#cocoon protagonist

[octahedral-chaos]

OCTAfan's Odd/ Obscure Characters Tournament: Round 1 Part 2

COCOON Protagonist (COCOON) VS HoB Protagonist (HoB)

Quick Facts

HoB Protagonist

Of course, they're the protagonist of the game HoB, which was made by Runic Games.

HoB was Runic Games' third and final game before they shut down. It was released on 26th of September, 2017.

COCOON Protagonist

Also the Protagonist of their game.

COCOON was developed by Geometric Interactive and published by Annapurna Interactive. It was released on September 29th, 2023, and received praise for its unique "world-within-worlds" mechanic and stunning environments.

[w0rlds-within-w0rlds]

Replying to @orxnge-rxt, 💀

[Like what? It seems pretty safe in the bushes.] It thought with a head tilt, [I'm pretty hard to see in here, aren't I?]

With a somewhat grumpy chirp, they stood up, looking down at the (somewhat shorter) thylacine

[Who are you, and what are you?] It chirped, slightly shuffling, [I've never seen a being like you.] They proceeded to write "Geometer" in the dirt, before pointing to themselves.

[octafans-rp-hub]

◇Finally decided to start RPing again! Since the only thing that's really holding me back was... not being able to trim my posts using Xkit due to lack of time, so I decided to just use Tumblr's reblog trimmer in the meantime.◇

◇Also I'll might make the COCOON Protagonist RP blog soon, so be on the lookout, because there might actually be two COCOON muses...

[gothamcityneedsme]

>why is all my longfic rated t

>tones down violence on purpose while writing

[cthene]

Is Fox Mulder the most comically-brutalized protagonist in television history? Not only is he shot and beaten up on a regular basis, but the list of extreme and exotic injuries he accrues over the course of the series has got to be some kind of TV cop record. The man is mind-wiped by the military in only the second episode. For any other TV cop, that would be a career-defining event, but it’s just a day in the life of Agent Spooky.

Bro was cocooned by carnivorous insects, thrown out of a nuclear submarine into the Alaskan tundra by an alien bounty hunter, beaten up by an invisible gorilla. He was experimented on in a Siberian gulag, drowned in the Bermuda Triangle, tortured by Neo-Nazis. I wonder what getting Freaky Friday-ed by a malfunctioning UFO cloaking device does to your gonads. How much radiation has he been exposed to? Someone test this man’s hair follicles. How many mysterious bodily fluids has he dipped his finger in and tasted at crime scenes? Dear God, someone test him for HIV. Imagine being the FBI doctor who administers his physicals.

Remember when the Shadow Government was putting LSD in Mulder’s water tank? Our boy got blown up in an underground train car and resurrected in a Navajo healing ceremony, and that’s not even the last train car he would get blown up in. One time, his lungs were filled with mutated tobacco beetles. Hoss let a quack doctor give him ketamine and drill a hole in his goddamn skull. In an unrelated incident, he had a chunk of his brain stolen. He was locked in a padded cell, trapped inside of a video game, and— of course —abducted by aliens. Fox Mulder was fully dead, and then came back to life after being exhumed, and nobody even seemed that surprised when he rolled up at the J. Edgar Hoover building like nothing had happened.

Am I missing anything? How is this man still alive? His body must be like a pillowcase full of broken lightbulbs. Every time he moves, you just hear crunching.

[cherrrydragon]

➤ reading between the lines

← back to main masterlist

read it on ao3

SUMMARY ↳ Jason Todd loves nothing more than the sight of you with a book. The book's tension builds, your fingers gripping the pages a little tighter as the protagonist faces a crucial moment. You barely register the sound of the water shutting off or Jason stepping out of the bathroom. He stands in the doorway, towel slung low around his waist, shaking his head with an amused smirk. He slowly takes steps toward you, right up until his knees hit the mattress. He leans down, his arms coming to cage you. Finally, you really take notice of him. “Hi, Jay.” pairing: jason todd x fem!reader warnings: smut tags/notes: oral sex (fem receiving), domestic fluff, jason might be ooc sorry, lets just pretend its a less traumatized version of him wc: 2k

You think Jason has a thing for you and books.

You mean together, of course. Jason Todd’s affinity for literature is well known, and so is his affection for you. But you can see the way his lips curl up when he sees you curled up on the couch reading, wrapped in his favorite blanket.

The soft glow of the lamp casts a warm light over the room, highlighting the way Jason leans against the doorframe, his arms crossed, a smirk playing on his lips. He’s always been drawn to those quiet moments, watching you lose yourself in a world of words.

“Is that another tragic romance?” he teases, stepping further into the room. You glance up, catching his playful gaze.

“Not as tragic as your face.”

“Ouch,” he groans dramatically, clutching his chest. He falls onto you, plopping his full body weight and nearly crushing you. He buries his face in your neck and presses a chaste kiss there.

You huff and half-heartedly shove him away. “You’ll make me lose my place!”

“That’s why you should use those bookmarks I got you, honey.” He lifts his head, eyes sparkling with mischief. “

You roll your eyes but can’t help the smile tugging at your lips. “Bookmarks are for amateurs, Jay.” You gesture to the stack of books on the coffee table, a mixture of dog-eared pages and hastily folded corners.

He grimaces at the sight. “I should break up with you.”

“Who would read to you, then?”

He narrows his eyes at you. “Touché.” He presses a quick kiss to your lips and shifts so as to pull you into leaning on him. He wraps the blanket around both of you, plucking the book out of your hands in spite of your protests. “Can’t let you ruin this anymore. Lemme read to you, hm?”

You rest your head on his shoulder. “You can’t do it justice.”

“I’ve got the voice of a poet,” he retorts, arm wrapping around you. His voice is low, intimate and for your ears only. You move to rest on his chest so you can feel the way his chest rumbles as he speaks.

As he reads, you let your eyes drift shut, the sound of his voice becoming a soothing backdrop. Jason leans his down, pressing a light kiss on your head and effectively muffling his voice. Each word he reads intertwines with his heartbeat, spinning a cocoon of intimacy that cradles the both of you.

You notice the way he plops a bookmark on the page you were on just before you fall asleep.

“You’re killing me, honey,” Jason groans over the phone.

The smell of a home-cooked meal fills your apartment as you shoulder your phone. “Come home, then,” you chuckle.

“I swear I can smell it through the phone. Why’re you always cooking something good when I’m away, huh?”

You move to grab a pan. “Well, maybe you shouldn’t be away so much.”

“Gotta do my job, honey,” he sighs. “To keep my beautiful girlfriend safe so she can continue to spoil me with her delicious cooking.”

You laugh, stirring the simmering sauce. “It’s just pasta, Jay.”

“Yeah, but it’s your pasta. That makes it gourmet.”

