#carl cox limited edition

[mttimepieces]

Wild superluminova lume inlay on the bezel of this limited edition 200 pieces Zenith Defy 21 El Primero Carl Cox. This timepiece is a tribute to one of the founding fathers of House music and record producer Carl Cox and a nice collaboration between the brand and DJ. . @mt_timepiece . .. ... .... ..... #zenith #zenithdefy #zenithchronomaster #zenithelprimero #zenithforsale #zenithwatches #zenithwatch #zenithcarlcox #mensweardaily #watchcollector #swisswatches #lovewatches #watchlove #watchesph #watchesforsale #watchessentials #watchesformen #sapphire #watcheswithpatina #watchesoftheday #watchesforw #watcheslover #watchcollector #watchesdaily #watchesofinsta #watchesforher #watchesoninstagram #watchesforhim #luxury_club #watchesmania (at Miami, Florida) https://www.instagram.com/p/CpN6v2RphW5/?igshid=NGJjMDIxMWI=

[longsbook]

Virtual dj for mac free. download full version

#VIRTUAL DJ FOR MAC FREE DOWNLOAD FULL VERSION HOW TO#

#VIRTUAL DJ FOR MAC FREE DOWNLOAD FULL VERSION FOR MAC#

+ Fair amount of features to get started with DJing, including cue and loop points to jump and sample slots. It is used to play live in clubs and big stadiums, at weddings, private parties, or just to train at home. VirtualDJ PRO Full 7.0.5: VirtualDJ PRO Full is a mixing program, targeting DJs from the bedroom, mobile, and professional superstars like Carl Cox.

#VIRTUAL DJ FOR MAC FREE DOWNLOAD FULL VERSION FOR MAC#

Once you’ve got the hardware, though, the software remains free for you to use at gigs and at home. VirtualDJ for Mac - Download it from Uptodown for free. To access Performance Mode, and therefore the expanded feature set, you’ll need to purchase a DJ controller that comes with a Serato DJ Lite unlock. This will help you learn the fundamentals of mixing and allows you to have a bit of fun with your music. If you’re just using a mouse and keyboard to mix, you’ll be able to use Serato DJ Lite in Practice Mode. You can stream and mix music from SoundCloud, Tidal, Beatport and Beatsource, and can even livestream your mixes for the world to enjoy.

#VIRTUAL DJ FOR MAC FREE DOWNLOAD FULL VERSION HOW TO#

Even with a slightly limited spectrum of tools, there are plenty of features included to get stuck into whether you’ve just picked up a new controller or figuring out how to mix tracks using your mouse and keyboard. Serato DJ Lite is the stripped-back version of the brand’s leading DJ software, used by some of the best DJs in the world. + Customisable interface with multiple decks + Video mixing capabilities + Stem separation and ModernEQ for creative mixing + Access to millions of songs on SoundCloud, Deezer, Beatport and Tidal. Samples, synths, effects, and a soft version of the Prophet 5. The main downside, unfortunately, is that you’ll need to pay for a VirtualDJ License if you intend to connect a DJ controller. Recycle (PC/Mac 200, free demo) An editing. Even if you prefer using a different DJ app, you need to try VirtualDJ’s stem separation and see how this technology can change the way you mix. You’re able to isolate the vocals, drums, and other instrumentation effortlessly to create on-the-fly mashups and unique transitions. The real hook for Virtual DJ is the real-time stem separation technology and ModernEQ. You’ll have access to a bank of effects, a sampler and a library management system that offers quick searching, smart folders, playlists and more. The free software boasts state-of-the-art track separation, streaming platform integration, customisation and all the essentials mixing tools. With over 100 million downloads, VirtualDJ is a fantastic choice for beginners and experienced DJs alike.

[brokehorrorfan]

Unboxing HorrorPack - March 2021

HorrorPack is a subscription box featuring monthly shipments of four different horror movies on your choice of Blu-ray or DVD, including a limited edition title. As someone who collects horror movies and enjoys mystery boxes, it's right up my alley. I’ve detailed the films included in the March 2021 shipment below.

The only title I was familiar with in the package was Critters Attack, the fifth installment in the Critters franchise. Bobby Miller (The Cleanse) directs from a script by Scott Lobdell (Happy Death Day). Dee Wallace (E.T. the Extra-Terrestrial), who starred in the 1986 original, returns to the series as a bounty hunter - although her character has a different name for apparent legal reasons. Tashiana Washington, Ava Preston (Rusty Rivets), Jack Fulton, and Jaeden Noel (Killjoys) also star, with Steve Blum (Star Wars Rebels) voicing the crites.

Despite being made on a low budget as a Syfy original movie, the film boasts impressive practical creatures. The designs are faithful to the Chiodo Brothers' classic crites, and they have just as much personality. The film introduces a friendly crite, like Gizmo to Gremlins; a bit of an odd choice but it mostly works. The one-dimensional human story - revolving around a babysitter (Washington) watching three kids when the small yet vicious aliens invade - is regularly broken up by bursts of carnage, earning the series' first R rating.

Critters Attack was released on Blu-ray (with DVD and Digital) in 2019 via Warner Brothers. Special features include: Engineering Gore: Designing Critters featurette, Critters: An Out-of-this-World Experience featurette, The Critter Ball featurette, and scene-specific audio commentary with Miller and a crite. It also came with a slipcover.

As a collector, the greatest appeal of HorrorPack is the exclusive Blu-ray. These limited edition titles are often indie movies that otherwise may never be available in high definition, with past exclusives including The Barn, Dead Hooker in a Trunk, Night of Something Strange, 4/20 Massacre, The Black Dahlia Haunting, and President's Day.

This month's limited edition Blu-ray is After Dark. The 2013 effort is directed by Rico Johnson, who co-wrote the script with Carl Earhart. Korrina Rico, Scott DeFalco, Jesse James Youngblood, Mekia Cox (Once Upon a Time), David Thomas Jenkins, Marisa Saks, Lane Compton, and Jonathan Nsien star. The only special feature is the trailer.

