Sweet as Nuka Cola
Cooper Howard/The Ghoul x Reader
You're an upcoming actress who has a constant flirtation with Cooper Howard. But even if things seem to be off to a good start, a nuclear bomb, a cryogenic pod, and two hundred years of carnage ruins all of it. Is there something to be salvaged from your relationship with Mr. Howard?
Genre: Mutual pining, flirting, slow-burn, angst, friends to kind-of enemies to lovers (no cheating but maybe it's a little murky?)
Word Count: 11k
“Action!”
“Hello. Yes, it’s me.” You wave at the camera, adorned in a classic-red sweetheart neckline dress. “You might know me from ‘Girls Want It All’ or ‘Next Door Babe.’”
Here, you play up your recent bombshell status. As Ed, the director of this advert, keeps reminding you, you need to sell yourself to make customers listen.
You sway in your dress, squeezing your arms and throwing your waist back to plump and push out your chest. The implication of the sex appeal in your movies keeps people watching.
But you’re still a rather new actress, so America might not know you so well. You’re glad Nuka Cola has hired you– if you want to be a star, you need more exposure.
“Do you enjoy feeling refreshed?” You cock your head to the camera, pursing your red lips. “Well, golly, what a silly question. Who doesn't?”
“That's where Nuka Cola comes in.” You lift a bottle out of the cooler next to you, all gentle in demeanour, showing off the logo of the bottle to the camera, in your perfectly manicured hands. “With triple the amount of caffeine found in competitor's bottled cola, it's sure to keep you feeling up for a long, long time.”
“And it's good for you.” Ed whispers, a last minute adlib you did not agree to, but you're a professional, so you add it on with a little wink.
“And it sure as heck is good for you.” You smile, the infamous smile that's won you notoriety to Hollywood execs for being the newest bombshell on the block, and you throw your shoulders back as you really lean into your image.
“Cut! That's a wrap, everyone!” Ed, wanting to finish early, quickly starts ushering everyone out so not a cent more gets spent.
You immediately relax out of your practised, professional smile. “Any ADR needed?”
“Don't think so, but we'll let you know.” The director is already moving onto whatever his next project is. Advertisements make more money than anything else these days.
You head over to catering, where you're craving– not a Nuka Cola, considering how much sugar is in that thing it's hardly refreshing at all– but an iced tea.
You stretch out your ankles in your kitten heels as you prepare it. If you told your Ma back in Mojave that the worst thing about fame would be the uncomfortable outfits, she'd smack you. So you keep it to yourself– you're grateful, you're humble, you'll never be an entitled asshole like those fucking execs.
“Watch out, I'm behind ya.” A man gently presses your shoulder as he walks next to you.
You know that voice. Famous movie cowboy, devilishly handsome, easy to admire. A career worth emulating.
“Mr. Howard?” You turn to look at him, and it is him. Wearing a tuxedo suit, smiling his classic, rugged grin at you.
“The one and the only.” He laughs in a self-deprecating way, as a man tired with his fame and used to mocking it. “Hey, wait, don't I know you?”
You immediately feel your face heat up. “Probably not– lots of people have mistaken me for Lucky Yates so far…”
“No, I do know you.” He points a finger at you, while pouring himself a mug of black coffee. “I told you mister, I'm not here for a long time. Just a good one, and if you can't provide it for me, I'll be inclined to look elsewhere.”
Cooper Howard does a perfect impression of your girly, haughty tone from “Girls Want It All”, and it surprises you that he even knows your dialogue that well. You're not used to this much attention, especially not from one of Hollywood's most notable movie stars.
He says your name.
“Yeah, that's me.” You say sheepishly– even though you know you have to fake that confidence, it's hard when you've been caught off guard. You're starstruck– you don't know how to operate, now realizing that even celebrities are noticing you. “Just shooting an ad for Nuka-Cola.”
“Ah, that’s smart of you.” He leans in– about to give you a bit of Hollywood advice, no doubt– and you feel yourself turning warm at the attention he’s giving you. “I wouldn’t expect any less from one of Hollywood’s upcoming stars– residuals aren’t enough to make the world go round.”
You know he’s admiring your street smarts, but you have to ask. “Upcoming, really?”
“Miss, I’m not sure many other actresses could’ve delivered that little monologue I just did without, er, pardon my language,” Cooper takes a sip of his coffee, his eyes peering down at you over the perimeter of the cup. “Fucking it up. Pantomiming too much wily, feminine shit that execs love, without that little edge of real, subtle emotion. I’m not the only one who thinks so.”
You giggle a little. “C’mon, really? I hardly got to act the way I wanted to.”
“That’s how it starts. Little moments, little subtleties where you’re letting your real character shine through– it’s noticeable to the industry. More opportunities come that way. But it’s smart to use, uh…” Cooper swallows, a tiny, imperceptible thing that reminds you of your bombshell image, that he must be thinking about it. “Smart to use such attractive imagery, if you get my drift. The public will eat you up.”
The way he drawls that latter part makes you feel excited, but you keep it down– it’s well known Cooper Howard is a married man, and you are not about to be ruined by an affair. Even if he does sound sort of flirty, this sort of complimenting is so common in Hollywood.
“What are you doing in the advertisement shooting lot?” You ask, changing the subject, and Cooper shrugs, a nonchalant ripple of a movement that tells you his general cool demeanour isn’t just acting.
“Promised my wife I’d shoot an advert for her. Vault-Tec, you know?” He admits, telling you he hasn’t forgotten about his wife, either. “Gotta head to the experimental Vault they’ve set up next door.”
“Yes, of course.” You, like anyone else, have seen the ads of Cooper in the Vault-Tec suit– it’s a rather controversial thing to be partaking in, but you think he knows what he’s doing.
“Well, Nuka-Cola.” He hands you an iced tea– one you didn’t even notice him making for you as you were talking to him. “I’ll see you around.”
/
The Ghoul walks around the wasteland, two hundred something years into the future.
He’s searching for a bounty– Leopold St. West– worth at least 1000 caps, and it’s terribly difficult to find him when every single person claims he’s in all these different locations, not a single one correlated to each other.
So he’s walking around a destroyed neighbourhood, where Leopold was last seen a day ago, if his fellow ghouls are to be trusted. If he had to guess, these are the remnants of China Town– the faux Asian-esque details, the cheesy red colouring, the false authenticity Hollywood loves to portray as “good as the real thing”. God, Coop does not miss some parts of the fame.
He suddenly stumbles over a piece of the broken sidewalk. Coop’s usually pretty agile, nonchalant on his feet– he knows this feeling. He’s going through withdrawal.
“Shit, I need a minute.” He mutters to himself, feeling a bit woozy.
He's only got a couple more vials of drugs, so he can't be using them all willy-nilly. No, he needs to recoup things and go through this carefully.
Shelter is necessary– the longer Coop is out in the sun, the harsher the effects of withdrawal feel. And, if he’s lucky, one of these buildings might have something for him to loot– more drugs if he’s extra, extra lucky.
Coop enters a nondescript building– where a radroach is waiting, and he immediately fires at it without even looking, killing it in one shot– and he sees the sign over the entry way, marking the lobby.
This is some Hollywood executive-owned club. It’s hard to tell– two hundredyears of wear-and-tear will do that for you– but Cooper Howard distinctly remembers this place, maybe in some conversation back then, maybe when he was networking.
Every single thing has a distinct, thick layer of grime over it. Coop thinks of sweaty strippers dancing, actors cheating on their wives– they’re all probably dead now.
He reaches into his satchel and takes a hit of one of his vials– and hopes he can replace what he uses with something here.
There’s not a single bottle behind the bar, and he jostles through, not seeing a chem or a drug left behind by anyone on the floor or behind the counter, and he’s mildly disgruntled over how every place has nearly everything picked clean by raiders, wastelanders– just other people. Coop will always loathe these other assholes.
He climbs the broken stairs with a lanky, languid stretch, making it over a fairly large hole where a corpse waits on the floor below. A raider who didn’t watch where he was stepping. That tells him there should be loot up on this upper floor– at least a bit of it.
He walks to the one closed door in a less-than-discreet hallway, gold sconces and railings marking the way.
“Ah… private office.” Coop jiggles an ostentatious handle to a mahogany door, that is surely leading to an even more pretentiously ostentatious office, and he finds that it’s locked.
A good sign. Most likely no one’s ever been in there, because it’s probably a difficult lock to pick.
It surprises him that no one’s ever just forced their way through.
