#fuck it I'm making another tag for this

[greenerteacups]

this might seem v random but, if you haven't come across it already, i would really recommend tavi gevinson's latest online zine 'fan fiction' -- not because of the fan fiction element of it, though, but because of your evident love of taylor swift (who it's about) and your impeccable literary taste. and would love to hear your thoughts!

This was an excellent recommendation, and I loved it. I will admit that the RPF segment had me leery (RPF throws me for reasons I have yet to intellectually inspect but believe may relate somehow to the concept of voyeurism) but I'm glad I finished it, because she pulls it together very well. The dialogue in the last segment is especially great, particularly these parts:

And this:

And this:

Because this gets at what I find so Gordian about Internet conversations among even relatively respectful/measured people about Swift's work and presence: we can't seem to figure out what it is we want from her. There is no right way for a woman to be more famous than most presidents. Do we want her to need us or not? Should she care about our approval or shouldn't she? Is the fact that she doesn't "feel" authentic to us the consequence of having demanded authenticity for so long she literally had to shape her personality to fit what "felt real" to millions of people, and in the process, of course, of course, inevitably, produced work that felt authentic to no one?

And then also, like. To what extent do fans use her autonomy/consent as a lever for bad behavior? I.e. does the "invitation" of personal information in her songs license us to speculate about her like she's a character on a TV show? Where is the line of appropriate speculation in an autobiographical medium? I was talking to my friend at dinner just tonight about how it's gross that people can't seem to give her the credit of writing songs that aren't 100% always About Her, and my friend pointed out that she invites comparisons to her own life by teasing names and iconography we identify with her public persona. It's like Brett Easton Ellis writing a book about a character named Brett Easton Ellis. Sure, they're not the same person, but you've invoked a symbol, and people are not being ridiculous for trying to analyze that symbol in the context of the work. In order to do that, they need to understand what the symbol is. Which means the biographical stuff actually is relevant to the text, and Swift's obvious irritation at her fans for failing to just... fuck off a little bit and let her live, while an entirely fair and morally defensible human response, is complicated by the way that her art is produced to resonate best for those who care most. Folklore and Evermore prove even Taylor is on some level aware of this, because she uses the third-person mechanic (and again in "Bolter") to differentiate those protagonists from the narrative construct of "Taylor Swift" in her other first-person work — i.e. pulling apart the Swift who is speaking and not the Swift who is singing (if that makes sense).

And then, finally: "The irony gets a bit tired. You can just say you like music. It's fine." What a deliciously recursive little bit of irony, considering it's a criticism being offered by a character whose ironic distance is itself being criticized. And the fact that the author is putting her own self-criticism in the mouth of a non-existent popstar who's deliberately flattening her take on her subject matter? Mingling valid with invalid criticism to establish a protective distance from her flaws and prove her smarty-pants intellectual self-awareness while also implicitly disowning the faults in her work, an (ironically) childish gesture of insecurity that stands at odds with the mature intellectual persona? Trying to have about seven or eight different cakes, and eat every one of them? "The irony gets a bit tired." Fucking perfect. I laughed.

[whoslaurapalmer]

so in the book of bill there's a part where he gets a bunch of old ladies to make like, precious moments-style figurines of him called The Tri Angels Collection by PudgyLilDarlins, and I was immediately super amused and charmed by this one --

which I was then Compelled to recreate, out of model magic

[haridraws]

Excuse the format (I made this for instagram since that's what the publisher wants, rip) but this is basically a shorter, easy-to-read version of the history section at the back of my new book. (Part 1 || The book)

More about my relationship with queer history (& section 28) under the cut

Looking up history to make a fun queer historical rom-com opened my eyes to how my entire idea of the past in this country was way off.

It also made me realise that part of the reason queer history felt like such new, revelatory information was a law that banned it, which was still in place when I was at school.

Section 28 was put in place by Margaret Thatcher in the 80s, banning "promotion of homosexuality" in UK schools and local authorities. Local libraries were forbidden from stocking anything with LGBT content, and it effectively stopped teachers mentioning any queer history, leaving them scared to even accidentally mention a same-sex partner.

-

just want to add a quote from that article:

legends.

-

Although the law was finally repealed in the 00s, it cast a long shadow. Older teachers were used to it, history books conformed to it, and new teachers still feared homophobic backlash.

