#dylan arnold edit

[manipheaven]

Dylan Arnold x Anya Taylor Joy. // For anonymous. 🖤

[syds-arts99]

Now, I don't have clips of every movie/show he has been in but I'm so happy how this turn out.❤

I hope I don't get into any copyright issues 😅

[danelya]

[angelicamyers]

[aesthetics-for-harry-potter]

Moodboard of a Gryffindor couple.

Face-claims: Dylan Arnold and Georgie Farmer.

Requested by: anon.

[icelovesfire]

LETHE VITA

If you take away a person’s hope, then all that would remain is the dark.

FFN | AO3 -- 11/? [FOLLOW INSTA FOR UPDATES]

[shipwreckedcomedy]

Come in, and get to know us better, man! 👻

Shipwrecked Comedy proudly presents: How to be a Ghost

Jacob Marley learns what it takes to make it in the afterlife.

Written & Created by Sean Persaud & Sinead Persaud Directed by William J. Stribling

CAST Jacob Marley - Sean Persaud Christmas Past - Mary Kate Wiles Christmas Present - Sinéad Persaud Christmas Yet to Come - Parissa Koo Narrator - Sammy Paul

Assistant Director: Nick Dugan Production Assistant: Matthew Pinkney

Executive Producers: Michael Walsh, Jane Leach Produced by: Sean Persaud, Sinead Persaud, Mary Kate Wiles

Director of Photography: Devin Hassan First Assistant Camera: Nic Palermo

Production Designer: J.P. Gagen Costume Designer: Morgan Gannes Hair and Makeup Artist: Hayley Orozco Choreography: Lauren Lopez

Edited by: Raymond Fraser

Original Music by: Dylan Glatthorn Original Lyrics by: Dylan Glatthorn, Sean Persaud, and Sinead Persaud Production Sound Mixer: Will Kioultzopoulos Re-Recording Mixer: Noah Hunt Audio Song Recorded at Noah Hunt Audio Song Mixed by Dylan Glatthorn

Special Thanks - Tom DeTrinis & the IAMA Theatre Company, Hugo's Tacos, American Black Market, Brent Madison, Brian Henderson, Matt Amys

Made possible by: Katie Adamczyk, Julia Arnold, Heather Attewell, Michael Baker, Anna Beale, Carrie Bouwman, Kaci Burrow, John Callender, Miles Collier, Janel Christensen, Kelsey Fink, Madi Flesch, Bernadette Kovacs, Alicia Lomas-Gross, Avalee Long, Erin Hawley, Mary Lyszczarz, Jill May, Desiree McLaughlin, Halle Merrick, Sharon Messmore, William Miller, Meghan Morris, Kelly O'Neil, Lisel Perrine, Viivi Pyykkö, Halsea Root, Rodger Samuel, Emily Scheerer, Deborah Shapiro, Lindsey Stewart, Rebecca Stockman, Emma Tulip, Annie Vaccaro, Abigail Vanderhoff, Justin Waterman, Kylie Wells, Christina Wentz, Cassie Wojcik

[bulletproofbanditsorbust]

Welcome to the official page of Bulletproof Bandits!!

BB is a novel/comic created by @saint-gerard-of-arc with the precious collaboration of @arnold-layne

read the first chapter here!!

Masterpost

Chapter upload schedule: every wednesday, at 9:20 pm (CET)

Aviable on Wattpad every wednesday, at 9:30 pm (CET)

Italian translation available on Wattpad every wednesday, at 9:30 pm (CET)

(all versions are edited and updated now)

⬇⬇⬇ more info about the author and the characters below the cut ⬇⬇⬇

about the author:

hi! i'm alexi (he/they), and i decided to make this blog for the simple fact that these bastards took over my life, so i had a LOT of material scattered around my blogs that was getting out of hand. the first phase of idealization of BB began back in 2020 and i started writing down the first chapter in 2023. from that point, i understood that this is my calling, this is what i want to make a living off of: telling stories, wether through novels or comics.

about Russell:

+ a playlist made by the lovely @corpsecomplex 🖤

about Dylan:

about Frankie:

about Viktor:

[dark-nymph3t]

Hey, just a quick update, wanted to let you guys know that I no longer identify as demiromantic but still identify as a demigirl, bi, and demisexual. I realized that I was forcing myself and thought I was more valid as a demisexual person if I was also demiromantic and I’ve realized that isn’t the case. I’m a valid demisexual person no matter what. I’m going to be editing a post in which I referred to myself as being demiromantic and that will no longer be part of the post.

