#exactly who i present myself as

[themthistles]

i think that while micro labels can seem useful and affirming ultimately they're isolating and kind of an obstacle to your understanding of self. that's because you can never find a word specific enough. there will never be a label or two labels or even ten, twenty of them to perfectly capture and describe all of your thoughts, feelings, experiences, preferences, needs, interests, identities, etc. because you learn more and more about yourself every day and then you change and your wants and needs change with you. having to hop between labels, fearing that you don't 'fit' into a label anymore (both in your own and others eyes), worrying how soon your current label will wear out, questioning if you'll ever fully fit a single one. all that causes a lot of uncertainty and anxiety which could be avoided by just picking a more general thing and molding it according to what it means to YOU. because words will always mean different things to different people, you will never be understood immediately and maybe never completely by anyone but yourself and that's fine

[sealovinq]

i need friends /gen (slight rant in tags)

[biblically-accurate-soup]

being trans is just. waiting. and waiting some more

[crusheswhimsandfancies]

Interview With Reece Shearsmith

23 March 2021

Can you bake?

A little bit. I would never say I was expert, and I do it all the time, or that it’s a hobby. When I turn my hand to it, I’m quite exacting, so I get the recipe and I just follow it to the letter, I don’t deviate, and I do exactly what I’m instructed to do. It normally turns out alright, it’s not like it always goes wrong.

What are your strengths and weaknesses?

My strength would be the ability to not deviate from the recipe! I know some people think “Oh, it says that, but I’ll just put another blob in.” I’m big on not doing that. I think the recipes and amounts are there for a reason, so I stick to it. But I think maybe my downfall is that I’m too exacting, and I will get too hung up on trying to make it all perfect, and therefore time will run away from me. That’s the danger for me, I think I could end up getting completely swamped in the minutiae and not see the bigger picture.

Have you ever had any culinary disasters?

Oh yes. I remember when I was at school – this didn’t happen to me, but I got blamed for it. We had to make apple crumble, and the crumble part was fine, but the apples got forgotten. So, it was crumble crumble. And the teacher was like “This is great, this is very nice,” and he was digging down for the next part, and it was just all crumble. So that was an early home economics disaster that I hope not to repeat, where you actually miss an entire main ingredient.

What’s the worst thing you could be asked to make in the competition?

Oh, I think something quite delicate, like eclairs, or some very fine pastry that requires a lot of specificity to it. I think I can do something like a Victoria Sponge, probably, but something that is either right or wrong, and there’s no leeway, I think that would be hard. It’s like meringue, you can either do it or you can’t. And no amount of working on it could get it right in the time we’ve got. The whole experience is very stressful. The clock ticking is quite a scary thing.

Have you done anything in the way of practise or preparation for the competition?

Yeah, I did a bit more baking over the last week. I thought, generally, I should just try and be in the world of mixing and adding butter. I made a few sponge cakes, and I did some icing, because I thought that might come up. They get very particular about what it is that you’re doing. So, I thought a general practice would be good. I haven’t gone to town anywhere else. I didn’t make pastry, I didn’t make bread, so if I wander off the sponge road, I’m in uncharted territory.

Did you do any baking during lockdown?

Yes, I did. We did a lot of cooking, that was something that kept us going really, so it was nice to do stuff that you wouldn’t normally do and be a bit more adventurous with the cakes and the biscuits. I did try making a couple of batches of scones, so that was nice to do. We often go to Cornwall, so we like a cream tea.

Cream or jam first?

Ooh, that’s a good question. Is there a right answer? I think I’m cream first; I don’t know if that’s wrong.

My mother is jam first, so you must be wrong!

Jam first, and then the cream on top? Yeah, I can see that, but I always think the jam sits better on the cream than the other way around.

And the cream is more like butter, and you’d never put butter on top of jam.

No, that’s my train of thought, that’s why I’ve arrived at that. But I appreciate that there are two very different camps.

Are you competitive? How badly do you want to win?

I didn’t think I was competitive. But now I’m not so sure. I think rather than winning, it’s not looking foolish. This is very exposing, isn’t it, as a thing to do, because you can just see if someone is inept or not. So, I just want to be able to do it the best that I can. But now I’m into it, I think I would quite like to win. So that tells you something about me. I don’t want to fail!

Why is Stand Up To Cancer important to you?

You can’t get around the fact that cancer, at some point, will and has probably affected the lives of everybody that we know. It’s the dreads that hangs over humankind, I think. It’s great to bring awareness to it, with a lovely show like this, that’s fun while you’re doing it, but carries with it a message about awareness, it’s there for a reason. Hopefully it will encourage people to put some money towards beating it. How could you not do it? It’s a lovely thing to be part of. And very important – probably the most important thing you’ll ever do, because you’d be very lucky to get through life without knowing someone on the receiving end of a diagnosis. It’s such a devastating illness, it touches so many people, how could you not want to be a part of trying to raise awareness and keep the drive going towards stopping it.

We’ve spent so long watching you in rather dark shows, the Bake Off tent doesn’t seem your natural habitat, does it?

No! I think that’s right. And I don’t really do many things where I’m just me. I think I’m quite a private, quite boring person, really. I try to only let the work speak for itself. But yeah, it is mostly quite a dark furrow that I’ve mined over the years. And I’m still, amazingly, being allowed to do so. But there is comedy in the stuff that I do as well and doing Bake Off is also a very funny thing to do. And I know Matt [Lucas] quite well, and I knew he’d be fun to be in the tent with. So, there were a lot of plus points going for it, and I just had to get over myself as far as presenting a version of me to camera.

