#fall winter 2011

[newestcool]

Lanvin f/w 2011 rtw Creative Director Alber Elbaz Model Ming Xi Newest Cool

[vampiregirlposting]

Dior 2011 Couture F/W

[sofysticated]

Jacquelyn Jablonski at Isaac Mizrahi F/W 2011

[nhlovesadri3]

Adriana Lima attending the Givenchy Ready to Wear fall winter 2011 fashion show, PFW, Lycee Carnot, Paris, France, 7/03/10.

[digitalfountains]

Kiko Mizuhara by Kazumi Asamura Hayashi

- Purple Magazine, Fall/Winter 2011

[dailygillianjacobs]

▸ DDD Magazine - Sept 2011.

The funny issue: fashion

[mrscamillerowe]

Abercrombie & Fitch Fall/Winter Collection

Camille Rowe for the Fall/Winter 2011 Collection for Abercrombie & Fitch (46 looks)

[arianakozlova]

Louis Vuitton fw11

[kamotecue]

the one that got away ❆ l. williamson

pairing: leah williamson x fem!reader

summary: after you had torn your acl, it was deemed that you weren't able to return to your football career. so, what happens when you pursued something different, that the one you love, ended up being the one who got away? singer!reader

agony was what the blonde defender felt, it was the agony of losing you - the one that got away, for the english captain it was a relentless ache, the haunting melody of memories that lingers long after the music has stopped. her silent screams, the tumultuois storm of her emotions that threatens to consume every one of her thoughts and feelings. it was definitely a rollercoaster ride of emotions, the experience you both had together as a couple - the deep sense of grief and loss, the emptiness feeling that was impossible to feel, how every thought is consumed by the memories of you - how you'd both dance in the rain, her watching in amusement as you would always make blanket forts during movie nights, how she held onto you close as if you were going to disappear, and lastly, her favorite - the way she'd kiss you in private, how she showed you what it's like to be loved.

yet there it was, the winter of 2011 - you had suffered an anterior cruciate ligament injury making everything fall down, as much as you tried there was nothing that you could do. and so, you had left the football world, despite being the arsenal prodigy. a knock was heard, as you gazed at your bedroom door - the blonde defender had carefully opened the door, she looked at your eyes to see them filled with tears, knowing how this moment would change everything. your career ending injury, the one you sustained was not just a blow to your body, but a devestating blow to your dreams. you had worked so hard, sacrificed so much, to reach the pinnacle of yourcareer, only to have it all taken away in an instant.

"i won't be playing alongside you, as we thought, lee." your voice broke as you buried your face into the crook of her neck. the blonde reaching to softly rub your back, in an attempt to calm you which it did. the sniffles was heard throughout the house, yet all she could do was be there for you. it took you a while to accept circumstance, so you moved onto something else - music was the second, no third thing you loved - besides football, and the english defender. a year later, you took off into the music industry with a storm - you decided to form a band with your childhood friends, performing in sold-out stadiums, releasing a whole album - and it was even worse when the band had even gotten more famous.

in the early days, the love between you two was a bright flame, burning fiercely and passionately. but as your music career soared to unimaginable heights, the glare of fame cast a shadow over their relationship, changing everything. you had never anticipated the level of fame and scrutiny that would come with the band's success. everywhere you went, you were followed by a throng of fans and paparazzi, eager for a glimpse into your glamorous life. in which the pressure to maintain your image became suffocating, and you knew that any hint of scandal could spell disaster for your career. asmuch as you loved the blonde defender, you also knew that being seen with her in public could invite unwanted attention and speculation. that's why you couldn't bear the thought of her being surrounded by the media, or having her privacy invaded - as she loved being private. and so, with a heavy heart, you made the painful decision to push her away, thinking it was for the best.

at first, lee was confused and hurt with the way you acted, the unnesscary coldness. you tried to explain it, to make her understand the pressure you were under, but the damage had already been done, the trust between you two had been shattered, despite your best intentions - it couldn't be repaired. so as the distance between you two grew, your love began to wither and fade - the bright flame that had once burned so brightly was now nothing more than a flicker, barely illuminating the darkness that crept into the relationship. in the end, you were alone - your fame and success, a hollow comfort for the love that you'd lost. you often find yourself pondering, if you made the right choice, if pushing her away had been the only option, but deep down, you knew that the price of fame had been too high, and that you'd always regret the day that you'd let her slip away.

yet there you were, in front of her eyes - performing in front of 90,000 fans. she still loves you, and a part of her is hoping that you still do. and you do, you still do - there are countless nights were you're looking up at the hotel ceiling, a lingering ache in your heart for the love you had lost, the one that could've been yours if fate had not intervened. you'd often wondered how things could've been different if the acl injury had never happened, perhaps you would've never pursued music with such fervor, instead choosing a quieter life by her side. the lazy mornings spent in bed, tangeled in each other's embrace, and peaceful evenings watching as the sun would set, hand in hand. but reality was cruel, and the injury shattered not just your dreams but also the future you had envisioned with her. and as the final notes of your song had faded away, you closed your eyes, imagining for a brief moment that she was there in the crowd, that the blue eyes you had fallen in love with - and when you opened them, she was. a wide smile was seen on her face, as you noticed the tears in her eyes that were begging to drop, she was watching you with pride and love.

the crowd had cheered, as you looked away - greeted them with a small smile, as you bid goodbye. her eyes followed as you left the stage, a concerned look was seen throughout your bandmate's eyes. the crowd began to leave, one by one - yet a dazed look was shown on her face, you saw her, yet you haven't made the effort to do anything. maybe you shouldn't, maybe you couldn't or maybe you didn't have to.

"come on, lee - the concert is done." beth, her club and national teammate said, as a soft sigh was heard. she didn't notice a tour staff had walked her way. you had given orders to invite her teammate's backstage. the defender had only looked up when she took note of the unfamiliar ones, her eyes locked onto someone in uniform, the lanyard confirming that she worked for, or with you.

"ms. williamson, i presume? i was ordered to give you these backstage passes, as well as to escort you backstage." the worker said, as her eyes gazed to the passes in her hands, beth and a few others, their eyes had widened in shock. she slowly stood up before nodding to the girl, as every step began to feel a bit heavy for the defender, you walked back in forth in your changing room - wondering if it was the right choice.

it was, as the team had been led backstage, leah had caught the eyes of your three childhood best friends - people that she also knows, as she formed a friendship with the trio while you were dating. an amused look was seen on oliver's face, as he stood up to greet the team.

"never thought i'd see you again, lee." oliver's charming voice was heard, catching the eyes of his two other bandmate's "childhood friends". a soft smile was shown on archie's and adeline's face.

"neither did i" the english captain's voice was calm, gaining the attention of oliver who softly hummed.

"we've missed you, but she misses you more." oliver replied, he gazed at your dressing room door - it opened, revealing you.

