#but then they hit me with the whole hero side arc bs and i started screaming

[20w14a]

I’ve been watching this one really good yet depressing anime film and I kid you not I saw this one side character and went: wow this guy is worm man coded, he is, oh, so pathetic

And not even 30 minutes later they show him again later with this other character and my entire face just goes

[kjscottwrites]

hiya, i am very interested in outlining techniques/habits. would you be willing to do a whole post about yours?

Sure! I love outlining and talking about outlining so bless u and sorry for this rambling in advance. Let me get into it with the caveat that by no means is this an instructional, I have zero professional experience, this is just the way I do it, and everything I learned I learned from ... fuckin film school lmao so it's unlikely to be optimized for writing novels anyway.

ANYWAY - I'll break it down into steps:

Step 1: The Dump

I always start with something loose and improvisational I'll call it a "scratch" or a "dump" outline, pretty much no rules with this one. Sometimes it'll be a free-write in a word document, sometimes a structured outline, sometimes just word bubbles and a bunch of bs scribbles on a piece of notebook paper. Whatever.

This is always focused on just the initial idea. I typically avoid granular character details like names and appearances and personalities at this point - I stick to general utilitarian figures, the bare minimum I need to move them through the story. Emotional arcs and defining traits and backgrounds come later - this way I can make each character weave seamlessly into the narrative, vs trying to make the narrative mold to a bunch of misc. preset characters.

At this point, my MAIN goal is to nail down three key things:

A) What's the central dramatic question?

B) What are the stakes?

C) What are the messages/themes I want to touch on?

For Cavernous specifically (and for a lot of my other projects) I used the snowflake method as a jumping off point. I'll start with a couple of sentences, expand that rough logline into a 2-3 paragraph summary, then expand that summary out into something between 2k-10k words that maps onto a rough beginning, middle, end. (I personally try to avoid strict 3-act structure, save the cat, heroes journey etc. but if these help you, use them!) If I'm not sure about a certain part of the story at this point, I just skip it and put in a placeholder like "and then something bad happens and they..." The point is making a vessel for the story, not necessarily filling that vessel.

ANYWAY this is getting long so I'll put the rest of the steps under the cut:

Step 2: The Actual™ Outline

Were I working on a screenplay, this part would be "breaking the story" but idk if y'all call it that for novels. Basically I expand things out into a more formal/traditional outline slash treatment, like probably between 8k-15k words? This is an action-to-action synopsis, broken up chapter-by-chapter (or scene-by-scene for a screenplay) without skipping anything. If there's unknowns, plot holes, or other problems, this is where I fix them.

My rule of thumb for outlines is mainly just "describe it on the page EXACTLY how you'd describe it to your friend who asked you what the scene was about." Hit only the important stuff, keep it informal/conversational, do NOT worry about specificity and good prose. Sometimes I put memes or emojis in these, it's like. Whatever captures it in the absolute easiest way.

I use bullet points: A) whenever I'm not sure what order I want things to play out in. This is especially useful for worldbuilding/exposition heavy scenes where I want a defined set of information to get doled out organically in the drafting. B) When a scene is complicated/action-packed/has multiple side by side storylines.

I use stream-of-consciousness paragraphs for pretty much everything else. Here's a little sample of the Cavernous outline for reference. This is pretty much how my outlines are gonna read on any type of project:

I'll also do a lot of character work in this step! Which i won't talk about a ton bc this is already long and that's a WHOLE topic on its own - basically this stuff:

(also making a lot of picrews like, so many fucking picrews)

If there's multiple parallel storylines, I decide at this point exactly what order they go in and how they're paced out. Logically you should write your A Line, B Line and C Line separately and weave them together after the fact, but for some reason I basically never do that - working strictly chronologically makes more sense to me. Why? Because I am smooth brained. I don't recommend it, it's a hassle. ANYWAY color coding for multiple storylines is *essential* either way. Cavernous has just an A and B line in the first half, and a diverging C line in the second half which re-merges with the B line by the end. I plan on having the second book structured similarly!

The other thing I do during this step is some of the more utilitarian stuff - I make decisions about format, perspective and tense, wordcount goals, target demo etc.

MOST importantly I lock in my logline and elevator pitch at this step. I know that if I'm struggling to write either of these successfully, something is amiss in the foundation of the story and I have to go back and find it and fix it (or chose to cut my loses and move on to a new project, even) before I ever start drafting.

Step 3: Being inconvenienced Usually this is where I start drafting until I start to get forgetful and sick of referencing back to my wordy-ass outline

Step 4: Making a technical outline to fix step 3

I'm not really sure you could call it an outline? Actually no, yeah I'd call it a beat sheet. It's an easily edited quick-reference version of the Actual™ Outline. Anyway I gave an example of the one for cavernous here - so I'll share a bit from a different project:

Some of these points are expanded for a bit of clarity but some of them are just shorthand - this isn't necessarily decipherable to a reader, but *I* know what "Lundis receives a sign" means and as long as I have it in this simplified structure I can easily rearrange and move that D line scene up so that it falls just after the titles if I want, for instance.

I typically force myself to stay on track, but IF shit starts going off the rails in the drafting stage in a way that I like, I always stop, go back, adjust the outline(s) accordingly, make sure everything still works, and then go back to drafting. Because I deadass can't write without a roadmap. I become completely helpless and grind to a halt.

So yeah. Maybe all this will be helpful to someone? Maybe it's not. My biggest piece of advice for anyone looking to hone their outlining/structure/planning skills is take 👏 a 👏screenwriting 👏 course 👏because even if you have zero interest or intention to do screenwriting, the discipline is SO technical and SO different and it'll at WORST offer a new perspective. That's my soapbox. Okay love u bye

[feralcherry]

Naruto takes that might enrage you (girl addition)

Warning, some of these takes might enrage you- that’s fine.

Fillers don’t count as canon, don’t even bring them up if you talk about this post lol. Also it’s been a while since I’ve seen the whole series, so some of these might be disproven as I continue with my rewatch. The excuse that Shounen is for boys is also very weak and holds no weight, as tons of girls (and nonbinary folk) relate to the characters in this show, so that doesn’t excuse Kishimoto for his weak writing of women.

To preface, I love this show. Love it to pieces. It was part of my childhood and holds a very special place in my heart. But there are some things I personally don’t like or wish could have been done better. I love every character and will go blue in the face talking about how much I still love this show. That doesn’t free it from my criticism. I’m also only listing what I don’t like and what I would change, though I’d be more than happy making a post about what I loved.

Let’s start off with my girl Sakura Haruno. She is easily the most hated girl in the series, and all because of how ‘weak’ or ‘annoying’ she is. As if that’s not the fault of Kishimoto himself lol. She was shoved off to the side continuously and never given cool storylines, unlike the other members of her team.