Coop doesn’t waste time on this though– he just takes a teeny gun out of his bag, fires it, and admires the hole in the door where the handle used to be. The door creaks open on it’s own, and he saunters into a well furnished, dusty office room.
“Nope, nope, nope…” He pushes box after box in the shelves next to the wall, and they fall with loud clatter– loaded with panicky, nuclear-war-on-the-horizon type shit, like canned meats and beans and preserved jams and pickles. “Fuck no.”
He pushes off a toy figurine of Vault Boy down with extra gusto.
Coop looks behind the desk, where there’s a dusty placard reading Adrian Amos II. He grins– one of the worst producer bastards of all time is not someone he’d feel bad about stealing from, even if there was still some conscience left in him. No, sir, Adrian Amos the second did not deserve any sympathy, especially after the way he was known for bitching about salaries, abusing PAs, and having a predilection for going after less-than-consenting women.
Coop grits his teeth, remembering that asshole and how terrible and gaudy this club was back then. Not that it was better now– but he’s grateful for one man’s deserved death, at least.
He jostles open where the second drawer is filled with the glass clinking sound of many, many vials.
“Fucking jackpot, Jesus.” Coop stares down at how many there are– at least 40 or 50– a hell of a lot to just be left behind.
Well, based on the other supplies, Adrian Amos got fucked over and either didn’t make it to his vault in time, or forgot to run to his private club before heading in.
Coop doesn’t give a fuck, though. He starts piling the vials into his cases, and then back into his bag.
There’s a sudden whirring sound near him. “Huh?”
To his left, an imperceptible secret door has pushed itself outwards, decorated in the same dark brown wallpaper as the rest of the room.
Coop looks down and under– he’s accidentally pressed a secret button on the underside of the drawer. “Fuck.”
He doesn’t know what would be inside the secret room– assassins, raiders waiting on someone to dupe? Maybe even synths, just meant to protect Amos when he needed it.
Inside the room, it’s dark, and he can’t make out anything. Coop can only draw his gun rapidly when there’s a blue light suddenly emitting out from the inside.
He’s careful as he approaches– last thing Coop wants is an ambush– and as his vision improves, he sees it’s a cryonic pod, all frosted over so he can’t make out who’s inside.
Coop sighs, ready to leave it behind– he’s not interested in waking up Amos– and instead, the thing whirs, heating up it’s insides with extremely hot steam, and then opens up with a mechanical flourish.
Coop instinctively steps back, coughing “Holy shit!” as the air whooshes past him.
A body falls out, just looking slightly frosted– mostly thawed by whatever the cryo tank just did.
/
You're on set again, sitting in a free lawn chair while others get ready for their take– it's not for a Nuka-Cola ad, it's just a guest appearance on everyone's favourite sitcom, The Grady Group, where you play an overly promiscuous babysitter who has no sense for watching over kids.
It's comedic, it's an easy way to get laughs– plus it actually boosts the shows’ ratings since you've been in movies and all. You’re done filming already, you’re just sitting here watching the rest of the shoot, dragging out your return to your car, and then back home.
Something about the fictional family you wait on, Gill and Gina Grady, and their kids Gideon, Gessica, and Gwen, it makes you miss having a family of your own. In fact, you have half a mind to call your mother, despite all the bitching she’ll give you about the things you haven’t done yet.
It also doesn't help that Gill and Gina are a couple in real life– named Arthur and Bea Smith, they really, really are in love, and in between takes they're often canoodling with each other.
You're happy for them, if not a little– jealous, despite the fact that you're not interested in dating anyone right now. At least, you thought you weren't, but you find that lately, when you return back to your apartment all lonesome after a shoot, you feel like something is missing.
“Hey. Nuka-Cola.” Cooper Howard strolls over to where you're sitting, and you smile up at him, covering your eyes from the sunlight streaming through the windows.
“Mr. Howard. Shooting today?” You ask, and he shakes his head.
“Not at all. Just lounging around, waiting for my kid.” He sits in the lawn chair next to you, leaning back, crossing one leg over the other. “Janey is on a field trip at a museum next door– I thought I’d kill some time before picking her up.”
“Ah, cute.” You grin. Janey Howard is an absolutely precious kid– she shares her dad’s smile, but has a curious nature that you admire. “Is she well?”
“As well as kids can be at that age, running around all the time.” Cooper shrugs. “You know how it is.”
“Kind of. I actually did used to babysit kids, so I know– they can never sit still or mind their business.” You laugh as Cooper grins.
“So you went method for your guest appearance, huh?” He asks, and you’re mildly baffled.
“How do you know about that?” You squint at him, just being jokingly suspicious.
“Oh, I saw a few clips of your footage. While I was walking over here.” He points over at Stu, the director, standing on the living room set, watching clips on his viewfinder. “Seemed pretty natural to me.”
It almost bothers you that he seems so interested in you and your work, that he always voices support– but he’s well-known for being happily married, for being content in general, unlike you.
Still, better a friend than nothing at all, that’s what you always tell yourself.
“Thanks. But it’s not hard being around kids, is it?” You reminisce being a kid in Mojave, playing with your friends on your street– and then as a young adult, babysitting new kids that still wanted to play with you. “I still sometimes feel like I’m just a kid pretending to be an adult.”
“That never goes away, darlin’.” Cooper laughs, and you blink. “Being an actor, especially, you’re never losing that childhood sense of wonder, you get my drift?”
“Yeah, of course.” You nod. “I just don’t feel complete, I guess. I’m still waiting for the moment I’ll know I’m an adult– like maybe if I get married or something like that.”
“Being married didn’t change that for me either. Neither did being a dad.” He winces, and scratches at his stubble. “Just don’t tell anyone I said that, but I think it’s all apart of being a human person.”
Your face turns a little more glum at that, and he wonders what he said that bummed you out. It’s not his intention– he wants to cheer you up.
“What’s with the sad, forlorn, ‘I’m-a-pretty-girl-come-comfort-me’ look?” Cooper utters as he leans in, and you laugh a little but silence yourself, recognizing his compliment.
It’s dangerous to flirt with this guy, this taken man who has nothing to gain but a bit of affection he may be missing, but you see that he knows his compliment had effect anyways– and he definitely likes that.
You just choose to assume it’s entirely friendly.
“I just… I like the thought of having a family.” You suck in air,at how foolish and girly this sounds, hardly the cutthroat businesswoman you need to be out here. “This is stupid, I’m sorry.”
“No, no, it isn’t.” Cooper taps his arm rest, thinking. “You’re hurting, I can tell. You got that same pissed off look most ladies get when they ‘don’t wanna talk’ but they’re holding tons of shit inside.”
Damn this guy, you think, but you decide to be honest.
“I just didn’t think it’d be so lonely out here. In Hollywood.” You press your palms together. “Like, everywhere I go, I’m surrounded by classic Americana, the nuclear family– and I can’t believe I’m saying this, but I’m jealous.”
“As a bachelorette, don’t you got plenty of options?” Cooper grins. “I mean, are men not lining up to court Nuka-Cola girl?”
“Ah…” You hum, thinking of dates you’ve had here, settling back in your seat. “I don’t know– it’s cheesy but I want more sincerity.”
“In that case, don’t be jealous, marriage ain’t all that.” Cooper tuts, knowing that you of all people should hear about how it doesn’t complete you. “It’s not perfect, it’s not a magical fairy-tale where everything gets solved, it’s a hell of a lot more work than people let on.”
“Oh.” You knew that, deep down– but hearing it from him really solidifies that for you. It’s a silly dream.
It sounds like he’s speaking from experience, so you quiet down. But you’re not trying to get your hopes up about that or anything.
“And you’re not an idiot, Nuka-Cola. Don’t get into something you’re not a hundred fucking percent sure about.” Cooper clicks his tongue. “If you really feel the urge to suddenly go and play wife with someone, just for me, make sure he’s absolutely worth it.”
“For you?” You raise your eyebrows at that.
“I figure you won’t do it for yourself. Love is blind and all that.” He points at himself. “But if I, as your buddy Cooper, hold you to that? I’ll bet that you’ll vet every single guy.”
“Oh, really.” You smirk at him, your nose scrunching a little. “Is that for my benefit, or yours?”
“Uh…” Cooper is truly caught off guard here. He knows he didn’t intend anything by what he said, but it does feel like… he won’t enjoy the fact that if the next few times he talks to you, continuing become close to you, he’ll have to get the approval of some man.
Some man who wouldn’t even know you as long he has known you. He always likes his chats with you, and there’s an urge inside him not to let you go.
He thinks again that you’re a little too spontaneous. Not easy to dupe, no– he can’t just flirt with you for fun because you’ll always pick up on it, even if he did it by mistake.
