Neat hack for you: paragraphs are set up in a logical order of Topic, Example, Elaboration, Linking sentence. Do you have to read 60 pages of some crusty French dude waxing poetic about how his best friend Pierre wants to shag his wife and making that your problem? Read the first and last sentence of every paragraph. Boom, done. Just cut your work in half.

The musical highlights a lot of the important moments of the show so far. The brothers have, as Charlie Bradbury says, their “broment,” and as Marie says, their “boy melodrama scene,” while she insinuates that there is a sexual element to their relationship. This show never passed up an opportunity to mention incest. It’s like: mentioning incest 5000 km, not being disgusting 1 km, what a hard decision. Actually, they do have to walk on their knees for 100 miles through the desert repenting. But there are other moments—such as Mary burning on the ceiling, a classic, Castiel waiting for Dean at the side of the highway, and Azazel poisoning Sam. With the help of the high schoolers, Sam and Dean overcome Calliope, the muse and bad guy of the episode, and save the day. What began as their lives reinterpreted and told back to them turns into a story they have some agency over.

In this episode, as opposed to “The Monster At The End Of This Book,” The storytelling has transferred from an alcoholic in a bathrobe into the hands of an overbearing and overachieving teenage girl, and honestly why not. Transformative fiction is by and large run by women, and queer women, so Marie and her stage manager slash Jody Mills’s understudy Maeve are just following in the footsteps of legends. This kind of really succinctly summarises the difference between curative fandom and transformative fandom, the former of which is populated mostly by men, and the latter mostly by women. As defined by LordByronic in 2015, Curative fandom is more like enjoying the text, collecting the merchandise, organising the knowledge — basically Reddit in terms of fandom curation. Transformative fandom is transforming the source text in some way — making fanart, fanfic, mvs, or a musical — basically Tumblr in general, and Archive of our own specifically. Like what do non fandom people even do on Tumblr? It is a complete mystery to me. Whereas Chuck literally writes himself into the narrative he receives through visions, Marie and co have agency and control over the narrative by writing it themselves.

Chuck does appear in the episode towards the end, his first appearance after five seasons. The theory that he killed those lesbian theatre girls makes me wanna curl up and die, so I don’t subscribe to it. Chuck watched the musical and he liked it and he gave unwarranted notes and then he left, the end.

The Supernatural creative team is explicitly acknowledging the fandom’s efforts by making this episode. They’re writing us in again, with more obsessive fans, but with lethbians this time, which makes it infinitely better. And instead of showing us as potential date rapists, we’re just cool chicks who like to make art. And that’s fucken awesome.

I just have to note that the characters literally say the word Destiel after Dean sees the actors playing Dean and Cas making out. He storms off and tells Sam to shut the fuck up when Sam makes fun of him, because Dean’s sexuality is NOT threatened he just needs to assert his dominance as a straight hetero man who has NEVER looked at another man’s lips and licked his own. He just… forgets that gay people exist until someone reminds him. BUT THEN, after a rousing speech that is stolen from Rent or Wicked or something, he echoes Marie’s words back, saying “put as much sub into that text as you possibly can.” What does Dean know about subbing, I wonder. Okay I’m suddenly reminded that he did literally go to a kink bar and get hit on by a leather daddy. Oh Dean, the experiences you have as a broad-shouldered, pixie-faced man with cowboy legs. You were born for this role.

Metatron is my favourite villain. As one tumblr user pointed out, he is an evil English literature major, which is just a normal English literature major. The season nine episode “Meta Fiction” written by my main man robbie thompson and directed by thomas j wright, happens within a curious season. Castiel, once again, becomes the leader of a portion of the heavenly host to take down Metatron, and Dean is affected by the Mark Of Cain. Sam was recently possessed by Gadreel, who killed Kevin in Sam’s body and then decided to run off with Metatron. Metatron himself is recruiting angels to join him, in the hopes that he can become the new God. It’s the first introduction of Hannah, who encourages Cas to recruit angels himself to take on Metatron. Also, we get to see Gabriel again, who is always a delight.

This episode is a lot of fun. Metatron poses questions like, who tells a story and who is the most important person in the telling? Is it the writer? The audience? He starts off staring over his typewriter to address the camera, like a pompous dickhead. No longer content with consuming stories, he’s started to write his own. And they are hubristic ones about becoming God, a better god than Chuck ever was, but to do it he needs to kill a bunch of people and blame it on Cas. So really, he’s actually exactly like Chuck who blamed everything on Lucifer.

But I think the most apt analogy we can use for this in terms of who is the creator is to think of Metatron as a fanfiction writer. He consumes the media—the Winchester Gospels—and starts to write his own version of events—leading an army to become God and kill Cas. Nevermind that no one has been able to kill Cas in a way that matters or a way that sticks. Which is canon, and what Metatron is trying to do is—well not fanon because it actually does impact the Winchesters’ storyline. It would be like if one of the writers of Supernatural began writing Supernatural fanfiction before they got a job on the show. Which as my generation and the generations coming after me get more comfortable with fanfiction and fandom, is going to be the case for a lot of shows. I think it’s already the case for Riverdale. Correct me if I’m wrong, but didn’t the woman who wrote the bi Dean essay go to work on Riverdale? Or something? I dunno, I have the post saved in my tumblr likes but that is quagmire of epic proportions that I will easily get lost in if I try to find it.

Okay let me flex my literary degree. As Englund and Leach say in “Ethnography and the metanarratives of modernity,” “The influential “literary turn,” in which the problems of ethnography were seen as largely textual and their solutions as lying in experimental writing seems to have lost its impetus.” This can be taken to mean, in the context of Supernatural, that while Metatron’s writings seek to forge a new path in history, forgoing fate for a new kind of divine intervention, the problem with Metatron is that he’s too caught up in the textual, too caught up in the writing, to be effectual. And this as we see throughout seasons 9, 10 and 11, has no lasting effect. Cas gets his grace back, Dean survives, and Metatron becomes a powerless human. In this case, the impetus is his grace, which he loses when Cas cuts it out of him, a mirror to Metatron cutting out Cas’s grace.

However, I realise that the concept of ethnography in Supernatural is a flawed one, ethnography being the observation of another culture: a lot of the angels observe humanity and seem to fit in. However, Cas has to slowly acclimatise to the Winchesters as they tame him, but he never quite fit in—missing cues, not understanding jokes or Dean’s personal space, the scene where he says, “We have a guinea pig? Where?” Show him the guinea pig Sam!!! He wants to see it!!! At most he passes as a human with autism. Cas doesn’t really observe humanity—he observes nature, as seen in season 7 “reading is fundamental” and “survival of the fittest”. Even the human acts he talks about in season 6 “the man who would be king” are from hundreds or thousands of years ago. He certainly doesn’t observe popular culture, which puts him at odds with Dean, who is made up of 90 per cent pop culture references and 10 per cent flannel. Metatron doesn’t seek to blend in with humanity so much as control it, which actually is the most apt example of ethnography for white people in the last—you know, forever. But of course the writers didn’t seek to make this analogy. It is purely by chance, and maybe I’m the only person insane enough to realise it. But probably not. There are a lot of cookies much smarter than me in the Supernatural fandom and they’ve like me have grown up and gone to university and gotten real jobs in the real world and real haircuts. I’m probably the only person to apply Englund and Leach to it though.

And yes, as I read this paper I did need to have one tab open on Google, with the word “define” in the search bar.

Metatron has a few lines in this that I really like. He says:

“The universe is made up of stories, not atoms.”

“You’re going to have to follow my script.”

“I’m an entity of my word.”

It’s really obvious, but they’re pushing the idea that Metatron has become an agent of authorship instead of just a consumer of media. He even throws a Supernatural book into his fire — a symbolic act of burning the script and flipping the writer off, much like Cas did to God and the angels in season 5. He’s not a Kripke figure so much as maybe a Gamble, Carver or Dabb figure, in that he usurps Chuck and becomes the author-god. This would be extremely postmodern of him if he didn’t just do exactly what Chuck was doing, except worse somehow. In fact, it’s postmodern of Cas to reject heaven’s narrative and fall for Dean. As one tumblr user points out, Cas really said “What’s fate compared to Dean Winchester?”

Okay this transcript is almost 8000 words already, and I still have two more episodes to review, and more things to say, so I’ll leave you with this. Metatron says to Cas, “Out of all of God’s wind up toys, you’re the only one with any spunk.” Why Cas has captured his attention comes down more than anything to a process of elimination. Most angels fucking suck. They follow the rules of whoever puts themselves in charge, and they either love Cas or hate him, or just plainly wanna fuck him, and there have been few angels who stood out. Balthazar was awesome, even though I hated him the first time I watched season 6. He UNSUNK the Titanic. Legend status. And Gabriel was of course the OG who loves to fuck shit up. But they’re gone at this stage in the narrative, and Cas survives. Cas always survives. He does have spunk. And everyone wants to fuck him.

Season 11 episode 20 “Don’t Call Me Shurley,” the last episode written by the Christ like figure of Robbie Thompson — are we sensing a theme here? — and directed by my divine enemy Robert Singer, starts with Metatron dumpster diving for food. I’m not even going to bother commenting on this because like… it’s supernatural and it treats complex issues like homelessness and poverty with zero nuance. Like the Winchesters live in poverty but it’s fun and cool because they always scrape by but Metatron lives in poverty and it’s funny. Cas was homeless and it was hard but he needed to do it to atone for his sins, and Metatron is homeless and it’s funny because he brought it on himself by being a murderous dick. Fucking hell. Robbie, come on. The plot focuses on God, also known as Chuck Shurley, making himself known to Metatron and asking for Metatron’s opinion on his memoir. Meanwhile, the Winchesters battle another bout of infectious serial killer fog sent by Amara. At the end of the episode, Chuck heals everyone affected by the fog and reveals himself to Sam and Dean.

Chuck says that he didn’t foresee Metatron trying to become god, but the idea of Season 15 is that Chuck has been writing the Winchesters’ story all their lives. When Metatron tries, he fails miserably, is locked up in prison, tortured by Dean, then rendered useless as a human and thrown into the world without a safety net. His authorship is reduced to nothing, and he is reduced to dumpster diving for food. He does actually attempt to live his life as someone who records tragedies as they happen and sells the footage to news stations, which is honestly hilarious and amazing and completely unsurprising because Metatron is, at the heart of it, an English Literature major. In true bastard style, he insults Chuck’s work and complains about the bar, but slips into his old role of editor when Chuck asks him to.

The theory I’m consulting for this uses the term metanarrative in a different way than I am. They consider it an overarching narrative, a grand narrative like religion. Chuck’s biography is in a sense most loyal to Middleton and Walsh’s view of metanarrative: “the universal story of the world from arche to telos, a grand narrative encompassing world history from beginning to end.” Except instead of world history, it’s God’s history, and since God is construed in Supernatural as just some guy with some powers who is as fallible as the next some guy with some powers, his story has biases and agendas. Okay so in the analysis I’m getting Middleton and Walsh’s quotes from, James K A Smith’s “A little story about metanarratives,” Smith dunks on them pretty bad, but for Supernatural purposes their words ring true. Think of them as the BuckLeming of Lyotard’s postmodern metanarrative analysis: a stopped clock right twice a day. Is anyone except me understanding the sequence of words I’m saying right now. Do I just have the most specific case of brain worms ever found in human history. I’m currently wearing my oversized Keith Haring shirt and dipping pretzels into peanut butter because it’s 3.18 in the morning and the homosexuals got to me. The total claims a comprehensive metanarrative of world history make do indeed, as Middleton and Walsh claim, lead to violence, stay with me here, because Chuck’s legacy is violence, and so is Metatron’s, and in trying to reject the metanarrative, Sam and Dean enact violence. Mostly Dean, because in season 15 he sacrifices his own son twice to defeat Chuck. But that means literally fighting violence with violence. Violence is, after all, all they know. Violence is the lens through which they interact with the world. If the writers wanted to do literally anything else, they could have continued Dean’s natural character progression into someone who eschews the violence that stems from intergeneration trauma — yes I will continue to use the phrase intergenerational trauma whenever I refer to Dean — and becomes a loving father and husband. Sam could eschew violence and start a monster rehabilitation centre with Eileen.

This episode of Holy Hell is me frantically grabbing at straws to make sense of a narrative that actively hates me and wants to kick me to death. But the violence Sam and Dean enact is not at a metanarrative level, because they are not author-gods of their own narrative. In season 15 “Atomic Monsters,” Becky points out that the ending of the Supernatural book series is bad because the brothers die, and then, in a shocking twist of fate, Dean does die, and the narrative is bad. The writers set themselves a goal post to kick through and instead just slammed their heat into the bars. They set up the dartboard and were like, let’s aim the darts at ourselves. Wouldn’t that be fun. Season 15’s writing is so grossly incompetent that I believe every single conspiracy theory that’s come out of the finale since November, because it’s so much more compelling than whatever the fuck happened on the road so far. Carry on? Why yes, I think I will carry on, carry on like a pork chop, screaming at the bars of my enclosure until I crack my voice open like an egg and spill out all my rage and frustration. The world will never know peace again. It’s now 3.29 and I’ve written over 9000 words of this transcript. And I’m not done.

Middleton and Walsh claim that metanarratives are merely social constructions masquerading as universal truths. Which is, exactly, Supernatural. The creators have constructed this elaborate web of narrative that they want to sell us as the be all and end all. They won’t let the actors discuss how they really feel about the finale. They won’t let Misha Collins talk about Destiel. They want us to believe it was good, actually, that Dean, a recovering alcoholic with a 30 year old infant son and a husband who loves him, deserved to die by getting NAILED, while Sam, who spent the last four seasons, the entirety of Andrew Dabb’s run as showrunner, excelling at creating a hunter network and romancing both the queen of hell and his deaf hunter girlfriend, should have lived a normie life with a normie faceless wife. Am I done? Not even close. I started this episode and I’m going to finish it.

When we find out that Chuck is God in the episode of season 11, it turns everything we knew about Chuck on its head. We find out in Season 15 that Chuck has been writing the Winchesters’ story all along, that everything that happened to them is his doing. The one thing he couldn’t control was Cas’s choice to rebel. If we take him at his word, Cas is the only true force of free will in the entire universe, and more specifically, the love that Cas had for Dean which caused him to rebel and fall from heaven. — This theory has holes of course. Why would Lucifer torture Lilith into becoming the first demon if he didn’t have free will? Did Chuck make him do that? And why? So that Chuck could be the hero and Lucifer the bad guy, like Lucifer claimed all along? That’s to say nothing of Adam and Eve, both characters the show introduced in different ways, one as an antagonist and the other as the narrative foil to Dean and Cas’s romance. Thinking about it makes my head hurt, so I’m just not gunna.

So Chuck was doing the writing all along. And as Becky claims in “Atomic Monsters,” it’s bad writing. The writers explicitly said, the ending Chuck wrote is bad because there’s no Cas and everyone dies, and then they wrote an ending where there is no Cas and everyone dies. So talk about self-fulfilling prophecies. Talk about giant craters in the earth you could see from 800 kilometres away but you still fell into. Meanwhile fan writers have the opportunity to write a million different endings, all of which satisfy at least one person. The fandom is a hydra, prolific and unstoppable, and we’ll keep rewriting the ending a million more times.

And all this is not even talking about the fact that Chuck is a man, Metatron is a man, Sam and Dean and Cas are men, and the writers and directors of the show are, by an overwhelming majority, men. Most of them are white, straight, cis men. Feminist scholarship has done a lot to unpack the damage done by paternalistic approaches to theory, sociology, ethnography, all the -ys, but I propose we go a step further with these men. Kill them. Metanarratively, of course. Amara, the Darkness, God’s sister, had a chance to write her own story without Chuck, after killing everything in the universe, and I think she had the right idea. Knock it all down to build it from the ground up. Billie also had the opportunity to write a narrative, but her folly was, of course, putting any kind of faith in the Winchesters who are also grossly incompetent and often fail up. She is, as all author-gods on this show are, undone by Castiel. The only one with any spunk, the only one who exists outside of his own narrative confines, the only one the author-gods don’t have any control over. The one who died for love, and in dying, gave life.

