#fuckin weird to think this series is older than i am also wtf

[citrine-elephant]

so badly do i want to go on little rants about theories and ideas and au's for re, but i don't want to embarrass myself around the nerds who've been on it since before i was born.

but of course i'm interested in the attractive sad man who gets his ass kicked a lot, so i gotta wonder what a beloved character getting caught and weaponized like jill would be like, right? i mean come on, can't we even add some of that good ol' ada/leon drama to it? (i'd prefer it to be along the lines of "i want to see you again" rather than "hand over the sample" ya know?)

can't i just try to get in the mind of this poor traumatized survivor of horror having to go through yet another awful awful thing?

[butwhatifidothis]

3H and Bleach: Where the Fuck am I

So, I’m finally hunkering down and trying to write out this post lmao. I’ve mentioned here and there how my personal experience with the 3H’s fandom is similar to my experience with the Bleach fandom’s in more than one way, and - look. Like, I get there’s definitely a semi-universal thing that goes on across all fandoms. I don’t mean for this to say that this only happens within these two fandoms, because duh, of course they don’t. But!! This post is partly me wanting to air years long annoyance towards the Bleach fandom that just so happens to coincide with my feelings towards the 3H fandom, sooo... yeah lmao

I’ll probably be skimming over some bits about 3H, since most people who come across this will already be familiar with what I’d be talking about in that regard vs Bleach, so just a heads up

Note: This is gonna talk about Bleach which will spoiler territory (writing this off the cuff so not sure where this is goin’ yet lmao but I know that much), so if you don’t wanna see that then don’t read this post lol, I know for sure I’ll be spoiling something ahhhh... noticeable, lol

Ableism against the mentally ill

Now, most people reading this post will be familiar with the blog and how this very, very much applies to 3H, but for the sake of this post I’ll lay it out anyway with a brief summary

Dimitri and Rhea are both characters within 3H that suffer from severe trauma that heavily impacts their mental state. Both are the sole survivors of a horrific slaughter, with that slaughter redefining who they are and leaving a permanent marker within their minds in some way (Dimitri with having auditory and visual hallucinations, Rhea with having obsessive tendencies towards bringing her mother back from the dead). Specifically in CF, both characters are set up in the plot as antagonists, with both characters having to relive their trauma in some way due to the actions Byleth and Edelgard take against them (for Dimitri, having his home be razed to the ground and everyone he cares for dying around him, for Rhea having someone use her mother’s mutilated remains be used to end her and her race) and express extreme anger towards Byleth and Edelgard before they are killed to progress/end the story

Now, uh, sad shit right? Not exactly fuckin’ happy sunshine rainbows. These two characters are put through the wringer and are then murdered. They are rightfully not the fuckin’ happiest because of what happened to them before and what happens to them within the present story. But we’ve heard it all before: “They were crazy!” “They couldn’t be reasoned with!” “They had to be put down out of mercy because they were too ~far gone~ to live happily!” “They needed to be killed for the good of everyone!” It’s an extremely ableist rhetoric that gets passed around the fandom as though it’s totally fine to directly state that mentally ill people should be put down if they’re deemed a “lost cause.” Especially worrying because. You know. If they are a “”””lost cause”””” then it’s directly and specifically because of actions Byleth and Edelgard take against them. 

But how does this remind me of Bleach? What kind of similar extreme, worrying ableism exists there? Well, let me introduce to best girl a certain character with... a reputation, to say the least:

Meet Momo Hinamori.

