#erika henningsen my beloved

[radvelvetcakez]

chaggie as stupid with love thanks for listening everyone

[feydfuckernation]

LION I LOVW THAT YOU LISTENED TO MEAN GIRLS ITS SO FUN

when the obc first came out my sister and i listened to it so much in the car that our dad started knowing the songs 😂😂

i'm gonna be real i'd risk it all for her

[otakusheep15]

Ranking Hazbin Hotel Songs (S1)

I’m seeing people do this on TT, but I don’t like posting on there, so I’m posting my list here instead. Obvious warning, but these are my own personal opinions. I think all of the songs are absolute bangers, but there are some that are better than others, so keep that in mind.

16. Welcome to Heaven

Pretty much the general fandom consensus. It’s not a bad song, and I like Darren Criss as a singer, but it’s too short and doesn’t do a whole lot for the plot.

15. Finale

This might be a pretty hot take, but I’m not that big of a fan of the finale. There are some parts that I like individually, but as a whole song, it doesn’t do it for me. It’s still good though.

14. Hell’s Greatest Dad

I think this one is the one that’s gonna upset a lot of people, but I really don’t vibe with this one. No, it has nothing to do with Mimzy. In fact, I actually like her a lot, but that’s besides the point. I’m not a huge fan of talk singing, and that’s what both of Alestor’s songs are, so they aren’t going to be very high. Not even Jeremy Jordan can save this song.

13. Stayed Gone

Again, I’m just not big on talk singing. I like this one just a bit more because I like Christian Borle’s voice as a talk-singer just a bit more than Jeremy Jordan.

12. More Than Anything (Reprise)

This is a really cute song! I wish we had more Chaggie moments in the show, but I’m glad we got this. It would be much higher, but I don’t like how short it is.

11. It Starts With Sorry

Idk why so many people hate this song. It’s so cute! Charlie’s voice is so good, and I like the lesson Sir Pentious learns. It gives off children’s show song, but in a very good way.

10. Out for Love

Carmilla my beloved! I am obsessed with her. I like how she taught Vaggie in this song. Again, my only real problem with it is how short it is. Idk why they made some of their best songs so short, but I need a longer version.

9. Happy Day in Hell

I am a big fan of introduction songs in musicals, and this is a perfect example of why. It’s a nice way to see Hell, especially through the optimism of someone like Charlie. It’s silly and upbeat, and I like that a lot.

8. Poison

I love this song so much! Blake Roman did such a fantastic job with his performance as Angel. I’m not usually a big fan of this particular type of pop, which is why I have it a bit lower, but I think it fits well with what they were going for in writing this song. It’s absolutely perfect.

7. Whatever it Takes

I need these two to have another duet at some point. Their voices fit so well together. Both of their individual parts are also very solid. All around just a good song.

6. You Didn’t Know

I blast this song at least once a day. My fave part is Lute, and I wish we got more of her singing voice this season. Jessica Vosk is so talented, so I hope we get more in season two. Obviously, Charlie and Emily’s part is also amazing, and I like Sera’s parts as well.

5. Hell is Forever

Ah yes, my favorite Christian rock song. Seriously though, this song is so good. It’s most similar to the actual kind of music I listen to, so of course it’d be pretty high on this list. It’s a good intro to Adam and the angels in general, and it slaps.

4. Respectless

Velvette might actually be one of my favorite characters. She, for sure, has my favorite design of any character, and she might have my favorite female voice as well (tied with Lute). Also, she was so real for what she said to Carmilla. Her voice is just very fun to listen to.

3. More than Anything

Jeremy Jordan is the reason I live and breathe. His voice is literal honey. He and Erika Henningsen harmonizing has brought new meaning into my life. I may not have daddy issues, but I think this song healed them anyway. It’s so cute.

2. Ready for This

I’m a sucker for a good rally song, and this is exactly that. Cannibal Town is also my favorite location of any place we’ve seen, both in Hazbin and Hellava Boss, and I adore Rosie. The cannibals were very funny in this number, and I like that Charlie was able to gain some confidence.

