Canon P, Jupiter 12, Fuji Acros 100 II (lejárt).
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Some recent-ish film shots.
1) Euphoric 100 from Atlanta Film Co. with my Nikon N8008S and Nikkor 50mm f/1.8D. This film is amazing. Go buy some. You’ll thank me.
2) KikiPan320 from Camera Film Photo with my Minolta XG-M and Rokkor 58mm f/1.4. I really like this film. It’s gritty and beautiful.
3) Acros II by Fuji Film with the same Nikon set up as above. You can’t really go wrong with this film.
More from these rolls soon. All developed and scanned by Darkslide Film Lab, who do outstanding work.
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“Knob.”
©2007 Gary L. Quay.
19th Century shed door near Potsdam, NY.
Camera: Hasselblad 500 CM
Lens 250mm Carl Zeiss
Film: Fuji Acros 100 developed in Clayton F76+.
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Birds on Film
We met a duck which we named Singlegrain as they were begging for our multigrain bread. Over the next several days we decided every duck we met was Singlegrain, our friend following us on our journey around the South Island. Singlegrain of Queenstown leads this set, also including seagulls, because seagulls down there are fucking unhinged.
Cameras: Canon 7s w/ 50mm f1.4 & Canon Demi S
Film(s): Vision 3, Kentmere 400, Harman Pheonix, Fuji Acros 100
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Hashtag WhyIStillShootFilm
I have never seen another camera handle light like this one. It's so--soft. And also dramatic. Not a common combination.
Fuji Neopan Acros 100, fixed focus/fixed exposure Argus 75 TLR, home development with monobath
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Castelsardo. Canon P, Jupiter 12, Fuji Acros 100 II (lejárt).
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