Holy shit it’s so weird writing this out because I’ve been wanting to for years but have never worked up the nerve to do it lol

It should be noted, in the Bleach verse there’s two worlds out of three - Soul Society and Hueco Mundo, though I’ll only be talking of the former - that deal with “souls” (the essence within a living human). Souls age far more slowly than human bodies do in terms of body, not necessarily the mind (so a teenage soul will likely behave as such for a long while) so keep in mind that I’m going to be using numbers that may seem weird to someone who hasn’t seen Bleach lol.  With that out of the way, here’s a similar, if longer for context to those who haven’t seen Bleach, summary for Momo’s character as it relevant to this post:

Momo is a character in Bleach that grows a deep admiration towards Sosuke Aizen, a respected captain of the military force called the Gotei 13. She comes to views him as the most important person in her world due to him both noticing and paying direct attention to her as well as saving her and her friends’ lives during a training mission gone wrong while she was younger. Note that “younger” here means 40 years ago from the start of the story. Aizen would praise her all the time, allow her to sleep over in his quarters, would drape his cloaks over her when she looked cold, and would overall treat Momo as though he was his daughter for most of the time we see them interact in the beginning portions of the show. Note that none of this is sexual in nature, nor is it ever implied to be seen as such. That’ll be important later in this post

To make a long story short, Aizen comes to betray her. He stabs her through the chest and shows and tells her that she never meant anything to him, throughout the 40 years they’ve known each other (which, mind, for a soul Momo’s approximate age 40 years is still a noticeable amount of time), and he was only using her to help bolster his image as a loveable captain so that he can hide his plan from everybody that much easier. He did horrible things to Momo - from setting her alarm clock back to a later time so that she would more likely come across his pinned, bloody fake corpse. to framing her childhood friend for the apparent murder and tricking her into fighting that friend, to far later in the series tricking that friend into stabbing her (hypnosis shit, to sum that up) for literally no stated reason - that ended up mentally breaking her. She couldn’t believe that the last four decades were all nothing but lies and she fell into a deep denial about Aizen’s true nature - someone else made him do everything he did, she must have missed something that would have warned her about Captain Aizen’s unfortunate situation that forced Captain Aizen to hurt her and everyone else. This denial would take the majority of Bleach’s entire runtime for her to get over completely, with her having hiccups in her recovery even as she works up the nerve to fight him.

Now, uh, also not the fuckin’ funnest of times to be had here. The deep, long-running mental and psychological manipulation of what approximates as a teenage girl from a trusted older figure is something that is very clearly horrific and bad of the older figure, right? Like, we’re on the same page here on that?

This wouldn’t be in this post if that was the case. No, Momo was the one constantly on fire for what happened to her. She was one of the most hated characters in the western audience, and there were endless jokes about “lol look at Momo, the pincushion!” “Crazy bitch Momo, better watch out!” making fun of her and her trauma relentlessly. If you managed to find a Momo fan in the early 2000′s you should have also bought a lotto ticket because holy fuck, everyone hated her. She acted in a startlingly real if deeply uncomfortable way in regards to years long manipulation and she was lambasted for it. She didn’t immediately get over decades long psychological abuse and she was called useless, weak, a horrible representation of female characters, stupid - you name it, she was likely called it. To this day I still tense up when I hear that someone likes Bleach and they mention Momo at all because I’m always thinking “does this person think this abuse victim is dumb for being abused?”

Dimitri, Rhea, and Momo are all victim-blamed to a disgusting degree in the 3H and Bleach fandoms. Dimitri and Rhea are always hit with “well if Dimitri hadn’t have fought back against Edelgard/Rhea caused the “”tyranical systems” in the first place, nothing would have happened to them!” and Momo was constantly hit with” well, it’s not Aizen’s fault Momo was so clingy to him, what could he have done!” and I get so fuckin’ mad dude.

But for Dimitri and Momo specifically, there’s one thing in particular that caught my attention:

The “Rejection Theories”

This had my head spinnin’ a bit when I first heard it, cuz I had managed to avoid the theory for a while in the 3H’s fandom, but apparently a sizeable amount of people seem to believe that Dimitri wasn’t just mad at Edelgard in the Holy Tomb because of... you know *waves hand* fuckin’ everything, but that the primary reason for his anger was that Edelgard... rejected his advances to her? And that the dagger he gave to her when they were 13 was a phallic symbol of baby Mitri’s want to have sex with Edelgard? And. Like. What in the fuck are you talking about. 