I was hoping to enjoy this one, but it's a painfully generic slasher with a finale reflecting the then-popular so-called "torture porn" trend. It also features hateful language that no longer flies in 2021. It follows a group of shallow teenagers - entitled bros and catty girls - on a Spring Break trip to the sand dunes. While the film is hindered by its low budget, no amount of money could have saved it. It's so cliche ridden that it almost feels like a parody - except it's not (intentionally) funny.

Killer Movie premiered at the 2008 Tribeca Film Festival. Largely populated by TV talent, the cast features Paul Wesley (The Vampire Diaries), Kaley Cuoco (The Big Bang Theory), Gloria Votsis (White Collar), Jason London (Dazed and Confused), Al Santos (Jeepers Creepers 2), Adriana DeMeo (Without a Trace), Leighton Meester (Gossip Girl), Nestor Carbonell (Bates Motel), Torrey DeVitto (Pretty Little Liars), Robert Buckley (iZombie), and NSYNC's JC Chasez.

Reality TV director Jeff Fisher (The Challenge, The Simple Life) makes his feature debut as writer and director. Drawing on his background, the slasher follows a film crew in a small North Dakota town shooting a reality series about an underdog hockey team, but the focus shifts to true crime when a masked killer who films his murders strikes. The reality show-style talking head interstitials provide some levity but not enough to push it into horror-comedy territory, which could have improved the film. It has good production value, a strong cast, and a fun setup, but there are too many underdeveloped characters and subplots that merely pad the runtime.

Killer Movie was released on Blu-ray in 2009 by Phase 4 Films. Special features include a behind-the-scenes featurette and the theatrical trailer.

Child of Satan (also known as Neron) is a 2016 film co-directed by Mitesh Kumar Patel and Sam Son and written by Lekhraj Patel. Kacey Clarke (Resident Evil: Afterlife), Eric Roberts (The Dark Knight), Yves Bright, Caite Upton (The Amazing Race), James Martin Kelly, Raymond Forchion, Inger Tudor, and Kirk Bovill star.

Between the title and the artwork, it came as no surprise that this one is a riff on Rosemary's Baby. It doesn't bring anything new to the table, but it's so unintentionally campy that it's almost enjoyable... almost. After the premature birth of her son Neron (!), Allison (Clarke) begins to suspect there's something wrong with her baby, only to be dismissed by her husband (Bright) as the bodies of those close to her pile up. Roberts receives top billing despite limited screen time as a knowledgeable priest in an ill-fitting costume, though he earns his paycheck with his commitment to the balderdash he spews.

Child of Satan was released on Blu-ray in 2017 via Cinedigm and ITN Distribution. The lone special feature is a trailer.

From best to worst, I'd rank HorrorPack's March 2021 films as follows: Critters Attack, Killer Movie, Child of Satan, After Dark. While I wasn't a big fan of any of the selections this time around, the thrill of the unknown is what makes a mystery box so appealing. HorrorPack certainly delivers in that sense, along with the added allure of an exclusive/limited edition release. HorrorPack Blu-ray plans start at $24.99 for a single month and go as low as $22.74/month with an annual plan.

[bluebuzzmusic]

Apple Music is Using Shazam Technology to Pay Out Artists Featured in DJ Mixes

Apple Music has announced the platform will ID tracks and pay out artists accordingly within DJ mixes.

Using the widely popular Shazam technology, acquired by Apple in 2018 for $400 million, Apple Music has developed a method that will properly identify and compensate all of the individual creators involved in making a particular DJ mix — including the artists behind the music.

There are already thousands of DJ mixes available on Apple Music from Studio !K7, Boiler Room, Mixmag, Cercle and more. Over Black Music month, the platform commissioned DJ mixes from Honey Dijon, Amorphous, DBN Gogo, DJ Clue, Dām Funk, Funk Flex and others. In addition, Charlotte de Witte recently launched an exclusive residency mix series via Apple Music.

This type of payout model has been a long time coming, and will undoubtedly set the bar for other platforms that stream DJ mixes regularly. At this time, Apple Music does not allow user generated content and will only publish mixes from artists that have identified 70% of the combined tracks.

Major players in the dance music industry are raving about the new feature…

Apple Music is the first platform that offers continuous mixes where there’s a fair fee involved for the artists whose tracks are included in the mixes and for the artist making those mixes. It’s a step in the right direction where everyone gets treated fairly. I’m beyond excited to have the chance to provide online mixes again. There’s a different approach to it compared to playing a peak time set in a club or at a festival. It enables me to, without any limits, offer an insight in my music collection. – Charlotte De Witte

This is a big moment for !K7. Through the partnership with Apple we finally have a place to celebrate DJ-Kicks with additional 14 editions which haven‘t been in the market for over 15 years. – Horst Weidenmueller,  Founder, Studio !K7

  Tomorrowland is delighted that Apple Music subscribers around the world can now go down memory lane and immerse themselves in more than 100 iconic full Tomorrowland DJ sets from the 2016, 2017, 2018, 2019 festival editions, as well as the digital editions of Tomorrowland – Around the World and Tomorrowland 31.12.2020. Previously unavailable on streaming, legendary performances from the likes of Alesso, Amelie Lens, Carl Cox, Charlotte de Witte, David Guetta, Diplo, Hardwell, Major Lazer, Martin Garrix, The Chainsmokers, Tiësto and many more are now available to stream and relive – united in one magical place. – Filip Teerlinck, Head of Media, Tomorrowland

In 1992 Mixmag invented the world’s first mix CD ‘Mixmag Live’ with Carl Cox and Dave Seaman. It changed mix-tape culture, ensuring for the first time that the music heard at raves and clubs could be bought and heard whilst the royalties were paid fairly to the featured artists and DJs. Now almost 30 years later Mixmag fully backs Apple Music’s new DJ Mix technology. Mixmag’s always recognised, showcased and empowered dance music producers – working with Apple Music continues our commitment to those artists. Ensuring DJs, producers, rights holders and suppliers are given long term financial pay outs from mixes containing their work is vital in our industry and Apple Music have just made that accessible to everyone. – Nick Stevenson, Managing Director, Mixmag

This article was first published on Your EDM. Source: Apple Music is Using Shazam Technology to Pay Out Artists Featured in DJ Mixes

source https://www.youredm.com/2021/09/11/apple-music-shazam-tech-dj-mixes/

[luxuryfakewatches]

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The open dial, which keeps the beat constantly in motion with a rotating disc in the form of a vinyl record at 9 o'clock as a running seconds display, ensures a very personal touch from Carl Cox.

