#binker and moses

[thursdayisbetterthanfriday]

After The Machine Settles

Artist: Binker & Moses Album: Feeding the Machine Year: 2022

Binker & Moses (binkerandmoses.com)

[angelloverde]

"Mo Soul" Player Playlist 16 March

Barnaby Keen & Benjamim - All I Want

Village Of The Sun Feat. Binker and Moses - Village Of The Sun

Black Coffee Feat. Shekhinah - Your Eyes

Black Nile - Second Serving

Boozoo Bajou - Sign

Boulevards - Set The Tone

Brian Culbertson - The Hangout

Brother Groove - More

Buscemi - Sweeping The Floor (Buscemi Happy House Remix)

Calibro 35 - Piombo In Bocca

Cantoma Feat. Quinn Lamont Luke - Back Into Daylight

Christian Scott - Incarnation (Chief Adjuah - Idi Of The Xodokan)

Cleo Sol - ROse In The Dark

Copacetic - Collage

Cory Henry - Say Their Names

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

[musicindustry123]

Rediscovering Jazz: Great Albums You May Have Missed in Modern Jazz

Jazz, with its rich history and evolving styles, has always been a genre of exploration and depth. While many associate jazz with the legends of the past—Miles Davis, John Coltrane, and Ella Fitzgerald—the modern jazz landscape is teeming with incredible talent, pushing boundaries in innovative ways. Despite the genre’s enduring presence, some of the most groundbreaking modern jazz albums have gone underappreciated. In this article, we’ll uncover great albums you may have missed in modern jazz, highlighting brilliant works by contemporary artists who continue to push the genre forward.

These jazz albums combine elements of traditional jazz with genres like electronic, hip-hop, soul, and classical, creating a refreshing, genre-blending sound. Whether you’re a longtime jazz fan or new to the genre, each of these albums offers a unique listening experience that challenges and redefines what jazz can be. Let’s dive into some great albums you may have missed and rediscover the allure of modern jazz through the works of artists who are reshaping its future.

1. “Black Radio” by Robert Glasper (2012)

Genre: Jazz Fusion / R&B

Standout Tracks: “Afro Blue,” “Cherish the Day,” “Gonna Be Alright” With Black Radio, Robert Glasper pioneered a modern take on jazz, fusing it with elements of R&B and hip-hop. The album features collaborations with artists like Erykah Badu, Mos Def, and Bilal, bridging the gap between jazz and mainstream music in an innovative way. Black Radio introduced a new sound to the jazz world, making it essential listening for anyone exploring contemporary jazz fusion.

2. “A Humdrum Star” by GoGo Penguin (2018)

Genre: Jazz / Electronic

Standout Tracks: “Prayer,” “Bardo,” “Transient State” GoGo Penguin’s A Humdrum Star is a minimalist masterpiece that blends jazz with electronica, creating an ethereal and immersive listening experience. Known for their rhythmically complex compositions and emotionally resonant soundscapes, the trio delivers an album that feels futuristic yet rooted in jazz fundamentals.

3. “Journey to the Mountain of Forever” by Binker and Moses (2017)

Genre: Free Jazz

Standout Tracks: “The Departure,” “Intoxication from the Jahvmonishi Leaves,” “Trees on Fire” This ambitious two-disc album by saxophonist Binker Golding and drummer Moses Boyd explores free jazz with an intensity that keeps listeners on their toes. Journey to the Mountain of Forever blends Afrobeat, spoken word, and deep improvisational elements, making it one of the great albums you may have missed if you're into jazz that embraces experimentation and bold, rhythmic energy.

4. “Heaven and Earth” by Kamasi Washington (2018)

Genre: Jazz Fusion

Standout Tracks: “Fists of Fury,” “Street Fighter Mas,” “The Space Travelers Lullaby” Kamasi Washington has established himself as a powerful figure in contemporary jazz, and Heaven and Earth is a testament to his mastery. This double album is both a social commentary and a celebration of jazz’s expansive possibilities. Washington's powerful arrangements, coupled with his innovative style, create a listening experience that’s both thought-provoking and musically complex.