But like?? Bleach did this shit too with Momo?? It was also a sizeable amount of people - not everyone, but a noticeable amount - that believed that Momo was just mad that Aizen wouldn’t sleep with her? You’d see it pop up in fics so often, that Momo would want Aizen to fuck her and she’d “go crazy” when he denied her and Momo was actually just this shallow bitch who wanted a good fuck like... what.

Like, when I first heard the Phallic Dagger take the first thing that came to mind is “wait Momo was also accused of just wanting to have sex with the person who traumatized her wtf” 

“Actually it was the perpetrators that should be forgiven because lonely and also some shit about ruling better”

Those in the 3H fandom know how often the “Edelgard was lonely!” line gets thrown by just about every one of her stans. Edelgard was lonely and couldn’t trust anyone, so of course she did what she did! If she had someone near her she could trust she wouldn’t have acted like she does in the rest of the game! Nevermind that she “gets” this in CF in the form of Byleth and still acts just as shittily as she does in the other routes, or how being a little lonely doesn’t fuckin’ mean you get to start war. But anyway, we also hear that Edelgard was justified in doing what she did because her ruling Fodlan would have lead to more peace in the end, once she got rid of the power structures in place now (except that doesn’t happen but whatev I guess lmao)

Aizen? He was lonely too! He was far too strong for anyone to truly be able to understand him, and so he tragically fell down a dark path. If he had known someone who could be considered an equal to him he would have never done all the horrible things he did. And the Soul Society is unjust! It needs to be reformed! So him slaughtering hundreds of thousands of souls at the minimum to harvest all of their power to use as his own is justified because it’ll be used to create a more just society under his rule!

Like. Y’all. Lowkey? I’m so fuckin’ glad Edelgard proved herself to be just as fuckin’ awful with Byleth as without because this shit drove me up the fuckin’ wall back in the day. There was 0 ways to prove that Aizen would damn sure be just as fuckin’ bad if he had an “”equal”” to stand by him than if he didn’t, and I get to kinda be right because without fundamentally changing these characters’ backstories they would not give two flying shits about whether or not they had someone “equal to them” (which is still kinda degrading to think about anyway).

Now, this is where I move away to a different topic lol

A split in the narrative cause divides in the fandom

With 3H houses this is really fuckin’ easy to point at: there’s 4 routes, three consistent stories and one radically different story, and that difference in story causes heavy contention within the fandom. It’s very obvious so I won’t go over it much.

But how in the fuck is there a divide in Bleach? It’s not a fuckin’ Choose Your Own Adventure manga, it’s an anime and manga showing off the characters of Bleach’s stories and interactions (with, you know, plot and shit thrown in).

Well. It’s more accurate to say the anime told a story about the characters, and the manga told... the story about the characters.

In terms of plot, the anime didn’t change much from the manga, but hoo fuckin’ boy, did they change shit about some of the characters. Specifically, they changed a shit ton about three characters: the two main protagonists, Ichigo and Rukia, and another main character, Orihime.

Orihime. Got. Fucked.

The anime would make her far more ditzy and clumsy, her crush (turned growing love later on in the story) for Ichigo during more deeper moments that showcases her feelings for him were downplayed if not removed entirely in exchange for talking or thinking about food, key moments she has with Ichigo early in the manga were cut or deadass changed to something else in the anime, some key moments with her relationship with Rukia were cut, her backstory was watered down - so much of Orihime was fucked with in the anime (her fuckin’ introduction was changed drastically). Meanwhile Ichigo and Rukia were given moments that didn’t exist in the manga, they have filler arcs (remember those lmao) that would be stuffed with shit ton of moments for them that have no basis in the manga, other characters would change their behavior from the manga to reflect a sort of “thing” going on between Ichigo and Rukia.