Today there's a huge and disturbing rise in anti-trans rhetoric and legislation being attempted in schools and beyond, and it mirrors the homophobic conversations of the 80s. The truth that we've always been here gets met with vitriol - and to be honest, also just outright surprise even by well-intentioned, otherwise widely-read cis and straight people I know, especially in older generations.

I feel like there's also the flipside: once I listened to a podcast where two american women, older than me, were both SHOCKED that anyone was ever executed in Britain for being gay?? For me the threat of execution (before 1824), exile or imprisonment (the two years of hard labour that famously lead to the death of Oscar Wilde) were the main, only things I grew up aware of about queer history.

At best, the queer history I saw growing up was absolute tragedy. Part of what was such a revelation when researching was reading historical accounts that hint at hidden queer histories, secret joys and long, complex lives.

So by the time I finished researching my historical romance book, I'd decided to make an illustrated history section at the back too - these pics are a mini version.

I wish more people knew about the real history we have and how far back it goes - I hope someone unfamiliar might be able to get get a tiny introduction, and recs for ways to get a clearer view of our past.

[imerian]

My (very old) loscar brooch (?) that i just now made doodles for

More pictures under cut

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[autistickaitovocaloid]

Birthday boy at the bottom of an ancient ocean

[they-didnt-last]

anyone interested in talking about the iconic 2000's middle-grade-bordering-on-ya book series gallagher girls??

[ukulele-mixtape]

(wip) you know what, fuck you!!! *feminizes your cartoon hedgehogs*

[necrotic-nephilim]

I’m gonna be honest I didn’t realize the new 52 messed with Kon that much till I read your post and now I can’t get over the potential. I’m a Tim/Kon girly at heart so I would devour anything you write exploring the 52 vs typical Kon. Also Time being in a clone sandwich is 👌.

the new-52 messed Kon up SO bad it's ridiculous. like, to the point i would personally argue he's a completely unrelated character to pre-Flashpoint/Rebirth Kon. his personality, his suit, his origin, all different. the only real similarities are the name and powerset. and even New-52!Kon's powers are slightly different from pre-Flashpoint!Kon. New-52!Kon is a clone of a future version of Jon Lane Kent, cloned by N.O.W.H.E.R.E. to provide genetic material to Jon Lane Kent, whose body was not handling being half human/half Kryptonian well, it was a whole thing. New-52!Kon is also where we get the infamous "Kon-El means 'abomination of the house of El' and Kara basically named him a slur in Kryptonian culture" tidbit, because that is the only time that's canon. (originally Kon-El was a name gifted by Clark to accept Kon as his family way back in the 90s) he also never went by Conner Kent. New-52!Kon just straight up didn't have any real human identity or connections, outside of being very close to Tim and some Titans.

the very TLDR of Kon's history is: during post-Crisis/pre-Flashpoint, a clone called Superboy is created by CADMUS. at first, he's considered to be a clone of a dude named Paul Westfield and is not Kryptonian whatsoever, he was simply made to look like Superman and only has Tactile Telekinesis as a power. then, it was made canon that actually he was a clone of Lex Luthor and Clark Kent, but Lex hid this fact and slowly, Kon developed more Kryptonian powers. he's given the name Kon-El by Clark, and is taken in by the Kents, getting the name Conner Kent. then Flashpoint happens, we get the New-52, and we're given the above version of Kon-El, who is a clone of Jon Lane Kent, created by N.O.W.H.E.R.E. who has mostly very strong telekinesis powers and some Kryptonian powers. he's with the Titans for a bit, then at the end of the New-52, he kills some aliens and feels bad about it so he decides to fuck off and is never seen again, it's presumed he's dead but never confirmed. then Rebirth happens and DC makes Jon Kent the current Superboy, we get Supersons and all that, and it's assumed that no version of Kon-El exists. just at all. he's not around whatsoever, Jon is our only Superboy. *but* in 2019, we get a new Young Justice run and the pre-Flashpoint Kon-El is back, and we're given the explanation of: Kon got accidentally teleported to this alternate realm called Gemworld and then Flashpoint happened, and since that was a Crisis Event that changed the timeline, the poor lad got *erased* from the timeline, causing most people to *not fucking remember him* and for him to remember a timeline that no longer exists. some of the Young Justice team vaguely remember him, Ma and Pa Kent remember him, but notably, Clark *does not remember him*. it's not an issue of "Clark ignored Kon in favor of Jon" it's an issue of "Kon was erased from the timeline and didn't exist for years bc he was stuck in Gemworld and Clark just doesn't remember Kon or Kon's timeline" which to me, is far more tragic but i digress. since then, Kon has been back and is present in most significant Superfamily runs, with his own recent mini-series, Superboy: Man of Tomorrow. (which was very good btw)