The French Mistake

Let’s change the channel. Let’s calm ourselves and cleanse our libras. Let’s commune with nature and chug some sage bongs.

“The French Mistake” is a song from the Mel Brooks film Blazing Saddles. In the iconic second last scene of the film, as the cowboys fight amongst themselves, the camera pans back to reveal a studio lot and a door through which a chorus of gay dancersingers perform “the French Mistake”. The lyrics go, “Throw out your hands, stick out your tush, hands on your hips, give ‘em a push. You’ll be surprised you’re doing the French Mistake.”

I’m not sure what went through the heads of the Supernatural creators when they came up with the season 6 episode, “The French Mistake,” written by the love of my life Ben Edlund and directed by some guy Charles Beeson. Just reading the Wikipedia summary is so batshit incomprehensible. In short: Balthazar sends Sam and Dean to an alternate universe where they are the actors Jared Padalecki and Jensen Ackles, who play Sam and Dean on the tv show Supernatural. I don’t think this had ever been done in television history before. The first seven seasons of this show are certifiable. Like this was ten years ago. Think about the things that have happened in the last 10 slutty, slutty years. We have lived through atrocities and upheaval and the entire world stopping to mourn, but also we had twitter throughout that entire time, which makes it infinitely worse.

In this universe, Sam and Dean wear makeup, Cas is played by attractive crying man Misha Collins, and Genevieve Padalecki nee Cortese makes an appearance. Magic doesn’t exist, Serge has good ideas, and the two leads have to act in order to get through the day. Sorry man I do not know how to pronounce your name.

Sidenote: I don’t know if me being attracted aesthetically to Misha Collins is because he’s attractive, because this show has gaslighted me into thinking he’s attractive, or because Castiel’s iconic entrance in 2008 hit my developing mind like a torpedo full of spaghetti and blew my fucking brains all over the place. It’s one of life’s little mysteries and God’s little gifts.

Let’s talk about therapy. More specifically, “Agency and purpose in narrative therapy: questioning the postmodern rejection of metanarrative” by Cameron Lee. In this paper, Lee outlines four key ideas as proposed by Freedman and Combs:

Realities are socially constructed

Realities are constituted through language

Realities are organised and maintained through narrative

And there are no essential truths.

Let’s break this down in the case of this episode. Realities are socially constructed: the reality of Sam and Dean arose from the Bush era. Do I even need to elaborate? From what I understand with my limited Australian perception, and being a child at the time, 9/11 really was a prominent shifting point in the last twenty years. As Americans describe it, sometimes jokingly, it was the last time they were really truly innocent. That means to me that until they saw the repercussions of their government’s actions in funding turf wars throughout the middle east for a good chunk of the 20th Century, they allowed themselves to be hindered by their own ignorance. The threat of terrorism ran rampant throughout the States, spurred on by right wing nationalists and gun-toting NRA supporters, so it’s really no surprise that the show Supernatural started with the premise of killing everything in sight and driving around with only your closest kin and a trunk full of guns. Kripke constructed that reality from the social-political climate of the time, and it has wrought untold horrors on the minds of lesbians who lived through the noughties, in that we are now attracted to Misha Collins.

Number two: Realities are constituted through language. Before a show can become a show, it needs to be a script. It’s written down, typed up, and given to actors who say the lines out loud. In this respect, they are using the language of speech and words to convey meaning. But tv shows are not all about words, and they’re barely about scripts. From what I understand of being raised by television, they are about action, visuals, imagery, and behaviours. All of the work that goes into them—the scripts, the lighting, the audio, the sound mixing, the cameras, the extras, the ADs, the gaffing, the props, the stunts, everything—is about conveying a story through the medium of images. In that way, images are the language. The reality of the show Supernatural, inside the show Supernatural, is constituted through words: the script, the journalists talking to Sam, the makeup artist taking off Dean’s makeup, the conversations between the creators, the tweets Misha sends. But also through imagery: the fish tank in Jensen’s trailer, the model poses on the front cover of the magazine, the opulence of Jared’s house, Misha’s iconic sweater. Words and images are the language that constitutes both of these realities. Okay for real, I feel like I’ve only seen this episode max three times, including when I watched it for research for this episode, but I remember so much about it.

Number three: realities are organised and maintained through narrative. In this universe of the French Mistake, their lives are structured around two narratives: the internal narrative of the show within the show, in which they are two actors on a tv set; and the episode narrative in which they need to keep the key safe and return to their own universe. This is made difficult by the revelation that magic doesn’t work in this universe, however, they find a way. Before they can get back, though, an avenging angel by the name of Virgil guns down author-god Eric Kripke and tries to kill the Winchesters. However, they are saved by Balthazar and the freeze frame and brought back into their own world, the world of Supernatural the show, not Supernatural the show within the show within the nesting doll. And then that reality is done with, never to be revisited or even mentioned, but with an impact that has lasted longer than the second Bush administration.

And number four: there are no essential truths. This one is a bit tricky because I can’t find what Lee means by essential truths, so I’m just going to interpret that. To me, essential truths means what lies beneath the narratives we tell ourselves. Supernatural was a show that ran for 15 years. Supernatural had actors. Supernatural was showrun by four different writers. In the show within a show, there is nothing, because that ceases to exist for longer than the forty two minute episode “The French Mistake”. And since Supernatural no longer exists except in our computers, it is nothing too. It is only the narratives we tell ourselves to sleep better at night, to wake up in the morning with a smile, to get through the day, to connect with other people, to understand ourselves better. It’s not even the narrative that the showrunners told, because they have no agency over it as soon as it shows up on our screens. The essential truth of the show is lost in the translation from creating to consuming. Who gives the story meaning? The people watching it and the people creating it. We all do.

Lee says that humans are predisposed to construct narratives in order to make sense of the world. We see this in cultures from all over the world: from cave paintings to vases, from The Dreaming to Beowulf, humans have always constructed stories. The way you think about yourself is a story that you’ve constructed. The way you interact with your loved ones and the furries you rightfully cyberbully on Twitter is influenced by the narratives you tell yourself about them. And these narratives are intricate, expansive, personalised, and can colour our perceptions completely, so that we turn into a different person when we interact with one person as opposed to another.

Whatever happened in season 6, most of which I want to forget, doesn’t interest me in the way I’m telling myself the writers intended. For me, the entirety of season 6 was based around the premise of Cas being in love with Dean, and the complete impotence of this love. He turns up when Dean calls, he agonises as he watches Dean rake leaves and live his apple pie life with Lisa, and Dean is the person he feels most horribly about betraying. He says, verbatim, to Sam, “Dean and I do share a more profound bond.” And Balthazar says, “You’re confusing me with the other angel, the one in the dirty trenchcoat who’s in love with you.” He says this in season 6, and we couldn’t do a fucken thing about it.

The song “The French Mistake” shines a light on the hidden scene of gay men performing a gay narrative, in the midst of a scene about the manliest profession you can have: professional horse wrangler, poncho wearer, and rodeo meister, the cowboy. If this isn’t a perfect encapsulation of the lovestory between Dean and Cas, which Ben Edlund has been championing from day fucking one of Misha Collins walking onto that set with his sex hair and chapped lips, then I don’t know what the fuck we’re even doing here. What in the hell else could it possibly mean. The layers to this. The intricacy. The agendas. The subtextual AND blatant queerness. The micro aggressions Crowley aimed at Car in “The Man Who Would Be King,” another Bedlund special. Bed Edlund is a fucking genius. Bed Edlund is cool girl. Ben Edlund is the missing link. Bed Edlund IS wikileaks. Ben Edlund is a cool breeze on a humid summer day. Ben Edlund is the stop loading button on a browser tab. Ben Edlund is the perfect cross between Spotify and Apple Music, in which you can search for good playlists, but without having to be on Spotify. He can take my keys and fuck my wife. You best believe I’m doing an entire episode of Holy Hell on Bedlund’s top five. He is the reason I want to get into staffwriting on a tv show. I saw season 4 episode “On the head of a pin” when my brain was still torpedoed spaghetti mush from the premiere, and it nestled its way deep into my exposed bones, so that when I finally recovered from that, I was a changed person. My god, this transcript is 11,000 words, and I haven’t even finished the Becky section. Which is a good transition.

Oh, Becky. She is an incarnation of how the writers, or at least Kripke, view the fans. Watching season 5 “Sympathy for the Devil” live in 2009 was a whole fucking trip that I as a baby gay was not prepared for. Figuring out my sexuality was a journey that started with the Supernatural fandom and is in some aspects still raging against the dying of the light today. Add to that, this conception of the audience was this, like, personification of the librarian cellist from Juno, but also completely without boundaries, common sense, or shame. It made me wonder about my position in the narrative as a consumer consuming. Is that how Kripke saw me, specifically? Was I like Becky? Did my forays into DeanCasNatural on El Jay dot com make me a fucking loser whose only claim to fame is writing some nasty fanfiction that I’ve since deleted all traces of? Don’t get me wrong, me and my unhinged Casgirl friends loved Becky. I can’t remember if I ever wrote any fanfiction with her in it because I was mostly writing smut, which is extremely Becky coded of me, but I read some and my friends and I would always chat about her when she came up. She was great entertainment value before season 7. But in the eyes of the powers that be, Becky, like the fans themselves, are expendable. First they turned her into a desperate bride wannabe who drugs Sam so that he’ll be with her, then Chuck waves his hand and she disappears. We’re seeing now with regards to Destiel, Cas, and Misha Collins this erasure of them from the narrative. Becky says in season 15 “Atomic Monsters” that the ending Chuck writes is bad because, for one, there’s no Cas, and that’s exactly what’s happening to the text post-finale. It literally makes me insane akin to the throes of mania to think about the layers of this. They literally said, “No Cas = bad” and now Misha isn’t even allowed to talk in his Cassona voice—at least at the time I wrote that—to the detriment of the fans who care about him. It’s the same shit over and over. They introduce something we like, they realise they have no control over how much we like it, and then they pretend they never introduced it in the first place. Season 7, my god. The only reason Gamble brought back Cas was because the ratings were tanking the show. I didn’t even bother watching most of it live, and would just hear from my friends whether Cas was in the episodes or not. And then Sera, dear Sera, had the gall to say it was a Homer’s Odyssey narrative. I’m rusty on Homer aka I’ve never read it but apparently Odysseus goes away, ends up with a wife on an island somewhere, and then comes back to Terabithia like it never happened. How convenient. But since Sera Gamble loves to bury her gays, we can all guess why Cas was written out of the show: Cas being gay is a threat to the toxic heteronormativity spouted by both the show and the characters themselves. In season 15, after Becky gets her life together, has kids, gets married, and starts a business, she is outgrowing the narrative and Chuck kills her. The fans got Destiel Wedding trending on Twitter, and now the creators are acting like he doesn’t exist. New liver, same eagles.

I have to add an adendum: as of this morning, Sunday 11th, don’t ask me what time that is in Americaland, Misha Collins did an online con/Q&A thing and answered a bunch of questions about Cas and Dean, which goes to show that he cannot be silenced. So the narrative wants to be told. It’s continuing well into it’s 16th or 17th season. It’s going to keep happening and they have no recourse to stop it. So fuck you, Supernatural.

I did write the start of a speech about representation but, who the holy hell cares. I also read some disappointing Masters theses that I hope didn’t take them longer to research and write than this episode of a podcast I’m making for funsies took me, considering it’s the same number of pages. Then again I have the last four months and another 8 years of fandom fuelling my obsession, and when I don’t sleep I write, hence the 4,000 words I knocked out in the last 12 hours.

Some final words. Lyotard defines postmodernism, the age we live in, as an incredulity towards metanarratives. Modernism was obsessed with order and meaning, but postmodernism seeks to disrupt that. Modernists lived within the frame of the narrative of their society, but postmodernists seek to destroy the frame and live within our own self-written contexts. Okay I love postmodernist theory so this has been a real treat for me. Yoghurt, Sam? Postmodernist theory? Could I BE more gay?

Middleton and Walsh in their analysis of postmodernism claim that biblical faith is grounded in metanarrative, and explore how this intersects with an era that rejects metanarrative. This is one of the fundamental ideas Supernatural is getting at throughout definitely the last season, but other seasons as well. The narratives of Good vs Evil, Michael vs Lucifer, Dean vs Sam, were encoded into the overarching story of the show from season 1, and since then Sam and Dean have sought to break free of them. Sam broke free of John’s narrative, which was the hunting life, and revenge, and this moralistic machismo that they wrapped themselves up in. If they’re killing the evil, then they’re not the evil. That’s the story they told, and the impetus of the show that Sam was sucked back into. But this thread unravelled in later seasons when Dean became friends with Benny and the idea that all supernatural creatures are inherently evil unravelled as well. While they never completely broke free of John’s hold over them, welcoming Jack into their lives meant confronting a bias that had been ingrained in them since Dean was 4 years old and Sam 6 months. In the face of the question, “are all monsters monstrous?” the narrative loosens its control. Even by questioning it, it throws into doubt the overarching narrative of John’s plan, which is usurped at the end of season 2 when they kill Azazel by Dean’s demon deal and a new narrative unfolds. John as author-god is usurped by the actual God in season 4, who has his own narrative that controls the lives of Sam, Dean and Cas.

Okay like for real, I do actually think the metanarrativity in Supernatural is something that should be studied by someone other than me, unless you wanna pay me for it and then shit yeah. It is extremely cool to introduce a biographical narrative about the fictional narrative it’s in. It’s cool that the characters are constantly calling this narrative into focus by fighting against it, struggling to break free from their textual confines to live a life outside of the external forces that control them. And the thing is? The really real, honest thing? They have. Sam, Dean and Cas have broken free of the narrative that Kripke, Carver, Gamble and Dabb wrote for them. The very fact that the textual confession of love that Cas has for Dean ushered in a resurgence of fans, fandom and activity that has kept the show trending for five months after it ended, is just phenomenal. People have pointed out that fans stopped caring about Game of Thrones as soon as it ended. Despite the hold they had over tv watchers everywhere, their cultural currency has been spent. The opposite is true for Supernatural. Despite how the finale of the show angered and confused people, it gains more momentum every day. More fanworks, more videos, more fics, more art, more ire, more merch is being generated by the fans still. The Supernatural subreddit, which was averaging a few posts a week by season 15, has been incensed by the finale. And yours truly happily traipsed back into the fandom snake pit after 8 years with a smile on my face and a skip in my step ready to pump that dopamine straight into my veins babeeeeeeyyyyy. It’s been WILD. I recently reconnected with one of my mutuals from 2010 and it’s like nothing’s changed. We’re both still unhinged and we both still simp for Supernatural. Even before season 15, I was obsessed with the podcast Ride Or Die, which I started listening to in late 2019, and Supernatural was always in the back of my mind. You just don’t get over your first fandom. Actually, Danny Phantom was my first fandom, and I remember being 12 talking on Danny Phantom forums to people much too old to be the target audience of the show. So I guess that hasn’t left me either. And the fondest memories I have of Supernatural is how the characters have usurped their creators to become mythic, long past the point they were supposed to die a quiet death. The myth weaving that the Supernatural fandom is doing right now is the legacy that will endure.

References

I got all of these for free from Google Scholar!

Judith May Fathallah, “I’m A God: The Author and the Writing Fan in Supernatural.”

James K A Smith, “A Little Story About Metanarratives: Lyotard, Religion and Postmodernism Revisited.” 2001.

