#file: relationships
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woodbrook-wanderer · 4 months ago
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Bits + Bits: A meta discussion on Sam's gender
Hello! This post by @spyjam24 has been itching me for quite a while, and while I could just include this in a post about Sam and in general the queercoding of the BTTWNS world, this seems important enough to talk about on its own. Sam being a woman while presenting masculinely is another point of discussion in my future Nigel analysis.
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BEAR HEIRARCHIES:
Being solitary creatures, bears have a simplistic social structure where mature dominant males are at the top, and sub-adults and cubs remain at the bottom. Male bears assert dominance by marking their area with their scent and challenge other males to gain right to food sources or an area. Larger bears roar to scare away younger bears who aren't as strong. While bears are not territorial and learn to co-exist with each other in safe distances, even congregating in places with abundant food supply (streams, coasts, etc.), the male dominance ensures that all the given needs (food, water, shelter, and mates) are streamlined towards them. Females do not have much say in the matter. Although they are tolerant and can live within the territories of dominant males, refusing advances for mating results in injury or even death.
Female bears are most associated with rearing young and defending their cubs when male bears threaten to kill their children in order to get the mother to mate with him. Females do not go out of their way to kill or challenge other females.
Single females and subadults are almost always submissive to mature males but have a loose hierarchy within their own group.
RE-IMAGINING BTTWNS WITH A MALE PROTAGONIST:
Knowing this, how would BTTWNS play out if Sam was a man? The most prominent selling point fans and comic news outlets use to drive eyes towards the comic is its similarities to the TV show Dexter. Similar logline, similar plot, close enough characters. I have not watched the show in its entirety yet but with the knowledge I've gotten through friends and social media osmosis, it's about a mild-tempered investigator who's a serial killer by night. I have heard from a friend that one of the main storylines in the series is a string of murders happens and it is done to impress the titular character.
Sound familiar?
However, coming from a fan of Beneath The Trees and did not read under the advertising of it being "Dexter but Richard Scarry!", I believe it largely undersells and underestimates the message and themes. It also seems to disregard the importance of Samantha being a woman but also being a butch. Her gender presentation is extremely important as to how and why she kills in the first place.
But let's play this hypothetically. Sam is a man. He owns a hardware shop and is well liked in his community. He's the only bear in town. He's secretly a serial killer and goes out to the city to pick and choose his victim. Sure, it sounds similar enough, but why would he still kill in the first place when he knows he's at the top of the food chain or the social hierarchy in Woodbrook in the lenses of the anthropomorphic animal world? More importantly, if he was a man, why would anyone be brave enough to challenge him by becoming the local serial killer?
Nigel challenges Sam because she is a woman.
Caging The Idea:
Of course Beneath The Trees could work alone if Sam was a man but that would take away a lot of the gravity in the implied horror of the series.
First and foremost, Nigel is a stalker. He follows Sam around and obsessively takes photos of her to collect. God knows what he's doing with those photos, but his obsession with her extends beyond the images and into imitation. Aside from becoming a serial killer himself, he tries dressing and acting similarly in Issue 4 where he confesses to the crime in an attempt to become her equal.
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But that's the thing though. He doesn't view her as an equal. He's excited at the idea of her masculinity and imitates what he can learn from the violence that comes with it. She isn't as competent because she is a woman and he needs to assert himself under the guise of assisting her or "doing it together".
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He throws a fit when he is rejected, similarly to how certain men feel entitled to a woman or a partner and violently attacks her (although in this case indirectly by framing Charlie's murder on her and creeping into her subconscious in the nightmare).
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He fights for dominance he knows she can't naturally have because that's how nature is, correct? Females will always be submissive to males and rejection results in injury or even death.
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Now imagine all of this if Sam was a man. It does not feel twice as horrifying as it actually is in its plainest form.
Nigel is a predator as we know it in the modern sociological context, and he confidently does this by exerting the violence that comes with masculinity which he ironically learnt from a woman.
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WHY DO YOU KILL?:
It's simple. Nigel kills to assert his dominance.