You can’t help but smile at his praise. “Dork. I’ll save you a plate. Just don’t take too long, or I might eat it all.”

“Don’t you dare!” His voice rises in mock horror. “I’ll be home soon, I promise. Just a couple more things to wrap up. You got dessert for me?”

You scoff playfully. “Pick it up yourself. I’ve got a book to finish.”

“Yes, ma’am,” he drawls, then his tone softens. “I’ll get you your favorite. Only the best for my girl.”

You exchange sweet goodbyes before hanging up, the warmth of Jason’s words lingers in the air, wrapping around you like the blanket he often claims. You focus on the pasta simmering on the stove, the fragrant aroma filling the kitchen. Your mind drifts to Jason, as it does a lot, and you can’t keep the stupid grin of your face as you finish cooking.

After plating the pasta, you set the table, stealing glances at the clock as you wait for him to come home. You flip through the book, and allow yourself to get lost in the words. The minutes stretch, the kitchen filled with nothing but your muttered words as you read. You’re just about to take a distracted bite of your food when there’s knocks on the door, the specific pattern Jason went over with you.

Jason steps in, Red Hood helmets already off and perched under his arm, a bag carried by his other. You perk up, unable to suppress the smile that spreads across your face. He steps in, shaking off the remnants of his day, and his eyes light up at the sight of the table set for two. “You’re making me fall in love with you all over again, you know that?”

You laugh, stepping forward to meet him in a kiss. “Hi.”

“Hi,” he greets back one you separate. He places the bag on the table, the logo of your favorite sweets brand greeting you. “As promised.”

“You spoil me,” you hum happily, parroting his earlier words. “Everything go okay?”

Jason nods, pulling out your chair for you before taking his own seat. He grabs his fork with an eager shine in his eye that makes you snort. If there’s one thing you’ve learned about Jason, it’s that he loves to eat.

“Usual stuff.” He keeps it brief, for your sake. He doesn’t like you to hear about the stuff he deals with on patrol, once said, “pretty things like you shouldn’t worry about things like that.” Flattering, but it’s whatever.

“Dickhead mentioned this new bakery that opened up, though you might like it,” he mumbles, voice obscured by his chewing.

You smile. “Sure, let's make it a date.”

Jason goes on to mention little things about his day, and you do listen… at first. You love hearing Jason talk, and you love hearing about his day but… you also really wanna finish this book. It starts as subtle glances to the open pages. Then, it goes to skim reading while nodding along to his words. Now, you’re full on reading and have tuned him out. Whoops.

Jason pauses mid-sentence, a playful glint in his eye as he watches you. “Baby.”

“Hm?”

“Are you even listening to me?” he asks, smirking.

You look up, feigning innocence. “Of course. You just mentioned the arcade you went to with Roy.”

He raises a brow and you know he doesn’t believe you. Damn detective skills. If he feels any type of way because of it he lets it go and continues talking. This time you do better to try and pay attention, but when he leaves to go to the bathroom your eyes wander right back onto the pages.

“You’re killing me again, honey.” Shit, he came back fast. To his credit he doesn’t look annoyed, just fond. Still, you feel guilty.

“I’m sorry! I’m sorry,” you groan, shutting the book and throwing it across the room. Miraculously, it lands on the couch.

Jason raises a brow. “Nice throw.”

“Jay,” you whine. He snorts and comes around you, laying a hand comfortingly on your shoulder. “It’s so good. You’ll love it when I finish.”

“I’m not mad, honey.” He leans down and presses a kiss against your forehead, whispering, “Besides, I think it’s hot.”

You blink, watching him sit back down as if he said nothing at all. Well, that’s probably all you’re going to get out of him about it.

You are one of the many people guilty of not knowing when to put down a good read.

In your defense, however, it’s not bedtime yet. Bedtime is whenever you and Jason are in bed, and he still has to shower. Until then, you’re content to let him take his time, as you’re completely taken by your book. The gentle hum of the water running in the background almost becomes white noise to the whirlwind of words in your head.

The book's tension builds, your fingers gripping the pages a little tighter as the protagonist faces a crucial moment. You barely register the sound of the water shutting off or Jason stepping out of the bathroom. He stands in the doorway, towel slung low around his waist, shaking his head with an amused smirk.

He slowly takes steps toward you, right up until his knees hit the mattress. He leans down, his arms coming to cage you. Finally, you really take notice of him. “Hi, Jay.”

“Hi, honey.” His eyes sparkle with amusement as he takes you in. He smooches your cheek before his hands come to grasp at your hips, pulling you to sit at the edge of the bed. You don’t break your focus from your book (if we’re being honest, you’re kind of used to it…)

He knees at your shared bed and spreads your legs. You don’t pay too much mind, even when the feeling of your underwear sliding down your legs sends a familiar shiver down your spine. It is only when a hot wet feel slides against your core that you’re snapped back into reality.

Your body reacts instinctively, squeezing your thighs around Jason’s head. “Jay!” you yelp.

He responds with a hum that sends a buzz through your body. His hands massage your skin as he kisses around your thighs. Your heartbeat picks up and your chest starts to heave. Your fingers tremble around the pages.

A hand leaves your pressure book to grip Jason’s hair. Your hips begin to rock against his face. Your breathing becomes more labored. His thumb begins to swirl your clit, stimulating you to your very core. The room around you fades away, leaving only the rising tension in your body. 

Jason's hands move up your thighs, his fingers digging gently into your skin as he holds you in place. His tongue darts in and out, teasing you with gentle licks and soft kisses. You moan, your head falling back against the bed as you give in to the pleasure.

Suddenly, the book slips from your fingers, falling to the floor with a soft thud. You don't even notice, too caught up in the sensations coursing through your body. Jason’s hands pull you impossibly closer, caught up in your pleasure.

"Jason," you moan, voice laced with desire.

It seems that your voice sets him off, because his tongue starts moving faster along with his fingers to bring you to your peak. Your body trembles, and your hips rock against his face, seeking more of the pleasure he's giving you. Your toes curl, back arching against the bed as your moans get louder and louder.

White fills your vision, mouth falling open as a final whine leaves your lips. You take deep breaths as you come down from your high, thighs twitching. Jason’s eyes meet yours, slowly rising from his knees to meet you. His lips brush against yours in a gentle manner. You feel yourself melt once again, your body aligning itself with him.

“Good?” he mumbles against your lips.

“Good,” you affirm, breathing him in.

“Good,” he nods, breaking away from the kiss, before meeting you back for more. You smile against him as the two of you exchange chaste kisses. Your legs fall open to welcome him closer. You whimper at the feel of his bulge against you.

“Jay,” you moan, grinding against him.

You feel his smirk. “Yeah?”