so basically: the New-52 fucked Kon up so bad they wrote him out of comics for years and then brought back the pre-Flashpoint version, but never *explicitly* killed the New-52 version off. so hypothetically, it's possible that there are currently two characters existing in the DC universe named Kon-El who have been Superboy. and like i said above, one of New-52!Kon's only real significant relationships was with Tim, it was the only thing the New-52 managed to get right about Superboy, his closeness to Tim. they have a *lot* of moments that read incredibly queer. and ofc, it's just outright confirmed in Dark Crisis: Young Justice that Tim had a crush on pre-Flashpoint!Kon at some point. so while comics are intent on pretending New-52!Kon doesn't exist, i am intent on putting Tim in a clone sandwich.

because i do think it's fun to play with Tim having genuine feelings and potentially a relationship with both of them. and the fucked up nature of him not fully *remembering* his relationship with pre-Flashpoint!Kon (which is a canon thing, in YJ(2019) Tim has vague memories of Kon he's struggling to piece together and understand why he cares about this guy he doesn't recognize so much) and how frustrating that is for Tim. he knows he loves Kon, but it's all foggy besides that. and so it's even *more* fucked up if Tim dated New-52!Kon before he got emo and ran off into the unknown. obviously in canon no one has told current Kon about New-52!Kon bc comics are doing the good ol' tried and true of "sweep that shit under the rug" but for fanfic, i think it's fun to ask the question of: would anyone *tell* Kon? especially Tim? who now remembers dating both versions of them? would he admit to Kon that briefly, he had another Kon? how would Tim cope with that and move on? personality wise, they could not be more different. they dress and act and look different. they're not the same person, but there's certainly a questionable factor of Tim's dating history including two Kon-Els.

the idea i've had for a while is Tim slowly starting to date pre-Flashpoint!Kon again. it feels familiar and like home. and Tim has grieved and accepted that wherever New-52!Kon is, he doesn't want to come home, he didn't love TIm enough to stay and try. so Tim takes the Kon he has, and genuinely has a happy relationship. like for once, life is good and things almost make sense for Tim. but then, of course, New-52!Kon comes back. he decides he wants to try again and he finds Tim. only to find well. he's been replaced. and technically, he's been replaced with the *original* that he didn't even know *existed*. and if being a clone is bad enough, that just makes it a hundred times worse. because imagine knowing you're actually the second Kon-El your boyfriend who you never *technically* broke up with fell in love with. that's gotta give you some kind of complex.

so i think it's fun if both Kons try to step back and let the other Kon date Tim. both of them have reasons to feel like the "replacement" or "fake" Kon, and it makes them incredibly awkward with each other. do they count as the same person? bc they definitely don't *feel* like the same person to each other, but with weird timeline stuff, who can really say. them settling on an awkward throuple that's really meant to be Tim just dating them both but somehow they end up dating each other too is so fun for me. they both feel like imposters to the Superboy name but are so deeply in love with Tim Drake, it's the one thing truly connecting them. and then of course, Tim feels bad in that somehow, he's betraying both of them for having feelings for the other. but they make it work, with a lot of awkward angst and miscommunication. i just think it'd be fun. very difficult to write to get all the weird timeline nuances down in a way that's understandable in a fanfic (bc you can't just. infodump like i did on this post) but doable. also difficult to tag, because even though i argue these are two different characters, i'm pretty sure Ao3 groups them under the same character tag. so it'd be difficult to convey it's not *really* as selfcest-y as it would imply. comics, man. DC will never acknowledge New-52!Kon again, and he's admittedly a terrible adaptation of Kon-El, but. i think he was sort of neat in his own right and i'd *love* for DC to just inexplicably bring him back and make the current Kon deal with the consequences of all that. and them make Tim kiss them both. obviously.

[imminent-danger-came]

So I'm like, utterly obsessed with MK and Wukong's relationship, because it's like, Wukong has borderline unreasonable faith in MK and MK is willing to put pretty much anything on the line for Wukong (risking the curse being released in 4x02, ready to "meet his fate" FOR him in 4x13), yet MK is also purposefully ignoring SWK's mistakes/flaws and thinking in binaries of "good guy" and "bad guy". And at this point I'm not sure what they wouldn't do for each other, or where is too far to go for each other, and let me tell you girl it's edging on unhealthy.

