#caller tune distribution

[syrodigital]

Happy Independence Day to Everyone. We all have proud to be an Indian.

Proudly Say We ae Indians 💪 ❤️😍

#syrodigitalmusicdistributionindia #happyindependenceday #independenceday #syrodigital #syrodigitalmusicdistribution

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[radhikabihani]

[syro-digital]

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[divyac15]

[whatsnewalycat]

RUTHLESS

Stepdad Joel Miller x Reader

Rating: Explicit (18+ ONLY)

Word Count: 5.1k+

Warnings: DDDNE, literally just a fucked up stepdad/mom's bf fantasy, could read "mom" as tess but I don't name her or assign physical features to her or reader, post-outbreak, reader is def over 18 but not by much so yeah age gap, NON-CONSENSUAL, power imbalance, unethical d/s dynamic, slapping, spanking, punishment, orgasm delay/denial, humiliation, degradation, face fucking, anal sex, little to no aftercare

A/N: Category is "That old man would fucking never... but if he did..." Please be mindful of the warnings and don't read if it might trigger you. Sorry, mom. Sorry, God.

[ my masterlist ] [ taglist ] [ AO3 ]

------

Within the secluded world of your big noise-canceling headphones, you scan through silence on the CB radio, pausing for a few seconds on each channel before moving on to the next. 

Channel 11: Nothing. 

Channel 12: Zilch. 

Channel 13: Nada. 

When you turn the dial to channel 14, though, you pick up chatter and start transcribing. 

Channel 14 7/17/22 19:56

—got a bundle of carrots today. Budaydas, onions, too. Want me to come by tomorrow and make some stew? Over. 

Got enough for the kids? Over. 

And leftovers. Over. 

I’ll be at Margie’s around supper time. Over and out. 

The air goes silent.

After a minute goes by with no follow up transmissions, you glance at the clock. 7:58. Almost time for check-in. 

You tune the radio to channel 32 and review your transcription. 

Many people speak in code, encrypting their messages in seemingly benign conversations. To the untrained ear, they’re normal exchanges, people making small talk about jobs and rations and kids. Goodnight calls and check-ins that use predictable inquiries to convey messages. 

—got a bundle of carrots today. Budaydas, onions, too. Want me to come by tomorrow and make some stew?

Most of it you can translate from memory. The drug traffickers that use channel 14 have frequented the same lingo for years. Likely because of the high turnover rate of personnel. There’s less confusion that way. Confusion in communication raises more alarm bells for eavesdroppers than using the same code words across the board. 

You flip through your cipher for channel 14, searching for budaydas, but find nothing. Scrunching your nose up, you say the word out loud, “Budaydas. Buh-day-das.” 

Carrots, onions, budaydas in a stew. 

“Oh,” you nod in understanding, then jot down your translation, muttering under your breath, “Fucking Boston accents.” 

(Someone) picked up tranquilizers, benzos (budaydas = potatoes), and opioids. The caller wants to meet up and trade as previously agreed. 

The rest of it is easy enough to interpret without the use of a cipher. You probably don’t need to write down the translation, but do it in case your mom or Joel need to reference the notes at a later date. 

There’s enough to distribute product across their network of dealers in Boston QZ, plus more to stockpile. They’ll meet at their hub in Area 1, Margaret St, at midnight. 

You exhale through slack lips, glancing at the clock as it ticks over to 8:00, then pick up the microphone and hold down the speak button. 

“Radio check.” 

A few seconds go by before you hear a familiar gruff voice crackle over the radio waves into your ears, “Loud and clear. Over.”

Your nostrils flare when you hear him. Joel Miller. The bane of your existence. Your de facto stepfather, only because you don’t really remember life without him by your mom’s side. 

This isn’t to say he’s a father figure to you by any means. The two of you never shared the kind of heartwarming paternal bonding moments you read about in books. That would require warmth and vulnerability, which he distinctly lacks. 

Once, when you were maybe 11 or 12, you made the mistake of calling him Dad. The way he looked at you made you feel like dirt. Fire burning behind his dark eyes, he corrected you with one stern syllable that taught you your place: “Joel.” 

You sit up straighter and take a moment to gather yourself before responding. 

“Did you get your message from Uncle Paul? Over.”

“I did. Over.” 

“How’s the weather in Kansas City? Over.” 

“Cloudy. Over.” 

Fuck. 

You swallow around nothing, then clear your throat and ask, “And Grandma, how’s she? Over.”

“Fine, just busy is all.”

You exhale a sigh of relief that melts the tension between your shoulders. Joel continues. 

“Anything new with you? Over.” 

Tapping your fingers on your notes, you answer, “Rumor has it the market is gonna be busy tomorrow. Harvesting time, I guess. Other than that, same old same old. What about you? Staying out of trouble? Over.”

It feels strange, having a casual conversation with him like this. Even if it’s just a data exchange dressed up as a casual conversation. 

There’s a long pause, then he says, “Fine, yeah. Well. See you soon. Over ‘n’ out.” 

Stiff as a board. Cold as ice. Joel Miller, everyone. Round of applause. 

You snort, rolling your eyes as you unplug the headphones and toss them on the table. It takes a moment for you to re-acclimate to your surroundings. 

The dingy two-bedroom apartment is quiet and still. Outside, the setting sun casts the world in a dark golden haze. A FEDRA patrol vehicle roars down the street, broadcasting the curfew alert from a loudspeaker. Faint shouting from a few units down momentarily piques your curiosity before you decide it’s none of your business. 

