dar-ling~
darling
oh, most wonderous, presti;g;ously, beloved darl;ng.
don;’t c#&ry @Wh&#eN, :; I /eav##333e
; loved you
; loved you so tenderly
; grew you from the earth
and ; k;ssed your effervescent petals
; loved you tenderly
when your thorns pr;cked me, repeatedly
and then stopped, once ; showed you my l;m;ts
oh darling
most frag;le and damaged and un-bordered darling
why do you forsake my love
with things
and emotions
; cannot comprehend?
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"Colin should have grovelled more!" "Penelope folded too easily"
I think statements like this typically come from people who like Penelope. . .but don't really understand her. And don't really understand just why she cares for Colin, and just why him groveling would not in any way bring her peace.
Penelope and Colin are kindred spirits in their loneliness, in season 3 more than any others. Penelope had lost her friendship with Eloise, and Colin didn't really have a close friend circle to begin with. Except with Pen. Pen was the person he could put the mask down for, could open up to, (in particular with their 'dreams' discussion) and that's why he couldn't even entertain the idea of giving up talking to her in Season 2. She is a vital part of his life, and holds so much significance and importance to him.
I imagine that's what made their silence over his travels especially painful for him. They spent such a long time talking after Season 1, and he even informs her that her letters were so encouraging, that it helped him heal something inside of himself. That if she could see him in a gentle way. . .so could he. (And he repays this, because he is honest to god out here acting and looking at her like she hung the moon in the sky). But without her presence in his life, he spiraled. Didn't feel confident in being who he is, and thus put on his persona more firmly. We know this because he wrote in his journal that "I want to be less needy, less insecure, while still maintaining the core of my vulnerability that makes me who I am". That he misses his family, that he misses home.
And we know, from the books, that Home? Home is Penelope. Penelope is his North Star, is his guiding force, and who I argue he feels he needs. In his very first scene, he looks toward her house, tries to find her in the window. When he does not, he returns to his family. In the outdoor gathering, he looks for her and finds her, eager to talk. He states aloud that he misses her, and I imagine he wrote it, too. Not hearing back from her over the course of his travels was surely something that hurt him, but he doesn't hold any ill will toward her for it, only wants to reconnect again. In fact, the one and only time he brings up how he misses her and that she didn't respond, she makes very clear the reason why: she heard what he said and it hurt her. And he's ashamed of it.
Colin hears her call him cruel, and instead of ruffling his feathers about it, instead of getting upset, instead of having a chip on his shoulder as I feel so many men would about it. . .he understands why she does so.
Penelope is a woman who has been largely treated poorly in her society. She feels unheard, she feels undesired, and in her circumstances, and I can't help but ask myself. . .has anyone ever truly apologized to Penelope for hurting her, before? Her mother? Her sisters? Eloise, likely, but. . .anyone else? And the way Colin did? Because of all the characters in the show, Colin? Colin knows how to apologize. He has a lot of practice in it. And very importantly: Colin, a man of privilege in his society, apologizes. . .predominately to women. To Marina, to his mother, and multiple times to Penelope.
Ultimately, Penelope wants to be heard, Penelope wants to be understood, Penelope wants to feel desired.
And Colin checks every single one of those boxes. He informs he is not who he was before, and then he proves it to her. He hears that he hurt her, and he comments on it directly. An entire night apart, and he comes back to her 'Because I embarrass you' with 'I am most certainly not ashamed of you', replies to her 'I am a laughingstock' with 'you are clever, and warm, and I am proud to call you my good friend'. He hears her proclaim her own insecurities, and empathizes so deeply with her. He listens. He understands. He makes clear that he cares for her, and that she *is* desired. 'You lift my spirits' 'I seek you out at every social assembly'. That she helps him see the world in ways he loves, that he sees HER and how much she has cared for HIM, that she makes him feel appreciated, that he appreciates her, in turn.
And then? Then? He shows her. He tells her, and he shows her. His actions all throughout Season 3 reinforce this apology. He continues looking for her in every corner of every ballroom, he continues complimenting her, he laughs at her jokes and respects her boundaries, he is ever so gentle with her, he listens to her with an attentiveness that no one else has ever given her. To Lady Whistledown? Sure. But to Penelope? Who else in the entirety of that ton has listened to Penelope the way Colin has?
Absolutely no one.
Penelope Featherington ghosts Colin Bridgerton for months with no explanation, and Colin comes back wanting to reach out to her, and she finally tells him why.
And he apologizes. Because he listens. Really, truly listens. And really truly cares.
I need you to understand how rare that is, even nowadays, but especially back then. That Colin is the kind of man who can put his hurt to the side and realize he made a mistake, that he said something callous, and he adores her, and he can't lose her, and he has to see her and make it right.
Because that's why Penelope fell for Colin. Not because he's beautiful, not for his charm, not for his family. But for his heart. Because he shows her kindness in a world that so often disregards her. Because he seeks her out and tries to understand her, truly hears what she has to say and compliments her, says he's sorry and looks at things from her perspective.
Because he saw her when she was invisible.
Penelope Featherington, who grew up in a house that made cruel jabs at her, has Colin Bridgerton come to her and say he regrets what he said, and that he was wrong, and that he understands why she's mad at him. Penelope Featherington who has so rarely had much of anyone tell her that they're sorry for what they said about her, sits before Colin Bridgerton as he professes how much she means to him. That he cannot even spend a full day away from her knowing they're on bad terms with each other without making it right. That he sees how she is hurting and he has to in any way he can amend it. She is lonely, with no one really in her corner at the start of season 3, and she feels like she lost it all, and Colin comes to her and says 'no, I'm here and I appreciate you and you are special to me, please let me in and let me prove it'. Is it any wonder why after she shakes his hand, she stands in the sun, and she feels the warmth of it, she can smile? That she can breathe, again? That she can be truly content for the first time in the season?
