Paramore being the first female fronted band to win best rock album at the Grammy’s.
Hayley Williams being the first frontwoman to win best rock album at the Grammy’s.
After all the misogyny she went through. After being blamed for every little thing that ever went wrong in the band. Painted as the villain by her ex (homophobic) bandmates. Being called a bitch because she dared to be a strong woman who would voice her opinions. Being called a slut for the horrible crime of dating three whole people in 35 years of life.
Hayley Williams, three time Grammy winner, deserves all the respect in the world. She is a music icon and legend. And she’s still getting better.
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Eddie should’ve never taken that loan. It was at the start of his career, he was young and desperate to make it in the industry. It was just to fund his demo tapes but he should’ve known better than to get entangled with the mob, it wouldn’t end there. Once his music took off, they wanted more and more.
Now he has a life, a husband, they’re talking about adopting and Eddie hates himself for keeping this from Steve. He rationalized it, didn’t want to drag Steve into his mess, thought he could keep quietly paying but they want too much now. Eddie’s career isn’t as active anymore, there’s no way Steve won’t notice, they’ll go bankrupt, revealing this secret that he shouldn’t have kept for so long.
He’s gotten a few ominous calls and an unfriendly visitor at the studio that made it clear, they want their money and they’re gonna get it. He has to tell Steve, it’s getting too dangerous. So now he’s sitting across the dinner table from his husband, over a meal so lovingly made for them, about to blow up their life.
“Sweetheart, there’s something—”
There’s a noise outside the window, could’ve just been the wind but there’s more noises, people… footsteps… Eddie grabs Steve, dragging him to the bedroom as he demands to know what’s going on. Eddie tells him everything, in a hushed voice crouching inside their closet with tears brimming, he tells him every lie that’s caught up to them, stained their marriage, apologizes for putting their lives in danger and Steve—
Steve is rifling through the closet, pushing aside clothes to reveal the wall. There’s a compartment behind a painting that Eddie’s never seen. He watches, speechless and shocked to his core as his husband, his kindergarten teacher husband who wears ironed polos and makes dinner every night in a ‘kiss the cook’ apron, takes several lethal looking weapons from the wall and starts loading them up, quick and efficient like a machine.
“Steve, what—”
“You’re not the only one with secrets, love,” he presses a firm, forgiving kiss to Eddie’s forehead and leads him out of the closet, weapon raised, “Now get behind me.”
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Steddie Drabble, TW: child abuse.
Initially, Wayne doesn’t care for Steve. Calls him “the Harrington boy” or “Richard’s son” with contempt, asks if “Richard’s son” is coming over for dinner again and Eddie just rolls his eyes and says “yes, Wayne, STEVE is coming over at 7.” Wayne doesn’t like him because…well, he’s not stupid to judge a book by its cover, he thinks.
But the fifth time Harrington comes over, he brings a bouquet of flowers, and Eddie, well, his cheeks are redder than the spaghetti sauce Wayne’s been stirring, so that’s something.
And then the sixth time Steve comes over, he brings Wayne a Garfield magnet. It’s small, “found it at the thrifty mart with Robin, I’m sorry it’s not brand new…” Steve mumbles, and Eddie is wide eyed and smiling, and Wayne LOVES Garfield. He puts it on the fridge, pats Steve on the back, says “um, thank you son.”
They fall into a pattern, the three of them. Steve comes over for dinner every Friday night after work. He dresses clean and is polite to Wayne, helps with the dishes, sometimes brings bread rolls or licorice or beer or jokes. Eddie starts setting the table. Wayne starts laughing at the jokes. After Steve leaves, Wayne knows Eddie smiles himself to sleep. It’s different, now.
And then the next time Steve is supposed to come over for dinner, he doesn’t show. Eddie had been making macaroni and cheese all evening, grating the cheese carefully as he bopped his head to some metal song, cheerful, and then it was 7 and then it was 8 and then Wayne thought “maybe call him, Ed.”
Nobody answers. When they call again, nobody answers. And Wayne has a bad feeling about it.
It isn’t until almost 11, dinner cold and Eddie pacing, about to radio someone named Robin when Steve’s car pulls up, they know the lights so well. They run outside to greet him and Eddie freezes when Steve starts falling out of the drivers seat, face dark and pained. Wayne jumps into action. Wayne catches Steve and hauls him into the trailer, his living room, and oh god, he’s covered in bruises like he was put through Eddie’s cheese grater, and oh god, Eddie’s broken out into tears behind him.
Steve’s left eye is swollen shut, and his face is purple and bloody. His lip is split and his hair is wild, his shirt is torn, and Wayne wonders what’s underneath the shirt as he gets the first aid kit, wonders how the hell he thought Steven was anything other than an angel.
Eddie gets a dish towel wet in the kitchen and cleans Steve’s face, quiet and crying, and Wayne sets the first aid kit down next to Eddie and makes some coffee. He thinks about talking, doesn’t. Touches the Garfield magnet for good luck. He feels like maybe Steve needs it.
Steve who is holding Eddie’s wrist as he cleans him up, wincing and crying from his good eye. Finally, after a silence that gives Wayne heartburn, Eddie sits back on his heels and says whisper quiet, “your dad?”
Steve gulps, blinks. “My uh, my dad. I was writing you uh, uh a love note.” Eddie looks over at Wayne. Wayne wipes his brow. “But uh, he found it, and your name’s not uh, Edith” Steve lets out a chuff, winces again. “So he asked what was going on, and I told him. I told him. And then he said I had one minute to take it back or he’d make me take it back.” Eddie lets out a small gasp, more like a howl, and sits completely on the floor. Wayne sits down at the table, cold mac and cheese looking like a sick joke. And he’s so mad. Wayne is so, so mad, seeing this young man who so obviously loves his pride and joy, shares in his pride and joy, who brings him apples to make apple pie, he growls out
“Don’t you worry about a thing, Steven, not one thing. You stay here long as you like, hell, don’t leave. We got you, boy.”
And that’s that. Steve crumples in on himself, and Eddie pulls him into a big hug, just holds him, rocks him, coos “a love note, huh, sweetheart? For me?” And Steve nods until he nods off.
The next morning, while Robin takes care of Steve, Wayne and Eddie break into Steve’s room, clear out everything he owns, and slash his dad’s tires. That was Wayne’s idea - the least he could do for a loved one.
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