5. “Liquid Spirit” by Gregory Porter (2013)

Genre: Jazz Vocal

Standout Tracks: “Liquid Spirit,” “Hey Laura,” “No Love Dying” Gregory Porter’s Liquid Spirit showcases his soulful voice and heartfelt lyrics, rooted in both jazz and blues. The album won a Grammy and introduced Porter’s smooth yet passionate style to a broader audience. This album is perfect for fans of vocal jazz who want to explore contemporary jazz with an infusion of blues and gospel.

6. “The Epic” by Kamasi Washington (2015)

Genre: Jazz Fusion

Standout Tracks: “Change of the Guard,” “Re Run Home,” “Miss Understanding” The Epic is a monumental three-hour journey through jazz, soul, and orchestral music, demonstrating Kamasi Washington’s grand vision for modern jazz. The album’s sprawling compositions and bold arrangements create a cinematic feel that has captured the attention of both jazz enthusiasts and casual listeners alike. If you’re looking to get lost in an album that stretches the boundaries of jazz, The Epic is essential.

7. “Emily’s D+Evolution” by Esperanza Spalding (2016)

Genre: Jazz Fusion / Rock

Standout Tracks: “Good Lava,” “Unconditional Love,” “Earth to Heaven” Esperanza Spalding, a Grammy-winning bassist, continues to challenge the limits of jazz with Emily’s D+Evolution. The album incorporates elements of rock, funk, and poetry, exploring themes of self-discovery and creativity. It’s a bold and refreshing album that shows how jazz can intersect with other genres in unexpected ways.

8. “Yesterday You Said Tomorrow” by Christian Scott (2010)

Genre: Jazz Fusion

Standout Tracks: “K.K.P.D.,” “Isadora,” “The Eraser” Christian Scott’s Yesterday You Said Tomorrow confronts social issues through jazz, blending trumpet-led compositions with hip-hop, rock, and funk. This politically charged album is a powerful reminder of how jazz can reflect and respond to the times. It’s an essential listen for those interested in how modern jazz tackles social themes.

9. “The Source” by Tony Allen (2017)

Genre: Jazz Fusion / Afrobeat

Standout Tracks: “Moody Boy,” “On Fire,” “Push and Pull” Known as the godfather of Afrobeat, Tony Allen’s The Source merges Afrobeat with jazz in a way that feels both authentic and innovative. The album’s rhythmic complexity and infectious grooves make it a standout piece, demonstrating Allen’s mastery in creating a seamless fusion of genres.

10. “Laila’s Wisdom” by Rapsody (2017)

Genre: Jazz Hip-Hop

Standout Tracks: “Power,” “Ridin’,” “You Should Know” While primarily a hip-hop album, Rapsody’s Laila’s Wisdom carries jazz influences that make it a refreshing crossover work. By collaborating with jazz-influenced artists and incorporating live instrumentation, Rapsody creates a sound that feels nostalgic yet modern. This album is ideal for fans of both jazz and hip-hop who are looking for innovative cross-genre albums.

11. “Awase” by Nik Bärtsch’s Ronin (2018)

Genre: Jazz / Minimalism

Standout Tracks: “Modul 60,” “Modul 36,” “A” Swiss pianist Nik Bärtsch’s Awase combines jazz and minimalism, creating a hypnotic and meditative atmosphere. With repetitive motifs and intricate arrangements, Awase is a minimalist jazz album that creates a unique listening experience, ideal for those who appreciate understated, rhythmic innovation.

12. “Fly or Die” by Jaimie Branch (2017)

Genre: Avant-Garde Jazz

Standout Tracks: “Theme Nothing,” “Leaves of Glass,” “The Storm” Trumpeter Jaimie Branch’s Fly or Die is a fierce and energetic album that brings a raw, avant-garde spirit to jazz. Its bold improvisation and unique compositions make it one of the great albums you may have missed if you’re into jazz that breaks the rules and takes you on a thrilling musical journey.