Because Penelope Featherington does not want Colin to beg. She knows him. She knows the tender, full heart he hides behind the new cavalier persona. She knows the soft underbelly of Colin Bridgerton.
He never had to grovel. All he had to do was love her. Assuredly. Fervently. Loudly. Unapologetically.
And he does.
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guys.
I think I did it.
I think I cracked Lies of P.
(me rn)
i keep going back and forth on carlo's death.
i know i was adamant before, on him dying from the petrification disease. i think logically he would have to have had it because of ergo.
but here's another weird point about his death,
i just realized why we intrinsically think he was killed.
Carlo is wearing his school uniform when his stalker finds him, and on the floor at that. That's quite odd. Maybe not being on the floor, but the uniform. Why the uniform?
"He didn't even come to your graduation?"
For the son of an aristocratic family, would this be the image of a deathly ill son in care? Did Geppetto know? Wouldn't he be in palliative care, as Lady Antonia could afford?
Why wear the uniform after graduating?
"Oh, she's here! Grab her!"
"...Gemini, get rid of them! I'm off!"
Was his death literally right after his graduation, on the same day?
And also, Gemini is a little lamp guy. (She doesn't look to be carrying the lamp.) Why does she tell him to take care of the boys? What can he even do? Tell them off?
Here's another funny thing... We NEVER see Carlo outside of his school uniform. (at least, in the "past", "real" Carlo time line).
And as we know, the school uniform has a prominent Sailor collar, the type that is associated with nautical outfits [down to the three stripes, supposedly called a "naval collar"]. The Graduation pendant that he gives to Romeo is of an anchor. [I know that these are all artifacts of the charity house. but they are nonetheless associated in tangent with Carlo]
When we find Carlo's painting, it's right next to this one of a ship. [also, two bottles on the counter, perhaps representing the "two lives" of Carlo and Pino]
also... when Carlo's memories materialize... it's in the sand. Only on the seaside.
Remember, Romeo seems to be associated with a fire element, and Pino with water, the same seems to go with Carlo. The original novel of Pinocchio itself seems to have a strange fixation on the ocean.
And now, might I present to you:
The DLC images are also of a ship and some kind of water turbine.
Director Choi (in pre-release interview): "I'll put it this way: there are more stories I want to tell in Lies of P, so I hope [it] does well."
Also: "There sure are stories we could not introduce in the game" (talking about the story being adapted into another form)
[basically, that there was more to the story than what was really present in the final game.] I'll leave all this to your consideration without adding my own just yet. (I'll add it in a reblog on my own blog without tagging it) Just kidding I want to keep wasting everyone's time
Perhaps after the events of the game,
This is some sort of effort by Pino to either learn more about the deceased Carlo or try to remember his "previous life" as Carlo, by taking to the sea.
Maybe even after the game, Pino will STILL attempt to "awaken" as him so to speak [:(].
[Maybe he actually will.]
Again, Carlo is strongly associated with nautical elements. Again, he is never seen outside of a sailor suit, basically. Also, when we gain the memories of Carlo, they materialize on the sand, at the seaside. Remember, he DIED in the sailor outfit
Maybe we are to take the "sand memories" more "literally" as they are in the sand?
Did Carlo drown and his body wash ashore, which is why these memories materialize in the sand? Why is he so associated with ships?
Pino is also depicted in the water, remember, including what looks to be concept art that was used for the OST? Maybe it isn't "just" a motif? [even simple things like his "official" coat and his eyes being blue, blue blood's tailcoat, and him being associated with the colour blue in general]
Which is why Pino is pictured in the water, since he was "born" from Carlo's death... He was birthed in the water the same way Carlo died in it?
[more notes in reblog]
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Fascinated by the tragedy of Isobel dying just before Aylin breaks free and Aylin having to live with that...it's so easy to lose that fight in the Last Light if you don't know what you're doing, and if you do, Isobel is dead even though she keeps walking around for a while. Aylin pairings where Isobel dies again are so ripe for tragedy and angst, her struggling to understand her own pain which persists even past her liberation, her sinking back into the role of the Moonmaiden's Sword and the temptation to abandon that time in her life where she lived like a person...
The inherent tragedy of it fuels me as well, anon. That's why I think that version of Aylin would pair so exceptionally well with Minthara. Falling back into a role as it's all she knows and being pulled back from it by someone who has the vendetta of all vendettas to resolve? Two vengeance paladins as someone noted in the replies of the first ask? Once united against the force that took away their love and their self, now trying to figure out how to live after?
How do Minthara and Aylin work together? How do they uplift or bring one another even deeper into some pit they can never escape? That dynamic is bound to be wild. I'll have to jot down thoughts in a draft and let it simmer for a moment.
And that's not even getting into how they pair together visually. The size difference of it all...
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Time, it took us
To where the water was
That's what the water gave me
I've noticed that this is the second promotional/concept art with Peanut and water
Water evokes both birth and death ("That's what the water gave me" as in water gives us life but can also take it away / "Water of the Womb")
fitting with the overarching theme of death and rebirth of the game!
On the song by florence + the machine:
the irony of water which gives life now taking your life away (apparently a reference to Virginia Woolf's death by drowning)
The painting is Ophelia by John Everett Millais. It depicts the character Ophelia's death in the Shakespeare play Hamlet. The way his hands are placed outwards seem similar. Maybe that's deliberate? I've literally never read hamlet so I can't draw any connections here. If you've read/seen hamlet, please let us know your thoughts. (btw you have a very big brain)
this is just what I found on google search of Ophelia's character.
plus "Deception shatters Innocence" tagline of the game.
La Pieta, The Creation of Adam and now Ophelia ?
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