2893. Preferences
This is called "Preferences." Good music for pharma commercial.
She started making a list of her fantasies. It was easier to remember them. There were too many. Or she was too busy. It was all hard to tell.
Public sex, threesome, autoerotic asphyxiation, blindfolded, rape, etc., etc.
The list was concurrent with her was seeing Michael, who sometimes went by just Mike, and other times the full Michael—it was hard to know when he preferred which.
One night, Mike (it was a Mike night) came across the list of fantasies. "What's this?" he said.
She didn't answer as Mike continued to read the list. The list by this point was long, very long. "Want to try some of these?" Mike said.
She was blank-faced, she took a deep breath, she said, "I'd prefer not."
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Solitary Figure in a Theater, Edward Hopper (1903)
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Edward Hopper - Compartment C Car (1938)
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Peanuts by Charles M Schulz
after Edward Hopper
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Early Sunday Morning, 1930. Edward Hopper.
Oil on canvas.
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Edward Hopper (American,1882-1967)
Automat, 1927
Oil on canvas
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2822. The End of Canoodling
This is "The End of Canoodling." Carrying around a fine interest of beauty.
Once again, Ivan was again screaming out the window again: "Please, will anybody please canoodle with my wife?"
Vlad, who has waited day after day out on the sidewalk, raises his arm. "Vlad is here," he says. "Vlad is always here."
Ivan again slams his hand down on the windowsill again. "Not Vlad!" he says. "Never Vlad!"
Vlad weeps. Meanwhile, Ivan's wife sighs on her poodle divan. She realizes things are bad these days, but canoodling should come easy. Her favorite soap opera, Opal of Lust and Influence, tells her so.
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New York Interior, c.1921 by Edward Hopper (American, 1882--1967)
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Nighthawks (detail), Edward Hopper, 1942.
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Edward Hopper, Night Windows, 1928
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