Sam kills to emotionally regulate, but also kills to assert dominance.
Sam is seen to revere wild bears as she sees herself as a bear (she is, but moreso in the sense she is not "human" or social like the other animal folk in Woodbrook) and chooses to be one with what she loves. Her fascination and kinship with the strength and the power they hold in nature is why she chooses to present, dress, and act butch. However, we do see in gaps and moments that she is aware of how powerless she actually is if she was a bear and if she were to be a person. There's the pressure to be good. There's the social pressure that comes with being a woman. There's the expectations of her gender and the exploitation men will have over her in either situation.
And so she kills. She has no young to defend. She's not interested in love, or raising a family or being social so she'll act like a male bear because that is the closest she'll ever get to having power over anyone.
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And that power will be challenged in the Spring.
Yes. It's important that Sam is a woman. Don't undersell BTTWNS as a Dexter spinoff.
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hinamie · 8 months ago
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mentor
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katebeckets · 30 days ago
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how to say "I love you" in x-files [125/?] ⤷ 2.10 — “Red Museum”
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autumn-may · 6 months ago
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terrisas really funny ithink
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verstappen-cult · 1 year ago
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you come home after a girl’s night out to find charles lying on your bed, arms resting behind his head as he watches an action movie in your room.
“what are you doing here?” you ask, amused.
you leave your heels by the foot of the bed, walking to your vanity to take your necklace and earrings off.
charles smiles at you through the mirror. “waiting for you.” he says it so casually, so genuine, like he does not have somewhere to be, at the other side of the world, early in the morning.
“i missed you,” you feel shy admitting it, you saw him just a couple of hours ago, before leaving for the club with your friends. it’s not like you can’t live without him or max, but they have so little free time that all you want to do when they’re home is cuddle together and never leave your home. but your friends begged you to go with them and as much as you wanted to stay with your boyfriends, you also wanted to see your girl friends. “they played that song you like so much. it made me missed you even more.”
charles coos at you, forgetting the movie to, instead, make grabby hands. it makes you giggle but you are immediately sprinting to the bed, climbing carefully onto his lap.
“and what about you?” you play with the collar of his shirt, looking at your boyfriend from beneath your eyelashes. “did you miss me?”
“we missed you very much.” max enters the room making you smile even brighter. he walks to the side of the bed where both of you are and places a cup of tea on your nightstand. you pout at him and he leans to give you a little peck on the lips. “did you have fun? how much did you drink?” there’s genuine concern in his voice that leaves you flustered, feeling small and taken care of.
“oh, just two gin and tonic’s, and i’m definitely sober if that is what you’re asking.” max nods, smile on his face as he retrieves a make-up remover from your vanity. “and it was such a fun night!” you clap your hands, ranting about how one of your friends kept flirting with the bartender even when he said he was gay and definitely not interested.
“and what about you?” charles asks, playing with a strand of your hair. “did someone try to make a move with you?”
“as if someone would dare to try something.” that earns you a disapproving glare from your blonde-haired boyfriend. “everyone in monaco knows who i belong to.” you touch the tip of max’s nose with the pad of your finger. “only you two.”
max climbs on the bed next to charles, and the latter wraps his free arm, the one not on your waist, around max shoulders, hugging him tightly against his side.
you let max wipe the make-up off your face as they listen to you describe everything that happened that night, even the moment a group of girls approached you to say how jealous they were that you are dating two of the most hot and talented (you added that, they didn’t actually say it but you like to point it out every time you can) drivers on the grid.
“i like to know i make girls jealous.” you say without an ounce of regret, looking between your boyfriends. why would you feel ashamed, right? “and i like to know i’m the only one to have you both.”
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kiernanshayemckay · 9 months ago
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Fox Mulder being head over heels in love with Dana Scully
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demigods-posts · 20 days ago
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pjo culture is getting at notification for an intern position at a company called 'olympus property' and getting suspicious.
