Ernest Cossart.
Filmografía
Cine
1916: The Pursuing Vengeance, de Martin Sabine.
1935: The Scoundrel, de Ben Hecht y Charles MacArthur.
1936: El gran Ziegfeld, de Robert Z. Leonard.
1936: Three Smarts Girls, de Henry Koster.
1936: Murder with Pictures, de Charles Barton.
1937: Angel, de Ernst Lubitsch.
1937: Champagne valse, de A. Edward Sutherland.
1939: Zaza, de George Cukor.
1939: Tower of London, de Rowland V. Lee.
1939: Three Smart Girls Grow Up, de Henry Koster.
1939: The Light that Failed, de William A. Wellman
1939: Lady of the Tropics, de Jack Conway.
1940: Kitty Foyle, de Sam Wood.
1940: Tom Brown's School Days, de Robert Stevenson.
1941: Skylark, de Mark Sandrich.
1942: Kings Row, de Sam Wood.
1945: Love Letters, de William Dieterle.
1945: Tonight and every Night, de Victor Saville.
1946: Cluny Brown, de Ernst Lubitsch.
1946: The Jolson Story, de Alfred E. Green
1947: Love from a Stranger, de Richard Whorf.
1949: John Loves Mary, de David Butler.
Teatro (Broadway)
1908: The Girls of Gottenberg, música de Ivan Caryll y Lionel Monckton, letras de Adrian Ross y Basil Hood.
1910: Mrs. Dot, de William Somerset Maugham, con Billie Burke.
1910: Love among the Lions, de Winchell Smith a partir de F. Anstey, con Ivan F. Simpson
1911: The Zebra, de Paul M. Potter a partir de Marcel Nancey y Paul Armont.
1912: The Typhoon, de Emil Nyitray y Byron Ongley a partir de Menyhert Lengyel.
1914: Marrying Money, de Washington Pezey y Bertram Marbugh.
1915: Androcles and the Lion, de George Bernard Shaw.
1915: The Man who married a Dumb Wife, de Anatole France, con Isabel Jeans.
1915: El sueño de una noche de verano, de William Shakespeare, con Isabel Jeans.
1915: The Doctor's Dilemma, de George Bernard Shaw.
1915: Sherman was right, de Frank Mandel.
1920-1921: The Skin Game, de John Galsworthy.
1921: The Title, de Arnold Bennett, interpretada y dirigida por Lumsden Hare.
1922: HE Who gets slapped, de Leónidas Andreiev, adaptada por Gregory Zilboorg, con Richard Bennett, Margalo Gillmore, Edgar Stehli, Henry Travers y Helen Westley.
1922: From Morn to Midnight, de Georg Kaiser, adaptada por Ashley Dukes, con Allyn Joslyn, Edgar Stehli, Henry Travers y Helen Westley.
1922-1923: Seis personajes en busca de autor, de Luigi Pirandello, adaptada por Edward Storer, con Florence Eldridge.
1923: The Love Habit, adaptación de Gladys Unger a partir de Pour avoir Adrienne, de Louis Verneuil, con Florence Eldridge.
1923: Casanova, de Lorenzo De Azertis, adaptada por Sidney Howard.
1923-1924: Santa Juana, de George Bernard Shaw, con Henry Travers.
1924: Seis personajes en busca de autor.
1924: The Steam Roller, de Laurence Eyre.
1924-1925: Cándida, de George Bernard Shaw, con Pedro de Cordoba.
1925-1926: Arms and the Man, de George Bernard Shaw, con Pedro de Cordoba y Henry Travers.
1926: The Chief Thing, de Nikolaï Evreinov, adaptada por Leo Randole y Herman Bernstein, con Romney Brent, Edward G. Robinson, Lee Strasberg, Henry Travers y Helen Westley.
1926-1927: Loose Ankles, de Sam Janney.
1926-1927: What never dies, de Alexander Engel, adaptada por Ernest Boyd.
1927-1928: The Doctor's Dilemma, de George Bernard Shaw, con Margalo Gillmore, Alfred Lunt, Henry Travers y Helen Westley.
1928: Marco Millions, de Eugene O'Neill, escenografía de Rouben Mamoulian, con Robert Barrat, Albert Dekker, Margalo Gillmore, Alfred Lunt, Vincent Sherman y Henry Travers.
