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#but because i enjoyed raimi's performance enough here that it made me stop hating the sight of his face
marley-manson · 14 days
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This may be my most controversial Xena hot take yet but I gotta say it:
I think Ted Raimi nailed it as a reincarnated version of Xena.
A lot of it is the writing of Harry - the cynical skepticism, the playful dickishness, the irritated protectiveness of Annie. The way he doesn't watch the show just like Xena not reading Gabrielle's scrolls lol. (Incidentally surgeon is a great choice of career for modern Xena, and frankly woowoo scam artist is a great choice for modern Gab lol) But it's also like, line deliveries and gestures and expressions, and I totally buy Harry as a modern version of Xena. It's very easy for me to imagine Lucy Lawless in his place, making fun of General Custer, rolling his eyes at everyone, threatening a lawsuit, etc. I guess to be fair he's a little hammy as full on memories-back Xena, with his "Aaaares" drawls lol, but even then like, it was a fun fight scene and I think he overall succeeded.
Also, as much as it sucks that Xena/Gabrielle was only allowed to be canonized while het, I gotta say that I really appreciate how they did it. Annie bowing out before Harry and Mattie have barely exchanged two words because she already knows they're soulmates, the Xena/Gab flashback montage, showing the kiss from The Quest as one of the clips demonstrating their relationship, and Harry calling Mattie his "friend" before kissing her, to pointedly make it clear that Xena and Gabrielle calling each other friends is not intended as a no homo.
Plus I fucking love that, at least in this episode, Ares is completely dtf Raimi!Xena. Not fazed at all, no hesitation, just flirtatious glee that Xena's back. And I looooove that Ares never actually thought he'd join him lol, he just wanted to get a fun fight out of it <3
Honestly if this was the actual last episode of Xena I think it would've been a very sweet and cute sendoff.
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the-desolated-quill · 4 years
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Sonic Vs Harley: Send In The Hedgehogs - Quill’s Scribbles
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Unless you’ve been meditating in the desert for the past couple of weeks, you’ll know that there’s a bloody epidemic going on in the world right now. The coronavirus outbreak has dramatically changed our very way of life for the foreseeable future, and us plebs have been having to get used to all these alien concepts such as social distancing, self isolation, vaccines being good and Gal Gadot murdering John Lennon with a tuneless rendition of ‘Imagine.’ These are scary and uncertain times we live in, and this goes double for the movie industry as productions are halted and/or delayed, and cinemas around the globe are shutting shop. This means that streaming services, initially dismissed by pompous filmmakers like Steven Spielberg as being lesser than cinema, has now become Hollywood’s saving grace. Oh the irony!
But I’m not here to talk about that. Today I’m here to talk about how a blue CGI hedgehog seems to be more profitable than Margot Robbie.
Jokes aside, this is actually a fascinating topic of discussion in my opinion. Both Sonic The Hedgehog and Birds Of Prey (I categorically refuse to type the whole title because I’ve got better shit to be doing other than trying to remember how the fuck you spell ‘fantabulous’) were released within a week of each other just as the coronavirus outbreak was gathering steam, and yet the box office earnings of both films are poles apart. Sonic has now become the highest grossing video game movie of all time and is, at the time I’m typing this, the second highest grossing film of the year, beating even Disney Pixar’s new film Onward if you can believe it, whereas Birds Of Prey... well... it’s not exactly flopped as such. The film’s low budget protected it from that, but it’s hardly what you’d call a success, making just shy of the $200 million it would need to break even. How did this happen? Especially when you consider that public opinion of both films a year ago would have you believe that the opposite would have happened. Everyone was massively excited for Birds Of Prey, especially after the string of successes DC have had with Aquaman, Shazam and most recently Joker, whereas Sonic...
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...yeah, lets not talk about that.
Now before we start, let me just make absolutely clear that this is just my opinion. Mu subjective opinion. Normally I’d expect my readers to be smart enough to know this, but I’m talking about a DC movie here and I know from personal experience how ‘passionate’ a certain tin foil hat wearing portion of that fanbase can be sometimes. You may recall back in 2016 I received rape and death threats when I had the gall to say that I didn’t enjoy watching Suicide Squad. You know? That beloved classic that nobody fucking remembers or talks about anymore? Also there was that time when Harley Quinn fans started spreading fake rumours that the Sonic movie was homophobic in the hopes of salvaging Birds Of Prey’s box office earnings. And yes, I know it’s not all DCEU fans that are like this, etc. etc., but considering that it only ever seems to be DC fans that pull shit like this, you’ll forgive me if I’m not exactly in a very generous mood right now. Basically, if you’ve seen Birds Of Prey and liked it, that’s great. More power to you. I’m not even suggesting that Birds Of Prey is a bad movie. I’m just exploring the reasons why I think the film may have underperformed and why, possibly, Sonic The Hedgehog overtook them despite outside circumstances. This is not fact. This is just my opinion. It’s my opinion. An opinion. A subjective opinion. It’s my opinion. Okay? Okay.
