“You have to at least consider the interpretation of Ed as an abuser…”
I don’t have to do shit, hope that helps.
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I know everyone says Needles is the Michael of TMAGP but I'm gonna be totally honest, I think Needles is MUCH more like Nikola than Michael.
Someone should draw Michael being cool and mysterious and then there's his weird cousins Nikola and Needles just being. themselves in the background
Additional note: i do actually have a fear of needles which probably makes this post all the funnier
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Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.
Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.
Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.
Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.
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if the Alan Wake adaption is directly the game’s story and dubbing over is an issue, they could still cast ilkka villi and just make Alan finnish without explaining. alan and zane progressively getting more finnish with each alan wake project. it’s also inexplicably filmed in finland but still placed in the US
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What if there was a sandbox video game that had sharks in it, and when you kill too many sharks it starts affecting the ocean ecosystems in the game in a negative way that harms the player. And everything goes back to normal only when there’s enough sharks again and you leave them alone. What then huh
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Oddly for a sequel show, Cobra Kai is putting far too much weight on the original TKK film. They keep acting like this is teenage Johnny and teenage Daniel going toe to toe, but these are adult men. They should have lived adult lives and processed adult experiences and emotions before getting to the beginning of Cobra Kai’s story. Why can’t Johnny ever seem to grow up in a meaningful way? Why does Daniel keep chucking his healthy wealthy family life to the side to get involved in random ass karate shit? Why do they refuse to truly mend the fences between them? I understand showing trauma affecting them and TKK being an important moment in their lives, but the show acts like that was THE important moment in their lives. Nothing was bigger or more life changing than that (basically a high school karate tournament that happened one time) even though they’re decades past it. These characters aren’t truly allowed to be adult men grappling with the past, they’re written like stunted teens who are simply walking through some strange daydream life where they’ve got kids and jobs. And if the writers don’t ever treat them like adults, they’re never going to act like it nor will they ever grow in meaningful and permanent ways.
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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i don't know if i'll ever be over the greek tragedy shit of mat hearing that he's fated to stab rand, avoiding rand to protect him and in so doing making rand think that mat has abandoned him, then rolling up at a battle to save rand's life only to accidentally stab him just like the prophecy foretold. sophocles is shaking.
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