[infinitystoner]

First Light

AO3 | Masterlist

Summary: Vetrnætr (Winter Nights) is a time to welcome winter and honor the gods of old. But, on the first morning of festivities, the only thing Loki wants to celebrate is you.

Pairing: Prince!Loki x Female Reader

Word count: 2.4k

Tags/Content: Fluff, Praise, Smut (Fingering, Cunnilingus, Multiple Orgasms), Established Relationship, Pre-Thor (2011), Asgard AU

Rating: Explicit; 18+

Author’s note: A belated birthday gift to my amazing friend @loki-cees-all. You are the Goddess of Patience and Mercy and I appreciate you so very much! I hope this one lives up the hype. xx

It was easy to dismiss quiet mornings on Asgard in favor of boundless nights under the stars. But you never felt more content than when the first rays of daylight bathed the kingdom in a hazy glow. Beyond frost-kissed windows, the wind whispered a tale of winter’s early arrival, and you burrowed further under the protective arm curled around your shoulders. 

Waking before Loki was a rare occurrence, and you offered up a prayer of gratitude to the Norns when you realized your lover was still slumbering beside you.

He was a being of little sleep, often arguing those bestowed with divinity had more stamina than the average Æsir, therefore requiring less rest. You disagreed.

Well, somewhat disagreed. 

You pulled your lip between your teeth as you observed evidence of the prior evening’s chaotic activities: clothing and armor were strewn about the room, pillows and pelts haphazardly adorned the hearthside, and papers from Loki’s desk littered the floor, his bookshelves standing slightly askew. Even the bedposts seemed to be off-kilter. 

Loki absolutely had the stamina of a god.   

Still, he hadn’t been getting enough sleep lately. The past few weeks preparing for Vetrnætr had taken a toll on him. Loki had been responsible for coordinating the arrival of visiting dignitaries and nobility while also leading what he’d described to you as “lighthearted diplomatic discussions” with the royal council of Vanaheim. Queen Frigga, however, had confided that he was single-handedly responsible for not only fortifying Asgard’s long-held alliance between the Vanir and Æsir but also negotiating a new trade agreement between the neighboring realms. 

You carefully tilted your face upward, committing the splendor of him in this moment to memory. Swathes of amber light illuminated the rise and fall of his chest, mapping the gentle exhales through parted lips that assured you he was alive. That he was real. That he was yours.

Your family and fellow courtiers had thought you mad when you turned down the advances of several of the Allfather’s golden warriors. But it was when you refused Thor that you’d stirred up any true semblance of trouble. Then again, the elder Odinson had attempted to court at least half the eligible maidens of Asgard, so it wasn’t that scandalous.

What everyone didn’t know then was that your heart secretly belonged to another. And even now, years later, it was hard to comprehend that he returned your affections. But he did, and he made sure you’d never have reason to doubt him.

For so long, he had existed in the shadows of those around him. Only a sacred few saw his light shining through. And once he’d revealed the whole of himself to you, how could anyone else possibly compare?

True, he could be unpredictable and disruptive, but Loki approached everything in life with an unwavering sense of humble dedication. His fidelity was one of the things you loved most about him.

“My beautiful miracle.”

You’d only meant to think it—but hearing the whisper of affection fall from your lips seemed the perfect way to commence the day. Tracing patterns across the exposed skin of Loki’s abdomen, you studied the contours of his handsome face. Long lashes fluttered against high cheekbones as his eyes darted back and forth behind closed lids.

“What is it you dream of?” you whispered, gently placing a kiss on his sternum.

“A prince dreams of many things.”

His reply caused your heart to stutter within your chest. The trickster had been awake all along, basking in the warmth of your sentimentality like a cat soaking up the sun.

“I should’ve known you were only pretending to be asleep,” you pouted as he finally cracked open his eyes to peer down at you.

“Mmm, you should have,” he said as he wrapped his hand around yours, bringing it to his lips and tenderly pressing his lips to your fingertips. “But, I did have the most interesting dream. It’s worth hearing, I assure you.” 

Loki was nothing if not convincing, and you were curious.

“Go on then. I’m listening,” you replied with a playful roll of your eyes. 

Loki cleared his throat as he fluffed the pillow under his head. Stars above. He was as dramatic as he was mischievous.

“It was the final night of Vetrnætr and the kingdom was blanketed in snow. I was  tasked with riding into the forests alone,” he said, absentmindedly trailing his fingertips  down your arm as he spoke, “to defeat a great beast with my magick.” 

His voice was impossibly alluring, much like Loki himself. Soon, you were clinging to every word—mesmerized by the magnificent man beside you. 

“I found myself in the depths of wilderness—where no other soul had dared to tread before. I, of course, was quite brave in the face of this unknown danger.” 

“Fearless, some might say,” you offered. 

He hummed in agreement, his eyes sparking with amusement. “Finally, I reached my destination. But a horde of Bilgesnipes was blocking the creature I’d come to slay.”

“Oh?” you said apprehensively. He solemnly nodded. 

“So, I conjured a simple spell to vanquish them. Imagine my surprise when I realized they were not, in fact, angry Bilgesnipes but your dreadful snores plundering into my subconscious mind.”

Your brain stuttered—did he just? Bilgesnipes?! Loki smirked at the utterly bewildered expression on your face before mimicking the way you opened your mouth in shock. You’d walked right into his little trap and he was enjoying it far too much. 

“Loki Odinson! I do not snore.” 

You sounded less defiant than you hoped, and—in a bid to get him to renege the obvious lie—you wriggled out from under his arm and tossed a pillow at his stupid, handsome face. 

“I beg to differ.” Deep, mirthful laughter rumbled in Loki’s chest. “Now, wait a minute—”

Much to his dismay, you’d moved to the edge of the bed. As you gathered one of the fur blankets around your nude form, Loki propped himself up on his elbows, those stark green eyes focusing on you with an intensity that didn’t seem justified this early in the day.

“Darling, don’t go. I was only teasing.” He grabbed your wrist, and the coolness of his fingers against your flesh sent a thrill rippling through you. “Allow me to make it up to you.” 

The offer was tempting but, with Vetrnætr on the literal horizon, you had a never-ending list of obligations to attend to.

“You know we’re both expected at the first morning feast.”

“Yes, and that is still hours from now. Come back to bed.”

“It will take me hours to get ready for the celebrations.”

Loki clicked his tongue as you shimmied off the bed. “What a shame you don’t have a skillful sorcerer at your disposal.” 

“Such misfortune,” you quipped, fingers reaching to secure the fur around your shoulders. A curse left your lips as nothing but cold air enveloped you instead. Loki shot you a wink as a wisp of seiðr danced across his palm.

“You’re not playing fair.” 

“Where there are wolf’s ears, wolf’s teeth are near.” Dimples adorned the corners of his mouth as he grinned up at you. 

“And now you’re not making any sense!” 

“So come back to bed, little fox. Please. Help me make sense of things.” 

