#gold digger bbc

[straytheskies]

Guys I had an idea.

Non Binary Benjamin Greene.

[apara-dise-penguin]

Ben Barnes — Instagram Story — 05.03.2024 — @blairwaldorfvibezzz ♥

[victimsofyaoipoll]

Round 3

Propaganda Under Cut

Suzi Q

This article is incomplete; you help by expanding it

All she's literally ever done is have a few cute exchanges with Joseph and be a sweetheart in the short time we get to see her following her minor introduction, clearly cementing some sort of playful attraction between the two and without fail she's consistently bombarded with extreme mischaracterization to make her seem vapid and cruel (and occasionally homophobic but like in a Completely Oblivious Dumb Blonde way), that she's nothing more than a gold digger who wanted to marry rich, that Joseph only married her because "he lost his actual soulmate and had to settle for her", and that it was HER fault that Joseph cheated on her decades into their marriage. Frankly, everyone who makes jokes at Suzi Q's expense regarding the cheating scandal aren't as funny as they think they are!!!!!!!!!!!!! 

Literally all she’s ever done is be adorable and marry the hero and people either dismiss her completely or demonize her. She’s often ignored or made to play wing woman for the hero/sidekick ship OR she’s a horrible gold digger who only wants the hero for his money and/or she was only ever just a consolation prize for him when he couldn’t be with his sidekick. She also gets blamed for her husband having an affair. People like to say that she wasn’t good enough for him and could never replace his sidekick and that clearly he never REALLY loved her and it’s her fault for never measuring up. Her husband’s infidelity aside, she stayed married to that man for at least 60 years and canonically says she always believes in him and trusts him to save the day and yet people wanna say she doesn’t care about him. Or call her stupid for never imagining that her husband would cheat on her. The victim blaming gets really gross. 

Gwen

She stands in the way of Merthur, by far the most popular ship in the fandom. I haven’t seen it as much in recent years, but back in the days of fanfiction.net she got slut shamed so badly for having been romantically interested in three of the male characters over the course of the show, which is just... normal straight woman behavior, meanwhile Merlin crushed on pretty much every woman who even looked at him in the early seasons of the show and got no hate for that whatsoever. I barely even read Merthur fics (not because it’s m/m, just because certain aspects of their relationship don’t appeal to me) but the “Gwen is a slut” attitude was so pervasive across the fandom, even fics that weren’t explicitly anti-Gwen would “jokingly” call her a slut. I even saw a few fics demonizing her for having an affair with Lancelot despite the fact that SHE WAS ENCHANTED when that happened, and surprise surprise, Lancelot (who was also under the influence of magic) got none of that hate, and neither did Arthur, who got enchanted to fall in love with multiple women over the course of the show.

Canonically Arthur Pendragon's love interest and an important and interesting character in the show who's completely shoved aside and ignored in favour of the medieval bbc yaoi ship. At best they put her and Morgana in Lesbian Timeout (ie make them get together and then reduce them to wingwomen at best because god forbid we focus on the medieval bbc yuri). Justice for Gwen right now!

She is prince Arthur's love interest (eventually wife). Arthur is MADLY in love with her. He tells his tyrannical father he would give up his crown to be with her (she's a servant in the series). He forgives her cheating on him with Lancelot (!), which in the show is caused by an evil enchantment, but the characters never find out about it. He chooses her time and time again. His love for Gwen is literally never put into question. Many fans insist to this day that there was no chemistry between Gwen and Arthur compared to Arthur and Merlin. Arthur isn’t even particularly nice to Merlin most of the time! The funny thing is that Merlin himself ships these two so hard and does everything he can to help them get together!! Gwen & Arthur are adorable and too many fans were drunk on the yaoi fumes to see it. ARTHUR WAS A SIMP FOR GWEN.

[saintmeghanmarkle]

We sinners and people all over want to know if those children belong in the LOS. by u/Technical_Ant_7466