What I took issue with about Sakura:

-What were this girls dreams?? The whole reason she became a ninja was never really talked about nor were they really developed as time went on. She was all about Sasuke, which would be fine if she grew out of it. But no. 

-Her crush on Sasuke was super stale. He was handsome and powerful, but what else was there to him? He was a jerk to her most of the time (there are some instances he’s somewhat kind to her, but if we go off canon, it’s not enough to make her deep love make sense). I think it would have been so much more interesting to see her grow out of her infatuation for him. If they had to have ended up together, watching them relearn each other and fall in love would have made them more compelling. She stayed loving a boy who thought very little of her. 

-She’s pitted against her best friend and doesn’t develop much of a relationship with other girls her age. It’s kind of sad, and I think they should have fought over something other than a boy. 

-We are told repeatedly that she’s super powerful by other characters, but she’s never given time to truly shine. She got like a single battle with Sasori and she deserved more cool moments like that!

-She was a healer, which makes perfect sense. But why is it mostly girls who are the healers? It’s a bit weird, when there’s also Neji with his perfect chakra control. She only has her healing abilities and her super strength; but even then someone like Kabuto has more offensive healing based techniques than her. Like his chakra scalpel. 

What I would fix:

-New dreams. Show her find a dream outside of her team and grow into it. Also give her more of a backstory. Sai has more of a backstory than she does and he’s way newer than she is.

-I would let her fuck up one of the Peins instead of Konohomaru- she’s a main character and passed over for that little brat?? She should have gotten to do more than scream out for Naruto and heal people :/ 

-She her intellect a bit more. She’s so smart, and yet we don’t really see it.

-She’s perfect for genjutsu, Kakashi himself said so. So why not give that to her? Or play more with ninjutsu. She has earth and water on her chart, so why not give her those abilities? Maybe even wood jutsu to even her out with her super OP teammates. Idk how, it could have happened, this is a show full of demons and god like abilities, it could have happened someway.

-She should have grown out of Sasuke and not married a man who doesn’t really appreciate her and isn’t there for her at all.

-I would totally have expanded on Inner Sakura more. Imagine if it made her mind impenetrable? Could have woven that in with her skills for genjutsu and made her unaffected by other’s illusions.

Next, let’s go with a more beloved character of the fandom. Hinata. Now personally I don’t care much for her- she could have been so cool but just like Sakura, they kind of messed her up.

What I didn’t like about Hinata:

-Her entire existence is revolves around Naruto. Naruto this, Naruto that- and yet she simply sat back and watched as his life was shit and did nothing despite her ‘love’ for him. And then fillers/movies are added to show that oh wait! she’s been there this entire time!! no lol. Build her up from the start as his love interest at the very least.

-She stayed super meek the entire time. Shy girls are okay, but I wanted to see her grow into herself more and not need as much reassurance. She’s a ninja and should stand on her own two feet more.

-She’s less skilled then Neji and I would have loved to see her outmatch him at some point, even once. Or gain abilities outside of her clan, or do something that made a name for herself outside of being the heiress of the Hyuga.

-She never fixed her clan which was one of her few spoken goals. That was a huge bummer.

-I think it would have been cool to see her mess up Pein a little more. She only stepped in because it was Naruto, which reinforces that she’s only about him. But at least let her land a hit if she’s as powerful as people say she is. 

-She makes the most sense to be a housewife or a healer with the way her attitude is but in Boruto, she’s kind of rewritten to be a ‘scary’ mother which just doesn’t fit her. Plus, she tells Boruto to go and take care of his dad?? Bro, that’s your child and your husband is the hokage. 

What I’d fix:

-Prove her dad wrong and show him that her compassion isn’t a weakness but a strength. 

-Fix the Hyuga clan bs.

-More character growth and showing more of her life away from Naruto. Her romance with him could also have been better. I hated her always watching him but never standing up for him, it kills me.

-Neij dying for her proved their clans hierarchy bs to be right and it just doesn’t make sense for him to die for her. It showed that he was right to feel caged and that he simply existed for the benefit of the Main family.

Now with the others, there’s much less I have to say about them because they aren’t main characters or the love interests.

Ino-

-Jealous of Sakura, no dreams of her own, stupidly loves Sasuke and for what? WHAT’S SO COOL ABOUT HIM?

-I like her growth for the most part, it was cool watching her fight in the War Arc with her team. 

-Why is she the medical ninja? I never got that.

-She got with Sai but they didn’t really show their development and how they fell in love with each other. It’s like she only likes him because he looks like Sasuke and called her pretty once.

Tenten-

-Should have gotten to train with Tsunade at some point, since she was the one who originally idolized her. 

-We know nothing about this girl at all. She doesn’t even have a last name.

-Her weapon usage was meant to be so cool and yet she missed so often- there’s a disconnect there. Her abilities could have been built up more. Imagine if no matter what she never ever missed. That would have been cool.

-Her weapon shop isn’t doing well. Just because it’s an era of peace doesn’t mean the need for weapons is totally over, not if there are still active ninja??

Karin-

-I actually like her, she’s kind of funny and I like that she’s mean even if she can get annoying.

-Again, another healer, though she’s also sensory which is more interesting. I’d like to see her with some jutsus though. That would have been neat.

-Her love for Sasuke makes sense since he saved her and smiled at her, making her think of him as her hero. And she’s the only one he apologizes to without Naruto strong arming him into it.

Temari-

-She’s pretty solid in my opinion. Though I would have loved to see her more without her brothers.

Konan-

-Her goals in life were to support Yahiko and Nagito’s dreams. It would irritate me so much if other girls in the series were more well rounded and din’t also have some sort of dream involving a boy.

-She was underused. I would have loved to see her fight more.

Tsunade-

-Only becomes hokage to support others dreams...All of them men. And then later passes the title onto Kakashi who doesn’t even want to be Hokage either. 

-No other justus used, she’s on par with Jiraya and Orochimaru and yet she’s only super strong and the best medic. She should theoretically be more well rounded than that, right? She also should be shown fighting more even if she’s a medic, she’s also s legendary sannin 

-Had to be saved by 12 year old Naruto. I know it’s a show about him, but she’s meant to be a literal badass but needs a kid to save her.

Kushina-

-Wanted to become the first woman hokage and then didn’t. Her husband did. and then she became a housewife?? What?? She should have become the first woman hokage with a badass husband or had another prominent role in the village like as a council member or something.

Kurenai-

-Always lost a fight? She’s some genjutsu using badass but always lost fights.

-No real personality, she’s just chilling there. Sexy as hell though. Has a kid and that’s about it.

-What I will give her is that I’m so glad she was allowed to age. So many anime mothers always look the same as their teenage self and she looks like she can be anybody's mama.