Look, guys, the anime fucked up so bad the fucking mangaka, Tite Kubo, has said he gets stomach aches watching the early anime because it was that awful. And this divide between the anime and manga’s portrayal of these three character helped spawn the ship war of Bleach: Ichiruki vs Ichihime (oh but more on that in a bit). It tanked Orihime’s popularity because people thought she was the stupid dumbass that would stumble ass first into situations when that wasn’t her character at all. And because the majority of anime watchers only watch the anime... yeah, you can see where this went. So just like in 3H in Bleach you have these radically different tellings of the same characters that drove a big-ass wedge in the fandom

Marketing

Imma be transparent, like I’ve said before I managed to avoid nearly every marketing tactic for 3H so it’s a tad hard for me to speak personally, but from what I’ve been told Edelgard was heavily marketed towards the player base pre-release. She was the poster child of 3H, she got the figma, she was in the spotlight - unless you cleansed your board of 3H content you knew exactly who she was. On top of that, it doesn’t stop in-game - loading screen messages would assume you picked BE, Adrestia is the first option to pick when you want to impress one of the lords in the prologue, the BE class is the first option to pick in choosing which route to play, every character has some moment in the game post ts where they express sympathy with the woman who waged war on them for five years (even characters with no business doing so, like Seteth entertaining the idea that maybe Edelgard isn’t that bad during Myrddin). With all of that good PR for Edelgard in and out of the game it heavily impacted how people saw her, and much of it is used by stans to justify her being a good guy (mostly in the game marketing) despite everything else in the game clearly showing that Edelgard is the bad guy

With Bleach in that regard... you have Ichiruki

holy shit it’s so weird talking about Ichiruki i’m still lowkey nervous about talking about them lmao

With Ichiruki stans, they would cling onto outside material that promoted Ichigo and Rukia together as proof that their ship was going to be canon. Spreadsheets, calendars, poems (some of which didn’t even apply to Ichigo and Rukia’s relationship but they insisted they did anyway), novels - outside material that either wasn’t canon or didn’t pertain to Ichigo and Rukia’s relationship. They would shove it in the face of Ichihime shippers that “see, we have all this stuff for us! We ain’t starving tonight!” when the canon (note: in the manga particularly) would clearly show Ichigo and Orihime’s relationship being the one that leans romantic in multiple significant ways. They would latch onto irrelevant shit that ain’t had nothin’ to do with anything and wave around as a paragon of romance when it literally wasn’t even canon

Just fuckin’ ignoring the creators deadass

Creators and developers of 3H: Edelgard is the typical Red Emperor the only difference is Girl

Stans: that’s just a headcanon

Kubo: Ichigo and Rukia have a platonic relationship and I’ve publicly said this since 2008

Stans, now, to this day: Ichigo and Rukia were robbed

Making people reject what they’re stanning for

I’ve seen a few people express that the more they interact with the fandom and see what her stans are doing, the more they grow to dislike Edelgard despite (some) initially liking or even loving her. To put it simply, the same thing happened with Ichiruki - hell, this happened with me with Ichiruki. I can’t fuckin’ stand the ship anymore because every time I think about it I’m reminded of the absolutely rancid, disgusting things Ichiruki stans have to done to others in the fandom, and even after nearly five years after Bleach has ended I still tense up when someone says they like Ichiruki over Ichihime precisely because of the behavior of the stans, just like I side-eye people who say Edelgard is the best lord. Do they like them because they simply prefer them over the other(s) and they’re not totally fuckin’ bonkers, or are they totally fuckin’ bonkers. 

And, like, that’s not fair! I know that! But I can’t help but think that when such a loud amount of people act in such deplorable ways just because someone didn’t like a bunch of lines on paper/pixels on a screen.

To all the nice Ichiruki and Edelgard fans, hope y’all are havin’ a nice day.

Long, crazy ass explanations as to why X =/= X (and if anything actually means Y)

Teacher theory for 3H. How Edelgard totally didn’t hire Kostas to kill Dimitri and Claude and was only thwarted because Claude booked it, but how she definitely actually meant to simply scare away the teacher that was with them so that Jeritza could be pulled from his already existing position in Garreg Mach to teach one class so that Edelgard can kinda keep a sorta closer eye on exactly one of the other classes (and just do shit all about the other one I guess), because Jertiza’d be able to gleam so much from teaching a class for a few hours a day I promise 

But for Bleach, you also have one particularly infamous theory positing shit that don’t real, with enough renown to be known by a specific name, and that’s the Lust Arc = Fail essay