“No comment.” He finally answers with a raspy, low tone, one that you barely hear but are satisfied by.
/
A few months later, you check your face in your little compact mirror before stuffing it in your purse and heading inside Sebastian Leslie’s home. Exciting, yes, because this is the first time you’ve been invited not just to network, not just because a big name has seen you in the movies and wants to flaunt that they know you tangentially.
No, this is the first time you know someone, you’re actually in with a crowd– you’re friends with the host. You don’t feel nearly as awkward walking into Sebastian’s comfortable home and seeing familiar faces that you’re close with, decor that you already recognize.
“There she is.” Sebastian greets you with a tight hug– for a massive flirt he’s actually rather protective of you sometimes. “Love the dress, by the way– is that a vintage Chanel? Black is very flattering on you, my dear.”
You get the sense he didn’t want you to be involved in this industry sometimes, but other times– he likes that you put work in.
“I saw your newest advertisement on TV yesterday.” He comments, and you giggle.
“Was it good?”
“Yeah, amazing as usual– but you gotta do more than that.” Sebastian holds your hand as he pulls you into the crowd of other low-level actors, people who could risk showing up, really, and you fix your dress, a black one with a low square neckline. “Look into Vault-Tec– I’ve been telling Cooper here about how our futures are totally going to be surrounded by their products, even though that fucker does not want to listen.”
Cooper’s lounging in a low sofa in the pit of this living room, holding a crystal glass full of amber liquid, black button up shirt half open– he looks dishevelled, hair slightly askew, jaw off-kilter as he presses his tongue into his cheek, thinking. Lost by something, but still put together as celebrities are. Geez, you really need to temper your attraction to him.
It doesn’t help how he looks at you, either– there’s something deep and reverent about his gaze, like he wants to believe whatever he sees when he’s looking at you– but you have no idea if it’s real, or if it’s just an act like with most of these celebrities.
You used to see him a lot more frequently too, over the last few months. Either at set, or at more fancy parties– most of which he’s been perfectly pleasant and kind to you.
“Of course you’d label me as some fucking chairman for them, Seabass.” Cooper slams back half a pint of whisky, and pours himself some more. “Hey, Nuka-Cola.”
“Hey, Mr. Howard.” You smile gently. You’ve heard about his divorce– everyone has, but you’re not 100% sure why it’s happened, why now when things seemed to be going so well for him.
Well is relative, though. You know loads of actors have decried him privately– no one wants to hang out with the man promoting the end of the world, apparently. It must be a tough thing to only be hired for your wife’s advertisements– and even then, you don’t exactly agree with what they’re marketing, either.
You don’t feel so strongly against Cooper, though. Maybe because you do like him– but also because you know what it’s like to have your image connected to something you don’t really promote. Nuka-Cola isn’t healthy, it’s got enough sugar to induce instant death when drank regularly. But you do it for the connections, the money– and you’re sure Cooper did too.
“Cooper is fine.” He grumbles, and you remember his last name is maybe a sore subject right now.
“Sorry.” You do your best to be delicate as you sit next to him, and Sebastian sits on the other side of you. “How’re you, Cooper?”
“Not bad. If you count being divorced as being alright.” He sighs, and you feel terrible that you even asked. “It’s like I never knew her, man– I thought Barb was different. Or they changed her, I don’t fucking know.”
“She had her eyes set on the prize. As did you, Coop.” Sebastian states, and Cooper turns, affronted.
“We’re all interested in money and glory, Seabass. Fuck you if you think otherwise.” Cooper tenses, and you feel a bit awkward listening in on this conversation.
“What did I say that negates that? I’m as money hungry as they come.” Sebastian shrugs. “I only meant that– despite it all, making money was what you had in common, evidently not the world-going-nuclear shit. Maybe you’ve got a heart of gold, a change of mind, I don’t know, Cooper. But throwing away an easy life just to pay alimony must be fucking awful, so I just don’t think you’re in it for the money anymore.”
“You’re fucking telling me.” Cooper sniggers. “I don’t think Barb cares. I’m here with no career, and she’s out there getting promoted in Vault-Tec. As for the heart of gold… any former marine would’ve been against that shit.”
You want to ask what shit, but you don’t want to overstep your boundaries. You get the general fear of nuclear war– but Cooper sounds more personally affected by it.
Cooper glances over at you. “What do you think? Better to be richer than you can spend in a lifetime, or to be out with a good conscience?”
“I don’t know if I’m that interested in money.” You say honestly, and Cooper raises his eyebrows.
“Really? Nuka-Cola’s a saint, huh.” He chuckles– he’s clearly a bit buzzed.
“No, I’m not. Of course I want to have a career.” You think about this carefully, so it doesn’t sound insincere. “Making money is nice– but I don’t think I have the right to say it should come at the cost of human lives. You know Nuka-Cola is terrible for you, right? ”
Cooper stares at you for a moment too long, and then looks away. “Yeah… addicting.”
He’s definitely not talking about Cola, but you continue on. “Yeah, so just in that way– I disagree with how much power marketing has. We’ve convinced America that they need this– just so some chairman can make an extra dollar.”
Cooper looks at you, renewed by whatever you just said. “Hell, woman after my own heart. That’s damn true.”
“Yes, yes, you two oblivious flirts– there’s no art in filmmaking anymore, just commercialism. Not like it hasn’t been the case for a century.” Sebastian chimes in, and you bite your lip, pretending not to notice how Cooper’s face is smirking bashfully. “But, babe. You’re going to want to make your money before the world fucking ends.”
“What’s that?” You startle, and Cooper laughs sardonically at your surprise, while Sebastian gets up.
“Let me get myself a drink– I hardly want to tell this story sober.” He leaves, and Cooper has half a heart to glare at him– he knows Sebastian is leaving the two of you alone so he can do the dirty work.
Not like his reputation can ever get better, especially by telling this story again with it’s lurid details, but at least it doesn't hurt that he's with you.
“What does he mean by that, Mr. Howard?” You wince at your use of that. “Sorry– I meant Cooper.”
“Ah, call me what you’d like.” Cooper takes another sip of his drink, leaning back in the couch to the point where he is practically lying down and against you. “It sounds good coming out of your mouth no matter what you pick, Nuka-Cola.”
Now that’s a suggestive, loaded line, and you feel a little more comfortable flirting with him even if it’s a bit of a rebound for him. The end of the world is approaching, right?
“The end of the world?” You prod at him, and he sighs, leaning against your shoulder.
“It’s fucking ridiculous, what it is… probably never going to happen anytime soon.” Cooper’s tone of voice is hazy as he examines his last sip of whisky in the glass. “No, no. Just something those fucking commies put in my head. I guess they’re not really commies, are they?”
“Unless you elaborate, I can’t say.” You utter back at him, and he pushes down a smile.
“Alright. Vault-Tec’s been selling this nuclear protective stuff, right?” He says, and you nod, your cheek brushing against the top of his hair. “All I can say is that a few… radicals, if you will, think that Vault-Tec might actually be more involved with it than they say. Like, they might be…”
“Not just protective, huh? More offensive? Everyone’s got that feeling, Mr. Howard. And that doesn't sound like a particularly commie-train-of-thought to me.” You hear the sorrow in his tone, even if he’s trying to make it sound like a rumour. “Did you hear this from your ex-wife?”
Cooper winces here. He still feels slightly guilty about spying on her. A part of him thinks they might’ve not divorced if he hadn’t found out– but he knows he was bound to find out eventually, and he would’ve just delayed the inevitable.
“Maybe, Cola. Maybe you’re just sharp.” He whispers, and you smile and he feels it– your skin is intoxicatingly close right now.
“So, odds are?” You ask, just curious, and he exhales.
“Bad. I have to agree with them.” He admits, and it feels exhilarating to admit this– that Vault-Tec is gonna nuke the world at some point, that the radicals are more like minded to him than he’s wanted to believe in the past. “Even if it didn’t cost my movies, I regret partaking in what they were selling.”
That’s a big thing for him to say– you know Cooper loves acting, he absolutely adores playing a hardened sheriff, the last vestige of goodness in the wild, wild west. All the times you’ve visited him on his set– probably during his last contractual movie, now that you think about it– and he was always so excited to show off the architecture and intricacies of the fictional western town they’d set up, share script details and little character quirks so you could have an insider’s viewpoint. He even donned his cowboy hat on you, saying you wore it like a natural.
He loved being the hero, really.
He lights a cigarette, and takes a puff.