Over all, the girls could have been handled much better. I wouldn’t find issues with any of them being housewives or all about boys if that weren’t what seems to be the standard in the anime. I just wanted more of a variety and better character development, especially for Sakura and Hinata who are the mains 😩

Now to what might REALLY piss people off- ships! I’m not trying to start some war here, this is just my opinion and you can take it or leave it.

Sakura- Naruto, since they had the most development and showed more than two seconds of caring for each other. Even Sai in Shippuden has more of a connection to Sakura than Sasuke did.

Ino-Shikamaru, if she had to end up with a guy it makes sense it’d be him since they spend more time together than her and Sai did. (inosaku for the win tho)

Hinata-Shino or Kiba, again, because they spent more time with her. Naruto and her felt very rushed and I don’t quite understand the appeal.

The one that made the most sense and became canon was Shikatem, though their son’s design was lazy :D 

If I do a second part, it’ll be about the boys and the ships with them that made sense to me. For now, this is all I have. If you’ve made it this far, thank you lol

byeee

[gtgrandom]

Where Young Justice: Outsiders went wrong

(And before you tell me to just stop watching if I don’t like it - I’ve been supporting the show since 2011 by creating a significant amount of content and giving back monetarily. I have every right to critique the writing, thank you).

Honestly, I think they pulled their act together in the finale, and this season left me much more satisfied than I anticipated. That being said, there are some issues I want to address.

Major flaws:

Overabundance of characters

Undeveloped Relationships

Lack of Continuity

Problematic Representation (getting better)

Weak Dialogue 

Lower Quality Animation

The Message

Overabundance of characters

I think we can all agree on this one. There were far too many characters in season 2, but season 3 is laughable. It’s hardly a story anymore. Instead it’s an episodic series featuring new heroes each episode to appease niche comic fans.

There’s a formula for a superhero show (and any group-oriented tale in general), and that’s having a central team of five or less. Then you can introduce one or two new characters max per episode as side characters or villains. But you always circle back to your main team. YJ did a nice job of this in season one. So did most CW superhero shows before they made the same mistake of expanding their cast to make their writing task easier. (Yes, easier - new characters means you can stop developing old ones, especially with time jumps).  YJ started to narrow down the team by the end of the season, but it still left many mains as side characters / aesthetics. 

It’s great seeing these characters brought to life - I won’t deny it. But you can’t delve deep if you have this many. You can’t focus on character development or meaningful relationship development (hence why nearly every ship was established off screen). Furthermore, you frustrate fans when you focus on one group more than another. With a smaller cast you can always count on appealing to your audience because their "fave” is always present in some way. In many ways, fans feel like they’re being dragged along simply waiting for their character to pop up because of a one time cameo. It’s not fair to the audience.

The relationships

I think the only romantic relationships we’ve seen develop on screen are:

Violet/Brion

Spitfire

SuperMartian

Robin/Zatanna

sort of Roy/Jade

- and all but one were introduced in season 1. 

The others were simply introduced as a couple with little to no previous interaction. Like:

Tim/Cassie

Dick/Babs

Jaime/Traci

Bart/Ed

Kaldur/Wyynde

Gardita

M’gann/La’gaan

Mal/Karen

That is not how you write romance. You don’t stick it in there for the sake of it. You have to show us why they work, how they got there, and why we should care.  I’m not saying there HAS to be romance, but if there is, it still has to be written well. 

Continuity

This begins to overlap into the next issue, which is continuity.  I understand that Outsiders is not necessarily a new chapter to Young Justice, but if you are going to call it Young Justice Season 3, then I expect story lines to bleed over beyond just villainous deeds.  

Let’s look at Dick Grayson, for instance.  He’s one of the only mains who has had a very consistent, though shallow, character arc throughout the series.  First he wants to lead, then fears it because of the sacrifices he would have to make - because he didn’t want to be Batman.  In season 2 though, he becomes his worst nightmare.  He risks the lives of his friends, lies to his team, and ends up losing his best friend anyway.  And in season 3, we actually get a little bit of continuity here with Dick mourning Wally and being afraid to take on another team after season 2.  It could have been expanded upon, but it was still present, and I applaud the writers for that.  Especially for driving home his leadership qualities at the end there.

Now, what about the other characters, specifically those introduced in season 2?  This season is called “Outsiders,” and yet, it seems to only focus on the original team and Violet’s new group.   

What about Bart’s entire arc of coming back, stopping the apocalypse, and then losing Wally, his mentor?  What about Jaime’s home life and the lasting effects of being turned into a villain who nearly killed all his friends?  What about TIM and his role as the new leader??  Where did that plotline go?? Why is the unfamiliar Beast Boy now the leader of this Outsiders group?  How did Ed overcome his anger issues and repair his relationship with his dad?  How did Jade go from being a supportive wife and mother into the opposite?   

The writers tried to avoid all these problems by giving us a time jump.  But that’s just lazy writing if you don’t take the time to answer how things have changed!    

Also, I’ve said this before, but continuity isn’t simply having characters mourn a dead character.  You can’t keep using that plot device to give heart to the narrative.  If that’s your only source of true pathos...and that character is dead...then you’ve got a problem. 

The representation

Okay, I’ll admit they saved their asses with Kaldur. I love my wholesome pansexual rep. Would I have preferred to see his relationship occur with a character we’d already been introduced to outside the comics? Yes. But I’ll take it.

Disappointed with Ed/Bart and Bluepulse. They could have shown us more, but they didn’t. They could have given us a story, but they didn’t.  And don’t hit me with “this is a children’s show - we’re lucky to get what we get” BS.  Because it’s not anymore.  This show is literally written by adults for adults.

I really don’t want to talk about the whole Halo/Harper kiss because it was just so wrong in so many ways, but it needs to be addressed. So, first of all, if you excuse cheating in any capacity, shame on you. I don’t care what the characters are going through or how old they are. You don’t both recognize that you have significant others and then proceed to make out!! Second, what the hell?? You’re going to have the first lgbt content be a bisexual stereotype of two girls cheating on their boyfriends (and two characters who have only interacted in one episode before??) Not to mention, underage drinking and gun use? That sends the wrong message to the audience, even if the teens were reprimanded.  

Also, Halo is supposedly non-binary, and yet they explained it away by technology, so idk, I’m hesitant to count it as legitimate rep. I still think it was a good discussion to have. But yeah...

Finally, Halo is not Muslim rep after all.  She’s a hijab wearing character, but she does not identify with her faith or her culture. She outright rejects it in her scene with Harper. So...what? Is she diversity points that you can continue to violently kill off over and over?  Not a fantastic way to treat POC. I don’t think the creators meant any harm by it, but it’s something they need to consider going forward.

