#e training software

[emexotechnologies]

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[attitudetallyacademy]

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[erklaervideoagentur]

E-Learning Software-Entwicklung erstellen – Agentur für digitale Schulung & Online Kurs Anbieter

Entdecken Sie, wie unsere Agentur maßgeschneiderte E-Learning Software entwickelt und digitale Schulungen sowie Online Kurse anbietet. Optimieren Sie Ihre Lernprozesse jetzt. Einführung in die E-Learning Software-Entwicklung: Der Weg zur effektiven digitalen Schulung Die rasante Digitalisierung hat die Art und Weise, wie wir lernen und lehren, revolutioniert. E-Learning Software-Entwicklung steht…

[simulanissolutions]

Simulanis is an Augmented Reality Company in India that stands at the forefront of the Augmented Reality Companies in India sector. As a leader in the AR space, Simulanis is helping businesses across industries leverage the power of augmented reality to transform their operations, enhance customer experiences, and foster innovation. With a focus on creating cutting-edge augmented reality app development solutions, Simulanis delivers customized AR solutions that cater to various sectors, including healthcare, education, manufacturing, retail, and more

[jaysonmurphyitservice]

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[senadimell]

You know, as a young ish person who's grown up in a primarily digital world, there's something really grounding about spending time with people older than my parents. Went to a Guild activity last night and it was delightful being with the older ladies there.

Someone offered to drive me home because it was over an hour back to my house by public transit. We're in a city, and she took me back to my home by driving through neighborhoods and back roads, in the dark, to a place she hasn't visited in four years, without a GPS (before I gave her a landmark to drop me off at, I gave her my exact address and she got frustrated with the search engine and said she would just use the paper map in her car).

A few weeks ago, I had dinner with a friend's parent's coworker/boss/friend, and she told me I would learn to find my way around and would know the area like a native. It strikes me that this is what she meant, but she wasn't right--if I were to live here for years and go about it as I had been doing, I wouldn't get native knowledge of the area because I would just be relying on GPS and not actually navigating. If I want to really learn the area, I have to pay attention in a way I only learned how to do (and rarely use) because I spent six months in a foreign country without a smartphone or computer.

The lady who drove me home said something to the effect of "you're new to the area so you won't criticize the route I take. I'm just going to take the way I know so I won't get lost." What I don't think she realized is that even if I had been here for years, I wouldn't criticize the route she took, because I lived in my last area for six years and didn't even learn the name of the highway I took weekly. Stupid GPS brain.

So I'm going to Guild meetings for a Formal Skill, but there's all sorts of other basic, hidden life things that I wouldn't learn on my own. It's also been striking to realize that there's a major gap in expectations about how people operate in the world. Nobody above a certain age who's talked to me about the routes I take seems to realize that I don't actually know the names of roads and exits, or that it's possible to get around. I don't want to continue in ignorance, but if I did, I could get around in a smartphone, live here for probably ten years, and only learn about four street names.

[emexotechnologies]

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[therobotmonster]

On that recent Disney Vs Midjourney court thing wrt AI, how strong do you think their case is in a purely legal sense, what do you think MJ's best defenses are, how likely is Disney to win, and how bad would the outcome be if they do win?

Oh sure, ask an easy one.

In a purely legal sense, this case is very questionable.

Scraping as fair use has already been established when it comes to text in legal cases, and infringement is based on publication, not inspiration. There's also the question of if Midjourney would be responsible for their users' creations under safe harbor provisions, or even basic understanding of what an art tool is. Adobe isn't responsible for the many, many illegal images its software is used to make, after all.

The best defense, I would say, is the fair use nature of dataset training and the very nature of transformative work, which is protected, requires the work-to-be-transformed is involved. Disney's basic approach of 'your AI knows who our characters are, so that proves you stole from us' would render fair use impossible.

I don't think its likely for Disney to win, but the problem with civil action is proof isn't needed, just convincing. Bad civil cases happen all the time, and produce case law. Which is what Disney is trying to do here.

If Disney wins, they'll have pulled off a coup of regulatory capture, basically ensuring that large media corporations can replace their staff with robots but that small creators will be limited to underpowered models to compete with them.

Worse, everything that is a 'smoking gun' when it comes to copyright infringement on Midjourney? That's fan art. All that "look how many copyrighted characters they're using-" applies to the frontpage of Deviantart or any given person's Tumblr feed more than to the featured page of Midjourney.