“Please…” He’s only wearing a towel, all you have to do is hook a finger around it and pull…

You’ve never felt such disappointment like when he pulls away from you, tightening the towel. He bends down, picking up your forgotten book, and strolling out of the room.

“Wh- Jay!”

“You said I’d like it, might as well start now. Who knows when you’ll put this thing down again,” he calls from the hallway.

“Jason!”

“This is payback!”

notes: kinda hate this but what can ya do 🔥

[shimaen]

Sy shizun au

Sy transmitting as a random rogue cultivator many years before the protagonist is even born.

He starts looking for the protagonist but in the way he finds a homeless child that just looks like him, they are not the exact same, but they could easily pass as family. He ends up helping out this child, he felt strangely attached to him, bringing him to his lil cabin near a forest, one of his many hidden safe zones.

The child, Sj, comes in a package with his older brother? Yqy. The 3 of them don't start as teacher and students, much less a parental figure, Sy is not a child, but he must be just 5 or 6 years older than them, but Sy becomes a safe space, he provides them with basic necessities and more.

They grow up respecting him, and he teaches them what he knows, and could be useful. Thing is, the system determines that his work in that era is done, and needs to send Sy to fix the next problem, so one day, 4 years later after meeting his 2 lil gremlins, he goes into the forest, just a normal fauna and flora exploration for Sy, he goes alone with almost nothing, after all he is not going far, they all know this.

But Sy doesn't come back.

They wait until midnight

They are still searching by sunrise

They are losing hope after a week

They think that he must have abandoned them, it was too good to be true, but it still doesn't makes sense, Sy left most of his stuff in their little cabin, all his money, his sword, his trinkets, his fan. If he abandoned them, why did he leave all his stuff too?

They don't want to think that he may have died. It isn't fair. They would prefer that Sy just abandoned them, but they know (they hope) that Sy isn't like that. Years pass, and the plot somehow reconnects, Sj becomes a peak lord, and Yqy the sect leader, they gave up searching a long time ago and just accepted the most probable "truth" Lbh enters the story, and in one of his night hunts, he separates from the group.

He ends up in a section of the forest that looks a bit wilder, somehow more mystical. He reaches a big tree, ancient looking, it almost looks alive, and in the middle of it, there is this crystal, ancient amber filled and pumping with energy, maybe the beating heart of the forest? And there is something in the middle, a figure seemingly sleeping, it looks like his shizun, but not quite, maybe a bit younger, even Lbh doesn't realize until he has his hand pressed against the crystal, blood from his earlier wounds accidentally smeared against the amber, and the figure opens its eyes.

Haha funny au Lbh helps a really confused and out of it Sy out of his amber cocoon and brings Sy to the were they were staying just to discover that his teammates went back to the sect without him So imagine the shock of an Sj that was going to look for his student when he Sees this child carrying a full adult that seems to be unconscious, he was going to scold lbh when he actually sees the face of the man, and it feels like time stopped

[thewertsearch]

Just as it's up to you to face the decision to claim immortality before you enter your creation.

A classic perk of godhood - and one I considered to be an Ultimate Reward candidate, back in Act 4.

Hopefully it's a flavor of immortality that still lets you age. If Vriska's to be believed, then Sburb wants to be played by adolescents - but they don't need to be kids forever, do they?

TT: Are you saying I will? No. […] TT: Maybe this question will suit you better. TT: Is it probable? That's a strange question to ask someone who is omniscient and therefore knows outcomes with one hundred percent certainty. […] You have exactly a fifty percent chance of ascending to the god tier.

A non-binary probability? From an omniscient being?

That doesn't... that makes no....

Alright, screw it. I'll nerd-snipe myself on this one.

First of all - is Scratch taking doomed timelines into account? Because one way to interpret this statement is that exactly 50% of all timelines will feature Rose's God Tier ascension. If so, this is a functionally useless statement, as we don't know which category the Alpha Timeline falls into.

Another, more interesting interpretation arises if we assume Scratch is only referring to the Alpha Timeline - or, more accurately, the Alpha Timelines.

The whole point of the Scratch is to create another instance of the kids' session - one which can't be doomed, because that would render the whole endeavor pointless. Therefore, there's about to be a second non-doomed timeline in play, with a second Rose Lalonde.

If there are two Alpha Roses, and if 'Alpha Rose' has a 50% chance of ascending, then it sounds like only one Rose will ascend. Either our Rose will become a god, or the next Rose will.

Because, much like the decisions you must face to complete your dual suicide missions, you have two ways of achieving godhood to choose from. […] TT: By dying on the Quest Bed on my planet, and some other way? Yes. TT: Is there another Quest Bed somewhere? Yes. Good guess, Seer.

Aradia’s Time Slab, in Derse, functioned as a backup Quest Cocoon. Her ascension raised a lot of questions, and hopefully we're about to get some answers.

Notably, the Time Slab was able to ascend Aradia's dream self, long after her original body was lost. Can it only solo-ascend dream selves, or could Jade use one to ascend without Jadesprite? Could Rose use one, even after her dream self is consumed by the Tumor?

Also, why is this mechanic hidden from the Players? Is it even an intended feature of the game? I have to assume you're not supposed to learn about it from a corrupted First Guardian. The trolls completed the entire game, and none of them seemed aware of it - so when do you learn about it? What's it for?

TT: Where? What difference does it make? You already know where the first one is. You have the choice to go there right now and take your own life.

You have the choice, but it’s obviously not that simple.

'Logically', every player 'should' God Tier as soon as they learn it's possible - but we're dealing with people here, not ratfic protagonists. It’s not easy to go through with something like this, even when you know it’s exclusively beneficial.

[tiffanys-aus-and-headcanons]

Appendix D: Some Pig/One More Final

The first three posts in this series are here.

Undertale was a slightly postmodern children's fantasy movie produced by Jim Henson's Creature Shop in the '80s. Noah Hathaway played the protagonist, Frisk, who went on a long quest to escape from a magical prison inside Mt. Ebott; Frisk's father had thrown them into the mountain, known to be full of monsters, in an attempt to kill them. However, it's suggested that as a human, Frisk is inherently more of a protagonist than a monster can be, and has a vague sort of magical power over them. Toriel's death, which Frisk accidentally causes early in the movie, is commonly listed as a Peak Sad Childhood Moment.

George Orwell wrote The Writing In The Web, a political fable about a cult started by a well-meaning spider. E. B. White wrote Snowball's Farm, a whimsical children's tale about a farm whose animals decide to take over.

Infamously, Emmanuel Goldstein's monologue fills dozens of pages, takes at least three hours to read aloud, and brings the plot of Ayn Rand's 1984 to a screeching halt.