Three thoughts inhabited your mind in this moment: a persistent chill was quickly settling in your bones and Loki’s bed was impossibly warm; applying the ceremonial makeup you were expected to wear today would take at least an hour—and having Loki glamour it on would be terribly convenient; and, finally, you were absolute shit at denying him anything. And Loki knew it.

He stretched his long legs as he awaited your submission. The action caused the silk sheets to settle low around his waist. Shadows traversed the deep V of his Adonis belt like divine brushstrokes while sunbeams highlighted the devastating muscles of his godly physique. 

You never stood a chance. 

Your pulse quickened as you propped a knee on the mattress, giving him a coy smile. “Satisfied, your highness?”

Loki inhaled as he surveyed your figure. It was easy to assume he was memorizing the smooth curves and soft dips of your body. Every imperfection, dimple, scar—he’d studied and worshiped each precious part of you. But in truth, he knew the map of your body better than he knew the wilds of Asgard—how to expertly navigate your release, to intimately claim you as his time and time again.

“Not quite.” His eyes glinted with desire as he curled his hands around your waist, guiding you to settle against the pillows. You watched in awe as he pulled the sheets over the both of you, adjusting the layers of covers and pelts as he caged you in his arms. 

“Perfect.” It was no more than a whisper. But the sense of pride that thrummed through you must have been palpable, because Loki leaned down and brushed his mouth against yours. You barely had time to inhale before his tongue was swiping over your bottom lip and then moving against your own in eager, equal measure. He was heavy on top of you as he settled between your open legs—your collective arousal evident as your bodies seamlessly slotted together. It was exhilarating and grounding and you ached for him. When you dug your fingertips into the firm swell of his ass in a silent plea for more, he broke the kiss. 

“What is it, my love?” you asked, noticing a glimmer of tears swelling in his eyes as he pulled away from you. You cupped his cheek, and his gaze flitted across your face. 

“What did I do to deserve you?” Loki took in a deep, shuddering breath before kissing you once more. Sparks of white-hot heat ignited your skin as your heart hammered in your chest. Could he sense how wildly it was beating for him? “I’m so proud of you. You know that, right?” 

How could words ever truly express that the love you possessed defied explanation, transcended comprehension, and overwhelmed every fiber of your being? How could you adequately convey that his praise was your Valhalla?

You finally managed to say, “I know,” but your response melded into a moan as Loki’s lips made contact with your nipple, rolling its twin between his thumb and forefinger. 

“You’re so good to me.” 

“So good,” you echoed, arching into his touch as Loki’s hand skimmed your curves before dipping between your legs. 

He found you slick and ready for him, and he easily slid two fingers into your cunt, his palm pushing upwards against your swollen clit. Delicious pressure built in your hips with each skillful turn of his wrist and you greedily bucked into his hand, grasping at his biceps for leverage. 

You were quickly losing yourself to the adrenaline searing through you, igniting every nerve ending like a thousand meteors shooting across the night sky. Still, you knew Loki revelled in the euphoria of your unraveling just as much as you did. He yearned to hear your small whimpers of pleasure, to feel your hands on his body and your fingers twisting in his hair as you came undone at his touch. To be connected without reservation. 

He’d once confided in you that the reassurance of your touch sparked something within him comparable only to his seiðr—you had become just as much a part of him as the ancestral magick that flowed through his very veins. Imagining a reality without either was like envisioning a world without sunlight or stars. 

“Loki. Loki.” His name was witchcraft on your lips and his fingers deftly twisted inside you in response. When he slowed his movements, you clenched around him, desperately running your hands over the broad expanse of his shoulders. His skin was damp with sweat, his muscles quivering under your fingertips.

“And so eager. Gods, you’re gorgeous when you’re about to come apart.” 

When Loki was nestled between your thighs, worshiping your body as if you were the only thing in all the Nine, time stood still. You were teetering on the edge of sweet release—right where he wanted you. A frustrated noise caught in the back of your throat as he removed his fingers, your thighs trembling as your climax began to ebb. 

“Patience.” He spoke purposefully against your heated skin, as if reciting an invocation.

“Til árs ok friðar.” Loki paused, looking up at you with eyes so full of adoration you felt as though your heart would burst. He repeated the ancient phrase. “For a good year. And peace. That is my wish for you—for us—my love.”

You were completely lost under his spell. Your only tether to reality was Loki. His forearm heavy across your midriff. His tongue flat against your clit. 

“F-faen, I’m– please,” you slurred, your chest heaving with ragged, uneven pants. 

“That’s it,” Loki coaxed. “Come undone for me.”

At his words, the overwhelming tightness in your core snapped. Your orgasm ripped through your body—your mind clearing itself of every lingering thought. The wild beat of your heart became the soundtrack of your bliss and you sobbed as the tip of his regal nose rubbed against your sensitive clit. His tongue continued to lap at the warm center of your cunt as aftershocks rolled through you, your body involuntary jerking at the overstimulation.

“Too much…”

“One more, darling. If not for me, for Asgard.” A wicked grin spread across his face—his lips and chin glistening with your arousal—before he dipped his head back between your thighs. “Consider it a royal decree.”

It was pointless to argue with him, especially when he set his mind to something. You wound your fingers into his unkempt hair, and before long, you were curling up off the bed as you juddered under his touch for the second time.

“Thank you,” you said softly as you came down from your high. Loki pressed his forehead to yours.

“A final gesture of goodwill,” he murmured, the blunt tip of his cock nudging your entrance. 

“We’ll be late to breakfast. I- I dare not disgrace your good name, my prince,” you said, gasping into his mouth as he pushed deeper inside you. You didn’t care if you missed every single celebratory banquet this week. 

“I’m honored you think so highly of me, little wife.” You groaned in unison as he bottomed out with a swirl of his hips. “But it would not be the first time we’ve vexed the House of Odin thus. Nor the last, I hope.” 

[thyme-in-a-bubble]

a list of some autumnal movies/series 🍂

i am nothing if not an organised little goblin who can not stop themself from making a good list. this is just in case you want something with that fall vibe but can't think of any. just close your eyes and point somewhere on this little list, or even put the numbers in a generator and go with whatever the result is ♡

winter | spring | summer

🥧 ‧₊˚ ⋅ movies ⋅˚₊‧

nosferatu (1922) 

rosemary’s baby (1968)

halloween franchise (1978-)

friday the 13th franchise (1980-)

an american werewolf in london (1981)

a nightmare on elm street (1984)

ronja rövardotter (1984)

clue (1985)

princess bride (1987)

dead poets society (1989)

when harry met sally (1989)

hocus pocus (1993)

addams family values (1993)

interview with a vampie (1994)

the craft (1996)

the first wifes club (1996)

the scream franchise (1996-)

halloweentown (1998)

practical magic (1998)

you’ve got mail (1998)

the blair witch project (1999)

sleepy hollow (1999)

chocolat (2000)

amelie (2001)

the lord of the rings franchise (2001-2003)

scooby doo (2002)

pirates of the caribbean franchise (2003-2017)

north & south (2004)

pride and prejudice (2005)

the descent (2005)

the devil wears prada (2006)

el orfanato (2007)

the edge of love (2008)

twilight (2008)

julie & julia (2009)

jennifer’s body (2009)

dorian gray (2009)

coraline (2009)

true grit (2010)

the cabin in the woods (2011)

the odd life of timothy green (2012)

the conjuring franchise (2013-)

what we do in the shadows (2014)

the riot club (2014)

as above so below (2014)

the age of adaline (2015)

the witch (2015)

mary shelly (2017)

murder on the orient express (2017)

get out (2017)

a quiet place (2018 + 2020)

the guernsey literary and potato peel pie society (2018)

on the basis of sex (2018)

knives out (2019)

little women (2019)

the gentlemen (2019)

emma (2020)

ammonite (2020)

the dig (2021)

the batman (2022)