[infernal-lamb]

Howws that fic with your OC going? I’m very intrigued about that one :D

Oh!!! And if you have any new art/tidbits about her?

lmao, its going! I've made progress but now I am sulking like an 18th century poet in their giant, empty study.......Contemplating. Critiquing (just being nervous about posting fic since I havent written anything since I was like. 13. and I'm not exactly a writer, just someone who throws stuff together and goes Well, That's A Plot I Guess!) I'm glad people are intrigued about and Neves dfhjfghf. I DO have some lil doodles of her in the cult. One specific tidbit that makes me laugh: Neves is tall as hell in comparison to the cult members.

I'm not sure how to measure the inhabitants of the Lands of the Old Faith, but I imagine them at least smaller than the average human--mostly because I think its sort of funny to emphasize just *how* out of place Neves is among the Lamb and their flock. This is more like a rough estimate of how they compare LMAO. With her height, the cult members usually ask her to help with picking fruit on big trees or, for example, doing things like standing on her shoulders to clean the Temple windows that are too high up otherwise :') Here's a silly comic w/one of her experiences in the cult too!

[spotforme]

on top of everything cursed in terrorform it's also literally a confess or die situation

[painfullyprickedandticked]

remember stolitz nation that in an alternate universe we're crying over verosika and stella's breakup and apology tour

[bittersweetresilience]

say hi to me i don't know, i just remembered being so much brighter, i guess

cigarette ash like wildfire burning holes in the nighttime open scars feel like barbed wire white lies flying high like a ceasefire dropping flags on the shoreline this is as far as i can feel right 'cause what you don't know can haunt you

and all we ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think for a while

don't drag it out living like that doesn't mean a thing

so let's, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars 'cause happy endings hardest to fake

and i wanna let you know i wanna let you go but i just can't bring myself to speak but this is how it goes the end credits, they roll this bridge was built over kerosene but we can watch it and all i ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think

so let's run, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars you can wish away forever but you'll never find a thing like today

[basicallyjaywalker]

Wanna ramble about a moment/character in ninjago you think people need to talk about more?

I don't know who you are anon, but I'm glad you asked!

I am desperate for people to character-analyze Wu. I'm desperate for a lot of character analysis including Nya but since I got a lot of my Nya feelings out with some lovely folks the other night (edit: the other night was a month ago dw about it. this took a minute) I'm going with Wu this time

Master Wu to me is such an interesting case of a character who it is so easy to ignore the bits of the show that hint at his wider issues and traumas. He is a man defined heavily by his family and by his past. A lot of criticism he gets, I think, is due in part to that.

I've mentioned before that I've been rewatching S1 with a friend of mine and intermittently pausing to infodump on them about interesting character things I notice from that season. A lot of that has been Wu-focused because despite having seen RotS dozens of times throughout my life (watching it on CN, watching it on Netflix when only it and Legacy were around, rewatching it with friends) I have only just started noticing the seeds of character written in.

I might also just be reading too much into things, but hear me out

In S1 (and by extension, the pilots), Wu is characterized as your typical old wise teacher. In the first few minutes of EP1: Rise of the Snakes, he is chewing out the Ninja for playing video games instead of training. The line he uses? "Never put off until tomorrow what can be done today."

It's a line that gets repeated throughout the series. In fact, it gets repeated that very episode when the ninja go (pun not intended) to fight the Hypnobrai and a literal pre-teen. At first, it seems to just be a piece of wisdom. Some old proverb Wu's picked up over the years, possibly one he even coined himself. However, in EP7: Tick Tock, Wu tells the story of who, possibly, first told him this.

(Source: Tick Tock/Transcript | Ninjago Wiki | Fandom, highlight added.)

It was Garmadon. Now, I'm not gonna dwell too long on Garmadon, if you spend five minutes talking to me you'll learn he was the first character whose story I obsessed over and I want this essay to be about Wu, but I think he plays a role in Wu's overall story, as does Wu's family as a whole.

Prior to this, Wu and Garmadon's relationship has been more of a sibling rivalry taken to a good vs. evil extreme. We didn't know why Garmadon was evil and we didn't know about Wu and his relationship as kids. However, this scene establishes the backstory. They were, as Wu puts it, "the best of friends." That is, until Garmadon gets bit by the Devourer going to get the katana Wu lost.