You stand from the chair and reach your hands above your head, lungs expanding in a powerful yawn, then take a lap around the apartment to stretch your legs. 

Something catches your eye when you walk by the entry. A note slipped under the doorframe. On the outer fold, your name is written in a familiar scrawl. 

Your heart skips a beat. 

You pick it up and unfold the paper, revealing an invitation. 

I miss you. Come over when you’re done surfing the airwaves. XO, Bert. 

Warmth trickles down between your thighs. A smile spreads across your face. You glance up at the door, then to the CB radio and scanner on the desk. 

Indecision churns in your belly. 

You are explicitly forbidden from leaving the apartment while your mom and Joel are out on runs. A safety precaution you’ve protested dozens of times to no avail. They expect you to stay put and warn them if you notice any signs of potential danger. In return, you receive a cut of the profit and a roof over your head. Security, in short. Which is more than most could say. 

That being said… You break this rule from time to time, when the circumstances allow. 

Like when the Fireflies and FEDRA have been quiet for weeks and there are no smoke signals in sight. Like when you’re five nights into a seven day seclusion and think you might die of boredom if you don’t get the fuck out of here. Like when your boyfriend slips a note under the door and asks you to come over. 

You look down at the paper in your hands, re-reading the words I miss you. 

Fuck it, what’s the worst that could happen? 

—

Just before midnight, you wander down the hallway to your unit, jelly knees wobbling with each step. As you absentmindedly trace your tingling lips, still puffy from kissing, you unlock the door and push it open, then frown. 

The lights are on. 

They were off when you left, you’re sure of it. When you step further into the apartment, your foot catches on something. A backpack. This faint buzzing starts behind your ears as you blink at it, wishing it would go away.

Motherfu—

“Where the fuck have you been?” 

Your stomach plummets to the floor when you hear his voice. A thick knot of panic tightens around your windpipe as you look up to find Joel standing just a few paces away in the living room. 

He stares you down, dark eyes glowing with fury, and questions you again, “Where were you?” 

“N-nowhere.” 

The blatant lie sits sour on your tongue. His lips purse, so you fumble out another, “I went for a walk.” 

“A walk,” he repeats, tone disbelieving, “You went on a walk after curfew wearing that?” 

You look down at your clothing. A short skirt and tank top. Your throat bobs in a guilty gulp, then you meet his eyes again and nod. 

“And when did you leave on this ‘walk?’”

Your mind whirs as you try to come up with an answer. It feels like a trap. You try to calculate an answer that will provide minimal blowback. 

“I don’t know, maybe twenty minutes ago?” 

“Try again.” 

The electricity humming through you takes on a red, frustrated edge, and you snip, “I don’t fucking know, dude. It was a while ago, I wasn’t paying attention. Where’s my mom?” 

“Your mom sent me here to make sure you were alive,” he says pointedly, taking slow, deliberate steps towards you, “We’ve been tryin’a reach you for three hours. I got here an hour ago. That’s a helluva lot longer than twenty minutes, ain’t it?” 

Shrinking into yourself, you search his face. Jaw set, eyes boring into yours. Waves of anger roll off him as he approaches, and you remember all those rumors you heard about him on the radio. The fear you heard in grown men’s voices when they recounted run-ins with that bitch and her guard dog. 

You remember what Bert said about him: He’s fucking ruthless.

“You aren’t supposed to leave the apartment when we’re outside the QZ.” 

“I know.” 

“Then why did you?” 

Your heart thuds against your ribcage. 

Joel has never directed this kind of outright anger towards you. Sternness, sure. Contempt, maybe. But this is different. You’re in fucking trouble. 

There has to be a way out of this conversation.

You drop your gaze to the floor and ask, “Is my mom ok? Did something happen to her?”

“Don’t change the subject.” 

Righteous indignation straightens your spine and wills you to meet his eyes again, “I’m not saying shit until you tell me what happened to her.” 

“She sprained her ankle, but she’s fine. She’s safe,” he tells you, then takes another step forward, “Why did you leave?” 

You respond by rolling your eyes. 

“Answer the question.” 

With an irritated sigh, you search his face, then tell him, “You don’t know what it’s like to be here. Isolated for days or weeks at a time. I fucking hate it. It’s so lonely and boring, I feel like I’m losing my mind—”

“Oh, cry me a goddamn river.” 

You scowl at him, staring him down, “Fuck you.” 

“Watch your fucking mouth, you disrespectful little shit.” 

Red flashes through your field of vision, hot and angry and defiant. You gather the moisture in your mouth on your tongue and spit at him. It splats on his cheek. 

His face twists up with fury for one second before he charges, closing the distance between you. The impact pushes your back to the door with a thud. 

He grabs your jaw, fingers digging hard into the soft flesh of your cheeks. His eyes are hot coals, burning into you. The muscles in his jaw twitch, nostrils flaring, breath shaky. 

When he speaks, it’s through gritted teeth, “You don’t know what it’s like out there.” 

“No, because you won’t let me fucking leave—”

“You should be fucking grateful, you know that? Being here is a fucking cake walk. Your mom ‘n’ I have seen things, done things—horrible things you couldn’t even imagine,” he husks, searching your face, grip tightening so hard it makes you whine. “We keep you safe, and all we ask is that you stay put and keep a lookout for us when we’re gone.” 