We sinners and people all over want to know if those children’ belong in the LOS. There are so many questionable behaviours surrounding the two Meghan’s. There’s still a nagging question as to whether the California sprogs belong in the LOS.In a constitutional monarchy the rule of law is paramount as is who is eligible to be in the LOS.——————————-The ILBW had honed her fake smiles and silly ingenue mannerisms to marry a title, a walking, talking chequebook with the intellectual capacity of a particularly slow gumball machine. Poor Prince of the planks got engaged to her faster than the speed of light. She rudely announced her megnancy at Eugenie’s wedding , October 22, 2018.It didn’t take her long to start sporting strategically placed moonbumps. The truth, about her megnancies resides in a sterile clinic somewhere in the UK & LA, where surrogates , were carefully vetted and signed rock solid NDA’s.I’m sure the surrogates were well-compensated.There was a catch, of course and that was that in order to be in the LOS children HAD TO BE “ BORNE OF THE BODY”.TW, ever the opportunist, wasn't about to let a measly technicality like childbirth stand between her and a lifetime of money and fame. Moonbumps became her constant companions, growing and varying in size witheach passing month.The inconsistencies and irregularities where an orchestrated charade . The birth, a carefully orchestrated production, brought forth a healthy baby , with no witnesses and wildly varying stories about the hospital, the birth & accompanying legal documents.Moonbumps were hastily discarded,replaced by a parade of nannies who did theactual child-rearing but never stayed employed for long. The ILBW, spoiled and entitled, is a walking advertisement for the downside of unearned wealth.The ILBW and dimwit were secretly indifferent to the LOS rules , focused on expanding the family, adding a girl (another courtesy of the surrogate) to the family, and dishonestly said they had permission to call her Lilibet.( BBC proved that no such permission was given.The charade continued, a web of lies spun and children have never been seen.They could have come clean, and explained the surrogacy, but it wouldn't have suited her. The truth meant less control, less power. Besides, what kind of gold digger admits she doesn't even like children?Now ,as the rumours won’t stop what will they do?They’ve lost everything. That should include the inviskids place in the LIS, unless it can be proven that they belong there beyond a shadow of a doubt.The RF pretty much has said , visit the UK but only with the kids. They’ve never taken the kids to the UK.By now the RF knows that people have seen the crack in her/ their carefully constructed facade. The consequences of her lies SHOULD cost her the one thing she truly cares about: money. The story of the ILBW, the ultimate gold digger, chose to lie about baring children .If she really wanted children she would have admitted using a surrogate.If however, as I suspect she faked her megnancy because she was more interested in being the “mother “of heirs to the throne, and not because she loved and wanted children unconditionally, the Harkles are in a jam (no pun intended).She has no interest in being these children’s mom, not now when she knows it’s just a matter of time before all is revealed.They too will be discarded, as are all people in her life that are no longer useful.PS: Did you know she told Trevor she didn’t want children?Did you know she made her ex husband Trevor sign a pregnancy contract?⬇️https://ift.tt/4aDE0Nf post link: https://ift.tt/aVpOKHi author: Technical_Ant_7466 submitted: May 02, 2024 at 03:08AM via SaintMeghanMarkle on Reddit disclaimer: all views + opinions expressed by the author of this post, as well as any comments and reblogs, are solely the author's own; they do not necessarily reflect the views of the administrator of this Tumblr blog. For entertainment only.

[the-rewatch-rewind]

Yes, I've watched this full miniseries 37 times.

Script below the break

Hello and welcome back to The Rewatch Rewind! My name is Jane, and this is the podcast where I count down my top 40 most frequently rewatched movies in a 20-year period. Today I will be talking about number two on my list: BBC and A&E’s 1995 mini-series Pride and Prejudice, directed by Simon Langton, written by Andrew Davies, based on the novel by Jane Austen, and starring Jennifer Ehle and Colin Firth.

Mr. and Mrs. Bennet (Benjamin Whitrow and Alison Steadman) have five daughters: beautiful and kind Jane (Susannah Harker), witty and strong-willed Elizabeth (Jennifer Ehle), homely and puritanical Mary (Lucy Briers), well-meaning but naïve Kitty (Polly Maberly), and frivolous and spoiled Lydia (Julia Sawalha). Because there are no Bennet sons, Mr. Bennet’s estate is entailed upon his cousin Mr. Collins (David Bamber), and the daughters are aware that at least one of them must marry well to provide for the rest of the family after their father’s death. When wealthy and friendly Mr. Bingley (Crispin Bonham-Carter) moves into the neighborhood, he and Jane quickly hit it off, and the Bennets’ problems seem to be over. However, Mr. Bingley’s sisters, Caroline (Anna Chancellor) and Louisa (Lucy Robinson), along with his unpleasant, proud friend Mr. Darcy (Colin Firth) have strong objections to the Bennet family, who strike them as undignified gold-diggers, even though Mr. Darcy unwillingly finds himself strangely drawn to Elizabeth.