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0yorixu · 4 months ago
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last thing ill ever draw in 2024 is tf one wheelratch
I really suffered drawing this, genuinely took like 10 hours just for linework and idfk how to paint robots
uncropped ver under cut
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visceravalentines · 8 months ago
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okay but the way mulder closes his eyes when scully's fingers touch his skin while she's checking him for alien worms in 01x08??? and her little gasp when he yanks her back from the door and then the way he cups the back of her head before he checks her too??? the size of his hand on the back of her neck??? oh man. oh god. oh fuck they were really out here doing something huh. I'm never gonna come back from this one huh. oh boy. oh no
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freckleslikestars · 8 months ago
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What is this? How did we get here?
THE X FILES | This 11.02
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woodbrook-wanderer · 2 months ago
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Would love to know what you make of the wedding ring scenes. IK Hovarth has said that Sam isn't really invested in any of these relationships beyond appearances but I can't help but read that as evidence that there's.... something. A sort of altruism in that act, she could have just not and wouldn't have changed the situation much.
Well just because she has no interest in being a friend doesn't mean she has to act like a stranger to everybody else. Something I personally appreciate about the series is how it leaves around bits of personality that you really have to pay attention for and this moment just so happens to be one except explicitly shown in front of us. We can gather through context clues what Sam is like outside of killing because (I personally get this thrown at me a lot on da personal) it would be really boring if our serial killer protagonist was simply just brooding and quiet and edgy like most characters in that umbrella are instead of a bright and active community helper. Nuance rounds out a character but it's not a large part of their personality that it outweighs their narrative purpose. That helps people create their own interpretations of a character! It may not be 100% close to Authorial Intent as we're not gonna get the full story on a silver platter, but it's a jumping point until further information is presented. Example: She has a sweet tooth! Most of the food that she's shown with are desserts or treats.
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There is always still something. Traces of normalcy, traces of a person who once was like everyone else, traces of a person who does care even at the most superficial level. Sam may have done that thinking she'd get something in return from Pauline, but in that moment would you care about possible ulterior motives? If somebody does something nice for you (and doesn't make their intentions known Out Loud), it's still a kind act.
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Then again, she's good because she has no other option than be good. Does being a Decent Person in your community outweigh picking and choosing over forty-five people to die? No.
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seapotty · 8 months ago
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I hate season 6 like crazy to be honest but i just have to accept my lot at this point
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parrrty-poison · 5 months ago
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thinking about the way that x files was really about the craziest most prolonged slowburn situationship in tv history
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leonardalphachurch · 3 months ago
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kai: yeah so once at blue base we were all drinking and tucker started hitting on me but i was on my period and he always gets weird about that so i told him i would only sleep with him if he kissed church cuz i thought he wouldn’t do it or church wouldn’t agree to it. but then they did?? so i had to give him a handy. but the thing is like they were both really into it like really into it but they wouldn’t admit to it sober. so i kinda felt like it was my duty to keep making tucker make out with church every time we got drunk. cuz yknow church needed the rebound after his girlfriend exploded or whatever and tucker needed to do whatever the guy version of lez out is… does that answer the question?
Counselor: …………….. Yes, I, think we got all the information we needed. Thank you for your… enlightening insights.
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linterteatime · 1 year ago
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Gyaru Noelle 💕...it's what i would say but I'm not sure anymore, it's this gyaru? Or did something else snuck itself in while I was drawing this
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verstappen-cult · 1 year ago
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CHASING HEARTS | MV1 & CL16
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summary: you’ve been friends with max and charles for quite a while now, but as much as you’ve tried you just can’t keep denying your true feelings anymore. so, what happens when they came knocking on your door demanding an explanation?
pairings: max verstappen x fem!reader x charles leclerc. content warnings: hurt/comfort, poly relationship.
