#best interior designer sydney

[interiorstylistsydney]

Interior design is an art form that involves creating functional and aesthetically pleasing spaces. A well-designed interior not only looks good, but it can also improve the quality of life for the people who use it. That's where interior stylists come in - they are experts in creating beautiful and practical spaces that are tailored to their clients' needs and preferences. At Interior Designer Sydney, we understand the importance of working with an experienced interior stylist to achieve the perfect look for your home or business. Our team of skilled professionals has the expertise to create stunning spaces that are both functional and visually appealing. Whether you're looking to update your home or transform your workplace, we can help you achieve your goals.

[agcinterior]

The Evolution of Shop Design: Blending Aesthetics with Experience

shop design

Shop design has come a long way from simply arranging products on shelves to create a functional retail environment. Today, it's about crafting a space that not only looks good but also offers an immersive experience that resonates with customers. In an era where online shopping is more convenient than ever, the physical retail space must offer something unique—a sensory experience that cannot be replicated on a screen.

At its core, modern shop design is about storytelling. Every element, from the color scheme to the layout, contributes to the narrative a brand wants to convey. A well-designed shop doesn’t just showcase products; it tells a story that customers can connect with. Whether it’s a luxury boutique or a casual neighborhood store, the design reflects the brand’s values and personality, creating a space where customers feel engaged and inspired.

One of the key trends in shop design is the emphasis on creating a journey. Rather than a static environment, shops are now designed to lead customers through a curated experience. This journey begins the moment they step inside, with strategically placed displays and thoughtful layouts guiding them through the space. Every corner offers something new, whether it’s a featured product, an interactive display, or a comfortable seating area where customers can relax and take in the surroundings.

Lighting plays a crucial role in this journey. It’s no longer just about illuminating the space—it’s about creating an atmosphere. Different areas within the shop might require different lighting setups to evoke specific emotions or draw attention to key products. Warm, ambient lighting can create a welcoming entrance, while spotlighting can highlight new arrivals or special offers. The interplay of light and shadow adds depth to the space, making it more dynamic and inviting.

Materials and textures are equally important in modern shop design. The tactile experience of touching different surfaces can make a lasting impression on customers. Natural materials like wood and stone can create a warm, organic feel, while sleek metals and glass might be used to convey a modern, high-end aesthetic. Mixing different textures adds complexity to the design, making the space feel richer and more engaging.

Another significant aspect of contemporary shop design is flexibility. Retail spaces need to be adaptable, able to change with the seasons, product lines, or even the latest trends. Modular displays, movable fixtures, and versatile layouts allow shops to be easily reconfigured without a complete redesign. This flexibility not only keeps the space fresh and interesting for returning customers but also allows the shop to evolve alongside the brand.

Incorporating technology into shop design is also becoming increasingly important. From digital displays that showcase products in new and interactive ways to integrated systems that personalize the shopping experience, technology can enhance the overall design and make the shop more engaging. For example, smart mirrors that allow customers to see how they’d look in different outfits or virtual reality setups that let them visualize products in their own homes are just a few ways technology is transforming retail spaces.

Sustainability is another key consideration in modern shop design. As consumers become more environmentally conscious, there’s a growing demand for shops that reflect these values. This can be achieved through the use of sustainable materials, energy-efficient lighting, and eco-friendly practices in the design and construction process. A sustainable shop design not only appeals to environmentally conscious customers but also reinforces the brand’s commitment to social responsibility.

Finally, the role of shop design in creating a sense of community shouldn’t be underestimated. Shops are no longer just places to buy products—they’re becoming social hubs where people can gather, interact, and share experiences. Incorporating communal spaces, whether it’s a coffee bar, a lounge area, or a workshop space, can turn a shop into a destination where customers want to spend time, not just money.

