#cecilia cara

[genshinmp3]

La vaguelette from La vaguelette Cécilia Cara, Dimeng Yuan, HOYO-MiX

[theghostparty]

Elle est belle, belle à mourir Belle à choisir, un jour, de mourir pour elle

I haven't made any Roméo et Juliette fanart since 2016, but I am back to remind you that Damien Sargue and Cecilia Cara still have a chokehold on my heart

[solariene]

I think it's becoming official that we're having a DVD version of RetJ 2023 😭😭

I really hope they're also going to play in France but with everyone's schedule I don't think it's going to happen before the end of 2024 or 2025 (I can wait one or two more years as long as I can go see the musical 🙏🙏)

[giuliettacapuleti]

Damien Sargue and Cécilia Cara in Romeó et Juliette, 2001 and 2023

[hideinthemoonl1ght]

CAN YOU HEAR ME SCREAMING? CAN YOU HEAR ME SCREAMING?????????

[lowey0316]

Roméo et Juliette

Cécilia Cara as Juliette Capulet

[lucygold95]

Roméo & Juliette 2023.

Damien Sargue & Cécilia Cara

[imyselfamstrange]

Romeo and Juliet’s first kiss in Romeó et Juliette

1. Romeó et Juliette (France 2001)

2. Romeo und Julia (Austria 2005)

3. Rómeó és Júlia (Hungary 2005)

4. Rómeó és Júlia (Hungary (alt cast))

5. Romeo e Giulietta (Italy 2013)

6. Romeó et Juliette (France 2010)

7. Romeo y Julieta (Mexico 2008)

8. Romeo & Juliet (Japan 2013 (Takarazuka))

9. Romeo i Dzhulieta (Russia 2005)

10. Romeo i Dzhulieta (Russia 2006)

[musical-trash-goblin]

Now what I call multitasking is sippin my tea, crocheting and whatching Roméo et Juliette for the gazzillionth time, while being sick as a dog.

[nanakaxxx]

The rose of Capulet🌹

[theghostparty]

Roméo et Juliette: de la Haine à l'Amour - Redesign - 2024

To understand my completely unnecessary desire to redesign a musical that is over twenty years old, you have to understand that Romeo et Juliette is my Roman Empire. Long explanation under the break.

I wanted this design to be an homage in the silliest way possible.

I really leant into the sensibilities of original costume designer Dominique Borg, who used contemporary colour and technique and applied it to historical (or pseudo-historical) silhouettes.

Broadly, I wanted the Montagues to feel English in their shapes--Elizabethan doublets, high necklines, and ruffs, in homage to Shakespeare and the source text. They're all leather, denim, silver hardware--a little bit punk with status.

The Capulets would be deeply Italian Renaissance in their silhouettes, in reference to the setting of the play. They're all velvets, lace, chiffon, satins, and gold hardware--giving them an airiness of the Mediterranean while still allowing some drape here and there.

I wanted each family to have a slightly more broad palette than most versions afford them--which is why the Montagues have a smattering of green and magenta while the Capulets play with some soft yellows and lavenders.

The ball scene is largely Arthurian in inspiration--just because I took the idea of "what would the 1500s consider vintage and costume-y in the same way we think of the Victorian era" and ran away with it. There's also some silly Y2K nonsense because I rewatched the "On dit dans la rue" music video and thought "What if the Capulets threw this big Arthurian affair with full elegance and the Montagues cobbled together some gay club outfits circa 1998 fits out of a suit of armour."

FINALLY, I wanted Roméo and Juliette to take on elements of each other's family's style and colours for the end of the play--because to be loved is to be changed.

So here is a breakdown of my choices for each of the looks.

Un Jour: Here we see Roméo in his base look. It's a two-tone patent leather double with multiple zipper details. The peplum is criss-crossed zippers. The wings over the shoulder seams are edged with zipper teeth. The ruff detail at the neckline is also edged with zipper teeth. He has along zipper across the front of his boot like he's trying to be the next Sailor Moon. I don't know y'all. I went a little feral with trying to figure out all the places I could put zippers in.

Juliette is the most juvenile looking in Un Jour. I imagine that in this scene, she's being dressed by her family instead of her own volition.

She's in an asymmetrical, empire-waisted gown that is likely a brocaded or printed silk. Her chemise is a sheer lavender georgette or chiffon that peaks through the lacing at the shoulders and along the upper arms. She has a velvet choker and velvet belt and a heavily stoned velvet headband. Her hairstyling (it would have to be a wig, it would be NUTS to not make this a wig) is an homage to the open-weave Juliet caps that were similar to nets worn in the period on hair. Italy was, fun fact, one of the few countries where women didn't cover their hair during the renaissance.

L'amour heureux: As I explained above, Roméo's outfit is so silly. The wrap around glasses. The one arm of armour. The sheer, stoned period shirt. The gold brocade on the trousers. The pearl earring. The many, unnecessary belts. Bless this mess. It's also a cheeky little nod to Baz Lurhmann's Romeo + Juliet.

