#but in game and knowing his character arc I love listening to every scrap and every morsel of himself that he tells me

[balioc]

Is this a concept-formulation that's already kicking around out there somewhere? It might well be. It feels like the sort of thing that someone would already have developed. But it's new to me, at least, so I'll muddle around with it as best as I can.

On one end of the spectrum, you've got the musical hook. A hook is maybe two seconds of music, if that. And when you hear it, if it's good, you get a concentrated spike of -- oh, yeah, that's the shit right there, this exact experience in this exact moment is fucking awesome. And then, as soon as it's come, it's gone. All you can do is wait for it to come back later in the track, or rewind a few seconds, or maybe just replay that tiny little scrap of music in your head.

The pleasure of a good hook is incredibly condensed. It doesn't even really extend into the rest of the song, let alone into the rest of your life. To experience it, you have to be listening to those exact few bars (if only in your mind). It has no penumbra, no shades-of-experience that color other aspects of your existence. On the other hand, well...when you're listening to those exact few bars, you know it, and it's great. If it's a good enough hook, you kinda just want to listen to it over and over again, like you're popping Pringles or something.

All the way on the other end of the spectrum, you've got something like a traditional-style TTRPG campaign.

Even when it's being run masterfully, a game like D&D has a very low proportion of that's the shit right there moments, and a very high proportion of tedious yak-shaving stuff. Every so often you get your critical success in a high-stakes moment, every so often you get your awesome monologue or your big-drama scene or whatever...but for every moment like that, there's a hundred moments or more of the other stuff. The commonplace D&D play experience is famous for its vast amounts of OOC joking-around, which is not how things look when people are deeply engaged with the art on a moment-by-moment basis. And, of course, not every campaign is run masterfully. Sometimes boredom, or eye-rolling, is what you get in almost every moment.

And yet people love their D&D campaigns, like really incredibly a lot, and are deeply affected by them, and not-uncommonly have their whole lives changed by them.

The correct model here, I think, is that the pleasure generated by that kind of TTRPG experience is super diffuse. It's almost all penumbra. The awesomeness doesn't inhere in any one moment, or even any one scene or any one story arc. It inheres in the broad strokes of the campaign, in the ongoing knowledge that YOU ARE YOUR COOL CHARACTER and you go on a million cool adventures, in the mythos and the running jokes that add up invisibly over time into magic. And it pervades the entirety of your existence. You can think about it when you're lying in your bed, you can chat about it with your friends over lunch, and the awesomeness is just as much there as it is when you're actually playing. Maybe more so.

**********

Once you start looking at art through this variable-diffusion-of-appreciation lens, you can see many different points on the spectrum.

It's obvious that a short story is more concentrated than a novel, which is more concentrated than a series; it's obvious that a movie is more concentrated than a TV show. But it's not just the choice of medium that pushes in one direction or the other. It's a million different choices concerning content and style. Lushly descriptive language, in prose fiction, serves to concentrate the reader's appreciation into the moment of reading -- it forces the expenditure of extra attention for the sake of creating a beautiful mental moment, which in the vast majority of cases will be gone and forgotten almost instantly. Abstracted and philosophical language does the exact opposite, pulling the reader out of the narrative for a little bit for the sake of giving him something to roll around in his head. Suspense, and surprising plot developments, are concentration techniques that can have their full effect only during the transition from unspoiled-to-spoiled (and they serve to emphasize and heighten the moments of that transition). Archetypical, iconic plots are diffusion techniques that trade predictability-in-the-now for satisfaction-in-contemplating-the-story-later.

Sitcoms strike me as being vehicles for diffuse appreciation, to a huge extent, even more than other TV shows of comparable length etc. Much of what makes them good is just the presence of the characters and their distinctive shticks in your mindscape, in a way that builds from episode to episode without any particular grounding in specifics. When I think about a sitcom that I like, I find myself concluding that I like the show overall more than I like any single given episode. Which is weird, right? You'd expect some sort of bell-curve thing where the best episodes, or even the best individual moments, rise up above the averaged-out mass of the whole. But no.

**********

Fannishness is, overall, a very diffuse form of appreciation. This is true in the very-obvious sense that you're enjoying the work during a time when you're not actually consuming the work, by dint of consuming/producing fanworks and talking with other fans etc. But it's also true in the somewhat-less-obvious sense that the enjoyment-of-the-thing usually ends up very unrooted in the specifics of the thing, the plot beats and characterization details and so forth. You have a big beloved vibe, with lots of bits and bobs attached, and you can take the bits and bobs you like best and rearrange them however you like best when you're engaging in fandom.

**********

I believe it is overall true that concentrated appreciation is much more legible than diffuse appreciation. More legible to artists and art theorists, more legible to marketers and consumers. When you talk about art being good or bad or successful or unsuccessful, it's very easy to think in terms of "what is it like to consume this moment-by-moment?", and much harder to think in terms of "how does each piece of the work pervade the whole of the work, and also the general thoughtscape of the consumer?" For this reason, concentration techniques are associated with prestige, and high-prestige analysis tends to focus on a work's ability to generate concentrated appreciation.

...I also believe that different people want to be appreciating art, in the ideal case, at different levels of diffusion. There are people for whom a good artistic experience means lots of crack-hit awesome moments, and others for whom a good artistic experience means getting to live in an infinite penumbra, and others who fall at every point in between.

**********

For reasons I may discuss later, I think this concept-suite is extremely valent to the construction of theater LARPs, and the tension between people who expect more-concentrated enjoyment and people who expect more-diffuse enjoyment is responsible for a lot of the Wars Over What's Good within that sphere.

[aromantic-shadow]

Still thinking. Maybe this is influenced by the fact that I’m a real life goth with grief and mental illness and Angst and past emotional neglect but the way Most People have treated Shadow since Shadow the Hedgehog 05 has been so dismissive.

Like, yes, he is a edgy motorcycle-riding PTSD-ridden teenager with almost no communication skills beyond hitting the problem until it goes away. And that’s the point!

It feels redundant to say on Tumblr where we’re all mentally ill and love a dysfunctional edgelord(/affectionate), but the fact that he is a dysfunctional edgelord is the point and doesn’t mean he isn’t worthy of respect. Honestly, so much of the writing I hate seems to be the writers having a lack of respect for Shadow, and vice versa.

Let’s look at some examples. Sonic 06? Deeply respects him, acknowledges his character arc, his insecurities, and his strengths while also letting him be a loose cannon with no communication skills who gets himself Stranded In the Future for almost no reason. Rouge spends almost the whole game shaking her head at him, but when he’s in turmoil she says “even if you believe the whole world is against you, know that I’ll always be by your side.” Omega and Rouge take his fears seriously, and they both have his back in the finale.

Forces? He’s… there. Honestly so little focus is put on him that they couldn’t really screw up. He’s in character, for the little time he’s around. The other characters don’t seem to acknowledge his existence though, besides a brief “why would Shadow help the enemy” speech right before they reunite with no feeling behind it.

Boom (specifically the show)? Don’t get me wrong, I find Boom Shadow hilarious. Watching him beat up Team Sonic can always cheer me up. But despite being mandated not to make jokes, he somehow manages to be the butt of the joke. Watching it leaves you with the impression that he’s an idiot (/derogatory) with no understandable emotions who exists to beat up Sonic and be a Problem for no reason. He’s not intimidating (well he is when compared to everyone else but in a Broader Context), he’s an Edgelord that we’re supposed to point and laugh at.

Prime? He spends the entire show pounding Sonic into the ground while telling him to listen. His motivations are clear (get answers, get his frustrations out, find a solution, get revenge), his emotions are justified (even if his response is a bit overboard)- Sonic introduces Shadow as “a real buzzkill, and also, he rollerskates!” He’s allowed to be cool. He’s allowed to be a little shit. He’s allowed to be a foil to Sonic in every way I’ve been missing.

IDW? I actually have little problem with his introduction. The first peal of doom comes from Rouge’s treatment of him; when he runs off, she talks about Shadow like an unstoppable force that cannot he reasoned with- which he is, but she and the Chaotix talk about those character traits like they’re an annoyance or an obstacle. Rouge treats him like a tool to manipulate- and Rouge is a manipulator, don’t get me wrong, she’s selfish, but she also cares about Shadow, even when he’s being an edgy 15 year old (just look at 06).

That’s all of IDW- Shadow is an annoyance, a loose cannon “getting in their way”, messing up the plan by being reckless and independent and violent. The scene in issue 19 bothers me for a lot of reasons, but that’s the main stickler. Rouge and Sonic talk about him like he doesn’t care about the survivors (you could argue this point, but I’d say that while Shadow tends to use violence, he’s doing it for what he considers good reasons, not just for his ego). Shadow’s stupidity in the fight is treated as, well, stupidity- which, fair. I think the scrapped idea of him taking off his inhibitors would have at least let him be cool, go out with some dignity. But his “death” isn’t a tragedy, it’s a problem. Rouge is the only one who mourns him.

Idk- as someone who grew up as the bullied outcast, whose emotions were an inconvenience and an annoyance, who, if he tried to be himself, was just “too much”- it hits close to home.

(I haven’t read the newest IDW issues (I love my local library but could y’all PLEASE get the latest issues???), but from what little I’ve seen, the difference seems to be that Shadow is treated with dignity. Yeah, he’s mean to Sonic- of course!- but he’s also angered by the clones- “they don’t deserve to wear my face”- and that’s treated as legitimate rather than “ugh, Shadow’s ego causing us problems again.” And they let him be cool.)

TLDR: some of y’all really don’t want teenagers to have inconvenient emotions and it is not a good look. People are messy, stupid, take up space, and often don’t make sense, and they still deserve to be treated as people.

[kaitcake1289]

i love your MQ art so much and i love seeing it in the tags! how have you been liking S3 so far?

first of all thank you so much anon! secondly you did not ask me to rant about this season but its the perfect opportunity to so forgive me lol

so far this season has unfortunately felt really off for me (save for the first 2 eps + most of the christmas ep + sarian) and now this may just be me being overly critical since these characters are so near and dear to me but here are what i think are some of the main flaws with this season:

the constant metaverse and nft promotion. this one is the most evident and the main reason why the first half of this season feels like a miss for me. it becomes a problem when every single character is shown openly endorsing anything crypto related, even characters that would realistically never in a million years like nfts (rachel mythic quest im looking at you) and the one character who is at all negative about nfts gets sent down to the basement never to be seen again. they even state in show how nfts have done explicitly good things! (giving carol a promotion) now i understand that this may have some part to do with ubisoft's involvement in the show and how pro-nft they are but if they weren't gonna do a fair honest critique about the subject of nfts/the metaverse i'd rather them not do it at all!

scrapping the foundation made in season 2. now listen i really didn't like them basically throwing away rachel's writer arc, brad's reserved janitor act and hera entirely AND HEAR ME OUT it could've worked a lot better if they stretched out this development over the course of the season but it all just feels soooo rushed. like take hera for example, the decision for poppy to give it all up could've had a much better effect if the game was shown more to be a primary focus of the season (an issue that's the next point) to up the emotional attachment the audience can foster for the game, theres so much they could’ve shown of poppy genuinely pouring her heart out into the flawless system shes constructing all to the build up that thats all the game can really be, a system, missing that it factor. with brad he essentially reverts back to the HOMIE with extra steps in less than 3 episodes, which is a bummer since seeing brad coming into the season humbled, confined to a role with significantly less power could've built on that fear, that grasp for control and even his raw power, HOMIE or not. with rachel as well scrapping her writer arc felt forced especially after the heartfelt speech she gave to see her giving up essentially because she wasn't excelling right away

too much happening and yet not enough somehow???? episode 3 and 4 especially feel really short to me like they feel like filler which i would be okay with but as the season stood we had also so many arcs being set up, janitor brad, david being in charge, grimpop, and a whole movie but it felt like all of it was the B plot for me at least

I'm not saying the season doesn't have things it does right; jos character this season has been the funniest shes ever been + some bits were really funny + the christmas episode and sarian helped me like the season a lot more (mostly bc those eps were detached from the main plot and were about the characters) and the cast stay stunning but yea. im curious to know others thoughts on the season and whether you agree though!

tldr more like midthic quest am i right /hj

[stop-breaking-my-heart-telltale]

Top 5 Character Deaths That Made Me Side-Eye the Writers

There are a lot of character deaths in TWDG... obviously. It a series about the literal dead walkin’ around and eating people, so as you’re playing, one of your favorite characters is bound to meet such a fate. To give this series credit, it does have quite a few well-executed deaths that, while I hate them, they have a purpose in the story that works. 

The best example of this is Lee’s death-- we all hate that Lee dies, but it’s well-done. It serves its purpose, it acted as both a shock and a slow-burn for the player, and left us all an emotional mess. 

However, we’re not talking about the “good” deaths today. No, we’re talking about the character deaths that are poorly executed, cheap, lazy, and just plain dumb... they’re the deaths that make me side-eye the writing team and wonder what the fuck happened there. 

By the way, it was reeeeeeal fun narrowing it down to only five deaths, because it seems like for every great death, there’s at least two bad ones.

5. Mariana and her death that ruined ANF’s potential story

I’ve talked at length about Mariana’s death and how much I hate it. Like, I get it TWDG... you love your sudden deaths and you’re so edgy for killing off a child character because you’ve never done that before... but maybe consider things a little further before pulling the trigger?

Yeah, killing off Mariana the way they did got a reaction outta people when it happened, and we got the burial scene if you stayed with Clementine... but you didn’t consider the future of this storyline? You pretend you did by name dropping Mari when it’s convenient, but then throw it out the window when it comes to characters like David or Gabe.

Listen, I know that ANF is a mess and what’s the point in telling the mess that it’s a mess? Well, I’m still annoyed at the writers for wasting the biggest opportunity for this game’s story, something that could’ve saved it from being a mess.

And I get it, you gotta make a death quota, so instead of killing Mariana off... why not kill Kate off instead? Oh no? We don’t get the stupid love triangle that no one actually enjoys or is engaged in?