Even if you wanted to respond, you can’t. The vice grip he has on your face renders your mouth immobile. 

All you can do is stare back at him, studying his furrowed brow and clenched jaw. Full lips pinched thin as he glowers at you. 

You notice how close his broad body is to yours. The heat radiating off his tightly-wound muscles onto your skin. His ragged breath scatters across your face and wafts into your open mouth. You taste the bootleg whiskey on his breath and your pulse jumps. 

Warmth drips down your spine and pools at the center of you, a horrifying sensation that makes you squirm.

“Were you with your little boyfriend? Hmm?” he asks, eyes darting around your face, trailing down to your body for a moment before returning, “That boy downstairs? Figure you musta been, on account of how you’re dressed.” 

You don’t say anything. You can’t. But it doesn’t matter, because it’s not really a question. 

“Abandoning your post to go out and get fucked, is that it?” 

A whimper slips from your throat as heat swells beneath your skin. 

He wouldn’t be treating you like this if your mom was here. He wouldn’t say these things or be this close to you. Knowing this, you understand that whatever is happening right now is wrong. 

You also understand that you like it. 

You hate that you like it, and hate him for making you like it, but you like it all the same. 

Letting go of your face, he demands, “Answer me.” 

“Fuck you.” 

Before you even realize what’s happening, you feel a sharp, hot sting on your cheek and yelp.

He fucking slapped you. 

“Wrong answer.” 

“What the fuck is wrong with you?” you retort, bringing your hand to the welt forming on your cheek, “I’m gonna tell her.” 

“Yeah? You gonna tell her I found you sneaking in at midnight, too? That you compromised our safety to go out ‘n’ get dicked down?” 

You harden your gaze on him, lips pressing together with disdain. 

“She wouldn’t like that, would she?” he asks, the smallest smirk tugging at the corner of his mouth, “She’d probably kick you out on your ass.” 

“She wouldn’t. You guys need me.” 

“And you need us,” he counters, searching your face, “So what do we do to make sure this doesn’t happen again? Hmm?” 

A dozen inappropriate images flash through your head, each more lurid than the last. An electric, tingling feeling shoots out from the base of your spine and works through your extremities. 

You swallow hard and shake your head, “I won’t do it again.” 

“If I don’t punish you, you will. You’re fucking disrespectful. Selfish. You need discipline.” 

Again, a flash of frustration taints the world red. Crossing your arms over your chest, you scoff, “Just because you’re fucking my mom doesn’t mean you’re my dad. I am an adult and you are not the boss of me.” 

He sighs and takes a step back, planting his hands on his hips. His gaze drifts around the empty apartment, jaw gnashing back and forth for a moment before he returns to twist the deadbolt closed and grab your arm. 

“What the f—” you swat at him and dig your heels into the floor, but it does nothing as he drags you by his steel grip, pulling you stumbling along behind him into the living room. 

He sits on the couch and forces you to lay over his bent knees, one big hand securing your wrists behind your back while the other flattens against the swell of your ass cheek. As soon his touch leaves, it returns, a sharp snap tingling across your skin. 

Shocked doesn’t even begin to describe the chaos throbbing through you. 

“You’re right, you’re an adult. And I’m not your dad,” he asserts, lifting his hand. Your whole body clenches in anticipation. “But as long as you live here, I am the fucking boss of you,” he slaps your ass again, “Do you understand me?” 

It surprises you when you hear yourself sob, “I’m sorry—”

He does it again and again, hissing, “Yeah, you’re fucking sorry now, aren’t you?” 

Each firm slap he lays down is firm, unflinching. Ruthless. 

It overwhelms your senses and becomes the only thing you feel. The universe world narrows down to just his palm on your skin. The reliable and exquisite pain ringing through you. Smack. Smack. Smack. 

Every time he draws his hand back, you don’t think you can handle it again. But you do. 

Soon, you start to crave the impact. His skin on your skin. You can’t feel the start or end of it. It’s just him and you. Pain and pleasure. Sobs and moans, all blended together. 

Far away, you hear him chide you for not wearing underwear beneath your skirt. Then he asks, “Are you fucking enjoying this?” 

Too ashamed to admit it, all you do is whimper in response.

Smack. 

He sucks in breath through his teeth, then grabs the meat of your ass and rumbles, “You do, don’t you?” 

When his grasp on your wrists releases, you pull your elbows beneath you and look over your shoulder at him, watching as he spreads your cheeks apart and stares down between your legs. You’re probably shiny and wet with the evidence of your desire. 

His lips form an ‘o’ when he kneads you back together and spreads you apart again. The motion teases all your hungry nerves and makes you moan. It feels so fucking good. 

You realize then that he’s grown stiff against your belly, hard cock leaving no mistake. 

“You fucking like it, too, don’t you?” you ask him, your voice breathy and amused, “I can feel how turned on you are.” 

Slipping a hand between your bodies, you press against his strained zipper. His cock jumps at the contact, and he groans, dragging his fingers through your slick lips. 

“Oh my god,” you gasp, eyes fluttering closed as you nod in approval. He works your clit in steady, firm circles while you smooth your hand along the big bulge in his pants, letting out a string of whines at the bubbling pleasure inside you. 

You lose yourselves here, both of you squirming and panting and petting the other. So wrapped up with how fucking good it feels that you forget to feel ashamed. 

When he smacks your ass now, you croak through clenched teeth, “Fuck yes.”

He likes that you like it. You can tell by the way he groans and throbs beneath you. This knowledge inspires your pulse to pound and your muscles to tense. 