Juliette is, ostensibly, cosplaying as Guinevere or Lady Macbeth or Ophelia or any number of Middle Ages women. The ball is the Capulet's opportunity to really sell their daughter as marriage material so I wanted the look to feel bridal, hence the veil. I wanted to give reference to exaggerated surcote sleeves without actually doing them, hence the sleeve-into-glove and bow detailing with trails down to the floor. There is also a hint of yellow chemise underneath, which is actually just her Le balcon look underdressed for ease of the quick change (yes, I did think about this.) The dress is velvet with one panel of lace in-set into the underskirt. The bows are satin-face organza.

Le balcon: Romeo would change into his base again (during Le Poète). Juliette is in a simple yet totally impractical sheer chemise + slip combo. I wanted this soft yellow for this sequence because I always think about the lines "O she doth teach the torches to burn bright!" and "But soft! What light through yonder window breaks?/It is the east and Juliet is the sun" when it comes to describing her. The chemise would likely be a chiffon, while the slip would be silk.

Aimer: I say this with my whole chest--I hate how they changed the palette for Aimer in the 2010 production. I want my lovers soft and angelic and matching in this moment of union. Here we see a bit more of Romeo's lace shirt--his sleeves are laced like Juliette's in the first look. His doublet, trouser, boot combo are off-white leather in homage to the original production. Juliette's dress has a similar train length to her ball look (again, bridal) and we see the neckline creep up into a ruff (Elizabethan, rather than Italian). Lots of sheer net and lace with cream bridal satin as a skirt. Tiered sleeves. A little circlet on her head.

Le poison: Honestly? Just wanted her to have another outfit change before her death dress as a transitional choice. There's so much more of the purple in this look because it's going to take us into the blue elements of the final dress.

La mort de Roméo/Juliette: Again. To be loved is to be changed. Juliette has a dropped waistline, a high neckline and ruff, and a heart shaped cut-out detail (see: boob window). She's straight up in blue, and all the sweet and soft pinks of her youth are gone. Romeo has lost his high neckline, ruff, wins, and peplum in favour of a shorter Italian silhouette. He's asymmetrical (a call-back to Juliette's asymmetry) and all the edging detail is done in red. Mantua as a setting is patchworked, torn, and dirty, so I imagine the doublet is pieced together from scraps of jersey (so it's drippy and sad and hangs off him in a lovely manner).

[anhel-con-h-muda]

¿Cómo se supone que pueda volver a rolear a Cecilia si he logrado decepcionar a Dario? Es que no puedo. No se puede. No hay manera.

Todos: No hagas esta cena, Cecilia, va a salir mal

Cecilia cuando la cena sale mal:

Si lo piensan bien, todo es culpa de Lorenzo. O sea, si, Cecilia fue la que lo invitó, pero igual si él se hubiera apegado al libreto nadie nunca hubiera sospechado de ella, ¿Verdad? ¿Verdad?

[giuliettacapuleti]

[orchideae]

CECILIA CARA IS THE ONE THEY GOT TO SING THE FRENCH SONG AT THE END OF FURINA'S QUEST??? MY YOUNG TEENS ARE SMACKING ME, WHAT IS THIS.

[slapiz]

Los grandes saben cuándo morirse…

Jorge Luis Portal Los grandes saben cuando morirse, para fastidiar a todo el mundo. Chavela Vargas dijo que lo haría en domingo para molestar y así fue. García Márquez se rió de las beatas costumbres con las que creció en Colombia y hasta los pasos más recogidos de Jueves Santo se detuvieron durante un minuto para llorar la muerte del biógrafo de Latinoamérica; el hijo del telegrafista que dio…

[ssahotchnerr]

📇 anon back again

Aaliyah Abigail Acacia Ada Adaline Addison Adela Adele Adriana Adria Adrienne Agatha Aimee Ainsley Alaia Alana Alexandra Alexandria Alexis Alexia Alice Alison Allegra Amber Amelia Amethyst Anastasia Angelica Angelina Anna Annabel Annika Antonia April Arabella Aria Ashley Aspen Aster Astrid Aubrey Aura Aurelia Aurora Autumn Ava Avalon Aveline Avery

Bailey Beatrice Beatrix Bella Bellamy Belle Billie Birdie Blair Blake Bonnie Bree Briana Briar Briony Bronte Bronwyn

Calla Callista Camellia Cameron Cara Carina Carmel Carmen Carolina Caroline Carrie Cassandra Cassidy Catherine Cecilia Cecily Chantal Charlotte Chelsea Cherie Cherry Chloe Christabel Ciara Cicely Claire Clara Claudia Cleo Cora Coral Crystal

Dahlia Daisy Dakota Dana Daphne Darcy Daria Deborah Delilah Demelza Devon Dove

Eden Edith Elea Eleanor Elena Eliana Elisa Elise Eliza Ella Elle Eloise Elodie Elsa Elsie Ember Emerson Emilia Emma Emmeline Erica Esme Estelle Esther Eulalia Eva Evangeline Eve Evelyn Evelina Everly

I will send some more later on 📇

YOU ARE AMAZINGGGGGGGG OMG