Instead of this dumb story about Javi falling in love with his sister-in-law but oh no David’s back.... we could’ve had a story about Javi losing Kate and being left to care for two children by himself. Mariana and Gabe are all he has left, and he going to do whatever he can to keep them safe all while the three of them are mourning Kate.

Then David comes back, and he immediately takes these kids away from Javi.

There is no stupid storyline with Kate, but an actual conflict between two brothers who were never on the same page and two kids caught in the middle.

Plus, Mariana herself as a character really could’ve brought something to the table. She could’ve brought out a lot in David’s character since she seems to be more like Javi.

Her death is just... annoying. It’s frustrating when you know they could’ve told a better story with her alive, something ANF desperately needed.

My side-eye is one of disappointment and annoyance.

4.Luke and his easily preventable drowning

Ugh.... where to even begin? 

Luke really just gets butchered as a character throughout the second half of S2, and the writers end up demolishing the set up they placed at the beginning of the season for a Luke vs Kenny thing. 

Why? Well, Luke vs Kenny was the initial ending they were gonna go with, but because this season went through all kinds of bullshit, they scrapped that and replaced Luke with Jane... and it’s so dumb.

Hell, it kind of ruins a lot. Not only did it ruin Luke, a character that many players loved, but it forces the new character of Jane, who we only get two episodes to get to know, so they can fade Luke out. 

But that’s not all. 

His death is so... ugh. It’s stupid, okay? Stupid and easily preventable, but noooo... we gotta kill Luke off for reasons because all we know is that S1 killed off a lot of characters and we’re gonna do that again but worse because we failed to understand what made those deaths impactful in the first place. 

Lots of character death and despair = good game. 

Yep, uh-huh. Okay. 

So we all know that Luke’s leg is hurt, yeah? Great, so you’d think that the group that has an injured man and a new born baby would be extra cautious and go around the frozen lake. Yeah, Arvo says that it’s safe but let’s not take any chances. 

But no. We gotta go across like a group of dingdongs and whattya know-- the ice begins to crack beneath Luke’s feet. Now, even here, we coulda got him outta there safely... if Bonnie wasn’t a dingus. 

Think about it. If we shot the walkers who were coming towards Luke with all their weight, he could’ve slowly scooted away, even if he’s already fallen through. BUT NO. Bonnie either guilts Clementine into going towards him, adding more weight to the already fragile ice as Luke tells her to stop, or Bonnie will go over there herself... and she’s a full grown woman soooo her weight breaks the ice. 

Good job, you dipsticks. 

When you have to make your characters into morons in order to move the plot along and kill off characters....maybe do some rethinking, yeah? 

 3. Mitch and his shock-value death

This death is so dumb... so incredibly, dumb. Even now, I can’t help but give full side-eye to the writers every time one of them tries to justify this death. 

I’m sorry, but this death didn’t have the impact you wanted it to have. And because there’s always someone who says, “Mitch didn’t die for shock value, you just can’t tell the difference between a good and bad death” lemme tell you a thing. 

What was the point of killing of Mitch? Well, according to those who worked on TFS, it was to show that Lilly and the delta are serious. This is when shit gets real, and when Lilly is established as a bad bitch who will do whatever it takes to get what she wants. We should be scared of her now. 

Except no. 

This scene doesn’t tell me that Lilly is a bad bitch. It tells me that she has good reflexes, and going off her reaction after killing Mitch.... I’m not fucking scared of this dumbass. If anything, this scene says more about Mitch than it does Lilly. It says that Mitch is also a dumbass for running at her like he did. 

Y’know what would’ve been more impactful? If Mitch didn’t immediately get stabbed in the throat, but instead, actually got her on the ground and struggled with Lilly. Then, Lilly gets the upper hand and when you think she’s about to send Mitch to the cart, she fucking murders him in front of everyone to prove a point. 

There’s no remorse, it’s slow enough for Lilly to actually process what’s happening and show that she does know what she’s doing. That would scare me. That would show me that these people aren’t fucking around and they’re willing to kill some of them if that means getting the rest for their army. 

You still get your shock value death but it actually does something other than kill a character off. 

I’m really supposed to believe this is the same Lilly who can order to have Louis’ tongue cut off? 

But it doesn’t end there. No, no... there’s another part to Mitch’s death that annoys me, and it’s how insistent everyone was that his death is going to have a greater impact on the second half of the story. It had a purpose within the story, we did it for a reason.

...I mean, it has an impact on Willy and his arc for the second half. 

But that’s it. 

Oh... oh, what’s that? Oh, you were referring to those throwaway lines about Tenn? “He was screwing up again, just like when he got Mitch killed.”

OOOOOH.... I see, that’s what Mitch’s death was really amounting to... some lines dealing with whether or not AJ shot Tenn. Well, I guess I was wrong. Mitch’s death wasn’t just shock value. It really had a big purpose. In fact, Mitch’s death has the biggest impact on the series. Fuck Marlon and Brody’s deaths, and Lilly and James, and hell, fuck Tenn’s death, too. They’re meaningless compared to Mitch’s death. You did it, guys. You really did it. 

....Okay, I’m done. I’m just... salty, I fully admit. 

Being serious again, Mitch’s death is probably the worst in TFS as far as unpreventable deaths go and the real reason I side-eye the writers is because they tried to tell us it was going to have this huge impact in the future and it just... didn’t. 

2. Nick and his offscreen death.

I’m sorry, but what the fuck happened here? Why- what are you- how the hell did this happen??

I’m actually baffled. 

Someone wrote this. 

They set up at the end of ep3 that Nick is shot.... then ep4 comes and we find him like this. I just... did someone on the writing staff not wanna do their job that day? Someone was working on the story and at the last minute forgot Nick was a character, so they were like “Eh, he’s not important anyway, and it adds to the shittiness of everything so we’ll pretend this was 100% intentional.” 

Nick was one of your more interesting characters and you really thought killing him off like this was the way to go, huh? 

Like, his first death is shitty, but in the very least it kind of makes sense. 

But this? 

This is horrible. If I wrote this, I’d be embarrassed. 

I just... I’m so tired of S2 right now. 

This is at #2 because it’s just lazy, bad writing. At least with Luke, Mitch, and Mariana, we got to see their deaths and they had some, even if just a little, impact on the story afterward. 

But Nick? 

Nothin’.

Even Luke, who is the closest person to Nick, name drops him maybe twice? It’s just.... nothing. 

And yeah, you can come at me with the “oh well not every death has to have meaning!” 

This is a story, okay? This is a story crafted with characters who have arcs by people who wanted it to be a success, and usually that means having satisfying conclusions.... or, intentionally unsatisfying if that acts as a natural conclusion to their story or is a reoccurring theme. 

Nick’s death is just the writers falling flat on their faces and hoping no one would notice. 

1. Sarah and both of her shitty deaths. 

Ugh. UGH.

Okay. 

I’m not even side-eyeing anymore-- I’m fully glaring.

I don’t have to tell you how shitty both of Sarah’s deaths are. We all played S2, we all know that no matter what you do, Sarah dies in ep4. You can try to save her, she lives a little bit longer, and then falls to her death... and both deaths have her being devoured alive by walkers. 

Now, this is enough to annoy me. First off, I guess my choices don’t really matter. Sure, you can justify this as one of those “sometimes you can’t save someone, no matter how hard you try” ...and fine. Sure, if they had bothered to execute that point well, then great. 

But I disagree that the writers had that in mind when they were killing Sarah off. 

In fact, I know what what going on in their brains-- “God, can’t wait to kill Sarah off! Give us any reason to do it! She’s so damn annoying!”

The writers have openly admitted that a lot of the team were just waiting to kill Sarah off, waiting for any reason, so when the major part of the community who take everything at surface level because why think? kept complaining about Sarah, they jumped on the opportunity to kill her off.... but the deaths are dumb.

Listen, this isn’t like when the writers planned on killing Lee off. You can plan a death and even be excited about it because you’re excited about the story and execution of it all. You can be excited to see the heartbreaking end of this character’s story that you crafted because you know you put everything you had into it.

These deaths were lazy and the product of a team who didn’t care about the character. Sarah dies and no one cares. 

Sure, you leave her to die the first time and Jane does her thing about how you can’t save everyone, she talks about Jaime, and then Luke exposes himself as the fake Luke by agreeing that leaving Sarah behind was probably the right thing. Like what?

Now as much as I hate that first one, the second one is even worse. 

For some reason, Sarah is standing in the corner while they’re trying to fight off the walkers instead of being inside with Rebecca... y’know, where she would be if this was logical. 

Then the deck breaks and Sarah falls, trapped under a pile of wood. Jane, despite being the one who sees Sarah as a liability, goes down there to try and help her after Clementine begs her to. 

But because the writers don’t know what they’re doing, Jane gets hit by a random piece of wood and can’t get Sarah out in time, leaving her to be eaten alive by walkers. 

Then AJ is born and no one cares about Sarah ever again. 

I just.... 

Could’ve had an interesting story arc with a character who just lost her father in such a gruesome way, a character that already deals with anxiety and other problems that you never bothered to explain other than “she isn’t like Clementine” and you could’ve had her grow. 

But I guess that would’ve taken effort.... and screen time away from Kenny, and god forbid we ever do that. 

---

Honorable Mentions

-Ava falling to her death in the most comedic way possible, made even more hilarious by David’s two seconds of mourning. -Omid.... because hope is dead. Do you get it? Hope? is dead? Because Omid means hope? Do you get it?? -Honestly you could put most of S2′s deaths on this list because oh my god. -Ben because I’m still a salty bitch.  -I also wanna add Louis and Violet’s deaths on the bridge mostly because they die, Clem is sad for two seconds, Tenn says sorry, and then no one cares. Yeah, yeah, they mourned off screen and I call that lazy bullshit. -Hell, throw Tenn’s death on here, too, for similar reasons-- no one but Louis/Violet and AJ seem to care. Even Clementine is like “whatever” after it happens. 

---

Y’know, picking this one seemed like a good idea at the time, but by now I’m just annoyed by all these dumb deaths. So, what are your thoughts? Are there any deaths that make you question the writers that didn’t end up on the list? Do you agree or disagree with my list? Lemme know, we can have a friendly discussion about it. 

Have any suggestions for future T5F’s? Feel free to send ‘em in! :D

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Next week’s T5F Top 5 Favorite Louis Moments

[cant-blink]

Favorite and Least Favorite Ghidorah Incarnations

Probably gonna regret making this post, but it’s been a long time coming, so let’s do it. I guess I should warn, not suitable for people sensitive to opinions that might be different from their own. Can’t believe I have to say that about a list of fav Ghidorahs, but alas...

Anyway, enjoy!

-

Let’s start with my Top 5 favorite Ghidorahs! Going from my most favorite down! All five of these are amazing and any one can easily become my #1 at any given time! :D But at the moment, my number 1 is...

Showa Ghidorah

Showa Ghidorah should come to nobody’s surprise, given how much I’ve been writing about him lately! I admit though, it wasn’t always like this. It took some time for him to grow on me, and he actually used to be one of my least favorite through design alone. But he has grown exponentially on me, and now I love everything about him! The manes are unique and I love the crescent moons on his heads too. His eyes are so big, and I feel they have more expression compared to other Ghidorahs. And the inspiration of the more traditional Eastern-style dragon is there in his face too. 

His backstory and personality, though, is what really got me to change my mind about the character. His personality is perfect as far as I’m concerned! Coming from space to destroy planets just for the lolz, cackling maniacally all the way! Even the fact he was mind-controlled was something for me to delve into in my stories, on how such a thing impacts the character. It really opened my eyes to the more subtle parts to his personality, like I realize that Ghiddy wants NOTHING to do with Earth. He tried to destroy it once and that failure is all he needed to know to stay away. The plot device of mind-control is used to keep him coming back in future movies! Even when he defeated Godzilla and Rodan, he chose to fly away back into space! There’s layers to his character if you look deep enough!

There’s just so much story-potential to this guy, I love it! Even in real life, he has an arc, going from one of my least favorites to being the top of this list! That’s definitely special!

Overall, a lot of love for this character, often wrestling with Legendary for the number 1 spot! Speaking of which...

Legendary Ghidorah

The one that started it all for me and they’re second on the list?! Blasphemy!! Nah, seriously though, Showa and Legendary really do often switch places for me all the time! Just right now, Showa has squeezed into the top spot. For now........

Anyway, Legendary Ghidorah needs no explanation for being a favorite incarnation of the character. Whilst Godzilla has always been a very vague presence in my life, KotM’s is what had me diving headfirst into the fandom, all because of Ghidorah. Their design is amazing, sleek and intimidating! The detail that they whip up storms just by flying creates an awesome menacing atmosphere everytime they’re on screen!

The personalities between the heads is unique, providing all sorts of material for my writer side to explore! Their backstory is left open for me to explore as well, like where they came from and how their species functions! It’s been a lot of fun! I may be slightly burnt out from how much I’ve written and posted about them, but make no mistake, I still ADORE this Ghidorah and I have them to thank for starting this whole page in the first place! 

Shin Ghidorah

That’s right, Shin Ghidorah exists in official TOHO canon and he needs more love!!

Shin Ghidorah was one I was introduced to not long after I learned Kamata-kun (oh, and Shin Godzilla) was a thing. With my obsession with Ghidorah, I wanted to know if there was a Ghidorah in the Shin universe and after some digging, I found that there was! Featured in a ride in Universal Studios Japan! And better yet, videos of it exists on youtube! I loved it the second I saw it! 

The design is amazing and surprisingly unique! This is because Shin Ghidorah was originally a scrapped concept for the original Showa Ghidorah! Like, Shin Ghidorah is basically an oversized three-headed Skullcrawler with wings! Because you see those “legs” he has? Those are actually ARMS!! Ghidorah could’ve been a giant Skullcrawler all this time!!

I also love his movements, oddly enough. He doesn’t just fly, he SWIMS though the air, something I don’t recall seeing in any other Ghidorah!