🧦 ‧₊˚ ⋅ series ⋅˚₊‧

gilmore girls (2000-2007)

outlander (2014-)

anne with on e (2017-2019)

queens gambit (2020)

moomin (1990-1992)

a discovery of witches (2018-2022)

virgin river (2019-)

supernatural (2005-2020)

shadow and bone (2021-)

vampire diaries (2009-2017)

stranger things (2016-)

the chilling adventures of sabrina (2018-2020)

once upon a time (2011-2018)

vikings valhalla (2022-)

peaky blinders (2013-2022)

downton abbey (2010-2015)

poldark (2015-2019)

dickinson (2019-2021)

killing eve (2018-2022)

ghost files/buzzfeed unsolved (2016-)

critical role (2015-)

lucifer (2016-2021)

the walking dead (2010-2022)

criminal minds (2005-2020, 2022-)

i’ll be gone in the dark (2020)

buffy the vampire slayer (1997-2003)

how to get away with murder (2014-2020)

the good fight (2017-2022)

american horror story (2011-)

teen wolf (2011-2017)

[sophaeros]

arctic monkeys for q magazine, june 2011 (x) (x)

ARCTIC MONKEYS: Inside Alex Turner's Head

Words Sylvia Patterson Portrait John Wright

The day Arctic Monkeys moved into their six bedroom, Spanish-style villa in the Hollywood Hills, where the first-floor balcony looked over the patio swimming pool, they knew exactly what to do.

"From the balcony, you could get on t'roof and jump in't pool," chirps the Monkeys' most gregarious member, drummer Matt Helders, in his homely Yorkshire way. "We looked at it and said, That's definitely gonna happen. So by the end, we did a couple of 'em. Somersaults in t'pool, from the roof. At night time."

In January 2011, as Sheffield and the rest of Britain endured its bitterest winter in a century, Arctic Monkeys capered among the palm trees, eschewing hotels for a millionaire's Hollywood homestead as they recorded and mixed their fourth studio album, Suck It and See.

The four Monkeys, alongside producer James Ford and engineer James Brown, lived what they called the "American man thing": watched Super Bowl on giant TVs, played ping-pong, hired two Mustangs, cooked cartoon Tom And Jerry-sized steaks on barbecues on Sundays, had girlfriends over to visit, all cooking and drinking around the colossal outdoor kitchen area featuring a fridge and two dishwashers. Living atop the Hills, they could see the Pacific Ocean beyond by day, the infinite glittering lights of downtown LA by night.

Every day, en route to Sound City Studios, they'd travel in a seven-seater four-by-four through the mountains, via bohemian 60s enclave Laurel Canyon, blaring out the tunes: The Stones Roses, The Cramps, the Misfits' Hollywood Babylon. For the sometime teenage art-punk renegades whose guitarist, Jamie Cook, was once ejected from London's Met Bar for refusing to pay €22 for two beers, the comedy rock'n'roll life still feels, however, absolutely nothing like reality.

NICK O'MALLEY: "It were really as if we were on holiday. When we came back it's the most post-holiday blues I've ever had!"

JAMIE COOK: "It's hard to comment on that. It were just really good fun."

MATT HELDERS: "We always said, As soon as things like that feel normal, we're in trouble. But it's just funny. You might think it would get more and more serious as you get older but it's getting funnier. We've done four albums now and I'm still only 24, I'm still immature to an extent. So who cares?"

Alex? Al? Are you there?

ALEX TURNER: "Yeah, it were good times. But we were in the studio most of the time. So there's no real wild Hollywood stories. Hmn. Yeah."

Wednesday, 16 March 2011, Strongroom Bar, Shoreditch, East London, 11am. Alex Turner, 25, slips entirely alone into an empty art-crowd brasserie looking like an indie girl's indie dream boy: mop-top bouffant hair which coils, in curlicues, directly into his cheekbones, army-green waist-length jacket, baggy-arsed skinny jeans, black cord zip-up cardigan, simple gold chain, supermoon sized chocolate-brown eyes.

Almost six years after I Bet You Look Good On The Dancefloor became the indie-punk anthem of a generation (from the first of Arctic Monkeys' three Number 1 albums), and nothing prepares you for the curious phenomenon of Alex Turner "in conversation". Unlike so many of the Monkeys frenetic early songs, he operates in slow motion, seemingly underwater, carrying a protective shell on his back, perhaps indie rock's very own diamond-backed terrapin. The most celebrated young wordsmith in rock'n roll today talks fulsomely, in fact, only in shapeless, curling sentences punctuated with "maybe... hmn.. yeah", an anecdotal wilderness sketching pictures as vague as a cloud. He is, though, simultaneously adorable: amenable, gentle, graceful, and as Northern as a 70s grandpa who literally greets you with "ey oop?".

"People think I'm a miserable bastard," he notes, cheerfully, "but it's just the way me face falls." Still profoundly private, if not as hermetically sealed as a vacuum-packed length of Frankfurter, his fante-shy reticence extends not only to his personal life (his four-year relationship with It-girl/TV presenter Alexa Chung, whom he never mentions) but to insider details generally. Take the Monkeys’ Hollywood high jinks documented above: not one word of it was described by Turner. Before Q was informed by his other Monkey bandmates, Turner’s anecdotal aversion unfolded like this:

Describe the lovely villa you were in. AT: "Well... we certainly had a... good view."

Of what? AT: "Well, we were up quite high."

The downtown LA lights going on forever? AT: "I dunno. It was definitely that thing of getting a bit of sort of sunshine. Is it vitamin D? If you can get vitamin D on your record, you've got a bit of a head start. So we'd get up and drive to the studio."

What were you driving? AT: "Nothing... spectacular. But yeah, we'd drive up the studio, spend all day there and sort of, y know, get back. To be honest... we had limited time. So we spent as much time as possible kind of getting into it, like, in the studio.

So your favourite adventures were what? AT: "Well, they were really… minimal. We were working out there!"

Any nightclubs or anything, perhaps? AT: "You really want the goss 'ere, don't you?"