“Joel,“ you whimper, opening your eyes to meet his heavy-lidded gaze, “I’m gonna fucking come, don’t stop—”

“Did I give you permission to do that?” he asks, slowing his touch to a torturous rhythm, “Did I say you could come?” 

You shake your head and whine, “Please, Joel, please—”

“Are you sorry for what you did?” 

“I’m sorry—”

“Are you gonna do it again?”

“No no no, I won’t, I promise, I’ll be a good girl—”

He groans, tossing his head back as you frantically rub at the bulge in his pants. Your palm chafes against the stiff denim, but you don’t stop. You would do this for eternity if it meant he’d let you find your release. 

“Oh yeah, you’ll be a good fucking girl for me?” he asks, touching you just soft and slow enough to twist your nerves ragged, but keep your orgasm out of reach. 

“I will, I promise. Please, Joel,” you whisper, holding his gaze as your face gets all hot, “Please make me come, please please—”

“Show me you mean it.” 

He doesn’t need to explain what he means. While he takes off his jeans, you scramble off his lap and kneel between his spread knees. His eyes stay glued to yours as you slide your hands up his thighs. 

Batting your lashes at him, you wrap your lips around his swollen cock. He fills your mouth. He feels smooth but hard against your tongue. He tastes salty and heady and when you inhale the musk of him, you moan around his girth. 

Nodding, he anchors his grip behind your head and bucks his hips, forcing his dick down your throat. When you gag, he doesn’t let up, but thrusts into the sensation, grunting, “Fuck. Yes,” before letting you pull off, gasping for air.

You wrap your hands around him, all shiny and slick with drool, and pump his length for a moment while you catch your breath, then take him in your mouth again. 

This time, you sit up taller. You relish the stretch of your lips as you bob up and down. Savor the tug of his fingers curled tight in your hair. Memorize the sound of his huffs and grunts as he fucks your face. The wet squelching gurgle of his cock squeezing down your windpipe. 

“Look at me,” he orders, so you do. 

He’s all blurred from your watering eyes, but you can make out the dark irises and stay locked onto them while relaxing the muscles of your throat to take him easier. When you make an enthusiastic humming noise, he groans. It’s wanton and lusty and lights a fire in your belly. 

Joel has never treated you this hard or soft. His regard for you has always been callous. Closed-off. Indifferent. With your assistance on the radio, he treated you like a tool for survival. Before that, or even in-between smuggling runs, he treated you like some kind of a household pet he had little regard for. Your mom’s responsibility, never his. 

For years and years, you ached for more. 

When you were younger, you used to sit up nights and wonder if he’d ever consider you his daughter. He wouldn’t, though. He won’t. 

But this is something. 

Distinctly, you want to please him. Be the best he ever had. You want to sink your claws into his brain and leave your mark for years to come. You want him to look at you after this and feel a flicker of desire and self-loathing. You want him to think of you when he fucks your mom. You want him to hate how you made him feel. 

When you pull off him and start to work his soaked length with your hands, you pant, “Does that feel good? Am I doing a good job sucking your cock?” 

“It’s good,” he nods, lets out a groan that pinches his eyes shut, then meets your gaze again, “So fucking good, Jesus Christ. Is this what you were out doing tonight? Sucking cock?” 

“Not tonight.” 

“But he fucked you, didn’t he? That boy?” 

You nod, stroking him slower. His eyelids flutter. 

“Did he fuck your pussy or your ass?” 

The question sends a jolt through your middle. You recall the sex you had with Bert. Barely an hour has gone by since he pulled out of your cunt to shoot his load on the mattress, but it feels like a lifetime ago. 

“My pussy,” you answer, then gather a thick, hot wad of saliva on your tongue and spit on his cock. You spread it with a slow churning motion, watching Joel’s face twist up with pleasure. 

“Were you bein’ smart about it at least?” he asks, studying you, “We don’t need you getting knocked up.” 

“He pulled out,” you shrug. 

He grunts in acknowledgment, then sits up and pulls on your arm to join him on the couch, “C’mere.” 

You follow his guidance, lying back on the cushions as he strips off his shirt. 

The only times you’ve seen him shirtless were accidental and slightly embarrassing for both of you. But now, you notice how his smooth chest glows in the dim light. Now, when you drink in the sight of his big arms and broad shoulders, heat bubbles up your spine.

While you pull your tank top off over your head, he tugs your skirt down your thighs, asking, “You ever taken it up the ass?” 

You shake your head. 

His eyebrows jump a little like he’s surprised. A sadistic kind of smirk plays across his lips as he pushes your knees up to your chest, then spreads you apart, the head of him nudging at your backdoor. 

He doesn’t ask for permission. He doesn’t ask if you want it this way, or if you want him to be the first. He doesn’t even warn you about the initial shock and pain you experience when he rocks his hips forward and breaches the tight hole. 

You yelp and try to lurch away from the sharp pain, but he grabs you and holds you there. 

Sitting up on your elbows, you cry, “That fucking hurts, Joel.”

“Wouldn’t be much of a punishment if it didn’t hurt a little, would it?” he murmurs, disinterested, watching your asshole stretch to accommodate the head of his cock. 

The sensation is overwhelming. Like being stabbed or split open. At first, you hate it. You sputter and gasp and shake your head as he pushes himself in further and further. 

Then he pauses the invasion, releasing his steel grip on you to tilt your chin up and meet his gaze, “Just relax.”