The only thing I don’t like about him... is the fact that he wasn’t around longer! A shame the ride is so short, I would’ve LOVED to see more of him in a movie. Oh well...

Grand/Cretaceous Ghidorah

Both are the same individual, so they’re both in this entry! I remember learning about him through a video talking about Ghidorah’s most sadistic moment and this was it. Grand Ghidorah kidnaps children with the sole intent to devour them, but he doesnt eat them right away, no. He holds them hostage to stew in their terror, returning to them every so often just to listen to their screams and cries. You know he’s enjoying every minute, knowing he’s torn families apart. Without a doubt, all this is just a game before he destroys the world as Ghiddys do. The way he toyed with Mothra Leo, leaving him to suffer after beating him to near-death. Or the way he possessed one of the Mothra twins to try to kill her own sister! It was great! He has such a regal design too! I can see why the fanbase have come to call him Grand King Ghidorah, he’s absolutely majestic. Shame he’s overshadowed, likely due to not being in a Godzilla movie.

Cretaceous Ghidorah has a more Western-dragon look to him and it works. He is basically a baby Ghidorah and he is so cute! His big eyes and squeaky roars, I love it! He also SOMEHOW made me feel sorry for my least favorite dinosaur! That's some true power right there!

The regeneration ability too, is amazing! This is likely where Legendary got the idea, but Grand does it better by regenning from just a small piece of tail left behind. Just badass, all around!

Void Ghidorah

A controversial pick, I know. I made a whole post about my detailed thoughts on Void Ghidorah, see here. Long story short: I think he has great potential, just suffered from piss poor execution. I love the idea of turning this alien dragon into an interdimensional GOD, with followers and everything. His full-body model looks amazing! He’s the biggest and most powerful Ghidorah yet, the biggest kaiju in the entire franchise in fact, and I don’t see him ever being topped. Granted, I dun really judge how much I like a kaiju based on how strong they are, but it’s a bonus here. He needs all the help he can get!

Adding more, his roars are insane, not just a combination of Showa and Heisei Ghidorah! But sounds that are truly otherworldly.

Void Ghidorah deserves love, and a better movie. Guess I’ll just settle on Godzilla: Star-eating Wings as the go-to Void Ghidorah video!

-

I have no real opinion on the new ride Ghidorah, as I have yet to watch the full "movie” and thus, can’t judge how well I’ll like it compared to the others. So for now, tis neutral.

-

Now I’m totally going to get hate for this list of “least favorite Ghidorahs”, but this is my opinion. I don’t like any of them, and they’re all outshined by my favorite non-Ghidorah kaijus, and some even being beaten by my “meh” kaijus! Anyway, this is gonna go from “best” least favorite to my “worst” least favorite. Here goes:

Heisei/Mecha-Ghidorah

Tis no secret that I don’t particularly like Heisei’s version of the character. I’ve mentioned it more than enough. Oddly though, I liked the design when I first looked through Ghidorahs from past movies, and I DISLIKED Showa Ghidorah’s design. How things have changed when I learned more about both of them... 

Now I’ve grown to not like Heisei very much. They took Ghidorah as an alien dragon that destroys planets for fun, and turned him into pets that I’m sure are meant to be cute, but just remind me of Furby’s in how creepy they are (tis not the good kind of creepy either!). I like the scrapped idea of him being an attempt to clone Showa Ghidorah from DNA left behind when he destroyed Venus, so I keep that canon in my head just for some attempt to like him more. Tis why I call him “Kitty Ghiddy” whenever I write him, I legit cannot take him seriously. Such a shame that he’s basically replaced Showa Ghiddy on merchandise, so it’s harder for me to find said Showa Ghiddy because of this thing. Oh, well.

Oh, and he replaced the BIDIBIDI of Showa with generic Rodan calls. And he also turns into a good guy at the end of the movie with Mecha-Ghidorah, and.... well, go down to the next entry for my thoughts on stuff like that.

GMK Ghidorah

He’s a good guy here. They nerfed the fuck out of him by having him be a juvenile (not even done well like Cretaceous Ghidorah), and turned him into a good guy. Granted, he was never meant to be in this movie in the first place and it shows. I’m a villain kind of person, and Ghidorah’s evilness is one of the biggest draws to his character for me. So taking that away... It just doesn’t work for me. It says something when I like GODZILLA more than Ghidorah in a movie. His design is okay, so at least he has that going. But...

Desghidorah

I really don’t like the design of the character. That’s literally it. I think four-legged Ghidorahs are very awkward looking; Ghidorah has a lot going on as is, three heads, two wings, two legs, two tails. Adding more legs... it’s just too much going on that tips the scales from ‘awesome’ to ‘messy’ in my mind. I can’t explain too well why I really don’t like the four-legged look to Ghidorahs, I just really don’t. But credit, he does pull off the look slightly better than the last one on my list.

AND MY LEAST FAVORITE GHIDORAH AND LIKELY TO GET A MOB ON ME IS.....

Keizer Ghidorah/Monster X

“An awkward horse” is what someone described him to me as, and I can’t help but agree. Again, that four-legged look breaks it for me but somehow, he looks EVEN MORE awkward than Des. I just can’t look passed it. Maybe it’s the front legs, or the wings looking too small for his body. Des just LOOKS a bit more natural in his four-legged-ness. 

Making it worse for me, Keizer has a second form that I REALLY don’t like: Monster X. They don’t even resemble each other. I can’t help but feel MX was supposed to be his own Kaiju, but they felt pressured to make Ghidorah the final boss so they combined them. Dunno if that’s the case, but it feels like that to me. Not even getting into the “how the hell does a dragon come out of THAT, where does it all GO when he changes back?”. And the biggest thing: I don’t like human-looking characters. I don’t care for human characters at all in any sort of media, or anything that resembles humans too closely. I skip human scenes entirely just to get to the monsters. Tis why I don’t really care for gijinkas either. As far as I’m concerned, I like the kaiju for being kaiju, and making them human just takes away all things interesting.

If Ghidorah kept everything intact about his personality, but you made him human... I wouldn’t even give his character a second glance, much less devote my Tumblr page to him! But yeah, tangent over. Monster X just looks too human for my tastes. 

Plus, tis hard to compete for my attention when you’re in the same movie as FW Gigan! It says something when Showa Gigan and Showa Ghidorah can share the screen and I love them both, but FW Gigan completely outshines FW Ghidorah...

-

So there we go, a complete list of my thoughts for every Ghidorah incarnation that I can think of. Hopefully I didn’t miss any. Again, these are my opinions and you’re free to like whatever Ghidorah. I’mma sleep now.

[carmenxjulia]

I put together a transcript of the 2 hour Q&A Interview the Carmen Sandiego Discord did with Showrunner Duane Capizzi. All of the questions were submitted by server members. You can read everything below the break!

Duane Capizzi:

Hi there!

Am I in? Is this thing on?

PizzaHorse:

Hi, welcome!

Yep, you're in the right place!

Duane Capizzi:

Sorry I'm late, I was wandering around some empty Discord hallways looking for the right room haha

PizzaHorse:

No worries. Let's get started!

Who is your favorite character?

Duane Capizzi:

Moose Boy!

KIDDING!

Alright, how to NOT get myself in trouble if my answer isn't "Carmen" haha.

But really, they are ALL my babies.

So I know it's going to sound like a cop out to some that I can't pick just one. But hmm, some for instances...

I love that she's so morally evolved at such a young age; her ability to always take the high road and never lower herself; her drive and conviction and dedication. Her ability to kick serious booty and look good while doing it. Her progressive values, her fashion sense. I could go on and on. But then there's Shadowsan and his arc; Chase and his. Julia, who's every bit as strong as Carmen but shows it in different ways. The Cleaners don't get enough love.

I'll close that question with an anecdote about The Cleaners ...

I love that all our characters are embraced and that everyone seems to have favorites. Our sound engineer Marcel is a pretty serious guy: he has a serious job that takes high levels of focus and attention. He's always deeply focused and not prone to small talk. Anyway, we were in the middle of our first or second sound mix, and he suddenly stops in the middle and turns around to face us. I'm thinking, "uh oh, we're giving too many notes." That's when I notice he's freeze framed the Cleaners. He says "I really like these guys." Then he turns around, hits play and gets back to work.

PizzaHorse:

What was the biggest challenge for coming up with new stories and plot for the reboot?

Duane Capizzi:

THE biggest? Sigh. I'm not sure I could come up with just one. Plotting is always challenging and we had the brain trust of the room, our trusty white board, and writer assistant to keep the threads of the ongoing storyline together. I think the single biggest ONGOING challenge was tracking which character knew what at any given time.

The caper part was challenging - coming up with new capers and keeping them interesting and fresh. But, it was the characters and their interactions that kept things fresh and interesting. Another museum heist? That's okay - Chase is on the case and he gets to interact with "X" this time (for instance).

There were also some episodes - Duke of Vermeer and Crackle Goes Kiwi come to mind - where there was SO MUCH SET UP needed to get the payoffs to work. I was really worried about too much talk/too much detail. Very "Swiss watch!" It took a lot of work to make sure it all clicked and was clear - hopefully it seems effortless on screen but I can't say there wasn't some sweat and the occasional tear (mostly from me - I'm a big cry baby

But really, what made it fun was that we had so many buckets to draw from: sometimes a story germ initially began with a character idea; sometimes it was inspired by global location; sometimes it was a clever way to update or reimagine an idea from old Carmen lore. Usually, it was some combination of all of the above!

PizzaHorse:

What was your favorite scene to write?

Duane Capizzi:

I think we have a theme here! "How can I pick just one ...?"

As a film buff, I got to indulge in some serious fan nerdery on this show: I got to write spy movies, yakuza movies, spaghetti neo-westerns (though turning it on its head: spaghetti westerns usually involve REVENGE and because of Carmen's character make up, this was sort of anti-revenge).

Is writing coming up with the idea or typing it? Haha. An "if a tree falls in the forest" question. The writing team and I had so many cathartic "that's how it goes" in the room. But on my own, writing the Pilot, was a very inspiring time for me: I remember laughing out loud the moment I thought of Chase falling on his own car (in part because of doing my spin on "that trope" that we've seen in so many hard boiled movies recently). But also how emotional I got when I imagined the simple but potent image of Black Sheep deciding to take her destiny into her own hands and walk that long corridor to the Faculty who we were about to meet for the first time.

I think I've cited this in another interview, but there was a period where I was completely immersed in Chase's arc and the scene where he would crack the location of VILE island ... by listening to Julia in a dream ... was a big one for me. It revealed he was finally open to admitting he needed Julia more than he would ever admit - yet, it was his own subconscious speaking.

The next morning, after cracking that scene, I bumped into Raf Petardi (voice of Chase) ... at the supermarket! It was very strange and hilarious

PizzaHorse:

Did you scrap any lengthy or funny scenes that you would be able to share?

Duane Capizzi:

With few exceptions, most scene cuts are done at the script stage so that the story board team doesn't waste effort over boarding. A variety of trims to any script are common, but they are usually for the better

The easier question to answer might be scenes were part of our "wish list" at writer room stage, but never made it to story or script. I hesitate to go too deep here (in the event that we might ever do more Carmen episodes in this canon - I'm not giving up hope). And there were cases where things we wanted to do earlier in the series wound up getting nixed or not fitting for whatever reason, but we got them in later - USUALLY FOR THE BETTER. So there's sort of a reverse Murphy's Law/rule of good fortune somehow in these things. But some fun things that didn't make it into the show, that leap to mind were: a Bollywood dance sequence (!). A Vegas caper involving Brunt wanting to steal an Elvis jumpsuit against the backdrop of an Elvis impersonator convention. We also thought it would be neat to get Maelstrom imprisoned so that Julia could interrogate him and he would play mind games with her - very Lector/Clarice!

PizzaHorse:

Were there any different treatments of Carmen you pitched before settling on the one we ended up with?

Duane Capizzi:

I was one of several "pitches" that I'm sure HMH heard before running with my version. But I can honestly say I've never pitched anything as fully formed: the take on Carmen felt so right to me, and clearly HMH and by extension Netflix agreed

I'll answer your question with an anecdote: I had the entire Pilot pretty well worked out, and pitched it in the first meeting. But one key thing that changed (much for the better!), simply because it wouldn't have fit without slogging things down ...

In my Pilot pitch, Black Sheep's escape on the boat was off screen: we see Shadowsan corner her, then we cut away. The rest of the Faculty show up to find SS's broken sword on the rocks, and are led to believe BS killed him (!). In the present, Crackle points his weapon at Carmen and prepares to pull the trigger. We know that Chase is on the way and may rescue her. The compartment door opens to reveal - not Chase - but Shadowsan! Big surprise! Then we cut back to BS's escape and find out what really transpired etc etc.

Crazy, right? SS would have been hanging out with the gang in season 1; we might not have gotten to 203 with his back story, since his sword was broken and he couldn't return it. Just one of those magical things where "things work out" the way they are supposed to. THAT SAID, it made for a heckuva pitch

PizzaHorse:

Are there any characters that ended up taking a direction you didn't initially anticipate?

Duane Capizzi:

GRAY.

I didn't know we'd make him amnesiac when I wrote the Pilot, that was something we came up with in our first week Writer Room.

And even then, when it became clear he'd be a key piece of the bigger puzzle, we didn't know how exactly (mostly the Season 4 stuff).

We did get very deep with a version where 404 ended with his protective streak for Carmen kicking into high gear, and they would be fighting off Vile Guards back to back in perfect tandem. Then, having chosen Carmen over VILE, it was Carmen who actually orchestrates Gray going "off grid" so that VILE can never find him again. Funny, I know that is arguably the version of Gray's arc that many fans might have preferred seeing. But in the tradition of spy thrillers and film noir, and for a lone wolf character like Carmen who is focused on her life mission and not romance, we stand behind where we went with him. We felt it was so much more compelling ... and truly more emotional that he totally has a get out of jail free card when he sacrifices everything (including his life, potentially) to save Carmen.

when she needs him most!