Every single website with user-generated content it chock full of copyright infringement because of fan art and fanfic, and fair use arguments are far harder to pull out for fan-works. The law won't distinguish between a human with a digital art package and a human with an AI art package, and any win Disney makes against MJ is a win against Artstation, Deviantart, Rule34.xxx, AO3, and basically everyone else.

"We get a slice of your cheese if enough of your users post our mouse" is not a rule you want in law.

And the rules won't be enforced by a court 9/10 times. Even if your individual work is plainly fair use, it's not going to matter to whatever image-based version of youtube's copyreich bots gets applied to Artstation and RedBubble to keep the site owners safe.

Even if you're right, you won't have the money to fight.

Heck, Adobe already spies on what you make to report you to the feds if you're doing a naughty, imagine it's internal watchdogs throwing up warnings when it detects you drawing Princess Jasmine and Ariel making out. That may sound nuts, but it's entirely viable.

And that's just one level of possible nightmare. If the judgement is broad enough, it could provide a legal pretext for pursuing copyright lawsuits over style and inspiration. Given how consolidated IP is, this means you're going to have several large cabals that can crush any new work that seems threatening, as there's bound to be something they can draw a connection to.

If you want to see how utterly stupid inspiration=theft is, check out when Harlan Ellison sued James Cameron over Terminator because Cameron was dumb enough to say he was inspired by Demon with a Glass Hand and Soldier from the Outer Limits.

Harlan was wrong on the merits, wrong ethically, and the case shouldn't have been entertained in the first place, but like I said, civil law isn't about facts. Cameron was honest about how two episodes of a show he saw as a kid gave him this completely different idea (the similarities are 'robot that looks like a guy with hand reveal' and 'time traveling soldier goes into a gun store and tries to buy future guns'), and he got unjustly sued for it.

If you ever wonder why writers only talk about their inspirations that are dead, that's why. Anything that strengthens the "what goes in" rather than the "what goes out" approach to IP is good for corps, bad for culture.

[sevnest-elearningsolution]

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[are-we-art-yet]

Is AWAY using it's own program or is this just a voluntary list of guidelines for people using programs like DALL-E? How does AWAY address the environmental concerns of how the companies making those AI programs conduct themselves (energy consumption, exploiting impoverished areas for cheap electricity, destruction of the environment to rapidly build and get the components for data centers etc.)? Are members of AWAY encouraged to contact their gov representatives about IP theft by AI apps?

What is AWAY and how does it work?

AWAY does not "use its own program" in the software sense—rather, we're a diverse collective of ~1000 members that each have their own varying workflows and approaches to art. While some members do use AI as one tool among many, most of the people in the server are actually traditional artists who don't use AI at all, yet are still interested in ethical approaches to new technologies.

Our code of ethics is a set of voluntary guidelines that members agree to follow upon joining. These emphasize ethical AI approaches, (preferably open-source models that can run locally), respecting artists who oppose AI by not training styles on their art, and refusing to use AI to undercut other artists or work for corporations that similarly exploit creative labor.

Environmental Impact in Context

It's important to place environmental concerns about AI in the context of our broader extractive, industrialized society, where there are virtually no "clean" solutions:

The water usage figures for AI data centers (200-740 million liters annually) represent roughly 0.00013% of total U.S. water usage. This is a small fraction compared to industrial agriculture or manufacturing—for example, golf course irrigation alone in the U.S. consumes approximately 2.08 billion gallons of water per day, or about 7.87 trillion liters annually. This makes AI's water usage about 0.01% of just golf course irrigation.

Looking into individual usage, the average American consumes about 26.8 kg of beef annually, which takes around 1,608 megajoules (MJ) of energy to produce. Making 10 ChatGPT queries daily for an entire year (3,650 queries) consumes just 38.1 MJ—about 42 times less energy than eating beef. In fact, a single quarter-pound beef patty takes 651 times more energy to produce than a single AI query.

Overall, power usage specific to AI represents just 4% of total data center power consumption, which itself is a small fraction of global energy usage. Current annual energy usage for data centers is roughly 9-15 TWh globally—comparable to producing a relatively small number of vehicles.

The consumer environmentalism narrative around technology often ignores how imperial exploitation pushes environmental costs onto the Global South. The rare earth minerals needed for computing hardware, the cheap labor for manufacturing, and the toxic waste from electronics disposal disproportionately burden developing nations, while the benefits flow largely to wealthy countries.

