#fletcher louvre

[hermits-hovel]

JUNELEZEN DAY 10 || Summer

“Mother was telling the truth," Fletcher remarks. "It is far chillier in Coerthas than it is in the Black Shroud, even this time of year. How can dragons stand it without any fur?”

After a pause, Fletcher smiles and trots closer to his step brother. “Actually, Ancel... do you suppose we’ll see any? Dragons, I mean.”

“… They keep warm with fire, Fletcher," Ancel answers with a frown. "I certainly hope not.”

[stars-and-birds]

🎧🎶Shuffle your favourite playlist and post the first five songs that come up. Then copy/paste this ask to your favourite mutuals. 🎶🎧

kk!!

bad for business by sabrina carpenter

home by now by muna

cherry by fletcher and hayley kiyoko

two weeks ago by maisie peters

the louvre by lorde

amazing how i didn’t get a single taylor song

[studioahead]

Gallery Spotlight: Aida Jones

We at Studio AHEAD are excited to announce our latest exhibition, The Lily Too Shall Function, on display at The Jones Institute and the Minnesota Street Project starting November 3. As a sneak peak, we spoke this month with Aïda Jones, founder of The Jones Institute, who shared with us the history of the home gallery, a few thoughts on our show, and what San Francisco was like in the 1990s.

Studio AHEAD: The first striking thing about the Jones Institute is that it is run out of your living room. Can you share with us the history of how this came to be?

Aïda Jones: Impulse was the catalyst. An artist friend was forlorn after being rejected by a gallery and, instinctively, I responded, “I’ll have a show for you.”

It was a leap of faith where Matt Dick, Ruth Kneass, Tjarn Sato, Fletcher, Anton Stuebner, Michael Lee, Wendy Norris, Regina Tsasis, and many many others, generously helped transform my living room into The Jones Institute.

Studio AHEAD: Were there other contexts?

Aïda Jones: The home is the original gallery. We still visit homes—the Uffizi, the Louvre, the Frick—that are now museums. The Walker Art Center in Minneapolis began in TB Walker’s home in the late 19th century and in New York in the 50s, Leo Castelli converted his living room into his first gallery. The New York Times had a wonderful article about apartment galleries a few years back.

Studio AHEAD: Perhaps 500 Capp is San Francisco’s most famous example. Who were your guiding lights in setting this up?

Aïda Jones: I love the idea of shaping culture from the fringes. Of bringing a traditional and formal construct into the domestic space.

Guiding lights are everywhere. Walk out your door and you’ll find thousands of inspirations: the drunk at the wharf, everything in Chinatown, the dahlias in the park, the art in the TL, vendors in the Mission, the cook at Red’s, the amateur opera singer next door rehearsing.

Studio AHEAD: What sort of advantages does this… let’s say DIY approach… bring?

Aïda Jones: Let's not say DIY.

Studio AHEAD: Then what would you call it? Certainly the space itself affects how people view the art.

Aïda Jones: If we have to label it, maybe call it an alternative space. And you’re right, space absolutely affects how people view art. It permeates every bit of their experience. When art is in a home, the sense of place opens them up—the art itself changes the space, it’s a symbiotic relationship you won’t have within the white box. And The Jones Institute is not a commercial place so most people find communing with art is different.

Studio AHEAD: Tell us about a recent exhibition from curator Shirley Watts. Would this be a show a more mainstream gallery could put on?

Aïda Jones: Yes and no. While individually the artists from that show (Gail Wright and Megan Gafford, for example) are exhibited in mainstream galleries, the whole of Altered States would have been impossible. Where else could you sit in a backyard, listening to an audio performance of a brain dissection (Erica van Loon) after taking in Megan Gafford’s irradiated daisies and an Erin Espelie RGB video in the main gallery?

Studio AHEAD: Nowhere else! How does our show, The Lily Too Shall Function, fit into this?