In conclusion, shop design today is about more than just aesthetics; it’s about creating an experience that captivates and connects with customers. By blending storytelling, flexibility, technology, sustainability, and community, modern shops can offer something unique and memorable. At AGC Interior, we understand the evolving nature of retail spaces and are dedicated to creating designs that not only look stunning but also engage and inspire. Through thoughtful design, we help brands create spaces that are not just shops, but experiences that leave a lasting impact.

[stellatalebd]

Bathroom Designers Sydney | STELLA TALEB DESIGN

STELLA TALEB DESIGN specializes in creating luxurious and functional bathrooms in Sydney. With a keen eye for detail and a passion for innovation, we craft personalized spaces that reflect your style. From concept to completion, our team ensures a seamless design process, bringing your dream bathroom to life with elegance and sophistication. Trust STELLA TALEB DESIGN for unparalleled bathroom transformations.

[jerrytalbotta]

Discover the Best Interior Designers in Sydney for Sophisticated and Refined Spaces

Recognised as one of the best interior designers in Sydney, Al and Co Haus of Design curates sophisticated, refined, and reflective interior spaces. With over a decade of experience, they create environments where people and businesses thrive, ensuring stylish and budget-friendly solutions. Visit https://www.alandcohausofdesign.com/interior-designers-sydney for game-changing interior design experiences

[grangebuilding]

Elevate your homeownership experience in Sydney with Grange Building, recognized as the best home builders in sydney. Our commitment to quality craftsmanship and personalized service ensures your dream home becomes a reality. Explore unparalleled expertise and turn your vision into a home that stands out among the best in Sydney.

Visit: https://www.grange-building.com.au/ Grange Building PTY LTD 31A Baden St, Greystanes NSW 2145,Australia Call: +61418 260 087

[furniturephysicians]

Furniture Physicians Co.

Website: https://www.furniturephysicians.com/

Address: New Albany, Ohio

Furniture Physicians Co. is a family-owned refinishing business, rooted in the Columbus, Ohio area since 1984, and brings over 110 years of combined expertise in stripping, repair, and refinishing of wood and metals. While wooden furniture restoration is their specialty, they also provide services in metal stripping, brass & copper stripping, polishing, lacquering, and supply refinishing & repair materials. Not limited to local services, they offer national restoration consulting and planning, ensuring your precious furniture is cared for by the largest restoration shop in central Ohio and the 3rd largest in the United States.

Facebook: https://www.facebook.com/furniturephysicians/

Instagram: https://www.instagram.com/furniture_physicians/

Yelp: https://www.yelp.com/biz/furniture-physicians-company-new-albany

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[goldberghenryc]

Best Interior Designers Sydney - Al and Co Haus of Design

Al and Co Haus of Design is one of the best interior designers Sydney focusing on creating sophisticated, refined, and reflective interior spaces that bring game-changing experiences to life. They take all the guesswork out of your interior designing project and work well with your style and budget. For more details, visit https://www.alandcohausofdesign.com/interior-designers-sydney.

[alfonsomjohnson]

With the team of best interior designers Sydney, Al and Co Haus of Design is dedicated to creating beautiful and functional spaces that reflect your unique style and personality. From initial concept to final installation, they work closely with you every step of the way to ensure your vision comes to life. Trust Al and Co Haus of Design to help you achieve the space of your dreams!  To learn more, visit https://www.alandcohausofdesign.com/interior-designers-sydney.

[interiordesigntrendssydney]

https://interiordesignersydney.net.au

[bloomingdalesaus]

Bloomingdales Lighting & Decorator Accessories Pty Ltd was founded in 1996 in Sydney. Our aim was to supply the decorator market with quality lighting and select items of decorative furniture. The company has grown rapidly with showrooms in Sydney, Melbourne, Brisbane, Adelaide, Perth and Auckland. On display is a wide range of our product including furniture, chandeliers and pendants, table and floor lamps in classical, deco, modern and contemporary design. https://www.bloomingdales.com.au/

[clearfinishpaintings]

A Comprehensive Guide to Interior House Painting Sydney

Interior house painting Sydney is the most effective and cost-effective approach to liven up your home and give it a more vibrant, contemporary appearance and feel. It will not only boost its market value, but it will also make you appreciate your home even more. It may brighten up space unless you pick a deeper hue. Whatever your project goals are, one thing is sure: your home will look brand new in no time and without breaking the bank.