“Most big-name connections refuse to talk to me because of this stuff– I’ve basically been dropped out of phonebooks all together. They think I’m still in on it, they think I’ve only stopped because of backlash–” He stops as you begin to scratch his scalp, still leaning against your shoulder, but getting progressively into your neck area.
Jesus, that feels good. He thinks. He hasn’t been intimate in a while– Barb became increasingly more cold to him over the last few months, as their marriage kept falling apart.
“Backlash, really?” You whisper.
“Yeah.” He stutters for just a moment, because your eyes are peering into his, and for a moment he thinks you could really make it as just a bombshell if you wanted to– then he takes another puff. “When really, I was just backing out of what I thought was really a massive crime against humanity.”
“Are you only telling me this to validate your poor conscience? Remedy that reputation a little?” You ask, and he presses his lips together.
“Well, I'll be honest, yeah. Of fucking course I'd tell the one woman who seems to be like me on this.” He sounds so certain of you, sounds so sure that you're on his side.
And you absolutely are.
“The world’s about to end, Mr. Howard. You're not a bad man for not wanting to support it. I'm inclined to agree.” You inhale deeply, and Cooper stares at you– something stirs inside him as he does.
“Kiss me, then. Humour me– since none of this will matter soon.” Cooper murmurs, lying on top of your chest now, the smoke from his cigarette enveloping your face.
He’s so close you barely have to move to oblige to what he’s said– you're second guessing yourself for just a moment, because it feels like a dream that he'd ask you to do this, so out of the blue, such a picture perfect fantasy that you almost don't care about the impending doom, and you press your lips gently to his in an upside-down kiss, his hair brushing against your open cleavage, but Cooper is insistent and leans upward, kissing you with such intensity that your head is spinning afterwards.
God, now that's a movie star kiss. You think.
He kisses you again as Sebastian returns, drink in hand.
“Oi! You two. Jesus Christ, can't keep your hands off each other, can you?” Sebastian pretends to vomit. “C’mon, if I want to talk to you at my party, I should have that right.”
You attempt to pull away– but Cooper, being a little mischevious, perhaps wanting to show off in a way he hasn’t been able to, sits up right and kisses you again, this time normally, just very slowly and passionately though, slithering an arm around your waist in a way that has Sebastian rolling his eyes.
“Okay, present.” He says, not pulling his arm off your waist.
“Thanks.” Sebastian shakes his head. “I was thinking we should take the mood off with some party games…”
/
It's about 2 AM when you've finally left the party. Cooper didn't want to let you go– he's crashing at an apartment for the time being, but you really don't want to waste yourself on being his rebound, if he really likes you.
You tell him as much, and he likes that– you really are rather sharp about things.
“Well. Gimme a call when you realize I'm not kidding around with you.” He says unabashedly, holding your hand, kissing it as you leave.
You’re absolutely sure he's drunk, and he's being a little too clingy– but you want to believe him anyways.
You walk back to your car, alone. Thinking about if Cooper is worth the damage it could have on your potential career. But then again– the end of the world is coming, right?
So maybe it won’t matter. And you find that you like this, the secret potential of this option, just hanging out with Cooper in a place that used to be America, no more expectations on you both. There’s also the chance you just both die, though.
You shudder.
You don't notice that there's a man in the backseat of your car when you get in, brandishing a chloroform stained cloth.
/
The Ghoul prods at the body that's just fallen out of the cryo pod.
Oh fuck.
It's starting to stir, whoever it is, and Coop knows he's ready, if this is really some synthetic android-clone thing, to make their life hell. Get some of his anger out on something that doesn’t matter.
Wait– he recognizes that cherry red fabric. That coiffed hair, frosty after being inside the pod. Oh, Jesus… even the makeup is the same as when he last saw you.
“Ah… shit.” He chuckles to himself in exasperation, because this is beyond belief. “Nuka-Cola, is that you?”
You tilt yourself to the side, eyes bleary, unable to see clearly. Everything’s dark. But you know that voice, you just heard it a couple of days ago.
“Mr. Howard?” You croak out, and he hisses inwards– nobody has called him that in centuries. Nobody knows who he is… except for you, of course.
“The one and the same, baby.” He licks the side of his gums, deciding to stick with his identity for now. “Well, maybe a little different. You wouldn't happen to know what a Ghoul is, huh?”
“What?” You don't know how long your vision is going to stay black for, but you don't like the sound of that. “What the fuck does that mean?”
“Eyes haven't been opened for… two hundred years. I'll give you some time, Cola.” He sighs; cracks his neck, while you sink back into the floor. “Just imagine the ugliest horror-picture monster you can imagine. Zombie, no nose. That paint a picture for you?”
“...”
“What was that?” Coop can't hear you when your voice is muffled into the tiles of this secret room. He grasps your hair gently, from the root, pulling your head upwards so you'll speak– clearly you don't have the strength to lift up your body.
“I said, how is that any different from before?”
“Oh, she's still a jokester.” Coop scoffs– despite himself he snorts– and he lets go of your hair so you land back on the floor with a thump.
“–Ow!” You flinch, and then turn over so you’re on your back. “Still an asshole, huh?”
“Me?” He grins maliciously. Ooh, maybe he can use some misplaced anger on you. “You're the one who didn't call back for several weeks.”
“How could I? You can see I've been trapped in a cryo thing for… however long. Did you say two hundred years?” You flatly ask, and Coop still thinks you're lying.
“Yes, and bullshit. You probably had a couple weeks since I last saw you to call me.” He states, and he doesn’t actually hold a grudge, at least not that much of it in comparison to all the other horrid shit that’s happened to him– he just thinks it's funny to push your buttons after all of that, like looking into a mirror of the past– and you groan.
“No, I didn't. I got in my car after Sebastian's party, and some goon sprayed something in my face, I passed out, and he drove me here.” You start, and you begin frowning in such a way that Coop almost feels bad.
“Why you, sweetheart?” He shakes his head. “You weren't exactly high up in popularity yet.”
“Exactly. No one would miss me.” You spit out bitterly, remember the end to that night, where you were so unaware of your surroundings, and terrified of being assaulted as you were pushed around into this room, blindfolded.
“Adrian fucking Amos, the fucking Second, thought it would be great if I just became his permanent doll during the apocalypse.” You swallow, and Coop sits down next to you, to listen more clearly. You shift towards his body heat– and to his surprise, he still likes that. “See, his daddy has shares in Vault-Tec, so he decided before nuclear fallout happened, he wanted a guaranteed sex slave from his favourite advertisements.”
“Nuka-Cola.” Coop utters with the slowest drawl, concluding your statement– and you like that.
“Yeah, Nuka fucking Cola.” You grimace. “Then he undressed me, put me in this little number, and threw me in the pod. I barely remember this shit because I was so out of it.”
“Shame. I always wondered why you never called me back.” Coop circles back to his little grudge– but he also feels bad, feels some level of guilt that neither he nor Sebastian had the sense to look out for you back then, and you were practically assaulted (maybe actually so if you didn't remember).
“Yeah, because I wanted to miss out on that piece of ass. Sure.” You joke feebly, and Coop laughs despite himself.
“Honey, you're gonna run away screaming when you finally see me. Don't worry about it.” He shakes his head. “The real world's a lot more fucking difficult than would'ves and could'ves.”
“Okay, explain. If you're willing to owe me that much.” You start, and Coop gets reminded of that fateful night a couple hundred years ago, where he was the one to clue you into the impending nuclear war.
Not even three months later, it was all over, and you were nowhere in sight– if his mind ever did drift to you, the what-ifs and who-knows that still persisted– he would always assume you were dead.
Now he thinks you're just unfinished business.
“Fine.” He taps your shoulder, and you lean a little closer towards him– you touch his hand, and instead of flinching as many people have in the past– you trace the tough, callused skin there.
He thinks there’s something wrong with you. Why do you seem drawn to him anyways? You’re completely fucking up his tough guy, lone-wolf persona by being here, and he wants you gone. He pulls away his hand, ignoring how your face falls for a moment.
Coop inhales, and then starts. “In October 2077, they nuked America, bombed it all to hell. By they, I think we both know what I’m implying.”
“It wasn’t the Chinese.” You interrupt, and he shushes you.
“Yeah, Cola.” He starts playing with his fingers, feeling like you don’t deserve to be here right now. That you should’ve just stayed dead. “Vault-Tec destroyed it all.”
It’s no good. He’s an old man, and you’re still as soft and young as ever. He’s always haunted by his past, like with Barb and Janey, and then Sebastian’s voice in every single Mr. Handy robot he comes by, and then finally, his last couple memories with you.