Okay so yes, this is technically a TV show rather than a movie, but even though it’s over five hours long, I still tend to watch it as a movie, and it felt right to count it as such, although when I first wrote it down in my movie notebook, I never anticipated that it would become my second most-frequently-rewatched. I remember that my parents were really into it, and at some point when it was on TV after we finally got a VCR, they had taped it. I tried to watch it with them a few times when I was younger, but I found the flowery language difficult to understand, and I typically fell asleep in the middle without knowing what was going on. The first time I watched it and actually paid attention was in 2005, and the main thing I remember was that my dad assumed I knew the story by then and kept making spoilery comments. I don’t think I fully appreciated it at that point, but I definitely enjoyed it more than I thought I was going to. I ended up watching it twice in that year and then five times in 2006, which is when it became one of my favorite stories. I read the book and watched a few other adaptations that year. In 2007 I only watched this series once, but that was also the year that my family ended up getting two male puppies, and after much deliberation about what to name them, we determined that Bingley and Darcy were the best names that went together and represented something we all enjoyed. After that, I watched it three times in 2008, once in 2009, twice in 2010, four times in 2011, twice in 2012, twice in 2013, four times in 2014, once in 2015, once in 2016, twice in 2017, once in 2018, three times in 2020, once in 2021, and twice in 2022. I don’t remember exactly when, but somehow between my siblings, my parents, and I, we ended up with three copies of this on DVD in addition to the taped one. I should also mention that I only counted it when I watched the whole thing from start to finish within a few days, so I’ve watched it like that 37 times, but I’ve definitely seen pieces of it way more than that. I keep waiting to get tired of watching it, but every time I put it on, it remains delightfully enjoyable.

I know that Pride and Prejudice by Jane Austen is one of the most beloved stories in the English-speaking world, and probably beyond – although the number of people confused by my dogs’ names taught me that not everyone is particularly familiar with it – and that it has been adapted and retold dozens of times, and that fans of the story have very strong opinions about which is the “best” adaptation. The loudest debate is between this version and the 2005 film directed by Joe Wright and starring Keira Knightley and Matthew Macfadyen. The first time I watched that version was in 2006, in the midst of my mania for the 1995 version, and I thought it was terrible. I knew it had to be shorter for the feature film format, but they cut out so many of my favorite parts! It wasn’t until I rewatched the 2005 version in 2016 that I understood that the people who prefer that version love this story for very different reasons from me. If you’re mostly invested in the Elizabeth/Darcy romance, that’s the version for you. It’s all about the tension and chemistry between those two characters, and everyone else is kind of stuck in as an afterthought. But even though the Bennet daughters’ need to get married is central to the plot, I had never considered the main appeal of this story to be its romance. To 2023 me and you the listener, who know that I’m aromantic, that isn’t very surprising, but at the time it kind of blew my mind to learn that so many fans of the story are there for that slow burn. Even in 2012 to 2013, when The Lizzie Bennet Diaries was coming out, I figured the reason people were so obsessed with Darcy was because not seeing him until episode 60 added to his mystique. At the end of that show, I was way more concerned about Lydia’s story than Lizzie’s, and while I enjoyed seeing Lizzie and Darcy finally get together, it was more of a “yay, things are happy now” relief than squeeing over the adorable romance. Anyway, while I used to be one of those obnoxiously pretentious fans who maintained that the 1995 adaptation was way better than the 2005 one, now I’m more of the opinion that they’re both good, just different, and just because I prefer one over the other doesn’t actually make it better. So if you’re listening to this and are a huge fan of the 2005 version, or any other adaptation, know that I’m not trying to tell you you’re wrong. Ultimately, Pride and Prejudice is a great story with many layers, and I think it’s awesome that there have been so many different versions that emphasize different aspects.

Despite the fact that this version is quite long (although not nearly as long as the Lizzie Bennet Diaries), I personally love the pacing. The events of the story take place over about a year, and these six 55-minute episodes take their time bringing us through that year with the characters. Watching it now, I don’t understand how I ever fell asleep with it on as a child, because I am thoroughly engaged the whole way through. Sometimes I intend to only watch an episode or two at a time, but I end up sitting through the whole thing because I cannot tear myself away. These characters are just so fascinating, and the cast brings them to life so convincingly. In general, I try to separate actors from characters, but I will always associate this cast with this show. Part of that is because of how many times I’ve watched this, and another part is because most of these actors haven’t been in very many American films – with the major exception, of course, of Colin Firth, whose Hollywood career skyrocketed after the success of this series – so I haven’t seen them in many other things. But the main reason is because they all embody their characters so perfectly in this series that it’s hard to see them as actors. Every cast member fully committed to their character in a way that somehow makes them feel simultaneously larger than life and grounded in reality. Alison Steadman’s Mrs. Bennet in particular is over the top and ridiculous but manages to just barely remain believable. While the five Bennet sisters on the surface can be summarized by archetypes, they’re much deeper than they first appear, and I love the ways that both the writing and the performances gradually bring that out. Crispin Bonham-Carter perfectly embodies the puppy-dog friendliness and gullibility of Bingley, and Colin Firth nails Darcy’s transformation after Elizabeth calls him out. Benjamin Whitrow makes Mr. Bennet so likable that it took me a while to understand that part of the family’s plight is his fault. That kind of complexity is one of the major things that makes this movie so rewatchable. There are so many layers to every storyline and every character that you can’t possibly uncover them all in just a few views. There’s also a lot going on in the background – like, Mary doesn’t get very many lines, but I love watching her light up whenever Mr. Collins is around. The show is edited in such a way that the audience can see what every relevant character is thinking at all times, so that even when it’s difficult to understand the fancy dialogue, we still get what’s happening based on the characters’ reactions.