Any serious auction watcher will tell you that the real excitement comes from what you've just bought on the market. In collectors and collectors like me, when certain works reappear, people who follow the market for professional reasons are very interested. It tells you a lot about the market for watches since they were last sold and where they're going now, but it ultimately means collectors want to profit from their investments. The newly launched watch will be a test of the market, and something new is really overwhelming and exciting.

The Tetra measures 33mm square with 20mm lugs and definitely has a different case than its round stablemate.

In many cases, they seem to be added simply to increase retail prices, while in other cases they add fantastic extras. In 2019, we see a number of watches that fall into the latter category.

At the top of the hour, the flirt activates a sledgehammer-shaped lever ("whip" inscribed with the word "Sonnerie au Passage"), which releases the rest of the mechanism.

This new model pays tribute to the great partnership between the two brands. The new Premier Norton Edition from Breitling represents the DNA of both brands and offers wristwatch and motorcycle fans the opportunity to express their individuality

Although Quill and Pad focus on high-quality watches, we have reported from the beginning on the use of other (and sometimes relevant) luxury goods, such as cars and pens.

First, let's mess up the food. ENDS MEAT caused a storm this weekend, with grilled pigs, pork chunks and delicious spiced five-scented sausages. Narragansett washed everything there with their beer, and Blue Marble Ice Cream gave those of us a chance to eat sweets. We can also try to buy some meat from Bricks Bars (full disclosure: we bought something to take home), while Cabo Cheese allows us to circulate samples freely. Yes, we eat like kings.

This did slow down, and as grinding and polishing continued, I noticed fog forming around the hard plane. This is difficult to eliminate because one area is polished and the other area is foggy. I concluded that it must have been a micro-crack, as Jonathan Hird mentioned in his article, and appeared on the original tray made by Harrison.

If you're looking for speed and accuracy, then Alpina's Startimer model is the one for you. The padded strap ensures your comfort throughout the day, while the contrast between the matte black dial and large white hour markers makes it quick and easy to get it ready for any situation. A busy and hectic lifestyle demands the right timepiece, and whether you're running a marathon or going for a swim, this watch has you covered.

The tension between Rolex's movement innovations and the brand's practices has contributed in part to the tendency of watch collectors to ignore Rolex watchmaking.

Pam 911 - Love or Hate? Panerai is one of the "love it or hate it" brands in the world of watchmaking, and I happen to be in the former category. Its military history and unique style resonate with me. In a silent release at the beginning of 2018, I was lucky enough to receive a special Panerai limited to 500 pieces. This Panerai is known as the PAM 911 " the last of the Paneristi". For more than twenty years, Angelo Bonati, former CEO of Panerai, developed Panerai from a micro-brand to a major player in the Richemont portfolio. During his time with the brand, Mr. Bonati will be releasing numerous limited editions, but the PAM 911 will be his final farewell to the brand and its loyal fans/collectors, the "Paneristi". My love for the PAM 911 is that Mr. Bonati went back to the basi fake yeezyscs and assembl fake watchesed the watch that Paneristi wanted to see. The watch features a 44mm stainless steel Luminor Marina case with a military green dial. The dial is stunning and can appear black, grey, dark green and light green depending on light conditions; it also features a sandwich construction with an imitation copper green luster and is perfectly finished with matching gold hands. Other noteworthy features are the 8-day internal movement, without "8 days" on the dial, and the screwed back with the engraved "Previous Panteristi" and the initials of Angelo Bonati. " AB". One of the main advantages of owning a Panerai is the ability to customize your watch usi watches replicang a strap. Panerai has an extensive strap culture, with many OEM and aftermarket straps to choose from. Depicted on my PAM 911 is the new curved end leather strap from Panerai by Everest Horology Products. Everest was the first manufacturer to design a curved end leather strap for a Panerai watch to be used on a strap. This provides a seamless case connection between the watch and the strap and eliminates any unnecessary gaps. The leather is sourced from the world's best tanneries and the straps are made in Switzerland. Everest is also planning to release a curved end rubber strap in late 2019, so keep your eyes (and wallets) open! @ chronos_1010 Aleta Saeger leather from the best tanneries in the world and the straps are made in Switzerland. Everest is also planning to release curved end rubber straps in late 2019, so keep your eyes (and wallets) open! @ chronos_1010 Aleta Saeger leather from the best tanneries in the world and the straps are made in Switzerland. Everest is also planning to release curved end rubber straps in late 2019, so keep your eyes (and wallets) open! @ chronos_1010 Aleta Saeger

The Oktoberfe cheap fake g shock watches st is just around the corner a www fake watches nd soon it will be again: “O'zapft is!”. The traditional Regine Sixt Damenwiesn will take place this year on September 24th, the first Oktoberfest Monday, in the Schützen festival tent. Over 1,000 women from all over the world celebrate at this event. High-ranking decision-makers from business, politics and culture come together here for a good cause.

However, given its impressive 80,000 A/m (1000 Gauss) antimagnetic class, Outdoor 41 AntiMag can arguably be part of A third wave of practicality that is becoming more popular in the field: this tool avoids the errors caused by imprecision. Electronic devices that we stick to day and night. To achieve anti-magnetic properties, Outdoor 41 installed a soft iron cage around the core.

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Say good-bye to Chopard LUC Perpetual Chrono.