Aïda Jones: The Lily Too Shall Function, being guest curated by Homan and Elena, feels very connected to our programming. First, they chose three Northern California artists among the cohort we choose to exhibit here; and second, they are working their distinct point of view within the domestic space, marrying art with how we live. Very much in our founding ethos. We also have a deep belief in sharing the artistic process, so screening a film of the artists at our satellite location in Minnesota Street Project just makes sense.

Studio AHEAD: You and Homan were speaking off-the-record about the 1990s, on which there is currently a lot of nostalgia in mainstream American culture. What elements of the 90s would you like to see transplanted into the 2020s?

Aïda Jones: This is specific to San Francisco where we are on the edge of the world. The experimentation, the casual spontaneity, the lack of preciousness and belief you could do anything.

In the 90s, I founded AvidFan, a theatre company, and when I cast two actors (who were also female) in The Zoo Story and then True West—this to the New York Times was radical, but in San Francisco, no one blinked.

It happened because of this place as it existed then. The space and freedom. The whole Bay was wide open with possibility (and low rents!). Such amazing support for artists, from studios and rehearsal spaces for musicians, filmmakers, comedians, photographers, spoken word poets, writers, hip-hop/modern/ballet dancers to performance venues and theaters (& a cowboy store on Valencia), many underground & well-known support structures like Film Arts Foundation, New Langton Arts, New College, and so many others.

For a peek into that era see the New Yorker article of the photographer Chloe Sherman’s Renegades (and then buy the book).

Studio AHEAD: What aspect of the 2020s would you have liked to see back in the 90s?

Aïda Jones: The lovely, well-kept city parks. The absence of lingerie shows in downtown bars.

Studio AHEAD: We like to end with some cultural spaces/people in Northern California you’d like to shed light on.

Aïda Jones: Aside from each and every artist I've shown?

Studio AHEAD: Yes.

Aïda Jones: Here is an incomplete list: Aimee Sioux, Reed Awakening, TamaOne, The Farm Stand Art & Music program, Stud Country Queer Line Dancing, Slash Art, For You, the Bolinas Museum, African American Cultural Center, Dancers' Group, Auntie Charlie’s, Werkshack, CCSF Film Department, Arborica, the promise of a NorCal Pacific Standard Time, Catholic Charities’ homeless family shelters, Canyon Cinema, the Bay View Newspaper, Everything the band, Albert Lee, Natural Discourse, NAID, Cushion Works, Lynette Betancur, Donald Guravich, Rachel Marino, the new extension of trails in Marin’s redwood preserve, Originals Vinyl, Li Po, Artists Television Access, CounterPulse, RCA Beach, Day Moon Bread, whatever Natasha Boas is up to, 120710 in Berkeley, Winslow House…

Studio AHEAD: Thank you!

Photos by Ekaterina Izmestieva

[scarlet-whisper]

『 𝙰 𝚅𝙴𝚁𝚈 𝙳𝙴𝚂𝙲𝚁𝙸𝙿𝚃𝙸𝚅𝙴 𝙿𝚁𝙾𝙵𝙸𝙻𝙴 𝙾𝙵 𝚈𝙾𝚄𝚁 𝙼𝚄𝚂𝙴 』 .    

 with   the   information   of   your   muse   ,   including   headcanons   ,   etc.   if   you   fail   to   achieve   some   of   the   facts   ,   add   some   other   of   your   own   !

NAME.       Ancel Louvre

AGE.       31

SPECIES.        elezen (wildwood, supposedly)

GENDER.        male

ORIENTATION.       questioning

INTERESTS.        magic, alchemy, writing

PROFESSION.      occasional sellsword

BODY TYPE.      tall, well-built

EYES.       pale pink, narrow pupils

HAIR.        sandy brown

SKIN.       somewhat pale, somewhat desaturated

FACE.         scars here and there - forehead, nose and cheek most notably

HEIGHT.        7′1′′

COMPANIONS.       Fleur (black chocobo), Gale Winters (accidental housemate), Fletcher Allemande (step brother, complicated), “Book” (book with teeth and a taste for flesh that he can't seem to unmake-)...