Do you think people will expect you to come up with rather macabre or twisted ideas for your bakes?

Maybe. I’ve sort of veered, quite accidentally, into a bit of a Halloween theme for one of my bakes, so I’ve already done that accidentally. But I’ve not done anything too macabre. I was thinking about having some icing sugar shards of glass, with red fondant blood, but I thought it was a bit too grisly for Bake Off, so I didn’t do that.

Do you think you might be able to use your experience on the show to create an Inside Number Nine based in the Bake Off tent?

Oh yes, I think there could definitely be room for something. A Number Nine could be anything, really, because you can stick a nine on anything. If we happen to see a number nine on that tent flap as we go in, who knows what could happen once you’re inside.

[actualtoad]

little mars art that im happy about

[shay-puppitty]

The 180 my personality has been doing since realizing I’m a trans guy is baffling. Before you couldn’t pay me to wear something even remotely feminine or care about my appearance without feeling uncomfortable. Now I’m out here thinking about wearing skirts and crop tops and (quite short) shorts and already spending the time to have a bit of fun with my appearance.

[shoveitevil]

[featherymainffins]

Binge-reading Dungeon Meshi because it's the only thing standing between me and suicide ngl.

[be-good-to-bugs]

yeah ok having my pronouns respectfully feels pretty fuckin good

[neverendingford]

.

[adore-gregor]

My rants

[vers-1]

Wow I seriously need to stop selling myself short. It sounds soo bad out loud and I tried telling my friend about how much I hate myself and she was like “wow u ok?” And she was like yea but no ur not a terrible person and that didn’t change my mind but she had a good point. I gotta stop getting stuck like that

Hype myself up

[understandableparadox]

a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.

[impishjesters]

Pomni, Kinger, Caine & Jax's reaction to their s/o abstracting

warning(s): angst, hurt no comfort, self-blame, "death" of the reader, implied "death"/abstraction of another character (spoiler: Kinger), hopeful outcome note(s): There's nothing incredibly heavy or detailed, just tread carefully if "death" is something you are sensitive to, please. The "hopeful outcome" implies that Caine will at some point in time be able to fix those who've abstracted. A/N: I was feeling particularly cruel and wanted to write some angst, this came to mind and I'll be honest. I made myself a little sad.

Pomni

She never saw it coming, of course, you were acting different lately but she didn’t think it would… lead to you abstracting…

It took forever for things to get some semblance of normalcy, and you being with her was a major part of it.

Sure the relationship in a place like this was a bit, weird, but you cared about her, and she cared about you.

You kept her sane and grounded, so when you were found abstracted? It felt like she failed you.

Ragatha tries to assure her that you aren’t completely gone. Like Kaufmo you’re being kept in the cellar. Caine claims the abstracted are being kept there until he can find a way to “fix” them. (Whether he’s genuine or not though, none of them know.)

It’s all empty promises though, she still feels like she failed you.

Kinger

Not again…

Kinger silently promised himself not again, he was fine being friendly with everyone else that fell into the circus, but he had no intentions of being more than that.

But then you happened, and while he was still in shambles from the time and the insanity spent here, you were there beside him. Like a knight in shining armor.

He hadn’t been around when you abstracted, in fact, he didn’t know you abstracted until there was yelling, and boom an abstraction was causing chaos.

Kinger didn’t know who it was until it was sent off to the cellar, actually, he didn’t know who it was until he realized everyone was present except you.

There’s a high probability that losing someone again, losing you, is what ends up being his own downfall. The other’s (not including Jax) try their all to get him to calm down but it’s not enough, it’s too late…

Caine

Of all the humans to be pulled in he never once got attached.

This was never supposed to happen, he’s incapable of love.

Caine does his best to keep the humans from abstracting, and as many eyes as he has over the place, there are always ones that slip through his grasp.

Of course, he’s not around when you abstract, it takes a bunch of hooting and hollering from everyone before he shows up and oh hey an abstraction.

At an immediate glance, he knows it’s you, abstractions never remotely look like the person they were before but he knows it’s you. You don’t recognize him as you lash out, of course you don’t, you can’t.

He’s unsure about tossing you with the others in the cellar, there’s nowhere else he can truthfully keep you without causing problems. So into the cellar, you go.

Caine visits you though, not for long but he does check in on you. Not that anything changes, but out of all the abstractions down there, he knows exactly which one is you.

You’ll be the first human he fixes as soon as he’s able to.

Jax

His s/o abstracted? Nice joke, though it’s in poor taste. You’re completely fine, he just saw you earlier.

Jax doesn’t believe it until he sees it, and seeing it absolutely ruins him. He’s seen countless others get abstracted and thrown into the cellar, but why, why does it have to be you?

Why couldn’t it have been literally anyone else? He didn’t give a shit about anyone else, the one person he cared for, and you…

Similarly to Pomni, he feels it’s his fault like he could’ve, no should’ve done more. Was he so wrapped up in everything else that he didn’t notice the signs? Why didn’t you talk to him? You didn’t, didn’t do that on purpose, did you?

For the first time ever, the others are genuinely worried about Jax, they all saw/know how much you meant to him. The two of you even spoke fondly about what the two of you would do if you got out of the circus.

For a while Jax becomes even more irrational and unhinged, they try not to hold it against him too badly, even when he oversteps. He’s grieving and none of them know just how long that’ll go on.

Jax isn’t quite the same afterward, but he makes sure that nobody else tries to worm their way into his heart.

If it’s possible, he’ll make sure Caine fixes you the second he’s able to. Even if Caine can fix only one person, it’s going to be you.