Yes, please. AT: "I could make some up. Nah!"

And this was on the second time of asking. It's perhaps obvious: Alex Turner, one of the most prolific songwriters of his generation (four Monkeys albums and two EPs in five years, The Last Shadow Puppets side-project, a bewitching acoustic soundtrack for his actor/video director friend Richard Ayoade's feature-length debut Submarine), is dedicated only to the cause – of being the best he can possibly be. He simply remembers the songs much more than the somersaults.

Throughout 2009, Arctic Monkeys toured third album Humbug – the record mostly made in the Californian desert with Queens Of The Stone Age man-monolith Josh Homme – across the planet. While hardly some cranium-blistering opus, its heavier sonic meanderings considerably slowed the Arctic Monkeys' live sets and on 23 August 2009, Q watched them headline the Lowlands Festival, Holland and witnessed a hitherto unthinkable sight – swathes of perplexed Monkeys fans trudging away from the stage. With the sludge rock mood matching their cascading dude-rock hair it seemed obvious: they'd smoked way too much outrageously strong weed in the desert.

"Heheheh, yeah," responds Turner, unperturbed. "That's your theory. You probably weren't alone."

Back in the Strongroom Bar, Turner's arm is now nonchalantly draped along the back of a beaten-up brown leather sofa. He ponders his band's somewhat contrary reputation…

"I think starting the headline set at Reading with a cover of a Nick Cave tune perhaps was a bit contrary. D'youknowhat Imean?! But to be honest, that summer, at those festivals, we had a great time. And I know some fans enjoyed those sets 10 times more. And you can't just do, y’know, another Mardy Bum or whatever. Because how could you, really?"

With Humbug, notes Turner, "I went into corners I hadn't before, because I needed to see what were there," but by spring 2010 he wanted their fourth album to be "more song-based" and less lyrically "removed". He was "organised this time", studied "the good songwriters" (from Nick Cave, The Byrds and Leonard Cohen to country colossi Johnny Cash and Patsy Cline), discovered "the other three strings" on his guitar, and wrote 12 songs through the spring and summer of 2010, mostly in the fourth-floor New York flat he shared with Chung before the couple moved back to London late last summer (the New York MTV show It's On With Alexa Chung was cancelled after two seasons). The result: major-key melodies, harmonised singing and classic song structures.

At the same time he revisited the opposite extreme: bands such as Black Sabbath and The Stooges ("we wanted a few wig-outs as well"); he was also still heavily influenced by the oil-thick grinder rock of Josh Homme, who is clearly now a permanent Monkeys hero. After four months' rehearsals in London, on 8 January the Monkeys relocated to LA for five swift weeks of production and Homme came to visit, singing backing vocals on All My Own Stunts. Tequila was involved.

"Tequila is probably me favourite," manages Turner, by way of an anecdote. "But it takes a certain climate... It's not the same... in the rain. Yeah. [Looks to be contemplating a lyric] Tequila in the rain."

Vocally, he developed the caramel richness first unveiled on The Last Shadow Puppets' Scott Walker-esque The Age Of The Understatement, finding a crooner's vibrato. "Everything before was so tight,” he notes, clutching his neck. "Probably just through nerves. That's just not there any more." Suck It and See contains at least four of the most glittering, sing-along, world-class pop songs (and obvious singles) of Arctic Monkeys' career: the towering, clanging She's Thunderstorms, the summertime stunner The Hellcat Spangled Shalalala, the heavenly harmonised title track and the Echo & The Bunnymen-esque jangly pop of closer That's Where You're Wrong.

Elsewhere, in typically contrary "fashion", there's preposterous head-banger bedlam (Brick By Brick, the rollicking faux-heavy rock download they released in March "just for fun", featuring vocals by Helders; Don't Sit Down 'Cause I've Moved Your Chair, and Library Pictures). News arrives that the first single proper will be Don't Sit Down 'Cause I've Moved Your Chair. Q is perplexed. Brilliantly titled, certainly, but arriving after Brick By Brick, the new album will appear to the planet as some comedy pastiche metal album for 12-year-old boys.

You've got all these colossal, summery, indie-pop classics and you've gone for... The Chair? AT: [Laughing uproariously] "The Chair! I'm now calling it The Chair, that's cool. Well for once it weren't even our suggestion. It was Laurence's (Bell, Domino label boss). And I were, Fucking too right! He's awesome. It'd be good to get a bit of fucking rock'n'roll out there, won't it? It's riffs. It's loud. It's funny."

If you don't release The Hellcat Spangled Shalalala as a single I'm going round Domino to kick Laurence's "awesome" butt. AT: "I think it'll be the next one!"

The record's title, meanwhile, could've been more enigmatically original than the un-loved phrase Suck It and See. The band, struggling with ideas due to the opposing sonic moods, invented an inspiration-conjuring ruse: to think of new names for effects pedals in the style of Tom Wolfe, Turner being long enamoured with the American author's legendarily psychedelic books The Electric Kool-Aid Acid Test and The Kandy-Kolored Tangerine-Flake Streamline Baby, "cos that just sounds awesome".

"There's the Big Muff pedal," he elaborates, "That’s the classic. I've got the Valve Slapper. And there's the Tube Screamer. So we came up with the Thunder Suckle Fuzz Canyon. And… wait till I assemble it in me mind… em… it'll come to me… The Blonde-O-Sonic Shimmer Trap. So we were going for summat like that."

A wasted opportunity?

"Nah. Because some of those things ended up in the lyrics anyway. Suck It and See was just easier."

Alex Turner, rock'n'roll's premier descriptive art-poet, still writes his lyrics long-hand in spiral-bound notebooks. "Writing lyrics is a craft that I've practised a bit now," he avers. "In me notebook it looks like sums. Theories. There's words and arrows going everywhere. There's always a few possibilities and I write the word 'OR' in a square."

For our most celebrated colloquial sketch-writer of the everyday observation (all betting pencils, boy slags and ice-cream van aggravations) the more successful he becomes, the less he orbits the ordinary. "I'm not struggling with that, to be honest," he decides. "In fact I'm enjoying writing lyrics much more than I did. Stories. Describing a picture. Um. There's quite a bit of weather and time in this one. Which is probably not reassuring. 'Oh God, he's writing about the weather.' Maybe leave that out!"

There are also some direct, funny, romantic observations: "That's not a skirt, girl, that's a sawn-off shotgun/And I only hope you've got it aimed at me..." (from the title track).

Some of your romantic quips, now, must be about Alexa. AT: "Right. Yeah. Definitely. Well... there's always been that side to our songs, when we weren't writing about... the fucking taxi rank. It's kind of inevitably... people you're with." [At the mention of Chung's name, Turner is visibly aggrieved, head sliding into his neck, terrapin-esque indeed.]

It must have been very grounding being in a proper relationship through all this madness. Because if you weren't, girls would be jumping all over your head. AT: "Em. Hmn. Well, of course that helps you to... I don't really know.. what the other way would be."