“The last two hundred something years have been filled with carnage, death, unspeakable horrors that your pretty little mind could never comprehend.” He grits out, pushing past the past and remembering that this is who he is now– a killer– and you stare at him vacantly, because his tone is so much more serious suddenly. “Nothing is the same. Everyone has blood on their hands, water is a fucking commodity, if you’re not watching out for humans to betray you, hideous creatures like me roam the ground, and that ground? Sands, deserts, barely a hint of green. It’s nothing worth coming back to.”
“So you’re saying I’m in hell.” You suddenly inhale harshly, and Coop ignores the urge to check on you.
The last thing he needs is an extra person to take care of– especially someone who doesn’t know the Wasteland. So it’s better now that he just weans you off and leaves you here.
“Yeah, sweetheart. And I'm the devil.” Coop sucks on his teeth again. “If you had any sense, you’d go back into that fucking freezer until some utopia is born four hundred years from–”
You flinch, and he stops.
“Oh, God, my eyes–”
The sight comes back slowly then all at once. Light everywhere, overwhelming your senses.
You blink, tears rolling down your face.
“Maybe it would’ve been better if you stayed blind, Cola.” He stares at you as you rub your eyes, taking in the state of the room.
It’s a warning, but you look up at him again anyways. And Coop waits for the utter horror, for the sign that he really has transformed into a monster, so he can hurry up and leave– this entire conversation with you is just him finishing Cooper Howard’s past with a bow. A shiny, Nuka-Cola-red bow.
“...” You swallow, and then bite your lip, tilting your head up at him. “Couldn’t let go of the cowboy identity, huh?”
Coop furrows his non-existent eyebrows, disliking how hard you’re making this, how clever you still seem to be– you also seem way too relaxed with him. He has half a mind to fire a warning shot at you. “Yeah, okay, darlin’. You’re just avoiding facing that horrific, bile-inducing sensation in your throat, aren’t you?”
You shake your head, disagreeing immediately. “You might look– a little less like how I remember you, I guess… but you’re still you. I see it, and apparently so do you.”
How dare you? Coop thinks, how dare you intertwine his two images together so easily when he could never be the same man again, when just seeing an old VHS tape of one of his movies pains him?
“Yeah, no thanks. If this is your way to get me to valet you around, I’m not that man anymore, Nuka-Cola.” He resents the way you think he could still be good– just because his western image brings him a little comfort nowadays. “Not a sheriff anymore.”
Your face drops, but you seem to take that information readily. “Yeah, I figured that based on your outfit, the little blood splatters on your pants… if that’s how the world is, then so be it.”
You’re saying things that on paper should be right– but Coop is getting more and more disgruntled with you, and you feel like you need to separate yourself from him. Yes, tough, because to you it’s been all of forty-eight hours since you kissed him– but you can see, no matter how deep the original Cooper Howard is inside this new Ghoul, you’re not going to be able to bring him out.
You stand up, on shaky, bare feet, and motion for Coop to move out of the way. Independent woman to the end, you are, and you want to get your bearings without him.
Coop internally sighs. He doesn’t believe for one second you’ll survive out there– and he really doesn’t need to spend the time seeing you die, so he turns around, and leaves you here.
/
He never did find Leopold St. West, much to his chagrin– you really, really messed up his day.
It happens. Sometimes he’ll see Janey in another person’s eyes and freak out, and have to boil it down by murdering random raiders.
But now Coop is just spiteful. He’s always figured that a lot of what happened to the world was just a bunch of rich people picking and choosing a destiny for themselves to the detriment of everyone else, and now he’s aware that included you, too. To casually be grabbed away by some man, just because he was rich… Coop isn’t unsympathetic to how you ended up, even if he treated you quite poorly. It’s sickening.
Two hundred years of quiet, always-dwelling agony, the first few years out of fear for being alone, and the next few years spent conspiring about what could’ve happened to his family– and then here you are as confirmation of his worst theories.
No wonder he enjoys his casket time.
/
Coop sighs.
Vaultie is hard to keep track of. She got away with murder this time at the organ harvesting clinic– so Coop finds it easier to stop working with her, to move when he wants to.
The Govermint (really just Booker’s shitty gang) was rather easy to dismantle. The two sheriffs that he killed required no expertise on his part.
He’s thinking about the fact that since Moldaver is still alive, and apparently that fucker Hank MacLean, then that means there’s a good chance Barb and Janey are too– perhaps he could go and find them.
It’s an odd urge, though. Everytime he thinks about it, he wonders how he’s actually supposed to connect with them again– they’ve been fractured for so long, and he’s changed, and there’s a good chance neither of them would accept him like this.
But you did, didn’t you? You were on the verge of saying yes, you’d accept him– as if nothing had changed.
Coop grumbles. The big, significant difference is that you were infatuated with him, but Barb divorced him, and Janey was too young to make that choice. He considers that it could be a pipe dream, but he still has hope– for Janey, at least.
He thinks you’re probably dead anyways. He hasn’t seen you in several months, since that day where he unceremoniously woke you up– and he hopes it stays that way.
He's chilling in another small, scrappy area of the wasteland. Nobody bothers the Ghoul, not when he's casually fiddling with his gun and and chewing on a toothpick.
A man runs past him, holding a significantly valuable piece of Brotherhood equipment. Maybe worth thousands of caps if he knows his shit, and he does. That’s a fusion core, and they’re not exactly mass producing those anymore during the apocalypse.
Coop points his gun at him, finger on the trigger, seconds away from creating a bloody mess–
A blade thwacks into the guy’s neck, blood spurting as he falls and chokes. A person– a woman– jumps on his back, her face obscured by a deep green bandana . She yanks out the knife, stabs a few more times for good measure– and Coop knows the game, he’s not surprised he’s not the only one to go after this guy.
He’s pretty good at killing casually, and he barely even moves from where he’s standing, aiming the gun at her.
No way is he letting easy money pass by him.
He’s about to pull the trigger extra-quick when she yanks the bandana down, taking a deep breath as she sweats, and Coop actually misses.
It’s you. You stare up at him from where you’re squatting over the body, and your gaze hardens, furrowed brows, dark lashes, intensely dark pupils. You purse your lips, press them together, jaw set in a stern fashion, recognizing him but refusing to hear him out– and Coop doesn’t know why he’s not firing, but he’s almost… enamoured with how you are now, almost taken aback by your new nature.
Not so taken aback that he doesn’t immediately start firing when you take the fusion core and start running.
And Coop doesn’t want to actually kill you, he just wants to incite some damage. See how far you can take it.
You interweave through random gaps in the metal scraps of this little abode, seeking shelter as you do so, and Coop’s gunfire only ricochets off them with cartoony sounding “pings!”
He manages to graze your left thigh through a small window, and you inhale sharply, stopping as you grit through the pain.
Coop grins to himself. This little cat and mouse chase is what he expected, what was predictable from you– you’re smart enough to stay on the defense, but you would probably never attack him, avoiding him because of your sad feelings of the old times, never resort to carnage unless you needed to–
You shove past the walls where you’ve been roaming, and manage one kick against his stomach and he manages to grab you and restrain you, your back against his front.
You grab his own jacket for purchase, and instead of pulling forward– you push back, landing on top of him with a thud that surely hurts him. Coop clenches his teeth, back against the ground now, but you scramble, straddling him. Hands around his throat, knife pressed against one of his tendons. Not outright strangling him, but just enough pressure that he knows you’re seriously threatening him.
Holy fuck, have you changed. Just like Vaultie, maybe you’re showing your honest self– and Coop supposes it may have been his mistake to underestimate you.
“Got a whole new outfit… I like it.” He admires your new leather jacket, cargo pants around your thighs pushing his arms down, a blouse fashioned out of your old Nuka-Cola dress. Tough combat boots dig into his thighs as you push against him.
“Don’t fucking start–” You squeeze a little harder and he groans, the tip of the knife pushing in. “With your on and off, hot and cold bullshit.”
Ooh, it sounds like you have a little bit of a grudge over how you were treated.
“Get over it, Cola. It was centuries ago, whatever we had.” He spits out, and you have a glint of sadness in your eyes.
He knew you were a little too gushy for your own good– not even he adapted that quickly to the wilderness of the Wasteland. He waits for you to make the mistake, apologize, break down– and then he can take the core and get out of here.
But you’re still firm in your grasp of him, your weight pushing him down, blade against him.
You’re not angry about back then. You’ve come to terms with that.
You’re angry at the state of the world.