I know I made some controversial comments about Gray "not being good enough for Carmen" and I'd like to clarify that I meant, until that final episode. What he did was so selfless and heroic. Is there hope for them in the future? Who knows?! But I do hope we get to explore that one day

I'm sure Gray is living off the grid somewhere now, inspired by Carmen's selfless good and thinking of her from time to time.

PizzaHorse:

You mentioned in the interview with Alicyn that Carmen is a love story, but you were cut off before you could finish discussing. Could you elaborate on your answer now?

Duane Capizzi:

Ugh, yes! Sorry about that. I actually answered that privately for someone so will cut and paste that response here. Let's see if it works.

Something we never said in the show, but something I imparted to the creative team was: Carmen Sandiego is (among other things) a LOVE STORY, where every character in our ensemble is in love with Carmen in one way or another. Even if they don't know it! That love can take different forms: we see how spurned by Carmen Coach Brunt feels and why she retaliates so excessively. Chase eventually comes to realize that he too loves Carmen, even if he wasn't initially aware of it haha. One of the most moving things to me about the series is how all of the different factions come to Carmen's rescue at the end when she's not "in her right mind," without knowing the others are there too. It's a massive group effort to bring back the Carmen they love. But we weren't looking for a fairy tale ending for Carmen with ANYone - Carmen's a classic lone wolf anti-hero, that goes with the territory. At least at this stage in her journey.

PizzaHorse:

Were there other locations that you wanted to feature in the show that didn't make it?

Duane Capizzi:

I think we managed to cover a lot of ground and "cadence" between different countries/cultures/continents was important to us. Many "iconic" locations of course, and it would have been nice to explore some lesser known locations if we had more episodes.

One that we almost did was Niagara Falls, Canada - actually literally going to the Falls and doing a big hydro-electric caper, where Player could actually get into the field with Carmen and the team.

But ultimately, we wound up bringing Player into the fold the way we did and wound up stronger as a result. It made his "first face to face" with Carmen even more impactful, IMO.

PizzaHorse:

Were there any changes in production between the first half and the second half of the series?

Duane Capizzi:

Well, there was that Covid thing

But while it was no doubt a colossal undertaking to get the entire staff transitioned to work from home (animators! and their equipment!), we managed to make up for lost time WITHOUT a dip in animation quality. My fedora's off to our amazing team at Wildbrain for pulling it off!

We did lose some staff between orders, but that is a natural part of production unfortunately. Namely, one of our episodic directors Kenny Park, our first storyboard artist Dennis Crawford, and our story editor May Chan were among those who moved on to other shows during the break. But, as hard as their shoes were to fill, fill them we did!

PizzaHorse:

What is your favorite season?

Duane Capizzi:

Easy. Hands down, Season 3.

(crickets)

KIDDING!

Again, another "they're all my babies" answer (and yes, I love Season 3 equally

It's hard, because really when you step back I'm sure you'll agree it's a series, with stand alone capers; but it's really all ONE BIG MOVIE.

Season 3 is like the scherzo of a symphony: the shortest movement of four, and the one that tees up the big finale.

That's my hoity toity answer but I'm going to put to rest all of the various theories on what happened with season 3. It was a combination of two things: Netflix's desire to experiment with different ways of "dropping" seasons, and their desire to do a holiday themed drop (in this case Halloween, naturally). It became our challenge to come up with a theme (easy enough: masks), and the bigger challenge to serve their need while not interrupting our ongoing narrative. A challenge to be sure, but a challenge met. I think the biggest bump was perception: it was a short season and I know that was disappointing to many. But, by design.

So, Season 3 = an essential part of the whole. I don't think there's a wasted episode, and it gets everyone into position for the big finish. I can't pick a favorite season - you can't make me

PizzaHorse:

Were there any characters you had wanted to give more time to but couldn't due to time/plot restraints?

Duane Capizzi:

Well, there's the "what was on the white board" answer but hopefully some of those ideas will see the light of day in some way, shape or form some day. I think if we had more episodes, we would have shaken up the internal dynamic of VILE a bit more (as hinted at Brunt's displeasure with Maelstrom for leaving her hanging out to dry at end of 405 - a seed we planted "just in case," as some have noted). And we had more scenes in mind with Chase's partnering with Carmen for the first time that we had to cut to the bone because of what little room we had in that otherwise packed episode (worry not: it's mostly more gags, more embellishment, more twists and turns - but the important stuff is there). Mostly, and I don't think it would have been right for Season 4 but I hope to tell in the future, I think there's an interesting history between Shadowsan and Lady Dokuso - possibly tragic - that I would love to explore one day. (She was a cameo in Duke of Vermeer at the dinner party BTW, I'm not sure if anyone noticed. And we built a bigger role for her out of that)

PizzaHorse:

What are some pre-2000/nostalgic Carmen references you snuck into the show? Do you have a favorite reference that was included?

Duane Capizzi:

Doing that was so much fun! I'd say roughly 60% of the characters were from previous iterations of Carmen, though often in name only. We had fun reimagining most everyone to make them more relevant or updated or giving them a more colorful personality for starters.

"Suhara" was Carmen's Japanese mentor when she worked at the ACME Agency in a flashback episode in the 90's series, for instance. I don't think I need to spell out how we turned that one inside out

And Tigress was also one episode only: she was a "rival thief" to Carmen, but revealed to be an ACME agent in disguise - a persona created solely to bait Carmen. It was really cool of course, but it seemed like untapped potential so we made her an ACTUAL Vile Thief.

My own internal rule was to make sure the references/easter eggs wouldn't confuse anyone - they were there for those who were in the loop and window dressing. The one and only time i broke that rule was Dark Carmen's line from 407: "I do it for the mental gymnastics." It was one of the most absurd lines from the 90's series (IMO) and i was determined to have it come out of Dark Carmen's mouth. I'm sure it left some 7 year olds scratching their heads

aside from that, the key references were the music: I still tingle at how we worked the Rockapella theme into the Interactive Special; and the 90's main title theme (composed by Mozart!), in our Vienna episode ("They're playing my song"). If you wanted Rockapella or Carmen as a bad guy, well ... be careful what you wish for!

PizzaHorse:

Was there any improvised content from recording sessions that made it into any episodes?

Duane Capizzi:

Yes! Not much, because a lot of it would have pushed us into TV-MA haha

Mostly Mary Elizabeth - Coach Brunt has a POTTY MOUTH!

Mikey and Abby usually riffed their banter WAY beyond what was on the written page and had us in stitches. Some bits definitely made it in! But mostly there was too much or it would get off point (hmmm, much like my interview answers maybe? haha)

Sharon Muthu did rise to Pun Goddess status with "Mask and you shall receive." And Raf pitched me "Chasse means hunt in French" after one session and I said: "I'm going to write that in." I don't think he believed me. You can't say I'm not a straight shooter.

PizzaHorse:

If you could get more season, would you do it, and what type of story would you tell?

Duane Capizzi:

Well if that hasn't been clear so far, ABSOLUTELY

There have been discussions of course. It's up to the powers that be at this point. I will say this: the beauty and tradition so far has been that every iteration has been its own thing. I definitely think there are more "different canon" versions of Carmen that can be had and be a part of this wonderful tradition. After all, there were many naysayers for our version when it was first announced.

I will also say that if we don't get to tell any more stories in this canon with these characters, we've left a perfect gem that will stand the test of time. I would rather go out on a high note than overstay our welcome.

All that said, we worked within the allotted episodes given, ended it as we wished, but left the door open for other stories. I'd love to do an expansion and a deepening: pick up where we left off; find out what happened in those two years; and proceed to do the equivalent of Godfather II or Better Call Saul as related to the amazing originals they followed.

Let's hope! Keep putting good vibes out there!

PizzaHorse:

If you could pick a character on Carmen Sandiego who'd you switch places with for a day (you get to control their life and they get to control yours) who would you pick, and why?

Duane Capizzi:

Okay, THIS is difficult. So you're going Freaky Friday on me?

on a Sunday?

Hmmm, I know Ivy would get along with my cat ... but then I'd have to hang out with Zack!

That's the trick: I can't pick my favorites cuz I couldn't hang out with them!

(not that I have favorites - they're all my babies haha)

Okay, I have one: ROUNDABOUT. I could fill Shadowsan's seat - how cool is that? Then, I could enact all my evil fantasies - but still have a get out of jail free card cuz he'd be sitting at my desk!

(cut to Duane being brain wiped - D'oh!)

PizzaHorse:

Who are two characters who don't really interact in the show that you think could be good friends or work really well together?

Duane Capizzi:

Hmmmm. Okay, now I'm going to give you quick and sassy answers. Gray and Julia! They'd be so cute banding together to rescue captive Carmen (for instance). And they could also duke it out and maybe settle things between themselves re: shipping controversies instead of dragging me into it

PizzaHorse:

The FINAL QUESTION. Have you learned anything super impactful while working on the show?

Duane Capizzi:

Aside from Iceland's terrifically low crime rate?

I think I have learned to never underestimate how meaningful characters can be to fans. Social media has obviously brought us a lot closer to our fan base in more immediate ways: it's been really gratifying to hear/see/read feedback and not be writing things in a vacuum. It's been gratifying to see that ideas that were meaningful to myself and the creative team on Carmen that were crafted with care, have also resonated with our fan base. THANK YOU TO EVERYONE who has traveled on this journey with us - for embracing Carmen's world view, and her friends and foes alike. Take care everyone! Stay safe! This has been fun, thanks for having me!

PizzaHorse:

HUGE thank you to Duane Capizzi: for being here today.

Thank you everyone for watching and reacting!

Duane Capizzi:

Okay, gotta run - just gotta find the door

Anyway, really: THIS HAS BEEN AMAZING. I speak for everyone involved in the creation and production of Carmen: it has been an amazing and inspiring series and we're elated to see it connect with such a CREATIVE, TALENTED and INTELLIGENT fan base. Take care everyone! Until next crime...

[00gangfriend00]

I was tagged by @jade-marie and @bourbon-ontherocks to list my top 10 books  fics I read in 2020.

and lemme tell you..

i’ve been WAITIN’ for this one!!

This IS a bit tricky because I spent most of 2020 just lurking on AO3, no acccount, no commenting, no kudos. so there are just so so so many fics that I remember pieces of, and have little headcanons that LIVE with me but I have no idea who the author is or what the fic is called.  

so.. that being said, the top 10 is ever changing and could never be fully complete. I just love every author and every fic, you are all so wildly talented. 

❤  a song inside the halls of the dark - ms_scarlet  (@mego42 )

This fic has everything!! a sexy ex-lover rival gang leader, relaxed rio, angry rio, angsty kitchen sex rio. LOFT rio. AND it’s my favourite post-S2 reckoning of all time. There are moments in this fic that I just want to SPAM the gg writing room with. like scrap ur plans. DO. THIS.  Overall, this is such a creative and well-written series.  The characterization is superb, the smut has.... so many feelings, and the angst is AMAZING. There are a couple chapters (I wont give spoilers) that involves Beth in a hotel in Canada that I legit could not stop reading. it’s just all... so damn GOOD. favourite line: You thought I could be something, right? Well, this is that something. The bitch you trained bit back. 

❤  we’re living in a powder keg and giving off sparks - BourbonOnTheRocks  (@bourbon-ontherocks)

Whew! this fic has EVERYTHING. safe house brio. KARMA. brio ignoring each other. snippy, cranky brio. baking shows. mick overhearing loud shower sex. zero communication. brio getting high and giggling! all the feelings. I looooove this fic. like I LOVE it.  it's so creative and it feels so real!! I can play it like a movie in my head. There is so much fun smutty build up, so much tension, anxiety and a very, very, good Thaw Of Feelings which is my fav. I will forever have a soft spot for safe house fics, but this one hilariously twists the trope by doubling down on their idiot stubbornness. genius. favourite line:  He's using her and she's using him. Maybe it's the only thing they're truly equal at.

❤  my girl - elizabethmarks (not on tumblr?)

This fic has everything!!!!!!! (but TW that everything is not for everyone, as the plot primarily revoles around a rape scene.) This fic sets up some of the most soft, emotional, protective brio moments. I also adore how this author handles the delicate subject matter. I work from time to time as a crisis advcate for women and ...... this fic is so accurate and well written. All the emotions beth feels, the way rio reacts to her. everything. I have read this SO many times. It also inludes a Mick POV that will TUG at your HEART.  favourite line: *When on route to Rio’s loft* Rio nods, with that gentle look he has. "Alright, mama. Let's get you home." There's a beat, they both catch it, but neither of them make the correction.

❤  working on things - odenkirk (not on tumblr?)

THIS fic, now this fic has everything!!!!!!!!! masturbation! sexting! weed-smokin horny rio! DEAN?!??! in a way that didnt repulse me???? SEX. kinda threesome??? a heck of a lot of things that I didnt think id be into but then read it and was like HUH, guess i AM. and last but not least, deliciously perfect characterization. This is a fic I ask you to take a risk on. It will pay off. Its fun and oooh soooooooo sexy. Yes, dean goes to pound town too, but I promise- odenkirk makes it WORK.  Blush meter: off the charts. I had to put my phone down and reckon with Jesus.  favourite line:   Rio: Don't get precious, sweetheart. It's you cuz it's you.  AHHHHH!!!!!!!!!!!!

❤ miles before you sleep - FakePlastikTrees (@nakedmonkey)

THIS AUTHOR has EVERYTHING! FakePlastikTrees is one of those authors where... I read one fic - then buckled my seatbelt and clicked on her account so I could systematically read through every. single. fic. They are often short scenes that feel so true. Her Rio characterization makes me green with (benevolent) envy. and her smut?? oof. top notch.  This fic in particular lives in my heart because it really truly feels like a missing GG scene between Beth and our favourite tattooed babysitter. The atmosphere is tangible and the author slows time down for these two, it stretches out like you are smokin in the suburbs with them. I love a MickFic and this one is top tier. 

favourite line: “Oh come on. He’s a little unhinged.” “Takes one to know one.” 