While it is perfectly feasible to do a paint job as a Do-It-Yourself home project, it is also advisable to leave it to professional house interior painters in Sydney. Why? Because there are several elements to consider and choices to be made before embarking on such a project, like time, money, colour scheme and theme, and so on.

Continue reading this comprehensive guide to learn more about interior house painting Sydney.

What You Should Know Before Beginning Your Interior House Painting Job

Keep the paint's shine or gross level in mind when starting a painting task. The shinier the look and finish, the greater the gross level. Here are some things you should know before beginning your interior house painting Sydney project:

1. Prepare

One of the most important tasks is to prepare a space for interior painting. You want your freshly painted finish to endure as long as possible. As a result, homeowners should prepare the space and remove any extra clutter. Disinfecting the area would also be good for preventing paint-destroying germs from spoiling the paintwork.

2. Remove Pictures and Decorative Items

Allow enough time to prepare your house for the arrival of professional painters. Rushing about at the last minute while your painting staff attempts to set up might result in missing or damaged products. Allow enough time to prepare your house, ideally at least a day ahead of time.

Take down all objects from the walls and drapes. Items on the table should be moved to a closet or cupboard. If feasible, move houseplants outside to a patio or garage—secure cabinet and furniture doors to prevent objects from falling out when the furniture is moved.

3. Colour Choice

Choosing the correct paint colour for an interior area is essential. Choosing a few colours for an interior painting job is preferable, so you may take your time selecting. There are several paint colours to choose from.

However, consider the area's proportions, function, and lighting condition while deciding on the ideal paint colour for a space. Painting a space is more than just picking a colour and getting started.

Consider the aesthetic elements of the space, as well as the furnishings and flooring.

4. Choose the Right Paint Finish

It is vital to complete your pride and joy correctly. A skilled house painter can advise you on the best solution for your property.

Flat paint may conceal many defects if your walls are rough or have faults. If your surface is rough and pitted from time's wounds, be wary of painters who aim to achieve a high gloss finish. The most important factor to consider is the correct finish: the look must be suited to your house and your needs.

How Frequently Should You Paint the Interior of Your Home?

Repainting your home is a significant undertaking with a large visual impact. But how frequently should you repaint the inside of your home? It is dependent on the space. Because of regular usage, certain rooms need to be more frequent than others. Nevertheless, rooms that aren't utilised often may not need a fresh coat of paint. You may engage expert interior painters for interior painting regardless of how many rooms you need to repaint.

Bedrooms

Although bedrooms are used more frequently than dining and living rooms, they do not experience as much damage. Adult bedrooms do not even put much wear on the paint, so that it may stay for a long period.

Children's bedrooms are an exception. Because children frequently use their rooms to play and sleep, their paint may get scuffed. As a result, adult bedrooms should be repainted every 5-10 years, although children's rooms may need a new coat more regularly, like every four years.

Bathroom

Your bathroom, like the kitchen, is being used daily and is prone to a lot of wear and tear. Consider how much steam and water splattered on your bathroom walls daily.

In addition, condensation may drastically wear down the paint in this area, whether you're cleaning your hands or having a shower. Bathroom walls must be repainted every 3-4 years to maintain them in good condition.

Living and Dining Room

The dining room is often one of the house's least-used rooms. Many individuals utilise their dining rooms just a few times yearly for formal holidays or events. If such is the case in the dining room, the paint will experience minor wear and tear, allowing it to last longer. You can get away with repainting it every seven years.