While this pattern isn't unique to AI, it is fundamental to our global economic structure. The focus on individual consumer choices (like whether or not one should use AI, for art or otherwise,) distracts from the much larger systemic issues of imperialism, extractive capitalism, and global inequality that drive environmental degradation at a massive scale.

They are not going to stop building the data centers, and they weren't going to even if AI never got invented.

Creative Tools and Environmental Impact

In actuality, all creative practices have some sort of environmental impact in an industrialized society:

Digital art software (such as Photoshop, Blender, etc) generally uses 60-300 watts per hour depending on your computer's specifications. This is typically more energy than dozens, if not hundreds, of AI image generations (maybe even thousands if you are using a particularly low-quality one).

Traditional art supplies rely on similar if not worse scales of resource extraction, chemical processing, and global supply chains, all of which come with their own environmental impact.

Paint production requires roughly thirteen gallons of water to manufacture one gallon of paint.

Many oil paints contain toxic heavy metals and solvents, which have the potential to contaminate ground water.

Synthetic brushes are made from petroleum-based plastics that take centuries to decompose.

That being said, the point of this section isn't to deflect criticism of AI by criticizing other art forms. Rather, it's important to recognize that we live in a society where virtually all artistic avenues have environmental costs. Focusing exclusively on the newest technologies while ignoring the environmental costs of pre-existing tools and practices doesn't help to solve any of the issues with our current or future waste.

The largest environmental problems come not from individual creative choices, but rather from industrial-scale systems, such as:

Industrial manufacturing (responsible for roughly 22% of global emissions)

Industrial agriculture (responsible for roughly 24% of global emissions)

Transportation and logistics networks (responsible for roughly 14% of global emissions)

Making changes on an individual scale, while meaningful on a personal level, can't address systemic issues without broader policy changes and overall restructuring of global economic systems.

Intellectual Property Considerations

AWAY doesn't encourage members to contact government representatives about "IP theft" for multiple reasons:

We acknowledge that copyright law overwhelmingly serves corporate interests rather than individual creators

Creating new "learning rights" or "style rights" would further empower large corporations while harming individual artists and fan creators

Many AWAY members live outside the United States, many of which having been directly damaged by the US, and thus understand that intellectual property regimes are often tools of imperial control that benefit wealthy nations

Instead, we emphasize respect for artists who are protective of their work and style. Our guidelines explicitly prohibit imitating the style of artists who have voiced their distaste for AI, working on an opt-in model that encourages traditional artists to give and subsequently revoke permissions if they see fit. This approach is about respect, not legal enforcement. We are not a pro-copyright group.

In Conclusion

AWAY aims to cultivate thoughtful, ethical engagement with new technologies, while also holding respect for creative communities outside of itself. As a collective, we recognize that real environmental solutions require addressing concepts such as imperial exploitation, extractive capitalism, and corporate power—not just focusing on individual consumer choices, which do little to change the current state of the world we live in.

When discussing environmental impacts, it's important to keep perspective on a relative scale, and to avoid ignoring major issues in favor of smaller ones. We promote balanced discussions based in concrete fact, with the belief that they can lead to meaningful solutions, rather than misplaced outrage that ultimately serves to maintain the status quo.

If this resonates with you, please feel free to join our discord. :)

Works Cited:

USGS Water Use Data: https://www.usgs.gov/mission-areas/water-resources/science/water-use-united-states

Golf Course Superintendents Association of America water usage report: https://www.gcsaa.org/resources/research/golf-course-environmental-profile

Equinix data center water sustainability report: https://www.equinix.com/resources/infopapers/corporate-sustainability-report

Environmental Working Group's Meat Eater's Guide (beef energy calculations): https://www.ewg.org/meateatersguide/

Hugging Face AI energy consumption study: https://huggingface.co/blog/carbon-footprint

International Energy Agency report on data centers: https://www.iea.org/reports/data-centres-and-data-transmission-networks

Goldman Sachs "Generational Growth" report on AI power demand: https://www.goldmansachs.com/intelligence/pages/gs-research/generational-growth-ai-data-centers-and-the-coming-us-power-surge/report.pdf

Artists Network's guide to eco-friendly art practices: https://www.artistsnetwork.com/art-business/how-to-be-an-eco-friendly-artist/

The Earth Chronicles' analysis of art materials: https://earthchronicles.org/artists-ironically-paint-nature-with-harmful-materials/