❤  people can be so cold - s_t_c_s (@sothischickshe)

ahhhhhhhhhhhhhh this fic has EVERYTHING. scrabble competitiveness! annie speaking truths! christmas beth! christmas rio?!?! delicious bickering! CABIN isolation!  gift giving perfection! I could go on and on and on.  This fic just pulls you straight in. stcs crafts the timeline so effortlessly, and weaves it with so many endearing and authentic feeling details (beth has her own ‘guys’ now, and we know this bc she gives them sweets and food. OF COURSE) The longing between her and rio is so RICH. if you want your heart to swell a million sizes - this is the fic for you.  favourite line:  They hadn’t – been intimate yet, back when she got him arrested, or the first few times he’d shoved a gun in her face. And the sexual part had been all done and dusted prior to their, god, kidnapping and shooting fiasco. But that doesn’t mean it wasn’t present throughout – a hovering spectre, forming a treacherous spine through all their endeavours.

  ❤ listening through the air shaft - ms_scarlet (@mego42)

now this fic. actually for real, has everything. because its every POV you never knew you NEEDED.  and mego42 absolutely nails each and every one. especially Dean. Its a complicated look into his blubbering sexist mind, and misguided fixations that is really well-written. The way in which brio has their own arc throughout the chapters, but told through the eyes of those around them - is amazing. this fic just makes you love every character even MORE.  favourite line: well.. annie, mick and ruby have a group chat and thats all you need to know. anytime that comes up = favourite line.

❤ instigator - nomind (@inyoursheets)

be still my bisexual heart. this fic has everyONE! Yes, this fic dissolves into perfect threesome smut BUT before you get there, you get this awesome set up of a dangerous-feeling connection between Rhea and Beth. They are honest, open and fully acknowledging the fuckedupness of their desire. For how small a part Rhea has in the show - this author NAILS her voice, it’s uncanny. Both of them talking about rio? sign me up. Rio coming home to it? sign me UP.  favourite line: “Jesus,” she hears behind her. “What am I looking at right now?” Rhea smiles down on her, ignoring him, running her fingers through Beth’s hair.

** shout out to another be-still-my-bi-heart fic : @sothischickshe​’s “its a dirty, dirty, game”

❤ do not pass go - linzackles @mrslackles

this. fic. has. every. thing.  I am currently putting every single important thing in my life on hold to PLOUGH through this series. like full speed ahead. UGH. marcus!!! beth and rio at an event! a fancy one! big bad business dudes! betrayal! beth making bad choices! rio unable to fully communicate the weight of his desire for her! angst! just excellent, excellent, excellent plots. i like everything!!!!! favourite line: truly impossible. they are all art. but this one made me cackle.  Shrugging, she responds. In the bathroom, eating nuts.Annie’s reply comes through instantly. Rio’s???????

❤  meet me under the mistletoe - sdktrs12 (@sdktrs12)

this fic.... has.... everything. I want to include this not only because I loooOoOOOved it, but also because this author just has a talent for creating holiday themed brio fics that are not in the slightest cheesy, or forced. which is... hard! to! do! I read her halloween series while in quarantine, and it became apart of my little daily routine. each fic containing at least one moment that made me go AHHH these two!!!!!  so in short - thanks for infusing all my holidays with stellar brio. then christmas comes around and she nails it again! beth and rio begrudgingly working late?   YES. they migh each have a date but they dont DARE talk abut their jealously? YES. Bourbon as a third character? haha YES! Beth looking smokin hot? YES.  favourite line: “Is that your move? Meet me under the mistletoe?”  “Oh baby, you know my moves.”  

and PHEW. there ya go! 

Thank you amazing fanfic authors for making my year 10000000% better. 

I TAG @whiskeyjack @purplemagic @sdktrs12 @joeyjoeylee @ama-ssiempre @roxy206

[offtopicoverload]

Howdy there!! Who are the li’s you fancy the most from LITG??

hi! thanks for the ask!

i honestly dunno who’s my top answer, cuz they’re all interesting in their own way

I’m only going to talk about female LIs cuz the only male routes I’ve finished are Bobby and Jake, and I tapped through most of Jake and only ended with Bobby on my first run cuz I never unlocked Marisol, so I’m not the best source lol

Talia:

She’s just so chill but has no problem standing up for MC, she has her back no matter what

Which, like, what a queen

She’s the original and only one of 4 LIs, which maybe it’s just me, but for a game based on an incredibly heteronormative reality show, allowing representation for queer audiences from launch is such a big deal and so cool to me, so Talia’s kind of special in my mind

She was also my first LI so nostalgia points

And she’s such an easy LI, not much drama on her route outside of Lucy, just her having MC’s back as the boys make themselves look like idiots

And she has so much potential, like I know some people think her only personality trait is fancying MC, which I mean, is a little fair, but there’s so many opportunities for her in fics and headcanons to develop the good amount of information we got on her in 13 days

I absolutely love how self-aware and confident she is

She just went for what she wanted, struggled a bit with commitment at first, because who wouldn’t, but after that it was smooth sailing

Like obviously what she said in the Beach Hut at the beginning of the season wasn’t great for MC, but she knew exactly what she wanted out of her time on the show

She was confident in herself and her sexuality so much so that she was just down to have a fling with a girl and not worry about how it would effect the show

And then she *coupled up* with that same girl, not even giving a shit about the rules or anything

A queen

Allegra:

I know she’s not an official LI, but her arc is what got me into writing so she gets a million points for that

I love what could have been done with her progression if she was given an actual route, I’m a sucker for some good enemies to lovers, but alas, she’s canonically a bad bitch with a lot of internalised homophobia yet enough confidence to ask MC out

I still love her

Marisol:

I know so many people hate her, and I get it, but I do really like her growth

Maybe it’s cuz I’m pretty analytical too, but her analyses never bothered me or anything, and now that I’ve played her route so many times, it’s pretty obvious that that’s a defense mechanism, and I understand that

She very much so has a “figure their weaknesses out before they have a chance to figure mine out” attitude, and I’m 99% positive it’s because of the ex that Elisa reminded her of

So not only has she been burned in the past, I’m willing to bet it was by the only woman she’s been in a serious relationship with

I really have no problem with her commitment issues, it’s understandable, and I can really empathise with her fear of coming out, it’s absolutely terrifying even if you’ve accepted it and bought a flag, saying the words can be really difficult

My biggest issue is her entitlement and immaturity, I guess?

Like her using Graham to make MC jealous just feels like an excuse to crack on with him and still have MC available for when she’s ready

I understand her being scared to couple up, but playing games to distract herself just made things with MC worse

And unless youre on her route, and sometimes even when you are, it’s clear to me that she expects things and has no problem saying what they are, but going after them is a problem?

Like her going after Lurik even though they don’t have a connection, or Gary even when he’s with Hannah

But then it never works and she gets sad and I melt because I’m weak

ALSO, can I just say how awful it is that Lucas and Henrik don’t pick her unless they have to???

Like cmon she deserves MC after that

And when they finally couple up? And she’s all soft? The GROWTH ohmygod

Anyway I love who Marisol became, maybe not everything she started out as, but definitely the person she ended the season as, more confident and self assured and willing to be vulnerable

It’s precious

Elisa:

I still haven’t done an Elisa route

I tried to a couple months ago, but dumping Marisol felt so cruel, what the hell was Fusebox thinking with that?? 

I do really like that they learned from their mistake though, even if they went in the opposite direction

From what I’ve seen of Elisa, she can be pretty sweet, I’ve seen her described as a Lucas-Bobby hybrid, and while that’s not the most interesting personality to me, I will say that she’s a really cool character that FB messed up on

Why did they make her a straight up villain???

And why ONLY her???

None of the other female LIs have been villains or had such a complete 180

Like her going from shouting at Chelsea, who is literally meant to be MC’s ride or die and the person outside of your LI that youre supposed to want to defend and avenge, to “i cant even sleep because im pining so hard”

I know the treatment of black women has been discussed before, specifically in regards to Hope and Erikah, and it is by no means my place to speak on it, but I definitely think something’s going on with Elisa

Anywayyyy, I love her archetype

The celebrity and influencer has so much potential, to the point that I wrote a one shot without even knowing her lmao 

And she’s so confident in a way that’s so different from Marisol

She doesn’t even care if MC’s happily coupled up, she WILL get in her pants and I respect that

In conclusion, Fusebox did her dirty and I’m probably going to try and retcon some canon for her in the future

Lottie:

Ohmygod

Lottie

A goth babe

Lottie

Yeah, anyway, so I love her

Her growth is just unbeatable in my opinion

Yeah, she still has her flaws by the end of the season, but she went from ready to rip everyone’s throat out to biting her tongue around Hannah

And her and MC???

And the development between them??? 

Ugh

No matter what way you swing it, you’ve either got best friends to lovers or enemies to lovers and I adore both

And her aesthetic is one of my favourites, I’m alt myself and having a character like that is just so cool

My Runaways MC is a ball of sunshine with some hidden darkness specifically because Lottie’s such a dark cloud but can start shining with the right person, and that’s my absolute favourite trope

But man were the wedding episodes a cop out

Why couldn’t they give her the Noah treatment? Or the single treatment? Where they just get together after the show? Same with Hannah, why are they giving such an intense confession after who knows how long of literally nothing, like no communication even????

Don’t get me wrong, I kinda simultaneously love it for the angst and yearning, but it just… makes no sense?

So yeah, amazing bat lady that I seriously vibe with and wish my MC could have wifed up

Hannah:

I know this is a little controversial buuuut

I fucking love Hannah

But only OGHannah, Returning Hannah was butchered and I will never let that go

And it was such a toxic message too, that she needed to change herself and her appearance just to get a guy to like her?

Fuck that, Original Hannah was amazing and perfect exactly as she was

I love her trope, too, the naivety and how obvious and clear it was that she’s still learning about the world and relationships, to the point that it’s going to get her in trouble

And her obsession with fairy tales? 

Fucking adorable ohmygod

I started a fic a while ago that I think I’m gonna scrap, that just indulged in the fairy tale metaphors and stuff because I just love how cute it is lmao

If she wasn’t dumped, I think she could have had amazing growth alongside Lottie, and their friendship/kinda, probably, most-definitely-if-MC’s-not-there-more-than-a-friendship growing together would have been so good

In an alternate reality Hope was dumped instead, and that helps me sleep at night

I firmly stand by the fact that Noah should have been the deciding factor between Hope and Hannah/MC, where Lottie said something that screwed with his head earlier in the day to make sure her friends were safe

Noah should have saved Hannah/MC and Hope should have returned with Rocco, hellbent on revenge and proving herself

That would have been so good for Noah stans and such good drama, that actually made perfect sense

Hope was fully expecting that she’d get picked by Noah because they’d spent three days attached at the hip and then to just… not have that happen. It would have driven her insane and if there was then a scene with MC where she just like, gives up

Like she’s spent the past two days grafting Noah but he won’t make up his mind and she’s just done and MC can comfort her or fight with her and you just get to humanize her make her vulnerable and hurting and I fucking WISH they did something like that, even for RHannah

And Hannah’s growth in the Villa would have been so amazing

I think her idea of a perfect guy is definitely too much, and I’m not advocating that she settles by any means, just that she could have learned that there are things more important than money

That conversation on day 1 where you choose between money, kindness, and intelligence still baffles me

Like why are you a gold digger Hannah?!?!

Why don’t you just want a Prince/ss Charming???

Her and Hope should have swapped and I don’t understand why they weren’t

I mean, I do really like Hope, but Hannah’s just so cute and has so much to learn and her struggling in the Villa just to have a lightbulb moment with MC would have been precious and now I want to write it dammit

Anyway, Hannah is adorable and had so much potential and she never should have returned if they were just going to scrap everything that made her Hannah, except for snooty literature

I wanna listen to her rattle on about Belle and Mulan and every other Disney Princess and what they meant for representation and progress in media and then compare them to their original stories like a dweeb and I would have melted on the spot

Like yes, please tell me more about how gruesome Cinderella is

She should have shown up at the finale and hugged MC and been innocent and sweet so I could have just lost my shit for like a half hour

But stan OGHannah, burn RHannah

AJ:

Adorable, precious, denied an arc outside of coming out

I am not exaggerating when I say that I cried at 4:30 in the morning at her blushing face when playing the first two days

It’s just so fucking cute and I’m a sap and I don’t know why it made me cry, but it did okay?!

And her coming out was such good representation!!! By far the best thing in Boat Party, and I’m so proud of the progress FB’s made in queer representation at the very least

I know she’s pretty one dimensional, but most of S3 is unfortunately

Her being available right off the bat was also such a win, I’m positive it’s the reason she had so many stans

If her and Yasmin had switched or her and Lily, they would have been the ones that were dominating Reddit polls and stuff

And I know she’s written as masc but I just can’t really see it? Like I can’t see her in a dress, but outside of a few clothing items, I guess I just can’t see it? Maybe androgynous is more the word for my image of her, like definitely a mix

She’ll wear a skirt under the right circumstances, but never a dress, a crop top with a flannel, her prom outfit that’s like a frilly jumpsuit, stuff like that? idk im not a lesbian

Her route for me was so glitchy, but I know that if MC’s stolen from her by Yasmin, Tai, or Ciaran, she has some really cute scenes and I wish I could have seen them

And I know some people were ragging on her for the eyelash at the end of the scene but I thought that was just a perfect callback - maybe it’s the writer in me

Basically, AJ’s adorable and why did Ciaran have to split her and MC up, not cool dude

Yasmin:

I forgot I was doing a Yasmin route a while ago, but from what I’ve seen and played, she’s really sweet 

I hate that she’s almost nonexistent outside of her route

Give us a mysterious musician friend, you cowards!

I saw that she sings to MC on the final date and damn is that cute

Her eyeshadow kinda throws me off, but her stuffed animal makes up for it

And I’m salty that Yasmin the Lamb disappeared too, that was such a nice detail that made me start a Yasmin route

She’s distant and self-assured, but has a soft, gooey, nostalgic center and I wish we saw more of that, even if we weren’t on her route

My final thoughts on Yasmin: An artsy indie icon that I really need to stop getting distracted from and finish her route

Lily:

Again, don’t know much about her, but she seems really cool

Her shaving her head between the finale and Boat Party is such a flex and I wish she did it right before Boat Party so we could see her in all her bald glory

She’s into cars, right? And… architecture?