This adaptation receives a lot of praise for its faithfulness to the novel, but while it does follow the book quite closely, I don’t think it gets enough credit for the changes and additions it made that were still in the spirit of the original story. There is some dialogue that was taken word for word from the book, but Jane Austen tended to summarize conversations rather than transcribing them, so quite a bit of new dialogue needed to be added, and I personally find it difficult to tell where Jane Austen ends and Andrew Davies takes over. Austen didn’t write scenes that only featured male characters, claiming that she had no way of knowing how men spoke or behaved when there were no women present, but this show opens with a scene between Bingley and Darcy and focuses a bit more on their friendship than the book does. The change in this version that gets the most attention is when Darcy unexpectedly happens upon Elizabeth after having taken a swim in a lake on his property at Pemberley. I always just saw this as a silly way to add to the awkwardness of the situation, with Darcy trying to remain dignified in soaking, casual clothes, and it surprised me to learn that a lot of people love that scene because Colin Firth apparently looks very sexy in his wet shirt. The change that I personally find most interesting is in the letter that Darcy writes explaining himself to Elizabeth after she turns down his first proposal. In the book, he starts with the allegations about breaking up Jane and Bingley and then moves on to the more serious stuff about how Wickham (played by Adrian Lukis, who told Elizabeth that Darcy ruined his life) had tried to seduce Darcy’s younger sister. In this version, the letter starts with the Wickham stuff and ends with the Bingley stuff because we’re initially watching Darcy and flashbacks of his memories, and then halfway through revealing the letter to the audience, we see Darcy give it to Elizabeth, and then we see her reactions to reading his thoughts about her sister and the rest of her family, along with flashbacks of her memories. Darcy is rather arrogant when he talks about separating Bingley from Jane, so I feel like it makes a little more sense for him to start with that when he’s upset by Elizabeth’s rejection and then move on to the darker Wickham drama, but I really like the way this version shows their reactions to the part of the letter that’s most painful to each of them. And before he writes the letter, we see Darcy dwelling on Elizabeth’s words, and he reacts to what she said about Wickham by saying aloud to himself, “At least in that I may defend myself,” implying that the Wickham story is what prompted him to write the letter in the first place, explaining why he starts with that this time. So it’s true to the original without being constrained by the original, and I think that’s what makes it work so well as an adaptation.

As I said before, many people think of Pride and Prejudice as primarily a romantic story, and like, they’re not wrong, but there’s so much more to it than that. There’s a lot of focus on familial relationships, especially between the two eldest daughters, Jane and Elizabeth, which I’ve always appreciated for its similarities to my relationship with my sister. It’s also worth noting that in this society, women in the Bennets’ station could not get a job, so they basically had two options: marry well, or depend on a male relative. Marriage was essentially a business arrangement, not necessarily a romantic one. In the first episode, Jane and Elizabeth have a conversation about their situation in which Elizabeth says that because Jane is the prettiest and sweetest of the sisters, she will need to be the one to marry very well, and Jane responds with, “But Lizzy, I would wish… I should so much like… to marry for love.” And then she makes this amazing face like she can hardly believe how unreasonable she’s being. Elizabeth assures her, “And so you shall, I’m sure. Only take care you fall in love with a man of good fortune.” But when Jane asks Elizabeth how she feels about marriage, she asserts, “I am determined that nothing but the very deepest love will induce me into matrimony. So, I shall end an old maid and teach your ten children to embroider cushions and play their instruments very ill!” And they laugh. But Elizabeth is completely serious, at least about the first part, as she demonstrates when she turns down two very lucrative marriage proposals that most sensible women in her position would have eagerly accepted. Both men – Mr. Collins and Mr. Darcy – think they are doing her a great favor in offering their hand and are shocked by her refusal. Mr. Collins is a bit of a doofus, but he is also going to inherit her father’s house, and it would therefore be the honorable thing for him to marry one of the Bennet daughters so they could at least continue to live there after Mr. Bennet’s death. But Elizabeth knew he would make her miserable and was unwilling to put up with him merely for security. One could say she slapped amatonormativity in the face, and we love to see it. But interestingly, when Mr. Collins does get married, it’s to the very aro-coded Charlotte Lucas (played by Lucy Scott). Her good friend Elizabeth is utterly shocked that anyone, let alone someone she cares about, would agree to marry Mr. Collins. But Charlotte literally tells Lizzy, “I’m not romantic, you know. I never was.” Aromantic queen. And when Elizabeth vents to Jane about this, Jane has the great line, “You do not make allowances for differences of situation and temper.” Jane is the ally we all need. Later, when Elizabeth visits the Collinses, Charlotte makes it clear that she kind of just does her own thing and barely sees her husband, and Elizabeth feels bad for her friend, but honestly, Charlotte’s life doesn’t sound so bad to me. She has security, and her husband mostly leaves her alone. Things didn’t get much better for an introverted aroace woman in that society. Although part of me does still wish that Mary had ended up with Collins, since she also seems like an introvert on the aroace spectrum, but she actually likes him.