Conclusion

The world of modern jazz is filled with great albums you may have missed, each representing the genre’s evolution and endless potential. These 12 albums showcase a range of styles—from jazz fusion and Afrobeat to minimalism and avant-garde—that reflect the dynamic spirit of contemporary jazz. Listening to these albums allows you to explore jazz’s transformation, appreciate its cultural relevance, and witness how today’s artists continue to honor and expand on the genre’s rich legacy.

Jazz’s beauty lies in its ability to adapt and integrate with other genres, creating music that feels fresh, relevant, and full of emotion. Whether you’re seeking soulful vocal jazz, politically charged compositions, or minimalist soundscapes, these hidden gems are sure to elevate your appreciation for modern jazz. Don’t miss out on discovering these great albums you may have missed that represent the future of jazz while honoring its past.

[funkqs]

The River's Tale | Binker and Moses

[theparanoid]

Binker And Moses - Escape The Flames

(2020 live album)

Youtube Playlist | Bandcamp | Spotify

[Avant-Garde Jazz, Free Jazz]

[emilytakesphoto]

music 👍

[zsofta]

Épp ezt az albumot hallgatom, mert az elmúlt pár napban kifejezetten 2022-re fókuszáltam. Furcsa próbálni átlátni az év különös félpandémia jellegét, valahogy a köztessége miatt nem is tudom már, milyen emlékeket kéne próbálnom felkutatni.

Marina Herlopot eddig nem ismertem (szép, finom, magas vokálos kísérleti elektronika Katalóniából, nem váltja meg a világot, de illett volna korábban találkozni vele, még akkor is, ha nagyon sok nagyon hasonló projekt van), de 2022-ből velem maradt néhány lemez váratlanul, mások meg teljesen eltűntek máris.

Sosem jut eszembe a 2022-es Kendrick Lamart meghallgatni például, viszont most is összefacsarodik a szívem, ha Alabaster DePlume Gold lemezbemutató koncertjére gondolok. Ugyanilyen kedves emlékként maradt velem az elmúlt két évben a Wu-Lu - Loggerhead is (szerdán megyek a koncertjükre) meg valamennyire a SAULT is, bár meg nem mondanám, hogy mi melyik albumon van az öt(!!) 2022-es lemezük közül. A Binker And Moses - Feeding the Machine lemezt is szerettem annak idején, de már legalább egy éve nem hallgattam meg, illetve ennek fordítottjaként a Jockstrap is mostanában kezdett csak elkapni, anno nem érdekelt Jennifer B. De azért így is furcsa, hogy eddig fel sem tűnt, hogy az elmúlt években véletlenül mennyire a londoni előadók felé kezdtem húzni - azt hiszem magamnak sem tudom megmagyarázni, tudatosan alakult-e ez így.

Egyébként szépen alakul ez az év, szokás szerint most, hogy eljött az ősz, elkezdtek gyűlni a koncertek is. Múlt hétvégén kíváncsiságból elnéztem az American Football debütlemez 25. évfordulós elejétől végéig eljátszására, és a koncert felénél elkezdtem érezni valaha először, hogy miért is lehet jó a midwest emo. Szerdán voltam megnézni az Ebbbet, aztán jövő szerdán Wu-Lu, vasárnap Godspeed You! Black Emperor, 12-én Sophia Kourtesis.

(2022)

[translitsupplement]

My best of 2022 list is now up at Milner on Music

[burlveneer-music]

Village of the Sun - First Light - Binker and Moses team up with Simon Ratcliffe of Basement Jaxx for a spiritual jazz LP (Gearbox Records)

Village Of The Sun is an enigmatic collaboration between UK jazz virtuosos Binker Golding & Moses Boyd and electronic music legend Simon Ratcliffe of Basement Jaxx fame. Born out of a shared passion for improvised instrumental music, the new project sees all three of the artists steps into relatively new territory, combining their respective sensibilities to create something all at once atmospheric and danceable. All tracks written by Simon Ratcliffe, Binker Golding and Moses Boyd Apart from ‘Ted' - written by Ted Moses, Simon Ratcliffe, Binker Golding and Moses Boyd Binker Golding: tenor saxophone Moses Boyd: drums Produced and Mixed by Simon Ratcliffe and all other instrumentation by Simon Ratcliffe