Cameron Lee, “Agency and Purpose in Narrative Therapy: Questioning the Postmodern Rejection of Metanarrative.” 2004.

Harri Englund and James Leach, “Ethnography and the Meta Narratives of Modernity.” 2000.

https://uproxx.com/filmdrunk/mel-brooks-explains-french-mistake-blazing-saddles-blu-ray/

#transcripts #supernatural #supernatural podcast #<60mins #this is first and foremost a podcast about cas and misha collins

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neopuff · 4 years

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OKAY I’ve finished Love Death & Robots, so here’s my short review/summary of each one where I also rate them on accuracy to the show’s title:

"Sonnie's Edge" - excessively violent. setting is neat. animation was cool but watching a lesbian get stabbed and then get her head stomped on repeatedly isn’t fun.

Love Rating 2/10 (there were tits and make outs)

Death Rating 10/10 (plenty of on-screen and an off-screen death)

Robot Rating 8/10 (there was robotic tech but this felt more like futuristic monsters than robots...)

Overall I give it a 4/10

"Three Robots" - really fun! it was funny and charming and cute. animation is nice. Josh Brener and Chris Parnell do some voices...yeah. it was fun!

Love Rating 0/10 (no sex? no romance? alright)

Death Rating 7/10 (no death but lots of skeletons)

Robot Rating 15/10 (robots!!!!!!!!!!!!!)

Overall I give it a 9/10, would watch again

"The Witness" - this one is really cool. like, i dont know...its cool, i enjoyed it a lot. the animation is amazing i LOVE the style and the character designs were nice.

Love Rating 8/10 (lots of sex and idk. erotic dancing. lots of tits and bush)

Death Rating 8/10 (yeah. well. yea? not gory but it was there and it happened)

Robot Rating 0/10 (i recall no robots)

Overall I give it an 8/10 only because there were no robots

"Suits" - a LOT better than i expected! animation was cool, story was interesting, characters were lovable. i highly recommend this ep though it is sad its very good.

Love Rating 10/10 (many emotions. no tits and no sex but much love)

Death Rating 10/10 (a good emotional onscreen death. quality storytelling style)

Robot Rating 10/10 (lots of robots!)

Overall I give it a 10/10 but its still not my #1 favorite it just gives you everything the show title says it will

"Sucker of Souls" - ehhh. like the animation was really cool and the cat stuff was funny but overall its just pretty boring? character designs uninteresting story is blaaahhh. best part is Gary but she doesnt make up for how boring the rest is.

Love Rating 0/10 (some cats fuck at one point but thats it)

Death Rating 12/10 (everybody dies)

Robot Rating 0/10 (were there robots???? there were draculas. so many draculas)

Overall I give it a 2/10 but really its just boring

"When the Yogurt Took Over" - this one is fun. i mean, its only 6 minutes long and it was funny and entertaining and the art style is neat so yeah id recommend it to anyone.

Love Rating 0/10 (i recall no love)

Death Rating ?/10 (genuinely cant remember if anyone dies but the economy collapses so thats significant)

Robot Rating ?/10 (i think the yogurt was mutated rather than filled with nanobots soooo...no robots? idk)

Overall I give it a 7/10 cuz it was fun

"Beyond the Aquila Rift" - too confusing to be good and yet also somehow pretty good? animation was nice and pretty. greta is hot. but i dont know, something about it felt like....lazy. the story was lazy.

Love Rating 8/10 (we get tits and sex right on screen)

Death Rating 0/10 (i dont think anyone dies?)

Robot Rating ??/10 (really hard to say. very matrix-y story so whats a robot? whats not? who knows bitch)

Overall I give it a 5/10

"Good Hunting" - :( this one is really sad and violent. theres a lot of tits including i believe on a very young character??? but it wasnt in a sexual context but still kind of uncomfortable. anyway the story is interesting and good but mostly just REALLY sad. theres a scene where you watch a guy saw off a girl’s legs while she screams and even tho it only lasts a brief moment it really gets to you.

Love Rating 10/10 (i know liang and yan dont actually get together but their relationship was really good)

Death Rating 10/10 (plenty of death, thats for sure)

Robot Rating 9/10 (yea! robots! but in a sad way)

Overall I give it an 8/10 because the story is interesting but the girl character just goes through every possible kind of torment and even if things end up alright it still hurts to watch

"The Dump" - i just didn’t really like this one. it was sad and kinda gross and didnt really give me anything to work with. the animation was cool at least.

Love Rating 1/10 (man and pet love? idk)

Death Rating 9/10 (two deaths at least, and one implied animal death? or we see a dead dog? or something? i dont remember)

Robot Rating ???/10 (i mean...is otto a robot? i dont think so??? i dont know)

Overall I give it a 3/10 cuz i didnt like it at all

“Shape-Shifters” - yeah this one should not have been boring but it was. the characters were fine but i feel like US Army stuff just makes my brain turn off (then again, i do love gi joe, so who knows). anyway the werewolf soldier concept i guess could be interesting but, again, it just wasn’t. it sure was sad though.

Love Rating 8/10 (those werewolf soldier boys were kind of, like, pals)

Death Rating 10/10 (lots of death, for suresies)

Robot Rating 0/10 (werewolves are not robots)

Overall I give it a 6/10

"Helping Hand" - so, like, this one is super boring unless you like watching someone floating in space and then ripping their own arm off with realistic crunches and screams. the girl was cute at least.

Love Rating 0/10 (she sure didnt love her arm)

Death Rating 0/10 (she didnt die, so)

Robot Rating 0/10 (no robots!!!!)

Overall I give it a 4/10 cuz the animation is cool and the girls design is good but it had none of what the show title promises

“Fish Night" - this one was cool but weird. Yuri Lowenthal plays a guy who gets eaten by an astral space shark. so i guess theres some anti-shark propaganda but it sure LOOKED cool.

Love Rating 0/10 (i guess old guy and young guy were close but not close enough for me to care)

Death Rating 10/10 (yea)

Robot Rating 0/10 (i mean...there was really cool astral space ocean thing whatever but it wasnt robots)

Overall I give it an 8/10 because i liked it a lot

"Lucky 13" - i wanted to like this one cuz of Samira Wiley but it just wasnt very interesting. it had potential but tbh it just wasnt memorable? i remember how it started and how it ended but nothing in the middle which isnt a good sign.

Love Rating 2/10 (cuz she loves that ship? i guess)

Death Rating 9/10 (yeah. i mean, yeah)

Robot Rating 0/10 (i could be remembering wrong but i have no memory of any robots)

Overall I give it a 5/10

"Zima Blue" - FAAAAAAVE! FAVE FAVE FAVORITE!!!! i fucking LOVE this one i watched it twice cuz i loved it a lot. really really great and it was done in the style of Motorcity/Tron: Uprising which made it even better. a really cool story and just fun to watch and interesting and charming. really really enjoyed it.

Love Rating 10/10 (a love for ART!)

Death Rating 10/10 (two deaths and one was on screen and very sad but non-violent)

Robot Rating 10/10 (yeah!!!!!!)

Overall I give it an 11/10 because i love it and want everyone to see it tbh

"Blindspot" - zzzzzzzzzzz. i mean ok it wasnt terrible but it just wasnt interesting. girl robot’s design is cute at least.

Love Rating 0/10 (some sex jokes but thats it)

Death Rating 9/10 (fake deaths)

Robot Rating 11/10 (yea its 100% robots)

Overall I give it a 3/10 cuz i was bored

"Ice Age" - this one is really funny and charming BUT the animation is almost...TOO realistic? uncanny valley or something. it looked like live action and it was a little weird but its fine cuz it was really really really good and just fun to watch. funny/charming/cute you name it!

Love Rating 7/10 (main couple seems to be in love or whatever but its not relevant to the story)

Death Rating 10/10 (an entire civilization dies and starts over again, so)

Robot Rating 8/10 (i mean...at the end of the civilization there was something robotic going on or something idk it was cool looking)

Overall I give it an 8/10 cuz i just really liked it a lot

"Alternate Histories" - this one is funny!! nothing really special just a bunch of funny shorts about how hitler sucks. a lot of these movies went for a hyper realistic animation style so this one is a nice change of pace.

Love Rating 1/10 (one of the shorts has a lot of fucking but that one was just kind of uncomfortable)

Death Rating 10/10 (how many times can you watch hitler die? a whole bunch)

Robot Rating 4/10 (future hitler appears in a robot suit at the end, so, like, i guess?)

Overall I give it a 7/10 cuz it was funny

"The Secret War" - okay so initially this one was super boring to me but it REALLY kicked it up a notch towards the end. i ended up rewatching it because i wanted to fully take in everything before it got good and yeah i liked it a lot.

Love Rating 8/10 (family love no sex no titties no romance)

Death Rating 16/10 (yeah. its a lot of limbs being ripped off and a guy shoots himself in the head)

Robot Rating 0/10 (there were monsters and airplanes but no robots that i can recall?)

Overall I give it an 8/10 because there were no robots

#love death and robots #love death & robots #carro watches #obviously these are not spoiler free if u havent seen em yet but also the shows been out for a while #almost a year i think #long post

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jq37 · 5 years

Note

thoughts on this week's ep?

**spoilers for broadway brawl**

***Before we start, I remembered as I was typing this one of the important notes I lost from last week’s recap: Interesting that Christmas seemingly went off without a hitch. I expected Santa to come back into play somehow (like, someone would check on him to make sure Christmas was still on or he’d call them in to help or something) but he hasn’t, at least not yet.***

My guys, my guys, my guys. Was that something or was that something?

I think I am on record as saying that combat is my least favorite part of ttrpgs generally speaking because I’m here for the RP but when a combat episode shines it really freaking shines (see eg: that first combat ep of Bloodkeep where everyone went full Galaxy Brain except for Matt who couldn’t hit a single thing) and this is such a good example. This is easily a top five ep of the season for me, maybe top three so let’s get into it and break down why it was so awesome.

We start right where we left off with Titania and members of her court having come into the theater to beat the tar out of Misty mid-show.

Quick note: At the end of last ep, it was set up so that Misty was thrust on stage right after hearing the mirror was on stage which would place this fight right at the top of Act 2 but at the start of this ep, Brennan seems to indicate that it’s taking place during what would be the closing number. Which would make more sense but imagine you go see a play, the first act is super dope, and then the second act is an insane, minute long fight that’s pretty unconnected to the plot and then a buff, naked, beautiful man tells you the show is over and you should leave. Wild. Anyway.

Pixies with tommy guns in inherently funny.

So one of the things that makes this fight really great is the way it directly ties into the story in a way besides “These bad guys are in our way.” Misty is using this show as a part of her reincarnation spell so if the show is messed up, it fails and she’s on her last life. Brennan has a cool mechanic of making her roll death saves every round at a difficulty lower than her modifier (which is s/t crazy like 11) but that gets harder with damage done to her and performance checks failed by other players who decide to jump on stage. It’s a great way to make the battle feel like it has more personal stakes and it’s my fave original Brennan mechanic since the Family in Flames Sophie’s Choice situation.

(I love that the death save counter is changed for theater comedy/tragedy masks for this. Nice touch.)

Em, Esther, and Wally are also at the fight which is clutch.

Also, Sondheim is specifically here which is an insane detail to add just because.

WILD that no one knows what’s going on with the ritual initially because, as Lou almost does, getting all the civilians out is the smart move and it would COMPLETELY ruin Misty’s plans instantly.

Lou having Kingston take the stairs bc’s he’s 50+ years old and has no time for that nonsense has equal but opposite energy to him doing extra rolls for Fabian to do unnecessary parkour before a simple attack because Fabian’s Like That.

Murph fireblasts the hell out of Titania’s foot soldiers right off the bat from outside of counterspell range which is very cool.

“Give me a performance check for the cockroach.”

“You’re upstaging me bitch?”

Another great thing about this fight is that because of it’s theatrical nature, everyone’s RPing it more than a usual battle ep (or more intensely maybe is what I mean).

Titania hypnotizes Don Confetti and his goons into fighting for her.

“She doesn’t know she’s in a play but she does sing most of her dialogue which is helpful for you.” Titania is just Like That.

Pete drops an erupting earth and drops a sick 37 damage on those same minions Kug got.

I didn’t notice before but yeah, Ally does roll die like a f-ing beyblade champion.

Emily hearing Murph’s low key, offhand comments and cracking up is great.

“Get Sondheim!” (Emily and then Ally: WHAT?!)

Actual living dude Stephen Sondheim being involved in this fight is just so ridiculous and fun and crazy.

We go around to Misty’s turn and she has to beat a 28 (upped from 10) and she fails which feels worse than a normal failed death save somehow.

Lou, in a very good RP move, tells Pete to tell Misty to end the show so she can tell them not to so the group has a valid reason to not evacuate which is a thing they (or at least him and Ricky) would obviously want to do.

Sophie, the madwoman, jumps out of the balcony, grabs a costume, then runs on stage. Emily’s glee at being told that her grabbing the costume will give her advantage is great. She’s always trying to figure out how to make the most of her moves. She is the living embodiment of the concept of method to madness (which is from Hamlet since we’re talking Shakespeare today).

Ox is constantly dying (Brennan!) but also it’s like, why was he even there before the fight started? I’ve never seen a non-service dog in a theater.

Ricky: Is this part of it?

Oh, forgot to mention that everything that happens on stage is kinda shielded by the Umbral Arcana so everyone watching thinks it’s part of the show, which is a cool plot detail.

Ricky gets fULLY NAKED (Emily, with perfect comic timing: Now do I roll with disadvantage?) and leaps into the fray. He casts Protection from Evil and Good on her which (1) He does by Magic Mike body-rolling on her while he’s naked and considering how much shorter she is that her raises some interesting questions about positioning and (2) is the most clutch use of this spell I’ve seen in a while. It’s a spell I always wanna take as a Paladin because it makes sense character-wise, but I’ve never been able to actually use it because we’re never fighting fiends, fae, or celestial.

Brennan’s dime change change reversal of the critic’s comments on Ricky’s body rolls when Zac re-rolls his 11 makes me glad I never had to face him in a debate team setting.

Ally: What’s Esther’s deal ;)/Brennan: *Esther’s Weapon Stats*

“Your only secret you’ve ever had in your life is that you have a crush on her.”

Wally has a beautiful singing voice and a working knowledge of Midsummer's which is wild.

Lou’s periodic, “My man”’s when Ally/Pete does something cool. He’s very dialed into being Kingston.

Ricky’s aura keeps everyone near him from being charmed and Misty saves everyone else w/ a nat 20 counterspell. Few things in D&D are more satisfying than a well executed counterspell.

Titania trying to get Pete to be her consort or something when he just over the super posh Priya is very funny.

“I mean between me and Sondheim, get Sondheim!”

“DO WE HAVE HOMEWORK TONIGHT?” (“We did have homework.”)

Anyway, Misty has one success now!

Misty tries to use puppet to get Titania to drop her crown and it doesn’t work. Brennan says the crown is Crown of Stars which I looked up and it’s actually a spell, not a physical crown, but I’m assuming he used the mechanical effects of the spell on a physical item.

Brennan doing all these musical/singing bits when he absolutely doesn’t have to. I love it.

I love Ricky and Sophie being the two martial fighting heavy hitters of the group. Like, the two fighters, having the spellcasters’ backs.

I hope the one kung fu fan in the back of the theater never sees another Broadway show again because he’s gonna be so disappointed.

“I’m just so inspired by that beautiful penis.”

Murph, out of character, verbally acknowledging how insane what they’re doing is. I love when someone pauses in a game of D&D to just recite what’s currently happening out of context so everyone can appreciate how crazy it is. D&D. Gotta love it..

Emily and Siobhan have a quick conversation in the background about whether Sondheim did Les Mis or not (not, that’s Claude-Michel Schönberg) while Brennan and Murph are Ring nonsense.

