#cure-our-darkness

[restingcorpse]

[kosemsultanim]

Elizabeth Tudor’s Costumes in Becoming Elizabeth (2022) requested by anonymous

[awkward-sultana]

(Almost) Every Costume Per Episode + Kat Galvin’s black velvet gown with white collar in 1x04,5,6

[doomednarrative]

Guy who says he wants Leon Kennedy to suffer less instead gives him more pain to deal with in his aus, more info at 11

[hedgedimple0]

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[iimmunex]

Tag Dump

[kaidatheghostdragon]

Standard 'cultists demand the ghost king destroy and remake the world,' but danny answers with:

"Been there, done that, its not nearly as satisfying as it sounds."

Because, canonically, he HAS. Multiple times.

Not only has he aborted the timeline that created dan, but he also had another alternate timeline adventure to try to stop vlad and cure the ecto acne.

He also used the reality guantlet to fix the changes that freakshow made.

If one is generous, you can also count any event in which a rogue was on the verge of 'taking over the world' and he stopped them just before they could get into the swing of things. This includes but isn't limited to: pariah dark, technus, ember, undergrowth, and nocturne.

And if you're being generous about that, you can count the infi-map adventure, where he repeatedly prevented vlad from taking over the world AND left his mark on history.

(But we're all just gonna ignore the disasteroid, unless we want to make it canon with a mindwipe that erases everyones memories, then it counts TWICE.)

And THEN, because this is already a ghost king au, you can imply any number of other events that are a consequence of the title. Maybe clockwork has used him a few times to deliberately alter some event for the better.

So danny just drops that bomb on the cultists, and they're just like, what? And danny just rambles on that the world is already the way he wants it and they're cultists that worship him so they shouldn't question his judgment, and the cultists are like, 'no we're binding you to us to do our bidding.'

Danny, because he already knows he's immune to binding spells and expected that answer anyways, just doubles down, 'do you really think I'd remake the world in a way that would allow someone to take away my agency? You should be grateful you even exist with the agency to come up with such stupid ideas.'

The justice league slash bats slash whoever crashed the summoning or got used as a sacrifice, have no idea how to handle all of this information. Danny is a 'capital G' God, and God is a snarky teenager who clearly doesn't get enough sleep. One of these days, he's gonna get summoned and just snap, and there's gonna be nothing they can do about it.

[sanyu-thewitch05]

Yandere! Himbo! Werewolf! x Witch! Fem! Reader

TW: forced impregnation, mind control, gore, non-con, dubcon

Kofi: Wanna buy me a coffee?

🍓🍓🍓🍓🍒🍒🍒🍒🍒🍒

The deep woods is your home. The animals within it respect you and often help you. The sun's light even points out the trails to walk upon. Though, after the first full moon in January, the wolf moon, things started to change in the forest. Glowing eyes would be in the darkness near your cottage. The noises of animals that filled the forest suddenly began to disappear. Clumps of hair started to appear at your front door. But the most frightening part for you is the mutilated human bodies appearing in your woods.

They were bloody and torn like a wild animal had gotten to them. Hearts were missing from their chests. But, most importantly, there were letters carved into each victim's chest. Each letter slowly spells out your name. Luckily, the new chief of the village, Aaron Flor, believes you when you say you're not involved in these murders. But he did say he wanted to speak with you at sunset, which it now is.

"Y/N, are you here?" Aaron asks, knocking on your door.

"Coming!" You reply, turning off the stove and letting the lavender scent fill the room.

You open the door and see Aaron with a bouquet of roses.

"These are for you. I found these on a bush near your cottage," Aaron says, blushing a little.

"Aaron, that bush is mine. But I still appreciate your gift," You say, placing the flowers in a nearby vase.

"Oh, that's what I wanted to talk to you about. For the last couple of weeks, I've been changing. I've gotten stronger and dumber. And I can't stop thinking of you and your…perfect body."

"Aaron, sit down. You're practically sweating buckets."

You guide Aaron to your bed and lay him down on it. You go into the bathroom to make him a cold washcloth. You place it on his head, and he grabs your wrist. He easily pulls your whole body on top of him and wraps an arm around your waist.