To explain what the essay is about, I have to set the scene up a bit. Imagine, you, with your tiny little monkey brain, are watching Bleach, and you get to the part where Main Boyo is fighting against Villain to save Girly. Other Guy is there too - this is important. Main Boyo tries his hardest to fight Villain, but is ultimately shot through the fucking chest with a laser from Villain and dies. Like, for bit actually dies. Girly breaks down, has a straight up mental breakdown because she always “knew” that Main Boyo could do anything, and now he’s been killed and is dead in front of her. She screams out Main Boyo’s name, hysterically begging him to save her and protect her because holy shit the love of her life has been brutally murdered in front of her what the fuck. But Main Boyo, from literally beyond the line of death, hears her pleas and snaps back to life as a monster, with the sentence “I MUST PROTECT” repeatedly running through his head and being the only sentence he ever says while in this form, with him fucking destroying Villain and even going so far as to directly hurt Other Guy when Other Guy tries to stop Main Boyo from utterly stomping on Villain. Girly is the only person Main Boyo does not directly hurt, and when Villain is damn sure gonna fuckin’ kick the bucket that is when Main Boyo reverts back human. Everyone is more than a little shocked at what happened, but it’s clear from how relieved Girly is when Main Boyo comes back safe and sound that while this event fundamentally will change their relationship (and it does), it is still one that is extremely strong and they won’t let it get between them (and they don’t).

Now, when looking at the summary, you, with your absolutely miniscule peanut of a brain, might come away thinking, “Hm, Main Boyo might kinda care for Girly given that he literally rose from the dead to protect her and only her and went back to normal once she was safe” and you poor fool would be oh so wrong, because actually, this is all proof that Mian Boyo doesn’t care for Girly and that Villain actually cared more for Girly than Main Boyo ever could.

Without diving too deeply into the absolute lunacy of the Lust Arc = Fail essay, that was its main premise. That Ichigo, after rising from the literal dead directly after Orihime begged and pleaded that he protect and save her and then going on to protect and save specifically her (as Uryu - Other Guy - is also a friend of Ichigo’s and got his fucking arm cut off by Monster!Ichigo), is proof against Ichihime being romantic in any way and was not, in fact, a fuckin’ giant neon flashing sign that read THESE TWO ARE GONNA GET TOGETHER. It was the dumbest shit ever, but Ichiruki stans, much like Edelstans with Teacher Theory, clung to it like white on rice. It didn’t matter how much it was utterly debunked, it didn’t matter how the base premise was stupid as fuck, they point to it as the pinnacle of meta for their respective fandoms in their respective spaces.

And all of this leads me to um... the one I’m kinda the most worried about?

Stan Behavior

Edelstans are their own unique brand of awful in that that the shit they spew is particularly... worrying (”genocide isn’t bad if they aren’t human and also they kinda deserved it” “imperialism isn’t that bad really” the mentally ill should be put down if they’re deemed ~too far gone~” among other... wonderful takes...), and their behavior is also quite shitty, harassing content creators that go against the Approved Opinions (Ghast) or forcing people to take down fanart and in general infecting nearly every Rhea space with all kinds of disparaging comments no one asked for. They actively make the fandom a worse space, and when they flare up it’s almost always noticeable (again, Ghast)

Bleach?

Oh boy.

Guys. If you weren’t there for the Canonization of Ichihime (2016). You dodged a fucking bullet.

The outrage was out-fuckin’-rageous. Their behavior was some of the worst reactions anyone has ever seen come from the canonization of a ship in a shounen. This includes, but is not limited to:

Someone tearing apart all 70+ volumes of Bleach and burning it in their bathroom

In fact, multiple people tearing up Bleach and burning it, while keeping the Ichiruki moments and taping it to their walls

A Rukia cosplayer, in Rukia cosplay, printing out the final color spread of the end-game couples and their friends lounging about - with colored ink and all - and burning it, while filming herself doing so