Does Alexa wonder if the lyrics are about her? AT: "Oh there's none of that. Yeah, no, there's no looking over the shoulder."

She must be curious, at least. "Maybe."

Did you ever watch Popworld? AT: [Nervous laughter] "Em! Now and again."

Did you ever see the episode where she helps Paul McCartney write a song about shoes? AT: "Ah, yeah I think so, maybe I did see that."

Well, if I was you, I'd have been thinking, "She's the one for me." AT: "Well. Yeah... maybe that would've... sealed the deal! Hmn. But maybe that wasn't when i got the ray of light. When was? Nah [buries head in hands]. I might have to go for a cigarette..."

Q can't torture him any more and joins him for a snout. Turner smokes Camels from a crumpled, sad, soft-pack and resembles a teenager again. As early song You Probably Couldn't See For The Lights But You Were Staring Straight At Me says, "Never tenser/Could all go a bit Frank Spencer…”

In January 2006, when Arctic Monkeys' Number 1 album Whatever People Say I Am, That's What I'm Not became the fastest-selling debut in UK history, inadvertently redefining the concept of autonomy and further imploding the decimated music industry (& wasn't their idea to be "the MySpace band", it was their fans': the Monkeys merely kick-started viral marketing by giving away demos at gigs), the 19- and 20-year-old Monkeys were terrible at fame. They weren't so much insurrectionary teenage upstarts as teenage innocents culturally traumatised by the peak-era fame democracy.

To their generation (born in the mid-'80s) fame was now synonymous with some-twat-off-the-telly a world of foaming tabloid hysteria where renown and celebrity meant, in fact, you were talentless. Hence their interview diffidence and receiving awards via videos dressed up as the Wizard OfOz and the Village People. Which only, ironically, made them even more celebrated and famous. (“That were a product of us just trying to hold onto the reins," thinks Turner today. "Being uncooperative.")

Q meets The Other Three one morning at 11am, in the well-appointed, empty bar of the Bethnal Green, Bast London hotel they're staying in (all three live in Sheffield, with their girlfriends, in their own homes). First to arrive is the industrious, sensible and cheerful Helders, crunching into a hangover-curing green apple. He has recovered from last year's boxing accident at the gym, which left his broken arm requiring a fitted plate. Now impressively purple-scarred, the break felt "interesting" and the doctor couldn't resist the one-armed drummer jest: "D'you like Def Leppard?"

Currently enjoying an enduring bromance with Diddy, he still doesn't feel famous, "it just doesn't feel that real, there's no paparazzi waiting for me to trip up." He and Turner, during the four-month rehearsals last year, became an accomplished roast dinner cooking duo for the band. "I reckon we could have us our own cookbook," he beams. "Pictures of us stirring, with a whisk."

O'Malley, an agreeable, twinkly-eyed 25-year-old with a strikingly deep voice and a winningly huge smile, is still coyly embarrassed by the interview process. A replacement for the departed original bass player Andy Nicholson in May 2006, he went from Asda shelf-filler to Glastonbury headliner in 13 months and still finds the Monkeys "a massive adventure". His life in Sheffield is profoundly normal – he's delighted that his new home since last October has an open-hearth fireplace: "Me parents had electric bars." He has also discovered cooking. “I’m just a pretty shit-hot housewife, most of the time," he smiles. "I cook stews, fish combinations, curries, chillies. I made a beef pho noodle soup the other day, Vietnamese, I surprised meself, had some mates round for that."

Recently, at his dad's 50th birthday bash, the party band, made up of family and friends, insisted he join them onstage "for ...The Dancefloor. So I were up there [mimes playing bass, all sheepish] and it were the wrong pitch, they didn't know the words or 'owt, going, Makin eyes... er..." He has no extra-curricular musical ambitions. "I'm happy just playing bass," he smiles. "I've never had the skill of doing songs meself. It'd be shit!"

Cook, 25, is still spectacularly embarrassed by the interview process. He perches upright, with a fixed nervous smile, newly shorn of the beard and ponytail he sported in LA: "Rockin' a pone, yeah, because I could get away with it." With his classic preppy haircut and dapper green military coat (from London's swish department store, Liberty), he looks like a handsome '40s film star. (Turner deems Cook "the band heartbreaker" and had a word with him post-LA: "I said to him, Come on, mate, you've got to get that beard shaved off. Get the girls back into us. Shift some posters.")

His life in Sheffield is also profoundly normal. He still plays Sunday League football with his local pub team, The Pack Horse FC (position, left back), remains in his long-term relationship with page-three-model-turned-make-up-artist Katie Downes and "potters about" at home, refusing to describe said home, "cos I'll get burgled".

A tiler by trade, he always vowed, should the Monkeys sign a deal, that he'd throw his trowel in a Sheffield river on his last day of work. "I never did fling me trowel," he confirms. "Probably still in me shed." He's never considered what his band represents to his generation. "I'd go insane thinking about it, I'm pretty good at not thinking about it… Oh God. I'm terrible at this!"

Back in the Strongroom Bar, Alex Turner is cloudily describing his everyday life. "I just keep meself to meself," he confounds. He mostly stays indoors and his perfect night in with Alexa is "watching loads of Sopranos. And doing roast dinners".

No longer spindle-limbed, he attends a gym and has handsomely well-defined arms – "You have to look after yourself."

Suddenly, Crying Lightning from Humbug rumbles over the bar stereo. "Wow. How about that? I was quite happy the other morning cos Brick By Brick were on the round-up goals on Soccer AM. It's still exciting when that happens. It was like Brick By Brick is real."

He spends his days writing music, "listening to records", and recommends Blues Run The Game by doomed '60s minstrel Jackson C Frank ("who's that lass?... Laura Marling, she did a cover recently), a simple, acoustic, deep and regretful stunner about missing someone on the road.

Lyrically, he cites as an example of greatness the Nick Cave B-side Little Empty Boat [from ‘97 single Into My Arms ], a comically sinister paean to a sexual power struggle: "Your knowledge is impressive and your argument is good/But I am the resurrection babe and you're standing on my foot."

"I need a hobby," he suddenly decides. "I'd like to learn another language." Since his mum is a German teacher (his dad teaches music), surely he can speak some German? "I know how to ask somebody if they've had fun at Christmas." Go on, then. "Nah!"

Where Turner's creative gifts stem from remains a contemporary rock'n'roll mystery; he became a fledgling songwriter at 16, after the gift of a guitar at Christmas from his parents. An only child, did his folks, perhaps, foresee artistic greatness? "I doubt it!" he balks. "Cos I didn't. I wasn't... a show kid." Like the others, he doesn't analyse the past, or the future.

"You can't constantly be thinking about what's happened," he reasons, "it's just about getting on with it." The elaborate pinky ring he now constantly wears, however, a silver, gold and ruby metal-goth corker featuring the words DEATH RAMPS is a permanent reminder of he and his best friends’ past. The Death Ramps is not only a Monkeys pseudonym and B-side to Teddy Picker, but a place they used to ride their bikes in Sheffield as kids.