Short story collections and anthologies often keep the same title, author, and spirit, it's just the stories that are swapped out. For example, classic episodes of Rod Serling's The Twilight Zone include A Wonderful Life, The Secret Life Of Walter Mitty, Miracle On 34th Street, and The Sixth Sense. 1983's The Twilight Zone Movie includes segments based on classic episodes Eternal Sunshine of the Spotless Mind (directed by John Landis and given anti-war themes), Cocoon, The Poltergeist, and In Search of the Twelve Monkeys (the original starred a young William Shatner). Candle Cove is an episode of Black Mirror.

League of Extraordinary Gentlemen was a 1999 Ben Stiller comedy about a team of low-rent superheroes who theme themselves after public domain characters because they cannot afford licensing fees. The film was well-reviewed, but a box office bomb. It was actually the first film to use Smash Mouth's One Week - the One Week music video is actually cross promotion with League of Extraordinary Gentlemen - and it would remain the film most associated with the song until Dreamworks' Happily N'Ever After hit theaters two years later.

The Amazing Digital Circus was a virtual pet game and toy line that struck when the iron was hot on that niche, before being bought out by Hasbro and rebooted a few times in different forms and mediums. Lauren Faust created a long-running television cartoon of it that was a huge smash hit with fandom culture despite the show's clearly very young target audience. The property's canon is all very light kiddie fare; the scariest thing about The Amazing Digital Circus is that for a brief and touchy stretch of time in the early 2000s, it was owned by the Peoples Temple, which was seriously considering turning it into a recruiting platform.

Your cringe unpublished works that you gave up on were almost certainly swapped around with other people's cringe unpublished works that they gave up on. There's lots of upwards and downwards mobility to the scramble, but not usually that much. Exceptions are very rare - like a beggar suddenly being made king, or a god being reincarnated into an ant - but they do occasionally happen. For example, what you know as the land of Oz exists only in the head of a young Milwaukee stoner, who suddenly came up with the idea for an epic graphic novel one day in the 2010s while sitting on the bus, and spent a couple of years absolutely convinced she would eventually make it. (She cannot draw.) Conversely, L. Frank Baum's children's fantasy series, Enormia, which has been adapted and reimagined many times, most notably as audiences' introduction to color film, exists in your world only as a different Milwaukee stoner's overly elaborate backstory for his jerkoff sessions. This kind of thing is much more the exception than the rule, and even such exceptions are almost always much smaller in scope - an obscure stillborn project getting swapped around with an obscure out-of-print novel, or an obscure direct-to-video z-movie.

The True Detectives forum and its many schismatic spinoffs, all of which are devoted to discussing mystery fiction, host literally thousands of Wind fanfics. Many of the writers - perhaps most of them - have never actually read Wind, just other fanfiction of it; next to none of the fics are worth reading. Most Wind fics reuse the original protagonist, Rorschach, but treat him as a generically relatable blank slate. The most common fic format by far is the "altdunnit", a form of what-if scenario in which the mystery that sets off Wind's plot is different in some way.

Rorschach is held by a substantial portion of the fandom to be an egg (a trans woman who has not realized it yet). Wildbow has never endorsed this interpretation, and it doesn't seem to be much on his radar. In recent years, the trans Rorschach portion of the fandom has grown; they don't tend to look especially kindly on Warn, much of which Wildbow wrote as a response to fans (like those on the True Detectives forum) he felt had been too inclined to take Rorschach's side in Wind. Flame wars over Warn's content were constant throughout its serial publication, and made it easily the rockiest experience of Wildbow's writing career.

Some noteworthy and relevant podcasts include Jonathan Sims' The Dresden Files, the Ranged Touch Network's Scott Pilgrim Made The World, Doof Media's Winding Down (later Warning Down), and the McElroy family's The Adventure Zone (an actual play podcast which has currently had three major campaigns, two anthology series, and various one-shots). Film Reroll is still an actual play podcast that runs the basic setups of movies (and occasionally other media) as short tabletop campaigns; occasionally, their version of a movie will be much closer to ours than it is to the version of the movie in their own universe.

Xenobuddy was an early childhood public access show, originally created for the BBC in the late 1990s but later aired internationally. The title character is a small alien puppet who lives on a futuristic spaceship staffed by children (who speak a vague conlang akin to a dollar store Esperanto). At the end of every episode, it gets lost and is found, usually by (harmlessly) bursting out of one of the children. It was very popular with its target audience and much loathed by parents. Edgy ironic fanart depicting the titular Xenobuddy as some kind of dangerous parasite abounds.

Static is a supernatural slasher franchise created by Wes Craven, with the first film, also simply titled Static, released in 1984. The movies concern a group of gibbering neotenous ogre-fae who wake up in the modern day after a long sleep, incorporate televisions into their bodies, and start eating people by sucking them into hellish pocket dimensions. The Screen-Guts collectively are probably in the top five antagonists most people think of when they think of slasher horror.

Toby Fox's ROSEQUARTZ is especially known for its meta take on video game morality systems. The game has a mission-based structure; throughout it, the player is encouraged to take on a pacifist playstyle, championed by the player character's late mother, the title character. However, the Crystal Gems give the player enough autonomy that you are entirely able to take a much more violent tack; doing so has a rippling effect on the game's writing in countless immersively-integrated ways. If the player goes out of their way to be as murderous as possible - the so-called "genocide route" - the differences from the main route grow much more extreme, and rather than gaining allies, you start to lose them, as the Crystal Gems realize what you're doing and one by one turn against you. If you manage to shatter Garnet - it's the hardest and most iconic fight in the game, Megalovania is playing, her Future Vision gets used for all it's worth - then you use your knife to slash at the cosmos, erasing Earth, Homeworld, and everything else. This, Toby Fox is saying, is apparently all you want out of a video game - another toy to break.

Warner Bros still did Space Jam with Michael Jordan and the Looney Tunes, it's just that the Looney Tunes in question were Mickey Mouse and friends. They also still did a second one with LeBron James, which was, by God, somehow worse. They put Ms. Frizzle in it.

Walt Disney made his squeaky clean reputation on the back of adaptations of things like Rudyard Kipling's adventure novel The Call of Cthulhu, P. L. Travers' Thomas the Tank Engine, and Erich Kästner's feel-good coming-of-age kidnapping tale about the power of perseverance, Lolita, originally done with Hayley Mills and later remade with Lindsay Lohan.

Nabokov's extremely controversial literary classic that has defined the idea of the unreliable narrator is Father's Trap, from the perspective of a man who plots to obtain custody of both of his daughters for nefarious purposes. Most publishers ignored Nabokov's instructions not to depict the twins, Lisa and Lottie, on the cover. Stanley Kubrick and Adrian Lyne have directed mediocre film adaptations, and songwriting team Lerner and Loewe did a musical that was a legendary flop.

