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#german abstraction
4eternal-life · 2 years
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OTTO PIENE  (German, 1928–2014)
Feuergouache / Fire Gouache,  1963
Gouache, pigment, fixative and fire on light board. 41 x 59 cm (16.1 x 23.2 in)
Ketterer Kunst, link
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Paul Klee - Abstraction with Reference to a Flowering Tree (1925)
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jareckiworld · 4 months
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Bernard Schultze (1915-2005) — Vitality [oil on canvas, 1955]
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disease · 25 days
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"UNTITLED (OCTOBER)" MAX NEUMANN // 2005 [oil and acrylic on nettle canvas | 78 5/8 x 59"]
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Christian Achenbach
Risola. 2023
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germanpostwarmodern · 1 month
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Sigmar Polke, Konstruktivistisch, 1968, dispersion on canvas, 155.1 x 129.6 cm, Munich, Pinakothek der Moderne. Photo from May 2024.
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faaun · 28 days
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the way that diff languages sound r so fascinating they're all different and all so vivid
#russian is like the surface of a feather like it's light but not exactly “soft” but still very delicate#german is . cute ? i think it's adorable . it has a lot of momentum it makes u wanna talk fast and talk a lot#like it's squishy . sleek surface w a soft inside#thai is like song . it's like interprative dance or maybe a trust-fall . everything follows from the previous thing#it feels like a little fairy flying up and letting itself fall and flying up again and so on (for fun). its so beautiful but also playful#mandarin chinese is like . idk why but it gives me the same vibe the concept of Observation does . like to read and to see and absorb#and then to translate that into smth else . like . imagine a poet people watching or an artist preparing a canvas w practiced hands. thats#the vibe. soft and elegant and musical but like...in a way that feels lived-in. arabic feels wise ? like music or poetry u read#and feel nothing about then years later u stumble on and it applies to everything in ur life. that kind of vibe. like it knows more than u#and itll make sure ur heart and soul grows as big as its lexicon . polish is like snowflakes falling . it has the feeling of complexity and#elegance but it's also so so light and slippery and...maybe not elusive but the feeling of losing a dance partner in a waltz ? like fun and#light but also an underlying elegance and somberness still . turkish is like the feeling when u get a text from ur crush#and your heart tightens and you cant tell if it's really painful or really amazing . it feels like unrequited love . or a caress#or making out with someone when you know its the last time you'll see them. its beautiful in a yearning longing way#korean is like joking around w ur friends and you've stayed up until like almost 5 AM and youre so delirious that everything is funny#and ur speaking kind of lightly and openly and everything you say holds a lot of weight and doesnt matter at all. you laugh at everything#and youre practically talking in inside jokes and watching the sunrise together . one of them hits u on the shoulder lovingly. ur by a fire#yoruba feels like the metatheory of the matatheory . abstraction until it circles back to intuition or maybe#it feels like plotting the route of a comet or maybe like the soft warm whirr of statistics. trying to verbalise beauty somehow#when you know the best thing you can show it is by telling everyone just look!! look at the sky just look!#anyway yh i think i could do this for every language ever tbh
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arc-hus · 1 year
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House on a Slope, Sankt Blasien, Germany - AMUNT
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skf-fineart · 17 days
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Rebecca Horn (1944-2024) Am Kreuz, 2004 acrylic, pencil, and colored pencil on paper
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floral-art-prints · 11 months
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Kreuz– und Spiralblüten by Paul Klee (1925, Aquarell)
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killyridols · 1 month
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ohne titel by laura aberham, 2023, acrylic on canvas, 50 × 40 centimeters
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4eternal-life · 1 year
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Fritz Winter  (German, 1905–1976)
Grau-Blau 1964
Oil on canvas, 80 × 90 cm | 31 1/2 × 35 1/2 in
Galerie Ludorff, Düsseldorf
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random-brushstrokes · 7 months
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Elena Liessner-Blomberg (German, 1897–1978) - Composition
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jareckiworld · 5 months
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Bernard Schultze (1915-2005) — The Cat Man [oil on canvas, 1985]
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disease · 3 months
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ALICJA KWADE // "REVOLUTION (GRAVITAS)" @ KÖNIG GALERIE [HONG KONG, 2018] [stainless steel & stone | 235 x 240 x 200 cm.]
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germanpostwarmodern · 1 month
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Günter Fruhtrunk, 3 Sphères, 1963/64, acrylic and casein on canvas, 97 x 101 cm, Kunstsammlungen Chemnitz. Photo from January 2024 taken in the Fruhtrunk Retrospective at Kunstmuseum Bonn, Germany.
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