(I do appreciate the number of POC characters that have been introduced however. Especially the Latinx and black characters. This show has improved its diversity. But without proper characterization, they’re sort of just...there).

Dialogue

I can’t be the only one who cringed through entire episodes this season?  Some episodes had stellar writing. But the bad ones were very, very bad.   Obviously, not every joke is going to stick the landing, but if you’re going to kill off your beloved comic relief character, you have to have a better backup plan.   

Like, do you guys remember how witty some of the lines from the pilot were?  The whole “Speedy” vs. “Kid Flash” debate in the opening sequence?  You can tell how much effort went into those scenes.  How much love was given to those characters. Because they knew that was their only chance to hook the audience, to get a green light for a full season.  So they put everything into character development and plot - and now they’ve lost so much of what made the show precious in the first place.  (It’s still precious, but it’s tainted in many ways for me now).

Animation

It’s gone downhill. That’s really all I can say without being mean.  Some episodes seem slightly better than others, but if you compare the animation from 3x01 to an episode like Failsafe...there’s just no comparison.  I could hardly watch Wally’s scene without frowning at the frame rate.

Message

I don’t understand what the show is telling us anymore (or I didn’t, before Black Lightning gave a very “on the nose” speech about what it is that we were supposed to take away from this season).

I mean this has always been an issue with the show, but at least it was a little clearer in season 1.  Then, we had several themes:

Found family (+ Actions speak louder than heritage)

Don’t call us sidekicks (AKA the kids can make a difference)

Secrets are poison (They can tear a team apart. Trust in friends)

Season 2 was a little convoluted...and sort of just recycled material. 

Secrets are poison (dammit, Dick)

You are in charge of your own destiny (Jaime/Connor)

Sacrifice (Kaldur, Artemis, Wally, Bart...they all gave something up for the greater good).

But what is the message of season 3?

Secrets are still poison (Tara, Violet, Batman v. Wonder Woman team)

I suppose it’s about healing and letting others in?  Like how  Brion and Victor have both worked through their anger?  Artemis and Jefferson and Dick and Gar sorting through their grief...somehow...off-screen...(except for the episode devoted to Artemis saying goodbye to Wally.)

Perhaps...accepting yourself?  (Victor, Violet, Brion, Connor?)

Do you see my issue here?  How much harder it is to see what I’m supposed to take away from the show now?  I’m not saying there aren’t any good messages being told, but they’re difficult to interpret.  Sometimes that can be good.  But this time I’m on the fence.

Conclusion

I love many of the characters from this show, but the fandom acts as if the writing is impeccable, and that’s just not true.  Not everything is bad.  Some of it is still miles beyond other animated television (looking at you vld).  And I genuinely enjoyed about half of the episodes this season. But I think it’s important to recognize the flaws in media, as a writer myself, and as a consumer of these shows.  

Plz be civil in the comments, and understand that this is only my opinion. 

[oumakokichi]

I will be quite honest: after reading all of Kaito's FTE, I really enjoyed how much the writers of DRV3 completely demolished Kaito's shounen protagonist BS and exposed it for the terrible kind of blind optimism that it is. Also, the way Kaito talks to Shuichi during his last FTE about how Shuichi's horrible guilt from exposing a murderer who was perfectly justified in taking revenge and basically just dismisses Shuichi by calling his guilt stupid really irritates me because it's like Kaito neve

This ask for some reason only showed me the first part when it sent but when I refreshed, there was the second part, sitting in my inbox. (I think the amount of asks I get sometimes just makes my inbox do weird things).

For people who haven’t yet read Momota’s FTEs, you can find them in my Free Time Event tag, here!

Anyway, this is a really good ask and I’ve taken my timeresponding because there’s a lot to address.

I want to start off by saying that I do like Momota as acharacter. I think he means well, I find his interactions pretty humorous, andhis contributions in Chapter 5 are extremely memorable. I haven’t made it asecret that I do like and enjoy Momota—so by responding to this ask, I want tomake it clear that this is an analysis of his flaws and the things that couldhave been done better, not my attempt to hate on him or anything.

Momota is a good character, but I think he could have beendone better. I agree with youentirely, anon; in fact, one of my biggest faults with Momota as a character isthat I think the subversion of the “shounen protagonist” trope should have been…well, more of an actual subversion.

Momota is perhaps one of the characters with which hisintended role in the game is played the straightest. I understand what Kodakawas going for with implementing a character who thinks of himself as theprotagonist and the main character, only to have to come to terms with the factthat he’s not. And in theory, it works quite well. But the problem is, Momota’splot relevance and hero syndrome gets amped up far too much for it to reallycount as a proper subversion.

The biggest problem with calling it a subversion is the factthat at some point, everything in the game, everything in the narrative, getsattributed to Momota. And this isn’t wrong on its own necessarily—if thecharacters had actually realized further down the line or addressed the factthat Momota wasn’t quite as much of a successful leader as they were making himout to be or responsible for the things they were crediting him with, thatwould be one thing. But it’s just never addressed.

At some point, the characters all, for the most part, creditMomota with doing nearly everything. Maki’s character development and growth asan individual? That’s Momota’s doing. Keeping everyone alive? That’s Momota’sdoing. Even knowing the full facts about the Chapter 5 trial and the fact thatmost of the lines Momota was saying in the Exisal were scripted by Ouma, mostof the characters attribute the plan as if it were something Momota helped tocreate himself, rather than something he agreed to.

A female character’s entire character arc is boiled down to,“she’s only changing because she’s in love,” so much so that it gets kind ofpainful to read at some point. Tsumugi says it, Saihara says it, pretty muchall the characters imply it at one point or another. Maki’s autonomy and chanceto shine on her own as a character who can grow and develop for reasonsunrelated to Momota is overshadowed entirely with, “well she’s changing, yeah,but really this is all thanks toMomota.”

Meanwhile, it’s true that Momota does want to keep everyonealive and help them, yes—but ndrv3 spends so much time emphasizing the factthat blind optimism and trust and cooperation are all incredibly dangerous andshouldn’t be played right into, yet never seems to properly address Momota’sfaults in particular for playing into these things the most.

His reckless, shounen protagonist behavior gets them allinto trouble more than once. Chapter 4 is where things come to the biggestboiling point, as you pointed out. His reckless and stubborn refusal to changehis opinion or doubt someone like Gonta even when concrete evidence was rightin front of him literally put all the group’s lives at risk. Had he been moreconvincing than Saihara, had the group decided to follow Momota’s opinioninstead and vote for Ouma, they would all have been killed.

This is something that I think Momota definitely realized hewas in the wrong for later on and felt guilty about—but even still, most ofChapter 5 is spent with him avoiding the issue entirely. He continues referringto Saihara by last name instead of the more familiar first-name basis by whichhe’d been calling him exclusively ever since halfway through Chapter 2, avoidseye contact or bringing up the things he said at the Chapter 4 trial wheneverpossible, and doesn’t actually apologize for the things he said until very latein the game, during the Chapter 5 post-trial.