ANTAGONISTS.       Ademar Louvre (father), a Silken-voiced Stranger, dragons (general)...

COLORS.      gray

FRUITS.       rolanberry

DRINKS.       tea in the morning, coffee at night

ALCOHOLIC BEVERAGES ?     wine at home, ale in public

SMOKES ?     semi-regularly

DRUGS ?      not opposed to dabbling

DRIVERS LICENSE ?    if a chocobo license counts, yes!

TAGGED BY .  @unveiledgallows!

TAGGING .  folks who wanna do it! I would love to see!

[artemiss-moonchild]

Music Shuffle Tag💿🎼

You can usually tell a lot about a person by the type of music they listen to. Put your favorite playlist on shuffle and list the first ten songs then tag ten people! No skipping!

I'll Call You Mine by girl in red

Ледено момиче by Д2

We Can Hide Out by Ofenbach

Babylon by 5SOS

Arcade by Duncan Laurence (feat. FLETCHER)

Feed the Machine by Nickelback

moonchild by RM

Treacherous - Original Demo Recording by Taylor Swift

Hello Stranger by Kai

The Louvre by Lorde

Thank you so much for the tag Selmi @starchild--27 !♡☆

I'm tagging everyone who wants to do it! ☺

[not--amanda]

I feel like you and I have been a bit quiet lately, how are you? I’m going alright, just sitting at work bored out of my brain. Thinking about making a playlist, help me out gorgeous? Your anon xx

Hi darling, I’m so sorry I haven’t been answering much lately, school is getting pretty intense again :( I hope your work gets more exciting, but given the state of the world I guess bored is better than nothing

If it’s songs your after dear I’ve got a couple I think you might like

- clumsy love by Thelma Plum

- yoko ono by mobby rich (it’s That Song from atypical)

- weekend by Emily Vu

- Notion, Gemini or pretty lady by Tash Sultana

- reckless by Healy

- roller coaster by Bleachers

- the Midwest Kids Can Make It Big album by Lauren Sanderson (but in particular listen to But I Like It, Bathroom Stall in Seattle, and Begin)

- the Under My Influence album by The Aces (ITS SO GOOD AND SUPER NEW but in particular New Emotion, Daydream, Can You Do, 801 and Cruel)

- anything that Gflip has ever written ever (but like Lover, Hyperfine, loose ends and About You)

-you got me by Kae Riviera

- me and you together song and if you’re too shy by the 1975

- bitter and the acoustic version of Forever by Fletcher

- Everything by Lorde. If she wrote it you gotta listen to it (homemade dynamite, the louvre, bravado, glory and gore, biting down, 400 lux and buzz cut season)

- push and also Pasta by Angie McMahon

You’re welcome sweetheart. I miss you.

[averyho]

answer 21 questions and tag 21 people you want to know better

tagged by @dykeclone @disabledwarrior @r0yal-r0se !! thank you guys!!

nicknames: avery, wombat, b, aves, wom (those last two are just bem)

zodiac sign: virgo

height: 5′5 ish

hogwarts house: ravenclaw

the last thing i googled: feminist french rap

favourite musicians: janelle monae, mary lambert, mitski, transviolet, lorde, carly rae jepsen, florence + the machine

song stuck in your head: Pink in the Night - Mitski

following: 572

Followers: 502

do you get asks: sometimes 

amount of sleep: 6-12 hours

lucky number: 17

what you’re wearing: a yellow sundress with little white flowers

dream job: special ed teacher who does theater lighting for schools on the side 

dream trip: europe

instruments: none

languages: english and asl (+ a tiny bit of french)