Now, I know the Devourer bite was destined to happen because of the Overlord or some shit, but Wu doesn't. As far as he's concerned, Garmadon getting bit was a direct consequence of both his mistake and his cowardice. He lost the katana. He was too scared to get it. Garmadon went over instead. Garmadon got bit.

The scene goes on to show the FSM tending to Garmadon in the aftermath. Wu is watching from behind the door, likely told to stay back, but concerned. And in his POV, we get this intense moment, where Garmadon turns, looks directly at him (his eyes turning bright red for the first time), and says "It's all Wu's fault!"

(This clip should begin at the start of Wu eavesdropping. If it doesn't, skip to 0:58. I highly recommend also paying attention to Wu's body language during this scene.)

The camerawork does a great job of showing how this probably felt for Wu. It zooms in, Garmadon's voice echoes, and the background blurs. We see in the flashback that this is a moment Wu has etched into his memory. Not to mention, he was likely a very young child when this happened. LEGO characters' ages are weird, but Wu in this scene has the Big Eyes, which always seem to be used for characters under 12. We don't know exactly how much older Garmadon is to my knowledge, but he doesn't have the Big Eyes, so he's probably closer to 12 and a few years older than Wu for sure.

Imagine that. Being in elementary school and your older siblings gets hurt. They're acting strange. They're lashing out at your father. Then, they blame it all on you. They're hurt because of you. Wouldn't you internalize that?

I could go on about Wu's relationship with Garmadon, but again, I think I've spent enough time on it and I don't want to only focus on that. It's an important part, but there are others.

Let's talk about Wu's relationship with his dad.

Now, I have not yet read the Spinjitzu Brothers series. I cannot speak to any development of Wu and the FSM's relationship in there. I have, however, read The Book of Spinjitzu and blogged some of my thoughts on it here, including some of what it says about Wu.

For those who haven't read it, first, there is a Google Drive folder floating around with all of the canon spinoff books/graphic novels in it. Here's the link if you wanna read them!

The FSM is an... intriguing figure. I mean, in the series he's basically god? He made the entire world. That's already a very high bar to live up to. Then, in Book of Spinjitzu, there's a few specific parts that, when I read them, signaled that Wu internalized a specific message when he was young.

(Source: The Book of Spinjitzu, Page 3).

Wu does not want to disappoint his father. It is up to him (and Garmadon until he turns evil) to "uphold the legacy of Spinjitzu" and, by extension, his family. He says he was "very young" when this was explained to him. Considering he seems to already be training at an elementary age, "very young" means VERY young.

(Source: The Book of Spinjitzu, Page 16).

Here, we again see Wu being very aware that he has some large burden to carry. Something else interesting here is that the thought of the Green Ninja Prophecy is already weighing on him too. His considering if he might be the Green Ninja is of extra interest because of how the Green Ninja Prophecy and the--I wouldn't call it obsession, possibly fixation?--with who it is factors into his later actions, but we'll get to that later.

(Source: The Book of Spinjitzu, Page 19).

This one in particular gets me because it comes after Wu mentions Garmadon becoming more evil. It is a statement of power. Wu knows that the legacy of Spinjitzu now rests in his hands alone. He cannot let himself fall the way Garmadon did. He cannot disappoint his father. Whether or not the FSM intended it, Wu always knew the fate of the world rested, at least in part, upon his shoulder. He knew this from the time he was a young boy and it remains in his mind to this day.

Now, these quotes are indirect, but they all point to one clear idea: As a child, Wu internalized the idea that he alone is responsible for keeping Ninjago safe. He will play a pivotal role in its history.

There's not evidence in this book that the FSM's was a bad father, per se. However, just because one doesn't set out to harm their children, doesn't mean they won't. I often say Wu has an "Atlas complex," which I have no idea if it is an actual concept but use it to refer to this idea. Wu feels as though he is responsible for holding up the world, much like Atlas. He must keep the balance, he must solve the Green Ninja prophecy, he must make his father proud.

(Source: The Book of Spinjitzu, page 61).

I'm going to get further into what this means for Wu as a teacher to the current Ninja Team, but for now let's look at Wu's first foray into teaching.

Morro. Wu's Biggest Mistake.

That might seem like an overstatement, but it's not.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom)

Okay he says regret, not mistake, but I was paraphrasing.

Let's turn back to his quote about his destiny. Wu writes, "Is my life's mission to be the Green Ninja? Or maybe it will be to find the Green Ninja and protect him (or her)??"