Does anyone care? No.

This all came about because I though Dylan Arnold was cute in Oppenheimer by the way lmao

[conjuringgifs]

FINISHED COMMISSION: by following the SOURCE LINK you will find 88 of dylan arnold from halloween and halloween kills. each gif is 268x150. all these were made by me. do not repost, claim as your own, edit in any way, or include in gif hunts. this includes taking my gifs and making your own gif sets. do not use in smut, real life or taboo rps. were these useful to you? give this post a like or a reblog please.  interested in commissioning me? you can check info on the sidebar!  

[byneddiedingo]

Cillian Murphy in Oppenheimer (Christopher Nolan, 2023)

Cast: Cillian Muphy, Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, Benny Safdie, Jason Clarke, Dylan Arnold, Tom Conti, James D'Arcy, David Dastmalchian, Dane DeHaan, Alden Ehrenreich, Tony Goldwyn, Jefferson Hall, David Krumholtz, Matthew Modine. Screenplay: Christopher Nolan, based on a book by Kai Bird and Martin Sherwin. Cinematography: Hoyte Van Hoytema. Production design: Ruth de Jong. Film editing: Jennifer Lame. Music: Ludwig Göransson. 

[myulmang]

    𝒅𝒚𝒍𝒂𝒏 𝒂𝒓𝒏𝒐𝒍𝒅 gif pack !

in the source link you will be redirected to #57 268x151 gifs of DYLAN ARNOLD (1994) in the 2019 film after and the 2020 sequel after we collided. these gifs were all cropped, colored and created from scratch by me. do not edit, redistribute, or claim as your own.

if you found this helpful or plan to use these gifs please like/reblog & maybe consider supporting me by buying me a coffee ( myulmang ).

content warning : n/a

[danelya]

[denimbex1986]

'Oppenheimer is Christopher Nolan’s best and most revealing work. It’s a profoundly unnerving story told with a traditionalist’s eye towards craftsmanship and muscular, cinematic imagination. Here, Nolan treats one of the most contested legacies of the 20th century – that of J Robert Oppenheimer (played by Cillian Murphy), the “father of the atomic bomb” – as a mathematical puzzle to be solved.

In 1943, at the behest of Major General Leslie Groves (Matt Damon), Oppenheimer became director of the Los Alamos Laboratory, the Manhattan Project’s New Mexico site for attempting to successfully build an atomic bomb. Oppenheimer, at first, was driven by moral imperative: he feared deeply, as a Jewish man, about what would happen if the Nazis were to develop a weapon of such deadly capability (that a non-Jewish actor has taken on a role in which identity plays such a central role is, in this light, somewhat strange).

Following Hitler’s defeat, Oppenheimer continued to support the bomb’s deployment in Hiroshima and Nagasaki, convinced that such hellish destruction would not only bring an end to the war in the Pacific, but to all wars. Historians have since disputed the idea that the bombs were in any way necessary for Japan’s surrender (the real turning point, it seems, was the threat of Soviet invasion). And Oppenheimer’s own utopian vision was swiftly dismantled by fellow scientist Edward Teller (Benny Safdie) and the chair of the US Atomic Energy Commission, Lewis Strauss (Robert Downey Jr), who pushed forward with the creation of the H-bomb, a thousand times deadlier in its scope.

Oppenheimer attempted, in vain, to halt the subsequent nuclear arms race between the US and the Soviet Union. He was promptly silenced using one of America’s most cherished tools of political oppression – anti-Communist hysteria. He was attacked for his personal associations with the Communist Party, through his brother Frank (Dylan Arnold), wife Kitty (Emily Blunt), and ex-lover Jean Tatlock (Florence Pugh). It was an act of pure, public humiliation.

