E N T E R T H E L A B Y R I N T H
In the Labyrinth, they talk of gods.
They whisper between their fingers and sweeten their breath with the tales of titans of old who once stood so tall that a single breath would cause earth-tremors, their steps reshaping the ground trod beneath them. Their fingers were the tools that smoothed the mountains into points, shaped and carved the ridges and valleys in between. If you hike far enough, one woman claims, if you travel to a point where the oxygen is thin and your vision blacks, you can make out a partial print against the mountainside. You can run your own fingers along its length and still feel the titan’s warmth as if his palm were pressed right against yours.
The woman says, It is a thing of worship. It is a thing of devotion.
In the Labyrinth, they ask you to make you make your body anew before the King of the High Hills. They say that you are alive because you must suffer for the life and love of the Lord, that you must open your body and let him lick along your flesh so that he may taste the endlessness of his perpetual reign.
In the Labyrinth, there is no escape from his touch.
“You have a heavy burden upon you,” the headmaster was saying, teeth and eyes all a glitter under the amber cast candles. “I am not unsympathetic to the arduous path ahead of you—but please understand that this suffering must be experienced for the longevity of the king, for the beautiful life ahead of him. Only he is the one who can shed mortality and raise to the gods, because he is the only one strong enough, courageous enough, to count the cost of living forever. You must succeed where others have failed. You, this class, this is our last chance to mend what has been made broken. You must. You must.”
The Mouths of Elysium is a dark-academia fantasy created with Twine where your choices matter to the story. You live inside the Labyrinth, a maze that hates to become known with walls and paths that change every hour. The center of the Labyrinth sits a university that has been there since the beginning of time; its only purpose is to recruit students who can solve the puzzle of life, who can create an elixir that would allow the King of the High Hills to live past the length of forever. Failure means a fate worse than death.
You are one of those students.
Althea Callaghan - You know her in death. She has been the taste of rot against your tongue, the anger and hurt in your palms. You see the nice, beautiful lines of her teeth and become a creature of grief unfolding unto yourself. Debase yourself with the fervent want of her. Bend at your waist and beg for forgiveness.
You hate her. You want to watch her bleed. She feels the exact same about you, but what she doesn't know is that every waking moment of your life is dedicated to her.
The Princess/Prince - The forgotten child of the throne. The 405th child of His glorious reign. Divinity runs through their veins, the heir to so much power, but they will never see themselves rule the unforgiving landscape of the Labyrinth. Their fate is to die and be buried amongst the endless graves of their dead brothers and sisters. They must do this so the King may live forever.
A fully customizable MC including gender, appearance, and sexuality
A landscape of horror. A landscape that hates you and everyone who might try to understand it. Go beyond the walls and be witness to a reality worse than death
Key choices that will influence your game and experience. Will you succeed or fail?
Learn what it means to be forgiven. Learn what it means to suffer. Become devotion. Become loyalty. Make your body anew before the King of the High Hills
DEMO : TBA (coming soon)
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Poem a Day
The corridor
The corridor
Warped and raveled
Like a cosmic thread
A yo-yo
It was dark, dank
Filled with auburn fire skies
Lost amongst the void
The hedges enveloped him
Running his hands through the green
A prick, a pinch, an offering
The rain cried
And the labyrinth
which was once was emerald
Turned red, crying rubies
It seemed to go on forever
Disappearing behind him.
The only way was forward.
The man with no names
The man with them all
Made it through the twists and turns
For forever and a half.
Only to find himself
At a door,an entrance
Dark in demeanor
Haunted by souls
"Enter the labyrinth," they said.
In, behind nothing
Ahead, every direction, pointing out.
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i am by nature a very paranoid person. howver, i have been watching a lot of cave diving tragedy youtube videos and i have noticed its the only kind of horrible way to die that i cannot ever feel paranoid about happening to me. the deepest depths of my brain know i will never in a million years go in an underwater cave 👍 no need to worry about it
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In the Labyrinth, they talk of gods.
They whisper between their fingers and sweeten their breath with the tales of titans of old who once stood so tall that a single gesture would cause earth-tremors, their steps reshaping the ground trod beneath them. Their fingers were the tools that smoothed the mountains into points, shaped and carved the ridges and valleys in between. If you hike far enough, the woman who sits on the corner claims, if you travel to a point where the oxygen is thin and your vision blacks, you can make out a partial print against the mountainside. You can run your own fingers along its length and still feel the titan’s warmth as if his palm were pressed right against yours.
The woman says, It is a thing of worship. It is a thing of devotion.
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One thing which genuinely bothers me is Annabeth's perception in the fandom. How she's seen as this cold, stoic, emotionless, reserved and intimidating girl. When in reality, she's a character full of love.
Annabeth, who immediately cried and felt attached to Cerberus after playing with him for a few minutes because she wouldn't get to play with him again.
Annabeth, whose deepest desire, which the Sirens lured her with, is saving Luke and having a good relationship with both her parents.
Annabeth, who believed in Luke's goodness, even after all the countless terrible things he did simply because she had faith in his humanity.
Annabeth, who cried in Percy's arms before entering the labyrinth and refused to reveal the last line of the prophecy because it said to lose a love worse than death and the idea of losing any of her friends is too painful, heartbreaking and worse than dying.
Annabeth, who kissed Percy before parting with him in St. Helens because if he's going to die, she at least wants him to die knowing she loved him.
Annabeth, who took a poisoned knife for Percy during the war because she'd rather die herself than let him die.
Annabeth, who convinced Luke to switch sides by reminding him of the promise of family he gave her. Which in turn, influenced Luke's decision to end himself to destroy Kronos. Hello, she saved the world with the power of love.
Annabeth, who spent months after months losing sleep and searching desperately for Percy when he went missing.
Annabeth, who kissed Percy to eternity in public at their reunion, not caring what anyone is going to say or think. An asteroid could've hit the earth, and she wouldn't have cared.
Annabeth, who told Percy “I love you” when falling in Tartarus because if she was going to die, she wanted them to be her last words.
Annabeth Chase is a sweetheart, who has always felt things deeply and she's so full of love. And I think it's time we let go of the “cold-hearted annabeth” headcanon because it's not true, that's not her.
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