Idk, I barely remember my own name, let alone a 10 minute date from months ago

But I’ll definitely get around to doing her route at some point, maybe just to write for her, we’ll see

Elladine:

I know she’s not an LI, but MC so should have been able to run away with her

I missed that option in S3

I kinda get why they didn’t do that, but Boat Party’s just so messy in general

And I would include Genevieve here, but she’s so cute with Seb that I’d feel bad splitting them up

But Elladine had actual problems with Nicky!!!

Why did they mention it for it to never pay off??

And I’m so mad that the hype around her died when it was revealed she wasn’t an LI or the badass of the season, because I still adore how sweet she is

I also want to brag that before we got a name I was calling her Emma and that’s just on example of my almost psychic-ness

But yeah I wanted Ell to be a run away option and I’m salty that she wasn’t

Know what, fuck it, Viv too, she’s smart and cool as hell, let us love these awesome women FB, you cowards!!!

I have no idea who would be my number 1 based on canon, but if we’re talking hypotheticals, I think my answer, as strange as it is, is Hannah.

I just love what she could have been, but by no means what she is. 

It’s so awkward to know her for three days, not see her for three weeks, then spend a couple more days with, a couple weeks at most, just for her to write a whole ass book about MC?? And tell her about it with that hair????

No thanks, I’ll stick with closeted sapphic horse girl nerd Hannah because I guess that’s somehow my type??? Oh god what the fuck I swear I’m not a total weirdo

[yaboyspodcastpalace]

For the character asks: Jon, Peter Lukas, Annabelle Cane? (giving multiple suggestions so you can pick one in case you get the same character twice in different asks)

very kind of you to assume i get many asks :') THANKS ill do all of them u_u

[Send me a character and i'll tell you...]

(under the cut bc i love talking and this got long lmao)

Jon

First impression

he's a uptight prick with obvious favoritism for sasha and tim and i love him so! much!!!!!!

Impression now

my poor little mew mew hm................I've got a complicated relationship w/ jon bc i love him a lot, but i loved s1 him the most, and literally everything else just makes me really, brutally, sad ;_; The way he tries so desperately to cling to his humanity and how other characters just call him by the title imposed to him makes me wanna cry

...also he just cares so much ;_; i cry

Favorite moment

probably his interactions with georgie at the beginning of season 3!!! From s5 id say when he killed not!sasha, it felt vindictive ù_ú

Idea for a story

Dhfhdh im p basic when it comes to him ngl, either jon/tim/sasha friends to lovers or jon and desolation!tim or *something*!sasha trying to stay as human as possible, together 😔 (or just any of them living and coping together in s4 n s5)

Unpopular opinion

Im just not a fan of monster jon, at all! He's not the type of character that i enjoy seeing having a corruption arc unfortunately!! It just hurts!!! (and this Is from someone that Loves corruption arcs!!!)

Also i really hate moth jon imagery??? For not particular reason, moths are pretty, but i still hate it u_u AND THE ASSOCIATION OF GREEN W/ JON (or the beholding in general!) I CANNOT STAND IT!! i know its bc of the tma logo but guess what! Its wrong! Purple jon rights!!!

ALSO ALSO the so called pining he had for martin just.... didnt felt like that at all! i have Many feelings abt this!

Favorite relationship

either georgie in s3, or sasha!!! i love how he always praises sasha in her research in s1 and even thought he's at his driest & sharp Trying-To-Project-Professionalism-And-Skepticism she still rolls into his office, interrupts him mid statement to banter w/ him abt pronunciation n stuff and its just Normal, like that speaks volumes of how comfortable they felt around each other! they were friends gdi! the moment he realizes she died and then everytime the not!them mocks him w/ her death makes me wanna break smth q_q

im not even gonna mention tim bc even though i love their relationship It 👏 makes me👏 very 👏 sad 👏

non shippy and also staying strictly canon, i love his relationship with melanie!

Favorite headcanon

sometimes i think abt that one hc that hes really good with arcade games bc he lived near the coast and i smile bc thats cute :) also hes a trans man 💙💗🤍💗💙

Peter

First impression

Mystery evil captain man!!! Fog?? I LOVE him :)

Impression now

I STILL LOVE HIM SO MUCH!!!!!!!!! Hes an asshole and has a lovely voice and smile and hes not, hes not Dumb but also he's far from the whooooa evil lonely influence he think he is (played like a cheap fiddle). He also makes me sad in ways i cannot and wont describe, and its a shame that he died cuz he was the best part of season 4 😔 rip you beautiful bastard man i still miss you </3

Favorite moment

"It has blood on it" "thats Leitner's too :D". Also when martin was angry abt idk, breekon? Jon going into the coffin? Cant remember, but peter was like I said id protect the institute, that guys not my problem ¯\_(ツ)_/¯

Idea for a story

dfgdfg i have..... a petermart story that dealt with the different flavor of loneliness they both had, half smut half genuine meta of both of them and theorization on the branching of an Entity & how their powers manifested in other people...

basically, peter thinks hes hot shit when it comes to loneliness but gets overwhelmed when martin accidentally projects his feelings abt *fic's plot stuff* on him, its fun stuff!

Unpopular opinion

people either paint him like an absolute devil or an incompetent idiot and hes neither of them! hes an asshole who loves being an asshole but far from the worst monster in the show and he tried to do a clever scheme TWICE on his life and 1. while it was established that any of the rituals wouldnt work singularly the Silence was still a pretty clever attempt if it weren't for gertrude! and 2. well... he tried to manipulate someone petty and formerly supposed to be a web avatar, again not his fault, cant call him stupid for trying dfgdfg

i Do think hes kinda pathetic in some sense considering his backstory, but more out of personal pity than anything else

Favorite relationship

Canonically speaking him and martin! The pull and push of them was The best thing about season 4! Peter being a quite dangerous avatar and martin, beautiful and scared and kinda feisty, confronting him every chance he gets, peter doing his best to manipulate him and martin letting him believe hes succeeding (even thought, he is, partly). They're fascinating characters to have side by side

Favorite headcanon

Partly canonically speaking him and mikaele salesa :) they do bets together! They're lonely sea men! What else could you possibly want?

Also non shippy i like thinking abt peter's and simon's relationship but thats entirely non canon ♡

Diversity wins! The heir of the lonely is a gay man!

Also I think as every rich household(?) the lukases had many paintings and peter as a kid saw the ones w/ sailing ships and imagined sailing far far away from his family. That and seaman aesthetic fucks, which is why he always has the same vibe going on as an adult. He does Not know half of the things he'd need to know to have a ship though but hey he's rich and thats all he needs

Annabelle

First impression

thats a horrible psychological experiment they're making there D:

Impression now

THATS STILL A HORRIBLE EXPERIMENT AND ANNABELLE DESERVED SO MUCH BETTER............. idk! she makes me sad in the same way jon (and to a degree, peter) does! to be a living puppet for the thing that traumatized you as a kid and that later kinda killed you / is the only thing keeping you alive, to be devoted to it scrambling to believe in a higher reason for all of it to happen bc to believe otherwise is............. anyway. i love her, and i feel so so sorry for her

Favorite moment

her "maybe ive never been to the beach" at the end of ehr statement (that i fully believe its bullshit but, yknow, i love that she adds that), most of her convos with martin, her "i told you this might happen" "you did, you did" with mikaele

Idea for a story

i think a lot about her having conversations w/ either mikaele (platonically) or sasha (shippy) and their different points of views and treat with her making her doubt the web a bit

Unpopular opinion

listen, listen, i know it sounds like im woobifying her i Know it but reading the scraps of her story how can i Not feel sorry for her? when the story framed her very similar to jon? the supernatural childhood encounter that gave them arachnophobia and the subsequential joining with an Entity against her will? the fact that both the story and the fans treat her like a spider woman always sat very very bad to me, and the fact that the story itself always framed her like a villain (considering All The Other Characters that get the benefit of the doubt) was extremely disappointing

Favorite relationship

her and mikaele!!!!!!! wish we could have seen more scenes of just the two of them!!!!!! *singing* he is her daaaaaad, hes her dad! boogie boogie boogie! (ok no but like... their offscreen friendship is my favorite thing of season 5 ;_;)

Favorite headcanon

Sigh i dont know...i still think she's scared of spiders which make her current existence harder but thats a sadcanon :/ umm...... i love the idea of mikaele and her cooking together from time to time! Mikaele showing her some plates he used to eat as a kid as he talks stories about his life :) and she listens and sometimes tells a story of her own! its been so long since he had a quasy normal conversation! its weird yet nice!

[generallypo]

“I heard your voice, so I came... Aoba-san.”

Hooo-boy, if that doesn’t get me emotional every single time. Call it my bias for eccentric bundles of sunshine and softness, or my crippling weakness for the secretly-handsome-and-devastatingly-earnest type, but you can’t change my mind: Clear is, hands down, DMMD’s best love interest. Character development-wise, thematically, romantically, he nails every trial thrown at him, gets his man,  and proceeds to break your heart in the tenderest, sincerest way possible. I am hopping with Huge Fan Energy, so this post is gonna be unapologetically long and self-indulgent and grossly enthusiastic. Yeeeee.

———— 

Look, DMMD meta analysis has been done to death, I get it. This game is old. But I think it stands as testament to its excellent production that it’s still a game worth revisiting years later — especially during these times when social contact is so hard pressed to come by and we all rabidly devour digital media like a horde of screeching feral gremlins. (Have you seen Netflix’s stock value now? The exploding MMO server populations? Astonishing.) It’s pure, simple human nature to want to connect, to cling to members of our network out of biological imperative and our psychological dependency on each other. As cold and primitive at that sounds, social contact also fulfills us on a higher level: the community is always stronger than the individual; genuine trust begets a mutually supportive relationship of exchange and evolution. People learn from each other, and grow into stronger, wiser, better versions of themselves.

Yeah, I’m being deliberately obtuse about this. Of course I’m talking about Clear. Clear, who is a robot. Clear, who is nearly childlike in his insatiable curiosity regarding the human condition.

And it’s a classic literary tactic, using non-human entities to question the intangible constructs of a concept like ‘humanity’ — think Frankenstein, or Tokyo Ghoul, or Detroit: Become Human, among so, so many works in various media — all tackling that question from countless angles, all with varying measures of success. What does it mean to be human? To be good? Who are we, and where do we stand in the grand scheme of things? Is there even a scheme to follow? … Wait, what?

Jokes aside, there are so many ways that the whole approaching-human-yet-not-quite-there schtick can be abused into edgy, joyless existential griping. Nothing wrong with that if it’s what you’re looking for, except that we’re talking about a boys’ love game here. But DMMD neatly, sweetly side steps that particular wrinkle, giving us a wonderfully grounded character to work with as a result. 

Character Design — a see-through secret

Let’s start small: Clear’s design and premise. Unlike so many other lost, clueless robo-lambs across media, Clear does have a small guiding presence early on in his life. It takes the form of his grandfather, who teaches Clear about the world while also sheltering him from his origins. It means he learns enough to blend sufficiently into society; it also means that Clear has even more questions that sprout from his limited understanding of the world.

Told that he must never remove his mask lest he expose his identity as a non-human, Clear’s perpetual fear of rejection for what he is drives much of his eccentricity and challenges him throughout much of his route. As for the player, the mystery of what lies underneath his mask is a carrot that the writers get to dangle until the peak moment of emotional payoff. Even if it’s not hard to guess that there’s probably a hottie of legendary proportions stuck under there, there’s still significance in waiting for that good moment to happen. And when it does, it feels great.

His upbringing contextualizes and affirms his odd choice of fashion: deliberately generic, bashfully covered from the public eye, and colored nearly in pure white - the quintessential signal of a blank slate, of innocence. Contrasted with the rest of DMMD’s flashy, colorful crew, Clear is probably the most difficult to read on a superficial scale, not falling into the fiery, bare-chest sex appeal of a womanizer, or the techno-nerd rebel aesthetic that Noiz somehow rocks. Goofy weirdo? Possibly a serial killer? Honestly, both seem plausible at the start.

And that’s the funny thing, because as damn hard as he tries to physically cover himself up from society, Clear is irrepressibly true to his name: transparent to a fault. He’s a walking, talking contradiction, and it’s not hard to realize that this mysterious, masked stranger… is really just an open book. By far the most effusive and straightforward of the entire cast, his actions are wildly unconventional and sometimes wholly inexplicable. But given time to explain himself, he is always, always sincere in his intentions — and unlike the rest of the love interests, naturally inclined to offer bits of himself to Aoba. It doesn’t take the entire character arc to figure out his big, bad secret — our main character gets an inkling about halfway through his route — and what’s even better is that he embraces it, understanding that his abilities also allow him to protect what he cherishes: Aoba. 

So what if he doesn’t fit into an easily recognizable box of daydream boyfriend material? He’s contradictory, and contradiction is interesting. Dons a gas mask, but isn’t an edgelord. Blandly dressed, but ridiculously charming. Unreadable and modestly intimidating — until he opens his mouth. Even without the benefit of traversing his route, there’s already so much good stuff to work with, and sure as hell, you’re kept guessing all the way to the end.

Character Development — from reckless devotion into complaisant subservience, complaisant subservience into mutual understanding. And then, of course: free will, and true love. 

At its core, DMMD is about a dude with magic mind-melding powers and his merry band of attractive men with — surprise! — crippling emotional baggage. Each route follows the same pattern, simply remixing the individual character interactions and the pace of the program: Aoba finds himself isolated with the love interest, faces various communication issues varying on the scale of frustrating to downright dangerous, wanders into a sketchy section of Platinum Jail, bonds with the love interest over shared duress, breaks into the Oval Tower, faces mental assault by the big bad — and finally, finally, destroys those internal demons plaguing the love interest, releasing the couple onto the path of a real heart-to-heart conversation. And then, you know, the lovey-dovey stuff. 