1928: Volpone, de Ben Jonson, adaptada por Ruth Langner, con Albert Dekker, Margalo Gillmore, Alfred Lunt, Vincent Sherman, Henry Travers y Helen Westley.
1928-1929: Caprice, de Philip Moeller, con Douglass Montgomery.
1929: Becky Sharp, de Langdon Mitchell, a partir de La feria de las vanidades, de William Makepeace Thackeray, con Etienne Girardot, Arthur Hohl, Basil Sydney y Leonard Willey.
1930: The Apple Cart, de George Bernard Shaw, con Violet Kemble-Cooper, Tom Powers, Claude Rains y Helen Westley.
1930: Milestones, de Arnold Bennett y Edward Knoblauch, con Beulah Bondi y Selena Royle.
1931: Getting Married, de George Bernard Shaw, con Romney Brent, Dorothy Gish, Henry Travers y Helen Westley.
1931: The Way of the World, de William Congreve, con Walter Hampden, Gene Lockhart, Kathleen Lockhart, Selena Royle y Cora Witherspoon.
1931: The Roof, de John Galsworthy, con Henry Hull y Selena Royle.
1932: The Devil passes, de Benn W. Levy, con Eric Blore, Arthur Byron, Mary Nash y Basil Rathbone.
1932: Too true to be good, de George Bernard Shaw, escenografía de Leslie Banks, con Leo G. Carroll y Claude Rains.
1933: The Mask and the Face, de W. Somerset Maugham, con Leo G. Carroll y Humphrey Bogart
1933-1934: Mary of Scotland, de Maxwell Anderson, con Helen Hayes, Edgar Barrier, George Coulouris, Philip Merivale, Moroni Olsen y Leonard Willey.
1935: Accent on Youth, de Benn W. Levy
1937: Madame Bovary, de Benn W. Levy, a partir de Gustave Flaubert, con Eric Portman y O. Z. Whitehead.
1945: Devils Galore, de Eugene Vale.
1948: The Play's the Thing, de Ferenc Molnár, adaptada por P. G. Wodehouse, con Louis Calhern, Francis Compton y Faye Emerson.
1949: The Ivy Green, de Mervyn Nelson, con Hurd Hatfield.
Créditos: Tomado de Wikipedia
https://es.wikipedia.org/wiki/Ernest_Cossart
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Hell in a Handbag Productions is pleased to continue its 15th Anniversary Season with the world premiere of BEWILDERED, a musical parody of the classic TV sitcom Bewitched, told from the perspective of Gladys Kravitz, Samantha Stephens’ iconic nosy neighbor. Featuring a book by Ron Weaver, music and lyrics by Aaron Benham and Ron Weaver and direction and choreography by Brigitte Ditmars, BEWILDERED will play��September 27 – November 11, 2017 at Stage 773, 1225 W. Belmont Ave. in Chicago. Tickets are currently available at www.handbagproductions.org and stage773.com, by calling (773) 327-5252 or in person at the Stage 773 box office.
A parody and reimagining of the beloved ‘60s/‘70s television sitcom Bewitched, this spellbinding throwback is told from the point of view of Gladys Kravitz, the poor, misunderstood neighbor who keeps seeing crazy things at the home of Samantha Stephens, a beautiful witch, and her ‘ordinary family.’ Gladys’ husband Abner has had enough and is about to take drastic measures. Can Gladys prove her visions are real without destroying the Stephens family – or is she doomed to a life of pills and institutions? Gladys finally gets her due in this fun and magical musical parody.
BEWILDERED features ensemble members David Cerda as Endora, Caitlin Jackson as Gladys Kravitz, Ed Jones as Uncle Arthur, Michael S. Miller as Mr. Tumer and AJ Wright as Darrin G. The production also features Steve Kimbrough as Larry Tate, Matt Miles as Abner, Elizabeth Morgan as Samantha, Scott Sawa as Darrin S. and Robert Williams as Tabitha/Louise. Rounding out the cast are Kira Gaudynski, Jennifer Ledesma, Travis Monroe Neese and Sarah Taylor as Magic Stage Hands.
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The production team for BEWILDERED includes: Roger Wykes (scenic design), Rachel Sypniewski (costume design), Cat Wilson (lighting design), Sydney Genco (make-up design), Mealah Heidenreich (props design) Becca Holloway (assistant director) and Keith Ryan (wig design).