Elizabeth is the opposite of aroace, but the way she refuses to listen when society tells her she’s supposed to marry for money feels kind of similar to modern aroace people refusing to listen when society tells us we’re supposed to fall in romantic, sexual love. One of the things I appreciate most about this story is how it demonstrates that everyone and every relationship is different. Jane and Bingley immediately fall for each other and are perfectly compatible, but because they place so much trust in the people around them, it takes a while for them to officially get together. And I don’t just mean the way Bingley’s sisters and Darcy pulled him away – Elizabeth kept reassuring Jane that it was obvious how she felt about Bingley because it was obvious to her, and neither of them realized that a stranger would just see Jane’s kindness to Bingley as treating him like she treats everyone else. Elizabeth and Darcy are just as well suited for each other as Jane and Bingley are, but they both have some major growing to do – they need to overcome their pride and prejudice, if you will – before they can be together. And then there’s Lydia and Wickham, whose relationship is based mainly on lust. Neither of them seems to have learned anything between the beginning and end of their story, and it’s hard to imagine them being happy together. I used to think of Lydia as a spoiled brat who got what she deserved, but now I feel really bad for her. She was a 15-year-old child who was preyed upon by a grown man, and the best-case scenario was for her to marry him. Her plight demonstrates just how awful the societal rules regarding sex were for women, although the story barely seems aware of it. Her elopement is used as a plot device for Darcy to redeem himself, and the focus is all on how her sisters’ chances of good marriages have been damaged. It’s kind of odd that so many social norms are condemned in this story, and yet Lydia is portrayed as deserving of life-long punishment for daring to break one rule. Jane Austen was progressive, but not that progressive. So that’s the one part of this that bothers me. If you too want justice for Lydia, I highly recommend The Lizzie Bennet Diaries on YouTube, which does an excellent job of humanizing and redeeming her.

Anyway, back to this version, I love that it includes another couple that many adaptations leave out – Mr. and Mrs. Hurst. Mrs. Hurst is Mr. Bingley’s sister Louisa, who, along with their sister Caroline, loves to make fun of and criticize the Bennets. Caroline is partly motivated in her criticism by jealousy, since she has her eye on Darcy and can tell that he’s interested in Elizabeth. But Louisa seems to be motivated by pure snobbery. Which is kind of hilarious because her husband is basically a loser. He doesn’t seem to have an estate or anything, since they’re always staying with her brother, and all he does is drink, hunt, play cards, and sleep. It’s just like, girl, you have no room to criticize anyone’s situation or decisions when you’re stuck with that guy. This just further helps demonstrate that nobody fits society’s ideal, so maybe we should all just live and let live. The characters who remain proud and prejudiced at the end of the story are mostly bitter and unhappy, while those who have learned to look at things from other people’s perspectives are the happiest. And I really like that message.

And aside from the fascinating social commentary, this series is a delightfully fun watch, full of great moments that I will never tire of revisiting. I love, or at least am intrigued by, all the characters, from the leads to the most obscure side characters. She’s barely in it, but one of my favorites is Mrs. Bennet’s sister, Mrs. Phillips, played by Lynn Farleigh. Between her interactions with Mr. Collins, who accidentally insults her and then frustrates her as a whist partner, and the way she consoles Mrs. Bennet after Lydia runs off with Wickham, her lines are some of my favorites to quote. And of course, there’s Lady Catherine de Bourgh, Mr. Collins’s benefactor and Mr. Darcy’s aunt, played by Barbara Leigh-Hunt, who is so impressed with herself that she can’t tell that she’s almost as ridiculous as Mrs. Bennet. I love Sir William Lucas’s “Capital, capital!” and Maria Lucas’s commitment to making haste. Even the characters I don’t like as people are interesting to watch. Wickham is the worst, but I’m almost impressed by his gall. Like, the fact that he can face the Bennets after seducing Lydia as if he’s done nothing wrong is astounding. That man truly has no shame.