1. Loser, Baby

I’m officially changing my brand to the #1 Huskerdust shipper ever. I’m so obsessed with them. This episode is tied for my favorite with Hello, Rosie! Keith David needs another song immediately, and so does Blake Roman. They sound so good together, and I can’t wait to hear more of them!

[erikahenningsen]

we’d bed behead janis & cady actors i’m too lazy to type them all out

Janis:

Wed: Auli'i Cravalho

Bed: Lizzy Caplan

Behead: Barrett Wilbert Weed (her letting the door close in my face was the last straw /j)

Cady:

Wed: Erika Henningsen my beloved

Bed: Angourie Rice

Behead: Lindsay Lohan (very sorry :( )

Sleepover Saturday

[deeply-unserious-fellow]

OMG WE'RE RANKING HAZBIN SONGS!?!?!?!? MY TURN MY TURN MY TURN!!!

Respectless: Carmilla and Velvette both have such satisfying voices omfg. Also the beat goes sO HARD- it catches your attention and DOESN'T LET IT GO! Also it moves the plot forward very effectively which is actually really important for songs in musicals to do so. That's nice. Tbh it's only flaw is being too short-

Stayed Gone: VOX MY BELOVED- this song is so fucking catchy. It also kinda gives me Will Wood vibes, and I love Will Wood so ofc I'm gonna love the Will Wood ass song. Love how petty Al and Vox are, like it's so fucking funny. The lore drops are also really interesting. Aaaaaaaand Alastor's bit at the end reminded me of the Nowhere King and I love Centaurworld so :)

Loser, Baby: Pretty obvious why this one's so high up; Huskerdust, Keith David, cute bonding, has a message I needed to hear tbh, and its catchy as FUCK

Hell Is Forever: God I love all the different genres they play around with in this show- like I was NOT expecting a straight up ROCK BALLAD in the FIRST FUCKIN EPISODE but god Im so happy we got it. This song goes so fucking hard. Alex Brightman should be allowed to sing more Rock n' Roll.

Poison: Once again, this song is catchy as hell! Blake Roman's vocal preformance is also phenomenal, like that man can fuckin SING!!! Of course he can he's been on broadway and releases his own music bUt you get it. Also that final verse... man. In the context of the episode this song is emotionally devastating, out of context it's uh. Still really sad tbh but it's easier to bop along to it cause you don't have the visuals- Idk it's just a fuckin banger man. Though speaking of the visuals VOX WHAT WAS THAT FUCKING LOOK WHAT ARE YOU TRYING TO CONVEY HOW DO YOU FEEL ABOUT ANGE- *gets shot dead*

Happy Day In Hell: Honestly? Pretty neutral on this song. Love Erika Henningsen's voice, I think it's catchy(no duh), and the Disney Princess vibes are IMMACULATE. Not a huge fan of the random shift in the music I wanna say half way through? But otherwise it's a good song I think, conveys Charlie's motives really well.

Whatever It Takes: Okay okay look. It's a good song. Does it's job in the episode. It's just not for me. I think it goes on a little too long, and I think that, while Daphne Ruben-Vega's voice fits the song PERFECTLY, Stephanie Beatriz was singing too high in her range to a distracting degree. Like I think there was something wonky going on because that shit gave me the same whiplash I got when Marinette started singing in the Miraculous movie, and it just. Doesn't fit the style of the song. Like Vaggie's part should've been more belty or something. Idk man I might be too out of my lane w/ this for my critique to be valid, because I have literally never written a song before, and music is VERY subjective so I don't think I can even be objectively right here, but still. Oppinions.

It Starts With Sorry: Look, I know this song is supposed to be a joke, but the first time I saw the episode that did n o t click with me, and without the understanding that it isn't entirely serious this song just feels so fucking out of place and really falls flat. Like it feels like somebody took a song from My Little Pony: FiM, made an AMV with Hazbin characters, and then threw it in the episode, y'know? And like don't get me wrong MLP has some FUCKIN bangers(Say Goodbye to the Holiday, This Day Aria, etc), but a lot of the musical numbers are still really bland and samey, y'know? So uh yeah it's a decent song and a funny joke but def my least favorite so far.