Here’s the thing: as far as romantic progression goes, it’s really not a bad structure. There’s room to bump heads, but also to bond. The Scrap scene is a thematically cohesive and clever way to squeeze in the full breadth of character backstory while simultaneously advancing the plot. In this part, Aoba must become the hero to each of his love interests and save them from themselves. Having become privy to each other’s deepest thoughts and reaching a mutual understanding of each other, their feelings afterwards slide much more naturally into romantic territory. They break free of Oval Tower, make their way home, and have hot, emotionally fulfilling sex or otherwise some variation on the last few steps. The end. 

That is, except for Clear. 

Clear’s route is refreshing in that he needs none of these things — the climax of his emotional arc actually comes a little after the halfway point of his route. When Clear’s true origins are revealed, he comes entirely clean to Aoba, fighting against his fear of rejection but also trusting that Aoba will listen. It’s a quiet, vulnerable moment, rather than the action-packed tension we normally experience during a Scrap scene. 

That doesn’t mean it’s prematurely written in — it simply means that he reaches his potential faster than the other characters. Because of that, he’s free to pursue the next level of his route’s development much, much sooner in the timeline: he overcomes his fears of his appearance, he confesses his love to Aoba, he leaves the confines of a largely dubious master-servant relationship and allows himself to be Aoba’s equal. Clear’s sprite art mirrors his emotional transformation all the way through, exposing him to the literal bone — and Aoba’s affection for him doesn’t change a single bit. Beautiful.

The whammy of incredible moments doesn’t just stop there, though. I don’t exactly recall the order the routes DMMD is ideally meant to be played in, but I believe Clear’s is meant to be last. And if you do, I can guarantee that it becomes a hugely delightful gameplay experience — in order to achieve his good ending, you must do absolutely nothing with Scrap. It doesn’t just subvert our player expectations of proactively clicking and interacting with our love interests; it grabs the story by its thematic reins and yanks it all back to the forefront of our scene. 

In every route besides Clear’s, Scrap is a tool used to insert Aoba’s influence into and interfere with his target’s mind. Using his powers of destruction, Aoba is able to prune whatever maligned thoughts are harming his target; in any conventional situation, using Scrap is the right choice. 

But one of the central problems in Clear’s route is his conflict between the impulses of his conditioning and his desire to live freely as a human would. Breaking free of Toue’s programming is what initially made him unique; growing beyond the rules imposed by his grandfather is what makes him human. In the final conflict scene, Clear’s decision to destroy his key-lock is an action of true autonomy, made with perfect understanding of the consequences and a sincere, selflessly selfish desire to protect someone he loves. In order to receive his good end, you have to respect his decision. It doesn’t matter which option you pick — by using Scrap, Aoba turns his back on every positive choice he made with Clear and attempts to exert his authority over him. This is Aoba becoming Toue; this is Aoba trying to reinstate himself as ‘Master’ right as he approved Clear as his equal. That’s blatant hypocrisy, and it doesn’t matter if Aoba is trying to do it for Clear’s ‘own good’ — that’s not Aoba’s call to make. If you truly wish to respect Clear’s free will, you will stand by. This is the truth of the moment: Clear has no emotional blockages that Aoba needs to fix. Believe in him, just as he believed in you.

The path to his heart is, and always has been, clear. Scrap was never needed from the start.

While Aoba might be the main character, Clear is undeniably a hero in his own route just as much. Tirelessly earnest and always curious, he leaps headlong into the unknown and emerges with his newfound enlightenment. He’s unafraid of weathering trials, even to the point of accepting death, and returns anew from oblivion to a sweet, cathartic ending. That’s about as textbook hero’s journey as it gets — if that doesn’t make him unquestionably, certifiably, unconditionally human, then I will scream.

And only finally… there is the free end. The final CG is like a throwback to our first impression of him: indistinct, purposefully obscured from proper view. But this time, we know better — and so does Aoba. Looks were never what mattered in Clear’s route. If you were patient, and you were open-minded, and you listened… well, what we realize now is that Clear was doing the exact same thing for you, too.

From a carefree, aimless robot-man with only the gimmick of “eccentric ditz” to carry him forward, we get a supremely more interesting character by the end: a man who has graduated from the well-intentioned but claustrophobic conditioning of his childhood; a weapon who has defied the imperatives placed on him by his creator’s programming; a wanderer who has, through unconditional patience and empathy, discovered love, and striven to become a better person for it. Who was it that ever doubted Clear’s character? He’s the goddamn goodest boy that ever wanted to be a real boy. Of course Clear is human. And in fact, he does it better than every single one of the actually human love interests. You can’t change my mind.

The Romance — kindness is really fucking attractive, okay.

Like I’ve said earlier, I have my Big Fan Blinds stuck on pretty tight. I might be conjuring sparks from thin air. But I think every choice was a deliberate creative decision on the writers’ part, and they deserve all the kudos for it — I’m just the lucky player who gets to enjoy it. But aside from Noiz (who I also think is a perfect darling as well — I could go on and on about him), Clear’s route is a model example for consent and healthy relationships in VN storytelling. This is reciprocated on both sides: never does Aoba infringe on Clear’s boundaries, and neither does Clear. They’re sensitive to each other’s needs and concerns; they ask for permission and stop when it isn’t granted (and when it is, boy do they get frisky — I’m not complaining!) I don’t need to say much more, because I think that consent is both fantastic and yes, incredibly hot (the scene in DMMD is tons more sad, go play Re:connect!). Good writing shows off the massive erotic potential enthusiastic consent puts into intimacy, and Aoba’s and Clear’s relationship is honestly a dream playground. The point is, I think Aoba and Clear genuinely do find equal balance in their relationship by the end of his route (and certainly through Re:connect). If you follow through Re:connect’s storyline, there’s even more thematic richness that comes through in the form of Clear’s greatest asset: communication. The couple get to discuss the long-term implications of them being together; they both offer concerns, points, and assurances to the other, and it’s just a soft, honest moment not so unlike the worries of a real relationship. Hearing is kind of Clear’s motif sense, but it’s really great to see that Aoba also subtly picks it up, really flexes his own communication skills to better engage with Clear. 

Point is, Clear’s route spoke to me on a lot of little levels. Design-wise, he’s already got a ton going for him, and his story builds upon it rather than against it, enriching his development and grounding him a little more solidly in the DMMD universe (and in my heart). His route, aside from being emotionally ruinous, carries a pretty solid chunk of world-building (only beaten out by Mink’s and Ren’s, probably), and the romance feels organic, healthy, and realistic. He’s not the only one with an excellent route, but he’s my favorite. If you read through all of this, you’re a real trooper and I’m extremely impressed. Thanks for tuning in. Peace.

[anneesfolleshq]

Bonjour et bienvenue! Paris welcomes you, our Harlequin, Zanni Lionce! May we say, you’re the spitting image of Rami Malek! Please make your presence known within 24 hours, and do have a look at our checklist before setting out into the city on your own.                                                                                                     À bientôt!

MUN

Name/Alias: JJ

Preferred Pronouns: They/Them, if that’s possible :)

Age: 23

Timezone: GMT+1 and usually I’m on after coming home from uni, so from 7 to midnight. On weekends earlier and later, of course :’D

MUSE

Chosen Skeleton: The Harlequin

Muse Name: Zanni Lionce

Muse Age: 29

Chosen FC: Rami Malek

Muse Occupation: Zanni has a multitude of jobs, none of which pay him much more than a tiny room on the floors above the Gnome Qui Rit, where he works as a claqueur, and heckler for acts that bore the audience. The riddles in his words are maybe not understood by everyone, but they sure are entertaining when you had one or two drops of wine too many. Sometimes he graces the stage himself, in silence then though, because he firmly believes that words should be reserved only for what truly needs to be said. During the day, assuming he’s awake then, he reads people’s fortunes, charging the tourists as little as those who he knows he’ll meet again. As much as only truth should be spoken, truth should also always be spoken, no matter the price.

Muse Affiliation & Frequent Haunts: The skeleton says that Zanni belongs to both Monts, observing and treating them the same, and I think that this is definitely how it appears to most people. But his heart might still rather belong to Montparnasse. The glamorous, brilliant world of Montmartre is fascinating and rich in information, but the people who belong there seem strange to him. So much is spoken and shown without ever even coming close to actually … saying something. It is as though everything there is veiled and the people there live all behind masks, and while Zanni can see through them, he sometimes wonders if the people themselves can do it too.

Direct from Le Petit Journal: “Life is as much of a Tragedy as it is a Comedy, it all depends from which side you look at the scene, but if you happen to avert your gaze and look over at the ever ceaseless smile of Zanni Lionce, the well famous fortune teller of Montparnasse, it is easy to believe that life must be nothing but a Comedy after all. At least to him. In his presence, no truth is left untold, no thought is left untainted, no game is left unplayed. By the street corners all around Montparnasse, you can find him reading you palms, cards and even bones for just a few sous. However, be careful to never look past the dark mask covering is face, for while Comedy is on his lips, Tragedy’s in his eyes.”

BIOGRAPHY

Questions were never answered in the Lionce household.

This came for two reasons. One, Maurice Lionce worked from sunrise to sunset, he worked hard and with devotion, because he knew that every day spent at the factory was another day for his family to survive. When he came home he didn’t want to be asked questions, not about his day, not about the world, not even whether he wanted to play some games with his only son before his bedtime. Maurice loved him, he did, but he knew that for families like them, there was no time for amusement and distractions.

Two, Yvonne Lionce was blind. She had never learnt how to read, never received proper education, never discovered the world other than by sound and touch. She didn’t miss it, never complained, continuously sewing gloves to sell for at least a little income, but when her son grew older, there were not many questions she could answer. Having tried to get rid of Yvonne as soon as possible, her parents had never taken the time to explain her the world, so how was she supposed to explain it to her son? She could tell him about the energies carried within each living creature that passed her fingers, about the stories the fabric of the gloves told her, having travelled so far, about the lies hidden behind the voices coming in from outside. She could tell him about the shift of vibrations in the air when a new star came to rule over earth, and the music people’s hearts make when they’re in love. But about the facts that ruled society? The what’s and where’s and how’s of a world she wasn’t a part of? “How can I answer you without lying?” she would therefore whisper, when it was late and the young boy posed one of his many, many inquiries about this world beyond those bedroom walls. “Go and find the answer yourself.”

And so her son would. He’d go out and observe. He’d observe and absorb and learn and grow heavy with truths that he’d then bring out to share with his mother. Yvonne would listen with great fascination and adoration, and eventually she became the one asking questions.

When she died, it was after almost two years of illness. Her son believed that the songs she sang all day and all night asking the cosmos for help were the reason she stayed alive for so long. Maurice believed that the lack of proper medicine was the reason why she couldn’t stay alive longer. The night of her death, he asked her son to stop singing and come closer. There was a lot he wished he could’ve gifted him, but all that he owned was a card game wrapped in a simple cotton cloth. It held nothing but emotional value, as it had once belonged to his own mother, the only parting gift he had made her all those years ago. Yvonne herself had never seen the images on those cards, but she knew that whatever her son would see on them, in them, it would guide him to all the things he deserved to be gifted that night. After her funeral, a fast and cheap little ceremony, her son unwrapped the cloth and found himself looking at 78 answers to questions he didn’t even know yet.

He took a breath and asked one: “Who am I?” and drew a card. A man wearing the same clothes as he did, made of scraps and pieces, colourfully yet helplessly patched together, smiled up at him from it. A tear rested on his cheek underneath the dark mask, but he was smiling. Over his shoulder he held a baton with a bag tied to it, and his posture spoke of confidence, of trust. Zanni nodded, and agreed.

For that was who he was now. Zanni. He had never been called like this by his parents, but the world was big and dangerous, and revealing one truth about oneself meant to open the door for all other truths to reveal themselves too. His face was therefore always covered in a mask – whether a real one, fabric or paint, he always made sure that he could not be found twice, unless he wanted it too. Not that anyone would have cared to see him twice. He liked people, liked talking to them, learning from them, admiring their own private answers to this nonsensical world. They thought he spoke in riddles, when really he only spoke in a language meant for those who had never seen the world. They were therefore always a bit distant to him, but he liked them anyway. Nevertheless, he never stayed long. Surviving on telling people the truths behind the lies which society was so good at making up, he travelled from village to village, from town to town, and eventually from city to city, until he reached Paris. This was already four years after his mother’s death, and not once in all this time, he had realised that he had been travelling on a purpose. That he had been looking for something. What this was? He still didn’t know. But he did know that he was closer to finding it than ever. And so he stayed.

POTENTIAL PLOTS/CONNECTIONS

Argh, this section always makes me nervous! I don’t want anyone to think I’m forcing anything on them or even cut down their own inspiration! So I’d rather keep this vague, if that’s okay with you!

Plots driven from external conflict:

- Zanni’s mother was originally from Paris, and his grandmother who gave him the tarot cards is still alive. This is what Zanni is sensing. It would be interesting to see his arc closing with him finding his grandmother.

- Since he has so much knowledge about the two Monts, he could probably get into a lot of trouble. Or even without the two sides. If one wanted to find out more about someone to harm them, they could come for Zanni for that information. And since he doesn’t spill truths he doesn’t trust the other person with, they’d have to force it out of him.

Plots driven from character-linked conflict:

- I think all characters who are secretly affiliated with someone or hide parts of their life (for example the Bandit) could have plot potential for Zanni. While he doesn’t speak much, he does seek human contact, so while I haven’t really planned any dramatic external conflicts for him, I think he could be useful piece for other character’s to develop their own plot.