While I enjoy pretty much every moment of this series, I have to say that my favorite episode is the fifth one. It really doesn’t seem like it should be, since that’s when the whole Wickham/Lydia stuff is going on and everybody is super stressed, but it has so many of my favorite moments. Like when Elizabeth is playing the pianoforte at Pemberley and a random servant feels the need to stand right in front of her, bow to no one in particular, and then walk offscreen. I don’t know who that bowing servant is or why he does that but I love him. And then there’s the part when Elizabeth returns home with her aunt and uncle, and her cousins are so excited to see their parents again that one of them tries to do a cartwheel and ends up just falling over. And in another wonderful deviation from the novel, Mr. Collins decides to visit the Bennets, ostensibly to console them, but really to gloat that their problems aren’t his problems because he didn’t marry one of them. In the book, he does this by writing a letter, but it’s way funnier to have him visit them, and get to see Mary be impressed with him again. But the best part of that scene is that when Kitty sees his carriage coming, she declares, “I’m not going to sit with him for anyone!” and runs off to hide in the yard. Later, when he’s talking to the other sisters, we can see Kitty peering through the window to see if he’s still there, and it makes me laugh every time.

This show is so good that I would still love watching and quoting it anyway, but I do think my enjoyment has been at least somewhat enhanced by having dogs named after two of the characters. The names really suited them, too – dog Darcy was standoffish toward strangers, but with the people he liked he could be very cuddly, whereas Bingley would pretty much follow anyone around to see what they were up to. Bingley absolutely loved to play fetch, while Darcy would just stare at him like, “What is wrong with you?” in the perfect dog version of how their namesakes felt about dancing. Sadly, Darcy got cancer and died in 2020. Bingley is still hanging in there, although at 16 years old he’s definitely declining, and his fetching days are long behind him. There are a lot of differences between me and Jane Bennet, as she is clearly not aroace, but since we share the same first name and are both the eldest sibling, I’ve always felt a kinship to her, and it makes me happy that presumably we each got to watch our own Mr. Bingley grow old. I think after he inevitably passes, watching this series will probably feel bittersweet for a while, although I don’t think that will make me love it any less. I anticipate continuing to watch it at least once a year on the 26th of November, in honor of the Netherfield Ball, while fondly reminiscing about fetching with Bingley and snuggling with Darcy.

I could go on and on about this movie for hours, but ultimately, what it all boils down to is I love the 1995 Pride and Prejudice because it is an excellent story told extraordinarily well, about characters who are exactly as ridiculous and flawed as real people. So if you’ve thought about watching this version but have been turned off by the length, I highly recommend giving it a chance anyway. Yes it’s almost six hours long, but it’s a thoroughly enjoyable way to spend almost six hours. I was suffering from depression when I first got into this series, and it was one of the few things that made me feel good about life. And if I had not already been in love with this version, I probably wouldn’t have watched The Lizzie Bennet Diaries, and therefore might never have gotten into Shipwrecked Comedy, and that would be very sad. So I have a lot to thank this miniseries for.

Thank you for listening to me discuss another of my most frequently rewatched movies. It’s a little hard for even me to believe that I’ve rewatched Pride and Prejudice more than any other movie besides one in the last 20 years, but I think it really is my second favorite movie, so it’s fitting that it ended up here. Now I only have one movie left, and it’s number one by a lot, with 51 views compared to P&P’s 37. So stay tuned for what is clearly my favorite film. And now, for the last time, as always, I will leave you with a quote from that next movie: “My, she was yare.”

[fermencja]

Ben Barnes (Benjamin Greene) and Julia Ormond (Julia Day) in Gold Digger BBC, Episode 1.

[georgefairbrother]

A little over 40 years after the Abdication Crisis that had peaked in December of 1936, Thames Television, holder of the weekday independent TV franchise for London and the Home Counties, commissioned a dramatisation based on the exhaustive Wolfson History Prize winning biography of Edward VIII by Frances Donaldson.