What’s more, the narrative continues to act as if Saiharahimself was somehow at fault for how things turned out in the Chapter 4 trial,even though it was clear that he wasn’t siding with Ouma at all but simplytrying to be objective as a detective. Momota not only berated and insultedSaihara at the Chapter 4 trial, but also threatened to hit him again, tellinghim to “open his eyes,” and see that “Gonta wasn’t the culprit”—but thesethings get brushed almost entirely under the rug by Chapter 5 in favor ofacting as if the awkward period of not talking to each other was somehow both their faults instead of somethingthat Momota had done to Saihara.

This is what it means for a narrative to give a character afree pass. It’s perfectly fine for a character to make mistakes—it’s justpreferable that those mistakes are addressed in some way and the character isheld accountable. But at some point it becomes pretty apparent that Momota isn’texactly held to the same standard of accountability as some of the othercharacters by the narrative. There’s this definite feeling by some of the laterchapters that even when Momota is wrong, he’s also right somehow. Most of the figures who we see disagree with him infact are either killed off incredibly earlier (Ryouma comes to mind), or elsepurposely portrayed in an antagonistic and hostile light, in order tounderscore why everyone else in the group thinks they’re wrong, like Ouma.

As you mentioned, there is a lot in Momota’s FTEs and in hischaracter in general that doesn’t quite get addressed, at all. Most of it canbe summed up as toxic masculinity that never gets called out or treated as aflaw by the narrative. Momota’s entire method of dealing with problems is “shapeup, get over it, stop being so weak”—but this almost entirely translates to “stopbeing such a sissy/such a girl.”

Whenever anyone disagrees with him, his solution is to getloud, reckless, even violent, often threatening to hit people. The whole “hittingpeople to make them ‘snap out of it’” trope is already tired and overdone, inmy opinion, but it’s especially telling that it’s treated as something we’resupposed to see as inspirational and uplifting by the narrative, rather thansomething uncalled for or unnecessarily violent. Even Momota’s apology toSaihara at the start of Chapter 2 is rushed and doesn’t really address the rootof the problem.

For instance, look at his reasons for training with Saiharacompared to his reasons for training with Maki. With Saihara, the problem isthat Saihara is “too weak.” He’s “fragile,” “too emotional,” he seems like “toomuch of a sissy” to actually carry on Kaede’s will. Momota wants to train thosething right out of him and “make him into a real man.” It’s one thing toacknowledge that Saihara’s anxiety and dependency is something holding him backand preventing him from moving forward even when he promised Kaede, but it’scouched entirely in terms of masculinity, “becoming more manly,” etc.

By contrast, Maki is someone who he welcomes into theirgroup because he notices how hard she is on herself and wants her to come toterms with her backstory and move past it, yes—but also his reasons areentirely centered around the idea that there’s something wrong with girls specificallybeing trained to kill.

The reason he asks about Maki’s time at the orphanage isbecause he thinks it’s “more natural for women to take care of children than touse weapons,” and that’s pretty straightforwardly misogynistic. It’s notsomething that’s ever once brought up as a problem, either. There’s never anyacknowledgment of the fact that Maki’s backstory is fucked up because she was achild who was trained to kill. It’s always instead about how she was a girl who was trained to kill.

Even the whole optional event where she discusses a targetshe was sent to kill at a cosplay convention is framed in a way that made me sortof uncomfortable, because it was supposed to be “cute” and “humorous” that shewas swarmed with tons of otaku photographers who mistook her for a cosplayer.Even when she talks about how horrible the punishment she got was for failing tokill the target afterwards, it’s something Saihara and Momota laugh about as ifit was a cute and endearing story, rather than a story about a kid gettingabused horribly by the assassin network she was forced into.

Again, all of this feels less like a subversion of theshounen protagonist role which Momota embodies and more like… playing it 100%straight with no punchline and no criticism. I don’t think Momota is the worstndrv3 character by any means, or even a bad character, but I do think there wasa lot of room for improvement with him, and it’s one of the reasons he’s gonesomewhat further down on my character ranking than the first time I used thesorter. I still like him—quite a lot, in fact! But I feel as if the narrativespends too much time trying to make me like him without quite addressing thethings he does wrong, and I’d rather have seen his character used to subvertsome of the more overdone tropes in shounen fiction.

His last FTE with Saihara, as you pointed out, feels like itplays right into all of these things I’ve mentioned. It’s all very nice andwell that he agrees to help Saihara and wants to support him “because Saiharais his assistant,” but it still ends on a note of there being… not very equalfooting between the two of them. Saihara says it might happen “someday,eventually,” but there is this very real sense of Momota not exactly takingSaihara’s thoughts or feelings into consideration.

And again, I feel like Chapter 4 does tackle the issue ofMomota looking down on Saihara somewhat, because we see clearly then that eventhough Momota kept telling Saihara to follow his own reasoning as a detective,he wasn’t prepared to actually accept that reasoning when it led to a conclusionhe didn’t like, such as Gonta being the culprit.

But whereas the issues of jealousy and subconsciouslylooking down on someone close to you are handled pretty regularly in Personagames, with Junpei and Yosuke both, the entire jealousy issue is both revealedand resolved in about five seconds in the Chapter 5 post-trial. There was verylittle time spent addressing it, and since Momota dies immediately afterward,there’s never any coming back to the issue or touching on it again, whereaswith Junpei and Yosuke, their jealousy of the protagonist was something thatwas worked through and moved on from over the course of the entire game,culminating with their friendship being healthier and stronger for it afterresolving the issue.

All of this leads me to back where I started, I suppose, insaying that I think Momota is a really good character and I do like him, butthere were definitely things left to be desired. I think these particular flawsand the lack of innovation and subversion is probably why Momota scored a bitlower on the Japanese popularity poll too, in hindsight (though I also think it’sstill partly due to Japanese fanartists not liking his design as much). Momotais fun and great and I do think he means the best, but the Kamina-trope hasbeen done before. In a franchise built on subverting tropes and clichés, thereneeds to be more of an actual subversion in my opinion, rather than playingright into all the same pitfalls that these tropes have offered in other media.

Anyway, this is my take on it. This ask was very good and Ireally did enjoy the chance to think critically on Momota’s character and writeup an analysis like this. I enjoy discussing ndrv3 and its cast quite a lot—discussingthe things that I think could’ve been done better is part of the fun, too! Thankyou for asking anon!