PRODUCTION DETAILS:
Title: BEWILDERED
Book: Ron Weaver
Music and Lyrics: Aaron Benham and Ron Weaver
Director/Choreographer: Brigitte Ditmars
Cast: David Cerda (Endora), Kira Gaudynski (Magic Stage Hand), Caitlin Jackson (Gladys), Ed Jones (Uncle Arthur), Steve Kimbrough (Larry Tate), Jennifer Ledesma (Magic Stage Hand), Matt Miles (Abner), Michael S. Miller (Mr. Tumer), Elizabeth Morgan (Samantha), Travis Monroe Neese (Magic Stage Hand), Scott Sawa (Darrin S.), Sarah Taylor (Magic Stage Hand), Robert Williams (Tabitha/Louise) and AJ Wright (Darrin G.).
Location: Stage 773 (Box Theater), 1225 W. Belmont Ave. in Chicago
Dates: Previews: Wednesday, September 27 at 7:30 pm,Thursday, September 28 at 7:30 pm, Friday, September 29 at 7:30 pm and Saturday, September 30 at 7:30 pm
Press performance: Sunday, October 1 at 7 pm
Regular run: Thursday, October 5 – Saturday, November 11, 2017
Curtain Times: Thursday, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance onSunday, October 15 due to Handbag’s Annual Benefit.
Special Halloween Show: Tuesday, October 31 at 7:30 pm
Tickets: Previews $22 in advance ($25 at door). Regular run $34 in advance ($39 at door). Tickets are currently available at www.handbagproductions.org and stage773.com, by calling 773-327-5252, or in person at the Stage 773 box office.
About the Creative Team
Ron Weaver (Book, Music and Lyrics) moved to Chicago 18 years ago as an Equity Stage Manager at The Writers Theatre in Glencoe. A long-time fan of Hell in a Handbag Productions, he is currently working as box office manager at the North Shore Center for the Performing Arts in Skokie, and on numerous other theatrical projects. Ron holds an MFA in Theatre Technology and Management from the University of Illinois at Urbana/Champaign. This is his first play to be produced.
Aaron Benham (Music and Lyrics) First time in the bag! Chicago credits: Side Show, Scottsboro Boys, Putting it Together (Porchlight); Xanadu (ATC); The Wild Party (Jeff Award), Carrie (Bailiwick Chicago); Always Patsy Cline, A Tribute to the Andrews Sisters (Jeff Award) (Theo-Ubique); also work with About Face, Chicago Opera Theater, Montana Shakespeare, Second City, Writers. BFA, Emerson College.
Brigitte Ditmars (Director/Choreographer) is a proud Handbag Alumni having performed in several Handbag productions including the original Poseidon! An Upside-Down Musical, multiple Rudolph the Red-Hosed Reindeers and originated the role of Mary Anderson in the 2006 production of Caged Dames. She provided choreography for countless other Handbag productions including multiple incarnations of Rudolph the Red-Hosed Reindeer, the original Lady X and the 2010 remount of Poseidon! An Upside-Down Musical, for which she received a Joseph Jefferson Award Nomination. Previous directing credits include Rock of Ages (Timber Lake Playhouse); Maybe Baby, It’s You and Nunsense (Fox Valley Repertory); Model 736 (Collaboraction). She has received two Joseph Jefferson Awards for Achievement in Choreography for Reefer Madness (Circle Theatre) and Pinafore! (Bailiwick Repertory), as well as three additional nominations. Notable choreography credits include Peter and the Starcatcher (Metropolis Performing Arts Center); Xanadu (American Theatre Company); The Producers (Mercury Theatre); American Idiot (Northwestern University); Mr. Burns: A Post-Electric Play (Theater Wit); Hey! Dancin’! Hey! Musical! (Factory Theatre); Cinderella (Emerald City Children’s Theatre); Forever Plaid (Fox Valley Repertory); Improbable Frequency (Strawdog Theatre).
About Hell in a Handbag Productions
Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit.
For additional information, visit www.handbagproductions.org.
Hell in a Handbag Productions’ World Premiere of BEWILDERED – Sept 27 – Nov 11 at Stage 773 Hell in a Handbag Productions is pleased to continue its 15th Anniversary Season with the world premiere of
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