While you generally spend more time in your living room than in the dining room, it may not need as much painting. Most people use their living rooms for low-stress pastimes such as sitting, watching TV and socialising, none of which will rapidly wear off your paint. Because of this, if you don't have children, you may go 6 or 7 years without having to repaint your living room.

Rambunctious kids may inflict more excellent wear on the walls, necessitating more frequent painting.

Kitchen

Because your kitchen is one of the most utilised rooms in your home, it requires more frequent painting. You use your kitchen daily for cooking and dining, and it is often exposed to water from your dishwasher and sink.

As a result, there is a lot of activity in this space daily. Because of the tension and regular cleaning, the paint may wear out rapidly, so you should repaint your kitchen every three years.

Ceiling

The paint on your ceiling is some of the most resilient and long-lasting in your home. Abrasion from heat and humidity, moisture, and normal wear and tear may cause abrasion on your ceiling over time. However, you should anticipate your ceiling paint to last around 10 years before it has to be repainted.

If you’re looking for professional exterior or interior painters, look no further than Clear Finish Painting, the top 1 rated painters in Sydney.

Conclusion

A new coat of paint might be the greatest thing to enhance the appearance of your house if you pick the perfect paint colour and apply it appropriately. It is a great option to save money and time since it is less expensive than remodeling your home. There are several factors to consider before beginning an interior painting project, but it is easy to complete it perfectly if everything is well-planned.

We at Clear Finish Painting care for all the little details that make your property seem great. We have a competent painting team specializing in interior and exterior painting. Contact us today and get a free quote for the best exterior and interior painting services at the best pricing.

[garlicisgodsbestinvention]

perfect dimensions

(Carmy x Designer!Reader)

Summary: The Bear is weeks from opening, and Sugar hires an interior designer to bring the vision to life. Part 1/3.

Warnings: cursing, WILL contain smut later 👀NO use of Y/N because this is the 21st century. Carmy x female!reader, reader is described as having longer hair but that’s it for physical descriptions. NOT EDITED because I’m lazy girl tehe

—————————MINORS DNI——————————

“I hired a designer,” Natalie tells them in passing on Thursday, waving a vague hand when both Syd and Carmy open their mouthes to ask, “She’ll be here in like, twenty minutes.”

“Okay, heard, but we already have a design,” Carmy says, gesturing to the wall covered in layouts.

“Oh, sorry, I didn’t know you had a degree in architecture and engineering. Those are fake dimensions, Bear; we don’t know shit about anything, so someone is going to come in and make sure that we’ve got the right fucking shade of white!” Natalie shouts before the office door slams shut, leaving Syd and Camry to stare after her with equal confusion.

“Pregnancy is making her…” Syd starts to say.

“Mean?”

“Yeah, mean. Definitely a little mean,” Sydney sighs, “She’s right though. Vibe doesn’t get us to opening night.”

And that’s how Carmen finds himself stuttering through an introduction from a now much-more-pleasant Natalie when she shows a woman through the front doors.

Carmen extends his hand to you, clearing his throat, nodding like a fucking idiot when you tell him your name.

“Yeah,” he says, “I’m uh, I’m Carmen.”

“Nice to meet you,” you say, mouth spreading into a smile that makes his heart beat a little faster. “Walk me through?”

Natalie takes the lead while Carmy and Syd hang back. One glance at the look on his partner’s face should have sent Carmy scrambling for something else to do, but he’s not fast enough to remove himself from her presence before a laugh is bubbling from between her closed lips and he’s desperately hoping his face isn’t turning red.

“Im, uh, Carmen,” Syd lowers her voice in a mocking tone.

“Fuck right off,” Carmy shakes his head at her.

“You literally forgot your name!”

“I didn’t forget my fuckin’ name—“

“Like oh my god, a pretty girl with pretty eyes appears and you forget how to talk!”

“Are you done?”

“Absolutely not. I can’t wait for Richie to meet her.”