"Aaron, what are you doing? You're a good, virtuous man," You say as Aaron's lips draw closer.

"Hehe…your lips are so plump and kissable," Aaron giggles, his hand rubbing your ass. "Mmn!"

Aaron's peck on the lips leaves you flustered, and he uses it as a chance to undo your hair bun.

"You don't need this bun when there's about to be a bun in your oven," Aaron coos, letting a stray finger go from your stomach to your crotch. "Let's get naked. We need to start working on our family together."

"What family?! Aaron, you're delusional and need to rest!" You yell, but it's too late. Aaron is already untying the back of your dress.

It drops to the floor, leaving your naked body vulnerable as Aaron begins to undress.

"Aaron, I know you're not yourself, but we should think about this. I'm sure you'll be much happier if we have a family after we're married like everyone expects of you."

"I can marry you after filling you up and making you mine."

The moonlight seeps into the room, and you hear his bones crack. You can only watch in horror as brown ears grow at the top of his head, his stature becomes bulkier, hairier, and taller, and his teeth resemble a wolf's. His clothes tear, and he walks towards you with his now bigger penis erect.

"A-Aaron, we can find a cure for you-"

Aaron slips a digit in your panties and slices them off. He gets on his knees and takes a deep whiff of your crotch.

"I can smell your ovulation. It's so intoxicating," Aaron swoons, his long licking your pussy.

"Ah-Aaron!" You moan, tightening your legs to close him off.

"It's ok, darling. I'll make this pleasurable and as comfortable as possible," Aaron replies.

Aaron throws you over his shoulder and carries you through the forest to a dark cave that smells of musk and sex. He puts you in a nest made of bloody clothes, shredded fur, and silk sheets. Aaron kisses your neck and gently spreads your legs. You worriedly glance at his big, veiny cock, and Aaron throws you onto his hairy chest. He holds your face on his right side and places a comforting hand on the back of your head.

"It's ok. My scent will make you calmer and more prepared to be my mate," Aaron comforts, making you smell his pheromones. "Just take deep breaths, and then you'll be ready."

Forced to breathe in his scent, you take a deep breath. Your body feels more relaxed, and your mind becomes a pup and mating-filled mess.

"Aaron, you smell so nice and…safe," You comment, your hips unconsciously grinding against his crotch. "Ooohh…"

"You want my pups, don't you?" Aaron asks, his hand going to your pussy and rubbing your clit.

"Oh, yes! I would love to be your mate! I want your seed! I want it!" You beg, looking into his canine-like eyes.

Aaron chuckles and places his dick inside you. You moan into his chest, making his cock twitch.

"Aaron, please! I want it so bad!" You plead, starting to ride his dick.

"I know, sweetie! I know!" Aaron responds, leaning forward and placing you in a mating press.

Aaron begins to thrust into you, and all you can do is moan for him like a good mate. Aaron pants like a dog, and soon enough, his thrusts start to get faster.

"Take it! Take it! Take it like a good bitch!" Aaron moans, his knot growing by the minute.

"Ah! Yes! Yes! I'm a good bitch! I'm your good bitch!" You coo, your eyes rolling into your forehead.

Aaron gently slaps your cheek and makes your eyes focus on him.

"Tongue out!" Aaron commands, sticking his tongue, expecting yours to touch his.

You stick your tongue out, and Aaron gives you a big, sloppy kiss as his balls empty into you. You moan into his mouth as your orgasm rocks your body. His hands grip around yours tighten, and you mentally tap out at the feeling of multiple strings of semen entering your pussy, ready to make you pregnant.

"Oh, darling, you have a cute little bulge from my cock," Aaron teases, running a hand around your stomach.

"Ah…ah…ahaha…" You moan, deliriously staring at Aaron.

"I might as well make sure your boobs are ready for our pups."