[meanbihexual]

Song Challenge!

-tagged by @greencrusader13; thank you!

RULES: Make a new post and spell out your URL with song titles then tag as many people as there are letters in your URL.

I decided to do hardmode and didn't repeat artists. I've never been so glad for my completely bonkers music collection, so enjoy this random assortment of Things on my Massive Playlist

S - Shine (Anna Nalick)

H - Heroes and Thieves (Vanessa Carlton)

O - Overjoyed (Matchbox 20)

U - Unchained Melody (Heart)

L - Little Voice (Sara Bareilles)

D - Dust to Dust (The Civil Wars)

I - Iris (The Goo Goo Dolls)

S - Seven Devils (Florence + the Machine)

A - Android Ashley (Erika Henningsen)

Y - Your Song (Ewan McGregor)

I - Icarus (The Crane Wives)

T - Tremble for my Beloved (Collective Soul)

L - Little Miss Perfect (Joriah Kwame)

I - I Know I Know I Know (Tegan and Sara)

K - Kiss Me (Sixpence None the Richer)

E - Empty Space (Reinaeiry & Annapantsu)

A - Any Way the Wind Blows (Hadestown)

S - Shalott (Emilie Autumn)

P - Promises (Nero)

Y - You and Me (Sara Watkins)

I am not gonna tag 20 people lol, but I will tag a few at least! (If you wanna do it and I didn't tag you, consider yourself one of the rest needed to get to 20)

@sithwarblade @storyknitter @lovelyladyl @starknstarwars @walk-ng-d-saster @davidoodles @theacedumbass @greyias @halibellecter @zabrakghoul @queen-scribbles

That's more than half, I think I've done my duty.

[newyorktheater]

  Check out:

Favorite stage performances in 2019.

Top 10 Lists of Top 10 Theater in 2019.

Best Broadway Cast Recording of 2019.

Top 10 Theater of the Decade.

Worst Theater of the Decade.

  People who engaged with the arts frequently had a 31 percent lower risk of dying, according to a new study from the British Medical Journal. This was independent of demographic, socioeconomic, health related, behavioral, and social factors. Even those who were infrequent consumers of culture had 14 percent lower risk of dying than shoe who never engaged.

The Journal’s editors observe:”The data show that the very people who have the most to gain from participating in cultural activities are least likely to do so. More than 40% of patients with lung disease, depression, or loneliness reported never engaging with the arts despite robust evidence of the potential benefits. Over 40% of participants in the least wealthy group also reported that they never accessed cultural activities. Work must now be done to ensure that the health benefits of these activities are accessible to those who would benefit most.”

The Week in NY Theater Previews and Reviews

The Sorceress The Sorceress (Di Kishefmakherin), the first work of Yiddish theatre ever presented in America, is back on stage in New York 136 years after its U.S. premiere. In my article for TDF Stages, Yiddish Culture Is Alive and Well and Playing in New York, I talk to Motl and Mikhl, the director of the play and the star, who portrays the wicked witch, Bobe Yakhne, in drag. Though Babe is the villain, she is the title character.

The Sorceress, by the same company that put together the acclaimed “Fiddler on the Roof” in Yiddish, is just one of three events this month that demonstrate a resurgence in interest in Yiddish language and culture.

Luke Kirby as stationmaster Thomas Hudetz in “Judgment Day” at the Park Avenue Armory

Judgment Day with Luke Kirby Luke Kirby, who portrayed a movie star hired to play “Hamlet” in the cult TV comedy “Slings & Arrows” 16 years ago, is now on stage for real, as Thomas Hudetz, a murderer in Ödön von Horváth’s 1937 drama “Judgement Day” at the Park Avenue Armory.