- Also I think that the characters on the locations page, who share a location with the Harlequin could be of great interest to him. The Mobster, due to the fact that his darkness probably seizes the laughing gnome, where Zanni lives - and often works. The Corrupt for how he might want to use Zanni for his goals, the Chameleon, the Spurned and the Expat for their secrets he might want to find out. Or knows about already? As for the Linguist and the Mortician,  I feel that out of all the people out there, they could bond with Zanni the best. The Linguist because he searches for new languages, and the way Zanni speaks - describing the facts of reality by their meaning in the world, not the way they look like or appear to be - could spike his interest. Maybe he could even understand him. The Mortician because Zanni wouldn’t be afraid of them. He wouldn’t find them weird and their fascination for life and death worrying. On the contrary, I think he could learn a lot from them.

EXTRAS

Just a few headcanons and this little collage:

External image

HC1: By modern standards, Zanni is genderqueer. By 1920s standards, he/him are very much fine, but he definitely doesn’t follow the rules of behaviour and fashion for men. I also think that if he was asked if he was a woman or a man, he wouldn’t entirely know how to answer.

HC2: Somewhere in the south of France, he acquired a little flute made of bamboo with which he likes to imitate the melodies he hears as he passes the grand theatres of Montmartre, or even just the intonation of people’s voice.

HC3: His dresses are full of pockets in which he collects trinkets found in the world. From pebbles, over lost earrings, to pretty spoons found on the floor of cafés, he stores them all. However not to collect or own, but because he knows that sometimes you have to thank the universe or leave mother earth a present, and he wants to be ready.

HC4: He’s very much a virgin. He knows what sex is, and during the War, when he spent finding peace in the high mountains of the Alps, there was a man with a soft voice and kind eyes that had grown close to his heart, but he was a gentleman, and he knew he couldn’t stay forever, so nothing happened. His curious side wants to find out about it, of course, but there is no greater need for it than learning about other things.

HC5: He speaks a few languages but can’t read. Having a good ear allows her to imitate accents and the melody of other languages well, so even if his vocabulary isn’t very big, he can pass as a native speaker during small talk. He’s taught himself how to say the names written on her tarot deck, and he can recognize words by sight, but he has never learnt the alphabet, and hence he can’t decipher words he has never seen before.

[sketchiedetails]

While I think Binary Domain is a fun action game with a great B-movie tone, I feel like its plot is trying to do way too much at once to make any of its core themes really stick.

Lemme just get this out of the way: Binary Domain is one of the funniest action games, both unintentionally and intentionally. The cutscenes have better comedic timing with their edits and performances than most Western games these days and that’s when the game is trying. There’s some jank in the game that comes across and adds another layer of bizarre humor to the overall package. If you played the game, then you know about Bo’s stare or even trying to rescue Bo at the end of the game.

It took me a while to warm up to the cast, but they’re all very likable with their exchanges and you really feel that they develop a sense of camaraderie by the endgame.

My problem with BD’s writing isn’t with the characters; it’s with the setting. I wanna say the central theme in Binary Domain is “loving someone shouldn’t change after learning they are different from you” but it comes way too late in the game to be properly expressed and the people who should exemplify that theme - Dan and Faye - don’t really have enough time to naturally develop that kind of relationship. They’re supposed to start out butting heads and that tension transitions into sexual tension and eventually love but it really only works if you keep Faye on your team from the very beginning of the game and never swap her out.

Dan and Faye’s love arc is part of my problem with the writing. Binary Domain’s setting very clearly treats robots as second-class citizens. They’re called “scrap heads” as a slur and it gets thrown around very liberally and later on people who sympathize with machines get called “scrap lovers.” It kept reminding me of Deus Ex: Mankind Divided when they tried to make “clank” a slur for augmented people. I find it weird that unanimously people are on board for treating robots so terribly. Everyone across the globe just universally agrees that robots need to be suppressed, and I guess Yoji Amada himself points this out and calls it “The Frankenstein Problem,“ where humans fear the things they create will surpass them. I get it’s a theme, but it feels like it’s half-committed. I don’t buy in a setting that everyone would completely agree on the same thing; there should have been other people in the setting to offer counterpoints to provide different takes at the issue.

On my initial run of BD, I assumed there was gonna be a point that the Hollow Children would prove that they were capable of being sentient and shouldn’t be suppressed, but no it never gets proven and the game actually kneecaps that possibility. Hollow Children are considered terrifying to people because they can pose as regular humans for decades and no one would know, even the Hollow Child wouldn’t know what they are until ... something happens? The game is trying to be like Blade Runner, but there’s no rules established to explain how people can discover if a person is a Hollow Child, and the true purpose for Hollow Children doesn’t get revealed until the very last chapter, and it doesn’t really justify their existence.

At the end of the game, Yoji Amada reveals that he isn’t really Yoji Amada: he’s a sentient AI that the original Amada created to prove to the rest of the world that it was possible and died by his creation out of fear that the IRTA would come - who better to describe The Frankenstein Problem then an actual Frankenstein’s monster? AI-Amada (AI-mada?) then proceeds to create Hollow Children because he needed to procreate like any other lifeform. His plan is to integrate his Hollow Children into the general populace and create hybrids which have both human DNA and ... Hollow Children DNA? (I’m not sure how it works biologically, but it’s interesting how this game cribs from Blade Runner and then somehow unintentionally predicts the main plot of Blade Runner 2049.)

So if Amada’s plan is to cause miscegenation between humans and Hollow Children, what is the point of creating male Hollow Children? It’s stated just before this reveal that female HC’s can conceive, but nothing about male HC’s virility. It’s shown that Amada can remotely hijack any Hollow Child anywhere in Japan, and that really doesn’t help the argument for Hollow Children since they pose a threat as potential sleeper agents.

The most important part of this reveal is that it turns out Faye is a hybrid - her father is human, and her mother is a Hollow Child. Amada captured Faye and by the time the Rust Crew reach them, she’d already been turned. Dan at this point had been stubbornly defending Faye against the rest of the Crew who automatically agree to put her down - it’s their job, y’know how it be - and a boss fight ensues with Faye leading a pack of ninja robots. The fight has moments where the player as Dan can issue voice commands saying they love Faye and don’t want to fight, but again the pacing here has sideswiped so fast and so frequently that none of this really feels earned.

There’s a recurring flashback Dan experiences throughout the game where he’s a child bashing in a robot’s face in his family’s kitchen. It’s implied that his alcoholic father beat Dan and his mother and the robot did nothing, so in a fit of impotent rage Dan retaliates on the defenseless machine. When Dan learns that Faye is a Hollow Child’s ... child, he returns to that flashback but it’s adult Dan kneeling over a battered Faye. It’s supposed to be symbolic of Dan overcoming his bigotry and accepting Faye to be as much of a person as he is; I read it as Dan being an idiot for most of his life and having an epiphany that the rest of the world should have had from the very beginning when they started focusing on robotics as their main source of infrastructure.

During my last run on Metal Gear Rising, I listened to as many of the Codec conversations as I could this time around. They offer some very detailed world building that the rest of the game itself couldn’t support at the cost of the game’s pacing. The conversations cover a wide range of topics concerning a world recovering after the fall of the Patriots. Cyborg soldiers took over as the main source of infantry in PMC’s, and the game dips into concepts about how the rules of engagement would work with cyborg soldiers, the logistics it would take to maintain a cyborg body, and the public perception of cybernetics in both a domestic and military context.

I’m not saying every game needs a codex section in their menus to explain the world and how it works (BD technically does have that via the info logs you can pick up in the game), but the setting should be internally consistent. MGR’s Codecs add flavor text to the world, but they also explain away the more gamey aspects of the setting, like why it’s important to the Doktor that Raiden collect as many left hands as he can or why some returning boss fights aren’t as imposing as their initial encounters.

Most of the time Hollow Children appear as a way to create a plot twist and shake up the story. Shindo’s right hand man was a Hollow Child and the rebel base gets attacked by a huge robot. The general at the beginning of the game who ranted about how the existence of Hollow Children was ridiculous turned out to be a Hollow Child. They exist in order to generate drama, much like how Dan and Faye’s relationship exists in order to challenge the notion that Hollow Children shouldn’t be allowed to live.

Binary Domain’s final boss turns out to be the Rust Crew’s commanding officer. I’m not sure if he states that the President approved it, but the US is going to take the Amada AI for their own purposes and kill the Rust Crew so the rest of the IRTA won’t know what happened. It’s interesting how all three games I’ve played to write these series of posts - Vanquish, Metal Gear Rising, and Binary Domain - all feature either final or penultimate bosses that are involved in some branch of the US government. Lt. Col. Burns and Major Philips are part of the Marines, and Armstrong is a US Senator. I hate to keep dumping on BD, but their plot twist just feels unnecessary and would be but it needs to happen in order for Dan and Faye to run off together and hint at potential sequels where Faye becomes a leader for Hollow Children resistance with Dan by her side.

As a piece of speculative sci-fi, I think Binary Domain has some faulty logic but I still enjoyed this game. The combat is slower and more plodding compared to the other two games I recently wrote about, but that’s the point of the gameplay. It’s a group of humans fighting machines who can be engineered to have an edge in fights where the humans have to rely on their wits and each other in order to win every battle. Also, Vanquish and MGR are Platinum titles, and every action game is gonna feel like a slog compared to a Platinum game.

I’ll have to amend my original thoughts about playing Binary Domain alongside Vanquish: you should definitely play those two back to back, but also add in Metal Gear Rising to that block. They’re all compelling action games with some interesting ideas about how war will look in the future.

[dekuinthelake]

Quitting FF14

Final Fantasy is a game that’s 1/3 good.

At least in my opinion. Listen, I’ve been playing the game since it was rereleased, and even if Stormblood was miles better than the proceeding expansion at least where leveling and story is concerned, it does some things very, very wrong.

There will be some spoilers in this rant so keep that in mind.

Bad Story and the use of tropes:

I like Xenos, I really do. And that Tattoo girl was neat as well, especially her continued arc at end game. But what I literally _cannot_ stand is how right now amnesia is being played as a legitimate way to facilitate character growth for the weakest female character I’ve ever seen.

Yotsuyu is your typical overly edgy woman scorned, killing people for “fun” and giving a big dramatic speech about how she was hurt before she dies. I’m sorry but I really hate when stories lazily DUMP character exposition rather than letting you experience the character first hand on a more involved way. With Yotsuyu, everything she does is like reading a character description on a wiki, and her tortured past is incredibly ham fisted and shows a hideous lack of understanding of abuse victims from SE— who by he way are characteristically horrible at writing women because they always end up playing back seat to the MENS and rarely have any independence. This memory loss thing with her grossly exaggerates this point.

Bad character with a bad story that relies on other characters being morons— which will happen because FF14 has never written a legitimately intelligent character.

They spend so much time in ARR TELLING you how smart Alphinaud is, but he literally has only been tricked by people and threw a plot mugguffin OFF WN ACTUAL CLIFF BECAUSE THAT WON’T CAUSE ANY PROBLEMS. *causes the inciting event for SB*

And Alphinaud’s stupidity isn’t ever punished. Everyone just goes on like he’s fine— even his supposedly ‘independent’ sister who just lets him walk all over her when it’s convenient to the plot.

And that’s just the biggest issue with FF14’s non functional story. Everything, every character, every special ability the WoL has is written only to serve a plot with points that honestly aren’t that interesting until SB. And even still, the lack of threat from the Garlean empire is so laughable, any intensity is gone. No one is established well enough I could write any of the characters since all their choices are simply made to lead to the next big bad guy— at least in the MSQ.

I hate all of the main cast. None of them are fleshed out save for parts of common anime tropes. It’s a shame too, because the world is genuinely interesting...

The solo experience:

Questing can be fun, but to be honest, once I finished all the quests (yes ALL of them) there wasn’t much to do. The only interesting thing about them is the scraps of nice world building hidden inside nuggets of text. I do appreciate the way dialog is presented, by the way, but some times I feel that the old speak is a little pretentious and meaningless considering how stupid everyone actually is.

In SB there are point and click mini games to break up the pace, or even a quest when you watch someone else fight trash which is a nice change of pace.

But you aren’t missing out on any thrilling game play honestly. It’s just back and forth over and over and over again and it USED to dismount you for talking which was so slowing. It isn’t fun to quest at all low level at all.

To be honest, if you can skip all of ARR, do it. It’s horrible, mostly, and the story is utter trash. Dailies are much the same, just boring, the same, and needlessly spread out— presumably to waste more or your time.

PVE:

Honestly, dungeons, primals and raids are the highlight of FF14. The encounter design is strong to the point some bosses (like my personal favorite, Sepherot) are timed to really excellent tracks. Really, Primals are some of the most fun I’ve had with an MMO and if not for one huge thorn in my side about the games PVE, I’d say it’s worth just playing for fun group content.

But... The way SE expects you to grind for gear every week with arbitrary tokens and has for He last four years has exhausted me. I -hate- the weekly hate on tomes. It makes me feel pressured to do the dungeons -every- day STILL. Dungeon grinding has a lot of content locked behind it, like the old legendaries of which I did the past two expansion ones. Let me tell you, putting a disposable weapon that kind of looks cool behind running 1000 instances is HORRIBLE, and it makes you really start to see the flaws with dungeons, especially the older ones. I got all three tank mounts before I had my Dragoon glowing stick. That’s 300 instances for ONE part of this quest.

I get it exists to keep sub rention, but there has to be a better way rather than slowly making me hate old content.

Conclusion:

FF14 is a game that helped me through a rough time, but for reasons mentioned, it’s worn out it’s welcome for me. Things have slowly been becoming better, but this last patch and it’s progressively worse story and stagnent system of progression has sort of exhausted my faith in it becoming anything special.

I’ve met the devs in person, listened to their pannels eagerly and thoroughly empathized with the hard labor they put in despite a tight budget and time deadlines. I think most quality of life issues are indeed SE not having or wanting to invest money in proper hardware for this MMO. And honestly, I don’t blame them since you never know when it could tank again.

OG FF14 was an abject failure and some of those same folks who did such a poor job before are still around. It’s reasonable to believe that maybe SB is as good as the writing and questing will ever be, since the game seems to be getting worse with some of those aspects.

It’s a shame, honestly. I wanted so badly to fully be in love with new content. But honestly, I’m just exhausted from waiting.