The Japanese fashion movement is Gothic Pollyanna, after an otherwise-forgotten series of penny dreadfuls about a cute, cheery, rules-minded young girl who is, despite appearances, an insane criminal. Minor character Bonesaw in Alan Moore's Worm Turns also clearly hearkens back to the Pollyanna stock character.

The DEA was a prime-time soap opera about the ongoing "war on drugs"; it ran for eleven seasons from 1982 to 1993. Its plot focused on federal agents working at the Drug Enforcement Administration office in Albuquerque, New Mexico, and especially partners Hank Schrader and Steve Gomez and their families. It is mostly remembered today for its downer ending (in which the treachery of late-show villain Walter White, or "Heisenberg", gets the leads killed, and he escapes from justice), and for its far-more-acclaimed spinoff series Better Call Saul, which also ran for eleven seasons from 1993 to 2004, functioning as a prequel, midquel, and sequel to The DEA.

Between The DEA and Better Call Saul, Kelsey Grammer played crooked lawyer Saul Goodman for twenty consecutive years of primetime TV, first as featured comic relief and later as a leading man. (He also guest-starred on the mostly-forgotten Mall Cop, establishing that it, too, was set in the world of The DEA and Better Call Saul.) Better Call Saul won more than a dozen Primetime Emmys. Peri Gilpin received several of these for her performance as Kim Wexler.

St. Elsewhere was a film written and directed by M. Night Shyamalan in the late 1990s; it was highly acclaimed and successful, and established Shyamalan in the public eye as a skilled auteur with an affinity for twist endings. The film's final scene reveals that its main setting, St. Eligius Hospital, exists entirely within the imagination of an autistic boy, Tommy Westphall, as he gazes into a snowglobe. The so-called "Tommy Westphall Universe Hypothesis", which posits that this same twist applies to most of fiction due to a network of crossovers, was invented by a Saturday Night Live sketch shortly postdating the film's release, in which an amnesiac Charles McGill (from Better Call Saul) wakes up in St. Eligius, attended to by a cast of characters who are more concerned with their own nonexistence.

After rising to prominence as a writer, storyboarder, and composer for Pendleton Ward's Science Time (where she established the Summer/Jessica relationship that would come to define later seasons), Rebecca Sugar got to make her own cartoon, Henry Ichor. Set in a recently post-apocalyptic but strangely cheerful world, Henry Ichor concerns a young teenage boy who is conscripted as a mech pilot due to his rare and innate ability to link to the powerful Evangelion mecha. (His preferred Evangelion is eventually revealed to be a form of his late mother, the reason he can do this in the first place.) Henry turns out to be a vital asset in protecting humanity from the monstrous "Angels" that frequently threaten it, and is surprisingly emotionally mature for his age. However, the adults around him (especially his father, Gennady) frequently push him too far, especially considering his generally noncombative and pacifistic nature. There is much interpersonal drama and much singing about it, with a very vocally trained cast. After several seasons of slow buildup, the show was forced to suddenly rush to its ending in only a few (infamous) episodes after an arc where Henry had a romance with an Angel in male human form. Henry Ichor The Movie and an ensuing miniseries, End Of Henry Ichor, helped bring the show to a more thematically satisfying conclusion.

Although he has played a creative or consultant role in many animated projects, Alex Hirsch is best known for the one he was actually the showrunner for, Disney Channel's smash hit Sunnydale. Focusing on a small California town constantly plagued by supernatural threats, Sunnydale generally followed a simple monster-of-the-week format, but kept audiences on the hook with teases at a deeper underlying mystery. The show almost didn't get a season two, as Hirsch found working with Disney very tiring, but he was eventually persuaded; season two ran through the rest of Hirsch's ideas at a faster pace, and concluded the show with the leads graduating from Sunnydale High.

For a brief historical moment, Daron Nefcy's show, Ender vs. the Space Bug Army, looked like it would become the successor to Sunnydale, keeping Disney Television Animation prestigious after Sunnydale ended. However, though Ender drew in a big crowd, and lasted almost twice as long as Sunnydale, it was not ultimately as well-received. EvtSBA is a children's space opera, wearing its Starship Troopers (Joss Whedon) inspiration on its sleeve, but also clearly copying some (superficial) notes from Philip Pullman. Set in a future where mankind has come into violent conflict with bug-like aliens, the show follows unbearably smug boy supergenius Ender as he is sent to military school to prepare for interstellar warfare. The show has an extremely cutesy and hyperactive tone; typical filler episodes include the one (generally taken as meta about fandom drama) in which Ender's siblings' futuristic internet arguments prove instrumental to the survival of the human race. Later seasons get a bit more serious, but focus heavily on shipping. The show is infamous for its ending, in which Ender, for his final exam, destroys the Formics' home planet and releases a psychic signal that eradicates the Formic race. Although the show explicitly notes that this includes many individual Formics who we have previously known as sympathetic characters, it is nonetheless played as a happy ending in which a hostile colonial power is defeated. Ender has ended the war; he has beaten the Space Bug Army.

"Meugh-Neigh. 'Meugh' like the cat, 'neigh' like the horse." "Does it mean something?" "No answer; none at all."

Orson Scott Card is an extremely prolific author of speculative fiction. Although it isn't as close to his heart as the Steel Gear series, in which he got to flex his military sci-fi muscles and allegorically retell stories from his faith, he is undoubtedly best known for Ishtar's Curse. Initially a short story and later expanded into a full novel, the plot concerns young Princess Ishtar, or Star, heir to the heathen fairy kingdom of Meugh-Neigh. (In later novels, she changes her name to Bethlehem Diaz, or Beth.) Spoiled and destructive but magically talented, Star is sent to twentieth century Earth so she can develop the wits and the strength of character to be a viable wartime leader for her people - or at least so she can be kept out of the way. After several years of personal growth and magical misadventures with companions she met on Earth, a more grounded Star devises a spell to erase the magic that makes up the bodies of most of her throne's enemies. This plan works, and merges Meugh-Neigh into the Earth as a small and ordinary European country. However, though her subjects are eager to celebrate her for this, Star is devastated when she realizes that she has killed trillions of innocent spirits, and, seeking to atone, she takes on the title of Speaker for the Dead (also the title of the book's first sequel). Although it's frequently ranked highly in lists of fantasy novels of the twentieth century, Ishtar's Curse has received some harsh criticism, with the standard line being that Star is an idealized fantasy of a repentant Hitler figure, and that the text presents excessive justifications for her actions. The story has also been called a reactionary response to Wilde's The Little Mermaid. After more than twenty years, a film adaptation of Ishtar's Curse was released in 2009, starring Dakota Fanning, to mixed reviews. The box office took a further hit due to a boycott campaign, after Card's views on homosexuality (and, relatedly, his membership in the LDS Church) became widely known. In the end, it lost the studio a lot of money.