His eyes burn into yours, making your pulse jump. You bear witness to his heaving chest and parted lips and feel him twitch inside you. Sparks sizzle across your body, but you still scowl at him. 

“It hurts, I don’t like it.“ 

“It’ll get better, you just gotta relax,” he coaches.

“Why can’t we just have normal sex?”

He grunts, thinks about it for a moment, then tells you, “First off, this is not normal sex,” he points between your chest and his, “This will not be a normal thing, you understand?” 

It stings a little, if you’re being honest. But you nod, “I understand.” 

Nodding, he licks his lips. He throbs inside you, hips jerking a little in reaction. This time, the friction feels good enough to make you whimper. 

“Second, we don’t need another mouth to feed around here,” he says, searching your face, “We’re stretched thin enough as is. You know what I mean?”

“But if you—”

“Pulling out can still stick. This way’s tried and true, trust me.” 

“Trust you,” you scoff under your breath and roll your eyes. 

“What’s that?” 

You meet his hardened gaze, feeling emboldened enough to ask, “Do you fuck my mom in the ass?” 

“That’s none of your business,” he warns. 

“So, what, you can interrogate me about my sex life, but I can’t do the same?” 

“That’s right,” he barks, “Know why?” 

In response, you glare at him. 

He takes this moment of bitter silence to drag his knuckles up your slick, swollen lips. The light touch branches out beneath your skin and makes your heart pound. You gasp a little, but try to hide it. He clocks it immediately. 

“There we go,” he murmurs under his breath, almost as an aside, smoothing the pad of his thumb in soft circles on your clit. Pleasure churns beneath the touch, hot and hungry for more. When you whimper, Joel’s eyes go wild for a second, then he says, “I am the fucking boss of you, understand?” 

You swallow a moan as he arches forward and starts to roll his hips. It feels better now. Good. Fucking amazing, almost. Electric and gooey. He fills you so completely with each thrust, you wonder how you can even breathe. 

“So if I tell you to be home, that’s where you’ll be. If I ask you where you’ve been, who you were with, what you were doing—you tell me the truth. Understand?” 

Nodding, you gasp, “I understand.” 

“You don’t get to ask me about your mom. You don’t tell your mom. You don’t sneak out to go get fucked by some boy who doesn’t even know what to do with you—”

“Holy shit, Joel I’m gonna—” you gasp at the pressure building at the base of your spine, spreading thick and hot and delicious across your body. 

“And you don’t come without my fucking permission. Understand?” 

“I understand I understand,” you cry, literal tears burning behind your eyes at the ache of trying to keep the ecstasy at bay, “Please can I come, please please please—”

“Are you sorry?” 

“I’m sorry, I’ll never do it again—”

“That’s right, you’ll never fucking do it again. Why’s that?”

“You’re the boss,” you beg, your voice so raw and pleading it sounds foreign. He pounds into you now, a wet slap that echoes off the apartment walls. It takes all your concentration to keep your pleasure contained, to not spill over the edges, but you hear yourself babble somewhere far away. 

“You’re the fucking boss. I’m sorry I’m sorry I won’t disobey you again I’ll be a good girl I’ll do anything just please give me permission to come daddy please please please—”

When he moans, loud and depraved, it just about breaks you, but you manage to keep your resolve long enough for him to pant, “Go ahead, let it go.” 

With a choked sob, you untether your pleasure and allow it to expand, growing hot and wide and unlike anything you’ve ever felt. Every muscle in your body tenses up as the sensation swallows you whole, then spits you back up, sending wave after wave across your body.

“That’s it, that’s a good girl,” he grunts, taking his hand from your clit to hold your knees down and fuck your ass hard and fast and ruthless.

It surprises you when heat starts stretching out from the middle of you again. Your heart starts to race as the feeling grows. 

“Ffffuuuuck,” you whimper, “That feels so fucking good—”

“I told you, didn’t I?” 

“You did you did holy shit,” you meet his eyes and nod frantically, “I love it I love it—please can you come in my ass?” 

“Is that what you want? Want me to come in your tight little asshole?” 

A feral noise escapes you, and you sob, “Yes—”

“Do you wanna come too?”

“Yes—oh my god, yes, please please please daddy—”

“Come with me, baby.”

You let the feeling overtake you again, gasping out, “thank you thank you thank you,” as it takes you strong and fast. Pleasure pulses through your body, causing you to convulse and strain against Joel’s grip spreading you open. He releases a moan from his belly and gives you a hard, deep thrust that he holds for a shuddering moment. After emptying himself inside you, he pulls out, falling back to his seat on the couch. 

Chest heaving, you prop yourself up on your elbows and study him. He pinches his eyes shut and catches his breath before meeting your gaze again. 

His expression goes soft long enough for something dangerous to flicker between you. 

Then he turns away and starts getting dressed. 

“Get yourself together, I’m gonna go get your mom.” 

As you sit up, you fold your legs into your body and watch him button his shirt. 

“Joel—”

He looks at you, searching your face expectantly, but your brain goes static and you’re not even sure what you were going to say. 

“This stays between us, understand?” 

His tone is firm but gentle. You swallow hard and nod, “I understand.” 

Nodding, he glances down at your lips, then back to your eyes. He rises to his feet to leave, but before he does, he leans down to press a kiss into your forehead. 

“Good girl.” 