From a very young age, Wu was not only aware of the Green Ninja but prophecy but also thinking about his place in it. We see this again when he takes Morro in and trains him.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom, highlight added)

A big thing Wu is criticized for here is making Morro believe he is meant to be more. That he is the Chosen One. And Morro, being a young homeless orphan just now given some semblance of power and protection, latches onto that. And I can see it, but when you take into account the above that he was trained from (likely) a younger age than Morro and given a similar level of responsibility, it becomes more understandable. Wu is just doing what he was taught. He doesn't believe that he is harming Morro until it is too late.

This is the entire story, but I'm specifically going to be discussing 1:36 onwards here. I also wanted to add that rewatching this scene made me lay down on the floor! What the fuck! But I digress.

There's a lot going on in this scene. For one, Wu washing his hands of Morro in some ways, but not others. He turns his back on Morro when he tells him that destiny has decided, but looks at him again when Morro storms out. He goes to save Morro from the Grundal, but decides that he cannot "teach those who would not listen." Most importantly, when Morro leaves to go find the Tomb of the FSM, Wu leaves the door open. He waits for Morro to return, but never goes after him. And Morro never comes back.

Wu gives Morro's fate a dismissive response at the end of his ghost story ("I am saddened he was banished to the Cursed Realm") but it's clear he still cares deeply about him in the finale of the season.

Wu's VA in this is phenomenal btw. That "Please Morro!" and "MORRO!" make my heart ache.

Morro believed Wu stopped caring, but he didn't. Even after all he's done, even after trying to destroy all of Ninjago--destroying what Wu had spent his life trying to protect--Wu tries to save him. He begs for Morro to come with him. Morro refuses, Wu watches him perish.

Someone else Wu is close to is gone. Wu again considers himself responsible. Everything is his fault.

And finally, we reach Wu today. A cautious, secretive man. He loves his students, this much is clear. Even as early as the pilots, he drops his wise teacher persona to joke around with them.

As with Morro, he trains them like his father did him. He even uses the same methods his father used when he trains them.

(Source: The Book of Spinjitzu, page 32)

While he is hard on the Ninja, wanting them to succeed and training them to help defend the Realm, he lets his guard down more than it seems he did with Morro. He also learned a valuable message from his experience with Morro when he hides the Green Ninja Prophecy from the Ninja, getting angry when they start to push themselves in the same way Morro did upon learning about it. It's clear he doesn't want a repeat.

Now, I can't speak for later seasons (I will eventually) but this fear of repeats, his students going down a dark path because they're tempted by power or greatness, losing someone else, likely drives Wu not telling them other important information. That is just a passing thought though.

Final notes:

I'm currently in the process of rewatching S7: Hands of Time. I actually got this ask right after finishing EP68: Scavengers, which opens with Wu having a nightmare. In it, he and Misako are walking outside of Yang's temple. While walking, Misako delivers this line in response to Wu reminiscing about the time they've spent together:

(Source: Scavengers/Transcript | Ninjago Wiki | Fandom)

This line, to me, is Wu's subconscious trying to tell him something he needs to hear. It's hinting at what might be his greatest flaw. Wu is haunted by his past, by his mistakes. He finds it difficult to tell others because of both his guilt and his desire to not put that worry upon them. In this very season, he makes the mistake of trying to face his past on his own, and he nearly dies for it.

In the same episode, you see Wu trying to make sure Lloyd doesn't make the same mistakes.

(Source: Prev)

Wu stresses the important of the team. It's as if he sees Lloyd blaming himself for what happened to Wu, sees him doing the same thing Wu has, and is trying to prevent him from doing the same thing. This is further emphasized when, after Wu falls asleep (well, fakes falling asleep), Lloyd says "Wu's mistake was going in alone. So was mine."

Master Wu is, like many characters in this show, someone who is more complex than meets the eye. He is not just a wise, old teacher. He is a man who, throughout his life, has made mistakes and carries the weight of each of them on his shoulders. He is a man who tasks himself with making up for those every day. He is a man who wants better for his students, his family.

Until the day he dies, he will guide and protect his students. And possibly? Even after death too.

[bumblingbabooshka]

[TUVOKTOBER: Day 12] Casual telepathic conversation. There are some things you can't discuss with non-Vulcans.

No text!

The lady Tuvok's talking to is a canon, unnamed background character:

She's ex-Maquis and appears in like two scenes where she doesn't speak.