Hideaki Anno is best known for the classic smash hit anime he made for Studio Gainax, Einstein Goliath Nestorian, a psychologically intense deconstruction of martial arts shonen like Yoshiyuki Tomino's Dragon Ball. Einstein Goliath Nestorian concerns a mystery man known only as Saitama, who finds that he has become dissatisfied with life and alienated from the world after only three years of training have enabled him to easily surpass any physical challenge. The original series is known for its sudden, surreal, and clearly budget-driven ending, although this was quickly alleviated with a similarly surreal but more definitive finale movie. Although many Western anime fans often think of Einstein Goliath Nestorian as pretentious and ultra niche, it was actually a huge mainstream hit in Japan, with a colossal franchise of adaptations, merch, and spinoffs (notably including a series of Retrain films, which began as extremely close shot-for-shot remakes of the original series but wound up spiraling into a very different updated timeline).

Previously most noteworthy for his 2003 visual novel Oreimo, Gen Urobuchi was tapped by Shaft for their extremely successful and acclaimed anime Ohayou Hana!, hailed as a deceptively dark deconstruction of the teen idol genre. The plot concerns a girl, Saionji Mayuri, who leads a double life, being of little note at school, out of costume, but spending much of her time as #1 idol Hana. Her mental stability begins to deteriorate as she realizes that the adults in her life - especially her father, himself a former idol - have groomed her to serve as a drugged and hypnotized propaganda mouthpiece for a shadowy conspiracy. She winds up in the worst of both worlds as her ensuing breakdown, and her handlers' response to it, destroys both of her lives and brings ruin to those she cares about. In addition to the popularity of the actual anime, many of its songs became decontextualized J-Pop hits. The idol anime genre would then receive a glut of edgy lesser imitators, like Love Live: School Idol Project, Cheetah Girls, and magical girl fusion Symphogear. Although the original Ohayou Hana! was a self-contained twelve-episode story, it received a sequel movie shortly thereafter, Ohayou Hana! Rebel!, which ended on a cliffhanger that has still not been resolved over a decade later. The upcoming Ohayou Hana! MK Ultra! is expected to get things back on track. An abridged series originating on 4chan, focusing on cropped screencaps from Ohayou Hana!, called the title character "Miss Ohio", producing the memetic tagline "being Ohio is suffering".

Zack Snyder first came up with the idea for Madoka around 2000, a long time before he'd actually get to make it; he put the project on hold in 2006 to make his adaptation of Worm Turns. He developed the idea with his wife Deborah and a cowriter, Steve Shibuya. Inspired by the Disney Princess phenomenon, as well as Naoko Takeuchi's Pretty Cure (one of the few anime that had already become a hit in the States), Snyder wanted to tell a coherent story about fights between magical girls who could make anything happen, who could make any fantastical world or visual appear. In Snyder's film, we follow Madoka Kaname, a teenager attending a Catholic school in Los Angeles. Madoka and her friends are approached by a strange young woman who goes only by "Mommy", and her animal companion (a CGI-ed up squirrel-cat thing), QB. They offer to make the teens into "magical girls", granting them one wish each in exchange for a life devoted to spiritual warfare. (Another mysterious new girl, Lilly, urges them not to take the deal in the strongest possible terms.) This turns out to be a scam; QB is pitting the magical girls against one another for his own reasons, and in the end, every magical girl and her wish gets corrupted. Despite much of the film's plot being a horrific bloodbath - the MPAA demanded a lot of cuts to get it down to a PG-13 rating - there is a happy ending; Madoka finally makes her own wish and uses it to topple QB's whole system. Madoka isn't often discussed nowadays but it was a major discourse bomb when it came out in 2010, alternately being called misogynistic Orientalist trash and a subversive feminist masterpiece. Snyder, for his part, often notes that QB is intended as an allegory for exploitative forces within the entertainment industry that treat young women as disposable resources with an expiration date; this is already clear to anyone who's watched the film, which is not exactly subtle in its symbolism. He also explains that the film sexualizes the girls in an effort to shame the audience, to get people to understand that they are objectifying the characters in the same way that QB does. The soundtrack's got a really cool ethereal cover of Nine Inch Nails' King Nothing on it, which is probably the most remembered part of the film today.

Selena Gomez became a star by playing Violet Parr on Disney Channel's superhero sitcom The Incredibles. While the show was initially a very throwaway villain-of-the-week affair whose leads had to keep their powers hidden from the public and their caped escapades secret from the government for self-explanatory comes-with-the-genre reasons, it would eventually unfold that the show was set in something of an X-Men-style dystopia where superheroism had been outlawed and supers oppressed by the government as a potential societal fifth column.

Brad Bird directed one of Pixar's most celebrated films, Wizards of Waverly Place; it was Pixar's first film with a predominantly human cast. Disney was hungry for a fantasy property after losing a bidding war for the Luz Noceda rights. It had strong populist anti-eugenic themes, with an elaborate wizarding hierarchy of antagonists who seek to remove the Russo family's magic as part of an effort to curb wizard overpopulation. The sequel came more than a decade later, and wasn't nearly as good.

In addition to Worm Turns, Alan Moore is notable for the heavily metafictional comic Pagemaster, about a boy, Richard, who finds a magical library that contains all stories that have ever been or could ever be told; he becomes lost and imperiled in assorted pieces of historically noteworthy literature (initially ones in the public domain, though later volumes would start using legally safe serial-numbers-filed-off versions of modern stories). The 2003 film, in which Sean Connery played the librarian in one of his last film roles, is widely regarded as a terrible, deeply-toned-down adaptation that didn't grasp the tone or themes of the original story at all; it only covered the first half of the first volume, in which Richard meets "genre spirits" who wish to sort all stories into rigid categories. In a later volume, Pagemaster Millennium, an aged Richard Tyler, who has since taken on the mantle of librarian himself, meets a teenage girl, heavily implied to be Luz Noceda, who has also become lost in the library. She has become corrupted by an eldritch book, or "Necronomicon", written by "the Wrong Author", heavily implied to be the devil (and/or Hugo Astley, an Aleister Crowley caricature from W. Somerset Maugham's The Winged Bull). Flushed with demonic power and enraged by what she's become, a monstrous Luz tears through the library in a blaze of hellfire, seeking to destroy all of literature and the world. It is only through the intervention of the Fat Controller - heavily implied to be God - that Luz is defeated; he mercifully erases her by hitting her with a train, and laments what she became.

[kirango-rouge]

Angsty thoughts about my wife now that i've well played the dlc

it makes me more emotional now when Varré says how Luminary Mohg has strenght, vision and love.