Ichiruki porn being sent to Tite Kubo

Tite Kubo being accused of grooming a 15 Orihime cosplayer with no proof

Tite Kubo being accused of lying about his various health issues

Ichigo and Rukia being drawn cheating on their spouses with each other - and some of that also being sent to Tite Kubo

Tite Kubo being chased off Twitter by Ichiruki stans... again

Ichihime shippers getting sent death threats

Ichihime shippers getting called delusional for thinking their ship had a chance before the endgame couples were revealed, and then being called delusional for thinking their ship had any real basis and wasn’t pulled “out of nowhere”

Tite Kubo being accused of hating women because of Orihime being shown in an apron in the last chapter and Ichiruki stans jumping to the conclusion she became a housewife, and then Tite Kubo being accused of hating women because when it was revealed that Orihime has a job in a bakery to pay for college later they insisted what Kubo should have done was have Uryu, who’s a doctor at that point, pay for Orihime’s college instead of having Orihime pay for it with her own money 

And mind you, this is only the stuff I’ve personally seen and experienced

I am hoping and praying that Edelstans never get as bad as Ichiruki stans did in 2016, but with how otherwise similar they are my hopes are dwindling more and more. I guess I can take solace in the fact that they aren’t quite... that bad yet? In terms of actions, at least? Their sentiments though are infinitely worse, so like... cool

[a-little-slice-of-fandom]

You really should try again with the Percy Jackson books. They're funny, they have really interesting updates of Greek mythology, and they have SOOOOO much representation in them. It's definitely worth a read - just don't watch the films. The films are dreadful.

I’ve watched the films once and every second was a complete trainwreck, even from the point of a non perch Jackson fan.

But for me, representation in books isn’t always selling point. Like, I’m Bi but a book having a bi character or a queer relationship just isn’t enough for me. It’s great that they’re there! But it won’t make me feel any inclination to read the series if I don’t already feel that inclination. Obviously it’s great that they have lots of representation, including racial diversity which is something books like to just,,,not include for some reason? (Seriously why is everyone so fuckin white in YA novels? And they’re always wither American or English. Wtf) and I did pick up from the first book that things like dyslexia and I think maybe ADHD are discussed which is also amazing! I don’t think I’ve ever seen that talked about in any book! But my original gripe with the series is that I just didn’t click with the writing style, the characters, the plot or the tone of it. I know that’s weird to say because Skulduggery Pleasant has a lot of overlap in these areas but I honestly am being truthful when I say the first Percy Jackson series didn’t work for me on a technical level. Objectively I recognise that it’s a great series and again I’m glad there’s a series out there with so much representation and I totally understand how much the series means to people, but diversity isn’t going to change the fact I personally didn’t like the writing style or the humour for me often fell flat. And if something doesn’t work on a technical level and I didn’t have a great time reading it, I generally won’t stick around for more. It definitely has something to do with me being much older than the intended age demographic, but I just felt like it was a bit too cliche at points and honestly it felt WAY too American for me as well.

I did mean what I said when I’d give PJ and AF another chance in the future, but I’m doing alevels at the moment so reading time is limited. Hopefully when I do give both another chance they’ll work for me because I’d love to see what others see in this series! But the first time round PJ just didn’t work for me 🤷🏻‍♀️

[destiny-smasher]

Kingdom Hearts 3 impressions

So, uh, I will ONLY be talking about stuff up until the very start of the second World, and only AFTER the break. Kingdom Hearts 1 was an incredibly important and influential piece of media when I was growing up. I was writing fic based on Smash Bros. just before KH rolled onto the scene was like, “Yo, Disney and Final Fantasy, BAM, fuckin’ random? fucking RADDDD” and I was all about it. You had FF characters remixed with OCs remixed with Disney characters, and the villains were all crossing over to form the League of Bad Cartoons, it was a great time. And then Nomura realized his gamble was a win and decided to waste the next 15 years of everyone’s time shoving in every trope he liked, every IDEA that felt “cool” together into a mish mash of whatever the hell this “narrative” has become. Suffice it to say, I’ve got beef with Kingdom Hearts as a “story.” It just occurred to me today that a big part of this is thematic/tonal.