[cathygeha]

SING BACKWARDS AND WEEP

by

MARK LANEGAN

EXTRACT

Kurt Cobain’s best friend and former Queens of the Stone Age member unveils the gritty underbelly of the Seattle music scene in the most honest and unflinching grunge memoir to date

When the rock maverick and grunge pioneer Mark Lanegan first arrived in Seattle in the mid-1980s, he was just another nihilistic waster seeking catharsis from rock ‘n’ roll. Yet little did he know that less than a decade later he would rise to fame as the apocalyptic frontman of one of the most trailblazing grunge bands of all time and soon fall from grace as a low-level crack dealer and a homeless heroin addict while watching some of his closest friends rocket to the forefront of popular music. Nearly three decades later, Lanegan is ready to revisit his gritty past in a gripping memoir Sing Backwards and Weep published in April 2020 by Orion’s new music imprint White Rabbit.

A sinister chronicle of the most tumultuous times of his life, from the formative years of his neoteric rock band Screaming Trees to his brutally honest accounts on the hardships of his life, Lanegan’s memoir is an unembellished tale of one of the most romanticised decades in rock history. From addiction to touring, petty crime, homelessness and the tragic deaths of his closest friends including Nirvana’s Kurt Cobain and Alice in Chains frontman Layne Staley, Lanegan masterfully interweaves these stories into a coarse fabric of his life that is bursting with creativity yet dripping with drugs. With a voice that’s as “scratchy as a three-day beard yet as supple and pliable as moccasin leather” as once described by Pitchfork, Lanegan’s hoarse penmanship is much like his musicianship with its desolate yet highly nuanced and poetic narrative. From the back of the van to the front of the bar, from hotel room to emergency room, onstage, backstage and everywhere in between, Lanegan’s words flow eloquently from once city to another, from one year to another and one tragedy to another.

Between the chaotic years of touring and addiction, music remains the paradoxical anchor of hope glimmering on the bottom of the barrel, offering solace yet simultaneously pulling Lanegan further into the darkness. Sing Backwards and Weep tracks his artistic journey through a series of stories about his fellow musicians like Cobain whose impact on Lanegan’s music remains infinite. Their artistic camaraderie plays a central part in Lanegan’s life story, all the way from their first meeting to long phone calls on music and girls, jam sessions filled with brotherly love and eventually the bitter end with Lanegan being the last person Cobain spoke to before his death. Lanegan’s memoir offers a unique chance to be immersed in the sonic wonderland of influences behind his hauntingly raw signature sound by revisiting his first encounters with cult musicians and friends like Nick Drake and Nick Cave as well as dipping into his personal playlists of the time that included the likes of Leonard Cohen and Neil Young.

Sing Backwards and Weep tracks the volatile rise and fall of Screaming Trees in an unsparing manner while diving deep into Lanegan’s personal struggles. Unflinchingly raw and powerful to the bone, Sing Backwards and Weep is not your usual celebrity memoir with a pseudo-inspirational tag line, it goes beyond that by telling a story of a man watching his dreams catch fire yet finding a way to drag himself out of the wreckage as one of the most extraordinary musicians of our time.

Mark Lanegan on Sing Backwards and Weep:

”I am excited, honoured, and quite humbled that Lee has chosen my story to be the first White Rabbit release.”

White Rabbit founder Lee Brackstone:

“Two days before I started at White Rabbit, this manuscript arrived, and I acquired it a few days later. It is a monumental book. I can’t compare it to any other memoir that has emerged from the music world. It’s a story of trauma, suffering, dysfunction, survival – and making great art out of all of that. It is staggeringly brave, honest and terrifying. I’ve no doubt it will become the classic account of the Seattle scene and its aftershocks into the 90s. It’s an heroic act to have committed these stories to the page and it shows Lanegan’s great courage and integrity that he has gone back and revisited these experiences. It’s a book full of horror and degradation, the pain of addiction and the depravity it encourages. I think it will be a helpful book for many people because it shows an artist laid bare, all the vulnerabilities and failings. It makes 90% of other music memoirs look like fakes and I learned from publishing Viv Albertine, that readers respond to the bare truth more than anything else.”

ABOUT MARK LANEGAN

Mark Lanegan (b. 1964) is an American alternative rock musician and singer-songwriter who is widely regarded as one of the most influential musicians of our time. He is the founding member of influential psychedelic grunge band Screaming Trees and was a full-time member of Queens of The Stone Age between 2000-2014 when he also penned the theme song for Anthony Bourdain’s award-winning TV show Anthony Bourdain: Parts Unknown with QOTSA front man Josh Homme. He has collaborated with a long list of industry heavy weights over the years, including Massive Attack, Moby, Warpaint, UNKLE, Soundgarden, Alice in Chains, Pearl Jam and Eagles of Death Metal amongst others. Lanegan lives in Los Angeles.

ABOUT WHITE RABBIT

White Rabbit is a new imprint published by former Faber Social impresario Lee Brackstone launching in April 2020. In its inaugural year of 2020, White Rabbit will publish twelve titles by music industry legends like Carl Cox, Richard Russell, Mark Lanegan, Annie Nightingale, Chris Frantz and Jehnny Beth of Savages amongst others. Dedicated to publishing the most innovative books and voices in music and literature, Brackstone aims to build on the uniquely successful publishing he was responsible for at Faber Social with authors like The Beastie Boys, Viv Albertine and Jon Savage. Brackstone’s titles for his Orion imprint indicate the range and personality of a list that will encompass memoir, history, fiction, translation, illustrated books and high-spec limited editions.

ABOUT THE ORION PUBLISHING GROUP

Where every story matters.