There was great care taken in terms of casting, production design, and location filming that included Fort Belvedere where many of the real events unfolded. Edward and Mrs Simpson seemed to be as close as you could possibly get to 1930s culture, fashion and upper-class society without a time machine. Written for television by Simon Raven and directed by pioneering British-Asian director Waris Hussein, the series was rewarded with an Emmy and multiple BAFTAs.

In retrospect, it appears to be as faithful to real events as a drama could be, including verbatim conversations and parliamentary statements. Edward VIII, formerly the Prince of Wales known as David, then finally the Duke of Windsor, was played by Edward Fox, and Wallis Simpson by Cynthia Harris. Other key castings included Nigel Hawthorne, yet to find stardom as Sir Humphrey Appleby in Yes Minister / Prime Minister, as the King’s friend and advisor Walter Monckton, David Waller as Prime Minister Stanley Baldwin (He reprised this role in 1988 for another adaptation, The Woman He Loved, starring Anthony Andrews, Jane Seymour and Olivia de Havilland), Peggy Ashcroft as Queen Mary, Marius Goring as King George V, and Wensley Pithey as a totally convincing Winston Churchill. Versatile British-Australian actor Ed Deveraux played Tory press baron Lord Beaverbrook, a role he later reprised in The Life and Times of David Lloyd George (BBC 1981).

Other notable players included Andrew Ray (Duke of York / George VI), Charles Keating (Ernest Simpson), Patrick Troughton (Clement Attlee), Patricia Hodge (Lady Diana Cooper), Maurice Denham (Cosmo Lang, Archbishop of Canterbury), Cherie Lunghi (Thelma Furness) and Hugh Fraser (Anthony Eden).

The Duke of Windsor died in 1972, but the Duchess of Windsor, formerly Mrs Simpson, was still alive when the programme was conceived and broadcast. (She died in 1986). She was not best pleased, citing invasion of privacy, and lobbied to have the production stopped. Her opposition was reported in The Sun, and perhaps might have been more newsworthy if not for another significant event in August 1977.

The series ended with the marriage of the Duke and now Duchess of Windsor, some months after the Abdication.

The BFI Screen-Online review stated;

"…The series also carefully juxtaposes Edward’s frequent, and popular, visits to depressed areas with his opulent and carefree private life, and doesn’t shy from showing his admiration for Mussolini in a pair of brief but pointed exchanges with Anthony Eden…Edward Fox gives a fine and charismatic performance as the King, ably suggesting the contradictory impulses that ruled the man. Wallis Simpson, however, is presented rather less sympathetically. In an occasionally heavy-handed performance, Cynthia Harris plays her as a cool and conniving gold-digger, albeit a sometimes naïve and even disarmingly foolish one…"

The portrayal of Edward VIII was a little more sympathetic than in some later productions, including Bertie and Elizabeth (2002). Edward and Mrs Simpson did tend to gloss over the King’s fascist sympathies, although it was at least alluded to as mentioned in the BFI review. Perhaps, in fairness, these along with some alleged shady financial dealings, meddling in Britain’s foreign policy and the cosy relationship with Hitler, didn’t really become apparent until the period after the series ended. Wensley Pithey’s Winston Churchill was accurately shown as a strong and sincere personal friend and advocate for the King and Wallis Simpson, in public and private, to the annoyance of the Baldwin government, but this relationship later soured when Churchill was wartime Prime Minister, over the Duke of Windsor’s behaviour.

[carabinersims]

Because I'm a big nerd, I did a lot of research and reference-gathering for the Computer Lab Series 1 set. I wanted to share that research with y'all in case you're interested too! My favorite bit is that all the cassette tapes are based on actual games playable on a BBC Micro ⭐

Here's a nice list of what everything is based on:

Carapro II Portable Computer: This is based on the Kaypro II Portable Personal Computer, released in 1981. More info here.

BBC Micro Computer: This is based on the BBC Micro Computer, which debuted in 1982 and was widely in use in the UK. You can read more about this computer here and here. I’ve paired it with a period-appropriate TV, as seen in the images at the first link.

Steelcase Desk Chair: Inspired by vintage Steelcase chairs from the late 70s, like this one.

Retro Desk: Based on vintage desks from the 80s, like this beauty from Poland. 

Floppy Disks: These are scaled to be ~5.25” floppy disks

Stapler: Based on classic Swingline staplers like this.

Caradex V (Rolodex): This is an interpretation of the Rolodex 2254, as seen here. (I also like the box shown here, and might make it for future sets).

Desk Caddy: Based on this awesome piece from the 80s.

Computer Manual Posters: These use images from scanned manuals for the Kaypro II and BBC Micro. (There's a particularly great illustration on page 7 of the Kaypro manual that I couldn't make work with the poster format, but I love it and it's good and you should go look at it if you want.)