If Mohg was indeed truly capable of love once, Varré never got to know it and died unaware of his lord's previous life, by the hand of his lambkin, and still thinking that the Luminary Mohg that tortured him was the "true" Luminary Mohg.

It adds another level of pathetic to Varré's character and i want to kick him on the ground and marry him under the erdtree and make him my dear little wife 😂😭😔💕

Because now with the dlc it feels like Mohg used to be truly capable of love.

I miss a little the unapologetical tyrant who inflicts upon others his trauma, either knowingly, either because it's the only life he's ever knew, but even the bewitching doesn't erase entirely this aspect of his character.

(I love Ansbach, he's my goated man who has my back, but i feel like his character and dialogues were build this unilaterally and undoubtedly wholesome only to drill once and for all in the player's head (especially the westerners) that "Mohg wasn't the monster we thought he was all along". Except he was. Or at least he became to this extent after the bewitching.)

It makes me think that there was a time when Mohg was indeed a leader of an underground faith at leyndell where he converted nobles and preached with Esgar and had his own personnal guard of these "pureblood knights", but after the bewitching, Ansbach switched allegiance and Mohg left the capital for the mohgwyn dynasty grounds where he started his squat with the bloody fingers and knights of blood.

His behaviour probably completely switched at this time and that's surely when the abduction of the white masks happened.

Because if the abduction happened before, Mohg couldn't have been this noble figure that Ansbach's character wants us to ultimately think, unless retcon. Because what sort of kind figure abducts people, corrupt them with blood, and leave with a traumatic dependance syndrom the only survivor of the ordeal. It doesn't make sense. Unless Ansbach is delusionnal about his master's true nature like Varré is in the base game. But if that's the case, who from the two is right and who is delusionnal???

If the abduction happened after he left leyndell with the cocoon, the cruel aspect can still be kept, in which case it adds another level of tragedy to Varré's fate.

That there was indeed once a time when Luminary Mohg was indeed capable of love and vision and strenght, during Ansbach, and probably Esgar's time, and Varré never got to know it. Varré only knew Mohg when he tortured him and his group and eventually associated it with a loving act to cope with the traumatic experiment he went through. For his sufferings to mean something greater and not just be for a selfish purpose.

Varré lived and died in this dynasty thinking he knew the true Luminary Mohg, but the torture of his group was all for vain ends. Miserable and sad. "pathethic sort ahead, but lover…" And Ansbach fought in the dlc probably without knowing all the atrocities Mohg commited when he was away with a new god.

A duality of two characters: Ansbach whose motive to help us beating miquella is mainly to atone for his personnal guilt of abandonning his former loyalty while making us feel like "we do this to be a lord for men" even though we can be just like radahn2.0 with ranni, or four versions of lord of marika, or frenzy lord.

And Varré whose loyalty was initally forced upon him through foul methods and genuinly sought to find himself a true lover in the tarnished protagonist wile actively working for a new dynasty and age that doesn't follow the two fingers, even though he was doomed to fail by the narrative.

[octahedral-chaos]

OCTAfan's Odd/ Obscure Characters Tournament: Round 2 Part 1

Light Being (Everhood) VS COCOON Protagonist (COCOON)

Quick Facts

Light Being

One of the bosses from Everhood.

Everhood is a psychedelic Rhythm-RPG developed by Chris Nordgren and Jordi Roca, published by Foreign Gnomes and Surefire.Games and released on March 4th, 2021.

COCOON Protagonist

COCOON was developed by Geometric Interactive and published by Annapurna Interactive.

It was released on September 29th, 2023, and received praise for its unique "world-within-worlds" mechanic and stunning environments.

[w0rlds-within-w0rlds]

WORLDS WITHIN WORLDS

An independent RP and Ask blog for the Protagonist of the game COCOON (2023). May contain spoilers for the game, body horror and potential flashing lights/ eyestrain.

Crossover and OC friendly

Iconless friendly, even thought I may use icons

Slight Canon divergence

Follows/ Interacts from @octahedral-chaos

[Muse] [Mun] [Rules/ Dni] [Other RP blogs] [Tags]

[octafans-rp-hub]

◇Here's some potential muses that I might rp as:◇

Melodrama, my Mad Rat Dead- inspired thunder manifestation oc

My Pari oc, Thrill

Unnamed Mesuline oc and their shadow being friend (Might make a multimuse blog for them, along with Melodrama and Thrill)

COCOON protagonist

Hunter and maybe Eagle Mother from The Pathless

[kranagok0]

Oh boy, this Is a complete love square....

Guys, I don't know what I have about polyamorous romances but it's like a strange feeling of 'look at that, no one is sad and everyone loves each other.'

That just crossed my mind when I saw the new member of the trio of strange friends (now it's a quartet).

Louise is a breath of fresh air among the extroverts that make up the group.

Louise is practically an introvert. Someone closed who was even the last to be chosen on the boat trip (if we leave aside the trio of protagonists). Louise mentions that she has been in the Sparrow Scouts for some time now but has made almost no friends (or so I think).

I understand what it's like to be an introvert, more or less. I am the type of person who acts with a lot of concern, nervousness and gets serious so as not to say something stupid the first time they meet him... However, when I gain the necessary confidence I transform into someone different. I go from being 'a mouse thinking carefully about its next move' to becoming 'a monkey with a shotgun'. I hope I'm not the only one to have that strange way of being....

My life aside, I'd say Louise is kind of like that too. At first she tries to fit in by being normal with the team, but then she begins to get to know them and identify what things the trio of friends think are right or wrong and that is when Louise begins to show more of her personality. It emerges from the cocoon like a butterfly to show its true colors.

And in short: it is perfect for the trio of friends. It's so weird and different that I feel like it's necessary for the group, and I'm speaking in a positive way when I say weird. A good time.Now the main topic..... Romance.

I've seen a lot of Frida X David, Hilda X Frida, David X Frida fanfics and blogs, there's literally everything. But with the arrival of Louise the combinations are doubled. Now it could be Louise X David, Louise X Hilda, Louise

*Music from a 80's TV game show plays*

Hello ladies, gentlemen and other magical creatures who visualize us! I want to welcome you to this little head-canon idea I had of what each character in the trio of friends would be like if they were Louise's partner!

To do this, we will see the qualities of each suitor and what their dynamic with the character would be like:

Let's start with the one who represents better than anyone the shyness and courage that exists within us, he died twice to try to demonstrate it. Here we have David.

David may be a scary guy, but he will definitely come to save you if you are in danger. This kid would literally show what he's made of on a battlefield if he feels like he needs to prove something.... Don't tell me no, we've all seen the Vikings episode.