I also was mildly suspicious of Alyssa so I’m glad Kingston checked her out.

The entire roast of Brennan when he’s selecting D6s is an instantly iconic D20 moment. I can’t do it justice. You kinda just have to see it.

“Someone call Wizards of the Coast!”

Em, Wally, and Alyssa go out when Titania puts out a huge spell that blinds Kug.

“Yummy, yummy, tastes like ass.”

On Misty’s next turn, she rolls a fail which makes it 2 failures to 1 success. Brennan mentions that a nat 1 counts as 2 failures and a nat 20 counts as 2 successes. I’m sure that won’t be relevant later because you can’t foreshadow things when dice rolls are completely random.

Misty fails on puppet again again and Titania goes full Wicked Witch of the West on her and starts Jonesing for those shoessss.

Emily’s Emily(tm) move of the session is doing a flying leap at Titania, hitting her with a stunning strike and having Brennan retract the Box off Doom he was pulling out because she can’t save when she’s stunned. She just plummets out of the sky.

Don Confetti respecting the sacrament of marriage as he goes full Opera ghost and tries to garrote Sophie.

Ricky (still naked) grabs the crown from Titania, tosses it to Misty, and, with some improv and a good charisma roll, makes the show suddenly make sense to the very confused but entertained audience.

I’m so glad that Murph decided to turn into a bear and that they made the Winter’s tale ref. I should have had faith in Brennan and Siobhan, the theater nerds. Exit pursued by a bear y’all.

Lou and Emily bonding over being proud of their die for rolling well when they lend it out for a big roll.

Really wish Pete had wild magic surged in this fight. Just to add that extra bit of chaos.

With a very good turn (no damage taken, no performances failed) Misty only has to avoid snake eyes to get through this turn. She leapfrogs over that low bar and rolls a nat 20, instantly fulfilling her win condition. At this point, the play is superfluous and Titania is still down.

“Brennan lost and now he knows reddit is gonna eat his ass.”

OK, remember how I said earlier that Misty seems like the kind of character you nudge a little temptation at just to spice things up? Yeah, her killing Titania and getting the crown of the Seelie Fae makes me a liiiitle apprehensive, but we’ll see how that turns out.

“I killed my queen! This is America we don’t have royalty here.”

“Bear, I don’t know who you are, but take me on your back, let me ride on stage.” —creator of West Side Story, Stephen Sondheim

Misty charms the critic at the show to make sure they get a good review which is such a fae thing to do.

Kingston’s clearly not loving attacking Don and Co. post “real fight” what with his whole Do No Harm thing (well, that’s Dr’s but same principle applies I assume) is a good character detail. For that matter, so is Ricky just taking Titania’s crown and not beheading her which he super could have done while she was down but it would have been very incongruous with everything else about him.

Brian “This isn’t Loony Tunes” Murphy throws Sondheim as a projectile weapon at a pixie who snaps the pixie’s neck and then does a monologue at the audience.

I love it when someone rolls low on an insight check and Brennan gives them useless info and then they repeat it in their character’s voice.

4 mins from the end of the ep, Siobhan realizes there are two Perrys in this story for the first time and has a bigger reaction to that than almost everything else in this ep except her nat 20.

Ricky looks for costume faun legs to cover his fully out dick instead of costume pants or even his own pants.

Misty starts glowing with reincarnation energy and she runs into her dressing room for privacy. Also, she still super hasn’t told anyone what’s going on. (ALSO, assuming she’s gonna make the world think she died, it’s gonna be wild for the company of the show to have their leading lady put on the performance of her life and then die on opening night).

“Who am I to refuse a crown when it’s placed so deftly upon my head?”

You know that behind the scenes thing where Brennan is like, “Yeah, I knew Siobhan was gonna steal that book,”? I got some of those vibes during the crown scene.

The implications of what Misty did are gonna be left until next ep but Brennan says something about her creating her own court and it looks like she’s recruiting followers in the promo. IDK how I feel about that (these stories tend to have great power--especially tied to powerful magical items--as a corrupting force) but I am very excited to see how it goes down! See you then!

#the unsleeping city #dimension 20 #asks #galfast

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courage-a-word-of-justice · 4 years

Text

Fate/Stay Night: Unlimited Blade Works 1 - 25 (FINAL) | Waver OVA

Much like the Fate/Zero post, this is mostly a set of notes which has already been released and is preserved here because of the difference editing makes. There was one completely insensitive, uninformed note and a note which I was writing down to be “more in character” which I’ve removed in all instances of the notes, though - it’s better you not know what was being said there.

F/SN UBW 1 (Prologue)

Now that’s the Rin I know from fandom whispers.

Turns out this is ep. 0 and there’s actually 12 eps…

This brunette reminds me of Maiya.

This wavy haired guy’s a Matou? Geesh, he somehow reminds me of the Great B*stard Archer.

Miss Fujimura’s a bit of a non-sequitur…

If I remember the fan whispers right, his name is Issei Hyoudou…? (Or is that the High School DxD guy?) Update: Issei Hyoudou is the High School DxD guy, this is Issei Ryuudou.

If people die when they are killed, then machines should, too.

I already know from checking up previous info that UBW is for the 5th Holy Grail War and Shiro Emiya is part of it.

The button says “voicemail”…well, it’s actually rusu, where rusuban denwa = answering machine (denwa = phone, so rusu means something like “protecting the house (while you’re gone)”). The best way to translate it would be “voicemail” though.

Fuyuki Church (Kyoukai)? Rin has them on her voicemail???

I seem to remembr reading that this white-haired character is an alternate universe Shiro Emiya…but I guess we’ll find out later, huh?

Hmm…I’ve seen this Command Seal before. I think it might be Dewbond’s profile pic, in fact…which tells me that he likes Rin.

The compulsion the guy is talking about reminds me of Steph from NGNL and how she was forced to fall in love with Sora.

Rin’s treating this like a gacha game…LOL.

Pride vs. pride, huh? Anyways, I think the really entertaining thing of putting me under the pump like this is that I have such an incomplete understanding of how the Fate/ universe works that the outcomes of everything create enough entertainment for those who’ve committed to said universe. The things that I do know might be really late-game though – such as the white-haired Servant being an alternate Shiro – so I have my own surprises to confirm.

“The Archer class really is made up of archers!” - …and people die if they are killed, y’know? (<- I know this from the memes. I won’t cover Deen/Stay Night, people don’t normally recommend it.)

Why is a cup omnipotent, anyway? Cups don’t have the ability to have knowledge. By the way, I bet Rin’s acquaintance will have something to do with this.

Rin’s Holy Grail War work reminds me of my own experience with piano. Basically, I grew up doing it, so I never questioned it until I thought about what I really wanted to do. I expect Rin will be the same way.

Hmm…Sakura and…the Great B*stard?

Rin says all of this about “crude garbage”, so all I can focus on is the bin off to the side…LOL.

Oooooooh…so this appearance of Sakura is why people put F/Z before this.

Saber…the reason she’s so popular is because she appears in so many incarnations of Fate/ that she’s basically become a poster girl for it.

F/SN UBW 2

There’s something that pisses me off about Sakura. It’s probably because she’s fairly submissive, like a girl who was written to be a guy’s fantasy.

The OP and ED was subbed the first time, so the fact this isn’t is interesting.

I think I’ve seen these scenes before…probably because they look exactly like the setup for Today’s Menu for Emiya Family.

Hypoxia.

Sakura’s boobs jiggled…urgh…

This episode feels a lot more like a VN intro.

Some of these scenes were from a different perspective in the prologue, so I’ll try to skip them.

Stove = heater, if you didn’t catch on.

Oh hey, Emiya isn’t part of the archery club anymore…but there’s some evidence that an alternate Emiya became that Archer Rin has.

That’s Ilya, isn’t it…?

Emiya’s magic incompetence reminds me of Waver.

Shinji is Sakura’s older bro??? I never heard of this…? Step-bro, maybe?

I read one of the labels on the machine – makanai setto – and turns out it’s a [meal] set for staff (teachers).

This series’s messages are like anvils…even more so than F/Z.

Where does Emiya work…? (For some reason, I call Kiritsugu that but Shirou “Emiya”.)

Archer’s not in white…not that much, anyway.

“…I really nearly was killed.” – Yes, and people die when they are killed, Emiya. You said so yourself in Deen/Stay Night.

I know this iconic scene where Emiya stares at Saber! I’ve seen it in all the screenshots and everything.

F/SN UBW 3

The blindfolded woman in the OP is apparently Medea. I think I mentioned her offhandedly in one of the WP posts I did, so I didn’t expect to see her so soon.

Most of this ep is explaining this stuff to beginners. I can skip that.

I don’t get the appeal of Rin, but then again, I’m neutral at best on tsunderes.

Shoten Books? Like, Bookseller Books? How redundant…

“[G]enuine fake priest” - …LOL wut?

Why is Kirei giving me Equilibrium vibes…? Oh, it’s because he has silly hair that reminds me of Christian Bale. That’s why.

Most of this episode was recap from F/Z, so I skipped it.

F/SN UBW 4

I’m laughing – this new Berserker reminds me of Tsukasa (Dr Stone).

Ah, same old Gilgamesh. He’s just in different clothes.

Kiritsugu felt like he actually was a character. Emiya? Just a blank slate, really.

Welp, that was over fast…

F/SN UBW 5

I’m getting sick of Rin’s tsundereness, fast.

Okay, crash course in types of Servants. I needed this.

*Saber reveals the outfit is from Rin* - Ooh, Shiro, don’t go judgin’ Rin like that…

Oh-hoh, Sakura does archery, huh?

I bet Kuzuki actually is a mage. That’s how these things always turn out, no?

Actually, I think Emiya might be a better match for my piano experience. There’s this one person who played at a higher level of piano than I did, but they kept telling me that I was way better than them at piano (although I don’t know if that was self-deprecation and/or inflating my ego). As I mentioned in my relation to Rin, I forcibly cut it out of my life because my parents chose it for me – in short, no desire to hit the target, in one way of speaking.

I can see why Fate/ needed a cooking spinoff now…LOL.

Shinto = New City, with a particular combo of kanji.

Are these Touken Ranbu enemies, Rin…? (They’re called Historical Revisionists, technically, and I specifically refer to enemy wakizashi.)

I seem to remember from somewhere Sakura is Caster’s master…hmm. Another thing to confirm.

F/SN UBW 6

That Rin reaction face! I’ve seen it before!

LOL, that “I haven’t been sleeping lately” is relatable.

Medea is one of the only Servants that was originally a woman, so…it’s interesting to see she’s been given a chain as a method to keep up (but also vaguely annoying to see her have such a short skirt). A chain weapon seems to be the sort of weapon for an agile user, with possible sexual overtones (if you want to interpret it that way), so it seems like it came straight from a male fantasy of a woman.

Rin is the sort that places a lot of stock into obligations, I see.

F/SN UBW 7

I learnt how to read the word “mirage” in Japanese somewhat recently (in comparison to the basics, which I learnt through a CD-ROM maybe…15 or so years ago?). It’s shinkirou.

I find it interesting that these eps. are marked as Fate/Stay Night and the series is Fate/Stay Night UBW, because Deen/Stay Night (as I’ve been referring to the Deen version of F/SN) looks pretty different to Ufotable’s F/SN, judging by that “People die when they are killed” meme.

The subbers spelt “specialty” wrong…

Well, Emiya, being in a room with a girl…alone…you really are a typical VN lead, aren’t you?

LOL! I knew Kojiro was also part of this series and I think I knew he was an Assassin, but s***! He’s an absolute looker!

…and *sigh* Caster is using her sensuality against men. A regular Fujiko Mine, she is.

I think my heart did something when Archer gave that intense stare at Caster, too. This is no time for a reverse harem!

F/SN UBW 8

Ahh! Kojiro Sasaki’s (this Assassin’s) so hot! I love it!

The only person who can beat Saber is another swordsperson, huh? Logic checks out.

That blue ring looks like the one at the start of Shinchou Yuusha’s OP.

F/SN UBW 9

I thought Shinji was gonna barf, but that was actually laughing…that’s what happens when you don’t have the volume on.

This replacement Gilgamesh (Shinji) sucks…

Just squinting at Caster’s chest…boobs do not work that way, people. Fabric goes over things like that, it doesn’t tuck itself so neatly around them.

I think Rin’s a real idiot for ignoring that Shinji is a Master and a mage…

I almost thought Shiro was gonna kiss Sakura for a second there. Apparently you should approach an unconscious person from behind and tap them on the shoulder (as opposed to going from the front to listen for breath), in case they try to punch your lights out.

Watching Eizouken, which doesn’t have girly runs for the girls, and then watching this makes you aware even Rin is capable of girly running…(LOL?)

Gee whiz, I was so sure this purple lady with the whip was Medea and a Caster-class Servant. So she’s a Rider??? Update: So it was Caster, masquerading as Rider…is that how it goes…?

So is this a locked-room – or locked-school – mystery…?

F/SN UBW 10

This is basically “You wanna go?” from Saber.

Considering the coronavirus, these words (about people getting out of the attack completely healthy) seem sort of weird…

Samosan? Seppa seppa? What dialect is this???

*Emiya asks Issei to strip* - Ooh…this is why Fate is popular with women…*thinks of the fact this was a male-oriented VN first* Maybe.

I still think the Great B*stard kinda looks like Kyo from Fruits Basket (…not that I ever mentioned it earlier).

I just realised Taiga’s shirt is striped orange/black…like a tiger.

The amount of still frames in this episode, in comparison to the usual number, is significantly higher.

F/SN UBW 11

I just realised Kinoko Nasu means “mushroom” and “eggplant” if not exactly written the way it is…what a name…

*something about being useful to others* - U-Uwaaaaah…Emiya! Stop reminding me of all the things I’ve done at the cost of myself!

Hmm? I googled Rin’s birthday and I thought she was a Leo – she’s an Aquarius (Feb. 3rd).

Rin absolutely steamrolled Emiya, LOL.

I get the feeling Archer is saying “Only you can save yourself”.

F/SN UBW 12

Randomly, there is a Volkswagen.

*something about Emiya photosynsthesising* - Rin, that’s not how people work…

Batting centre? How can girls go there in skirts without flashing anyone? That’s taking into consideration how short Rin’s skirt is, y’know…(Practicality comes first at all times, people…well, not for Saber, who’s wearing stockings, but I worry about Rin, as you can see.)

People find blushing tsunderes cute…I kinda get it for male tsunderes, but for Rin…not really.

Ack! Another double episode!

Why does this ominous vibe on a bus remind me of Harry Potter…? (Then again, the first things I remember of the movies were a shrunken head and a bus that could squeeze through gaps, which might explain things.)

Hmm? So what is Kuzuki’s place in Caster’s life, huh? Who’s controlling the puppet?

Come to think of it, who is Assassin’s real Master? If Caster has control of him, that means he belonged to someone else before that, right?

I feel sorry for Assassin. I mean, he has to keep talking to Caster with his body torn open like that…

“Princess of Colchis” – So Caster is Medea! Maybe Scott (who said I was wrong about that) was thinking I was referring to Rider. Rider and Caster do look awfully similar…but wait, so what was the real identity of Rider, then? Update: Reading over the notes, I was mistakenly referring to Rider as Caster, hence the comment.

Wolverine!Kirei strikes again, it seems.

Lel, I forgot about Lancer…and Berserker, now that I think of it.

F/SN UBW 13

So this is Brave Shine, huh? It doesn’t sound familiar at all…

…aaaaaaaaand of course Saber is in a fancy white dress. It’ll sell a lot of figures – in fact, I think I’ve actually seen Saber figures with that outfit while browsing for Nendoroids and other merch as of late.

F/SN UBW 14

Well, this blonde guy’s hair is nice…but he’s basically Shou Tucker all over again. (I haven’t even completed Fullmetal Alchemist in any form – I just know what the guy did because the fans talk about it a lot.)