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“she said she was busy studying,” charles says as he gets out of max’s car parked right in front of your building. “i don’t think we should be here.”
max gives him an exasperated look. “and you really believe that?” when charles shrugs, max can’t help but roll his eyes. “she’s been ignoring us and giving poor excuses to not hang out with us for weeks, don’t you think it’s a little strange?”
charles, in fact, finds it strange. at first he thought nothing of it, but then max came to him ranting about how he saw you hanging out with oscar and lando, laughing about something the younger boy had said, but when he got closer, that beautiful and melodic laugh died in your throat, and you didn't look at him once.
charles just looked at max and waited patiently until the boy stopped his ranting. what came next was a conversation that was bound to happen. but when they tried to approach you they were met with a cold text saying you were too busy, while you tried very hard not to cross paths with them around university.
they just can't take it anymore. ambushing you at your own house it's probably a bad idea, but hey, they need answers.
the elevator ride to your apartment can't be fast enough, max thinks that if he has to spend another minute without knowing what happens he will most definitely go crazy.
the blonde-haired boy slams his fist against your door, anxiety and anger building inside of him. charles has to put his hand on his shoulder to try and ground him.
you open the door wrapped in a very cosy blanket, surprised to find them there. "hi?" you say, at a loss for words. you've missed them, you'd be lying if you say that having them in front of you, even if max looks angry and charles a little sad, it's not what you've been dreaming about.
"hi, sweetheart." charles gives you his signature smile, with dimples on display and everything. "can we come inside?" he asks, but max is already pushing the door open and making his way into your home.
"i can't to his anymore," it's the first thing max says, hands on hips and a frustrated expression on his face. "what is happening? i need an answer now. we need answers. you've kept us in the dark long enough."
charles knows max is hurting and trying very hard not to take it out on you, even if you're the who caused this, so, he takes a step forward.
"we've missed you, right?" the monégasque raises his eyebrows, throwing daggers at him. max sighs, shoulders dropping slightly. "we just need to know why are you ignoring us. and if after that you don't want to see us again, then... we will not force you."
that's exactly what you don't want to do and why you distanced yourself in the first place. you promise yourself you were not going to tell them the reason.
you close the door while wrapping the blanket tighter around your shoulders, as if that is going to magically make you disappear.
"i—um, it's not..." you avoid making eye contact, fearing that if you do your walls will crumb and you'll let your true feelings rise to the surface. you're in great danger already.
max makes a noncommittal grunt and mutters something under his breath.
you sigh, putting on a brave face. "i just been busy. finals are around the corner and i've been distracted," you raise your eyes to, finally, look at them and charles heart skips a beat, even if he catches your gaze for just a second.
"bullshit," max hisses through his teeth, seeing right through you. why did you thought you'd succeed in lying to them? "did we do something to upset you?"
"no! no, you didn't to anything wrong." you rub your hands over your face, exasperated.
"then why are you doing this?" charles really doesn't understand because you aren't making any sense. "we thought everything was fine.”
max inhales softly, counting to ten in his head. "i even asked lando if he knew something and he said it was not his secret to tell, so, we know something is happening."
"i can't be your friend anymore!" you feel tears threatening to spill down your cheeks.
"what?" both say at the same time, but you don't have the heart to look at their faces.
max runs his hands through his hair, it's a little too long again and you'd volunteer to cut it if it weren't for what's happening right now.
charles paces around the living room, alternating between looking at you and then at his feet.
"it's not that big of a deal," you shrug, walking past them into the kitchen to make some tea just to have something to do. "it's not like i'm an important part of your life."
they follow you into the kitchen because of course they can't leave it at that.
"what are you talking about?" charles sounds broken, he can't believe you'd think so little of you. and what you actually mean to him and max. "if you really think we can forget about you that easily, then you don't know me. or max." he says, tugging at max's wrist.
"you're very, very important to us. we care about you, we've been so worried—"
"i just can't, okay!?" you turn around, forgetting all about the tea. "i can't get in the way. i won't."
"in the way of what?" max sounds so confused, and when you look at charles, his expression is the same one as the boy standing next to him.
"i know you're together." you whisper, glancing fearfully between them.
"well, obviously." charles chuckles, amusement tilting his voice, but his expression still shows how confused he is. "i mean, we're not exactly subtle about it. and we spend a lot of time together, so, you would've noticed, eventually."
