#gérard pipart

[chicinsilk]

Gérard Pipart for Nina Ricci Haute Couture Collection Fall/Winter 1964-65. Actress Claudia Cardinale in a white silk cocktail dress trimmed with ostrich feathers.

Gérard Pipart pour Nina Ricci Collection Haute Couture Automne/Hiver 1964-65. L'actrice Claudia Cardinale dans un robe de cocktail de soie blanche bordée de plumes d'autruche.

[savelindsaylohan]

Gérard Pipart & Heather Stewart-Whyte @ Nina Ricci Spring/Summer, 1992 Haute Couture

[milksockets]

gérard pipart for nina ricci 1989 in the art of haute couture - victor skrebneski + laura jacobs (1995)

[jacquesdemys]

Elle France - August 31, 1967. Coats by Marc Bohan for Dior, Gérard Pipart for Nina Ricci, and Pierre Cardin. Photographed by Guy Bourdin.

[contenteditor]

Presentation of Nina Ricci's Spring/Summer 1966 collection, designed by Gérard Pipart.

[fashionbooksmilano]

Entrée des fournisseurs

Un livre de Prosper Assouline

Photographies de Keiichi Tahara , Textes Olivier Seguret

Editions Assouline Maeght Editeur, Paris 1990, 213 pages, 25,4x34,9cm, ISBN 9782869411135

euro 75,00

email if you want to buy booksinprogressmilano@yahoo.it

Entrée des fournisseurs consacré aux artisans de la haute couture et illustrés de photographies de Keiichi Tahara.

Chaque grande maison est présentée par un texte d'un grand couturier. - La broderie - Lesage, par Gianfranco Ferré (Christian Dior) - Les souliers - Massaro, par Karl Lagerfeld (Chanel) - La passementerie - Pouzieux, par Christian Lacroix - Les chapeaux - Debard, par Louis Féraud - Les plumes - Lemarié, par Erik Mortensen (Pierre Balmain) - Les dentelles - Marescot, par Emmanuel Ungaro - Nacre et émail - Gripoix, par Hubert de Givenchy - Les plissés - Lognon, par Philippe Venet - Les parures - Desrues, par Gérard Pipart (Nina Ricci) - La teinture - Perrochon, par Jean-Louis Scherrer -- Abraham par Yves Saint-Laurent

04/12/23

[serafino-finasero]

Model Sue Murray wearing a design by Gérard Pipart for Nina Ricci, photographed by David Bailey for Vogue UK, March 1968

[mscoyditch]

D'Artagnan.

" The late fashion designer Karl Lagerfeld (1933- 2018 ) was an interesting controversial figure in many respects and a man of eclectic taste.

If you look at the two Sotheby's auctions of his effects in December 2018 you will see what I mean.

Turning to his Wikipedia entry you will see homes he lived in; a sufficiently large number where he could store his exceedingly large collection of furniture ,artefacts and art works etc from many eras.

In 2007, Lagerfeld famously spoke of refusing to keep any posessions. “I throw everything away,” Lagerfeld told The New Yorker. “The most important piece of furniture in a house is the garbage can! I keep no archives of my own, no sketches, no photos, no clothes – nothing!”

Prior to working for Chanel ; Largerfeld worked for Fendi (which he later owned )as well as Chloé.

In his very early years he worked for Jean Patou, Balmain and Tiziani. In 1963 Lagerfeld began working at the Roman couture house Tiziani where he stayed for six years .The Italian fashion house was patronised by Liz Taylor, Doris Duke and Gina Lollobrigida.

In 2014, Palm Beach Modern Auctions announced that many of Lagerfeld's early sketches for the House of Tiziani in Rome would be auctioned.Here are my some of my favourite fashion sketches from various sources and I have to confess I do like the work he did for Chloé.

#1 “Astoria” dress 1967

by Karl Lagerfeld for Chloé. © FIT 
For this 1967 “Astoria” dress, he took inspiration from Thomas Malory’s book Le Morte d’Arthur, illustrated by Aubrey Beardsley in 1893.

The full-length, high-necked, and long-sleeved design stood out in a period of micro-mini, body-revealing styles, but Lagerfeld’s unique design sensibility is even more evident in the floral motifs hand-painted by Nicole Lefort.