Natural Earth Paint's environmental impact report: https://naturalearthpaint.com/pages/environmental-impact

Our World in Data's global emissions by sector: https://ourworldindata.org/emissions-by-sector

"The High Cost of High Tech" report on electronics manufacturing: https://goodelectronics.org/the-high-cost-of-high-tech/

"Unearthing the Dirty Secrets of the Clean Energy Transition" (on rare earth mineral mining): https://www.theguardian.com/environment/2023/apr/18/clean-energy-dirty-mining-indigenous-communities-climate-crisis

Electronic Frontier Foundation's position paper on AI and copyright: https://www.eff.org/wp/ai-and-copyright

Creative Commons research on enabling better sharing: https://creativecommons.org/2023/04/24/ai-and-creativity/

[erklaervideoagentur]

E-Learning CRM-Software erstellen – Agentur für digitale Schulung & Online Kurs Anbieter

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[simulanissolutions]

The impact of Simulanis on education through augmented reality (AR) has been transformative, significantly changing how students engage with learning and how educational content is delivered. Simulanis is a company focused on leveraging augmented reality (AR) and virtual reality (VR) technologies to create immersive learning experiences. By offering advanced simulations, interactive modules, and virtual environments, Simulanis aims to revolutionize the traditional classroom and training methods, introducing a new paradigm in education. This detailed exploration will delve into the numerous ways in which Simulanis has positively influenced education, with specific examples, benefits, and potential challenges.

[davekat-sucks]

I couldn’t resist this thing we’re doing with Homestuck characters with Youtube channels so here we go.

Beta trolls first/

Aradia: 100% she’s a spelunker who’s video content is exploring abandoned urban areas and cave systems. She even has on hand dusting tools and a pickaxe to look for exposed fossils. Her uploads coincide within a day of a person dissapearing or the report of a murder.

Tavros: he’s Alternia’s biggest Pokétuber, or I guess in this sense, a Fidutuber. He likes to discuss the meta for competitive and lore about the fiduspawn series. He also dabbles in fantasy RPGs, especially if there is a girl with magical powers or a protagonist whisked away to a fantastical realm, tying back to his Pupa Pan obsession. What’s cool about Tavros’s playthroughs for his RPG games is they’re narrated and voice acted by his friends! He has Nepeta and Aradia do some of the female cast voice acting, as well as Gamzee and Karkat for male voice acting!

Sollux: twitch streaming speedrunner, very popular in the speedrunning community for his TAS tech and glitch hunting prowess. His uploading schedule is very infrequent due to his struggle with sensing the imminently deceased.

Karkat: 100% a movie reviewer like that of the Nostalgia critic, his review gimmick is he trues to violently destroy movies he considers “COMPLETE SHIT FESTIVITIES” by using threshecutioner style combat on the DVD boxes, or if the movie was digitally downloaded, corrupt it with one of his broken, shitty viruses.

Nepeta: survivalist vlogger who gives tips on living in a cave, animal hunting, preparing meals from the meats of different wild animals, and how to keep contact with the civilized world. Notably Nepeta has collaborated with Aradia to guide her through particularly hard to navigate caves.

Kanaya: fashion and aesthetics channel. She is a lifestyle blogger dedicated to showing you how everything can be shaped colored and placed to fit your personality. She’s got playlists for landscaping and gardening, fashion, and hell even how to make the food on your plate look appetizing!

Terezi: skit and parodies channel. Her on hand plushes make her a plush skit channel similar to SuperMarioLogan, and she loves to invite her friends to cast as different pyralsprites, action figures, paper drawings and even an occasional animal carcass for her new episodes. When her plushes are worn out, Terezi instead uses GMod and editing software to make her secondary skit show, think SMG4 but now the characters type in leetspeak and reference bugs and grubs a lot. For using copyrighted characters she has been sued many times and won every case. She uploads legal advice to a secondary channel on how to avoid getting copyright claimed and how to win in court.

Vriska: e-thot and competitive gamer. She plays a lot of ranked team games like Overwatch, Marvel Rivals, Fortnite, and even Team Fortress 2! She’s toxic, and has been known to call out and swear at her teammates and opponents, has doxxed her own moderators for her chat, and once sent Tavros a virus to his computer for wiping the floor with her at FiduFLARP, a modded game of FLARP that adds in fiduspawn monsters as catchable enemies. How she’s not banned is a sinple reason: she always streams with a crop top that’s worn low.

