I fucking hate when people all love missy and talk about missy but then don't gaf about any other regeneration. Like. You don't really care about her if you don't care about her past and her future. Missy and the master are the same person. It's not like she's another character. Missy is still the master. You can have a favourite regeneration of course !! But like there are people that really don't care about the master unless it's missy, and they treat her like she's an entirely different character while THEY ARE THE SAME PERSON !!!! not acknowledging her past is not diving deep into her character at all so you don't care. Y'all don't fw missy characterization like I do
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"Weeeh! I wanna recruit Minthara on a good playthrough! Weeeh! I don't like the ultimatum and want to keep both Minthara and Halsin! Weeeh! I wanna make Minthara good! Weeeh! I don't want Minthara to break up with me!" Minthara deserves more content but none of these things are at all what she needs or deserves. No, these are all things that you want for yourself, but do absolutely nothing for her. This is one of the biggest L's in the game and it will forever enrage me because I just know it will never happen.
Minthara deserves to confront Orin like all the other companions do with their abusers. She deserves to scream and yell at Orin. She deserves to cut at her the same way Orin did, make her bleed and scream in pain. Minthara deserves to torture Orin, just as she did her in the mind flayer colony. Minthara deserves the right to roll up to the Temple of Bhaal and beat the shit out of Orin with her bare hands. Leave Orin begging for mercy in which Minthara will not even give her a drop. To slam Orin down on that altar and slice her throat, offer her up as a sacrifice to the father she is so blindly devoted to.
And yes, Minthara would be afraid. She would be TERRIFIED. Despite how strong and powerful Minthara is, she is also the only one afraid of Orin. Unlike Ketheric, or Gortash, or Sarevok, she is the only one who fully acknowledges just how dangerous Orin actually is and does not underestimate her. She will walk down into that temple, intending to duel Orin with a massive disadvantage because she is terrified.
Minthara choked when seeing Orin again in the mind flayer colony. She choked when seeing Orin as an imposter, throwing her deep into the ocean of paranoia and fear. And she is so entrenched in paranoia that it actually becomes palpable to everyone around her, even you. She describes herself as paranoid, but this is the first that you actually see how paranoid she is. And she choked again when Orin kidnapped someone in camp, making her feel inadequate, making a mockery of her for being unable to protect one of her own. And every day that passes, the more and more likely that the victim is going to die and she has doubts on their survival.
At every possible avenue in which Minthara could have done something or said something about Orin, she froze in place with fear. But she's had enough. She cannot be afraid of Orin forever and she doesn't want to be. One way or another, Orin has to die and she wants to get over that fear. She needs to know that Orin is dead, for herself.
This would also make the alurlssrin confession all the more impactful. She wants to tell you that she loves you in the best way that she can because of the very high likelihood that she will never have another chance to do so. She would beg you to come with her as you give her the courage. She has the courage to face her fears and confront her tormentor, because she knows she has you in her corner. If you have the courage to stand up to the very gods themselves, then she can stand up to Orin. Romanced or not, your presence alone is enough to give her the strength to do something she would otherwise be too terrified to do.
Minthara deserves the honor to solo duel Orin in a fight to the death. Minthara deserves the right to achieve vengeance for herself. No, I do not care that this confrontation would conflict with a Durge playthrough. In fact, it would provide a phenomenal source of some interesting, and toxic, drama between Durge and Minthara. Especially if they're in a relationship. This also does not mean that Minthara killing Orin instead of Durge would not have its consequences (because it most certainly will). Even if Minthara does not fight Orin, it would be so much better if Minthara was just given the fucking chance to yell at Orin like all the other companions in their personal quests.
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Why is Nick such an asshole to Taylor and the film? He already toldAmazon he will nto be doing the sequel.
I don't like answering this type of questions so I'll make it as complete as I can, so people can get a life outside their own expectations. (I'm not defending Nick, I'm stating facts.)
First of all, let's not spread false rumors. Nick has not dropped the project. (I'm baffled on how this rumor could start in the first place)
Nick signed a contract for the sequel, he has responsibilities towards it, and consequences if he doesn't follow it. Regardless, it's not us who decide the terms. If he ever decides to leave the project, he'll make a choice and ponder the consequences.
"He could do more". Well, he also could do less. He's an actor and does his job however he feels like. (Do y'all care about every single aspect of your own jobs or studies? Bet you have priorities, right?)
In pop culture, there's this conception of the artist "owes his fans". While I'm inclined to love fanservice of all kind because it makes us, fans, feel appreciated, no one forces us to be a fan, meanwhile the artists are forced to do fanservice as long as they want or their contracts stipulates that.
Now let me go onto the specific part of Nicholas' life and personality.
Let's remind ourselves that we can be the biggest fans and yet know nothing about our favorite celebrities. They show us what they want us to know, it's our choice to decide what we want to follow, hear or understand.
As far as we know Nick, he's always been a quiet reserved person, who suffers from anxiety, doesn't like big social events and hardly uses social media (especially in the recent years)
He's somewhat a fearful person who decides to step outside his comfort zone. We can know that from his song Comfort.
Nick has talked about how one of his "great fears is being misunderstood." You can read about it in the article RWRB related from BritishGQ in which he compares his fear with Henry's experience.
Nick has been showing multiple times in multiple occasions how he loved Henry and loved playing him. He wouldn't have said "yes" to a sequel if he didn't want to. (I'd also say it's a big deal since Nick has always only played in project that didn't get a sequel, and he consciously decided to agree to it.)
In Nick's career, we can see how diverse and interesting his characters must be. He's drawn to peculiar characters and when he finds one, he puts everything he has to offer into it. This leads him to focus on other characters that aren't the same static one from a year or two ago. (He moves on to the next project, and I don't see anything bad about it.)
Working a lot means schedule conflicts and Nick has always had this problem. If he doesn't work on something new, he rests while doing his little hobbies. (Does he need to attend every social event if he doesn't want to? Do y'all ever rest? And if you don't, can other rest instead?)
I added my personal opinion in parenthesis so it doesn't get confused with the facts. Nick is a human with personal interests, ranked scale of values and personal life.
If you don't want to be a fan, don't be. If you want to be a hater, talk it to the wall instead of harming or annoy others. If you have expectations over other people, learn to manage what you can't control. If you think you're in control of someone else, you're not.
Now, excuse me I'll go back to watch RWRB with Henry played by Nicholas Galitzine, the actor who took his fragile character and held him in his hand, and protected him.
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Here is what I am learning: Sometimes, one finds oneself in the unenviable position of being, say, in one's 30's, looking back at work you did when you were 19, or at work from current talented 19 year olds, and thinking "wow, why is this better than the stuff I've been struggling to do during a long dry spell?" There is nothing particularly unique about being a young adult (except maybe energy/time) that makes a person good at doing stuff they're working hard at. At 19 many people, probably including yourself, were in college, amongst peers, being exposed to new things, making cross-disciplinary connections, thinking critically, practicing with the intent of improving, actively using your brain and building synapses, and ideally being encouraged to do so while in a stable environment. The missing ingredient is not Youth or Talent-- it's regular brain exercise and not trying to be creative in a vacuum. Your brain can start working out at any time, it's not stuck where it is. Read long stuff, research something that interests you, engage with a topic outside of your current level expertise that you have to work to understand, watch something older than you are, talk to someone on a regular basis, practice something without the intent to share it. Don't try to do it all overnight. Sleep on it. The flexibility comes back, I promise. It's a recovery process and works the same as any other recovery process.
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