“You know what I fucking hate, Ghoul?” You spit in his face, and he blinks, spittle now on his chin. “You are all so selfish. I got left behind, likely for dead, right, and nobody gives a shit, whatever. But instead of me hoping that the leftover crumbs of society would at least try to be, I don’t fucking know, more hopeful and kind, or at the very least, not be so fucking greedy and transparently trying to be the new party in charge.”
“You’re living in a dream world.” Coop interrupts, and he’s rewarded with you carving a small, little cut on his cheek, a rapid movement you hardly think about, and it causes him to inhale sharply, a drop of blood smearing across his face.
“Oh, no. I’m not asking for everyone to hold hands and play family.” You laugh suddenly, and then somehow lean in closer, and Coop finds that in some fucked up way he enjoys the pressure against him. “It’s bullshit, that kind of image making– you and I both know that. But for all this supposed talk against the rich billionaires who ruined our lives, how are we not just emulating them?”
Coop is actually drawn to silence.
“Maybe you actually got fooled by self-image, Cola.” He murmurs. “Or maybe that’s just people’s true nature.”
You don’t like that answer. You don’t actually want to believe that, but the more you think about it, the more it’s probably true. People lie all the time, but the amount of outrage you’ve heard from people the last few months, bemoaning Vault-Tec and all those rich fuckers, you were inclined to believe they wouldn’t act the exact same way.
Just at a different level. Power corrupts all, you guess.
You loosen your grasp a little. “Thank you.”
It’s honest, and Coop doesn’t like how much he does like your nature of trusting him– how even as this new, terrible version of yourself, you still trust him, and you still ask for his advice.
He doesn’t know what to make of this, but he thinks maybe he can get some use out of you yet.
Coop wrangles his arm from out under your thigh, where you’ve accidentally let a gap through, and shoves you over.
You fall with a gasp, hitting the ground, and he stands up and kicks you for good measure, while you screech in pain.
Coop picks you up by your throat, and you instantly move to fighting– your blade against his stomach, teeth gritted in resolute urge to kill– but he’s got his pistol at your neck, and the way he brushes it against you is almost like a lover’s embrace.
“One thing I hate is a fucking liar, Cola.” He grumbles, and you glare at him. “You’re not some innocent– why else do you got a fusion core in your pocket?”
“I never claimed I was a good woman.” You shake your head. “I just wonder why the Brotherhood, the Enclave, hell, even some of the Raiders… everyone wants the ultimate piece of the pie.”
“Besides, you’re the one who kept saying to survive out here I’d have to be a killer.” You remind him, and he looks down at you, thinking. “The world’s grieving– I don’t blame it for that, I feel the same way.”
You’ve still got a way with words, he thinks, and he was right. He can use you for his benefit.
“Say, Nuka-Cola. Why don’t we take some of those fuckers down?” He stills. “Not randoms. The power-hungry pie-eaters, like how you so eloquently put it.”
You don’t fully trust him again, but you’re into the prospect. You don’t want power, and you know he doesn’t either, but it’s not just looting. No, no, this is something akin to revenge.
“Alright.” You whisper.
“Alright. Okay, I won’t shoot if you don’t cut me.” He speaks softly, slowly, trying to cajole you out of attacking– and you move as he does.
The threatening air of before is gone now, and the Ghoul has only a odd stare for you, something that makes you feel watched, almost reminding you of two centuries ago. It could be that he doesn’t trust you either– and so you walk onward with a gap between you two, heading to wherever a faction that needs fucking up could be.
/
Coop strolls inside the makeshift bar as you make conversation, staying within the shadows. It’s not on official Enclave grounds, it’s simply a nearby bar where members have been known to hang out.
He doesn’t exactly mind being the one to pick up the slack of killing people– he can tell you’re good at charming people what with your former bombshell acting techniques, your silly, soft blinks, the way how your skin still looks smooth and untouched.
Was it all a lie with him? Aw, shit, why does he care? He really doesn’t have time to wonder if he’s been manipulated by you– he won’t be manipulated by you now, when he gets rid of many the people who represents obstacles in his way to finding still-existing Vault-Tec members.
Yes, that’s all this is to him. Another step to finding Moldaver, Henry MacLean, then his family if he’s lucky. And you’ll get some rage out of it, so he doesn’t even consider this to be that bad of an evasion of his.
You laugh at something the guy next to you says. Coop catches a bit of it, of him asking how you look under that big jacket– and you mentioning you’d like to see him without that government get-up, too.
He grits his teeth. He’s not fucking in love with you, or anything stupidly juvenile like that– but he definitely felt something before when the two of you were fighting, or when you had conversations during the long, arduous talk here– you bit into a piece of his jerky when he offered it, and he laughed in surprise that you didn’t spit it out after he revealed it was feral ghoul ass jerky.
He also found that his gaze kept being drawn to you, too. You kept up with him, you were capable of hunting and searching on your own, you took lives when the need arose, and you had his back, even if he didn’t ask for it.
You made him subconsciously draw from the past, reminiscing about a time with you and a future he never thought he’d revisit. And now he can’t ignore that, so he needs to let off some steam.
There’s a splatter of blood across your face as the guy in front of you splutters, a bullet hole shot through his forehead. Little pieces of flesh hit the bar counter as he falls, and you gasp.
Coop is kind of quick with it now– he fires off, and because these “politicians” are unprepared, he’s able to kill off more than half.
You get over your shock quickly and fire your own tiny pistol at random, managing a few kills, but the Ghoul takes the last one and looks back at you, with an intrepid glance that you can’t figure out.
“What the hell was that?” You call out, and he doesn’t respond, instead beginning to pilfer the bodies, looking for shit to take. “Hey, Ghoul…”
“We came here to kill off those guys.” He answers you, but it’s not really an answer.
“Yeah, but I thought we agreed on discussing this shit as we were doing it. What happened to signalling?” You approach him, and as you get close enough, he turns around and stares unnervingly into your eyes.
“I did signal, sweetheart.” He clicks his tongue, lying through his teeth.
“Bullshit.”
“No, I did.” He points at you. “It’s not my fault that you were too busy schmoozing and flirting to notice.”
“Wow.” You laugh exasperatedly at his antics, while he tilts his head. “You’re really obtuse, you know?”
“Nah. I’m not.”
“Yes, you are. You’re gonna say you’re not jealous–” At that word, the Ghoul snarls, ready to tell you exactly how little he cares for you, and you motion for him to zip it. “But at the very instance of seeing me flirt, mind you, in the most fake way possible, you lost it. You can’t even tell the difference between my genuine flirting and the fakest, schlockiest shit?”
“...” Coop frowns, because you’re right– he did kind of let his mind go wild over nothing in particular.
Even worse, it means he’s made it apparent to you that he still harbours some feelings for your long-ago relationship. And that’s definitely a potential weakness– he does not want you to believe you can just work him around.
“Fuck you.” He spits, and instead of your face flinching in hurt, you stay neutral.
“I know you think you can come close and then shove me off every once in a while, because you’re fucking terrified of what it means that you’re not as hard as you pretended to be, that you still have a bit of human emotion inside you.” You tiptoe up to his face so he can’t avoid you. “I don’t care. That’s your problem.”
You turn to leave, to continue looting the bodies– and Coop’s hand wraps around your wrist.
He hates what you’ve said, because it’s absolutely provoking the worst issue he has– he can never just let go. Two hundred years of this has made him a different creature altogether, spiteful; evil, but Coop knows as well as anyone that his transformation doesn’t negate his original nature, buried deep down.
It was a lie on his part– people are not as evil as he made them out to be, it’s the cycle of this situation that perpetuates that shit. Violence begets violence and all that. He can’t seem to say this to you, though, because he can tell you already probably knew that.
What is this fuckery, that you’re able to generate such a sense of guilt in him?
“Show it to me again. Genuine flirting.” he says instead, and he knows it’s stupid as hell to say something like this. “It’s been hundreds of years, you can’t expect me to fuckin’ remem…”
You grasp his arm back, making him quiet.
He’s half expecting you to punch him, but you see something you like– something that finally satisfies you, and you kiss his cheek, where you cut him much earlier in the day. It’s a soft bruise, mostly healed over in the way ghouls heal– but it’s overwhelmingly, embarrassingly hot there now as you pull away.
“I won’t forget the difference next time, Nuka-Cola.” He tips his hat at you in a mockery of his acting as a dashing cowboy once upon a time.
“Won’t be a next time.” You shrug. “I would hate to have to flirt with someone again just to get you to notice me.”