The Orion Publishing Group is one of the UK’s leading publishers.  Our mission is to bring the best publishing to the greatest variety of people. Open, agile, passionate and innovative – we believe that everyone will find something they love at Orion. Founded in 1991, the Orion Publishing Group today publishes under seven main imprints: Gollancz, the UK’s No1 science fiction and fantasy imprint; Orion Fiction, a heartland for brilliant commercial fiction; Orion Spring, home of wellbeing and health titles written by passionate celebrities and world-renowned experts; Seven Dials, for the very best commercial non-fiction, beautifully designed and produced; Trapeze for commercial fiction and non-fiction books that start conversations; White Rabbit, dedicated to publishing the most innovative books and voices in music and literature; and Weidenfeld & Nicolson, one of the most prestigious and dynamic literary imprints in British and international publishing.  

The Orion Publishing Group is part of Hachette UK which is a leading UK trade publishing group.

For all press enquiries please contact:

Tory Lyne-Pirkis or Kasimiira Kontio at Midas PR

tory.lyne-pirkis@midaspr.co.uk | 020 7361 7860

kasimiira.kontio@midaspr.co.uk | 020 7361 7860

[opsikpro]

Zenith designed a limited Carl Cox-inspired watch that’ll set you back nearly $20,000

Zenith designed a limited Carl Cox-inspired watch that’ll set you back nearly $20,000

[ad_1]

Affluent dance music aficionados might find their next most complimented accessory in a one-of-a-kind wristwatch that pays homage to underground legend, Carl Cox. After debuting at WatchWeek Dubai 2020, the Zenith Defy 21 Carl Cox Edition is now retailing for just over £17,000, or approximately $19,000.

The Cox-themed wrist candy boasts a carbon body with a matte black face. Its…

[watchilove]

With respect to exceptional collaborations, Zenith is proud to introduce its newest Friend of the Brand, world-renowned DJ and producer Carl Cox. An undisputed living legend in electronic music and specifically “techno”, Carl Cox is credited with bringing his craft to new heights and his unique sound to a global audience. From underground rave parties in the 80s to main stage performances at festivals and his own stage at Burning Man as well as his pioneering record label, Carl Cox lives the “time to reach your star” philosophy to the fullest. His perseverance and undeniable talent have propelled him from his humble beginnings to becoming one of the most revered and influential personalities in the world of electronic music. For his first eponymous special edition watch, the DEFY 21 Carl Cox, limited to 200 pieces, Zenith turned up the tempo with a special execution of its futuristic 1/100th of a second chronograph, with a carbon fiber bezel and strap stitching that glow in the dark. For a very personal touch by Carl Cox, the open dial keeps the beat pumping with a rotating disk shaped like a vinyl record at 9 o’clock, serving as a running seconds indicator. “I am very lucky that I am able to share my love of music all over the world. All of us have the power within us to feel the beat and dance – my job is to bring that energy out and to unite everyone on the dancefloor. In a similar way, Zenith is about elevating the art of watchmaking and sharing its innovations with the world, so collaborating with them on a watch with a high-frequency beat felt very natural”, said Carl Cox. https://www.instagram.com/p/B7RYFz9IeVd/?igshid=14ryts5l3zzbo

[bedlamfoundry]

Kenneth Bager feat. Jez Phunk - Farmacia (Homage To Frankfurt) (Carl Cox Remix Edit)

Kenneth Bager feat. Jez Phunk - Farmacia (Homage To Frankfurt) (Carl Cox Remix Edit) ▶ https://AREE063R1.lnk.to/FHTFCCRYA Listen the Armada Music Top 100 playlist: https://ArmadaMusicTop100.lnk.to/PLYA Subscribe to the Armada Music YouTube channel: http://bit.ly/SubscribeArmada Making his mark on the Armada Electronic Elements label for the first time, the legendary Carl Cox issues a masterful remix of Kenneth Bager and Jez Phunk’s ‘Farmacia (Homage To Frankfurt)’. Helmed by deep bass rolls, gliding pads and stomping kick drums that push sound systems to their limits, this club-tailored interpretation of the 2019 single is the kind of record people rush to the dance floor for. Connect with Armada Music ▶https://www.instagram.com/armadamusic ▶https://www.facebook.com/armadamusic ▶https://www.twitter.com/armada ▶https://www.soundcloud.com/armadamusic ▶https://www.armadamusic.com #ArmadaMusic #KennethBager #Farmacia #BeFree #BeBeautiful #BeYOU #BeLOVE #BedlamFoundry #IAmBedlam #EDM #KennethBagerfeat. Jez Phunk - Farmacia (Homage To Frankfurt) (Carl Cox Remix Edit) #KennethBager #JezPhunk #jezphunkk #Farmacia #homagetofrankfurt farmacia #HomagetoFrankfurt #CarlCox #CarlCoxRemix #Armada #ArmadaElectronicElements

[mttimepieces]

Funky and unique Zenith Defy 21 El Primero Carl Cox carbon forged...limited edition 200 pieces 🌎. . #availablenow . @mt_timepiece . .. ... .... ..... #zenith #zenithelprimero #zenithwatches #zenithwatch #zenithforsale #watches #watch #watchesofinstagram #watchcollector #watchoftheday #watchfam #watchaddict #rolex #watchlover #wristwatch #fashion #instawatch #horology #watchgeek #luxury #watchnerd #timepiece #watchphotography #watchmania #luxurywatches #dailywatch #wristshot #wristporn #luxurywatch (at Parkland, Florida) https://www.instagram.com/p/CmafXikO-4W/?igshid=NGJjMDIxMWI=

[ihouseucom]