Carmen wishes the day would never come.

Ten minutes later you appear back in the dining room, Fak following close behind with a shit-eating grin that makes Carmy wish he had never gotten out of bed this morning.

“Carmy! Did you know she likes to bake?”

“No, Fak, we’ve only just met. Would you let her do her job?” Carmen sighs, rubbing his fingers into his eyes to stop an oncoming headache. Syd snorts.

“We’ll chat more later, Neil, I promise,” you say.

“You might have just made yourself a new best friend,” Syd laughs.

Carmy looks away the moment your eyes swivel over to his, trying to disguise that he’s staring as best he can.

“So,” you say, “Natalie said you had drawings. May I see?”

Camry’s fingers itch in a weird way, but he manages a nod before striding over to his backpack to pull out the notebook while you scan the wall of swatches and inspiration photos. You nods your head a little, like you’re concocting an idea.

Carmy wants to twirl a finger through the strand of hair hanging loose out of your updo.

“So, uh, this is what I’ve come up with so far.”

He then spends the next ten minutes walking you through each of the drawings, explaining himself a little too thoroughly, and making random comments about lighting and booth fabric. You look intent the whole time, brow furrowed at the page, occasionally pointing and you don’t even have to say anything—Carmy just starts to over explain immediately following the point of your painted fingernail.

When he’s done, you nod your head slowly, the corner of your mouth twitching up. You’re wearing some sort of lipstick that reminds Carmy of the stain of touching a cherry pit.

“These are amazing,” you say finally, and Carmy feels his face heat. “I like the vibe. I love the vibe, actually. Are you a sensitive person?”

You look up at him and Carmy short-circuits.

Syd says yes, at the exact time he says no.

“Conflicting signals,” you say, “Anyone else to weigh in?”

It takes a second for him to realize that you’re making a joke, and he has to shake himself out of a stupor caused completely by the sight of your smile.

“Uh, no, no I’m good. Gimme feedback,” he says, and you reach out to flip the pages back, landing on the entry.

“Great. I’m going to tell you what we need to fix,” you say, straight to the point. “This entry is too small. Either we need to extend out into the sidewalk, or we need to push the kitchen back by at least five or six feet. The bar is going to create a bottleneck right here, and we need to inset these shelves to give you a little more working room. The lighting here needs to be sconces, and the bathroom doors need to slide to maximize space—this is too small for a swinging door.”

Carmen is fully intent on taking in every word you’re saying, but out of the corner of his eye he can’t help but see Syd’s face transform into something mildly resembling devious.

“Heard,” Carmy says, nodding his head as you looks back up. “Let’s rock.”

——————————————————————————

You become a fixture in Carmy’s life in the same way that Sydney or Richie or Nat are, appearing every time he turns the corner and whispering a hello in passing before you start barking orders to the contractors who listen to your every word. Strangely, he can relate. A week ago you told him, Carmen, please decide which side of the bar you want the ice machine on, and do it quickly so I can tell the water guy when he gets here. He’s never made a decision so fast in his life.

Even Nat had popped an eyebrow when he replied, on it, before you’d even really finished your sentence.

Usually, he’s on autopilot—walking in and straight back to the office or the kitchen and hardly ever stopping to notice what’s going on. He’s the first one in and the last one out by design, so he doesn’t even see everyone else arrive until they’re already there.

This morning, though, Carmy walks into the kitchen to see you already there, writing something out in a notebook as Natalie talks, waving her hands wildly.

“Okay, I got you,” you’re saying only glancing up when Carmy’s shoes shuffle too loudly on the floor. “Oh! Good, you’re here. I need you.“

Carmy raises his eyebrows. “Need me?”

“To look at paint swatches,” you say, ushering him into the main dining area. The words ring in his head like bells as he follows you, the scent of your perfume surrounding him as he walks through the crowd of it. You smells so good, and it reminds him of New York City somehow, the faint scent of rain.