[recentanimenews]

THE GREAT CRUNCHYROLL RE:ZERO REWATCH Prepares for Battle In Episodes 16-20

Hello again, and welcome to the penultimate installment of the GREAT CRUNCHYROLL RE:ZERO REWATCH hosted by me, David Lynn! Last time on Re:Zero, everything fell apart in spectacular fashion for Subaru, and he hasn't taken it well. This week we venture further into Subaru's self-destructive tendencies that last week established, but end up moving toward a resolution every party may be happy with. Most satisfylingly, the issues with Subaru that commenters Pure6Evil and Heavenspiercing brought up last week come to the forefront with the developments here. But how does our panel feel about it? Let's find out!

    Let’s start with the biggest moment, the entirety of episode 18. Subaru’s self-destructive arc ever since the royal selection began comes to a head, and both he and Rem are forced to face their issues. Was this a satisfying payoff for you?

Kara: Yes… and no? From a purely fictional standpoint I really love the scene. The voice actors did an amazing job, Rem’s description of a happy life with Subaru got me in the heart, and it really did seem to be cathartic. If these were two of my real-world friends, I would probably bop Subaru in the head for asking Rem to be his #1 cheerleader right after the bait-and-switch he pulled on her, then take Rem out for margaritas and teach her how to be a good friend to him that still calls him out on his BS.

Paul: I'm glad that Subaru is finally addressing his personality problems, which he admits stems from a deep-seated sense of self-loathing. I'm less satisfied with Rem being there to prop him up. Social support is great when you're dealing with these kind of issues, but it felt like Rem was going beyond that, to the point where she was almost volunteering to annihilate her own self-hood for Subaru's sake, and that's not ideal. At least she shot down the idea of them running away together.

Noelle: I’m mixed on this. On one hand, Subaru being honest with himself, that he’s not a hero, that he is well aware of his flaws and how deeply rooted they are, that’s pretty good! A lot of this segment was him lashing out at things not going the way he ideally wanted, and being able to admit his own flaws was satisfying. Acknowledging faults is the best way to start working past them! Rem talking about how happy Subaru makes her is very sweet, letting herself have some personal happiness. But that Subaru instantly gets better and more charismatic after a girl gives him her love… that’s not really such a good look. Subaru’s problems run deep, and having a heroine in his life that loves him shouldn’t instantly change things around. And it doesn’t! Subaru still feels like the same person, self-hate or no! Give him more confidence, sure, but the way things were handled didn’t leave me too pleased.

Kevin: In short, that conversation is fighting for my favorite moment in the entire show. It does go a bit too over the top with Rem’s later parts, both in terms of animation (why so many birds? Where did they come from?!) and her actual confession, but any time that two characters have a conversation for 15 minutes and it’s engaging almost the entire time, clearly the show’s doing something right.

Joshua: This moment really was a long time coming for Subaru. After shouldering so much pain and trauma from the time loops, it was inevitable that the emotional pot was going to boil over, and spill out. While it’s easy for us and other characters to criticise him, Subaru’s admission that he hates himself was painful to watch. He’s made monumental mistakes like at the royal selection, but he’s also shouldering a lot of blame he can’t even tell anyone about. Having to watch loved ones die over and over, struggling to save them only to fail again at the next stage… I don’t blame him for wanting out. As Rem said though, that wouldn’t be the Subaru she loves. Rem countering Subaru’s self-loathing by pointing out what she loves about him was so sweet and moving. That whole scene was beautiful and a definite highlight of the series for me, although the “I love Emilia” line that sent the fanbase into a rage, sure did end it on a bum note. I just wish Rem could find someone who will reciprocate the love she deserves, because while she may be a demon, she’s an absolute angel.

Jared: I think for me, I don’t know that he’s actually done anything to improve himself. Having a big vent session like that can be cathartic when you’re bottling up all kinds of emotions like he clearly is, but trying to justify all the crappy things he did by saying he hates himself doesn’t do a whole lot for me. The fact that he has an idea where this all comes from is good. He just now has to actually learn from what he did and that’s where I don’t know that he’s actually come to that conclusion or even had it cross his mind. Considering by the end of it he’s back to thinking he’s the only one that can be the hero and save everything. It all just seems like an excuse for him to show why he’s been a complete turd and then have him do nothing to show that he’s going to improve in any sort of way.

Carolyn: I hated it at first. Rem was being super sweet and supportive and Subaru was being extremely self-centered even in his admission that he hates himself. She was telling him how she sees him and he kept turning it around to his own feelings. I loved it when she called him out a little bit… and then absolutely hated it again when she decided to cheer him on when he completely stomped on her heart.

Danni: I’m real glad this little character arc is over for Subaru. I’m not going to lie, it hit real close to home when he came around and admitted he had just been overcompensating for his own self-loathing. Self-loathing is a real vicious cycle. When you spend all your time stuck in your own head you become acutely aware of your own flaws and become paranoid that everyone else is just as aware of them. It’s tough to admit your own flaws and even tougher to own up to them, which Subaru finally did. Real maturity means being able to see things outside of your own point-of-view, and that means trusting in the things the people around you see in yourself that you cannot. I think Subaru took an important step towards maturity by accepting Rem’s love for him, and he showed even more maturity by being honest with her about his own feelings. The worst thing he could have done for her is avoided her feelings or lied about his own.

Austin: Personally, yes. I’ve seen this scene a few times now since I always end up rewatching it when I go to grab screenshots from it and every single time it’s made me cry. I love their putting everything out on the table, I love their monologues and how they paint a crystal clear picture as to what’s going on in each of their heads, and I love the conclusion as the laugh about their future. I was never (and likely never will be) frustrated that he rejected Rem, since it’s clear that he was doing it out of desperation and Rem could easily tell.

  The two sides of this arc—the royal selection and the Witch’s Cult—seemed like completely unrelated events up to this point. Do you like how the show managed to pull them together at the last minute?

Kara: I kind of suspected they’d be tied together because I get very Occam’s Razor about shorter anime (I know this comes from a long-running light novel, but I’ve not read it and we only just learned about a new season). That said, I do like where this is going. I’m always interested in world-building, and this is finally getting us into the meat of a lot of things I’ve been curious about.

Paul: Are they pulled together? I still don't know why the Witch Cult is targeting Emilia specifically, or what stake—if any—they have in the royal selection. With only 5 episodes left in this season, I fear we won't see a satisfying resolution to this story-line, because there's been a whole lot of “mystery box” style set-up and not a lot of pay-off.

Noelle: I’m with Paul on this one, that it doesn’t really feel that cohesive. Several times I found myself wondering what exactly the cult wanted. While I could certainly guess, there’s nothing really concrete to confirm things so far. They’re interesting plot points separately, but it doesn’t feel like they’ve managed to mesh very much.