This severely bothers him, like you haven’t been an annoyance in his mind this whole time. And then he wonders if you’re an idiot, like you have no idea the effect you had on him back then, and even now. Hell, even that overly-chaste kiss has him remembering how he felt at Sebastian’s party when you humoured him the first time.
Do you think the only thing he’s burying is some empathy for the human race?
He can’t just let you be this wrong about this, no fucking way. And it’s with this in mind that the Ghoul feels his reserve melt as he tightly grabs your face and kisses you. Not a soft, movie-star kiss of the past, but one more hungry, his lips swallowing yours, pressed sternly, firmly, like he’s not gonna let you go. He parts his mouth ever so slightly, trying to catch a reaction from you.
You’re caught off guard, and he’s glad. He likes that you don’t know what to do with yourself, that for once you’re floundering rather than him, and you barely remember to kiss back until a couple seconds later when your hands grasp the base of his skull. You’re tracing grooves, calluses, skin that’s been eroded by his ghoulishness. You feel like he tastes ever so acidic– perhaps from the radiation emitting from his body– but some weird part of you loves it, and you part your lips as you kiss him harder, wanting to feel his tongue.
Your lips are just as soft as he remembers– but there’s more excitement now, more of an urgency as you kiss him, so he takes your invitation and swirls his tongue around on yours, disgustingly vulgar and perversely fast, yet lingering to enjoy the sensation, and he kinda loves being a corrupting force, being the ghoul who eats up this sweet human girl, and he tightens his grip– it almost hurts you, how tightly his hands weave around your waist suddenly– and then before you know it, he pulls away.
He wipes his mouth, never taking his eyes off of you.
“So. Did I taste like Nuka-Cola?” You joke, and he laughs in your face.
“Nope. Darlin, you haven’t been the Nuka-Cola girl for hundreds of years. They replaced you not long after you vanished.” He smiles widely at how your face drops. “I can show you some of the new girl’s billboards, if you’d like.”
“That would explain the lack of revenue.” You raise your eyebrows. “Then why do you still call me Nuka-Cola, Cola, etcetera?”
“That’s how I remember you.” It sounds too sweet, too nice that he keeps your nickname on tabs, so he twists his lips in a sneer. “Plus I don’t remember your name.”
“Oh.” You bite your lip, finding his insult more funny than anything else, and turn around to take items from the bodies around you. “Okay, Mr. Howard.”
It was the optimal moment for you to joke back, calling him the Ghoul, but in classic you-fashion, you decided to extend an olive branch to him– reminding him that he’ll never just be the Ghoul to you. And even if Coop knows he’ll always remember you by Nuka-Cola, he has a fondness for you that he doesn’t neglect anymore– and he murmurs your name so softly, but just enough that you turn back and look at him, and smile with pleased recognition.
2K notes
·
View notes
Chapter 2: You should head back
Wally Darling / GN Reader
Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 | Chapter 5 | Chapter 6 | Chapter 7 | Chapter 8
Rating: M
Summary:
The city is full of people. Then why did it feel so lonely?
Memories of clinking bottles and dazzling neon lights flickered through your mind.
Misty, car filled streets with humans, but no humanity.
A bridge and a phonebooth.
And a sweet voice that wanted you to come home.
You’ve wandered too far, and you don’t know how to get back. But don’t worry! You’ve made some friends from a colourful town that can help you!
TW: Childhood trauma, scopophobia, alcohol references
AO3 link: here
Wally logo by Clown
A low buzz of static hummed throughout your living room.
You were alone again.
It wasn’t new to be alone.
Your mom worked multiple shifts, and your teenage sister was often out late.
Your dad had been out of the picture for a long time.
You sat on the verdant shag rug as you leafed through the spines of old VHS tapes on your entertainment centre. Tempting titles such as Pokemon or Doraemon called for you to pick them, but there was one that you always meandered back to.
There was a worn, yellow plastic tape, the sticker long faded from years of use.
Welcome Home.
Your mom picked it out at a second-hand shoppe - probably to get you off her back while she shopped for other things.
It quickly became one of your favourite shows.
It felt like a nice little respite from the world. A home away from home.
You also loved the fact that the artist segment changes every time you watch it!
It must be a new feature for VCR players, because none of your other tapes did that!
You popped the VHS into the player, the gears winding the tape.
The rainbow show lit up the room, like a beacon of life in this dreary existence.
The opening title of the show rolled. You hummed to it as you got comfortable on the floor, your tiny legs kicking in the air as you lay on your stomach.
The segment started, the main character behind an easel peaking out, paintbrush in hand.
“Hello, neighbour!”
----
Your heavy eyelids blinked as consciousness pulled you out of your deep slumber. You sucked in a deep breath of air as you stretched your sore limbs.
What a day, yesterday.
You rolled to your side as the reality of waking up connected in your brain. You tiredly stared at the rows of storeroom shelves, internally cursing yourself.
Guess it was all real.
You fumbled out of your blanket cocoon and wobbled your way to the door. You were greeted with the same towering, multi-limbed creature from yesterday. There was something comforting about him today, though. He felt more realistic. Kind.
He was stocking his shelves dutifully before looking up to you. He held in a chuckle. “Good morning! You look like you slept well.”
You gave him a groggy ‘huh?’
He responded simply by pointing at your hair.
Your hand went up to touch the literal bird’s nest that sat on your scalp. You hurriedly ran your fingers through the locks, flattening out whatever imperfections. An embarrassed blush crossed your features.
He chuckled once again. “If you want, you can use the shower. I can find you a fresh pair of clothes.”
“You sell clothes?” Your sleepy voice cracked in surprise.
“More like I special order clothes for Julie. The only thing is that silly little girl always forgets to pick up her orders.”
You rubbed the sleep from your eyes. “Wouldn’t she be mad if you looked through her orders?”
He gave a dismissive wave of a hand as he moved his way to a few boxes behind the front counter. “If I told her that it was for you, she’d probably assume it was for ‘dress up party’ purposes. So I don’t think she’d mind.”
You tried not to think about the ethical and legal implications of going through your customer’s stuff. Arguing probably wouldn’t help you in this case.
He pulled out a pair of high waisted flare jeans and a muted rainbow top. He offered them with one set of hands, while the others went to seal the boxes back up.
Dang, multitasking to the extreme.
You gratefully accepted the clothes. “You sure this is okay…?”
He gave you a caring smile, dismissing your concern, “Go get washed up.”
You bowed your head in thanks, padding your way to the bathroom.
**
A shower will help you feel human again in this insane puppet world.
Turning on the faucet, hot steam clouded the tiny washroom. Dipping into the warm waters, you felt your woes and worries wash down the drain.
Your mind wandered to Howdy. He sure helped you a lot. His generosity knows no bounds. Maybe you should help him in some way? Maybe pay back your debt by cleaning up the bodega a bit?
Yeah, that sounds good. It must be hard being the only worker.
You stepped out of the shower, wrapping a spare towel around your body. You swiped a hand across the clouded mirror, giving a good look at yourself.
That husk of a human from last night looked more alive. Colour was back in your face, and the fine lines around your eyes seemed to have lightened.
Those retinol treatments you were doing probably helped a lot with your complexion.
Despite everything, you’re still you!
Tossing on the retro styled clothes, you embarked on the new day.
**
”What can I do to help?”
“Really, you don’t need to do anything.”
You released a stubborn sigh, arms folding across your chest. You stared at the bug man from across the counter. “I really want to help you, Howdy. I want to help pay off my debt.”
The salesman weighed the options. He gave a resigned sigh. “Alright, but you have to follow the price guides of the bodega!”
You quirked a brow. “Price guides?”
He gestured to the ‘100% off!’ sign on the window pane.
Your brows furrowed as you scoffed. “How does that even work?”
“Well, people pay in jokes, ideas, or observations!” He then pointed to an apple display adjacent to the front counter. A sign on it read ‘1 Apple for 1 Joke’.
There’s no way these silly Muppets live in capitalism-free town. “How does commerce even work, then? How do you pay for goods being imported to your shop?”
Howdy put a finger up to his lips as he smirked. “Trade secrets! Maybe you’ll find out some day, young Grasshopper!”
You released a defeated huff.
“Besides, there’s more to life then pointless currency. Sometimes the most valuable things are your friend’s company and wise words!”
They really did live in a commune. In a sense, you envied them.
The morning tolled on, and he instructed little things on how he ran the bodega. You helped by stocking some shelves and sweeping the floors. Before you knew it, it was midday.