35-002

2019 marks 35 years since DJ Pierre started DJing and began laying the groundwork for what would become Acid House. His new, seven-part series of 35 remixes of Phuture’s ‘Acid Track’ is a celebration Pierre’s first monumental release and the spark for a new genre that changed dance music forever. After a first volume staring the likes of KiNK, Bloody Mary and Paco Osuna comes part two, again on limited edition coloured vinyl, featuring heavyweight remixes from Carl Cox, Luciano, Anfisa Letyago, Lorenzo Cheng and Najel Monteiro. Intec label boss, RESISTANCE Ibiza resident and long-time dance music titan Carl Cox is as in demand now as he ever was. His spin on ‘Acid Track’ is one that teases and pleases with big builds and hard hitting drums. The acid line is paired right back then grows throughout until taking over and blowing the roof off any club. Swiss-Chilean minimal master Luciano brings the sort of elongated intrigue you would expect of the Cadenza founder. His dubby version builds the pressure with sci-fi pads swirling round the drums while a manic but soft-edged acid line freely evolves and takes you on a trip deep into the dead of night. Siberian born, Napoli based fast rising star Anfisa Letyago has made her mark on Nervous this year and here offers a no nonsense, pounding acid techno banger with mind melting vocal riffs that loop you into a frenzy. Dutchman Lorenzo Cheng is another one on the rise and his contribution is a heavy hitting weapon with stomping drums and frantic acid blistering its way through the grooves, while last of all is Rotterdam new school talent Najel Monteiro with a fat, dubwise remix that allows the ripping 303 centre stage. This is another fresh package that proceeds later volumes featuring some of the biggest names from dance music past, present and future. The vinyl release can be pre-ordered exclusive via Diggers Factory HERE Part one of the series, featuring remixes from KiNK, Bloody Mary, Paco Osuna, Analog Kitchen and Beyun is also available to pre-order HERE. Tracklist: A1. Phuture - Acid Track (Carl Cox Remix) A2. Phuture - Acid Track (Luciano Remix) B1. Phuture - Acid Track (Anfisa Letyago Remix) B2. Phuture - Acid Track (Lorenzo Cheng Remix) B3. Phuture - Acid Track (Najel Monteiro Remix) music_category: Singlesnotification email: julian@dispersionpr.comImage: Music rating:  0 No votes yet artistname: PhutureTop Rated: Notype: MusicReviews http://dlvr.it/R3Kxwr

[weownthenitenyc]

Get ready for the massive “Solomun + 1” takeover of the legendary EXIT Festival Dance Arena with Tale of Us

Last summer, global music juggernaut EXIT Festival displayed a true “Arenamagedon” in the colossal trenches of its spectacular stage Dance Arena, but this year’s lineup promises even bigger edition!

After Carl Cox announced his return to one of the planet’s greatest open-air raves, he was quickly joined by Paul Kalkbrenner, Amelie Lens, Maceo Plex, Jeff Mills, Charlotte de Witte, Boris Brejcha, Peggy Gou, Dax J, Monika Kruse, Adriatique, Satori, Johannes Brecht and many others. This “galactic” team of the greatest electronic stars of today will be completed by none other than Solomun, an EXIT regular since 2010 who brings his famous “+1” party format that conquered Ibiza! He will bring the spirit of the White Isle to the colossal 18th-century fortress with his special guests, the leading techno and house scene duo of today – Tale of Us! Special and original in their format, the “Solomun +1” parties in the famous Pacha club are considered the most talked about on Ibiza, the global hotspot for clubbing. Their unique concept will takeover EXIT’s gigantic stage for six hours, presenting Solomun and Tale of Us in their solo sets first and ending with a grand finale 2-hour b2b set!

Solomun brings his +1 to EXIT 2019 with Tale of Us

During each week of the four-month summer season on Ibiza, Solomun personally picks one guest to share the DJ stand with him at the Pacha club for the whole night. This party series has seen monumental success, with Mladen’s list of guests including Sven Vath, Dixon, Black Coffee, DJ Tennis, and many other artists including Belgrade very own Vladimir Ivković! At the finale of its annual Ibiza season, Solomun invites Tale of Us, but also plays at the closing of their “Afterlife” series, causing many to dub this “back2back” as the currently hottest at the Spanish island! The Italian duo is currently at the pinnacle of their successful career, with their last year’s performance at EXIT Festival having been received as one of the best sets in recent years. Karm and Mateo have conquered the clubbing scene with tracks such as “Another Earth,” “Northern Star,” “Monument,” and one of the most popular labels in the past few years.

EXIT Festival 2018 Photo gallery

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Apart from locations such as Miami, New York, Paris, Tulum and of course, Ibiza, this exclusive map will include Novi Sad this year as well, as the home of EXIT festival, which Solomun once called as “one of the best experiences in his career!” His planetary rise happened, among other places, at EXIT Festival as far as 2010, when he played in the early morning hours which are exactly the ones he shines at the most. His unbreakable bond with EXIT was confirmed last year as well, when he “delivered” a very inspired set to the Arena, confirming his status as one of EXIT’s contemporary resident DJs, after which the audience gave him roaring ovations, enticing him to extend the set for another half-hour! The winner of the prestigious DJ Award for the best melodic house and techno in 2018 appears to be able to get anything done – apart from being the head of the Diynamic record label that recently celebrated its 100th release, he finds time to star in one of the most popular video games GTA, alongside the Tale of Us.

Special EXIT ticket offer: Buy 4, Get 5! Don’t forget that EXIT’s favorite group offer is back: friends who buy four tickets together receive one ticket as a present! “4+1” offer will last until a very limited number of packages are sold out! EXIT tickets are available at exitfest.org, and for those who wish to bundle them with accommodation and local transfer, there are also packages starting at €135. Default accommodation is the festival camp located on the city beach, while hotels can be booked through EXIT’s official tourist agency at exittrip.org.

EXIT Festival will be held 4-7 July 2019 at Petrovaradin Fortress in Novi Sad, while the always diverse line-up will include The Cure, Greta Van Fleet, Carl Cox, Skepta, Dimitri Vegas & Like Mike, DJ Snake, Desiigner, Lost Frequencies, IAMDDB, Sofi Tukker, Solomun, Tale of Us, Tom Walker, Maceo Plex, Charlotte De Witte, Boris Brejcha, Peggy Gou, Jeff Mills, Amelie Lens, Dax J, Phil Anselmo & The Illegals, Tarja Turunen, 65daysofstatic, The Selecter, Peter & The Test Tube Babies, Whitechapel, Atheist Rap, Arcturus, Total Chaos and many more to come soon.