favourite songs: 1950 - King Princess, Wait a Minute! - Willow, I Wanna Be Your Girlfriend - Girl In Red, Princess - FLETCHER, Rollercoaster - Charli XCX, Upper West Side - King Princess, I Want Her - Georgia Harris, Rockerchick - Lipstick Homicide, Saw You In a Dream - The Japanese House, FOOL - Alyson Stoner, Glow in The Dark - The Wanted, Yesterday - Imagine Dragons, Hurry Up! - Superfruit, I Got The Juice - Janelle Monae, Patricia - Florence + The Machine, I Don’t DO Boys - Electra, Most Girls - Hailee Steinfeld, The Wire - Haim, Froot - Marina, I’d Be Your Wife - Mary Lambert, Washing Machine Heart - Mitski, Mama Say - Betty Who, like that - Bea Miller, The Louvre - Lorde, Boy Problems - Carly Rae Jepsen, She Likes Girls - Metro Station

random fact: my pets only spend time with me when my moms not home

aesthetic: theater lights, sawdust and cat hair, scattered comics, leftover mac and cheese, sweatpants 265 days a year, teal and sunshine yellow, slip on shoes covered in paint, reversible sequin fabric, late assignments, red fabric paint and dried blood, assorted pocket knives, overcast days, happy tears, laying on the floor, singing in the car, randomly appearing glitter 

tagging @augustheart @lesbiansimonbaz @super-spoiler @lesbianladyblackhawk @sqoiler @bi-ahsoka @starryeydsailor @lavendertoad

[sybillxtrelawney]

tealeaf & teacups;; a mix-tape

Every Little Thing She Does Is Magic :: Sleeping At Last // True Love Avenue :: Kristina Train // Romantic :: Stanaj, NOTD // I Like It, I Love It :: Tim McGraw // High Hope :: Patrick Droney // Thinking out Loud :: Ed Sheeran // Check Yes or No :: George Strait // War Paint :: FLETCHER // I Won’t Give Up :: Jason Mraz // Dust to Dust :: The Civil Wars // Paperweight :: Joshua Radin, Schuyler Fisk // Like I’m Gonna Lose You :: Meghan Trainor, John Legend // Hold You in My Arms :: Ray LaMontagne // Latch :: Sam Smith // She Don’t Know She’s Beautiful :: Sammy Kershaw // Better Together :: Hayden James, Running Touch // affection :: BETWEEN FRIENDS // Cowboy Take Me Away :: Dixie Chicks // Loving Love :: Naaz // Midnight Magic :: Diamond Pistols, Karra // Contact :: Lulleaux // I’m Yours :: Alessia Cara // The Cure :: Lady Gaga // Out of Love :: INDIIA, Whitney Phillips, NEIKED // What I Need :: Hayley Kiyoko, Kehlani // Perfect Duet :: Ed Sheeran, Beyonce // Your Song :: Ellie Goulding // Always :: The Him // A Million Dreams :: Benj Pasek // Only Love :: Ben Howard // Better :: Regina Spektor // 5 Years Time :: Noah And The Whale // The Louvre :: Lorde // Girl Like You :: Jason Aldean // I’m Gonna Be (500 Miles) :: Sleeping At Last

@fawley-en-face

[tiiescut]

tag dump. relationships.

mother ( read me like a book ). father ( oil stained and grease slicked ). ella reyez ( i’ll make it up to you somehow ). rapunzel veith ( stars don’t shine as bright as you ). scarlet louvre ( i’ll fix you up and make you run again ). blue yi ( the prices we pay ). sullivan kholman ( you’ve got a winning attitude ). jess shepard ( i see your kindness first ). rain mars ( what a lovely way to burn ). alice evans ( plans may change but our hearts remain ). parker wada jackson ( reckless and ruined but not to me ). rosa cruz ( i already know the little things about you ). elsa arnadalr ( if i held your hand would you hold mine too? ). shae leighton ( you’ve got the world at your fingertips ). sunshine weaver ( kindred heart and tender smile ). dustin sterling ( i stare across the room at you and see myself ). forrest greene ( echos of friendship ). óscar rivera ( we’ve got a good thing going here ). felipe rivera ( i feel like family ). fletcher ruiz ( it’s easy with you ). alex reyez ( overwhelming sense of strength ). ‘friends’ ( go fuck yourselves ). erin rex ( i hear your voice in every love song ). cassiopeia lee ( string of fate ). sokka bouchard ( a hand to hold in hard times ). marcella seong ( what if we changed our path ). eerie somby ( with the moonlight painted on you ). udyati roa ( there’s a warmth in the quiet places ). familia ( uno no elige a su familia ). charlotte labouff ( you’ve got that old world beauty babe ).

more tba.