Kevin: I like it on a conceptual level, because it helps make the world feel more interconnected by having different factions play off of each other. On a practical level, I feel like the Cult got revealed a bit too soon, and without enough gravity. When Subaru is having multiple mental breakdowns and we learn that Felt is the last candidate to lead the country, we don’t care nearly as much about a bunch hooded guys that appeared out of nowhere.

Joshua: The curse of enjoying an adaptation of an ongoing series, is having questions but no ETA on the answers. I think given Emilia’s similarities to Satella, and the Witch Cult’s obsession with the Jealous Witch, a collision course was inevitable. I think Re:ZERO’s biggest issue right now, is a lack of focus. Why was so much time spent building up Betelguese, if the attention was going to shift to the White Whale? His only appearance in this chunk felt too throwaway given how shocking his introduction was... It still feels like early days for the royal selection though, with most of the other candidates only having brief appearances so far. Hopefully as the series goes on, things become more naturally intertwined as these plotlines grow.

Jared: It does sort of feel like they’re trying to patch it together last minute since like some of the others, I’m still not entirely sure why they’re targeting Emilia specifically. I just figured it was due to the backlash in general she’s already faced, but yeah, probably one of those things that can be boiled down to an adaptation of a long series. Sometimes these kinds of aspects get jumbled when trying to squeeze a lot into a certain set of episodes.

Carolyn: Yeah, I’m also with Paul. I’m at a loss as to how it all actually ties together. I feel like there are so many loose ends to this story! But I love it, anyway.

Danni: I’m with the others in that I don’t quite understand why she’s being targeted or what it has to do with the royal selection. I’m guessing it has something to do with her looking like the witch, therefore being guilty in their eyes of impersonation? Which begs the question of why are they only just now attacking? Was she not already well known? I always assumed she was a prominent figure already before the Royal Selection and am now realizing we don’t actually know anything about her backstory at all.

Austin: Echoing everyone else’s thoughts on it not really feeling tied together. I think with the announced second season it’ll get a chance to wrap everything together nicely, but as of now there’s plenty shrouded in mystery.

  A surprise favorite for me is Wilhelm, the knight whose wife was the strongest swordsman and was tragically killed by the White Whale. What did you think about the sudden focus he gets, and largely the shift in tone (and genre?) that the whale hunt brings?

Kara: I wasn’t sure how I was going to feel about the whole White Whale thing, but seeing it evolve into what it is has been fantastic. I love Wilhelm (and all those other people) stepping forward for the hunt, and just this sheer wave of emotion people are getting. Wilhelm is the only one with a flashback, but even with the minor characters coming in, it’s clear how many people this has affected. I’ve enjoyed this a lot.

Paul: I'm still waiting for the White Whale thing to come full circle in some sense, in order to complete the Moby Dick reference. I enjoyed the flashbacks to young Wilhelm and Theresia, specifically to how her prowess completely, effortlessly overshadowed his own, and it was fun to see modern-day Wilhelm carving chunks out of his hated nemesis, but I admit all of the literary allusions gave me pause. Moby Dick is a story of self-destructive obsession, and I had no idea how an army armed with swords and spears could possibly prevail over the Re:ZERO equivalent of the Tarrasque from Dungeons & Dragons. I still don't know how they're going to salvage victory from the jaws of defeat after the conclusion of Episode 20.

Noelle: Wilhelm is straight up awesome. An old guy going absolutely ham on a gigantic monster was so, so great to watch. As for his backstory, I think I would have been fine without seeing it, because what they showed more annoyed me than endeared me. It was framed more as Wilhelm wanting his wife not to wield a sword because, what exactly? She seemed to be perfectly capable of doing so and not against it. Having her being dead and him wanting revenge was good enough without those details. Cut the flashback, and I think I would’ve been perfectly fine. The old man is taking this whale to town though, and that’s fantastic. 

Kevin: As a first time viewer, it was really cool seeing someone actually competent at fighting getting to show off. I think the last time we saw an actual fight like that was Reinhard versus Elsa in the first arc, and Reinhard only really attacked once. As a repeat viewer, it somehow got even better, because I know Wilhelm’s backstory going in, so every blow he deals has a lot more cathartic weight behind it.

  Joshua: I’ve been a huge fan of Wilhelm since the series first simulcast, but I totally forgot just how kinetic this old man is! I mean, did you see how cool he looked when he was younger? He totally puts me and my out-of-shape younger body to shame. You gotta think, his body may be grey and wrinkled now, but that badass is still inside. Wilhelm is a very noble, chivalrous spirit. Him thanking Subaru for the opportunity to avenge his wife was a brief moment, but it carried the gravitas of what that meant to him. I’d like to see more of Theresia and what brought them together though. The White Whale Hunt has added a new layer of world-building emotional death to the series that I think it really needed.

Jared: Oh man, Wilhelm ruled. I was really feeling down on the three episodes prior to the White Whale battle and that really turned things around for me. Although, I’m a sucker for big battle sequences. Plus, he made his fight sequences seem like some of the boss fights out of Metal Gear Rising and Shadow of the Colossus. What happens to him seemed kind of inevitable as he was getting all the death flags you could imagine, but I enjoyed his role and his backstory for the most part. Although the weird sexism he throws in when he learns his future wife is the swordmaster wasn’t great.

Carolyn: I love Wilhelm for sure. But I’m a little bit nervous about this big fantasy shift. We’ve had this dark, mysterious story so far and now it’s big and epic and there’s a huge battle and it’s just very different. I’m sure the next week’s episodes will make this all make sense to me. The show has been fantastic so far.

Danni: I said this at some point during the Naruto rewatch and I’ll say it again: I live for stories about old men carrying lifetimes of regret finally returning to the source of that regret for closure. I could say more, but I feel the rest is best summed up in this tweet.

Austin: I really like the focus he gets since it makes the world seem a bit more “alive” by giving the spotlight to characters who have a history in the world everyone else knows. As for the whale hunt, I love the band of everyone coming together under a common cause and my gut tells me the whale is going to end up being important later in the story.

  As we approach the final week, are there any developments you are hoping the story hits upon before it wraps up (for now)?

Kara: Like I said, we know there’s a season 2 coming. And there’s something like ten volumes of light novel? So I’m bracing myself to not get a full payoff. If there’s one thing I could wish for (and probably won’t get) it’s more information on Roswaal’s entire situation. I have so many questions.

Paul: I'd like to know, at the very least, who's responsible for siccing the Witch Cult on Emilia in the first place. That would provide a clear antagonist and a clear goal in opposing them for the second season.

Noelle: I want to know what the cult’s deal is. There are so many unanswered questions of what is the witch and why do they want to do what they do that leave me wondering. I don’t need everything to be mapped out, but the cult doesn’t really have a motive besides kill people, and I need more than that to feel the gravity of an antagonist. I don’t think everything will wrap up neatly, the royal selection in particular, but that’s okay because season 2 is incoming.