"Up in the woods near where we lived," he nods. "Just little hills. But when you're eight years old they're death ramps." The ring was custom made by a friend of his, who runs top-end rock'n'roll jewellery emporium The Great Frog near London's Carnaby Street. Ask Turner why he thinks the chase between his writing and speaking eloquence is quite so mesmerisingly vast and he attempts a theory.

"Well, writing isn't the same as speaking," he muses. "Not for me. I seem to struggle more and more with... conversation. Talking onstage... I can't do it any more. Hmn. I'll have to work on that."

The ever-helpful Helders has a better theory.

"Since he's been writing songs," he ponders, “It seems like he’s always thinking about that. So even when he’s talking to you now, he’s thinking about the next thing that rhymes with a word. Even when he’s driving. We joke he’s a bad driver, his focus is never 100 per cent on what he’s doing. Which is good for us cos it means he’s got another 12 songs up his sleeve. I think music must be the easiest way for him to be concise and get everything out. Otherwise his head would explode.”

The Shoreditch.com photo studios, 18 March. Alex Turner, today, is more ethereally distracted than ever, transfixed by the studio iPod, playing Led Zeppelin, The Rolling Stones, a version of I’d Rather Go Blind. Occasionally, he’ll completely lose his conversational thread, “Um. I’ve dropped a stitch.”

The first to arrive for Q’s photoshoot, he greets his incoming bandmates with enormous hugs (and also hugs them goodbye). Today, Q feels it’s pointless poking its pickaxe of serious enquiry further into Turner’s vacuum-packed soul and wonders if he’ll play, instead, a daft game. It’s called Popworld Questions, as first posed by someone he knows rather well.

“Oh, OK. Let’s do it,” he blinks, now perched in an empty dressing room. He then vigorously shakes his head, “Um…I’ve gotta snap back into it.”

Here, then, are some genuine “Alexa Chung on Popworld” questions (2006-2007), as originally posed to Matt Willis, Amy Winehouse, Robbie Williams, Pussycat Dolls, Kaiser Chiefs and Diddy.

Why do indie bands wear such tight jeans? AT: “Um. I supposed they do. They haven’t always. When we first were playing I was definitely in flares. You need to be quite tall to get the full effect, though. So, that's why this indie band wears such tight jeans, cos we've not got the legs for flares."

What makes you tick in the sexy department? AT: "Wow. Pass. What do I find most attractive in a woman? Something in the head? That's definitely a requirement. Well... Hmn. I'm struggling."

Tell us about all the lovely groupies. AT: "No!"

If dogs had human hands instead of paws, would you consider trying to teach them to play the piano? AT: "Absolutely. I'd teach Hey Jude."

How many plums d'you think you can comfortably fit in one hand? AT: "They're not very big. [Holds small, pale, girly hand up for inspection] It's a shame. Probably three. Diddy only managed two? Maybe not then. I can carry a lot of glasses at once, though. If they're small ones I can do four."

Are you cool? AT: "Not as much as I'd like to be. There's this clip where Clint Eastwood is on a talkshow and he gets asked, Everybody thinks of you as defining cool, what d'you think about that? And he gets his cigs out, takes one out, flicks it into his mouth, lights it and says, I have no idea what you're talking about."

Here, Turner locates his Camels soft-pack and attempts to do a Clint Eastwood. He flicks one upwards towards his mouth. And misses. Flicks another. And misses. "Third time lucky?" He misses. "I'll get it the next time." And succeeds. "Hey. Fourth time. Don't put that in! So there you go. I'm four steps away from where I wanna be."

Thank you very much for joining me here on Popworld, here's my clammy hand again. There it is, let it slip, hmmn. You can let go now. AT: "OK! Were you a Popworld fan, then? It was funny. Cool. What were we talking about, before?"

Blimey, Alex. What must you be like when you're completely stoned out of your head? AT: "Stoned? What d'you mean, cos I seem like that anyway? Yeah. A lot of people... tell me I'm a bit... dreamy. But I like the idea of that. Of being somewhere else."

Two days earlier, Turner had contemplated what he wanted from all this, in the end. Many seconds later he gave his deceptively ambitious answer.

"I just wanna write better songs," he decided. "And better lyrics. I just definitely wanna be good at it. Hmn. Yeah.”

—

RUFUS BLACK: AKA Matt Helders, on his ongoing bromance with Diddy

Matt Helders has known preposterous rap titan Diddy since they met in Miami in 2008. “He goes, Arctic Monkeys! Then he said summat about a B-side and I was like, He's not lying! I just thought, This is funny, I'm gonna go with this for a while." Last October Diddy texted Helders, suggesting he play drums with his Diddy Dirty Money band on Friday Night With Jonathan Ross, to give his own drummer a day off. “I were bowling with me girifriend at the time. In Sheffield, on a Sunday." On the day of recording, says Helder, "We had a musical director. That were one of the maddest times of my life. Next day Diddy said, Why don't you just stay? Come along with me. So I went everywhere with him." Diddy had "a convoy of cars" and made sure Helders was always in his. "He'd stop his car and go, Where's Matt? You're coming with me! So I'd get in his car. Just me, him, his security, driver." Diddy, by now, had given him a pseudonym - Rufus Black. "He kept saying, I don't wanna fuck up your image. And I'm, I don't think it's gonna do me any harm!" He stayed in Diddy's spectacularly expensive hotel. Some weeks later, Helders almost returned to the Dirty Money drumstool for a gig in Glasgow. "But we were rehearsing in London. I were like, I might come, how are you getting there? And he were like, Jet. Jump on t’jet with me. But I had to stay in Bethnal Green instead.”

Love’s young dream: Diddy (left) with Helders

[zegalba]

Iris Van Herpen Fall/Winter 2011

[nhlovesadri3]

Adriana Lima for Bluemarine fall winter 2011.

[judith-orshalimian]

Chanel Fall/Winter 2011-12 Haute Couture Details!

[tomssexdoll]

Bill x female reader (2011) yn and Bill meet for the first time at a fashion show , they feel a strong attraction and she invitees him at her hotel.

He wants to eat her out they also try 69 lots of dirty talk please

Love your work!!

Hi yes lovely!!

Chemistry

PAIRINGS: Bill 2011 x Female reader CONTENT: FLUFF + SMUT SYPNOSIS: Bill spots Y/N in the crowd of one of his fashion shows, he winks at her and calls her backstage after he's done. They get to know each other and they both feel a strong connection to eachother, unlike with anyone else they've been with. She then invites him to her hotel to "get to know eachother more" wink wink. A/N: HES SO SEXY AHHHH MEOW MEOW PURR WARNINGS: bill!dom, reader!sub, eating out, 69, dirty talk (lots oml), also praising

I was at a fashion event with my friends, Dsquared Fall/Winter 2010 fashion show, we had been to a lot of different fashion shows but this one was just different, one of the models was absolutely gorgeous, the way his hair was slicked back and his weird outfits made me slightly turned on.