[pkstudiosindia]

Student potentially unable to return home to family after year abroad says she feels ‘forgotten’ – 9News

Featured Post in Water Filter India dot com - Water Filter India

For Courtney Fletcher, 2020 wasn’t the year she had envisioned.

After the 22-year-old University of Technology Sydney scholar arrived in France in January for a 12-month alternate, the coronavirus pandemic turned the world upside-down.

What adopted was eight months of lockdowns and restrictions – and on the finish of it all of the prospect of returning home to family, associates, boyfriend and, after all, her two canines Bobbi and Benson.

Courtney Fletcher in Paris whereas on alternate in the course of the COVID-19 pandemic. (Instagram)

Through weeks of being unable to go away her room at scholar lodging due to France’s harsh COVID-19 lockdown, Ms Fletcher has stored her sights set firmly on finishing her examine and returning home in January.

But her plans to return had been thrown into limbo after receiving an e mail warning her flight could also be pushed again due to ongoing flight caps on worldwide arrivals.

“Basically, I was told I could try to guarantee a flight home but I’d have to pay thousands of dollars to upgrade it, which I definitely do not have,” she instructed 9.com.au.

“But if I was to keep my economy tickets and my flight gets pushed back, I would have to deal with my visa and my visa is only one year.”

Students have been suggested to make an insurance coverage declare to cowl the prices of upgrading flights however with out concrete data, Ms Fletcher says she is not prepared to danger being out of pocket due to her 364-day insurance coverage interval.

Courtney and her mum and pa earlier than departing on her year-long alternate to France. (Instagram)

“How do I know if I need to extend my visa if I don’t know if I’m going to able to get on my flight?” she stated.

Then there’s the issue of lodge quarantine.

The NSW authorities requires anybody who booked a return flight after July 12 to cowl their very own lodge quarantine prices – a whopping $3000 per particular person.

“I booked in May but if I need to change my ticket, that counts as rebooking so I’ll need to pay for hotel quarantine costs and UTS won’t cover that,” Ms Fletcher stated.

“For a scholar abroad attempting to get home for the Christmas, New Year interval it actually relies upon what number of flights Australia takes in and if they do not take us as a result of we’ve got financial system tickets, that messes up your visa, your flights prices and your quarantine prices for one thing you are not in command of.

“I do not need a spare $8000 to cowl prices of one thing that I wasn’t anticipated to do earlier than I left.”

Police officers patrol close to the Louvre throughout a authorities enforced quarantine in March in Paris. (Veronique de Viguerie/Getty Images)

The college stated it suggested college students to return home earlier within the year nevertheless alternate is a obligatory a part of Ms Fletcher’s International Studies diploma and after three years of examine, she stated she was decided to end it, which is why she determined to stay in France.

��The most important cause why I stayed was as a result of if I got here home, my diploma would have gone down the drain,” she stated.

“It’s not my fault all this stuff are occurring … I am simply attempting to do the most effective I can and attempting to fulfil the necessities of my examine.

“No one said it would require tonnes more money.”

Courtney Fletcher together with her two canines, Bobbi and Benson, at her Sydney home. (Instagram)

Ms Fletcher stated the warning was a slap within the face after what has been a difficult year abroad.

“I was really disheartened,” she stated.

“I needed to really feel like I stayed right here for a goal and that it was recognised, and folks could be a bit extra understanding.

“I additionally simply really feel a bit misplaced … nobody may help you, it is only a ready recreation which can also be a really uneasy feeling as a result of cash is tight, you are questioning if you will get home, wherever I dwell I will be residing out of suitcase.

“I will in all probability be residing in a hostel as a result of that is all I can afford.

“Even as somebody who can often cope it’s taking a toll on me.