Kirby has lived in New York for some two decades now, but has only appeared in a handful of plays, spending most of his time in television — currently as the real-life comic Lenny Bruce in Amazon’s “The Marvelous Mrs. Maisel,” for which he won an Emmy earlier this year, and as closeted civil servant Gene Goldman on HBO’s “The Deuce.” Why so few stage roles…and why this one now?

Those are the questions I put to him in an interview for TDF Stages.

Ian McKellen as Gus the Theatre Cat in “Cats,” co-written and directed by Tom Hooper.

Cats the movie – pics and reviews Cats” isn’t for everyone – much of it is a cheesy, B-grade affair seemingly crafted solely to take over midnight-movie slots from “The Rocky Horror Picture Show,’ Those with an open mind, though, as well as little kids and the T-Swift posse, might find it somewhat pawesome.” Brian Truitt writes in USA Today, in the most positive review I could find. He’s enchanted by Taylor Swift, but turned off by the “nightmare fuel…when human faces are put on tiny mice and Rockette-esque cockroaches.”

More typical is Manohla Dargis in the New York Times: “It is tough to pinpoint when the kitschapalooza called “Cats” reaches its zenith or its nadir, which are one and the same. The choices are legion…

Sing Street

“Sing Street” is a stage musical based on the sweet, funny “happy-sad” 2016 Irish movie by writer/director John Carney about a teenager named Conor growing up in Dublin during the economically depressed but musically vibrant 1980s, who forms a band to impress a girl name Raphina. The musical has its pleasures, especially for those nostalgic for the era of made-for-MTV, New Wave synthesized tunes. A talented group of young adult actor-musicians, ages 16 to 25, perform mostly original pastiche songs by Carney and Scottish singer-songwriter Gary Clark, who was part of the 80s scene and continues his hit-making now. But “Sing Street” the stage musical is likely to disappoint anybody who has seen “Sing Street” the movie (which is currently available for viewing online, through IMDB TV, for free.)

  The Week in New York Theater News

The opening of West Side Story has been pushed from from February 6 to February 20 due to a knee injury that left the show’s star Isaac Powell unable to perform. The show began preview peformancs on December 10

.@mockingbirdbway will be the first-ever Broadway show to perform at @TheGarden on February 26, 2020, in front of some 18,000 New York City public school students. Here’s playwright Aaron Sorkin and the new cast posing at the arena. pic.twitter.com/txrecILSJm

— New York Theater (@NewYorkTheater) December 18, 2019

..@TheCrownNetflix stars Claire Foy and Matt Smith will perform in @SleeveNotes‘ “Lungs” at @BAM_Brooklyn March 25-April 19 2020. The play is about a couple wrestling with the morality of having kids in an overpopulated planet. pic.twitter.com/96r9elP5hB

— New York Theater (@NewYorkTheater) December 18, 2019

View of the Shed from The Highline

The Shed’s Second Season

Claudia Rankine, “Help”

Arinzé Kene, “Misty”

Tomas Saraceno, “Particular Matter (s)”

Meet at the Shed, January 11,2020

A free, daylong, building-wide takeover with exhibitions, performances, food

  Help March 10 – April 5,2020

An inquiry into white male privilege by Claudia Rankine

Tomás Saraceno: Particular Matter(s) May 6 – August 9, 2020;

A visual art installation that is intended to be neither seen nor heard, but felt.

Misty September 24 – October 24

Fusing live music, spoken word, and absurdist comedy, Misty is a journey through the dark alleyways of a city in flux and a genre-defying excavation of the pressures and expectations that come with being an artist in our time

Live Nation CEO Michael Rapino

Live Nation Entertainment Inc.reached an agreement with the Justice Department to resolve government concerns that the company violated a 2010 antitrust settlement that allowed it to merge with Ticketmaster, according to the Wall Street Journal. Under the original agreement, known as a consent decree, the companies were allowed to combine but had to agree to conditions designed to help preserve competition in the live-events industry.