EXIT Festival 2019 will take place from 4th to 7th July 2019 www.exitfest.org

EXIT – where hedonism meets activism.

Started as a youth freedom movement in 2000 that brought down the oppressive regime of Slobodan Milosevic, EXIT has since grew into one of the leading festivals in the world with previous bookings that include Red Hot Chili Peppers, Madonna, Depeche Mode, Robbie Williams, Guns’n’Roses, Arctic Monkeys, The Prodigy and Motorhead to name but a few. As the only contemporary music festival that grew from the social activism, EXIT will mark the 50 years since the original 1967’s Summer of Love and remind its fans to peace movement of the 60’s, conveying the messages which in today’s world are needed more than ever.

Get ready for the massive "Solomun + 1" takeover of the legendary EXIT Festival Dance Arena with Tale of Us Get ready for the massive "Solomun + 1" takeover of the legendary EXIT Festival Dance Arena with Tale of Us

[kevindurkiin]

This Carl Cox Themed Watch Costs Nearly $19,000

For the techno lover who has everything — behold the Carl Cox-inspired watch.

The Zenith Defy 21 Carl Cox Edition was recently unveiled at WatchWeek Dubai 2020.

To match the notoriety of the world renowned DJ, the design features a sleek, carbon body and a matte black face, detailed via DJ Mag, with a design meant to resemble a vinyl record.

And the best part — the watch’s accents light up green under UV light, so it quite literally glows up in the club! Perfect for DJs and fans alike.

This designer watch will set you back £17,000. That’s almost $19,000 with the current exchange rate.

The run has been limited to just 200 watches. More info here.

  H/T: DJ Mag

  This article was first published on Your EDM. Source: This Carl Cox Themed Watch Costs Nearly $19,000

This Carl Cox Themed Watch Costs Nearly $19,000 published first on https://soundwizreview.tumblr.com/

[bluebuzzmusic]

This Carl Cox Themed Watch Costs Nearly $19,000

For the techno lover who has everything — behold the Carl Cox-inspired watch.

The Zenith Defy 21 Carl Cox Edition was recently unveiled at WatchWeek Dubai 2020.

To match the notoriety of the world renowned DJ, the design features a sleek, carbon body and a matte black face, detailed via DJ Mag, with a design meant to resemble a vinyl record.

And the best part — the watch’s accents light up green under UV light, so it quite literally glows up in the club! Perfect for DJs and fans alike.

This designer watch will set you back £17,000. That’s almost $19,000 with the current exchange rate.

The run has been limited to just 200 watches. More info here.

  H/T: DJ Mag

  This article was first published on Your EDM. Source: This Carl Cox Themed Watch Costs Nearly $19,000

source https://www.youredm.com/2020/01/19/carl-cox-zenith-watch/

[debrahnesbit]

Canadian Copyright, Fair Dealing and Education, Part Three: Exploring the Impact of Site Licensing at Canadian Universities

My series on Canadian copyright, fair dealing, and education has thus far explored spending and revenue data at universities and publishers as well as explained why the Access Copyright licence is diminishing in value. This post provides original data on the impact of site licensing at universities across Canada. It is these licences, together with open access and freely available online materials, that have largely replaced the Access Copyright licence, with fair dealing playing a secondary role. Site licensing now comprises the lion share of acquisition budgets at Canadian libraries, who have widely adopted digital-first policies. The specific terms of the licences vary, but most grant rights for use in course management systems or e-reserves, which effectively replaces photocopies with paid digital access. Moreover, many licences are purchased in perpetuity, meaning that the rights to the works have been fully compensated for an unlimited period. The vast majority of these licenses have been purchased since 2012, yet another confirmation that fair dealing has not resulted in less spending on copyright works.

Unlike Access Copyright, which provides minimal detail beyond aggregate numbers on distributions, some universities have provided full open data sets on budgets, acquisitions, and line-by-line costs of subscriptions. For example, recent data released by the Canadian Research Knowledge Network provided details on the subscription expenditures at 28 member libraries from the Canadian Association of Research Libraries. The spending on journals and e-books, even with the benefit of consortium-based negotiations, is enormous. The summary table for 2016-17 licensing costs shows expenditures from those 28 university library alone exceeding $80 million for the year for access to journals, some e-books and other databases.

  CARL CRKN Licensing Costs, https://f7f51e08-941e-11e7-aad1-22000a92523b.e.globus.org/1/published/publication_33/submitted_data/SUMMARY_TABLE_CARL_CRKN_2016-17_LICENSING_COSTS.pdf

  Other open data sources provide further insights into spending and the breadth of alternative licensing for materials. For example, the University of Alberta’s open data project provides remarkable detail on all subscriptions and purchases by the university library. The data sets show year-by-year, work-by-work pricing, demonstrating that even a single university can spend hundreds of thousands of dollars annually to acquire access to works, many in perpetuity (thanks to University of Alberta’s Trish Chatterley for the assistance).

Those acquisitions extend far beyond journals. For example, last year the university purchased perpetual access to NewspaperARCHIVE Academic Library Edition Canada as part of a $381,617.03 purchase with Proquest that included access a range of materials such as the Washington Post and Los Angeles Times. The Canadian newspaper archive provides perpetual access to over one hundred Canadian newspaper datasets. I am advised that the licence permits copying reasonable portions for educational or research purposes, printing or inter-library loans of materials, and links to articles within electronic reserves or course management systems. The perpetual access includes access to newspapers such as the Winnipeg Free Press, Lethbridge Herald, and Medicine Hat News.

The inclusion of the Winnipeg Free Press is worth highlighting since its publisher, Bob Cox, has been outspoken on the need for copyright reform, yet neglects to mention that he has sold perpetual access to 141 years of the paper’s archives. In other words, licence holders such as the University of Alberta have fully compensated the Winnipeg Free Press for the potential copying of thousands of articles without implicating Access Copyright or fair dealing.