Gosh, evil begets nothing but more evil, huh? (re: Kirei and blondie here)

I gotta facepalm - this blonde dude really shouldn’t have maltreated Medea. She has a reputation for a reason.

It took me a few tries and the brightening of my screen to figure it out, but Caster spotted Kuzuki.

Gilgamesh, what the f*** did you do to those poor maids?! (Even if they were homunculi…)

The subbers appear to have spelt “homunculus” slightly wrong…

F/SN UBW 15

“Going through the front door would be a bad idea.” – Yeah, and people die when they are killed.

I really respect Illya now…and can see why she got her own spinoff.

This snowy mountain makes me realise exactly why they chose Ufotable for Demon Slayer.

F/SN UBW 16

I was wondering what Gilgamesh had torn out of Illya…ew.

I was watching Shazam the other day and a piece of advice the titular superhero gives is “Look out for number one.” (i.e. yourself) Rin has much the same mentality.

I seriously facepalmed when they tried to protect each other. One person should learn to stand down in the relationship for that to work.

Hmm…so this means Lancer’s Master is male, huh? (Why is that Master still a mystery anyway…?)

I facepalmed the third time (the second was soon after the first) when Emiya thought he could seriously protect Rin from Lancer. Knowing who Lancer’s Master is a much bigger priority right now, man – this isn’t a romcom!

I like Lancer’s sideways gaze, LOL.

*Archer comes in* - Well, hasn’t it been a while since we saw this guy? (voice drips with sarcasm)

“druther” – Hmm? I’ve never heard of this word before. Apparently, it means (when used as “If I had my druthers…”) “If I had my way…”.

Hmm? What’s this? There are two pendants instead of one…?

F/SN UBW 17

There’s a lot of shots centring around Lancer’s butt…LOL. (Or is that just the female gaze I’m forcing on to this?) Even still, because Lancer has an outfit like that, it’s kinda hard not to see that he does have a fine one.

“You have a lack of pride in your sword skills.” – Uhhhhhhh…I guess that’s why he’s Archer…?

I never seem to know who the Lancers are…geesh. Like, I could pick one from a crowd of Servants, but not their real names. Update: As it turns out, Karna (the one Indian Servant I had my eye on from Apocrypha) is a Lancer in Fate/Grand Order.

Apparently, Gungnir is the spear of Odin.

Kuzuki is a Master…of the Naruto run. (LOL)

Noting “sieben” and stuff, I think Rin’s magic is German in nature.

Why does Medea have elven ears, anyway…?

F/SN UBW 18

The subs suddenly turned yellow! What the heck?! (Prior to this, subs were white.) Update: Come to think of it, only Aniplex shows have yellow subs, while Funimation ones have white subs (although HiDive let you choose between white and black, the standard is white on the hardsubs). This might mean a switchover between who’s responsible for the show happened while this anime was airing.

“…within your grasp?”

Ooh, this I didn’t expect! Saber joined forces with Rin!

“…your wish was a mistake.”

*Shiro fights swords with more swords* - For some reason, I feel like I need to play some Daft Punk right now. (I don’t even like them as an artist, even though I’m meant to be the EDM expert around here…)

This all but confirms Archer is actually a Shiro Emiya from a distant future.

I just imagined an Archer whose body was made of swords. What a compelling image – a literal human weapon.

Those hand gestures…Shinji is a massive creep.

Huh? I’ve been skipping the post-credits segments for previous episodes because I’m binging, but there’s a post-credits segment here…

Hmm…this next-ep preview had a rook (or a king? I’m no good at identifying chess pieces by their appearance) with a red glowing symbol on it facing what appeared to be the symbol of the Saber class. What an interesting representation of the upcoming inevitable faceoff.

F/SN UBW 19

Wouldn’t it not make sense for future!Shirou to kill present!Shirou? I mean, you know the time travel paradox…if you kill the present guy, the future guy doesn’t exist.

“Sorry about that, punk.” – LOL. Lancer’s great.

Hey, wasn’t Kirei dea-oh right. In fiction, when there is no corpse, you can’t have assumed the character died. They probably skedaddled off somewhere, heavily bleeding and/or on the edge of death…and I’m assuming that was how Kirei got out of his scuffle too.

All this talk about ideals makes me wanna play Odd Future for some reason, LOL. (Well, the first line of that song is “I keep my ideals”, no?)

“…it is you who is disobeying orders.”

A eunuch, huh? Rin, you do know that a eunuch has his *erhem erhem* cut off…right?

Okay, people. Why must women be the source of the Holy Grail? This is only the 2nd time I’ve gotten to this point and you’ve got enough men to fuel the Grail instead. Why not use them??? Update: It’s safe to say I get my wish later.

“You’ve been removed from the bounds of time.” Subbers, I know you’re under pressure to produce subs, but please proofread…? Pretty please? Update: I should proofread too. My E key is a bit dodgy at the moment.

I predicted, a few seconds before it appeared on my screen, that Shirou wasn’t the type to do things he regretted. Yyyyyyyyyyup. That’s Shirou, alright.

F/SN UBW 20

Okayyyyyy. That was not an episode title that needed to be subbed.

Oh, gosh. Can you please just knee Shinji where it hurts, Rin…? I know you’re being choked, but you could still do something lik that.

…(lol)…What the heck, Shinji’s such a self-preserving prick!

So how many times did Lancer actually die and how many times was he faking it out?

“Dying because of some order that comes with being a hero.”

So who’s Gilgamesh’s Master now…?

Hmm…I thought by saving Rin and Saber, Shirou was already a hero. Maybe it’s just a perception thing.

H-Hey, Shirou…you keep saying redundant things…

F/SN UBW 21

Why is Saber just standing there, anyway…? (Well, Shirou did say it was his fight, but…she can do something…)

Okay, whose idea was it to cut after “However…”?! That’s terrible pacing.

This series peaked quite a few episodes ago. Now it’s just stretching for time.

Um, hey. Random question. Didn’t King Arthur draw Excalibur from the sword in the stone? Is that a stone or a tree stump? It’s hard to tell since the zoom quality is funny, but…if it’s a tree stump, someone got a crucial detail wrong. Update: Nup, it’s a stone. Forget I told you.

Having sacrificed myself for over a year for other people’s sake, I can’t say I agree that giving yourself up for others is a beautiful thing. This is speaking as someone who volunteers at a not-for-profit (the charity store). In fact, having thought long and hard about the fact I’ve completely gone down the wrong path from having taken this one opportunity I was given (note I did get rejected from a similar place before I got the position I did), I’ve thought, occasionally, that sort of thing is disgusting.

Did the Great B*stard even age 10 years while waiting for this new war…?

“…left off 10 years ago.”

Uh-oh. I don’t like Shinji – you can clearly tell that from the way I’ve been reacting to him – but there’s no way you’d use him as a Grail vessel…right?

F/SN UBW 22

If I understand the pink box correctly, it says kayumino-ru which is…*checks that up* itch cream(?) Another of the boxes says either iburon or ipuron, but it seems to be some kind of medicine (although I can’t figure out what it does).

“…flashy gold jerk…” – Yup, that’s why he’s the Great B*stard. The most narcisstic of all b*stards –so narcisstic he survived a Holy Grail War without being the victor.

Lemme guess, Rin…if I know my visual novels right, then the way to establish the mana link is either kissing or sexual intercourse, right? Update: Oh well, transplantation of a Magic Crest will work too. With the way Rin was reacting, I thought it was gonna be really intimate, but…nup. It’s just them taking off their shirts for one another…*whistles and pretends to walk away*

The reason I don’t like tsunderes is that whenever they want to be romantic, you can’t tell whether they’re giving mixed signals or not. Then again, you could argue I count as one, so…uh…*sweatdrop*

Shirou, why are you so concerned for the pillow?!

F/SN UBW 23

You can barely recognise the guy (Shinji)…huh.

H-Hey? You couldn’t mean Assassin’s back, right? Update: Y-Yep, that’s Assassin, alright. At least I can gaze upon his handsome face again…(lol) (<- If you’re wondering, there’s a difference between “lol” (or “small LOL”), “lel” and “LOL”. That’s the order they’re meant to be in, going from smallest to biggest laugh.)

Had to check Wikipedia, but Monohoshizao is the pole (?) wielded by Kojiro Sasaki…well, the correct term is nodachi (which I know better as ootachi from Touken Ranbu), but it’s referred to as a pole. To add something interesting to that, the ootachi I like the most (my beloved Taroutachi) is said to be 221 cm (throwing that into a converter, about 7.25 feet) and 4.5 kg (converting again, about 9.92 pounds)...which is basically something no human should be able to use, so if the pole is anything like Taroutachi...I have immense respect for this Assassin as well.

Assassin’s treatment here reminds me of Tora from Juuni Taisen…in a sense, they got what they wanted.

F/SN UBW 24

Cue the law of equivalent exchange from Fullmetal Alchemist, hahaha.

How can you be so sure you’ll beat the Great B*stard, Shirou???

Well, that Grail’s Holey, alright…(I bet you’re groaning at my joke, yes?)

I thought Archer was dead?! How did he fling a weapon at the last moment?!

Archer, you’re disappearing! This is no time for monologuing!

Why do I get the feeling I’ve seen Rin give the thumbs-up before as well…?

F/SN UBW 25 (FINAL)

Eyyyyyy? London…? Update: Oh, it’s the Clock Tower! That OVA is starting to make sense now! (Although I will watch it next, so there’s no need to muse over it.)

Tohsaka without pigtails is…weird.

Sherou (?)

Oh, romantic infighting (voice dripping in sarcasm)…That’s not what I’m here for. This is not a harem.

Ponytail Rin. This just gets weirder and weirder. Also, she kinda looks like Ishtar from Babylonia like that.

Tiny Pigtail Rin…it gets even weirder.

*yells* See?! It is London after all!!!

Update: Prior to this point, I had Silhouettes (by Avicii) playing in my head on occasion, notably when Archer was meeting his end. When Shirou came face-to-face with Saber’s grave, it switched to So Amazing by Luther Vandross. Although I normally don’t mention what I have on my mental playlist in notes like these, I just want to make note of that because it reflects the switch in mood. (Also, this is basically an extended transition into El-Melloi’s Case Files.)

Hmph. Yeah, nothing like hindsight to make something huge look small.

Sakura and Shinji’s relationship…it reminds me of a grumpy old man and his young daughter…(LOL?)

Ryudou’s reaction to romance reminds me of Tenya (from BnHA) in his more crazy moments.

All this talk about the Clock Tower is making me think that older!Waver will show up at any moment now…

…wa-hey? Well, *spits out some held-back laughter* whaddaya know? That’s the older Waver right there!

Ufotable’s older!Waver and Troyca’s older!Waver look fairly different. Ufotable’s isn’t as attractive because his hair has an artificial sheen to it and the man’s face looks more like a snake’s head in shape, so he looks a bit dumb. Update: Certainly Troyca’s Waver has a more egg-shaped head, but at least that makes his hair look nicer, no?

Post-credits segment. Keep watching.

Huh…that segment wasn’t very substantial. Maybe Hoshiai no Sora spoilt me on that front.

Waver OVA (REWATCH)

*yells* I still think Flat Escardos is a terrible name!

LOL, I think Waver just called out a bunch of political writers right there.

So who are these old people??? (Lennon Glasses and Old Lady here) I still don’t know. Update: You do find out later – Inorai is the old lady and Rocco is the old man.

Okay, so apparently the set of characters used for “Rail Zeppelin” is literally translated to Demon Eyes Collection Train...sounds like something out of Demon Slayer.

If Kayneth is the OG Lord and this Reines girl is the new one, how did Waver become gen. 2? *rewinds a little* She’s el-Melloi Archisorte, meaning that somehow she and Kayneth are blood-related (also note Monkey D Luffy = Luffy is his first name and Monkey is the last name with D being a middle initial, so Reines could have her names around the wrong way as well). Still doesn’t answer the Waver part of the question, though. Update: The character page of the official website says Reines is the rightful heir to the name “Lord (Lady?) El-Melloi”, but she appointed Waver to be the Lord while she waited to become of age and take the position.

As you know, I gotta question the guy’s (Waver) age. In Fate/Zero he was 19 and he looks much the same ten years later, so his approximate age range is 19 – 29 here. Wikipedia (which I linked earlier) says the anime this OVA is attached to occurs between the Grail Wars, meaning I might not be able to get an exact age. Update: “[A]lmost 10 years”, so I’d wager he’s on the back end of the age range (24 – 29).

Ooh, another good boy (Bram). I forgot he existed…and that’s kinda nasty that he’s got the bloodline of Sola-Ui in him. Update: Oh! Younger sister! That is nasty!

The word shisho (師匠), if I’m guessing the right characters, means “instructor” (or “teacher” if you wanna bend it that way). “Sir” is Waver’s title…I’m guessing that translatio choice is because he’s not a professor in title, assuming professor titles in this are given like they are in real life.

There’s something quite cute about Waver making such an indignant face…then again, he does have permanent worry lines on his face, so maybe not.

Like, whose bright idea was it to crush on the loli? Ravioli, ravioli, don’t crush on the loli! (Then again, I’m probaby worse, chasing after older men…)

Come to think of it, Ufotable is good at action motion (see exhibit A: Demon Slayer), but not free-flowing comedic motion like Waver falling over like this. That’s probably why the show jumped studios to Troyca (aside from divvying up the work of the Fate/ universe – Ei Aoki did F/Z, after all, so it makes sense he’d have some ability to take dibs on whatever works best for his studio…although he wasn’t too involved with this, I don’t think). Update: He was supervisor and storyboarder for this OVA.

Waver: Official butt monkey of the Clock Tower. Calling it now.

Troyca animates F/Z (however briefly)…I must say, they did a good job imitating Ufotable.

All I really remember from the first time around is the car chase, which really shows my priorities in anime…heh heh.

Troyca’s CGI is more noticeable than Ufotable’s, but they’re still on of the best studios for CGI, I think. That’s why they’re on my favourites list over Ufotable (since Ufotable, by general consensus, does better work but I think it looks more artificial in parts – case in point, Waver’s hair).

Setting up a mystery, like all stories, is very much about setting up the boundaries that you’re allowed to play in later. The only thing is that mysteries get more stringently judged for logic.

Hey, whaddaya know? Waver can fit Rider’s old shirt now! (Or maybe it’s the smaller version Waver implied was given to him during F/Z.)

“[W]hydunit” (in English) – LOL? There’s “whodunit”, but not “whydunit” – stick to “motive” or “modus operandi”, people.

#Fate/Stay Night: Unlimited Blade Works #Lord El-Melloi II's Case Files #lord el-melloi ii sei no jikenbo: rail zeppelin grace note #Lord El-Melloi II's Case Files: A Gravekeeper A Cat and A Mage #Lord El-Melloi II-sei no Jikenbo: Rail Zeppelin Grace note - Hakamori to Neko to Majutsu-shi

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ain-t-bovvered · 5 years

Text

14x13 (300th) Commentary

Special episode where a bunch of tired and caffeinated Europeans ( plus a sleepy American) scream together, and then die and try to get on with their day ( lol AS IF)

Hello and welcome:

@purpleskiesandcherrypies (Nat)

@dean-winchesters-bacon (Kat)

@waywardbaby (Zee)

@ain-t-bovvered (Giu)

1 2 3 4 5 6 7 8 9 10 11 12

“Dad’s on a hunting trip-

[shuts laptop]

Giu: It’s already a no from me

uuugh ok [opens laptop]

“-and he hasn’t been home in a few days “

Zee: That’s when I fell in love

Kat : I fell in love at “easy tiger”

Nat: He looks like a demon

Giu: he does

sign under the register: your baby daddy sitting in jail? Sell your gold and get bail.

wow.