Our next contestant is not only smart in school but also in witchcraft. If you ask him about a certain topic, rest assured that when he finishes his talk you will at least have knowledge of the entire topic and its related subtopics. She is willing to do anything for her friends, she would even open a portal to the unknown and create non-existent spells just for you. Let's give a big, fervent wave of applause to the young city witch: FRIDA!

Frida may have been a bit of a perfectionist in the past, but after meeting Hilda and experiencing several events she went from being miss perfect to becoming the smartest friend you can count on. To be honest, sometimes Frida can be a bit boring, but that doesn't stop her from reaching your heart by showing great gifts of her intellect and the magic she possesses means that any topic can arise from a conversation. So, if by 'boring' we mean a lot of context and extremely long topics that she explains to you with excitement and great happiness, then boring is pretty good.

Finally we have the icing on the cake, or in this case the blueberry. Coming from the wild and with more extroverted energy than any of the other candidates mentioned above, we have a young woman with blue hair as long as she could grow it (I don't doubt that she would have let it grow longer if it didn't bother her in her adventures). This girl can literally make friends with almost anything and her circle of friends is huge, ranging from elf scribes to giants who are no longer on this planet. She would be the one to always take the first step in battle with her sword if I see it necessary and— Wait, where did he get that sword?

With you, Hilda!

Seriously, where do I get it from?

Hilda is by far the most outgoing and curious person I have ever seen. Don't you remember what Tofoten was triggered by his curiosity? Dude, it was literally the end of the series. And if you hadn't already noticed, this girl would fight barehanded against a king to save her loved ones. She would be the first to take up weapons to save her friends, she is capable of moving every rock in the entire city to find her pet, she is even capable of doing an act of terrorism just because the bells were bothering her friends.

Oh my god, I'd be afraid of this girl if I were someone who played some practical joke on David in the past or something. I would be locked up at home for what might happen to me. Better confinement than meeting Hilda on the street and having her recognize me.

So.... In a little while we will see Louise's possible choices about who she would like to be with, why I think they would be a good couple and also about what their relationship would be like. And it wouldn't just be from my point of view. Indeed, dear reader, you can also have your opinion. Comment what you think a relationship between Louise and any of our favorite trio of friends would be like.I retire to write incorrect quotes and more about this romance because I am burning with emotion. See you later

[i-heart-hxh]

Do you think that Gon will eventually meet Gyro? If so, do you consider it a possibility that Gyro will be the last antagonist?

With the usual caveat of Togashi being unpredictable: Yes, I do think there's a decent possibility this is the plan.

I wonder if Gyro will end up representing the other side of the coin from the protagonists of HxH: Someone who faced horrible trauma and was never able to transcend it due to not having the close human connections to rise above the treatment he received, or perhaps even someone who lost whatever "good" memories he may have had when he became a Chimera Ant and reverted into a being who cannot see any good in humanity.

One of HxH's biggest themes is around human connection and transcending trauma and violence through love. His backstory is incredibly bleak, he was treated as if he wasn't even human and he ended up breaking and becoming someone violent and powerful, so I can see how his story might tie into the larger themes of the series. However, Welfin seems to remember him fondly and is now searching for him, so it's possible Welfin could play a role again in his story. I also wonder if Gyro might somehow end up involved in the storyline surrounding the Chimera Ant cocoons Pariston currently has, yikes.

It's hard to say what Togashi has in store for Gyro with how little we've seen of him so far, but I do think there's a good chance he'll be a part of Gon's final arc with what the manga stated. I hope we'll get to see what Togashi has in store for him eventually!

[legend-as-old-as-time]

*chin in my hands, kicking my feet* hiiiiii please tell me about your headcanons and plot bunnies for the Turaga Metru having a breakdown on Spherus Magna :3

We are so mean to them. XDD I have two distinct scenes in mind for their breakdown, which my mind insists can be combined, but I currently doubt that. I'll add my other headcanons + plotbunnies in the reblog.

I’ve noticed that the turaga specifically are trapped*/caught regularly in / between at least two different conflicting things.

Trapped in or between places: The Coliseum; Krahka* picking them off one after the other in the Archives; the visorak cocoons; Mata Nui the island; Metru Nui or Mata Nui

In / between concepts: their ideal of toa VS the life of toa in Metru Nui; staying in Metru Nui or leaving for Mata Nui; their ideal of Turaga Dume VS their changing perception of him

Between groups: acting in deference to Dume and his opinions and decisions VS the matoran and their needs

In / between mental states: matoran and toa, matoran and toa and turaga; toa and rahi => hordika; leading like Dume VS leading as they have done on Mata Nui

The other protagonists also face this. But the turaga specifically deal a lot with this concept. It makes them outsiders to any group they’re connected with at any point:

They’re idealized or ignored as Toa Metru in Metru Nui because of their toa status, then ostracized.

Their hordika transformation gets undone, but the effects of that and everything that followed still affect them to this day. Not toa anymore, but also not quite rahi: Hordika. Rejected by the Great Temple and seemingly used by Makuta as false toa. Going into headcanon territory, if some of the effects persisted, so could the feeling that they’re neither turaga (toa / matoran) nor rahi.

Rather than a higher power related to Mata Nui or the Great Beings granting them new skills, a warmonger causes a temporary secondary transformation that actively harms them.

Mata Nui chose them. Vakama points out that it’s unheard of that the Great Spirit ever has personally intervened. They are the first and only toa Mata Nui ever chose on his own.

They’re the only ones on Mata Nui who remember and know of Metru Nui. Aside the ethical issues of hiding the matoran’s own past from them, the turaga denied themselves any support network who could’ve helped them. And they’re caught in harmful patterns / habits of their past.

They’re caught between their supposed leader, whose actions they might excusing but whose relationship might also fracture soon, and the people whose needs they care about and for.

Helryx claimed they have a parental relationship with their matoran. Such a bond is likely unheard of, or at least rare, in the Great Spirit Universe. The turaga in this – plus other effects of the hordika transformation – resemble more Spherus Magnans, while still being different from them. (And different from their own people.)

Feeling like they don't belong anywhere would stress them even more and make their trauma worse, because that is part of their trauma.

Relevant headcanon: Somebody tries to discredit and get the turaga punished for something they didn't do / the people are jealous of.

And relevant plot bunny: Dume impulsively threatening the turaga with the vahki during a heated argument.

The (*) show the main inspirations for this idea. It's a funny coincidence that you are the one who sent this ask, because my idea is that the Turaga Metru, minds muddled, over-stressed from the afore-mentioned trauma and stress, and (feeling like they're) backed into a corner - not helped by their imprisonment in the Coliseum during Makuta's reign - say this:

"We will not be trapped again!"

The resulting Turaga Nui - no (visible) hordika elements but that might change - is very much a parallel to canon Krahka at her most terrified and angry in the Archives.