#for frederick interactions..........

[wisheswagered]

Frederick has always been someone easily swayed by paranoia and distrust. Sometimes, his suspicions fall into the realm of the irrational - which he can usually recognize using reason and common sense, but those things are never enough to fully convince him that he's wrong for keeping his distance or putting up his guard.

Today is no different. Though in this case, it's difficult to tell if he's truly being unreasonable or not... Usually, Frederick tries to at least keep up a polite enough demeanor to prevent unpleasant rumors from spreading, and to keep up his reputation, however fragile it may be, in the eyes of the public. But in a place like this, it doesn't feel like that particularly matters anymore. Perhaps his companion feels the same way.

"If you've got something to say, then please, go ahead." Frederick's voice somehow manages to be both soft and sharp at once, creating a distinctly disdainful tone that could just barely be denied if it were to be challenged.

"...Well? I'm listening."

@lumoire ( starter for richard or matthias! )

[bisexualityjunkie]

[passion2lovvers]

frederick take him out 2 dinner first!!!!

[akuma-tenshi]

i think my favourite thing about aom is that you can tell everyone (except maybe alice) fucking hates each other but they're also trying to be so calm and polite about it. the breakfast scene where orpheus infodumps about mary is the best example of it. his pointed comments so clearly digging into sore spots for both melly and frederick, melly's seething tone of voice when orpheus addresses her about loyalty before immediately throwing the heat onto frederick, frederick just setting down his drink, dismissing the whole thing, and then immediately fucking off but not without one last pointed glance at orpheus, it's so good. like i am just waiting for these people to rip each other apart. alice is on her own quest and getting dragged into these people's beef by virtue of just existing near them and being way too nosy for her own good, it's the fucking best

[kastalani123]

Trials of Ares: TTC

(Mortal Ares in SoM/BotL)

Ares spends the time between SoM and TTC throwing himself into way too much training, trying to compensate for his weak body and newfound limits. Everyone, including those not too fond of him, keeps trying to get him to stop because it just lands him in the infirmary over and over again and they honestly think it's pathetic to see him constantly sporting bandages and bruises (he can't even get ambrosia/nectar-powered super-healing) in an attempt to regain his godly prowess, unattainable by a mortal. He does not comply with doctor's orders, because he has to be able to protect himself and his allies, you know? Or at least be capable of putting up a fight. It doesn't matter how beaten he gets so long as he stands back up until he is physically incapable of moving again.

Annabeth has gotten over her initial inklings of pity and now just feels pissed every time Lee comes to get her because Ares will not stop even though he's about to cause serious permanent damage to himself and she's the only one who can force him to stop without further harming him.

His kids are conflicted. On one hand, they get the need to constantly train and fight, the need to push as far beyond the limits of their bodies as they can manage. On the other... there's a crazed, glazed look in his eyes when blood and sweat pour down his face, as if he's not really seeing what's in front of him, and his battle screams seem tinged with hysteria. It's a little like he's unravelling at the seams, each forgotten memory and unfamiliar softness of his body sending him further and further into a frenzy.

He always seems normal enough when he cheers them on, though. Not any worse with his threats than any of his children. It's odd. They're not sure how to deal with their father, always shaking with rage, seemingly never aiming the brunt of that rage on them.

Anyways.

He goes to Westover Hall because, again, tied to Annabeth. Also, Chiron thinks it's a good idea to get him away from the arena. He doesn't think Ares's young, mortal fingers can handle being split any longer, they need a moment to build up calluses. So, off he goes. Sally worries over him, as moms do. He doesn't know what to do with it, because he wouldn't dare blow up at a mother, but he hardly knows how else to react to concern. He just. Freezes for most of the ride. Annabeth probably told him not to say anything stupid, anyways.

He tries to attack Thorn the moment he realizes he's a monster. He gets in a decent hit, but is quickly tossed aside and breaks a rib or two (and doesn't tell anyone; no revealing weaknesses here!).

His feelings about Annabeth's kidnapping are... odd. Externally he is, obviously, enraged, though seemingly because he lost the fight with Thorn more than anything else. He even laughs a bit, about how no one can boss him around anymore! But he's a bit more jumbled up inside; he's gotten annoyingly attached to the brat, and not being able to piss her off a bit because she's not there grates on him more than he expected.