Kevin: I’m not sure there’s anything I can say that wouldn’t be spoiler-y in one way or another, so I’ll leave my thoughts about the last arc of the show for next week. I promise, I have thoughts.

Joshua: Having already seen the series, I’m hoping that I pick up on any new hints I missed the first time round that could give me an idea of what to expect in season 2.

Jared: I’d be happy with a decent cliffhanger and getting a better view of a singular antagonist than what we currently have. Stuff like Roswell, the whole royal selection process, the other candidates true intentions, and even Subaru’s goal of trying to save Emilia will probably be left on the table because of time constraints.

Carolyn: Definitely want to know what’s up with Roswaal. I have loved and been suspicious of him from his first episode. And just more of an explanation on the White Whale situation. There are three?! What is going on?

Danni: I just want to see more Beatrice. That’s all. At this rate my Betty reserves will never last me through the winter.

Austin: Back when I watched this for the first time I wanted a meaningful scene where Emilia and Subaru get a chance to talk. Like I said before, I’m hoping the second season ties everything together, so I’m pretty fine with it being this open as of now.

  And of course, what were your highs and lows this week?

Kara: High point was Wilhelm going absolutely HAM on the White Whale. I could watch that for hours. Low point was Subaru managing to convince one perfectly lovely girl who deserves better to help him in his pursuit of a completely different perfectly lovely girl who deserves better and her being like “sure.” I’ve finally realized why people are so protective of her.

Paul: My high point was Subaru admitting that he's been royally screwing up this entire time and then working up the courage to face his problems, to make amends, and to finally start using his head when confronting the obstacles before him instead of trying to brute force his way through every situation. My low point was the sinking feeling I got when I realized there's not very much screen time left for the writers to resolve all of these plot points that they've been juggling. I hope they don't just introduce a bunch of new mysteries and leave us with a cliffhanger conclusion.

Noelle: I have a few highs, one being the negotiation scenes with Subaru and the candidates. That people are not willing to help if there’s no benefit to them, that begging is often nonconductive because that relies on people’s goodwill even if helping would hurt them more than help them—those are some points I don’t see addressed very much. Also, Subaru putting together all the information he got from the candidates during his failed route to make a great negotiation. Naturally, I have to mention everyone coming together to beat up that whale. Low point: the Rem confession scene. That could’ve played out so much better. Rem, you deserve better.

Kevin: High - Dear God it’s hard to choose this week. Pretty much the entirety of episode 18 for Subaru and Rem was amazing (I cite my first answer for the week), but episode 20 for Wilhelm (and a little bit into next week’s first or second episode, if I remember correctly) balanced action and character development spectacularly while also being great on rewatch because of the extra knowledge going in. Low - “I love Emilia.” God DAMN IT, Subaru! As I put in the Rewatch chat “Episode 18, timestamp 23:23. The moment when half of the Re:Zero fanbase decided that Subaru deserves every single thing the plot throws at him.”

Joshua: This batch had so many high points. Subaru’s breakdown and Rem’s heartfelt confession is a big tentpole moment for the entire show, but smaller events like Beatrice’s pained face as she reluctantly sent Subaru to his death left a huge impression too. I also loved the use of an annoying chiptune ringtone against shots of a tense, nervous army awaiting the arrival of the White Whale. It sounds ridiculous on paper, but was so chilling in practice. Also, Crusch. Every time she was on screen was a high point. For a low point, I have to ask: where did Subaru get the authority to negotiate Roswaal’s mining rights? He’s just a house guest and Rem’s a maid, so will Roswaal return home, see the contracts and be “Argh! Not again!”, or does he pay wages with land deeds or something?

While I loved it, I also think the confession scene could have ended better. Subaru, you don’t just ask a girl to elope with you, then say you love someone else. I wish Rem had reacted to it more. Her devotion for Subaru is leading to her taking it all in stride, but she shouldn’t have to. She deserves to find someone who truly appreciates her.

Jared: High point would definitely be the White Whale battle episodes. Wilhelm being real cool during that fight was great, as was everyone else doing their best to try and that big whale down. Also, during the meeting when Subaru produces his phone and everyone looks at it and are very perplexed was a good little bit of comedy. Low points would be Subaru being a dummy. Reducing Rem to only being a character that exists because she has to love Subaru.

Carolyn: I liked the scenes where everyone just flat refused to help Subaru for their own selfish reasons while simultaneously telling him how very selfish he is. Everything involving Wilhelm was fantastic. Prequel please. For once I have a legitimate low point and not one I have to stretch for and like everyone else it’s the way Subaru promised to run away with Rem and was then like, “Yo, help me out with this other girl I actually like.” Rude.

Danni: My high point was easily watching buff Captain Ahab tearing apart his flying magic Moby Dick. My low point is Rem devoting herself entirely to Subaru. Like, I get it! You’re 17! Of course you want to devote your entire life to the dude you have a crush on! One day you’ll grow up and how to compartmentalize attraction away from love and attraction and look back on all your bold declarations of love for Subaru and think, “Oh geez. That was embarrassing huh.”

Austin: As for highs, this may sound bad but the loops of suffering Subaru goes through that lead up to the scene in episode 18 are done really well in my eyes. Between last week’s scene with Subaru and Emilia and Subaru seeing everything he cared about in this world destroyed time and time again this week, it broke him down in a way that made his request and rant to Rem really hit hard and easily one of the most unforgettable batch of episodes in any anime for me. As for lows I didn’t really notably dislike anything in this batch so I will instead complain that my favourite voice actress’ characters didn’t get more screen time (please give Anastasia more time to shine, I am definitely not biased at all).

    Counters: Weekly: Barusu - 7 Subaru Deaths - 1 Methods of Death - Freezing

Overall: Barusu - 31 Subaru Deaths - 10 How Subaru Died - Disembowelment, Disembowelment, Stabbing, Curse, Combination (Curse+Dismemberment), Slit Throat / Torture, Suicide, Freezing, Beheading, Freezing

Just one more week left in this whirlwind of a show! Next week will be episodes 21-25, so if you're not already caught up, be sure to finish Re:Zero by next Friday!

Here's our upcoming schedule!

- Danni will finish off the Rewatch on October 18th with episodes 21-25

  CATCH UP ON THE REWATCH:

Episodes 11-15: Enduring Heartbreak

Episodes 6-10: From Apples To Demons

Episodes 1-5: Starting Life in Another Rewatch

Re:ZERO Introduction Questions

  What are your answers to the above questions? Do you agree with Subaru's choice to pursue Emilia over Rem? Let us know in the comments!

  -----

David is on Twitter @navycherub. Ask him about whatever sports anime is airing right now.

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