“It’s like I am forgotten … and that is a little bit bit distressing.

“No one needed to be caught abroad while you’re meant to be home along with your family.”

Currently, round 37,000 persons are registered with the Department of Foreign Affairs and Trade (DFAT) as being abroad and, of these, round 28,000 have expressed a want to return.

“DFAT is offering each help it may well to Australians who’re at the moment unable to return from abroad. They are in a position to contact our consular help line at any time,” a spokesperson instructed 9.com.au.

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[giancarlonicoli]

7 set 2020 11:36

IL MERCATO DELL’ARTE DEVE PUNIRE GLI ARTISTI “ETICAMENTE RIPROVEVOLI”? IL CASO FLETCHER E LA DAMNATIO MEMORIAE DELL’ARTISTA CHE HA UCCISO LA COMPAGNA – RIELLO: "IL CARAVAGGIO ERA UN ASSASSINO. BENVENUTO CELLINI, UN PLURIOMICIDA CONFESSO. LE AMANTI MINORENNI DI GUAGUIN E PICASSO - MA GLI STANDARD ETICI FINO A CHE PUNTO SONO ASSOLUTI? SONO TANTI GLI ARTISTI CHE POTREBBERO ESSERE VALUTATI COME “ETICAMENTE SCORRETTI”. LI TOGLIAMO TUTTI DAI MUSEI?"

-

Antonio Riello per Dagospia

Saul Fletcher (nato a nel Lincolnshire nel 1967) era un artista britannico che aveva acquisito una certa fama con le sue opere fotografiche. Ma era noto soprattutto per le sue collaborazioni con il gruppo musicale Placebo e per una sbandierata amicizia con l’attore Brad Pitt. Il 22 Luglio 2020, a Berlino, dopo aver ucciso a pugnalate la compagna, Rebeccah Blum, si e’ tolto la vita. Una brutta storia. Uno dei tanti femminicidi-suicidi (le ragioni scatenanti sembrano tutt’ora ignote agli investigatori tedeschi) di cui la “cronaca nera” e’ sempre purtroppo prodiga.        

Questa tragedia ha una particolarita’ che la rende “speciale”. La (ex) gallerista di Fletcher, Alison Jacques, ha rimosso, dopo l’accaduto, ogni possibile traccia della sua collaborazione professionale con l’omicida dal sito della propria galleria. Sostiene semplicemente che vada ricordata solo la vittima, la Signora Blum (una curatrice di Arte Contemporanea di origine Americana) e che venga drasticamente istituita una “Damnatio Memoriae” digitale verso l’assassino-artista. La Collezione Pinault di Venezia ha rimosso, per le stesse ragioni, una grande opera di Fletcher in esposizione. Art Newspaper (nota rivista di settore) scrive, senza mezzi termini, che il mercato dell’Arte dovrebbe punire gli artisti “eticamente riprovevoli” facendone letteralmente svanire i lavori. Ovvero togliendoli da mostre, musei e aste.        

Ovvero annullandone, almeno nei desiderata, il valore di mercato. Una tesi interessante, con dei punti a favore e degli altri che lasciano inevitabilmente perplessi. Di certo il femminicidio e’ un reato particolarmente odioso che dovrebbe essere sempre sanzionato in maniera esemplare. E anche il ricordare (e comunque, in qualche modo, celebrare) piu’ il nome delle vittime che quelle degli assassini ha una sua stringente ed onorevole logica. Amara considerazione: da sempre sono i nomi dei delinquenti quelli di cui ci si ricorda, i nomi degli uccisi invece vengono spesso cancellati dalla memoria collettiva (uno scandaloso paradosso). Difficile non essere completamente d’accordo su questi due punti. Il problemi nascono, come al solito del resto, quando la vita privata e la carriera si mescolano (o vengono mescolati da qualcun altro). Diversi artisti del passato non hanno avuto una esistenza propriamente specchiata, almeno per gli standard attuali. The Guardian, saccente ma autorevole quotidiano britannico, ha addirittura stilato un “lista nera” di 10 artisti con accertate tendenze criminali. Filippo Lippi non era uno stinco di santo. Mise in cinta una giovane suorina (che, ad onore del vero, comunque poi sposo’).        