But it’s also VERY rare, maybe even unprecedented, for a piece of media like Kingdom Hearts 3 to come around. For years, then months, then weeks, then days, I told myself, “It’s not real, that game doesn’t exist, I won’t believe it until I’m literally playing it” and just could not be bothered to be hype or interested, if only because Nomura’s “vision”, from my perspective, warped something I admired in my youth into a fucking train wreck, leaving me very little to feel emotionally invested in outside of Aqua and by proxy the two lads she is trying to protect. (also I GUESS I’m slightly invested in Axel/Xion/Roxas.../Namine? for similar reasons now that I think about it?) Well, guess what? Kingdom Hearts VERY WELL might be real, and I very well might be about three hours into it. And for all of the beef I have with the plot, I am fucking relieved that those three hours have felt/sounded good, as a video game. NOW we’re gonna talk about the first World. --

When I first heard that Olympus was gonna be the first World in KH3 I was disappointed and BAFFLED. We’re visiting that place a THIRD time? And why THAT World? Turns out, there’s actually some substantial thematic relevance and that’s actually A-OK, not to mention that starting with a familiar world after ALL OF THIS TIME is not such a bad way to kick things off. First off, structurally, I actually really enjoyed the way this world played out. Two of my biggest problems with KH as a video game series have been that worlds feel like empty, vacant, haunted houses, and that said worlds are usually small and linear with a lot of pointless backtracking. Olympus fixes all of this. There are NPCs. Actual fucking PEOPLE in this world. Sure, they’re just people in danger, calling for help, but they’re THERE for once! And they have vocies! EVERY line of dialogue (except for like one “plot” moment) has actually been voiced so far! About time. Also. This World is not as linear as most KH Worlds. In fact, it help more open and dynamic than ANY World in any KH game so far, not to mention it featured three, THREE (wtf) unique and distinct types of settings. The city, the mountain, and Olympus. Nice. ALSO also. The music. We’ve been here before. We KNOW that Olympus theme from earlier games. And as you traverse the city, up the mountain, you hear this more sweeping, movie-like version, and it’s like “oh whoa nice” aaaaand then you get TO Olympus and it KICKS in, the old song, up to modern snuff. That was great. That was a thing that really helped convey “Kingdom Hearts is back, baby.” The World was big, compared to typical KH worlds. It had multiple nooks and crannies to explore, side-paths to go down, treasure to find hidden away. There is a LOT of verticality. Running up walls and seamlessly hopping over things in the environment makes traversal more enjoyable than it ever has been. Even though a lot of the World is technically a linear path it’s not structured like a path. Going off and exploring rewards you with items and the like, and the World is big enough to actually feel like you have places to poke around in. Having said this, WHY is there no...map? Like. You literally COLLECT Maps from Chests like you used to. But near as I can tell, there’s no way to pull up an actual MAP, to seer where the main path is, to see where the side paths are. It’s boggling. Maybe the game has the option hidden away somewhere but if so, that’s just silly. And if there’s just no actual map option at ALL that’s just...baffling. There were barely any load times for how much SPACE there was to navigate, and things looked very shiny and pretty, and ran at a smooth 60 fps MOST of the time. Tech specs aren’t everything, but when your brand is built on “looking pretty” it sure af helps when you bring scale AND a smooth framerate to match. It’s weird, and a bit jarring, sometimes in a good way, to see all of this stuff rendered in modern tech. Stuff looks...a little too plasticy a lot of the time, (which actually ought to pay off when we get to Toy Story?) but the environments so far feel rich and vast and detailed all at once in a way we just have never seen the series, because we’re basically jumping from PS2-level tech to PS4. So that difference in production is more noticeable for the wait -- I just wish things looked a bit more...I guess cel-shaded? Like the original trailer. Things (specifically, characters) look a little too flat/plasticy at times, for how pretty things are. Combat seems to be as flashy as ever and I’m sure I’ll feel differently as I get further in and unlock more options but it’s still too easy, simple, and mashy for