Aaron sucks your right nipple, and a jolt of pleasure shoots through your spine. The other boob is stimulated by his hand rubbing and pulling your nipple.

~~~~~ "Aaron! Aaron, what have we done?!" You scream, looking at your naked body next to his.

Aaron, now back to his senses but still werewolf-like, quickly calms you down with a kiss.

"I told you I'd take care of you. Now rest. Your body needs it."

"But, why are you a werewolf?"

"I got bit by a wolf in the French countryside a while back. But it doesn't matter now. What matters now is our pups."

You cum at the mention of your impregnation, and that's when you notice Aaron is still inside you.

"Now go to sleep unless you want to be fucked to sleep."

"Yes, my love."

[snapscube]

hi penny! im sure im not the first person to ask this, but- is there a reason the psychonauts dub didnt pan out? super excited for the kingdom hearts dub!! just curious as to why that particular dub idea wasn't seen through?

it was a few reasons! i honestly just lost a lot of steam for it once i started recording the footage. if i had to guess it was a combination of life circumstances not really being Ideal for me at the time, but also the more obvious setback is just that.... the game doesn't really NEED the fandub treatment??? at all?

not to say that any game ever "NEEDS" our stupid bits layered on top of it in the most literal sense, but there are certain dynamics when it comes to picking a game for the format that i have to take into account. what's the tone of the original work, what is the dialogue pacing like, how story heavy is it even to begin with, etc. Psychonauts has the disadvantage (specifically for dubbing purposes) of being a game that already feels almost like a parody of itself. it's EXTREMELY funny just on its own. RTF as a format, i think, is most effective when the source material's original tone and dramatic weight is juxtaposed with improvisational humor in SOME way. Sonic games have a heightened otherwordly shonen vibe that becomes uncannily hilarious when paired with the inherent candidness of improv. Until Dawn and RE2 are dark, atmospheric horror titles that pair well with improv purely through the GULF in tonal dissonance being inherently funny. Spider-Man is a superhero blockbuster story, and RTF lessens the scope EXCEEDINGLY in incredibly dumb and endearing ways (instead of peter needing an anti-serum to cure a deadly plague ravaging the city, he needs it to keep himself from turning into a table). And so on and so forth.

I basically just ended up feeling like there's really not much we could do to bring value to the project of a Psychonauts dub that wouldn't be energy better spent on games that were a better fit overall. Cause, yknow, at the end of the day these already take SO long to come out. I really gotta be economical with the game choices nowadays.

[ghostdrinkssoup]

something I find really interesting about hannibal’s character is how he uses people’s expectations and ingrained assumptions to hide himself. no one suspects he’s a serial killer because he doesn’t present as one. he’s elegant and refined and isn’t cruel to animals. he’s highly sophisticated, a polyglot and has a deep admiration for beauty and life. he appreciates saving lives just as much as he appreciates ending them. in fact, this particular aspect of his character is partly why it takes will the entirety of s1 to accept hannibal’s true nature. will saw hannibal save abigail and accompany her to the hospital in apéritif and he also saw hannibal save a man’s life by performing emergency surgery and taking over the operation at the end of sorbet.

this moment in particular is interesting because of how it’s framed to make hannibal look almost godly from will’s point of view:

1) hannibal is positioned immediately higher than will due to being in the ambulance, meaning will is looking up at hannibal, while hannibal is looking down on him

2) hannibal is standing under a bright light as he works to save this guy’s life, while will is standing in almost complete darkness

3) the usual orchestral, classical music is playing in the background, emphasising the apparent “holiness” of the act and framing hannibal as some sort of saviour

the impact of this scene is even more potent when considering the context of the rest of the episode, since will has already stated that the ripper is not the type to save people or enact mercy on anyone. his style of murders doesn’t suggest this characteristic whatsoever, and although will’s assessment is correct, hannibal’s personality and overall demeanour doesn’t match what we’d imagine a person like that might look like. I think will is confronted by this as well, because even if hannibal’s surgical skill means he matches the ripper’s profile (which makes him a valid suspect) his actions contradict will’s image of the ripper, while simultaneously affirming it:

it’s difficult to reconcile these facets of hannibal’s character. it’s inherently contradictory and defies our cultural expectations. nonetheless, hannibal’s inclination to save people is sometimes more insidious than his murders. he doesn’t save people out of altruism, he does it because he thinks he’s superior and enjoys deciding outcomes. he doesn’t view himself as insane, he views himself as god. this is most aptly explored in takiawase, through the acupuncturist/beekeeper killer. here we see a murderer who confesses that she killed a man to quiet his mind, and tells jack that it’s beautiful that she managed to protect him and her other patients. this is one side of hannibal’s character, the one who’s a doctor and therapist and sees death as a cure from disease, even if the ‘disease’ itself is literally just discourtesy. it’s ultimately an act of power.

and yet in this same episode he flips a coin and saves bella on a whim. this of course is framed to others as an act of mercy, however the reality is he took bella’s power away in an act disguised as kindness. once again, he hides in plain sight. this is the other side of his character, and it’s just as deadly.

it’s still about power.

but we don’t associate acts of mercy with monstrosity. when hannibal comforts abigail in trou normand we question whether he’s as bad as we think, because what negative connotations are tied to paternal tenderness? we miss that hannibal is fostering dependency, that he literally looks dead in the eyes as he holds her, and that he blatantly just told us that he’s using abigail to manipulate will:

hannibal often does this actually. he either directly says what he’s doing or suggests that he’s the culprit (often through cannibal puns, as we know) but no one ever interprets him correctly because doing so would contradict the image he’s carefully constructed for himself. it would cause too much dissonance.

and what’s fascinating is that on a subtextual level this is largely what the show is about. the story is an exploration of societal roles and the struggle to fit into stiff categorisation and expectations. will parallels hannibal in this regard because he’s desperately trying to repress his identity by taking on certain roles. and the audience is lured by this persona the same way the characters are lured by hannibal because will defies our understanding of certain tropes. on a genre level, will assumes the detective archetype, meaning we are primed to think he’s inherently good. when we see him say he wants to save people we believe him, even though he often only does so to prove to himself that he’s a good person. will is indeed righteous, a characteristic we often view positively, however he’s violent, wrathful and actively enjoys murder due to how powerful it makes him feel. he’s not dissimilar to hannibal, we just don’t see this straight away because doing so would disrupt our understanding of good and evil.

will hides the same way hannibal does, except will hides from us as well

[bandhubcap2]

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[sabrinaacarpenters]

True, fungi cannot survive if its host’s internal temperature is over 94 degrees. And currently, there are no reasons for fungi to evolve to be able to withstand higher temperatures. But what if that were to change? What if, for instance, the world were to get slightly warmer? Well, now there is reason to evolve. One gene mutates and an ascomycete, candida, ergot, cordyceps, aspergillus, any one of them could become capable of burrowing into our brains and taking control not of millions of us, but billions of us. Billions of puppets with poisoned minds permanently fixed on one unifying goal: to spread the infection to every last human alive by any means necessary. And there are no treatments for this. No preventatives, no cures. They don’t exist. It’s not even possible to make them. So, if that happens? We lose.

THE LAST OF US (2023-) 1.01 "When You're Lost in the Darkness" | dir. Craig Mazin

[prettyinnoise]

Gewinne 1 Exemplar vom Buch „Our Darkness - Gruftis und Waver in der DDR“

Gewinne 1 Exemplar vom Buch „Our Darkness – Gruftis und Waver in der DDR“

Our Darkness erzählt die Geschichte von Wavern und Gruftis in den Achtzigern – hinter der Mauer, in der DDR. Denn auch hinter den Eisernen Vorhang drang die Musik von The Cure, Anne Clark, The Sisters Of Mercy, Joy Division und vielen anderen. Von den Autoren des Bestsellers Depeche Mode: Monument und Behind The Wall: Depeche Mode-Fankultur in der DDR. Mit umfangreichem Bildmaterial und…

[chosetherose]

The Fortnight video foreshadows the convergence of Taylor Swift and her brand

In her videos, Taylor has continually played with the idea of herself as a person versus as a brand. These portrayals have almost been adversarial in nature. Think about the relationship between the two life sized Anti-Hero Taylors. The hooded robot Taylor who got to exist in the world while her bare counterpart was trapped in glass. Etc.