He figures that you must have come in even earlier than he and Natalie both, because you’re dressed more casually than usual, and there’s a charm necklace dangling over your tee shirt that he tries to identify when you turn without you realizing he’s staring. He makes out a paintbrush and nothing else.

“Right, so,” you start, gesturing to the wall. There’s a beat of silence with them both staring at the three swatches on the wall, and then Carmy turns towards you.

Your words overlap.

Carmy says, “I hate them.”

At the same moment, you say, “They’re horrible, right?”

Carmy laughs, shaking his head. “Yeah, yeah, not it.”

“Okay, so hear me out.” You say, leaving his side to pull something from your folder. “Pink.”

“Pink?”

“Like, oyster shell pink. Neutral enough that in the low light it’ll look pale, almost indiscernible from white. And this wall—“ you point to the back where the booths will be and shake your head. “Has to be a mural. It’ll look unfinished if it’s bare.”

Carmy nods along with everything that you say, trying to envision it. “What kind of mural?”

You tilt your head, chewing at your lip. Carmy completely short-circuits for an embarrassingly long second.

“I might have some ideas,” you say in a soft voice, crossing over to the table where you’ve set your things and pulling out a black sketchbook.

“Two artists in residence, huh?” Carmy jokes, his stomach fluttering when you smile.

“Do you draw anything other than food and restaurant interiors?” You ask.

“Sometimes.”

“Sometimes,” you repeat, looking up at him. He knows that you want him to elaborate—he would never admit out loud that he spends the hours he’s not cooking trying to replicate the way your necklace hangs off of your neck and the curve of your wrist.

Occasionally he doesn’t do weird, obsessive, borderline creepy things—sometimes he sketches the buildings outside his window as the sun goes down, or tries to remember what the boat in Copenhagen looked like, or that one place he used to drink coffee at in New York.

Your eyes narrow at him just a little, like you’re trying to read all the things he’s not saying.

He dips his head, half to look at the page you’ve opened the notebook to and half to get out from under the scrutiny of your pretty eyes.

“That’s insane,” Carmy finds himself saying, looking down at the waves of color on the page. “It looks like, almost like wood? Or marble. That’s—fuck, that’s so cool.”

The page is covered in shades of brown and deep green and black, melding together into something that reminds him of tree rings or stained wood panels, muted like an old chinoiserie river painting.

“You could hire someone to change it out seasonally maybe, it’d be cool, but I think something like this would look nice with the color of the wood we picked for the tables—“

“Will you do it?” Carmy asks, fingertips tracing over the edge of the paper and coming away brushed with color—oil pastels. “Could you, I mean, I wouldn’t trust anyone else to do it like this.” He tells you, rubbing the tips of his fingers together and watching the color meld together before meeting your eye.

Your mouth is parted, eyes wide as you look at him, and he gets the urge to flick your bottom lip to see if it’s as soft as it looks.

“I,” you start to say, “Yeah. I can do it. If you want me to.”

“I do,” he says, too quickly. “Want you to. Paint it.”

Because what else would he be asking you to do? He wants to throw his entire brain into the blender on high.

“Okay,” you say, “I’ll start tomorrow.”

He makes a mental note to make sure he’s there all day to peer through the windows and watch you work.

[agcinterior]

Innovative Shop Design Solutions by AGC Interior

Searching for creative shop design solutions in Sydney? AGC Interior specializes in innovative shop designs that enhance your retail space's functionality and appeal. Our expert team collaborates with you to understand your vision and bring it to life with modern, efficient designs. Contact us today to transform your retail environment and for more information visit our blog. https://agcinterior.com.au/blogsummary/have-creative-solutions-for-every-challenge-in-your-pop-up-storenbsp

[whenmemorydies]

The Claw, The Scrunchie and The Prayer Card

What - or who - do the hair claw, the scrunchie and the prayer card that appear in season 3 represent? I think I know, and no its not Claire or Mikey. Join me for an unhinged trawl through all 3 seasons of The Bear (with screenshots cos you know I love me some evidence).