S: we are looking for the good stuff.

me searching for men

Kat : I need that wad of money, And the man attached to it

Giu: SAM

Zee : So done

Nat: Dean's done

Kat : That was so Jared lol

D.”No you didn’t”

Kat: Oh shit Dean. All sexy business

Giu: They not happy

Kat : FIRE

Giu: NOT THE HAIR NOT THE HAIR

[pauses video] TUMMY! [presses play again]

Giu: HE’S A BIG BOY

Zee : Turn his back to dean?

Nat&Kat: They always talk too much

Nat: he stole my line

Nat: PLAGIARISM

Nat: don't put that in

Giu: I’m gonna put that in

Nat: no

The smoke coming out the gun tho. I love that gun.

Zee : Put that down dean

Giu: Dean don’t touch things

In what goddamn dystopian fantasy a theater in 2019 show Beetlejuice? because I wanna live there.

Giu: I want that jacket. Doesn’t it look like the family business jacket?

Zee : I want that car,with everything in it

Giu: ...AND ON IT

Nat: I want that man

Giu: lol it’s like the Winchesters are some sort of the mean girls of town.

The Campbell brothers are scary. They have two shotguns and a strange silver blade.

I hear the tall one hair's insured for $.

I hear the other one has a tinder account. His favorite music can be heard from miles before coming into town.

One time, they met god. And he stayed at their house. One time, they killed Hitler. It was awesome.

Kat : I WANT THE MEN

-” The Campbell brothers “ [sobs]

D:”Make it double”

Oh look the Family Business stuff again

S:” John Wayne Gacy cigar box”

uh that’s not good.

“Jack and Cass are out with Jules and her crew. When they’re back they can help us cataloging “ [already excited]

D:” aWeSoME”

- “Where did they even came from? them or their weird sidekick with the trench coat”

I love how before the boy Eliot talked about hearing stuff from the trunk of the car and I did not even bat an eye, because.....yeah...probably happened more than once.

Giu&Kat: Dumb bambi look

- Max:” It doesn’t mean they kidnapped bigfoot or whatever “

that could have happened too .

How did I miss all this gay vibes between the girls before?

Giu: anyway that is unrealistic, those girls would be drooling after those two.

Nat: Nah, they're too old for them

me at myself editing the commentary: they lesbian, bitch .

Nat: Max is trouble, isn't she

Kat: Don’t touch my baby’s car teen bitch

Zee : Why is sam so hot here?

Nat: BABY

- D;” No,no, no, no”

Zee : Oh the bitch did

Giu: THEY DED

Giu: DON T MOVE YESSIR

-S *thinks of the kids*

D: “Swear to God if anything happens to that car-” *thinks murder*

Giu: Meanwhile dean is having panic attacks

Nat&Giu&Kat: I don't wanna die. lol

Giu: TRIPLE PLAGIARISM

Kat: Stop Omg

Nat: We should stop

Zee : Look at those puppy eyes

- “So you want me to give you an underage girl’s address?”

Nat: hahahahahahhahahahahaha i like that woman

D:”Marta, how’s that grandson of yours?”

“if you could help us out I would, I would really appreciate it”

“Please”

Zee : I’d melt

Kat: THAT TAP

Nat: I mean...helloooooo

Giu: There goes her values

Nat: I would tell him everything and more

Zee : Giuls the hand gif. Please and thank you

- you want my address too?

Kat: He’s putting the moves

Kat: Their lips are extra pink

-Yeah but like...I would have melt with Sam too honestly.

SKIP DAY! aaaah the memories, we had skip days once a month.

Giu: OH NO

Zee : They dumb

Giu: i wouldn’t touch that creepy fuck teddy bears

Giu: can I slap some sense in those bitches

Giu: GACY FUCK NO

Nat: Baby, please tell me you're not hurt

Kat: BABY BABY

D: “ FBI everybody out”

me : ....arrest me.

Giu: Sam: no fuck clown

Kat: Serial killer clown

Nat: Sammy, I think you need to get away

Kat: Best and worst thing ever

- D:” ‘Cause you love serial killers but you hate clowns”

eh same .

Zee : look how happy he is

D:” Sam....today”

Kat: HURRRY UP SAMMEH

D: “....Hey! “

Nat: Dean Bean

Kat: Adorable bean

Zee: We’re damn good at why we do

Nat: They're going all dad on them

Kat: It’s hot

- S:” You sure don’t wanna call Mom here? or Cass?”

D:” No because if it works , great, if not, why get their hopes up?”

Zee : Hello

Nat: JOHN

Kat: SHIT SHIT. SHIT Kicking their asses lol

Giu: My eyes are sweating

Nat: I got Negan vibes lol

? : “Don’t you move”

[chills]

Zee : That’s another Daddy

Giu: HE LOOKS GOOD

J: “What in the hell”

J: “Sammy, aren’t you supposed to be in Palo Alto?”

Nat: Palo Alto. Oh god.

Giu: Good god [sobs]

J: “What happened to you?” when did you stretch like that

Nat: It's 2003

Kat: It’s very difficult

J:”You saved the world?”

Zee : More than once

Giu: We died....more than once

Zee : Look at that precious face

D:”I think he’d be real happy to know you are finally here”

- Glad they mentioned Henry, I miss him.

S:” We are legacies because of you”

J.” I just wish that I had been there to see it”

Nat: Awww the look on Sammy

Nat: It fucking breaks my heart alright

D:”Non of this would have happened without you”

J:” It’s good, it’s fine. I went out taking out yellow eyes. That was the point. Get the thing that killed Mom”

Giu: im not ready for what.’s coming

Zee : Me neither

Kat: So much sobbing

Nat: What are you talking about. I'm not ready for the whole damn episode

Giu: STOP WITH THE MUSIC

Zee : Brace yourselves

- J [desperately softly]:” ...Mary?”

Giu: OH NO FUCKING JDM

Nat: Oh god NO

Zee : Oh fuck you

Giu: FUCK MY LIFE. FREAKING ACTING SKILLS.

Nat: FUCK OFF

Zee : IM SCREAMING HERE

Nat: THE BOYS...lol

D:” I’m freaking out”

No Dean, I’m freaking out. And I already know, looking at Sam face, what’s coming.

Nat: "I wanted this man"

D:” I wanted this since I was 4 years old”

I CAN T

Zee: One family dinner

Nat: NO DEAN BEAN PLEASE Sammy is right

Kat: He is but it hurts. So much

Nat: TAKE A KNIFE AND STAB ME

oH....Sammy and Daddy time. Can I skip?

Look at John fucking face!! he’s already so proud.

S:” Dean and I tried to make that once” [nervous laughter]

[John’s face falls]

Zee : Here come regrets

J:”i...I remember “

Sam’s like...”you do?”

J: “ I screwed up with you a lot, didn’t I?”

The noise and expression and breathing Jared choose to made here is worth more than any words

Nat: GOD, SAM YOU PRECIOUS BEAN

S:” no, that’s okay”

J:”No, it’s not”

[me bathing into the holy light of jesus] yeeeees thank you

Sam looks so uncomfortable.

J: “You didn’t have a problem talking about it before you left”

ooooh John is trying so hard tho.

S: “..Dad...” [pauses like he can’t believe he can say that again]

me hitting myself : stop doing this to yourself bitch.

S: “ yeah...you know what? you did some messed up things”

S: “When I think about you....and I think about you a lot..[voice cracks]”

S:”I think about you on the floor of that hospital. And I think about how I never got to say goodbye”

Giu: fuck NOPE I’M OUT

Kat: *drags you back*

Giu: *fights it*

Zee: I’ll tie you down bitch just watch

Kat: I can’t i can’t I can’t

Giu: JARED STOP

Nat: FUCK JARED WHY ARE YOU SO GOOD

Nat: JARED STAHP

Kat: JARED IS INCREDIBLE

J: “Sam....[touches him]”

S: [gets almost scared when John touches him]

and now a change of camera so you can see more hurt

Nat: FUCK THIS I'M GOING OUT WITH YOU GIULS

Kat: I’ll tie you down

Zee: Can this fucking music just stop

Giu: CAN SOMEONE JUST GIVE ME MERCY? it’s 8:40am it’s too early for this

Kat: FUCK YOU JARED PADALECKI

Giu: STOP CRYIG

Giu: ahahahaahahhahahahaahah imma have a heart attack

Nat: SHIT NO FUCK THIS

Giu: Im forgetting english and spelling

J: “Son...I am so sorry”

Zee: That’s enough

Nat: YOU FOUGHT FOR US THAT'S ENOUGH

Giu: CLOSURE

Nat: what's english i'll start to groan in german soon

Zee: I’ll swear in Greek

Giu: I’m already gesturing in italian anyway

S:”Want some company?”

Nat: I get the booze you get the food, I want that bumper sticker

Nat: Why doesn't he remember?What the fuck is happening

Giu: The surnaaaame

Kat: YOU’LL SEE THE SHIT IT HAPPENING

Giu: THE FUCK

Zee : Blue steel

Nat: BWAHAHHAHAHAHAHAHAHA

Giu: WHAT THE FUCK IS THAT

Never forget

Nat: WANNA BE TED TALK

Nat: PROFESSOR JARED

Giu: GOD BLESS KALE (Misha wrote that)

Kat: THE TURTLENECK

hot take: that’s Misha’s turtle neck

Nat: THE GLASSES

D:”No, no , it gets worse”

TEDTalk!Sam is an empty shell. I hate it.

Kat: THE SLICKED BACK HAIR

Giu: Lotta beheadings

Zee : Can Jared stop being hotter in this ep?

D:”Well, I’m cool but you are ugh”

Giu: I saw enough doctor who to know what is Sam talking about.

S:” If all is different, then what else changed”

Giu: OH.

Zee : Oh no

Nat: Zach is also ugh

Giu: NO GO AWAY

Giu: HEY BABE

- GUESS WHO NEVER FOUGHT IN HELL AND RAISED SOME SALTY ASS FROM PERDITION???

Z:”Earth ...where you are always stepping in something”

I mean, he’s not wrong

Zee: Constantine

Nat&Zee: I don't understand that reference

Giu: SDEFAFANSBAKWBLENDP

Zee : Control yourself woman

D:”How are we gonna tell Dad?”

S: “How are we gonna tell Mom”

Nat: Why are the teens everywhere are they running out of extras? I can be an extra.... for love scenes

Zee : I can be a fly in the wall

Z:”I need to know who’s been messing with time?” like...I mess with time, that’s my thing, who’s stealing my job

Giu: SQUINTY BOY

Z:”This town is always been a little muddy for us”

Z:” he...murders you all”

Kat: Ugh I want to stab Zach in the face

oh jfc Cass is a fucking murder machine,kinda like the apocalypse world NO

Nat: Zach, just shut the fuck up, will ya

Zee: I’m an angel of the lord AAAAAAHHHHHH

Zee : GIULS IM DEAD

Giu: IS IT BAD THAT IM AROUSED

Kat: WINGS

Giu: FUCK

Zee: THE ONLY LOGICAL OUTCOME. Babe how dare you ?

D:”Cass? “

C: who’s this bright soul , oh no he’s hot.

D:”Cass, you know us”

C: I WISH.

C: “I don’t know you”

Kat: I DONT KNOW YOU

Nat: Ow...a stab in the heart

Giu: NO

Kat : Breaking my heart

- Oh look you can pin point the exact moment HIS heart breaks.

D:” Cass, don’t”

Giu: LAGO DI GARDA!!

Nat: THE GARDA LAKE? IS THAT AN EXPRESSION?

Giu: No , it’s where i live.

- The satisfaction of seeing Sam kill Zach. Sam enjoying it.

Kat: YAS SAMMEH

Nat: Cas, come on!

- I love that Sam is holding the blade to cut and not stab.

ok ok...honestly I’m enjoying this ok? in the sense that I missed seeing Castiel so strong and powerful , and this is as it should be. He’s an angel , a soldier, with eons of wars behind, he was a captain ffs, the Winchester, they can be as strong as you want but they are human. Even Zach was stronger than them, he was just stupid to fall for Sam trick.

Giu: PLEASE DON’T KILL THEM

Giu: please don’t kill Cass, please don’t kill Cass.

Kat: Dudes the bloopers from this scene will be epic

Nat: I SWEAR IF THEY DON'T SHOW IT

Giu: IM HAVING A HEART ATTACK

D:”Cass, Cass, stop it”

....bitch HE HESITATED , Cass hesitated , he just kept Dean there when he could have just snaps his neck with a bit of pressure.

Zee : Sammy to the rescue

Giu: OH THANK GOD

Us: We want Bamf Castiel back!

Writers: OK

Us: NOT LIKE THIS

Zee: Who needs a heart?

oh look, those plates have the same decorations as the cups we saw in older eps. WHY DO I KNOW THAT.

D:”Egghead”

Nat: me vs. your mom that's not even a choice

Giu: JOHN

Zee : Mary is showing emotion

Nat: I know who i would chose

yeah ok...I would choose this John tho, not the one we started in 2005 .

Zee : Me too

Kat: I almost don’t hate her. She’s hurting so bad. But everything else would be fucked

M:” Sam I can’t”

me too Mary, me too.

Nat: that's the thing. she's hurting more about her husband than her boys

Kat: I said almost

-J:” I never meant for this”

Kat: No son

J: “My fight. It was supposed to end with me. With Yellow eyes”

Giu: AGAIN

J:” But now you- you are a grown man and I’m incredibly proud of you”

Zee : Look how proud

Nat&Giu: JOHN, STAY

Kat: He’s waited so long to hear hat

Nat: LET SAM BE INTERNET FAMOUS

J:” I guess that I hoped, eventually,you would...get yourself a normal life, a peaceful life, a family.”

Zee&Giu : I have a family

Nat&Kat: WE EAT

Nat: A man after my taste

Giu: AND MY POOR HEART

Zee : Too much silence

Kat: #awkward

Nat: #sad

Giu: #The last supper

Zee : Stahp

Kat: SHUT UP BITCH

J:” We can be grateful for this time we have together.”

Kat: #AMEN

Nat: sounds like AYE MEN

Giu: ALWAYS THOUGHT THAT

Kat: Fucking Bob Seger

Giu: THEY DESERVE ALL OF THIS,ALL OF IT . MY BABIES

Kat: I WANNA KNOW THE CONVO

Nat: #DOMESTIC LIFE

S: “It doesn’t feel right to have all of this and have to throw it away and I know we have to.” S:” He just goes back to...to..being Dad”

-Oh honey

Giu: Sam is panicking

Nat: Who would save the world tho

S:” I think it would be nice”

D:” yeah? I used to think that too.”

D:”For the longest time I blamed Dad. I mean I blamed Mom too,you know. I was angry”

D: “Why don’t send him further back , and let some other poor sons of bitches save the world?

oh...OH Dean is woke

D:” But there’s the problem. Who does that makes us? Would we be better off? Maybe. But I’ve got to be honest. I don’t know who that Dean Winchester is.”

D:”I’m good with who I am,and I’m good with who you are”

Zee : Does anybody else experiencing chest pain??

Nat: What's a chest. I can't feel anything below my mouth

Giu: what s a mouth

Kat: #too old for this shit

D:”Cause our life, they are ours”

Kat: BAWLING

Kat: THIS FUCKING MUSIC

M: “I hate this”

Giu: WE HATE THIS

Zee&Kat: My girl

-NOOOOOO

J:”I miss you so damn much”

Nat: #make it stop

Nat: fuck this

Kat: NONONONONONONONONONONO I

Giu: STOP IT STOOOOP

Nat: JARED CONTROL YOUR FACE

Kat: THEY BOTH NEED TO

Zee : Fuck this flips table

-What a soft hug omg I can’t. Why is John so soft , whyyyyyy.