Artemis's presence is met with mutual insults. Artemis digs at his weakness, probably roughs him up a bit in a small fight, but ultimately pays him little mind; Ares pulls out insults he doesn't particularly mean, just trying to piss her off despite not having his rage-bait-aura because he wants a fight, damn it, he needs to release all his rage despite his body aching, and who better to do it on than a direct connection to their Father? Suffice it to say, the Hunters really don't like him within like. Two minutes.

When Nico realizes that he's the Ares, he bombards him with questions; Ares blows up a bit, essentially telling the kid to back off, then goes to sulk and try and figure out his ribs. Bianca tries to follow him, because his fall really didn't look good, but he blows her off too. Both the Hunters and Percy tell the siblings to try and avoid him because he's not worth the effort. Bianca... decides to take this as a little challenge, later.

Apollo makes fun of Ares, commenting on his appearance and powerlessness and how mortality isn't all that bad, Apollo's gone through this punishment twice before, can Ares really not handle it? He probably also talks about sending Ares on some errands, now that he's mortal and has to listen to him. Thalia's too stressed to care, the Hunters laugh along, Percy feels complicated because it's essentially bullying but also he still doesn't like Ares all that much, and Grover and the di Angelo's feel bad for him because do you really need to beat down a kid who's already bruised and bloodied and fuming enough?

Ares is essentially considered an extension of Annabeth, and therefore brought along on the quest as a sixth at Chiron's request, despite Zoë's hatred of the idea. Maybe there's a mention of him in the prophecy, I'm not sure, but regardless, he's on the quest legitimately because he needs to help his master. On one hand, he despises this, because he hates being told what to do. On the other, it's once again a fight and a chance to regain his divinity. Though, honestly, a major reason for how determined he is about the quest is that his sister got taken and he does not take that well. It only get worse when he gets the same dream Percy did about Artemis holding up the sky because damn it, no one's allowed to touch his family. He has learned that trying to rush the quest doesn't end well for him, but he's definitely on edge, though he won't let anyone know why.

Bianca is very determined to find out, though. She's got that sibling need to dig into others' business, and though she's trying to distance herself from "babysitting" others, it's a bit hard when there's a brooding kid her age around. She decides it's still a form of rebellion, since everyone keeps telling her not to talk to him. She gets snappy at him, because he is uniquely talented at pissing people off, and they're both surprised when she fires back at him. They both like it, though, and start exchanging barbs; Ares likes having someone to fight who doesn't back down or get too annoyed/bored to continue, and Bianca is giddy with glee that she's being mean. Zoë is. Not supportive of this newfound friendship, but Bianca says she's keeping Ares in check and Ares will be damned if he lets go of his newest little sister-kid.

Bianca is kind of the start of Ares's character development. Most others will either refuse to engage with him or make him shut up/walk away before he gets to anything concrete. Bianca, filled with the pent-up rage of a parentified older sister, refuses, because this is something she's choosing to do for herself, in spite of what those around her say; even her joining the Hunt was prompted by others, but this is entirely her own. She drags genuine emotions from Ares's mouth like she's pulling teeth, gets him to admit that he's worried for Artemis, and repays it with her own concerns about Nico. They bond over being the self-designated "protectors" of the family and being determined to be eternally strong. Ares has already signed the gods damned adoption papers.

And then she dies.

Ares. Does not take this well. He decimates Talos with a godly power-up, desperate to find her; the others cannot pull him away until he does, crushed in metal and burned with electricity. He begs her to wake up but, of course, she doesn't, so he curses out Zeus and Thanatos: Zeus because he's the reason Ares is mortal and got attached; Thanatos because she should have gotten to be picked up by him and not his sisters, the Keres, and can Thanatos not repay his debt to Ares for the Sisyphus thing by being the one to take Bianca, at least?

This is the first time Percy sees through Ares's rage. He has no idea what to do with this, because he is a child and grieving Bianca himself; he decides to process Ares being an actual, multi-faceted person later, when they're not on a quest to save Annabeth and Artemis.

(Also! In his encounter with Aphrodite, he's caught off-guard by her expressing what seems to be genuine concern and feeling for Ares, especially when she tells him to pass on her love and that she misses him, along with a dog tag and a Polaroid picture of her with four young men. He does not, initially, caught up in the quest and digesting their conversation. He will backtrack and correct this later)

Grover also finally manages to get through the stench of rage constantly surrounding Ares and finds the softer grief and worry. He tries to take Bianca's spot of trying to get Ares to talk things through, but after his teeth are almost knocked out, he decides Ares needs a bit of space first. It can wait at least until they get back to the safety of Camp. He's not letting up after the quest is done, though, he vows.