A few weeks ago, @vacationship posed a fascinating question about the hair claw seen in Carmy's apartment in 3x01 Tomorrow:

This question branched off into many lovely and thought-provoking discussions including this post from @thoughtfulchaos773 about the significance of hair accessories and this post from @moodyeucalyptus on Catholicism and miracles. Both posts refer to another memento that we are shown in Carmy's apartment, a scrunchie, which we see at the end of 3x09 Apologies:

A particular theory that intrigued me was that the hair claw from 3x01 morphed into the scrunchie we see at the end of 3x09, as one of the many sleights of hand/instances of legerdemain in season 3, potentially indicative of a softening of Carmy's self-loathing and/or guilt (contrasting the hardness and teeth of the hair claw with the gentle grip of the scrunchie). I think the assumption behind this theory was that the hair claw was associated with Claire (in fact we see the hair claw in 3x01 sandwiched between scenes of Claire at home looking forlorn in bed and then later at work in the hospital) and the scrunchie being associated with Sydney as she's often seen wearing scrunchies throughout the series.

I was so intrigued by the sleight of hand theory that I went on a very ill-advised search throughout all three seasons to find these hair accessories (ill advised because it took ages and it meant sitting through every Claire scene in this show lol) I did not find either the exact hair claw or scrunchie (womp) but I did find the characters who'd be most likely to wear these items. Notably, Claire never wears a hair claw or a scrunchie throughout the show.

So who does?

Hair claw: Natalie

(Note: Tiffany is seen wearing a hair claw once in 3x09 Apologies but I think this is just a coincidence. There's no reason for Tiffany's hair claw to be in Carmy's apartment so I'm going to disregard this possibility here. If anyone has a reason why I shouldn't though, let me know!)

Scrunchie: Sydney

Now Carmy's personal interior design style is probably best described as...utilitarian? If that? The man has nails in his walls that have nothing hanging on them. He's got storage boxes strewn around his living space. There's the occasional bottle of painkillers and Pepto and a bundle of hanging herbs drying in his kitchen. And of course, his chef's whites and a large pile of culinary texts and cookbooks. Oh yes and denim in his oven. Other than this, we are not shown much of anything in Carmy's apartment that could be said to be overtly personal to him. Which is why the hair claw and scrunchie stand out. We've never seen Carmy wear a hair claw or scrunchie so their presence in his apartment is significant.

Similarly, there's one more memento we are shown in Carmy's apartment that is distinct from the rest of his belongings. This is the prayer card that Carmy pulls out of his suit jacket pocket and places with the scrunchie at the end of 3x09:

In the discourse of the show, this particular prayer card is often associated with Michael, as its presumed that this is the card that was available for mourners to take at his funeral. We also see it during the show edited next to images of Michael or of his last note to Carmy, reinforcing the association.

Note: I've previously misidentified the figure on this prayer card as St John the Apostle (apologies, I saw the lamb and the staff and assumed it was St John! I'm also not a practising Christian - my knowledge of the religion has been obtained entirely passively because...well I live in the West and my history is enmeshed with the history of European Christian colonisation of the majority of the world including the part where my family's historically from. Soz.). The image on this prayer card is actually "Fresco of Jesus as Good Shepherd" by Josef Kastner.

Prayer card: Richie

BUT...after going through the last three seasons again (much easier to do this time around lol), I've come to the conclusion that the prayer card is actually Carmy's memento of Richie, not Michael. This is primarily because prior to 3x09, whenever we are shown this card in the show, it appears either with, near or when someone is talking about Richie. Lets take a look...

So we first see the card in The Beef in 1x01 before shots of Mikey's body in the morgue and of the back of his head as he's cooking: these are memories Carmy is having while Richie is telling a story to The Beef staff and as Carmy finds his prized chef's knife on the floor of the kitchen.