The door chimed as a pair of customers sauntered in. Your breath hitched as you saw a 7 foot, bumbling blue dog plod through the doorway. You were tempted to hide behind a shelf,… that is, until your eyes landed on the shorter man walking behind him.
A smile stretched across your face, “Hello, Wally!”
The cardigan-clad puppet gave you an all-encompassing grin, “Hello, neighbour!”
“Oh, is this the kid you were talking about?” the dog rumbled in a deep baritone.
Your skin prickled at the term ‘kid.’ You were quite obviously not a kid.
Wally regarded the towering puppet with a nod. The giant mock Blue’s Clues character offered a wave, “Welcome to Home! The next Big City this side of the forest! I’m Barnaby, by the way.”
You assuaged the temporary anger and introduced yourself with a little wave. Howdy, who was behind the front counter, called out to the new patrons. “What can I get for you fellas?”
Barnaby put up two fingers, “Two hot dogs, please!”
“Two dogs wrapped in yellow and red bow ties, with all the fixin's, comin’ right up!” The caterpillar’s limbs went to work as he swiveled around to the hot dog machine. He loaded the dogs up with whipped cream, onions, ketchup, mustard, and a cherry.
Imagining the taste made you shiver.
He offered the food to the pair, while another set of hands punched in the order on the cash register. “And how will you be paying today?”
Barnaby gave a smug smile. “Why did the baby cookie cry?”
A pause.
“Its mother was a wafer so long.”
Howdy erupted in a boisterous laugh, one of his hands going down to slap his knee. Even you smirked at the atrocious dad joke. He rubbed a tear away from his eye as he regarded Wally. “And how about you?”
Wally gave his signature hum as he rolled his head to the side. “What do you call an insect who can’t get out of bed?”
You peered at him expectantly.
“A bedbug!”
Howdy offered a sympathetic chuckle, the joke not landing as hard as Barnaby’s. He punched the jokes on the register, the receipt screeching out as it was printed.
“You tried, fella,” Barnaby put a big paw on Wally’s shoulder.
“Can’t top the town jokester, after all,” the smaller puppet winked up at his friend and they both chuckled.
With hot dogs in hand, they started to make their way out. As Barnaby ducked out of of the tiny doorframe, Wally stood in place for a moment.
It felt like minutes pass until he finally regards you. “Would you like to come with us? We can introduce you to the rest of the neighbours.”
You bit the inside of your cheek as you considered. You still felt guilty about not paying back all of what Howdy has done for you.
“Go meet everyone, Grasshopper,” the voice next to you pulled you out of your thoughts, the new nickname cooling any form of anxiety that you harnessed. “You can’t figure out how to get out of here without friends, right?”
You offered Howdy a kind smile. “Thanks.”
He shooed you off with your new friend, allowing you to step free into the rainbow world of Home.
Wally and you caught up to Barnaby, who was happily snacking on his treat.
**
The three of you trekked throughout the colour radiant town, making pit stops in front of each of the townsfolk’s homes.
The first person you all ran into was the mailman, Eddie. He curtly greeted himself, but just as quickly excused himself to get back to work.
You watched him run off into the distance before regarding your friends. “You reckon he’d know the roads out of here?”
Wally tilted his head as he observed you, still just casually holding his hot dog. “I think his route takes him further from the City.”
You gave a sad, thoughtful hum before Wally and Barnaby, the persuasive of friends, convinced you to meet with every one of the neighbours.
Poppy, who lived in a barn, was elated to see you again. She gave praises and crooned over how you were a ‘poor lost duckling.’ She vowed to cook for you if you ever needed food for the trip.
The next new person was a literal star who lived in a theatre. Sally was an eccentric puppet who was working on a set for an upcoming play. When you spoke to her about your story, you can tell she was taking internal notes. Please, Sally, don’t make your lost voyage into a Shakespearean tragedy.
Julie was as excited as ever to see you again. She complimented your outfit, stating that it looks ‘oddly familiar.’ Hm. You wonder why. She offered if you needed anymore clothes, she’s always willing to play dress up.
Frank was out in his lawn, taking notes on a butterfly perched on a flower. You all decided not to bother him. Butterfly watching seemed stressful, as is.
Now you all stood in front of Barnaby’s doghouse. He was hungrily staring at Wally’s hot dog, who, to your humour, was carrying the snack around like it was a show and tell specimen.
“You going to finish that, buddy?” Barnaby rumbled.
Wally shook his head and offered the undisturbed snack to his friend. The dog practically wolfed the food down in a blink.
The yellow puppet clapped his hands to get the remaining crumbs off his palms while Barnaby wiped the remnants on his own forearm.
“I think this is a wonderful day to sun bathe,” Barnaby started before dipping into his yard. “You guys comin’?”
Wally hummed at the offer before shaking his head politely, “I still need to show them Home.”
Barnaby gave a carefree shrug, “Suit yourself. Y’know where to find me.” With that, he sauntered into his littered yard and found a nice batch of grass to plop down on.
You regarded Wally with a quirked brow, “’Home’? Isn’t that just the town name?”
He tutted with a tiny smirk, “Silly, silly.” He didn’t explain, instead marched up the hill to the centre of town. A red house sat on the crest, it’s windows watching you.
Wait… watching?
You stumbled back as you stifled a yelp, the giant windows blinking at your reaction. You tried to scramble behind the short puppet man.
He simply shook his head with a chuckle. He gestures to the sentient house, “This is Home! This is where I live!”
Home made some thumping noises in greeting.
You sucked in a breath as you watched in horror. Your hand came up to grasp your forehead. “Okay, I finally accepted puppets. Houses now? I must be dead. There’s no way this is real.”
“If you’re dead,” Wally looked back at you with sleepy eyes, voice nonchalant, “then this must be heaven!”
You swallowed thickly, not sure how to process his words. You sucked in another big breath to calm your trembling body and forced a weak wave at Home.
Home waved its shutters in greeting.
Well… it’s not trying to eat you like Monster House. Maybe it really isn’t that bad?
Wally broke his barrier between you and Home, making you feel exposed and vulnerable. He maneuvered his way to an easel that sat just outside his home. He placidly began to pack up the art supplies that was left outside. A half painted picture of an apple lay on the canvas, probably abandoned this morning as he opted to hang with Barnaby.
The tension you held in your shoulders ease as you watch his easygoing pace.
There really is a charm about him that can ease your worries.
He briefly glanced back to catch you staring, a soft smile gracing his plush lips. “Penny for your thoughts?”
A blush shot to your face as you looked away, embarrassed. Your heart hammered as you focused on anything but him. You cleared your throat as a thought began tumbling out, “It’s nice here, but I’m wondering if… maybe you have any suggestions on how to leave?”
Wally noticeably tenses. He was quiet for a few beats, his lazy eyes never leaving yours. “I suppose I can paint you a map! But…”
He paused, his expression softening, tone becoming more sympathetic. “It must have been pretty serious for you to get lost like you did. Do you really want to go back? You wouldn’t be a burden here in Home! You’re always welcome.”
It felt like time stood still as his words washed over you.
There was a heaviness to it all, something akin to scratching at a mental scab. A truth that you didn’t want to uncover the band aid of.
You stood in silence as you mulled over the implications.
He watched you as your thoughts clouded your features. He observed the storm in your brain get cloudier before deciding to intervene. He extended a hand out to caress your arm, the felt touch anchoring you back to reality. His voice was low and pleasant, “Take your time. It’s a big decision, and there’s no need to rush. I’ll be here for you if you need it.”
The pressure from your jaw released, the tension that built up now toppled like building blocks.
He really was a good person.
“Thank you, Wally.”
He only offered a cute feline-like smile.
**
It wasn’t long before the sky became a vibrant array of pinks and blues. The sun was settling just over the horizon as you and Wally decided to part from each other.
You made your way back to Howdy’s Place, giving the caterpillar a quiet greeting. He was starting to close up shop, and you decided to help him - much to his dismay.
With the two of you, the shop was closed and cleaned in record time.
He wiped the sweat off his brow, his face bearing a proud smile. “You really help a lot, young grasshopper.”
You shrugged. “It’s the least I can do.”
He shook his head with a chuckle. “You should eat some food. I think I have a spare salad in the back.”
You blinked at the thought of eating. Come to think of it, you didn’t feel hungry at all today.
How strange.
You decided to chock it up to stress from a new environment.
You thanked him for his generosity before wishing him a good night. You dipped into the backroom to locate the fresh greens. Chomping on the leaves, your mind wandered to the day.
The day felt… nice. Almost surreal.
You almost felt like you belonged.
But… you really should head home.
… Right … ?
8 notes
·
View notes