[ NEXT PART ]

[lili-loves-whump]

can u write abt a hero and villain who everyone thinks is enemies but r actually in love??

Love ur writing!!

heeeeeeey anon, sure I can do that!!

lili-loves-whump presents:

Sky Blue Ties

Hero patted down the fabric of their suit. Their hair was pulled into a ponytail, slick at the back of their head. It hurt.

Their suit was deep black, and as they walked up to the door of the ballroom, the music slipped through the crack in the door.

Grand piano tunes.

Crashing violin melodies.

Flutes- so many different notes in flute.

Hero took a final deep breath, before stepping inside and beginning to walk- float, almost- down the steps.

"(HONORIFIC - LADY OR SIR) (FIRST NAME) (LAST NAME)," the caller boomed, his projection reaching the end of the hall. The king and green sat, a glass in each of their hands, watching with pursed lips as they continued down the steps.

Their eyes swept the room, trying to find someone they knew.

Medic was by the punch bowl, discreetly using a dropper to distribute the pink liquid into a tiny vial. They shook it around, frowning as the grapefruit-coloured juice turned a deep indigo.

"Medic," Hero muttered, bowing their head slowly, "do you remember the plan?"

"Of course, Hero," Medic said simply, sharp eyes squinting. "But why were you announced as (FIRST NAME LAST NAME)?"

Hero squirmed in their suit and rubbed a hand over their neck. A smear of foundation came away with their fingertips.

"I need an alibi, daring Medic."

Medic seemed content with this, smirking and turning towards the dance that had ensured. "Don't drink the punch," they said, blending into the crowd.

Hero looked around slowly, ignoring the whispers around them.

"Have you seen the person in blue?"

"Sky blue- yes. Like that person's tie, right there."

"Their looking at us! Oh, you fool, you should have said nothing!"

Hero glanced down at their tie, sky blue with embroidered clouds, before glancing over their shoulder.

Villain was dressed in a sky-blue jumpsuit, the fabric flowing off their body like silk. They caught Hero's eyes and smirked, stepping forward.

"Hey, darling," they purred, "I knew the matching was a good idea. Care to dance?"

Hero went bright red, against their better judgement. They glanced at the food table, and the alcohol spiked punch, then back at Villain, a playful smirk dancing on their lips. Wit a sigh, they extended their hand.

"Sure."

Villain took their hand and bowed, holding back a chuckle as Hero did the same. The pair walked away, ignoring Medic muttering under their breath.

"Not in love, my ass. Go have fun, Hero. I'll continue the mission on my own, apparently."

[suhanimehra]

[ujmklnmnb]

I AM TANU YADAV I AM A SINGER

[syrodigital]

A New Bhojpuri Movie song by Famous Singer- Antra Singh Priyanka & Rinku Ojha's Song High Voltage Low Battery.

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[grantgoddard]

Radio is my bomb? : 2003 : the DAB digital radio customer complaint hotline, The Radio Authority

The Bomb Squad arrived in vans, ran into the Holborn office block and up its staircase to the eighth floor. We watched events unfold from the car park below, the assembly point to which our organisation of forty-odd people had been evacuated an hour earlier.

That humdrum morning had been interrupted by a large cardboard box delivered by Royal Mail to our office. It was not particularly heavy but had lots of stamps on the outside with a ‘Belfast’ postmark. If you were a celebrity or public figure whose opinions were widely distributed, you might anticipate threats would occasionally be made against your life. If you had a desk job in a little-known British government quango, your greatest work challenge might normally be choosing where to lunch. However, that morning, the box’s addressee Soo Williams was taking no chances. The emergency services were called.

Eventually, the ‘suspicious package’ was removed by ordnance experts and exploded elsewhere. It was found to contain nothing but paper. Printed petitions signed by hundreds of Belfast citizens demanding that religious community radio stations be licensed locally. Williams’ name had been written on the box due to her recent promotion by The Radio Authority to manage the launch of ‘community radio’. Returning to our desks after the false alarm, I ruminated what those god-fearing citizens who had toiled to gather so many signatures might have thought of having been suspected by the recipient of being terrorists.

That morning’s event exemplified the disconnect between the regulator of the radio industry and the public it was supposed to serve. Someone with an interest in the UK community radio movement would have known that tiny unlicensed radio stations had existed for years on both sides of the Irish border, broadcasting church services and information to their communities. Indeed, one history argues that the Catholic Church in Ireland was “the world’s largest pirate radio operator”. However, few of The Radio Authority’s desk-bound administrators demonstrated interest in the medium they were employed to regulate. I was the only employee to have worked in a community radio station (licensed in a 1970’s experiment), having been a founder member of the Community Radio Association two decades previously. But now, within this dysfunctional workplace, I was regarded as the office junior … at the age of forty-four.

Back at my desk, I returned to taking regular phone calls from members of the public dissatisfied with the new-fangled DAB ‘digital radio’ receiver they had just purchased. I never quite understood why the switchboard regularly passed such calls to me, as I bore no responsibility for DAB radio, and my colleagues in the Development office suffered no such impositions. It was already self-evident to me that the rollout of this new radio technology had been disastrous for listeners, though I was expected to defend the system, and worse … to blame the listener for its inadequacies.

Staff were issued with a ‘helpful’ sheet of topics to raise with complainants about DAB. Suggestions to be made to members of the public experiencing difficulties tuning into stations on their new receiver included:

move your radio nearer a window

listen to the radio in an upstairs room

your residence might be constructed of the wrong materials

your residence might be located in a valley

your residence might be located in a dense urban area

your residence might be in an apartment block or a basement

you may need to install a rooftop antenna.