I was staring at him in awe, taking in his beautiful features, I guess he caught onto it because he looked back at me. It snapped me out of my trance and I gave him a quick smile, my face flushed from embarassment. He winked at me and walked off, my heart stopped in that moment, the guy I had been obsessively admiring all night just winked at me? Oh. my. god.

After the show finished, I stood up and went to walk out but security stopped me. I thought I was in trouble, shit..did they see me take a swig from the vodka bottle in my purse? Hopefully not.

I acted as normal as I could, preparing to get arrested or just handed a fine, but instead he said "Bill Kaulitz wants to see you backstage" he smiled softly. Bill? The guy who winked at me? Who else would it be...I bit my lip and nodded, following the security guard and waving to my friends as they left.

I smiled like an idiot, a big grin on my face as I was led to his dressing room. I knocked on the door and he opened it, his tall, slender figure towering over me. My breathing hitched, I didn't realize how tall he actually was compared to me, I never took it into account, he was just so handsome that the rest of his body didn't matter.

"Hi.." I said shyly, blush creeping up my neck and onto my face. "Hey gorgeous, come in" he said in his thick german accent, the one that sent me into a chokehold. I stepped inside and sat in a nearby chair, playing with my fingers, looking down at the floor.

I felt him grab my chin to face him, my eyes widened a little bit. "Don't be shy prinzessin, what's your name?" "y/n, y/n l/n" I smiled warmly, he chuckled "what a beautiful name y/n, beautiful like you" he smirked, I giggled nervously, he made me fold from his words, and he could tell. Fuck.

We talked for about 2 hours non stop, after the 15 minute mark we finally broke the barier and I'm glad we did, he was so interesting, so kind and charming. A security guard came in and warned us that the studio was gonna close in 15 minutes, we looked at eachother and then at the time and laughed as we realized we had been talking for so long. It only felt like 10 minutes. I seriously felt a strong connection to him, unlike any other i've ever felt before.

"Do you wanna go back to my hotel room? We can continue to talk there" I chuckled, he nodded and packed his things from the office and closed the door behind him. He suddenly grabbed my hand, holding it in his, I looked up at him and he winked at me. "Cmon, let's go." he said, chuckling at my reaction.

As we got to the parking lot I remembered we caught a taxi there, "fuck.." I muttered under my breath "what's wrong prinzessin?" i sighed "I forgot, I didn't even drive here, I'm so sorry I can call us a taxi, I should've remembered" I groaned.

He put his hand on my shoulder lovingly, "hey don't worry, my car is here" he smiled and walked me to his car, it was a beautiful dark blue colour with black stripes on the hood and the back. "Woah, your car is so cool" I traced it with my fingers before getting into the passanger seat. He hopped into the drivers seat and started the car, the engine roaring loudly.

He sped off to where I said my hotel was, when we arrived he opened the door for me and I giggled "such a gentleman" I winked at him and he smirked, grabbing my hand again and walking with me up to my room.

Not one moment was awakward, we continued to talk for hours more, about everything and also nothing. He was the type of person where you could talk about stupid things and it would be interesing. I slowly layed back into the bed, he was still at the end of the bed and we were talking as usual.

Then, things became tense, not in a bad way, but it's like the air was thicker. He slowly crawled to me onto the bed and hovered on top of me, "you're so sexy.." he whispered in my ear, I gasped as he started to suck my neck, slowly and softly, leaving little marks. Then he moved onto my lips, capturing them in a passionate kiss. The way our lips moved so perfectly, like they were made for each other sent sparks flying.

I placed one hand the back of his head, continuing the passionate embrace. His lips were so soft, so gentle and kind. Not rough or unkind.

"Can I try something liebe? You might like it.." he smirked, I nodded hesitently. He slowly moved down to my area, looking up at me for conformation. I nodded eagerly and slowly took my skirt off, along with my panties, exposing my wet cunt.

His mouth opened slightly, groaning at the sight of my pussy. He locked his arms around my legs and started to softly kiss and suck on my clit. I moaned softly "fuck..i've never done this before Bill.." he looked up at me "don't worry prinzessin, you're in great hands.." he smirked and continued his movements.

"Mmm..feels so good Bill" I rolled my eyes back, grabbing onto his hair and tugging it slightly. "So good baby, your pussy tastes amazing..fuck.." he groaned against my heat, licking and sucking up my juices.

He would occasionaly lick my whole pussy, from clit to hole. Making me shudder. My moans would get louder and more urgent when he would stick his tongue into my hole.

"Fuck..this pussy is so good, you're so fucking sexy" he continued his attack on my cunt, repeating movements that made me cry out in pleasure.

I felt my orgasm approaching, my clit becoming even more sensitive as his tongue flicked my bud. With one last loud moan my orgasm washed over me and I came hardly, he chuckled and licked up everything I gave him, careful not to overstimulate me.

He pulled himself up and kissed me roughly, tasting myself on his lips.

"Come here baby, let's try something else" he smirked, flipping us over so I was on top of him, "turn around liebe" he guided me so my head was near his cock and my pussy was on his face. "Go ahead, take my cock out for me baby..it's aching" he moaned, I happily obliged and slowly took his cock out of his pants, revealing the precum that leaked out of his cock. It was throbbing so hard, making me so wet.

"Come on baby, suck it" he latched onto my pussy, kissing and licking it again. I moaned and leaned down, putting his cock in my mouth and sucking, bobbing my head up and down at a fast pace.

I groaned, his tongue piercing against my clit drived me wild, his cock was almost too big for me, choking and gagging on it as I sucked. It hit the back of my throat, tears threatening to escape my eyes.

I continued to suck his length, saliva sticking around my mouth. I moaned against his cock as he sucked my pussy. Pulling away slightly as the pleasure took over my body. "Fuck..don't stop baby.." he groaned "doing so good, cmon" my shaky hands returned to his cock, pumping it a few times before putting it back into my mouth, sucking on it graciously.

"Fuck..gonna cum.." he moaned loudly against my cunt, the vibrations making me whimper. I picked up my pace, eagerly wanting him to cum in my mouth, sucking hard and fast. His cock twitched before shooting a massive load into my mouth, it was almost like he hadn't came for WEEKS. I winced at all the cum in my mouth and swallowed it, cringing at the taste.

Slowly after my orgasm hit, cumming all over his mouth. He again licked all my sweetness up, making sure he didn't leave even so much as a drop left.

I turned around and collapsed onto his chest, trying to regain my breath. "Fuck..that was so good liebe.." he panted out. I nodded and looked up at him, softly smiling.

E/N: HEY GUYS HOW WAS IT? I LOVED WRITING THIS AHHH, ty for the love and support it means the world to me <3