The investment in e-books is the most important trend as it represents a critical alternative to the Access Copyright licence. The committee has already heard from libraries confirming that they have shifted to digital-first purchasing policies, where the digital version of a work is preferred given the greater flexibility the licences typically offer for access and teaching. While some have claimed that the site licensing is largely limited to journals, the reality is that the e-books is a rapidly growing part of university purchasing. At the University of Ottawa, there are now nearly 1.4 million e-books under licence. The University of Alberta dataset shows massive investments in e-books from publishers around the world. For example, last year, it spent over $500,000 for the Springer e-book archive, which provides perpetual access to 110,000 books with the ability to use full chapters for course materials.

With regard to the Canadian component of e-book licensing, the data discussed below suggests that the expenditures and range of Canadian materials is significant (beyond newspapers and Canadian journals). For example, one of the largest Canadian e-book databases comes from the Canadian Electronic Library with a database known as DesLibris. It features thousands of Canadian e-books from Canadian publishers. Last year, the University of Alberta alone spent $24,000 on a licence to access to the database. Assuming that most other universities have done the same, the revenue for a single Canadian e-book database may approach a million dollars annually.

While it is challenging to identify precisely what is covered under the licence at each institution, the University of Ottawa also has a licence to the database. Working with University of Ottawa student Tamara Mascisch-Cohen, we tried to identify the scope of the university’s e-book licences for Canadian publishers within DesLibris (which is just one of several Canadian e-book databases licensed at the university). The University of Ottawa is particularly interesting in this regard since it licences both English and French books from dozens of Canadian publishers (thanks to librarians Tony Horava and Sarah Hill for the assistance).

We looked specifically for four metrics by publisher: number of licensed e-books, number of licensed e-books published since 1997, total number of e-books available, and total number of e-books published since 1997 available. The metrics were designed to provide a sense of licensed e-books from a single database along with a better understanding of how many e-books fell within the last 20 years (Access Copyright says books older than 20 years are rarely copied and are ineligible for its Payback system) and whether the university was purchasing access to the majority of e-books available for subscription. Data on the top 60 Canadian presses is posted below:

University of Ottawa DesLibris data

The data shows a huge investment in Canadian e-books with universities licensing access to thousands of them across dozens of Canadian publishers. In fact, the University of Ottawa approach suggests that universities will typically licence the majority of e-books that are made available by Canadian publishers. In other words, the only thing stopping more e-book licensing are publishers who fail to include them within their databases. Further, there are a sizable number of e-books that are licensed that were published before 1997. These e-books are typically not copied (according to data from Access Copyright) and would not return royalties from the Payback system for the authors or publishers, meaning that site licensing is a crucial way to obtain an ongoing economic return from these older titles.

Moreover, this is only one database. The University of Ottawa library advises that it has purchased perpetual access to more than 15,000 books from Canadian publishers. There are thousands of books from the largest publishers such as University of Toronto Press, McGill-Queen’s University Press, and UBC Press, but dozens of smaller presses have also sold perpetual access.

Interestingly, some of the publishers who have been most critical of fair dealing are also the ones that have benefited the most from licensing their e-books to educational institutions. For example, last December, Dundurn Press tweeted:

Dundurn Press tweet, December 1, 2017, https://twitter.com/dundurnpress/status/936626376651755521

What Dundurn Press doesn’t say is that it is compensated for educational use of many of its books.  The University of Ottawa has licensed access to over 98% of the Dundurn Press e-books that are available through DesLibris: 1,933 Dundurn Press e-books of a total of 1,965 available e-books through the database. Dundurn has also sold 459 e-books under perpetual licences to the university.

There is similar data for other Canadian publishers. ECW Press, whose site says it has published “close to 1,000 books”, told the industry committee last week that it has lost significant educational adoption revenues. The University of Ottawa has licensed over 99% of the available ECW e-books from DesLibris: 685 out of a total 690. ECW has also sold 339 e-books – about a third of its entire catalogue – under perpetual licences to the university.

Fernwood Publishing, a Canadian publisher that started in Halifax and expanded to Winnipeg, was also discussed during last week’s hearing. It says it has published over 450 titles over the past 20 years. Last week, the committee heard that the educational component of its publishing program has decreased from 70% of sales to about half. The University of Ottawa has licensed 86% of the available Fernwood e-book on DesLibris: 254 out of a total of 295. Fernwood has also sold 186 e-books under perpetual licences to the university. The data is replicated at many Canadian publishers, who criticize fair dealing yet remain silent on the new revenues from site licensing their e-books and on the fact that those licences typically mean that potential copying of their works is paid copying, not copying based on fair dealing.

The story is similar for many Canadian authors, who have had their works licensed under these site licenses. For example, Heather Menzies is an exceptionally accomplished Canadian author who received the Order of Canada in 2013. She is the author of ten books, the former chair of the Writers Union of Canada, and has written publicly about the state of Canadian copyright. Six of her books were published before 1997 and are therefore ineligible for Access Copyright’s Payback system since its data shows titles older than 20 years are unlikely to be copied. Of the remaining four titles, at the University of Ottawa electronic versions of Canada in the Global Village have been licensed through three different databases, No Time is licensed as an e-book, and Reclaiming the Commons has been licensed as an e-book. The library does not have a copy, either paper or electronic, of Enter Mourning.

Ms. Menzies is just one author, but the shift to e-licensing of her works is typically of the trend at universities across the country.  Fair dealing is an essential component of copyright law, but it is not the foundation for accessing works in Canadian educational institutions. More relevant is the hundreds of millions of dollars spent on licences that offer greater flexibility and value than the Access Copyright licence. As MPs search for answers, the data makes it clear that fair dealing for education is not problem in need of solving. If anything, there is a need to address ongoing restrictions and barriers in the digital world, a topic that will form the basis for tomorrow’s final post in this series.

The post Canadian Copyright, Fair Dealing and Education, Part Three: Exploring the Impact of Site Licensing at Canadian Universities appeared first on Michael Geist.

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