Also I should point out that out of the two films, I’ve only seen Sonic, not Birds Of Prey. Believe it or not, this will be relevant later on. Again, this is not about the quality of either film. This is merely my subjective observations regarding their respective marketing and box office performance.
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So why, according to the fans and the media, did Birds Of Prey underperform at the box office? There are three popular reasons for this. The first is obviously the coronavirus. Less people willing to leave the house and buy a ticket, therefore less box office earnings. Makes sense, but I don’t think that’s the whole story. Lets not forget, Sonic The Hedgehog came out a week after Birds Of Prey and practically steamrolled over the competition despite coronavirus fears. So I’m not entirely convinced of this. The second reason is that Birds Of Prey only has niche appeal because it’s based on a lesser known comic book property. Again, makes sense, but so was Guardians Of The Galaxy and Deadpool, and they were both hugely successful. Obviously I’m not saying Birds Of Prey needed to be as big as those movies. Even if it just made the same amount of money as Shazam did, it would have been successful, but it didn’t. The third reason is good old fashioned sexism, and yes, I agree that may have been a contributing factor, but I think it’s naive to place all the blame on the anti-SJWs who feel threatened by a gang of women kicking butt. Look at the 2016 reboot of Ghostbusters for example. That film received a tirade of misogynistic comments from butthurt fanboys, but it still made roughly the same amount of money at the box office as the original Ghostbusters did. The reason it flopped wasn’t because of the fanboys, but because of Sony spending a stupid amount of money on the thing in the hopes of jumpstarting a shared universe. If Ghostbusters 2016 had the same budget as Birds Of Prey, Sony would be laughing their way to the bank right now.
No I think there’s a little bit more going on here. Lets bring Sonic into the discussion and explore it, shall we?
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The most blatantly obvious reason for Sonic’s success and Birds Of Prey’s relative failure is the age rating. Sonic is a PG, family friendly film with a cuddly animal as its main character. The film even stars Jim Carrey being his usual goofy self. Kids love this shit and parents will no doubt be prepared to risk a zombie apocalypse to let their kids see it. Birds Of Prey, on the other hand, is a hard R. Strong bloody violence, sexual references, everyone says ‘fuck’ a lot. No kids allowed. Of course that hasn’t stopped films like Deadpool or Joker being such giant hits, but they didn’t have to contend with a global pandemic. Plus, according to what I’ve heard from certain critics, apparently Birds Of Prey’s R rating doesn’t seem wholly justified. That if you were to cut back on the swearing and the gore, it would make no difference to the film. Now you see this is something I’ve been afraid would happen ever since Deadpool’s surprise success back in 2016. That studios and filmmakers would take the wrong lessons from it and make their films R rated just for the sake of making them R rated. We see this with movie studios all the time. One studio finds success and suddenly everyone tries to copy it without considering why it was successful in the first place. The reason Deadpool as well as other R rated films like Logan and Joker worked is because the films justified their R ratings. You couldn’t have told the same story without that R rating. An R rated Harley Quinn doesn’t seem necessary, especially when you consider that there have been Harley Quinn adaptations before that did just as well without being strictly for adults. Hell, the original Harley Quinn story from the Batman animated series was PG rated. So the inclusion of a R rating feels less like a genuine artistic choice and more like trend chasing. And now that Joker has become the most profitable comic book movie ever made, I fear this is only going to get worse in the future.
Another factor that needs to be considered is audiences’ trust and expectation. Sonic The Hedgehog’s journey to the big screen has in some ways become the classic redemption story. After the initial reveal of Sonic the Manhog, fans were understandably pissed off that a beloved video game icon was given such a grotesque re-imagining for the sake of ‘realism’ (snort). As a result of the backlash, the director Jeff Fowler announced they would revise the design and the film was postponed for three months in order to fix it. The result was a Sonic design much closer to the games and this generated a lot of goodwill from the fans. Subsequent trailers were much better received and there was a lot more positive buzz around the movie. Birds Of Prey on the other hand demonstrated the inverse of this. Everyone was hugely excited, but as we got closer and closer to the date of release, audience anticipation began to wane. The trailers received little fanfare. In fact a lot of people were largely unimpressed by it. Why?