"that's exactly the problem!" you throw your hands in the hair, finally giving up. you can't do it anymore. "i like you." your eyes widen in fear once you hear yourself saying the words you swore to yourself you would not to say out loud.
max looks at charles, but charles keeps looking at you like you've grown a third head or something. and when neither of them says anything, you know you've fucked everything up.
"i like you, too." charles finally says, letting go of max wrist to get closer to you, but he doesn't get too far because you are moving out of the way, away from him as much as you can.
"you don't understand," you look at them with cheeks burning with embarrassment. "i like you. both of you. and not like friends should like other friends, okay? so i can't be friends with you."
max laughs, like actually laughs, throwing his head backwards and all. it makes you feel stupid and tiny in that big, stupid kitchen.
you should not have said it. you should have made something up, you should have acted like a grown ass adult and shove those feelings deep inside of you, forgetting all about wanting to be held by them, and kissed, and comforted.
stupid girl with stupid feelings—
"hey," max says, in a voice too small to be his own. "can i come a little closer?" your shoulders tighten, you really want to say no but you are nodding before your mind can catch up with it.
max walks slowly, being followed closely by charles. they don't want to scare you and have you walking away from them again.
"sometimes," max says carefully as you bite your lip trying to regulate your breathing. "these things happen. we're not actually seeking them but, as most things in life, things happen... i know how that feels, schatje." charles lifts his right hand so, so slowly, until is resting on your hip, fingers pressing into your skin ever so slightly.
"i'm so sorry, max —"
"don't apologize. you don't need to apologize for having feelings." he says and you bite your lower lip harder, tasting blood. you don't deserve his gentleness, you don't deserve charles’ caring touch, you don't deserve anything. "you didn't do anything wrong, okay?”
you open your mouth to say something, but close it again quickly when charles shakes his head.
"you still don't get it, do you?" the brown-haired boy asks, and coos at you when you tilt your head to the side. "max, she doesn't get it."
they share a knowing look, smiling playfully when his eyes are back on you again. you feel lightheaded, aware that something is happening right in front of your eyes but not understanding a single thing.
"we planned on having this conversation a little bit different," charles beings to say as max's hand finds comfort on your lower back. "max would cook something for us and we would eat, then watch and movie and, at the end of the night, we would have this conversation."
max hums, nodding along. "but you ghosted us and fucked all of our plans." the monégasque slaps his chest playfully with his free hand while you feel like you're gonna be sick.
"wha—what are you talking about?" your heart is about to be spilled out onto the floor.
"we like you, too." charles confirms, his voice rumbling through your ears.
"we didn't noticed what was happening at first," max has a small, shy smile on his face as he remembers the exact moment he had the conversation with charles, where both of them ended up crying while trying to understand what it all meant to them. "it was thanks to you ignoring us that we realized our true feelings."
"at least something good happened because of it." charles' voice is small like a child's and, for the first time in forever, you cup his cheek, his skin feeling soft and so warm. you do the same with max, getting goosebumps all over your body.
"you're not playing with me?" you need to be sure before getting your hopes up.
max's grips tightens on you. "we aren't that cruel, baby."
you want to cry. and scream, and laugh, and cry some more.
you look at each other for what feel like ages, you've missed each other so much that now that you are finally reunited, you don't want to be apart anymore.
then, the three of you start giggling like children.
"can i kiss you?" charles shyly ask, earning a snort from max beside him.
your tiny nod it's all he needs to lean in and brush his lips against yours. it's a timid kiss, tasting each other slowly. it's delicate and gentle, you feel like floating up in the air which leaves you feeling dizzy when he eventually pulls away.
max doesn't asks, he just leans and waits for you to make the first move. which you definitely do. there are butterflies in you belly and you feel so nervous that you bump your nose with his, making them both laugh. max grins into the kiss and lets you take all the control, following your lead.
their kisses leave you feeling warm all over and with a buzzing in your ears that even after an hour of making out still won’t go away.
it's stupid and it's not gonna be easy. there are so many preconceptions about poly relationships that you know people will talk. but for now you don't care about anything but the two boys glued to your sides as you cuddle together on the couch.
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