Un Michelangelo Buonarroti giovane, nel 1496, vendette un angelo al mercante Baldassarre del Milanese. Era stato appena fatto da lui, ma fece credere al compratore fosse un’antichita’ romana ritrovata in uno scavo. E, secondo il professor Rab Hatfield, che nel suo libro “The Wealth of Michelangelo” si occupa approfonditamente di questi aspetti della vita del grande genio del Rinascimento, in piu’ di una occasione avrebbe fatto abbondantemente la cresta sui costi dei materiali. Insomma era un po’ imbroglione. Il Caravaggio! Il sublime pittore dell’eta’ barocca, a Roma, nel 1606, assassino’ in una rissa, un certo Ranuccio Tommasoni e dovette di conseguenza fuggire dalla capitale. Benvenuto Cellini, scultore di grande ed imperitura fama, fu addirittura un pluriomicida confesso.        

E non erano, i suoi, solo omicidi dettati dalla collera. La storia dell’Impressionismo e’ anche quella degli abusi perpetrati a danno di giovanissime modelle da parte di artisti regolarmente sposati…..una mostra alla Gare d’Orsay nel 2015 l’ha ampliamente evidenziato. E le prostitute erano una compagnia abituale degli stessi artisti. Egon Schiele, il venerato pittore austriaco, fu processato dalle autorita’ asburgiche per avere avuto rapporti sessuali con minori (risulto’ colpevole). Quello che fece passare Auguste Rodin a Camille Claudel, non gli fa certo onore, ne’ come artista ne’ come uomo. E Paul Gauguin a Tahiti si accompagnava abitualmente con adolescenti quasi-bambine….onestamente disgustoso. Il “mostro sacro” dell’Arte Contemporanea, Pablo Picasso, non ha risparmiato al gentil sesso attenzioni che oggi porterebbero, nel migliore dei casi, ad una pubblica censura.    

Ebbe parecchie amanti minorenni. Rubo’ anche delle statuette antiche al Louvre, non era uno scherzo (come qualcuno scrisse…) e se le tenne per sempre nel suo studio. Lucien Freud, eminente pittore britannico, in una recente (e mai smentita) biografia di William Feaver viene dipinto come un vero e proprio “Sexual Predator”, una sorta di Weinstein del tempo. Per non parlare (nel corso dei secoli, e comunque anche oggi) del diffuso sfruttamento di aiutanti ed assistenti (sempre sottopagati). E diversi sono stati gli artisti con rapporti piuttosto “problematici” (per usare un eufemismo) con i rispettivi apparti fiscali. Spesso sfruttatori e qualche volta evasori, non proprio un bel ritratto.        

Ma gli standard etici fino a che punto sono assoluti? Quanto ci entra il “politicamente corretto”? Insomma, secondo certi parametri attuali, sono tanti gli artisti, significativi o meno, che potrebbero essere valutati come “eticamente scorretti”. Li togliamo tutti dai musei? Una seria e dettagliata “Damnatio Memoriae” finirebbe per lasciare molte pagine bianche nelle Storie dell’Arte. Rimarrebbero forse solo il Beato Angelico e pochi altri….  E il mercato? Investitori, aste, etc. etc.? Che conseguenze pratiche potrebbe affrontare? Esiste, tra l’altro, un’altra ambigua questione sul campo: il lato oscuro del compratore d’arte e’ sempre in agguato e la curiosita’ morbosa non dorme mai. Il mostro cattivo ha, dopo tutto, per molti un suo (ovviamente discutibile) fascino. Ad esempio esiste costante una richiesta, non disprezzabile da un punto di vista dei prezzi, degli acquerelli di Adolf Hitler. Sicuramente non sono apprezzati per la loro performance artistica, ma proprio perche’ realizzati da un criminale. Etica e Mercato non hanno mai convissuto facilmente assieme e questo e’, comunque lo si voglia vedere, un fatto storicamente accertato.