Giu: I WANNA DIE

Nat: FUCK THIS

-Dean’s eyes are dead , he’s trying to be emotionless and I can’t deal with it.

Also Sam keeps throwing glances at Dean and it breaks me.

John looking at his sons is PAAAAIN.

J:” You two. You take care of each other”

S: “We always do”

Can I say that I expected some “Yes Sir” here and there and I’m so glad that there were none? Like...yes they grow up and they are their own men and I’m so damn glad. I would have hated if I heard them saying that.

Kat: GOOD TO SEE YOU DAD

Dean said that so softly I can’t

Nat: OMG

Giu: JARED FUCK

Zee : I’m gonna faint

Nat&Kat: I AM SO PROUD OF YOU BOYS

Giu: JDM FUCK U TOO

Nat: FUCK YOU ALL OF YOU

This ....Jared you fucking broke me here, you just ...can’t go and act like this and expect me to still be breathing .

Giu: JAY DON’T

Goddammit Dean still looks like he doesn’t wan’t to break but ...I can see it, your lips are shaking damn you Jensen.

Oh no here comes the hug of pain.

J:”I love you both so much”

why is Sam crying so much this season , JARED !

-oH NO DEAN SAID IT....DEAN SAID I LOVE YOU , I CAN’T , 911 HELP I CAN’T BREATHE

Nat: HEY, FUCK THIS SHIT I'M GONE

I’m so sick of seeing tears ok? And seeing John so emotional??? NAAAAAH FUCK THAT, I saw those tears falling . FUCK U

NOT THE WINK

Zee : Can they all fuck the fuck off???

J:”Sammy...”

Kat: JENSEN FUCK YOU JARED FUCK YOU JDM FUCK YOU

Nat: TAKE MARY WITH YOU

Giu: dean your face

Kat: JENSEN BROKE ME

Dean looked like a little scared kid there and he just broke me once again.

Nat: THIS IS NOT RIGHT AND THEY KNOW IT THE WRITERS KNOW IT I HATE THIS SO MUCH

Kat: Yeah but that one look. Fuck

ok Now....I wanted to make this gif so badly because it haunted me. This....This is when Sam break the pearl. The sound looks like it hit Dean like a bullet or something and I just ....look at him it looks like he wants to scream, his lips seems like they are spelling a soundless ‘NO’ or he just let go, because he wasn’t breathing until the sound ....I need a minute, I’m gonna throw up my breakfast.

Bye John , I’ll miss you fiercely

aaaaand Dean looks like he’s dead again.

Nat: HEY GIULS Lebanon walk.

Nat I’m dead what do you want me to do? Call me if there is a ghost walk of Lebanon-

Also YAAAAAAS THOSE TWO ARE THE CUTEST

Nat&Kat&Giu: CAS

Sam looks relieved

Kat: OF FUCK THIS

Nat: Look at that phone

Giu: OMG NO

Nat&Zee&Kat: One hell of a dream

Kat: So much plagiarism

Zee : This music NEEDS to stop

Nat: NO WHAT THE FUCK WAS THIS

Giu: THE FUCK

Zee : Can we have a “fuck” count ?

Nat: aWWWW...jACK

Nat: WTF JACK

Giu: Jack honey dont

Kat: WHAT ARE THE DOING TO BABY BEAN

Zee: March 7???

Nat: Yeah no

Writers: heya! we are gonna give you some sweet stuff for the 300th, y’all gonna hate it so much.

after credits brainstorm

Nat: SO GET THIS Did John remember? Did John know that the boys are happy and he spends the last of his days thinking about how he could get rid of Michael? Giu: What what . Oh fuck I sure hope so Nat: He saw that the boys were happy, that Mary came back. That's all he wanted . That's why it wasn't hard for him to let go and make the deal. Zee: I soooooo don’t need this rn Giu: im on board. Because he said that he had the strangest dream right? So since their life are fucked up anyway , what hurt could it make to look that shit up? Nat: He will remember but it's more like a vivid dream and he will do anything to fight for them so that's why it wasn't hard for him at all to save Dean, even though he can't defeat YED. Because he knows that his boys will save the world. And still live. with an angel and lucifer's child.

.I have no word , and no answer of how I’m feeling right now.

If you want to get tagged in the future ones send an ask HERE or to @waywardbaby or a smoke signal, idk whatever I’m tired af.

TAGS: @supernatural-teamfreewillpage @destiel-honeypie @mariekoukie6661 @dragontamerm @closetspngirl @rainflowermoon @mattiecat @bunnybaby121115 @aliaitee2 @jacks-word-of-the-day @4evamc @dammitsammy @legendary-destiel @winchesterprincessbride @destielhoneybee @castiellover20

#14x13 #spn season 14 #supernatural season 14 #season 14 spoilers #14x13 spoilers #300th #supernatural 300 #spn 300 promo pic #300 supernatural gifs #lebanon spoiler #lebanon

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courage-a-word-of-justice · 7 years

Text

Morose Mononokean 3 – 13 (FINAL) | Nanbaka 19 | ACCA 5...and anime from 2016, ranked.

(Morose Mononokean ep 3)

LOL, the kaomoji scroll.

Hopefully your handwriting won’t be illegible, Fusshi.

The Japanese place a lot of emphasis on independence, hence th errand running comment.

It’s so threatening to get pointed at with a stick.

I didn’t quite get the “five years again?” joke, but the jokes were going pretty rapid fire there. I might’ve just missed one and that’s OK. *shrugs*

Technically Ashiya lied when he said “you don’t have to believe me” because she believed him in the end…kinda sorta…?

Oh, to grandstand means to be showy. I don’t think I solidified that into my brain until just then.

Are those weeds or onions?

…Oops, not onions at all. Close enough (since they’re blub plants), though.

Where’s your dad, Ashiya?

Zenko’s not crying, you’re crying, I’m crying. Everyone’s crying!

…Oh, that��s the punchline of the joke…but Abeno’s scary when he’s really angry.

(ep 4)

I think even lil’ Fuzzy nods in the OP near the end.

The d and b thumbs are very inventive in regards to kaomoji. I like inventiveness.

Exhibit A of how Comic Sans ruins a mood, CR subbers.

So that’s Abeno’s writing (and not Comic Sans)?

Ashiya and Abeno have really creepy eyes on the eyecatch.

Shizuku means “water droplet” IIRC.

Ashiya, Super Sentai!...or something like that.

The Fuzzy Ashiya knows has 3 tails. This one only has one.

Ashiya, getting coerced into deals he can’t handle. *sigh*

(ep 5)

Fuzzy’s basically a Pokémon now.

What happened to Abeno’s jar?

Where I am, there’s three arms to the government: the legislative arm, the judicial arm and the executive arm. This show must run off a lot of the same principles.

Fuzzy seems vaguely unimpressed when Ashiya learns he doesn’t have to die.

How is that communicating with a fuzzball? Sad life for Abeno-san.

The sad thing about Abeno is that he’s very grumpy. While that does make him basically a male tsundere, his grumpiness isn’t something everyone can live with. Rippou (Legislator) included.

(ep 6)

The Ring? Like a horror movie? (This is the last of the Mononokean episodes I’ve seen before, so it’s not a horror movie, but I had to make the joke while I was at it.)

Fuzzy looks like an offering to the ancestors there on that cushion.

The Mononokean went “If you’d followed my instructions [yada yada yada] but…” Note the “but” – that wasn’t in the translation.

Where does Abeno sleep?

Fuzzy wrapped up is like a fuzzy sushi roll. I wouldn’t like to eat a fuzzy sushi roll, though.

Edo = old Tokyo…so are all Edoites (or whatever you call them) meant to be non-honorific users?

Manjiro must’ve been easy to draw if this were in the source material. However, since this is obviously a CGI Manjiro, it must’ve been easier to animate than, say, Fuzzy. (Apparently fur is hard to get right in CGI.)

“15 whole minutes”…hardly anything impressive…LOL.

Ashiya will never give you up, he’ll never let you down, he’ll never run around and desert you…

Even Fuzzy’s sweating up a storm just thinking about how to return the ring.

Ow. Getting headbutted by an eel is not the way to go.

The salve on Fuzzy looked like a box for a frame or two.

The irony of an eel shop with an eel youkai…

(ep 7)

It’s fresh impressions from here on out.

Butterflies don’t fly like that…

Since middle school is years 7 – 9…okay…Ashiya is that childish? *laughs awkwardly*

I just realised this show doesn’t do flashbacks very well.

I saw a grave in the back that said “Abe Family Grave”. It’s not the kanji for Abeno, though.

Don’t be so proud of your status as a hide and seek veteran, Ashiya.

“Yoko” is the word for a fox spirit. it’s why, in Tactics, the fox spirit is called Youko. Even I knew that much and Ashiya didn’t, LOL.

Oh right! Abeno calls Fuzzy “hairball”.

Abeno is 15?! I’m absolutely positively flipping out!...Abeno and Ashiya look like they’re 17!

(ep 8)

I thought something was up with the subs. Turns out “Haruitsuki” was spelt wrong.

Remember “–sama” is of more respect than “–san”.

I think Mr Chips from Eldlive was like this critter. Gets drunk on green tea.

Tsundere flying green youkai. That’s probably better than an annoying, possibly tsundere fairy (<- reference to One Wish They Never Wanted).

Benkei? I’ve never heard anyone yell “Benkei!” when they stubbed their toe. I get that it’s Standing Benkei though.

Aww. Even if it’s a youkai proposal, it’s so sweet…

(ep 9)

How do you spell “dispirited”? Two Ss? One?

Dangit, Ashiya would do well in job interviews…

The eyecatches always look unnecessarily dramatic, don’t they?

Does Abeno’s question about amateurs include Ashiya?

Abeno must’ve gotten a “Don’t come near my daughter again!” sort of thing a lot.

Fuzzy’s body went “boomph!” when he jumped on to Ashiya’s shoulder.

Fuzzy absolutely fails at rolling on balls, LOL.

(ep 10)

Why did I think of “I’ve fallen and I can’t get up” when it came to large!Yahiko?

The title of this episode is “deku”, like Boku no Hero Academia Deku.

Rakugan.

How did the eyecatch manage to put shojo sparkles on Nobou and turn him into something that’s vaguely appealing (in a handsome sense)? It must be the magic of the shojo sparkles…Also, henohenomoheji scarecrow.

“Phantasmagoria” aka “fantasy” or “illusion”.

Wow, basically this show is an ethics lesson…

Who knew a mutant scarecrow could cause such a heartfelt story? Also, please stop hitting yourself with a potato.

(ep 11)

I don’t think I’ve seen the character for “purple” being read as shi before.

Stop using Fuzzy as a shield for your words, Ashiya.

Fuzzy jumped on to Zenko’s head. It’s kinda funny to see Fuzzy acting like a Swablu.

Fuzzy with a leaf hat is aesthetically pleasing. It soothes the soul. (Uh, hey. Come to think of it, Mononokean’s a lot like the works I’ve done on Honeyfeed, eh? Light comedy and a lotta drama.)

I keep stumbling upon spoilers for shows I’m not caught up on, this show included. So I technically knew about Yahiko and never mentioned it, and I’m going “oh no” here because I know what will happen to Ashiya…

Tomori. That was the name from the spoilers…oh no!!!

Fuzzy looks particularly round in the eyecatch.

Apparently Ashiya began as a doodle in the margin of Kiri Wazawa’s sketchbook, but he became the protag of Morose Mononokean. That’s the ultimate upgrade in life for a character, eh?

Abeno’s logic…I get it, but I guess it was played for hilarity. Well, it worked. Really well.

A 9-11. I thought it was funny at first, but now it’s scary and solemn.

Simultaneous equations? I want nothing to do with them anymore.

Come to think of it, Aoi may have been a woman due to the woman’s cloak.

(ep 12)

Oh? A sister? I’ve haven’t seen her in the show yet. I wanna see her.

One of the lil’ pine cones is sleeping. It’s strangely adorable.

(ep 13)

Yahiko’s so spoilt by Zenko.

*squints at Ashiya’s book* Oh hey. I haven’t done this in years! Yeah, that sort of stuff is “first year of high school” stuff, but speaking from experience as an advanced maths student, I have a skewed perspective of what “normal maths” is for a year level. Add that to the fact Japan has the idea that they have to push their geniuses to the limit by being ahead of their years (sometimes going up to one year ahead of the “usual” standard) and…yeah.

From the lip reading, the word could’ve been tera (Buddhist temple) or jinja (Shinto shrine). Knowing how Zenko is built off the ideas of Buddhism anyway, it’s tera.

Well, out of sight, out of mind, as they say.

Abeno looks like such a bad boy in that eyecatch, it’s hilarious.

Seriously, how does Nobou talk with no mouth?!

I thought the hand was Yahiko. Turns out it was Abeno.

Fuzzy looks downright ill when Ashiya’s scared.

A boss normally doesn’t bow his head to his subordinates, let alone call them “lord” (dono), which is the highest type of honorific one can give to a person.

See, the kaomoji scroll really is fun. If someone could make one for me, I’d love to play with it for a little bit. Maybe you could make a (computer?) program that could function mostly the same way…huh. That’s a good idea, actually.

Notice the Mononokean uses “watashi”. I guess it doesn’t have much of a gender anyway.

Nice hat, Ashiya. (LOL.)

Welp, that’s the final episode of all my 2016 anime. I moved the top 10 anime of 2016 to the bottom of this post for the surprise factor, but knowing my reactions to the anime means you can’t be too surprised by the results.

(Nanbaka 19)

Honey’s still on arrow mode.

The scream. It’s like a horror movie, but so funny because it overlays the OP.

The sparkles actually helped viewers see something for once.

Rokuriki. So that’s the guard’s name. It has “six” in it.

Deer hook swords. I’m not quite familiar with them but they look cool.

I only just realised, but they left Nico behind in the supervisor’s office.

The rubble is so beautifully rendered.

What was Jyugo doing behind the pots? Something for humour, I suppose, because I laughed.

“Hachiman” can mean 80000.

Kawaisouni… translates to “unfortunate” or “how unfortunate” but I probably wouldn’t peg it as “poor baby!” like the subbers did. It’s probably the tone Uno used that caused them to sub it the way they did.

Here we go again with this Jyugo comeback from episode 1…

It’s around the part where Upa’s trash talking Hachiman that you can identify Upa’s VA is Yuu Kobayashi (SGRS’s Konatsu’s VA). Even Nico is voiced by a dude and yet Upa is not.

(ACCA 5)

Seriously, this blue haired guy (Magie) reminds me of Japan from Hetalia. Must be the haircut.

How does a guy not remember toast? Probably because this is of Japanese origin, where rice and fish are more common than bread.

I still think his name should be Gene Otus.

CGI fits flawlessly into this style, and if you’ve been around these parts long enough, you know I don’t like obvious CGI.

Dowa Travel.

Hotel Akevitt. They have some weird names in this show.

Reindeer…? I’m not very good at identifying deer vs reindeer.

I heard you like wheat bread, so I put some wheat bread in ACCA to keep you happy, Jean. (insert more memes about wheat bread here)

Lotta really likes walnuts, eh?

Crow/Nino’s a free agent hired by Grossular, right?

Ah. I get it. Lotta’ll keep an eye on Nino for Jean.

Isn’t a sandpiper a bird?

Oh. So that’s why Grossular has such long hair.

Lilium’s bro? Gotta remember him for later.

Grossular’s an older Kyosuke Kuga, LOL.