Nolan observes each of these chapters with sickly wonder, as Jennifer Lame’s editing work and Ludwig Göransson’s clattering score lend Oppenheimer a frightening momentum. The film is constructed in a way that allows its audience to comprehend, on an intellectual level, the profound power and chaos that led its central character to see himself as the “Death, destroyer of worlds” of Hindu scripture. I’m not sure, however, that it burrows deeper than that – into that profound, emotional space that can be both overwhelming and difficult to verbalise. It’s a little too conscious of itself, and the ways cinema crafts its own reality. Throughout, the film teases an unheard conversation between Oppenheimer and Albert Einstein (Tom Conti), its inevitable reveal delivered in the same tone as the solution to the teleportation trick in Nolan’s own The Prestige.

But the prioritisation of cleverness in Oppenheimer isn’t necessarily a criticism of Nolan – more a testament to who he is as an artist. The detonation of the A-bomb, during its first test in the New Mexico desert, is depicted as booming tufts of flame in extreme close-up, coupled with enraptured onlookers. You sense its primal force, the kind of untapped power that led Oppenheimer to view himself as a kind of American Prometheus (also the title of a 2005 biography Nolan drew heavily from). But contrast that, perhaps, with how David Lynch approached the same A-bomb test in his 2017 limited series Twin Peaks: The Return. Lynch drew the camera in, slowly, confronting us with the full-scale of the weapon’s destruction, while sucking us into its very centre, damning us through its inescapability. Nolan’s A-bomb is wondrous until we consider its context; Lynch’s A-bomb is pure nightmare.

The film’s non-linear structure (de rigueur for the Tenet and Inception filmmaker), with each timeline beautifully lensed by Hoyte van Hoytema in either colour or black and white, lends a little more focus to Oppenheimer’s post-war betrayal than it does to the blossoming of his guilt. Large swathes of the film play out as political thriller, the fuel in its engine being Downey Jr’s titanic colouring of Strauss, all boorishness and manipulative charm.

But Nolan is still committed to understanding the innerworkings of his subject. Here’s a man deep in denial. When confronted with photographs of Hiroshima and Nagasaki, he averts his gaze. Its horrors rumble (literally) in his peripheral vision, only clear to him when he imagines such brutality inflicted on the white Americans celebrating his “victory” in Los Alamos. Murphy creates his own devastating fission: brilliance torn apart by arrogance. Scene by scene, the light behind his eyes starts to dim. He even has sex the same way he builds bombs. After his extramarital affair turns sour, his wife Kitty chastises him: “You don’t get to commit a sin and then make us all feel sorry when there are consequences.” In Oppenheimer, a man’s private, internal, and political lives are strung together, each a component of the great equation that defines a man’s soul.'

[ohmuseohmy]

I don't know if you still do fc recs, but Eddie Munson alts? I want someone with more long hair resources since Joseph's is usually short.

This is a really interesting question. I'm definitely focusing more on the hair than the aesthetic since that's what you mentioned because I'm struggling to find anyone who perfectly captures both the energy and physical look that Joseph as Eddie has. I will also absolutely admit this list skews older than I'd like considering the character is like 20-21. Here's what I've got:

Jorge Lopez has the vibes and his hair has the attitude even when it's shorter (30)

Aidan Laprete leans a little more into the DnD nerd than metalhead, but honestly he could be fun for it (20)

Luke Pasqualino in his Musketeers days (24-26 at the time)

Robert Sheehan maybe in his Umbrella Academy resources but might only work if you want an older Eddie (34 now)

Luke Arnold has the hair and the charm (38 now, 30 when Black Sails started)

Dylan McNamara has the hair but I don't know that I'd say he has the vibes (age unknown)

Ben Barnes in older projects like Prince Caspian and Dorian Gray, the resources should be findable because he was a popular Sirius Black fc for a while (24ish in those resources, 40 now)

But also I'd say don't feel like you have to be limited by the hair! I've reblogged at least one gif pack that had over 100 gifs of Joseph Quinn in Stranger Things, and if the energy is there for him in some other projects, the hair shouldn't be a make or break it to use the gifs!

Editing to add Elliot Fletcher (26). A gif pack of him with long hair just spit out of my queue, and I’d forgotten he grew it out!

[jeffreyss]

THEO ENGLER IN EVERY EPISODE: S03E02 “I MARRIED AN AXE MURDERER”