We see the prayer card next in 1x02 Hands during a nightmare that Carmy is having that features a voiceover from Joel McHale's psychotic Chef Fields. Notably, the sequence of images where we see the card is as follows:

The next time we see the prayer card is in 2x01 Beef to the left of Carmy's head on the wall, when Sydney is telling Carmy that Richie does not have an appropriate certification because...he's Richie.

Later in the same episode we see the card again, after Richie tapes up Michael's Fenway poster (that Sydney had previously fallen through):

The prayer card is immediately followed by a shot of Mikey's last note to Carmy:

The next time we see the prayer card is throughout 2x07 Forks, the most Richie-centric episode of the series. This is because we find out that Richie keeps a copy of the card on his bathroom mirror, so he sees it everyday:

Given the above (i.e. the strong physical and visual association between the prayer card and Richie throughout the show), I believe the card represents Richie for Carmy.

So why would Carmy have a prayer card as a memento representing Richie and not an actual personal item of his brother from another mother/"cousin", like it appears he does for Nat and Syd?

I think this is because Carmy’s connection to both Natalie and Sydney is direct. The former is his sister, the latter his soulmate (I'm not arguing re: Sydney, check my metas if you want to fight). It makes sense that the trinkets he has of them would belong directly to them.

But Carmy's connection to Richie is not direct. Richie is cousin to Carmy because he was best friend to Mikey first. Carmy’s relationship to Richie has always been mediated through his relationship with Mikey. In life, Richie would only be in Carmy's orbit because of his proximity to Carmy's brother. In death, Richie and Carmy have been thrown together because of the restaurant that Mikey left to Carmy but where Richie works. As a result of that forced employer/employee relationship, they're also forced to navigate their grief and mourning for Mikey in close proximity. In this context, it makes sense that the memento Carmy has for Richie is emblematic of Mikey, and is also representative of that shared sorrow between the two of them due to Mikey's passing.

So why does Carmy have these mementos in his apartment?

I'm not entirely sure what the answer to this question is, but my hunch is that these mementos represent the three surviving relationships in this show that are the most important to Carmy but that have all been severed to some extent by the end of season 3.

Carmy's nosedive into Michelin Mode, his psychological spiral triggered by grief, his past traumatic work experiences, his family history, his entitlement borne out of his racialisation and socialisation (among other things) all of this has coalesced into Carmy pushing away those closest to him. He's slipping into that pattern of behaviour he described at Al-Anon in 1x08 Braciole where he cut people out of his life. Carmy doesn't recognise this though because physically, these people are around him all the time. He doesn't realise that you can be physically present but emotionally and mentally AWOL. I mean, the man isn't even physically present for his sister after Natalie gives birth to her daughter, Carmy's niece. He has some explaining and making amends to do! And hopefully we see this next season.

Its likely that the framing of the hair claw and the scrunchie on the show (via suggestive editing) has been a sleight of hand/legerdemain: to get us thinking their presence only has to do with Sydcarmy/Claire. And as I've discussed, the prayer card is widely associated with Mikey. I reckon this is also a sleight of hand too, for the reasons I noted above. Storer and co got us focusing on the romance and dead brother tropes while they continue to push the theme of chosen family home. By the end of season 3, the hair claw, scrunchie and prayer card appear as reminders to Carmy (and us) that he needs to fix his relationships with Nat, Syd and Richie, and that the loss of them is haunting him as well.

And so next season, Carmy needs to move through and past this:

And fight like hell for this:

After all, this show is about love in all its forms, but above all, its about the love we fight for, the love we choose.

Alright chef,

Tagging: @vacationship @moodyeucalyptus @currymanganese @thoughtfulchaos773 @brokenwinebox @espumado @tvfantic87 in case you're interested but keen to hear from whomever wants to discuss!

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