The Fortnight video introduces similar characters but flips the script because there isn’t a me versus her dynamic anymore. Instead, there is a story about coming together.

A scene by scene breakdown:

Taylor Swift™️ is chained to a bed in a white gown with a spicy slit and garter. A faceless nurse enters walking upside down on the ceiling (a continued theme suggestive of PR games). The nurse presents “Forget Him” pills, arguably reminiscent of a dark time where the world thought they could “cure” homosexuality. After Taylor Swift™️ begrudgingly takes her dose, the nurse unchains her.

We then see Taylor Swift™️ approach a two way mirror and wipe the mask off her face, revealing face tattoos we know to be Post Malone’s in real life. This reveal is setting the scene that within this video Post Malone represents Taylor’s inner self, her true soul behind the veil of celebrity. I’ll call him True Taylor.

Next, the mask is back and we see Taylor Swift™️ walk out of the observation room and into the workspace. She goes from wearing a leggy white gown with garter to a fully covered black poet-esque dress. She isn’t dressed for voyeuristic eyes anymore, she’s dressed to work on her art. I love this light to dark transition because black can be seen as the absence of light. Fitting for a tortured poet who can’t live her truth in public with her sunny muse by her side.

Note that we don’t get to see black dress Taylor Swift™️ through the two way mirror. She exists behind the bright lights of fame, making art in a room hidden from our view. Maybe the pills numb her enough to twist the art for an audience who likes to her to be chained to a bed while they watch her suffer.

But wait Taylor Swift™️ and True Taylor are collaborating. They start work separately but their art eventually drifts out of their typewriters, combining into a white light that bursts into a rainbow. Remember how I said black light is the absence of light? Well white light is comprised of all hues on the visible light spectrum.

We know there are layers to Taylor’s music: the surface layers chock full with to red herrings for the grocery line Swifties and the deeper layers of Taylor’s truth. They both exist in the art, swirled together.

But here is where things start to feel different. We cut to True Taylor and Taylor Swift™️ away from all those faceless people - they are alone in the middle of a road. That in itself is ridiculously symbolic of being on the way to somewhere (maybe brighter days). But there’s more because they are dressed identically, laying inside Taylor’s head that is made up of their art. This scene is like bonking us on the head that these two people are one and the same.

Note: The silhouette here is from the Style video which also portrays Taylor’s inner self as a man.

Taylor Swift™️ runs to True Taylor and they embrace in the middle of the road as pages of their art float around them. In the chaos, Taylor Swift™️ reaches out to True Taylor.

Maybe this scene is suggesting the public version of Taylor is ready to embrace her real self.

Then we see Taylor Swift™️ strapped to a table, wild hair from dropping the hairpins we saw in the opening scene. The drugs aren’t working, it must be time to escalate to shock therapy. The men around her gather and there is literally a sign in the background that says “Master Control”.

But one of the men in the room making decisions for the brand is actually True Taylor, who has been there all this time.

Enough is enough when True Taylor can’t take the pain and pulls the plug on the procedure, freeing public persona Taylor from torture.

Next we see True Taylor, familiarly encased behind glass, on a phone call. Perhaps making plans while safe from the rain. Taylor Swift™️ is elevated on a pedestal, out in the storm, in her best dress FEARLESS! Credit to @rep-princess-witch who put the fearless connection together in another post.

I’ll say it again, that is the huge difference in this video compared to others. Here, Taylor Swift™️ is not an antagonist, she is ready to brave the storm.

So what does she do? She’s back in the workspace burning all the files. It’s not without emotion but it’s necessary. We then see a stoic Taylor Swift™️ with no regrets.

After burning the files she’s back in the observation room. It’s time to fight back against the voyeurs and she does so by smashing the glass between her and them. She regains her agency by squashing their ability to hide. Shes deserting her past life.

Note: We don’t see True Taylor back inside. This fight is specifically for Taylor’s public persona.

In the closing seen, we see True Taylor leave shelter, step outside into the storm, and reach for Taylor Swift™️. The person and the public persona are weathering the storm hand in hand.

*Please check out @heyitsmoog on TikTok - he shared thoughts there that inspired me to make this post.*