Hoover Dam calms him a little, when they start exchanging little facts about it. He complains about Annabeth ranting about it so much that even he absorbed the knowledge, but is actually grateful for the distraction. He's pissed in a jealous way that Zeus answers Thalia's prayer, though. He doubts he'd ever get that much attention from their Father, and it's fine, really. He doesn't care. Why would he care about familial validation? He hasn't had it in millennia, there's nothing to it. He's fine.

He absolutely freaks out about Bessie. He's also baffled Percy isn't smitten on the spot. He almost kills Bessie himself, in fear of anyone else getting to him first, but lets him be taken to Camp instead.

He totally has a panic attack about the lightning that strikes their car. Thalia realizes something is off, but they don't have the time to deal with it at the moment, so she brushes it off.

Percy and Thalia have to physically hold Ares back from attacking Atlas when he sees Artemis holding the sky and Annabeth gagged. Atlas orders Annabeth to command Ares to not attack him; he's not too concerned about Ares attacking him, especially as a mortal, but it's always one less pest to deal with. She complies.

So he goes for the sky.

I know Percabeth's shared grey streaks are iconic, but Ares is the one who takes the sky from Artemis here. She tries to refuse, because he's mortal, he will die, and regardless of his hated status, she does not want to watch him die, in the end. Ares yells at her, that just because he's mortal doesn't mean he can't handle this, he's still the god of war and her older brother whether she likes it or not. Begrudgingly, he adds that they both know he can't currently rival Atlas in power, but she can, with her trickery. She defeated the Aloadae when he couldn't, so she better give him the sky right now and go fight.

She does.

It is like the pain of all the soldiers he has ever led to war has decided to explode across his body.

(And yes, he is still dealing with previous injuries he has not gotten treated. It's very fun for him. He totally develops chronic pain and adjacent ailments throughout the books, if he wasn't sent down to Earth already with them)

He collapses almost the moment Atlas takes the sky back. The demigods have to help him get up and over to Artemis and Zoë, and Artemis has a bit of panic over who to be more worried about, but Ares makes her shift her focus to Zoë because he's fine, really.

He's not dying, at least.

She does turn her attention on him after Zoë's turned into stars, and finally someone realizes he's been injured for a bit. She yells at him about knowing his limits and not hiding his weak spots from allies because they need to know about them so they can cover for them, then does what she can to heal him up a bit before heading to Olympus. This is the first time in the story that she calls him "brother" in a genuine way, though. It takes away from the worried rage that's been keeping him from passing out and he just. Deflates and drops from exhaustion and pain.

(Fight with Atlas)

He sleeps through the winter solstice meeting. Maybe Zeus keeps him as such, to keep the other Olympians from thinking of him too much; he doesn't want him returned yet, and if Ares shows up in front of everyone right then, the others might argue. So, he sleeps; Apollo probably squirrelled him away to his infirmary or something along those lines.

Once they're back at Camp, Ares finally taking a bit of a break to heal up, Percy passes on the message from Aphrodite, and the dog tag and photo. Ares immediately puts the dog tag chain on and tucks it beneath his shirt; it's the most precious one of his collection, with a curly Harmonia engraved on it, atypical as the format is. The photo, he almost crushes in his grip as he stares at it, before pocketing it with a gruff thank you. After this quest, the TLT trio grows a bit more patience with him, and he ever-so-slowly softens his aggression; there's still a long journey ahead of them, but the trio can now admit some fondness for him, and he stops arguing about everything they say and do.

Ares goes with Percy to talk to Nico but it doesn't change much; honestly, it might make it worse, because, mortal as he is, Ares is a god, he is meant to be powerful enough to protect those around him if he wishes to, so clearly he didn't want to save Bianca. Ares is kind of devastated by Nico running away, because he was hoping he could look after him for Bianca, similar to Percy, but Nico wants absolutely nothing to do with him. He swears he will find him, though, and make up for Bianca's death.

[willgrahamcracker2013]

frederick chilton and freddie lounds power duo like if you agree

[deross-cultist]

[Looking forward to Orphy & Alice's interaction in AoM2 # 25 ]

Da capo - cockroach edition

[indigo-404]

Friend and I locked in on dti

[martydearest]

My current favorite Alabaster & Claymore headcanon is that Claymore really is Alabaster’s actual bio father and then Al/Hecate/etc erased his memory with the mist during the War to protect him etc etc (like Hermione’s parents or Donna Noble).