Many callers were understandably baffled and annoyed by these ‘answers’ to their problems, proffering a torrent of abuse or hanging up. Many had spent around £90 on a portable DAB receiver and expected it to deliver what the industry’s marketing had promised – ‘crystal clear’ reception of a wide choice of radio stations. The most popular receiver, the ‘Pure Evoke-1’, had been designed to be portable and had no socket to even attach the suggested external antenna, let alone the connectivity to update and improve its software. And why did it resemble a wooden post-war radio in an era when connected mobile phones were looking increasingly futuristic?

One of my callers’ commonest gripes was the result of DAB radios having been marketed and sold nationwide, even though many parts of Britain had yet to be connected to the DAB transmission system. In this instance, all I could suggest was that the consumer return their receiver to the shop and demand a refund because no digital stations were yet audible locally. I too shared this problem because, although The Radio Authority had denied me its Christmas cash bonus in 2002, I had received the DAB radio gifted to all staff. It remained in its box as I was living in Brighton, where DAB transmissions had yet to arrive.

The root of the dissatisfaction with DAB radio was not the technology itself, which had been a smart European innovation, but the way it had been implemented by Britain. Those critical roll-out decisions had been made by people like the ones in my workplace: administrators who had no experience working within the radio industry, encouraged by technologists keen to promote anything ‘digital’ with an evangelical fervour, oblivious as to whether consumer demand was evident. At the top of this unholy group of conspirators were government civil servants who mistakenly believed that Britain and British industry could dominate global markets by adopting a technological standard in which the rest of the world had shown scant interest. Meetings of this cabal seem to have merely intensified their cult-like determination.

The stumbling block their paper plan faced was the disinterest of the commercial radio industry itself which, at that time, was profitable and had expressed no dissatisfaction with its existing, robust FM radio transmission system. When The Radio Authority advertised the first national DAB multiplex licence in 1988, it faced the very real possibility that no radio companies would submit bids. To avoid this embarrassment, the regulator had to ‘strongarm’ Britain’s largest radio group into making the only application. GWR Group plc’s then chief executive Ralph Bernard later admitted:

“GWR was encouraged to apply for the national [digital] licence, and was under some pressure to invest in the opportunities for a national licence from the then regulator [The Radio Authority]. Had we not done it, there would be no national DAB platform now. Not only that, [the regulator] did not know what they would have done on the question of national radio stations with regard to the opportunities given by the then government to renew their national licences for a further period of time if they were to commit to going digital. But how can you [do that] if there are no opportunities to go digital because there is no national multiplex? When I put that question to The Radio Authority, I was told that the answer was: ‘We don’t know what would happen – there is no Plan B’. It was just an assumption that someone would go for [the national DAB multiplex].”

“When we were seduced into believing that this was going to be the only [national digital] licence, we realised that there would be substantial losses, but the payback would be when you have the opportunity to be the only player in the national market for DAB. When it’s The Radio Authority, an agency of government, you tend to believe what you are told. On that basis, the investment was justified and, at the time, getting it through my Board was not easy.”

Having rescued the regulator from potential embarrassment in its ill-judged pursuit of the DAB dream, Bernard naturally now held some sway over The Radio Authority and its decisions. There evidently did exist such a thing as a free lunch for its senior managers when Bernard would invite them to The Ivy restaurant in anticipation of outcomes coincidentally beneficial to his business. On two occasions at the regulator, my actions threw a spanner into this cosy relationship and I suffered consequences (written up here and here) from my bosses, despite me having acted in what I believed was the public’s interest. I learnt to my professional cost that I was supposed to be a ‘civil servant’ to commercial interests, not to our citizens.

How did the story end for commercial radio? Badly. GWR Group plc’s subsequent merger with Capital Radio Group plc, both profitable public companies prior to their investment in DAB, proved a financial disaster, their DAB assets were divested for a song, an offshore investor acquired the merged business and Bernard exited the industry. This tragedy was repeated in the lower echelons of the radio business when the entire UK commercial radio industry had to be rescued by private investors. Most local radio stations that had existed since the 1970’s were replaced by national ‘brands’. Local content all but disappeared. Thousands of radio professionals lost their jobs.

How did the story end for DAB radio? Even worse. In a presentation I was commissioned to make to the board of the second largest radio group in 2012, I predicted that the government would kick the much heralded ‘digital radio switchover’ date into the long grass. I was pooh-poohed by the company’s technologists at the meeting, but my predictions came to pass … while theirs turned to dust. Naturally, I was never invited back. British commercial radio’s enormous investment in the disastrous DAB platform impoverished the entire sector, reducing it to little more than a jukebox music service for listeners who lacked Spotify accounts.

The deluded dream finally died in 2016 when ‘Pure Digital’, the ‘great white hope’ of British designed DAB radio receivers (though manufactured in China), was sold to Austrian company Aventure AB for £2.6m, following its £7.9m loss during 2015/6 as a result of declining sales and its "significant stock" of unsold radio inventory so old that it "needs to be assessed for risk of obsolescence."

