#cami: creating stories and crafting worlds

[camille-aurelie-deveraux]

Hiii, beauty!

Could I please request some George content. His girlfriend is the secretary from Toto, so the two get to spend a lot of time together. Them being like Kimis parents and stuff.

Thank you so much and may God bless you!

Love is in the air

The hum of engines and the rhythmic chatter of paddock life was a comfort to Yn now. Years ago, when she’d first taken the job as Toto’s secretary, the sounds had been overwhelming—a tangle of chaos she hadn’t yet learned to decipher. Now, it was just background music to her world, the soundtrack to mornings spent typing schedules, coordinating interviews, and weaving through engineers with a clipboard in hand.

And then, of course, there was George.

She had been sixteen, a little more reserved, a little more unsure of herself when they met. He was seventeen, all bright smiles and boundless energy, already halfway in love with the world and very quickly, with her. Now, years later, as she passed through the garage clutching a coffee and a schedule, she felt the familiar tug on her waist.

"Gotcha," George whispered, his arm slipping around her and his hand shamelessly finding its way into her back pocket.

Yn didn’t stop walking. "George," she warned, though her voice betrayed her with the hint of a smile.

He matched her stride, completely unfazed. "What? Can’t I say hi to my girlfriend? In my defense, you walked right past me. That’s cruel, you know."

She raised a brow. "I have twenty minutes to organize Toto’s meeting with the FIA and get two media slots confirmed."

"Exactly twenty minutes to walk with me first." He leaned in to press a kiss to her temple, then her cheek, then finally landed one on her lips mid-step. It was a kiss that still made her heart skip despite knowing this boy—now man—for so many years.

"George," she warned again, although this time it was breathier. "I will spill this coffee."

"Risk I’m willing to take."

---

When Kimi joined Mercedes, it wasn’t a surprise. The whispers had been swirling for months—how the prodigious young talent would step up in 2025, the way he’d dominated F2, the way Toto’s eyes would light up every time someone brought up the name "Antonelli."

What was a surprise, though, was how quickly he became their kid.

"So...what do I even do at media day?" Kimi asked, nervously tugging at the collar of his team shirt. Yn was typing something out on her tablet while George leaned lazily against the garage wall, sipping his protein shake.

"You stand there, smile, say things like 'we’re looking forward to a good weekend,' and resist the urge to call the media stupid even when they ask stupid questions," Yn replied without missing a beat.

Kimi blinked. "What if they ask me about George’s skincare routine?"

George looked deeply offended. "That’s a very important question."

"Tell them," Yn added dryly, "that he uses my expensive serums without asking."

"They make me glow," George said, grinning.

Kimi looked between the two of them, exasperated. "You two are...weird."

"That’s code for adorable," George said smugly, bumping shoulders with Yn.

Yn gave Kimi a sympathetic pat on the back. "You’ll get used to us."

---

The dynamic settled fast. Kimi, just eighteen and still finding his voice, fell into the rhythm of the team under their watchful eyes. George, despite his teasing and golden retriever exuberance, took his role seriously. He shared tips, coached him through awkward media moments, and more than once lent him a pair of sunglasses and told him it was fine to cry after a bad race.

Yn, in her quieter way, always made sure Kimi had what he needed—snuck him snacks between briefings, reminded him to rest, and once, after a particularly rough qualifying, sat beside him in the hospitality unit and just...let him sit.

"It’s okay to not smile all the time," she said then, voice soft. "You don’t have to fake it."

Kimi hadn’t said anything, but later that night, he sent her a text: Thanks.

George saw the message flash on her phone. He didn't ask, just leaned over and kissed her shoulder. "You’re really good at that, you know."

"At what?"

"Loving people. Quietly."

She smiled, her black cat aura softening under his gaze. "One of us has to be subtle."

---

Their coupledom had become legend by now. Everyone on the grid knew about George and Yn—how she calmed his chaos, how he dragged her into it anyway, how they somehow balanced each other in a way that just made sense.

"Look at them," Pierre said one afternoon, nodding toward the pair walking through the paddock. George had his hand in her back pocket again, and Yn was reading something on her phone, completely used to his clinginess.

"One day she’s just gonna throw him over her shoulder and carry him out of here," Lando muttered.

"She could. She has that scary strength."

"And George would thank her."

Even Max, who rarely commented on anything remotely sentimental, had once said, "If they don’t get married, love is fake."

---

They didn’t talk about marriage much—not because it wasn’t on the table, but because it was just...a given.

"Do you ever think about the wedding?" George asked one night as they lay curled on the small sofa in their shared hotel room, post-race adrenaline finally wearing off.

"Sometimes," Yn admitted, her fingers combing through his hair. "Not in detail. Just...you. Me. Maybe Kimi giving a very awkward speech."

George chuckled. "He’d read it off his phone and accidentally open his Spotify."

"And then cry when he hears our first dance song."

"What is our first dance song?"

"I’m not telling you yet."

He pouted. "Tease."

"You’ll live."

He kissed her, gentle and slow. "Yeah. Especially with you."

🥰👨‍👩‍👦🥰👨‍👩‍👦🥰👨‍👩‍👦🥰👨‍👩‍👦🥰👨‍👩‍👦🥰👨‍👩‍👦🥰👨‍👩‍👦🥰👨‍👩‍👦🥰👨‍👩‍👦

Hello my lovely reader! I hope you had a lot of fun reading this little piece of art. I'm always so happy to receive some requests, so don't hesitate to send some!