Anime of 2016, Ranked

Since I have 17 entries this year and it took a lot of shuffling to get right, I’ve decided to show my entire 2016 rankings. Only shows I saw in their entirety at least once over in 2016 (with the exceptions of D Gray Man Hallow and Morose Mononokean, which are applicable through the simulcast commentary process but were only watched to episode 6 before 2016′s end, and fall anime, which due to being AFK at 2016′s end were unfinshable until 2017), and had at least one new seasonal entry in 2016, apply:

17. Prince of Stride Alternative

16. Mr Osomatsu s2

15. D Gray Man Hallow

14. Kiznaiver

13. Morose Mononokean

12. Nanbaka s1: can’t talk about this yet because its s2’s not finished!

11. Classicaloid s1: can’t talk about this yet because it′s not finished!

10. Flip Flappers: The art style and fight scenes really make this a show worth watching. However, it did get somewhat confusing at the end so that’s where most of the drop in the rankings comes from.

9. ReLIFE: While the themes were pertinent and the art style on point, it was a bit plain and there wasn’t much of an explanation as to why the pills work (even if that isn’t Yoake or An’s role). I guess I’m still used to it living in the shadow of Detective Conan, after all.

8. Boueibu s2: This was a step up from s1, but unfortunately there were prime contenders this year that knocked it out of higher places. Also the fact that it does seem more rushed than s1 due to the time constraints does give it a bit of a toll.

7. Bungou Stray Dogs (overall): 2 seasons makes this show stand out as a strong one, especially near the end when it really hits its stride. The fact light novel stories took up up to 4 episodes did make me worried, but the fans definitely have more than enough material to work with as a result, right?

6. Yuri on Ice: I don’t mind the off model in this one if it means the good stuff can come with it, but the fandom is quite intimidating and it was a “show of the year” in ways some people now consider to be a negative thing, so it did suffer a bit from that. I give it merit for the things it does well, but it’s not the saviour of anime the talk of the town can make it out to be.

5. Boku Dake ga Inai Machi: Stunning visuals, a Sayuri ED and good thrills with well executed cliffhangers. My only gripe with this one was the very end, but you’ll have to see the relevant posts for why that is.

4. Boku no Hero Academia s1: Even if it is repetitive, it rises above (Plus Ultra!) to become something more than just a fusion of East and West like I always try to strive for. It’s an emblem and it’s definitely something Horikoshi should be proud of after what happened to Barrage and Oumagadoki Zoo.

3. Sakamoto Desu Ga: This show also managed to go above its repetitive trappings with inventiveness and humour. The fact it’s also touching at exactly the right points shows you why Takamatsu is one of my favourite directors.

2. ConRevo s2: Colourful and politically striking as always, ConRevo was one of the shows I always looked forward to watching, even if it meant staying up past midnight to document things on the wiki. Even if I’m not that fond of the Urobuchi episode, this show managed to reach awesome highs without losing the fans it got from s1.

1. SGRS: With a soundtrack that brings you to the past, humour that can make you laugh no matter how many times you watch it and visuals to wow even the most serious of artists, you can tell SGRS is a labour of love in every aspect. Its second season has already surpassed its predecessor in only 4 or 5 episodes, so...only time will tell whether anything can challenge SGRS for the throne.

Total:

winter 4

spring 5 (incl. Bungou Stray Dogs s1)

summer 4

fall 5 (incl. Bungou Stray Dogs s2)

#simulcast commentary #anime #winter 2016 anime #spring 2016 anime #summer 2016 anime #fall 2016 anime #2016 anime #ACCA #Chesarka watches ACCA #acca 13-ku kansatsu-ka #nanbaka #nanbaka the numbers #nanbaka - the numbers #Chesarka watches Nanbaka #the morose mononokean #fukigen na mononokean #Chesarka watches Fukigen na Mononokean

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courage-a-word-of-justice · 7 years

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Showa Genroku 5 – 13, 15 | Classicaloid 14 | Masamune-kun’s Revenge 2 | Osomatsu-san 16

(ep 5)

You can hear the sarcasm in his (Sukeroku’s) voice, even with only subs. Actually, both Kiku and Sukeroku have their sarcastic moments.

How does the charcoal not burn the cushion?

You can clearly tell she’s got him wrapped around her little finger. Pretty ambitious, in those times.

Apparently injured legs can feel when rain is coming…that sort of thing.

In an age without phones, there’s more need for socialisation.

Basically, this is the equivalent to a high school or uni play. Low budget as ever.

Tanuki…well, they’re pranksters. Of course.

It seems pretty sexist in this day and age, but back then…welp. Let’s not complain about comparisons between some so-called “good ol’ days” and the present.

(ep 6)

“I don’t need lectures from a bum like you.” – Especially a drunk bum…

Even if it’s selfish to take something because of the thrill…I do kinda miss my days of scanlation. It’s hard to get a thrill like the one I got when I did that. Heh heh. Well, 2017’s going to be another intense year filled with Japanese, because even though I’ve shifted my education once more, I stuck Japanese in there again.

The texture on the smoking pot is quite something. Huh.

That’s a biiiiiiig cicada…

Hey, a Yotaro. Is that Daiku Shirabe Yakumo 7th’s doing?

Miyokichi says “gokigenyou”. I have enough lip reading skills to detect that, at least.

Who wrote the signs at the rakugo stage? I wonder…

(ep 7)

There always seem to be more women during Kiku’s performances.

The humour in this is a bit slapstick, but that’s why Charlie Chaplin is a household name now, right?

How many Es are in Tennessee, anyway? I never kept count…4? Okay then.

The ear picker is a sign of romance and intimacy. In Japan, anyway.

Extra “that” in the subs.

“Master Bonsai” sounds like such a cliché.

The “slice of eye” technique is just so effective. I’m lucky I’m not a film school student, or else I wouldn’t be eloquent enough.

A two futatsume show wouldn’t sell. Didn’t you say that a few episodes ago, Sukeroku?

(ep 8)

The master’s (Bonsai’s) fanning himself so much, it must be summer.

You need to win favours for a shinuchi promo…hmph. Better note that on the wiki.

Come to think of it, this was the age of letters, wasn’t it? Sukeroku’s right.

The Sukeroku and Miyokichi scene is so powerful, you can’t look away from it.

Drinks solve everything for these guys…sheesh.

Sometimes antagonising Kiku ain’t the answer, Sukeroku.

Without Sukeroku, kiku just kept clinging on to his part…huh. This part suddenly made a lot more sense, now that ep 14’s clarified Yotaro’s purpose.

The thing about this show is that it’s quite the acquired taste – you come for the humour, stay for the drama…or something along those lines. I spotted Sukeroku’s name on the very right, by the way.

(ep 9)

The dressing room is the “comfort room” in Japanese.

Of course Kiku wouldn’t be Sukeroku’s partner in crime for something like pissing the masters off…

I think it was “Edo flair”, subbers, but it was kinda hard to notice…

With those tired eyes, Kiku looks like Jean Otus (of ACCA).

These foreboding shots of light on water…hmph.

Note Amano’s got a fan that says “Japan one” literally, but whether it implies he’s number one in Japan or something else is number one in Japan is entirely up to debate.

There was a typo in the subs, but since the erroneous part was “While her husband it out…”, unless the actual word is “is”...I dunno what the correct word is.

The angles in this show are part of the personality. However, as Hand Shakers tells us, too much of a good thing can spoil it. Good thing this toes the line properly.

“Storyteller” is the appropriate equivalent for rakugoka, but “storyteller” doesn’t seem to do a story about rakugo justice. You need the jargon to make the world come alive, I feel.

You can tell Haruko Kumota used to be a BL author before from the way Sukeroku and Kiku act and react in that end scene of the ep.

(ep 10)

The cat…and the box-in technique from Erased. Letting go…is a theme in this show. Didn’t I say that already?

The kanji for “7th generation” was pretty nasty in regards to stroke count. No wonder they simplified it.

Shinigami. Of course he’d unleash that on the audience. Watching again has allowed me to really study Kiku as a person.

I wonder, are there full texts for these rakugo stories somewhere (like those books the apprentices memorise from)? I’d like to read them all someday, even if it’s just a testament to how much Japanese I’ve learnt.

In a world full of filial piety, the man really shouldn’t piss off his ancestors.

With that hat, Kiku looks like something out of Joker Game. Plus, even though the old person says “these days they have their televisions”, nowadays it’s “these days they have their phones and their internet” (in a spot of irony for me, LOL). In the end, technology will be too good for rakugo…and that’s what makes this show all the more interesting for me. Me, who wants to understand the past but still advance to the future.

For bad pun central, stop right here. The English “equivalents” to some of these Japanese puns really are kinda corny, and that’s saying something…since I’ve been looking at joke books since I was a kid.

How old is “old”, old man? If Konatsu’s calling you old, the internet is old.

(ep 11)

On the wall near Kiku are the signs “beer” and “tsukimi soba” (moon viewing soba). There’s another one past the one with a woman on it, but I can’t really make it out.

Oh, it’s the sign! Unfortunately I don’t know the second kanji, so I can’t tell you what it says.

This scene with the bag always makes me laugh. Every time, I tell you.

Konatsu’s got dango in her mouth. How do I explain dango…they’re sticky. Kinda like mochi. Never had them myself though.

I think ep 11 really shows how far Kiku’s come as a rakugoka.

(ep 12)

The word used for “inn” is ryokan. People tend to translate that as “(traditional) Japanese inn” in order to contrast with “hotel” and such.

The “chopsticks over the edge of the balcony” scene…now that I think of it, that is some heavy foreshadowing.

Is there a man who doesn’t like women? Probably.

Is it possible to make art using the spirit (behind it) alone?

Shibahama. Of course. Also, I’d never heard the term “a total lush” until this episode, I don’t think.

If only Sukeroku were like Kuma…haha. (sad tone)

I never thought about it until TV Tropes brought it up, but Miyokichi really is yandere.

When a grown man is driven to tears…you know stuff’s gone down.

Hey, there was no OP or ED on the ep now, was there?

(ep 13) [Trigger warnings: death, hell, political commentary etc..]

What is “inter[ring] the ashes”?

The world has had some horrors to get globalised like it is today…unfortunately, there’s nothing we can do about it.

You put an end to oral traditions by not having anyone to pass them on…that’s the scary part of this show. Also, all the boxing in looks like Yakumo’s going to hang himself, and that’s the point. Which is even scarier.

I think this show’s only gone off model once.

Enma being the king of hell.

In English, Konatsu’s words are even more deceiving in regards to her “drink”.

Yotaro does the “bwong” bit more fast and lively than Yakumo.

Such a rebellious spirit (Konatsu) wouldn’t be right, tied down by marriage.

Oh yeah…I forgot they announced the “Rakugo Association President” thing in this ep.

“Lately all we hear about is deaths…” – Basically 2016 for the wider entertainment world. (Then came Trump. Aye carumba, what is the world coming to?)

Wait, do you want to shake Yotaro or the man who impregnated Konatsu?

I wonder how the reality of the Sukeroku scene played out…maybe it demonstrates his senility, interpreted one way.

Lilies, chrysanthemums and daisies…white is the symbol of death in Japan. (The chrysanthemums are yellow but the theme is the same.)

(ep 15)

Fresh new ep…well, I’ve been keeping this one since it first rolled out to the public, so it’s not entirely fresh. However, this is as fresh as it’ll get in regards to how the simulcast commentary goes.

Urk, why must CR be so insistent with turning “Descending Stories” into the title? It’s hardly convenient.

Imawa no Shinigami…I saw the video on ANN. It’s a nice song, but hard to put on repeat because the visuals are so good.

Whoa, even I can tell how fast Yota’s motormouthing, and I’m not even listening to it!

“Fussing to the shamisen”? What’s that?

She (Konatsu) clearly mouthed “papa”, and I think that word goes across multiple languages.

Huh. There’s no identifying name on this story, and it seems so crucial. That’s why I asked for a full guide of them (like the books that you sometimes see Kiku practising out of).

You can tell what books I’ve studied and the random things I’ve picked up from the quotes I can spout at a moment’s notice. For example: “…full of sound and fury, signifying nothing…”

Amaken’s eyes are funny while he gripes about the shinuchi’s role.

Who is this glasses guy? I can’t read the kanji…

Kappore. It’s something like this, anyway.

Was that a non-language-barrier pun? (About how the story suddenly switched to being about women in Yoshiwara.)

He’s (Yotaro’s) motormouthing again…

Higuchi really is a spanner in the works for Yakumo, eh? Especially because it turns out he’s the one who begged Yakumo for work the day 7th Yakumo collapsed. Karma’s such a pain in the butt, isn’t it?

Oh no! I-If Kiku dies next ep…where will the story be? Surely, we have Yotaro/Sukeroku and the Yakumo legacy, Konatsu and Higuchi, but I’ve learnt from the SGRS discord that Kikuhiko really is the glue of this work and this fandom. Don’t let him die or else we’ll all have a real funeral service for him…(well, maybe not that extreme, but people will be in real mourning due to a fictional character…and that’s bad.)

(Classicaloid 14)

I’ve seen from all the “best of 2016 anime” posts that Classicaloid’s gotten on to a lot of critical reviewers’ lists, but looking at my top 10, it didn’t make it. (If you’re wondering, it’s currently in spot 12 and since it’s a 2016 list, it won’t move up from there.) As for 2017, it’s currently in 4th place, but it’s likely to get debunked by later anime (Inuyashiki for one, since I’ve heard about it…if I hear about its source material while it’s still a manga, then its anime has a lot of promise!).

Beethes? On love? That’s new.

A capriccio is “following one’s fancy” according to Google-sensei, while I already knew poco a poco to be “little by little”.

Not all those foods Kanae listed are Russian, right? Pirozhki I know is Russian via YoI, but stroganoff clearly is not. To confirm my suspicions, I asked Google-sensei about gazpacho and that’s Spanish.

Gorbacho…? I might need to check that one over, but Sensei has nothing on it.

Those gyoza buddies have already appeared twice in this ep (excluding the OP) and both were in Kanae’s vicinity.

The foods listed are just local specialties of the area. Okonomiyaki is quite known as an Osakan one, that’s why.

They teach kids how to make vodka in this show…that’s slightly horrifying…Please don’t try making vodka at home, kids.

The birds…are so adorable! Ahh!

“Madol” appears to be a squashing together of “mad idol”.

This is actually very enlightening. At least from Bada’s perspective.

It’s not even the usual credits. It looks like karaoke…and that’s the entire point. There’s even lyrics!

(Masamune-kun 2)

The problem with Kirito-face (Masamune) is that he keeps going over his problems day by day, as if he can’t live without focussing on his revenge. Unfortunately, that’s the point of the show. I know it can do better than that! Plus, Heike Monogatari.

BL sandwich?

Okay, I’m definitely out of here. Ew. Fanservice without any particular reasoning is the worst.

(…but why did I leave the video long enough to find out that Makabe doesn’t even look adorable when stuttering? Yet another reason to leave.)

(Osomatsu-san ep 16)

The one episode I really liked (aside from the feels-getters), aka The Mad Max Parody…I think.

Manekineko behind the interview.

Apparently, Matsuno Matsunan can be read as “Matsuno Makkusu”, but the subs never explained that now, did they?

LOL, Iyami’s too visual kei in this.

Matsu in that case meaning “end”, but…you know…Matsu of the century…

The innuendo…it’s slghtly grating the second time ‘round, but it made me laugh the first time.

Welp, from that one segment, you basically learn how to make a successful non-Gintama…well, success…in Japan.

Highly relatable, but painful due to it being relatable.

Why is the Karamatsu!Ichimatsu not a meme like the Todomatsu face?

Matsu-cest…squick. Why do people ship that?

Technically, only fans of Karamatsu are Karamatsu girls…or boys.

Why is this second face not as memeful as the first?

With a series like this, you really have to be careful that it’s funny every time…because it’s only one third as funny the second time around, at least for this episode.

#simulcast commentary #showa genroku rakugo shinjuu #classicaloid #osomatsu-san #showa genroku rakugo shinju #Chesarka watches SGRS #Chesarka watches Classicaloid #Chesarka watches Osomatsu-san

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