I am an absolute sucker for found family but I am also a sucker for reconnecting with mortality/normal life/family as a juxtaposition for the trauma of the other side of your life and just imagining Alabaster trying to connect with his lost father through books and by stalking his lectures… it’s a good pain

[ofoceansandtombsanew]

with the new demo out, i can go into a bit more detail about my relationship with tamarack's parents a la step 2

being tamarack's best friend, i met them when they met the first of their inconsistent visits to golden grove. they wanted to meet their daughter's friends, after all

and not much has changed in the past 4 years. whenever they visit, i'm always there too. i'm okay with getting to know them better because ultimately they're tamarack's parents. i'd just prefer they move to golden grove because 1) tamarack is here and that should be reason enough for them to move and 2) i don't want my best friend/long-time crush to move away

in general i think over the years i maintain a decent relationship with the parent in-laws even beyond our golden grove days

in step 2, tamarack has things she doesn't feel comfortable sharing with even me and i personally think that she should tell her parents whatever it is she's thinking. that conversation never goes well since in step 2 tamarack's a complete 180 from her 10 year old self. a lot more insecure, a lot less certain and the degree of comfort we have that's changed very little since we were 5th graders doesn't apply to everyone else, least of all her parents

so to keep the peace, i don't push it and hope for the best outcome

[lexiselliot]

closed starter for @fredsullysullivan location: Kismet Harbor Pier

Lexi needed out of the house. Well, apartment. She felt like she had stayed inside for far too long and she needed to walk in some fresh air. She drove down to the pier and got out to walk around for a bit. It wasn't as crowded as it was in the summer, but there were a few people around and it was nice to just breathe. However, the tears filled her eyes as she thought about everything all over again and she ended up walking into someone as she wiped her eyes. "Oh. I'm sorry." She sniffled. "I didn't see you." She looked away and tired to hide that she was crying.

[liveactionproblematicotd]

Today's problematic ship is Frederick Bellacourt and Beatrice Bellacourt from Another Period

Brother/sister incest

Requested by me

[ro-botany]

@silque Hope you don't mind me pulling this into it's own post; it's a critical enough point that I really wanna expand on it.

For context for those who didn't read my recent longass post about Frederick in general: We're talking about the canonical age at which Emmeryn was crowned Exalt of Ylisse.

According to the numbers from Awakening Chapter 6, when Emm took the throne she was

NINE YEARS OLD

Maaaaaybe 10, at the most, if you stretch the meaning of "before her tenth year" a bit and play around with the exact date her dad died.

(To be clear, Frederick's age in that table is a headcanon, not canonical in any way)

You are making several excellent points and I'm Big Emotional about all of them, so naturally, I'm going to take four miles of post length to screech about this in more detail.

It is fucking wild to me that the game breezes by the war timeline and the ages of the royal kids so fast. To the point where I straight up missed it! Or forgot, I guess, in the years since my last full playthrough.

I just. I have to set the scene.

Ylisse has just been through an unfathomably bloody holy war. Almost anyone of fighting age was given a weapon and dragged to the desert to fight, leaving behind a halidom populated almost exclusively by children and the elderly, with a dwindling food supply. A country driven into desperation and chaos by its own ruler.

We don't know how the Exalt dies--if his own men turned mutiny or he was routed by Plegian forces or what--but the Exalt does die, and the war dies with him. When the news from the front finally trickles back to Ylisstol alongside what few broken men and women survived the violence, the oldest person of exalted blood is duty-bound to take his former place on the throne.

Overnight, nine-year old Emmeryn goes from playing with her baby brother and awaiting the day her baby sister is born, to being crowned Exalt of a dying country and a shattered populace that now turns all their hurt and ire onto her.

She has her council of old, withered politicians to guide her hand. She has the castle guards--all either old enough to be her grandparents or young enough to be her peers--to protect her from the worst of the violence. She has her mother, too--until one day, too soon, she doesn't.

The game certainly doesn't gloss over the tragedy of that. It neglects to emphasize the ages these kids were dealing with all this at, though. I could tangent off into another 500-1000 words about how fucked that family situation is if I chose to and the unique ways that has played into the characterization of everybody involved. That Emmeryn grew up to be as competent and well-loved a ruler as she did is a monumental feat, not only on her part, but on the parts of the people who supported and raised her.