With the advantage of hindsight, the entire DAB debacle now seemed like a rehearsal for the similar self-harm caused by Brexit a decade later. Men in suits with little or no experience of working in the real world of commerce pursued a fever dream regardless of its practicality, oblivious to its outcomes but buoyed by their mistaken sense of superiority. Their project was to foist a uniquely ‘British’ solution on the population that would purposefully diverge the UK from the rest of the world (British DAB radios would not even function in France). Their words and documents were stuffed with misinformation and downright lies that supposedly supported their theories. Without their posh accents, they could have been mistaken for used car dealers.

Despite the wilful destruction of the commercial radio sector’s economic value, talent, creativity and public service that they had fomented, many of Britain’s DAB ‘protagonists’ went on to be lauded with industry awards, honours and lucrative jobs. For anyone who followed the Brexit disaster, it will sound like all too familiar a story.

[studioaudio]

5 Creative On-Hold Message Ideas for Businesses

On-hold messages are an essential aspect of customer service and communication for businesses. They not only bridge the gap between the customer and the representative but also offer an opportunity to improve the customer experience during wait times. 

Creative on-hold messages can leave a lasting impression on your customers, showcase your brand personality, and even increase sales. In this blog post, we will explore five creative on-hold message ideas that can elevate your business’s customer service game and keep your clients engaged while they wait.

1. Customised On-Hold Music Playlist

Music has the power to evoke emotions, create ambience, and engage the listener. Curating a custom on-hold music playlist tailored to your target audience can enhance the waiting experience for your callers. Consider the demographics and preferences of your customer base while selecting music genres, tempo, and mood.

To maintain variety and keep the content fresh, rotate your playlists periodically. This will ensure that repeat customers are not subjected to the same tunes each time they call. Additionally, you can add short, branded audio clips between songs to reinforce your brand identity subtly. These clips can include your company’s tagline, slogan, or a brief message about your products and services.

2. Entertaining Trivia or Fun Facts

Inject some entertainment into your on-hold messages by incorporating industry-related trivia or fun facts. This will not only keep your customers engaged but also provide them with valuable information that reflects your business’s expertise and knowledge.

Collaborate with a professional voice actor to record your trivia or fun facts. This can lend a polished and professional touch to your on-hold messages. Update your trivia or facts regularly to keep the content engaging and informative for your customers. 

This approach demonstrates that your business values their time and aims to make their wait as enjoyable as possible.

3. Showcase Customer Testimonials and Success Stories

People love hearing success stories, and sharing customer testimonials on your on-hold messages is an excellent way to build credibility and trust. This approach allows your satisfied customers to speak on your behalf and highlight the benefits of your products or services.

Rotate the stories you share to feature different aspects of your business, including product quality, customer service, and unique selling propositions. 

To create an emotional connection with the listener, consider adding background music that complements the testimonials. This combination of authentic customer experiences and emotive music can leave a lasting impression on callers and instil confidence in your business.

4. Offer Exclusive Promotions and Discounts

Reward your customers for their patience by offering exclusive promotions and discounts available only to on-hold callers. This strategy not only keeps the listener’s attention but also incentivizes them to inquire further about your products and services.

Design limited-time offers that create a sense of urgency and excitement, and use an engaging call-to-action to encourage customers to take advantage of these deals. Keep an eye on the response rates and adjust your promotions as needed to maximise their effectiveness.

5. Incorporate Interactive Elements

Taking customer engagement a step further, consider incorporating interactive elements into your on-hold messages. Implement a quiz or guessing game related to your industry or niche, allowing customers to participate while they wait. This strategy not only makes the waiting time more enjoyable but can also strengthen your brand image and showcase your expertise.

Offer a reward for correct answers, such as a discount or giveaway. This adds an extra layer of motivation for customers to engage with your on-hold content. Utilise an automated system to collect answers and distribute rewards, streamlining the process and ensuring a smooth customer experience.

Conclusion

Creative on-hold messages can significantly enhance the customer experience, leaving a lasting impression that sets your business apart from the competition. By implementing these five ideas, you can create engaging and informative on-hold messages. 

[amarduzz]

EP:- Last

SINGER :- Amar Duzz

LYRICS & COMPOSE :- Amar Duzz

MUSIC :- ITSDJking

MIXING & Mastering :- ITSDJking

VIDEO :- Hemant Films

STARRING :- Amar Duzz ,Akki Chaudhary

D.O.P :- Kaim

Last EP Song

1 - Halat

2 - Kyun

3 - Ro Len De

4 - Yaad

5 - Tu Ta Nhi

From

Send us your feedback and suggestions at : Delhi94WaleRecords@gmail.com

Best Recording studio in affordable prices with the best quality.

Delhi94Wale is a Delhi based Recording Studio, Music Production & Indie Label for Singers, Musicians & Writers. We Distribute music on all big digital music streaming platforms and we promote good artist's music on Youtube or other social networks too. So Delhi94Wale is one stop musical place Thats pretty affordable for anyone from anywhere.

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Services we provide :

Composing/Writing/Recording/Editing

Video production of any Scale from indoor to premium story

Mixing Mastering

Processing on In a Box

Voice over/ Dubbing / Dialogue editing

Song registration

Youtube song registration (content id)

Caller tune of your song

Distribution to all major platforms (itunes,gaana,spotify,saavn and more)

Music classes all intruments

Production classes

DAW classes

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ITSDJKing Production Music Recording Studio

Address: D-28/526 Amar Colony East Gokalpur Nearby Shiv Mandir Delhi 110094

Phone: 8527088140

Whatsapp: https://wa.me/8527088140

Website: https://www.itsdjkingproductions.in/

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[radhikabihani]