Equius: hybrid channel for electrical engineering and combat training. He’s like electroboom in that he gets shocked quite a lot, but different in that he could build a Boston dynamic robot in less than an hour. He has tutorials on constructing the control systems of military aircraft! His combat videos focus on a lot of boxing and hand-to-hand techniques, and especially how to concentrate the force of your blow. When he does demonstrations for weapon combat, he invites Karkat and Tavros over for battle strategies for Threshecutioners and Cavalreapers.

Gamzee: naturalist and spiritual healing channel. He streams often for calls with chat members asking for their ailments and providing healing advice or even trying a through-the-screen hypnosis method to cure chat members. He’s a fraud, but people love his calm demeanor and positive attitude so much people go to him for vibes, and his “cures” work often enough that some people even believe he has healing magic.

Eridan: strategy games and naitical technology. World of Warships no. 1 advertising advocate. He also dabbles in human games like Hearts of Iron IV and Sid Mires’s Civilization series. He thinks they’re actually really really easy games. When he reviews ships he likes to go to museums to review and describe war ships and how effective they were at sea. Sometimes he can even swim to shipwrecks if he feels like it, which is�� rarely.

Feferi: Vlogger for ocean diving and nature documentation. Her positive attitude and natural optimism towards the unknown makes her view even the most ugly and aggressive deep sea life seem cute and misunderstood. Surprisingly her favorite sea life is the shark! When Eridan needs to explore a shipwreck, he uses Feferi as a guide to get him safely diving down to the wreckage, and so he doesn’t feel alone in the dark waters. Deep sea diving actually burns a LOT of calories, especially with how long her videos can get (2-4 hours) so on the side she does shorter Mukbang videos! Commenters are in awe that she’s so skinny despite eating half her weight in food every time she does a Mukbang.

Beta kids/

John: illusions and pranks channel, loves to live record strangers falling for his obvious trucks and deceits. Don’t worry it’s all for fun and no one gets hurt :) His magic even extends to cool programs you can do on your computer to make your desktop do something cool, or customize your pointer (yeah to this day he’s still an amateur at coding) when Karkat is reviewing bad movies, John is usually invited for skits where he’s the stand in for a stawman of the movie’s fandom explaining why the movie is actually good.

Rose: she’s like those atheist skeptic channels but instead of just debunking God and flat earth theory she also uses her magic to prove and convince her subscribers the horrorterrors are the only real cosmic entities who exist beyond the physical universe. In the case there’s a video going around of something crazy happening that could be a hoax, she invites John over so he can rant and expose the magic tricks the video uses to make it look real.

Dave: shitposter. He posts whatever he feels like whenever he feels like. Tony Hawk combo score, Sweet Bro and Hella Jeff comic dubs, Smosh skits with John, and a lot of Youtube Poops. He’s less a poster and more an editor. He’s done video editing for a bunch of other Youtubers, like Karkat, Kanaya, Sollux, Terezi, John, and Rose. He has a lot of time on his hands and he uses it for the best editing gags and cutoffs you could imagine. Like Caddicarus but even funnier.

Jade: she’s a mystery. You’ll see her everywhere and yet her main channel has less than 10k subscribers. She has made a cameo on EVERY character I’ve described so far. She’s dug up bones for Aradia, competed against Tavros in fiduspawn (and narrates for his RPG playthroughs, voice acting for some female characters too!) she playtests Sollux’s speedrun strats to see of they’re humanly viable, she’s done skits in Karkat’s video where she parodies prominent female characters alongside John, Dave, and Sollux. She is used as a practice combatant for Nepeta to demonstrate fighting various wildlife from foxes to bears. She’s done in depth explanations for various plant life and their living conditions in Kanaya’s horticulture videos, she plays in Terezi’s skits as a character who’s a stereotypical furry, she’s Vriska’s top pick for playing casual multiplayer games like UNO, or Worms, or Smash Bros. Jade was a featured teacher for how to build a homemade Nuclear Reactor with Equius. She was interviewed by Gamzee for her dog ears and her ability to see the future. She demonstrates how to handle various firearms in Eridan’s videos, and has even done 2-person mukbangs with Feferi. So after all that, what does Jade post on her main account? Squiddles character AMVs.

If I’m gonna do the alpha kids and trolls it has to be a separate ask, this is a very long one.

Hot damn! These are all so good!