Cassette Recorder: Decided to make this because, as my girlfriend reminded me, the BBC Micro actually ran games off of cassettes! Here’s some more info from someone doing work with this today. This asset is roughly based on the Data Corder cassette recorder, as seen on the left here.

Cassette Tapes: These swatches/textures are based on specific tapes that are actually for the BBC Micro:

1: Blank tape: Reference 2: Gold Digger: Reference (nice article!) 3: League Challenge: Reference, more info 4: Escape from Moonbase Alpha: Reference, more info (nice site)

[wermoewe]

I watched the BBC mini series 'Sense & Sensibility' and f*** this ending!!! That Eleanor went back to Edward... argh! I can't stand this. The gold digger left him and now he grovels back to the girl he 'always loved from the first time they met'! Yeah sure!

[straytheskies]

Benjamin Greene from Gold Digger is nonbinary

[apara-dise-penguin]

[2/2]

the gifs are the same, but the coloring & black&white effect are just turned.

[retrocgads]

UK 1985

[thesungod]

Ho postato 1.546 volte nel 2022

Sono 1.023 post in più del 2021!

555 post creati (36%)

991 post rebloggati (64%)

Blog che ho rebloggato di più:

@thesungod

@evergardenwall

@seavoice

@deyjahvu

@thinkyourhouseshaunted

Ho taggato 1.289 dei miei post nel 2022

Solo 17% dei miei post non aveva tag

#trials of apollo - 143 post

#other - 121 post

#house of the dragon - 100 post

#nico di angelo - 88 post

#pjo - 82 post

#jasico - 55 post

#solangelo book - 48 post

#fandom - 35 post

#feminism - 35 post

#lmao - 33 post

Longest Tag: 145 characters

#where’s that post like ‘conservatives say women belong in the kitchen and liberals say ‘omg women😍😍😍are so soft😍😍😍made to bake cookies❤️❤️’

I miei post migliori nel 2022:

#5

i think we shouldn’t undervalue how much Apollo’s kids are Apollo’s kids. Like, i know Apollo goes on and on about how he doesn’t deserve them and how they inherited all of his best qualities and none of his worst ones etc etc but the first thing they asked their disgraced father that had just fallen from Olympus was if that would impact their views on youtube and chances to win the Olympics. like. yeah they are good kind sweet caring warm but they are very much Apollo’s kids lmaoo

1.440 note - Postate 13 agosto 2022

#4

the amount of men gleefully rejoicing at the news of the Johnny Depo trial and writing “finally MeToo is over” and “Johnny is only the first” and calling Amber a cunt and a slut is TERRIFYING and i will never ever ever ever forgive all the women that stood behind them and spewed vitriol at Amber Heard and helped push the idea that powerful men are harmed and not protected by institutions.

1.676 note - Postate 2 giugno 2022

#3

okay last thing because i’m having a mental breakdown but hearing WOMEN saying things like “as long as you are not lying you have nothing to worry about <3” in response to survivors being scared of being sued is just so evil… as if trials never absolved abusers as if women aren’t called liars when they are telling the truth as if every woman has proofs of her abuse as if this won’t result in countless of women who couldn’t take pictures and didn’t go to the doctor being called liars and gold-diggers… i’m going to throw up

2.452 note - Postate 2 giugno 2022

#2

bbc merlin writers trying so hard fighting for their life not to say the word soulmate because if they did the romantic subtext between merlin and arthur would stop being a subtext will always be soooo funny to me. they were constantly making the characters say shit like “he is my destiny” “i was born to be at arthur’s side” “merlin needs to be with arthur forever or camelot will burn down” “if you two are ever apart from each other arthur is going to explode into a million little pieces” like okay bro

3.853 note - Postate 29 ottobre 2022

Il mio post numero 1 del 2022

“bad villain man has a soft spot for one person” is a god-tier trope, but when the person in question is his MOM?????????????? the best shit

5.646 note - Postate 15 ottobre 2022

Guarda ora l'Analisi del tuo anno 2022 di Tumblr →

[williamchasterson]

Amateur Australian gold digger finds massive nugget

The specimen was found with a budget metal detector and weighed in at 4.6kg. from BBC News – World https://ift.tt/SbiFDMT via IFTTT

[sortyourlifeoutmate]

Gently amused that, in an article about Kanye West, the BBC says he's known for songs such as "Gold Digger" and "Stronger". What? Songs from twenty fuckin' years ago?

Mean, they're not wrong, but I like that they had to reach that far back.

[apara-dise-penguin]

[1/2]

the gifs are the same, but the coloring & black&white effect are just turned.