[sinceileftyoublog]

Binker & Moses Album Review: Feeding the Machine

(Gearbox)

BY JORDAN MAINZER

It may be time to strip the “honorary” part of Max Luthert’s “honorary third member” title when it comes to Binker & Moses. For their new album Feeding the Machine, the saxophone and drums duo of Binker Golding and Moses Boyd brought their live partner to the studio to add tape loops and electronics to the ingredient list. The result is a major sonic shift, feeding their improvisations through machines, Luthert’s modular synthesis reordering acoustic tracks and drums in a way that’s so distorted it doesn’t even sound acoustic. From the opening moments of “Asynchronous Intervals”, though you recognize Golding’s saxophone, echoing loops clue you into the sea change. This is different, and it’s here to stay.

In essence, Luthert allows Golding and Boyd to do what they’ve always done well--play with volume and tempo and off of each other, with both dexterity and soul--while amplifying new timbres and moods. Their tracks have always been able to be tempered pieces or instantaneously frenetic, and now they have new dimensions. Luthert’s electronics make chaotic flares and subtle grooves sound like they’re being sucked into cyberspace and spat out back on the urgent “Active-Multiple-Fetish-Overlord”. On epics like “Asynchronous Intervals” and “Accelerometer Overdose”, neither of which would be totally out of place composition-wise on previous albums, they provide undercurrents of mood and nature. At the same time, when Luthert takes a step back, Golding and Boyd seem extra forceful by comparison. Boyd especially stands out with meaty hip hop and funk beats; on “Accelerometer Overdose”, he provides the bed for Golding’s polyrhythmic saxophone, looped and distorted lines that sound like everything from harmonium to funk keyboards. At the end, his pitch-shifted horn cuts in and out like a sneaky housefly that keeps buzzing close to your ears.

The album’s back half is novel in the context of Binker & Moses, especially because they embrace the drone aspects of Luthert’s electronics. “Feed Infinite” is minimal, beginning with a wobbly whirr before Golding and Boyd come in, light as feathers. As the song progresses, Golding is consistently expressive, but not overpowering, while Boyd shows off a funk beat with impressive drum fills, and Luthert adds a synth line that wouldn’t sound out of place on Sound of Silver. Similar dreamy hues kickstart the appropriately titled “After The Machine Settles”. As saxophone and drums glitch and disappear, Golding eventually reenters and overpowers the cut-up electronics, he and Boyd clearing Luther’s hazy spiderwebs of noise. And if Boyd shows off his rock chops throughout, closer “Because Because” is a showcase for Golding, his foreboding faraway tenor crisscrossing with funereal soprano. Boyd’s rustling brushwork gives the song a breezy sway for a while, until Golding’s saxophone multiplies seemingly exponentially. The machine has been fed, but the album ends with someone in the studio shouting, “Yup!” satisfied with their statement of mastery.

[maquina-semiotica]

Binker and Moses, "Asynchronous Intervals"

[angelloverde]

"Mo Soul" Player Playlist 5 September

Barnaby Keen & Benjamim - All I Want

Village Of The Sun Feat. Binker and Moses - Village Of The Sun

Black Coffee Feat. Shekhinah - Your Eyes

Black Nile - Second Serving

Boozoo Bajou - Sign

Boulevards - Set The Tone

Brian Culbertson - The Hangout

Brother Groove - More

Buscemi - Sweeping The Floor (Buscemi Happy House Remix)

Calibro 35 - Piombo In Bocca

Cantoma Feat. Quinn Lamont Luke - Back Into Daylight

Christian Scott - Incarnation (Chief Adjuah - Idi Of The Xodokan)

Cleo Sol - ROse In The Dark

Copacetic - Collage

Cory Henry - Say Their Names

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

[listeningwind]

Binker & Moses - “Feeding the Machine” (2022)

[funkqs]

The Valley of the Ultra Blacks | Binker and Moses

[muchpreferredcustomers]

Binker and Moses - Accelerometer Overdose - from Feeding The Machine