[gretascully]

6 12-17 22 26-28 30 42-45 57,60, 71-74 93-97 105 107 118-120 124-128 132 133 142

thanks bb!!

6. What kind of people are you attracted to?

ugh idk. I guess I like people who stand out and feel unique and I am intrigued by.  But also definitely gotta feel comfortable around them and they gotta be kind and funny.

12. What are your five favorite songs right now?

The Louvre by Lourde

Show Me by Idina Menzel

Little Bit of Everything by Dawes

Wasted Youth by Fletcher

Wait for It from Hamilton

13. Do you like it when people play with your hair?

yes! it feels relaxing and lovely

14. Do you believe in luck and miracles?

I do believe in luck and things happening that can’t be entirely explained but idk about miracles.

15. What good thing happened this summer?

I met this girl.

16. Would you kiss the last person you kissed again?

Yes please!!!!!

17. Do you think there is life on other planets?

Yeah, the universe is so big I feel like we can’t be the only life out there.

22. Where would you like to travel?

So many places! Basically everywhere, I definitely have wanderlust.

26. What do you do when you wake up?

Look at tumblr and text my girlfriend.  Then get up and get water and coffee.

27. Do you wish your skin was lighter or darker?

I’m okay with my skin but I am pretty darn pale so probably wish it was at least a little darker.

28. Who are you most comfortable around?

A few of my close friends and my girlfriend.

30. Do you ever wanna get married?

Someday but I’m definitely not in any rush.

42. If your being extremely quiet what does it mean?

Either that I’m really tired or really moody.

43. Do you smile at strangers?

If I happen to make eye contact with them then yes.

44. Trip to outer space or bottom of the ocean?

outer space!

45. What makes you get out of bed in the morning?

coffee!!!

57. Favorite color?

Blue!

60. Ever won a competition? for what?

In middle school I won a photography competition for a picture of my friend’s feet on pointe.

71. Craving something? what?

cuddles and kisses from my girlfriend

72. What color are your towels?

white and blue

72. How many pillows do you sleep with?

i can only sleep with my one special pillow lol

73. Do you sleep with stuffed animals?

pshhh Im 22!

(yes I sleep with a stuffed monkey shhhhh)

74. How many stuffed animals do you think you have?

I think I’ve gotten rid of most of them by now but I have like maybe a dozen left.

93. How many sweatpants do you have?

3 pairs I think

94. How many sweaters/hoodies do you have?

10…whoops

95. Last movie you watched?

Pans Labyrinth

96. Favorite actress?

Probably Gillian tbh

97. Favorite actor?

ugh idk no one that I can really think of

105. Ever been to a bonfire party?

No I don’t think I have actually but I feel like that would be fun!

107. Have you ever been on a horse?

Once and it was not a good experience

118. Do you like Chinese food?

Yes!

119. Favorite book?

I don’t wanna choose!! So I’ll be vague and cliche and say Harry Potter

120. Are you afraid of the dark?

The dark is a little spooky but its definitely not like a major fear of mine.

124. Do you believe in love at first sight?

Nah but I do believe in an intense connection at first sight

125. Do you believe in true love?

Idk for some reason I don’t really like that phrase.

126. Are you currently bored?

Nope! I’m really enjoying answering these questions and chilling in my bed.

127. What makes you happy?

A lot of things! My family, friends, girlfriend, dog, animals, TV and movies, nature, going on adventures, coffee, tea, baths, showers, acting, writing, dancing, singing, shows, concerts, camping, vacations, and probably other things.

128. Would you change your name?

Nah I like my name! Maybe just my last name if I get married.

132. Who’s the last person you had a deep conversation with?

my girlfriend

133. Favorite lyrics right now?

“And I know you can see into my soul

To the part of me no one else has known

When you look in my eyes, I do believe

I can show me, I can show me”

142. Favorite month?

August. Idk why but good stuff always seems to happen to me in August.  

[universallyladybear]

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