The expanse of ivory silk crepe used to make the dress acted as a canvas for an array of colourful, stylized flowers that swirl around the entire garment – so precisely rendered that they look screen-printed, rather than hand-painted. Chloé’s ready-to-wear revolution had truly come into its own from “Paris Refashioned, 1957-1968” exhibition 2017 at The Museum at FIT in NYC.

Karl Lagerfeld, began working for the label in 1964. His sense of fantasy and exuberance, as well as his creative reinterpretations of historic styles, soon came to characterise the Chloé brand. His impact was such that his work took precedence over other Chloé designers By 1965 the credit line “Karl Lagerfeld for Chloé” appeared in Vogue Paris.

Other designers for the label included Christiane Bailly, Maxime de la Falaise, Graziella Fontana, Tan Giudicelli, Gérard Pipart, and Michèle Rosier, but it is Largerfeld who is best remembered for the rise of the Chloé brand.

#2 Karl Largerfeld sketch for Tiziani for Liz Taylor

#3 Karl Largerfeld sketch for Tiziani

#4 Karl Largerfeld Rachmaninov dress S/S 1972 for Chloé

#5 Sketch of the same S/S 1972 for Chloé

#6 Rachmaninov Dress S/S 1972 for Chloé on a mannequin via Marco Kessler

#7 Karl Largerfeld sketch for Tiziani

#8 Karl Largerfeld sketch for Tiziani

#9 Karl Largerfeld sketch for Tiziani

#10 Karl Largerfeld sketch for Tiziani

~~~000~~~

https://en.wikipedia.org/wiki/Karl_Lagerfeld

https://www.sothebys.com/.../karl-karl-lagerfelds-estate...

https://www.sothebys.com/.../karl-karl-lagerfelds-estate

Love D’Artagnan xxx".

[twistnscoot]

#ThrowbackThursday c.1951 Maxime de la Falaise on the first Vespa scooter in France.  Maxime Le Bailly, comtesse de la Falaise was a 1960s underground movie actress. She was also a fashion designer for Blousecraft, Chloé and Gérard Pipart. #tbt #style #scooterstyle https://www.instagram.com/p/B4kTUDKp3Db/?igshid=293mh44u696n

[chicinsilk]

Gérard Pipart for Nina Ricci Haute Couture Collection Fall/Winter 1964-65. Actress Claudia Cardinale wears a red wool coat trimmed with black fur.

Gérard Pipart pour Nina Ricci Collection Haute Couture Automne/Hiver 1964-65. L'actrice Claudia Cardinale porte un manteau en laine rouge bordé de fourrure noire.

[jacquesdemys]

Town & Country November 1989. Dress by Gérard Pipart for Nina Ricci, photographed by Victor Skrebneski.  

[chicinsilk]

Gérard Pipart for Nina Ricci Boutique Collection Fall/Winter 1958-59. Simone d'Aillencourt wears a mustard yellow afternoon ensemble. Hat of Jean Barthet.

Gérard Pipart pour Nina Ricci Collection Boutique Automne/Hiver 1958-59.Simone d'Aillencourt porte un ensemble d'après-midi jaune moutarde. Chapeau de Jean Barthet.

Photo Frères Séeberger.

[chicinsilk]

Gérard Pipart for Nina Ricci Haute Couture Collection Fall/Winter 1964-65. Actress Claudia Cardinale in a red wool suit trimmed with black fur.

Gérard Pipart pour Nina Ricci Collection Haute Couture Automne/Hiver 1964-65. L'actrice Claudia Cardinale en tailleur de laine rouge bordé de fourrure noire.

[chicinsilk]

Gérard Pipart for Nina Ricci Haute Couture Collection Fall/Winter 1964-65. Actress Claudia Cardinale wears a black and white tweed suit. Gérard Pipart pour Nina Ricci Collection Haute Couture Automne/Hiver 1964-65. L'actrice Claudia Cardinale porte un tailleur en tweed noir et blanc.

[chicinsilk]

Gérard Pipart for Nina Ricci Haute Couture Collection Fall/Winter 1964-65. Hat by Jacques Le Brigant.

Gérard Pipart pour Nina Ricci Collection Haute Couture Automne/Hiver 1964-65. Toque de Jacques Le Brigant.

Photo Georges Saadv