Dear Evan Hansen

Kerry Butler (Mrs. George), Erika Henningsen (Cady Heron)

Scene from Harry Potter and the Cursed Child at the Palace Theater in London.

Isabelle McCalla and Caitlin Kinnunen as high school girlfriends in The Prom

(l-r) Nicholas L. Ashe, Jonathan Burke, J. Quinton Johnson, Jeremy Pope, Caleb Eberhardt, John Clay III, Gerald Caesar

The problem with teen musicals on Broadway by critic Christian Lewis in American Theatre Magazine.

When it comes to teenagers and Broadway, 2016’s Dear Evan Hansen changed the game. The Tony-winning Pasek and Paul musical was certainly not the first Broadway show about—or beloved by—teens. That credit might go to Spring Awakening (2006) or 13 (2008) or Runaways (1978), or much further back to Babes in Arms (1937), considered the first musical with an entire cast of teenage characters. In the wake of Dear Evan Hansen’s success, Broadway quickly saw a sweep of major productions with teenage protagonists: Mean Girls (2018), Harry Potter and the Cursed Child (2018), The Prom (2018), Choir Boy (2019), Be More Chill (2019), and the latest installation, The Lightning Thief: The Percy Jackson Musical (2019).

….The genre deserves a larger critique, but not the one critics are making. Yes, Young Adult Theatre can seem angsty, the pop score/lyrics can feel basic and the plots contrived. But the central problem with Dear Evan Hansen, Harry Potter and the Cursed Child, Be More Chill, and The Lightning Thief is that they’re all about straight, white, cisgender teenage boys. The supporting casts are often diverse, but the main characters don’t deviate from this norm. Not only are these protagonists about as privileged as they come; worse, each of these pieces is about its hero’s search for his identity. Compared to a person of color, a queer person, a transgender person (let alone any intersection of these), how much do Evan, Harry, Jeremy, or Percy have to figure out about themselves?….We need more shows like The Prom or Choir Boy:

The movie is a wreck, the musical is a joke. Why, then, will we always have ‘Cats’?

By Charles McNulty (who doesn’t really answer the question posed in the headline)

“Cats,” Andrew Lloyd Webber’s blockbuster spun from the light verse of T.S. Eliot’s “Old Possum’s Book of Practical Cats,” is a paradox and a puzzle illustrating the disconnect between theatrical success and respect. The fourth-longest-running show in Broadway history, it is the consummate tourist musical. (“Broadway’s first show for the tired Japanese businessman,” according to Ken Bloom and Frank Vlastnik’s indispensable “Broadway Musicals: The 101 Greatest Shows of All Time.”)

Theater people resent “Cats” not just because it made Broadway uncool until “Hamilton” finally rescued it from the pop cultural stocks. What really infuriates buffs is that “Cats” ushered in an era of grandiose spectacle, the vacuous parade of shows from the 1980s and early ’90s that made it seem as if a musical had to have a helicopter or a crashing chandelier to be worth the rapidly rising ticket price.

Ed Harris and Kyle Scatliffe, center, in “To Kill A Mockingbird”

Q and A about To Kill A Mockingbird with Aaron Sorkin and Ed Harris, its new Atticus

Aaron Sorkin: How did Harper Lee get away with having a protagonist who doesn’t change? Because Atticus isn’t the protagonist in the book or the movie; Scout is—her flaw is that she’s young, and the change is that she loses some of her innocence. While I wanted to explore Scout, I absolutely wanted Atticus to be a traditional protagonist, so he needed to change and have a flaw … It turned out that Harper Lee had [already] given him one; it’s just that when we all learned the book, it was taught as a virtue. It’s that Atticus believes that goodness can be found in everyone….

Ed Harris: I love the film. I think Peck’s portrayal in terms of that story and that script is just indelible. There are little things that happen on the stage even now, just a head move or something, that feels like Gregory Peck! But the inner life of this man I’m playing is so different [from Peck’s character]. He’s trying to hold on to a belief that’s being eroded slowly but surely. It’s really interesting to play.