my tastes. I am HOPING we get more moments that require quick reflexes and specific tactics like the harder moments of older KH games. The amusement rides mechanic is...weird. It’s given NO context in universe. And they last a little too long/feel too overpowered for how easy they are to utilize. Similarly, there are frequently seemingly random party-member tag-team attacks that...just seem like “press triangle to win” moves. I wish they entailed more interaction, and/or felt less common/random. I like the IDEA of these kinds of moves, especially ones that change your controls/method of attack for a few seconds (like Hercules’ team attack) but the execution makes them feel too cheap and easy to abuse, with combat that’s ALREADY skewing on the “too easy” side for the genre. I like the “form change” for keyblades, and that you can swap keyblades in the middle of a fight. Really hoping this allows for some good tactical stuff later -- buuuuut that would also require the game to ASK OF ME to do more than “mash X,” which KH as a brand typically does not do... Characters SPEAK in reaction to gameplay moments, when you initiate things in the environment, etc. It’s a nice touch that makes them feel more like characters in an RPG. Donald and Goofy are ALWAYS in the party, alongside the Disney member(s). NICE. Maybe KH3 is putting its best foot forward, but overall, I was pleasantly surprised with Olympus. It single-handedly corrected MOST of the issues I’ve ever had with Kingdom Hearts level design. I only hope the momentum keeps going. Moving on, Gummi Ships. What little I played is easily the best they have every been. I love having an open world with optional places/fights to explore, while still giving me those shmup-like bursts of action. The Gummi Phone seems like a fun mechanic, and taking selfies/photos makes SENSE for this game because of how visually detailed it is -- but the pleasant surprise was how I took selfies with Donald and Goofy and they REACTED to it, starting to pose and commenting on it. On the other hand, the loading screen being nonsensical “social media” posts from KH characters...I don’t like it thanks go away. x’D I’ve spent only a few minutes in Twilight Town and INSTANTLY I am so much more enamored than I ever was in previous games. Not just due to the bump up in visual fidelity, but also because -- GASP -- NPCs??? Are you trying to tell me this is an actual TOWN that people LIVE IN?? Holy shit, Kingdom Hearts, I never knew! For all of this stuff I liked, though, KH3 is still...a KH game. Which means after you get through the intro, after you gear up to land in Olympus, the game flashes the title: “Kingdom Hearts II.9″ ...no. Just no. Fuck. Stop doing this shit. Whenever an Organization 13 member (or EX member) shows up and starts speaking all cocky in riddles like the flamboyant anime jackass they are, whenever Mickey starts dead-ass blathering about weird nonsense whenever the plot HAS to acknowledge “oh right Sora golly gawrsh ya FURRGOT this random bullshit a-FYUCK better shove this expository throwaway dialogue right in here before we go n’ furrget again!” whenever Kairi continues to be irrelevant and invisible after ALL THIS TIME whenever Rikku has to say some obligatory thing about his darkness or his copy of himself or Ansem or whatever whenever the plot informs Sorta/Dornold/Goffy about another convoluted ridiculous THING that we already know about and they MAYBE already know about because it is OBLIGATED to because this game’s entire purpose has become to “wrap things up already Nomura” I am reminded of the freshly opened scar on my heart from how much SHIT this series has dragged itself through for...what? Nothing worth all of this, IMO. Thankfully, these moments feel less and less pressing in KH3′s opening hours than they certainly could be, though I’m sure the closing hours of the game -- once they’ve tidily gotten all of that silly, inconsequential DISNEY CONTENT out of the way (even though that’s the BULK of the game environments and HALF of the series’ identity/purpose) -- those closing hours will surely be packed to the gills with all of this crazy crap. Maybe by then I might finally care enough to finally get the catharsis I’ve waited over a decade for. I dunno. I’m just relieved the game looks, plays, sounds, and feels as good as it does so far. EDIT: almost forgot to mention this since it hasn’t actually come up yet BUT I picked up a BUNCH of “ingredients”??? Like. FOR COOKING??? Which is one of my all-time favorite mechanics in a video game?? (thanks Paper Mario) So I’m at LEAST excited to see what THAT is all about.