The Cloverfield Paradox
Benvenuti o bentornati sul nostro blog. Nello scorso articolo siamo andati avanti per quanto riguarda la saga di Cloverfield, arrivando al suo secondo capitolo che possiamo definire più un seguito spirituale piuttosto che un seguito vero e proprio, 10 Cloverfield Lane. La storia vede come protagonista Michelle che, dopo aver rotto con il fidanzato, ha un brutto incidente stradale in un zona…
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'Savages' - Oliver Stone Once Again Descends into a Realm of Drugs
WRITER’S NOTE: This review was written back in 2012. Some edits have been made since then to make it more interesting in the Ultimate Rabbit’s eyes.
“Savages” is being looked at as Oliver Stone’s comeback movie, as if it is implied that he hasn’t made one worth watching in years. Granted, movies like “World Trade Center,” “Wall Street: Money Never Sleeps” and even “W.” might have made it look…
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IN THE WORDS OF THE LATE, GREAT DOMINO HARVEY...
[narrates, from trailer]
"My name is Domino Harvey. I am a bounty hunter. You're probably wondering how a girl like me arrived here. What I say will determine whether or not I spend the rest of my life in prison. Let's start at the beginning."
-- DOMINO HARVEY✝ (1969-2005), played by English actress Keira Knightley
FILM: "Domino" (2005)
DIRECTOR: Tony Scott✝
SCREENPLAY: Richard Kelly
STORY: Richard Kelly & Steve Barancik
CINEMATOGRAPHY: Dan Mindel
STUDIO: New Line Cinema
Sources: MUBI, Pinterest, Screenmusings, Eye for Film, IMDb, [FILMGRAB], various, etc...
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L'oeuvre monumentale exposée dans cet appartement conçu par l'architecte Lee Mindel est de John M. Armleder qui est à la fois un plasticien, un collectionneur, un éditeur, un libraire, un galeriste suisse né à Genève en 1948. Il développe des interventions minimales ainsi que des installations de remplissage d'espace. Il est représenté par Almine Rech la Statue figurative est du sculpteur anglais Thomas Houseago. Figure majeure de la scène artistique internationale, Thomas Houseago est un sculpteur et peintre né à Leeds (Royaume-Uni) en 1972 #Repost @sheltonmindel Repost from @galeriemagazine In this Manhattan property crafted by architect @LeeMindel, a large-scale John Armleder work and Thomas Houseago figurative sculpture overlook the living area's plush furnishings. Sofas and armchairs by @SheltonMindel are grouped with a Poul Kjærholm daybed which surround a custom-made cocktail table by @GermansErmics and @BorisBerlinDesign, which hosts a Yamaguchi Ryuun woven vessel. Flanking one of the sofas, twin side tables by André Arbus join a glass and metal end table Charlotte Perriand prototype. — Story by @VickLowry — Styled by @LiliAbirRegen — #LeeFMindel #SheltonMindel #Charlotte Perriand #JohnArmleder #ThomasHouseago #GalerieMagazine #LiveArtfully#helmutnewton #mamiyarz67 #georgesjouve #luisbarragan #donaldjudd #vincenzodecotiis #charlotteperriand #josephbeuys #josephdirand #axelvervoordt #jeanroyere #markrothko #pierrejeanneret #miesvanderrohe #pierrepaulin #ettoresottsass #jamesturrell #jeanprouvé #bottegaveneta #pierrechapo #midcenturydesign #bytyna (à Manhattan, New York) https://www.instagram.com/p/Ciri5zqM6Jg/?igshid=NGJjMDIxMWI=
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The Amazing Spider-Man 2 (2014)
Directed by Marc Webb
Cinematography by Dan Mindel
Starring Andrew Garfield, Emma Stone, Jamie Foxx, Sally Field and Dane Dehaan
"We have to be greater than what we suffer."
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Daisy Ridley and Adam Driver in Star Wars: Episode IX -- The Rise of Skywalker (J.J. Abrams, 2019)
Cast: Daisy Ridley, Oscar Isaac, John Boyega, Adam Driver, Carrie Fisher, Mark Hamill, Harrison Ford, Anthony Daniels, Joonas Suotamo, Billy Dee Williams, Domhnall Gleeson, Richard E. Grant, Ian McDiarmid, Naomi Ackie, Keri Russell, Lupita Nyong'o, Kelly Marie Tran, Greg Grunberg, Shirley Henderson, Dominic Monaghan, Billie Lourd. Screenplay: Chris Terrio, J.J. Abrams, Derek Connolly, Colin Trevorrow. Cinematography: Dan Mindel. Production design: Rick Carter, Kevin Jenkins. Film editing: Maryann Brandon, Stefan Grube. Music: John Williams.
The saga began unwittingly in medias res in 1977, expanded in 1980 and 1983, then doubled back on itself in 1999, 2002, and 2005, then picked up where it left off earlier for episodes in 2015 and 2017. And with the cumbersome title of Star Wars: Episode IX -- The Rise of Skywalker, it comes to a stuttering halt. This, of course, disregards all the ancillary film and TV projects, not to mention books, that George Lucas's brainchild has added to the corpus over the years and seems intent on adding. It may be our greatest film epic, or at least the most influential: Would we have had, for example, the various excursions into the Marvel universe without Star Wars as a prototype? But the salient fact here is that no one is quite happy with the way the triple trilogy finally resolves itself in the latest (and supposedly final) episode -- not even those who profit financially from it, since the movie was a disappointment at the box office. The hardcore Star Wars fans point to inconsistencies, omissions, and downright contradictions to the core mythology. Those who just like action movies, or sci-fi movies, or just plain storytelling movies seem to feel a little let down by The Rise of Skywalker, whose very title doesn't even seem to follow through, since Rey assumes the family name after all of the rest of the Skywalkers have died off. I found myself a little creeped out by the postmortem use of Carrie Fisher in the film, and annoyed at the introduction of some new characters, like Naomi Ackie's Jannah and Keri Russell's Zorii, that don't seem to serve any real function in the plot. There are some suspense gimmicks, like the apparent death of Chewbacca and the memory-wipe of C3PO, that don't pay off in real narrative tension. The appearances of the "Force ghosts" of Han and Luke are a little cheesy, and the Force itself becomes a kind of narrative crutch, one that Rey can lean on when it helps advance the plot but which seems unavailable to her when she needs it. And the psychic link between Rey and Kylo Ren is a similar narratively flimsy gimmick. Still, I found myself occasionally able to let all of these real and nagging flaws go by and relax into watching some old familiar actors and characters go through their paces. John Williams's familiar music certainly helps, even if it's only to cue up memories of better Star Wars movies.
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My Crew for a Film Adaptation of the Protomen’s Mega Man trilogy
Director: Tom Hooper (stop groaning!)
Composer: Joseph Trapanese (with help from the Protomen)
Cinematographer: Dan Mindel
Screenplay Writer: Laeta Kalogridis
Costume Designer: Paco Delgado
Production Designer: Tom Meyer
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