Well first we should address the elephant in the room. The fact of the matter is Sonic has a bigger and much more passionate fanbase than Harley does. That’s not to say Harley isn’t a popular character. She is. But I think Warner Bros and DC seriously overestimated how much people wanted to see Harley Quinn get her own movie. She may have been the best thing about Suicide Squad, but considering what a total trainwreck Suicide Squad was, that’s hardly saying much, is it? I mean the villain Sandman was the best thing about Sam Raimi’s Spider-Man 3. That doesn’t mean I want a whole movie based on him. It just means out of all the things I hated about Spider-Man 3, Sandman was the thing I hated least.
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And that’s another thing. The fact that Birds Of Prey didn’t try to distance themselves from Suicide Squad I don’t think did them any favours. While Suicide Squad was a commercial success at the time, people haven’t exactly been kind to the film in subsequent years. I mean feel free to read my review of Suicide Squad for an exhaustive list of reasons why the film was less than enjoyable to sit through. One dimensional characters, poor editing, ugly colour palette, casual sexism, David Ayer trying desperately to look cool and edgy, I could go on. So when the first trailers for Birds Of Prey came out and we saw the neon colour scheme and Hot Topic wardrobes make a comeback, I can’t have been the only one who was slightly put off.
Which leads me to the biggest issue of all and that’s the stonking unoriginality of the whole thing. For all their boasting about how feminist and progressive they are, what is it about Birds Of Prey that makes it stand out from other comic book films? Granted Sonic wasn’t wholly original either, but at least they had the novelty of a blue CGI hedgehog to piggyback off of. Birds Of Prey really doesn’t have anything if you think about it. Here’s the impression I got from the trailers. It has the same aesthetics as Suicide Squad, so already I’m getting PTS style flashbacks, and its story doesn’t seem all that intriguing or unique. Think about it. A violent anti-hero has to protect a delinquent child from some sadistic big baddie. How many times have we seen that done in these films? Terminator 2, Deadpool 2, Logan, even Ghost Rider has told this story before. The fact that the characters in question happen to be women doesn’t change a damn thing. They even have Harley Quinn breaking the fourth wall. Like... guys, come on! Surely we can do something more original than this! It feels like the only thing Birds Of Prey has going for it is that its main protagonists are all women. But after the likes of Wonder Woman and Captain Marvel, that’s no longer a real selling point anymore. You need something else to entice people. Something that Birds Of Prey sorely lacks.
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Now I’m sure any Birds Of Prey fans reading this must be getting pissed off at me, so I’d just like to remind everyone yet again that I’m not necessarily saying Birds Of Prey is a bad film. I wouldn’t know. I haven’t seen it. And that’s kind of my point. A week or so ago, my friend and I knew this was probably going to be our last opportunity to go to the cinema for quite some time, so we knew we had to make our choice of film count. We had a choice between Sonic The Hedgehog and Birds Of Prey, and we ended up going to see Sonic. We don’t regret it. We had a good time watching Sonic. It was a fun movie, well made and surprisingly moving at points. (interesting to note, Sonic also has the main protagonist protecting a child plot, but unlike the films I mentioned, Sonic’s story is told from the perspective of the kid. It’s a little thing, but it’s enough to make the whole thing feel fresh and unique because it’s something not even the games tend to acknowledge. Sonic is a kid and the film plays around with that, which adds to its overall charm). Maybe Birds Of Prey is a better movie than Sonic. I don’t know. But that’s not what this is about. When picking which film we would watch, it was the factors I mentioned before that we considered and I suspect what many other people took into consideration too. Basically we looked at these two films and thought to ourselves which one would we be prepared to go outside and risk our health for in order to see it in a cinema. In the end, Sonic won because, out of the two films, it looked more exciting and more unique than Birds Of Prey, and ultimately we trusted that this film could deliver what it promised. Is that fair? Probably not, but sadly that’s often how these things play out. 
Birds Of Prey may have had a good critical reception, but it ultimately shot itself in the foot thanks to some of its creative and marketing decisions. And if studios take anything away from all this, it should be that relying solely on the gender of the main characters as a means to sell something just doesn’t cut it anymore.
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