The Trojan Women’s Project at La MaMa: The artists discuss

I got asked for an end-of-the-decade quote on “emerging trends” and the editors rejected it, so here it is so that it doesn’t go to waste. Happy holidays! pic.twitter.com/b5YBglbJBL

— Young Jean Lee (@YoungJean_Lee) December 24, 2019

Best and Worst Theater of The Decade, and of 2019. See a show, live longer. #Stageworthy News of the Week Check out: Favorite stage performances in 2019. Top 10 Lists of Top 10 Theater in 2019.

[nerdandlace]

Today is October 3rd & a Wednesday!

If you’ve been living under a rock, and don’t know what I am talking about, today is double amazing to anyone that is a fan of the movie, and now Musical, Mean Girls.

To celebrate, I am sharing with you a super easy pink makeup AND a review of the Mean Girls on Broadway.

Let’s start with the makeup. Here’s what I used:

PRIMER: Dr. Brandt Pores No More Luminizer Primer

FOUNDATION: Covergirl TruBlend Matte Made

BROWS: Benefit Precisely, My Brow Pencil

EYES: ColourPop Give It To Me Straight Palette

ALL OVER EYE: Matter of Facet

TRANSITION: Downright

CREASE: Frank & TMI

INNER CORNER: Straight Up

UNDER LASH: Downright & TMI

MASCARA: Tarte Lights, Camera, Splashes

CONCEALER & EYE PRIMER: ELF HD Lifting Concealer

BRONZER: TheBalm Bahama Mama

HIGHLIGHTER: Temptu x Boxy Charm Liquid Glow

BLUSH: Pretty Vulgar Make Them Blush – Hush Blush

LIPS: Makeup Geek Plush Matte – Goodie Two-Shoes

A pink look to go with my all pink outfit when I went to watch Mean Girls on Broadway.

Speaking of the musical, let’s talk about it a bit. Usually, when they turn a movie into a stage show, it scares me a little. Specially a beloved movie like Mean Girls. It’s cult following it’s unreal. I horribly LOVE this movie and seriously quote it at least once a day (not kidding). So going into the theater, I wasn’t sure what to expect. I half expected it to be horrible.

BUT I was highly surprised. The cast was filled with insanely powerful singing voices. The score was entertaining and filled with super catchy tunes I’ve been listening to on repeat.

Although they did change the story a bit (kind of expected it to adapt it to the stage), the cast was pretty true to the movie and was a little bit in love with each of them. Top of the list for me were Janis (Barrett Wilbert Weed), Damian (Grey Henson), Karen (Kate Rockwell – she’s perfection), and Kevin G (Cheech Manohar).

The stage set up was pretty simple, there weren’t really any props. Everything were displayed on the large screens that covered the entire stage. Any props were usually rolled it in and out by the cast.

Going back to the cast, Taylor Lauderman who plays Regina, looks just like another pretty blonde. BUT her voice blew me away! Really when she belts out “Someone Gets Hurt”, I had to pick my jaw off my pink skirt. Even the guy behind me was heard saying, “Damn!” Damn was right!

Also Erika Henningsen (Cady) has a voice that makes me so damn happy. It’s a mix between Ariel (Little Mermaid) and Anna (Frozen). The tween living within me was chair dancing with my mouse ears.

The song that will have you screaming girl power, and throwing your pink feminist fist in the air is Janis’ solo, “I’d Rather Be Me”. Barrett Wilbert Weed was born for this role. She’s incredible!

I’ve also been listening to the tracks “Stupid with Love”, “Revenge Party”, and “I See Stars” on repeat. They are damn catchy? Have you heard the soundtrack? You should!

Better yet, run and watch Mean Girls on Broadway. It’s funny, entertaining, with great music. You’ll thank me later. HAPPY MEAN GIRLS DAY! And remember…

AND

On Wednesday We Wear Pink! Today is October 3rd & a Wednesday! If you've been living under a rock, and don't know what I am talking about, today is double amazing to anyone that is a fan of the movie, and now Musical, …