And to bring it back to the man of the hour on this blog… At some point, Frederick became one of those people. He's been looking after Chrom and Lissa for who even knows how long; there is no doubt in my mind that, like tumblr user silque suggested, Frederick also helped look after Emmeryn. Helped her and her siblings make whatever sense of the ongoing tragedies they could, while probably dealing with a mountain of issues of his own.

He's something at the nexus between older brother, father, bodyguard to all of them. He's been by their side, a constant rock, since all four of them were arguably children. Frederick doesn't let his guard down for a second. He sees the weight on the shoulders of these kids, and he knows helping them bear it is the best thing he can do to help the people starving in his village and every other like it, or to help avert this war, or end that war swiftly. He devotes himself to this duty so utterly that he's practically killing himself from stress and overwork. Always watching for the wolf in the shadows, that Emmeryn and Chrom and Lissa might be able to avoid the fangs and continue being the beacons the halidom needs them to be.

Even when they're at peace, the eyes at the edge of the firelight are all he can see. It confuses Chrom and Lissa; and that's how he knows he's doing his job correctly.

And this relationship between Frederick and the royal siblings.

Is reduced to jokes about pebble-clearing and overzealous recruitment posters a solid 80% of the time.

I JUST.

I want to clarify that these games being goofy and silly and over the top as often as they are is one of their draws, and that I do enjoy how just, cartoonishly cautious Frederick can be. I love the jokes. I am that guy who played the Before Awakening DLC in Fates literally 128 times to max out the pebble joke weapon. In no world do I think we need to wholly kill comedy here.

But at the same time I can't help but be blown away by how often the heart in this relationship is neglected in favour of comedy. The second you start thinking about how Frederick got where he is and why he is the way he is, there is just, SO much there.

It's of dubious canonicity at best, but I want you to read the conversations that Chrom and Frederick have with Emmeryn during her recruitment paralogue. I want you to notice how Chrom, though clearly emotional, is capable of putting his emotions aside, and opts to focus on keeping her safe rather than indulging in his grief, which he knows would only confuse her.

And then I want you to notice how Frederick, stoic, icy Frederick, breaks down. A paragraph of two years of repressed grief comes tumbling out all at once to a woman who, ultimately, is only a ghost of the person he knew. He begs her forgiveness. He cannot, cannot think clearly or objectively in this moment. He hurts too deeply. He cares too much.

The so-called Cold Lieutenant of the Shepherds cares so deeply and self-sacrificingly about everyone and it can be really damn funny, or utterly heart-melting, or utterly heart-breaking depending on the situation and how you play it. AND YET. THE SIDE CHARACTER CURSE. The most genuinely they ever play this bond is in a side chapter that isn't even canon.

How do I end this post.

I am inconsolable for SEVERAL REASONS.

[mattswheeler]

closed starter for @fredsullysullivan location: Dough Depot

Pizza night on Fridays had took the pizza place by storm and it made the business that much busier that night. The staff was trying to get pizzas made as soon as possible while drivers were out delivering and Matt found himself out on the floor, taking orders and bringing stuff to the tables and helping at the counter when he could. He had stopped by as a man came up and smiled at the familiar face. "Hey, Sully. Usual or trying something different tonight?"

[wisheswagered]

"you know you're just about the worst liar i've ever met." for Frederick.

Frederick frowns in displeasure as the grip on his cane tightens ever so slightly. What an irritating, infuriating thing to be told - especially since it very well may be true from the novelist's perspective.

"You're awfully quick to assume you know everything about me, Mr. Orpheus." he responds quickly, words sharp and tone clipped. The problem is that Orpheus very well might know all there is to know about Frederick - or as close to as he can get, anyway. He's seen through Frederick's excuses so far, and he's clearly a sharp man, but Frederick has no way to know what exactly he's keeping hidden himself.

Infuriating. That arrogance most of all.

"But like you said. I'm sure you've done your research."

[coeuranxieux]

Also on the Frederick Orpheus thing

Norton just being Frederick's very confused anti-third wheel (he's just like Please God don't fuck that man)

He walks in to Orpheus kissing Frederick on the cheek but the way they're standing and the fact that Orpheus is bleeding pretty much everywhere implies that he was nearly just killed choked slapped and/or any one of those things

And Orpheus is giggling like a schoolgirl about it and Frederick makes eye contact with a look of resignation on his face

orpheus being the stupidest fucking smart person ever part 1 while frederick wishes he stayed dead a bit longer