Cami🥰👨‍👩‍👦

[fearsmagazine]

THE TOLL - Review

DISTRIBUTOR: Saban Films

SYNOPSIS: An exhausted Cami orders a rideshare at the airport at one am. Her driver: Spencer is awkward and unsettling. Her destination is her father’s house in the middle of nowhere. During the trip Cami becomes increasingly suspicious of Spencer's odd behavior. But this fear gives way to full-blown terror when their car breaks down on a secluded road. And they both realize they're not alone.

Soon, Cami and Spencer become aware of a supernatural force stalking them: the Toll Man. A terrifying presence that creates eerie and personal visions of their past and future. By playing off their worst fears he is pitting these strangers against each other until they discover that for either to survive, one of them has to die.

REVIEW: There are some stories that take place within a dream like fairy tale world with all the atmosphere and trimmings that impart an otherworldly quality. Michael Nader’s film THE TOLL creates a similar, familiar world, but with a more stark reality that is identifiable for the Millenials and younger generations. It’s a Wes Craven film for the smartphone generation.

In many ways the film is an allegory for the generations that have grown up with the internet and mobile devices. When Cami and Spencer turn onto the dark lonely road and they lose their technology they are forced to face their fears and nightmares, which take on a tangible form. It’s interesting because while their digital imprints have vanished their physical presence is still visible to the outside world, even though they are trapped in the world of the Toll Man. Early on when they are given a message by the lost souls trapped in this alternate reality it is the harsh reality of a brick through the window with a message on it. The manifestation of their worst fears are stark encounters that have substance and weight to them. They are able to pose both a physical and psychological threat to these characters. Unlike their digital personas that can distance or postpone them from the consequences of an ill conceived electronic communication, the Toll Man forces them to confront their transgressions. While some of the story tropes and character elements are more classical than cliched when considered in the overall plot, THE TOLL is a fresh, contemporary story that should resonate with a wide audience.

The entire film rests on the talented shoulders of two actors, Jordan Hayes and Max Topplin, who also serve as producers on the film. They do an excellent job of presenting characters that are presented in a particular light and slowly begin to morph as they are led down the path the Toll Man takes them. Nader and his actors allow the audience to connect with these characters. There are times they are unlikable, situations where you can empathise for them, and others where you experience the sheer terror of their conflict. Hayes and Topplin do an exceptional job of creating memorable characters and an emotional experience.

Serving as the screenwriter, editor, and director, Nader does an excellent job of weaving together all the elements at his disposal to craft a haunting genre film. The nightmare sequences, as well as the Toll Man himself, have a quality that feels more like a Nine Inch Nails music video, or the early works of the Brothers Quay, than what we might typically have come to expect from this type of genre film. I appreciated that he used the visual effects to enhance the practical effects, making them feel very organic and threatening. Nader also manipulates the darkness so it feels like an extension of the Toll Man, that they’ve entered his realm. Yet it never becomes another character and remains organic to the film. You would think that two characters in a car on a dark, deserted road might be somewhat flat. However, Nader and his cast maintain high levels of energy, suspense, and terror that keeps the viewer engaged and on edge. Enhancing the performances and visuals is a great score by composer Torin Borrowdale.

THE TOLL is one of those films where you would be correct in saying that it is a harrowing tale effectively achieved through a skillful use of smoke and mirrors. Michael Nader is a talented cinematic illusionist who works with two gifted assistants to create a grand tale of contemporary suspense and terror. With Nader being at the helm of the three key components of this story - directing, screenwriting, and editing - he clearly demonstrates an exceptional level of skill as a cinematic storyteller. I would venture to guess there will be a lot more coming from Nader in the future.

CAST: Jordan Hayes, Max Topplin, James McGowen and Rosemary Dunsmore. CREW: Director/Screenplay/Editor - Michael Nader; Producers - Max Topplin, Jordan Hayes, and William Day Frank; Cinematographer - Jordan Kennington; Score - Torin Borrowdale; Production Designer - Lucas Gentilcore; Costume Designer - Nathan Laws; Special Effects Supervisor - Brock Jolliffe; Visual Effects Supervisor - Sean Roth. OFFICIAL: N.A. FACEBOOK: www.facebook.com/thetollmovie TWITTER: twitter.com/thetollmovie  /  @thetollmovie TRAILER: https://youtu.be/Pk3_UDSuWTc RELEASE DATE: In Theaters, On Demand and Digital on March 26th, 2021

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay),  or 👎 (Dislike)

Reviewed by Joseph B Mauceri

[gordonc63240600-blog]

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[camille-aurelie-deveraux]

Masterlist for Formula 1 🏎🏁🚦

Charles Leclerc:

○ The Spotlight and Us

○ Ice Ice Baby

Lewis Hamilton:

○ The Spotlight and Us

Max Verstappen:

○ Safe with you

Oscar Piastri:

○ Comfort in your arms

○ Language of Love

Carlos Sainz:

○ Head over heels in love

○ After the Win

George Russell:

○ Love is in the air

Ollie Bearman:

○ Young Love

Kimi Antonelli:

○ Cute Italian Guy

Cami: Crafting Stories and Creating worlds

My requests are always open for you, my lovely reader!

Latest Update: 12.05.2025