#good omens head canon

[aduckwithears]

Crowley must know about Shax the hitchhiker, right??

He can tell if the Bentley is yellow for someone's sake - he's got to know that a demon was literally sitting in the car. Of course, it's not really new information that they are being questioned - Shax was already sniffing around the bookshop - and it's not a surprise that she asked the other half of the duo what was up. However, it does put a spin on Crowley telling Aziraphale that he was worried something must have happened... and readily accepting Aziraphale's answer that nothing did... and the way he's stuck to the angel like glue most of the next day during preparations for the Ball.

But I guess the most important question? Could he sense the bitchy eyebrow???!

[ineffable-rainandstars]

Random Ineffable Headcanon

I feel like Aziraphale would like Doctor Who, Especially the 10th Doctor’s era.

Crowley, will not be so fond of the show. No particular reason why he won’t but he’d end up sleeping through the Doctor Who marathons Aziraphale plays.

Aziraphale would have a particular interest in the 10th Doctor, probably cause Scottish actor David Tennant looks a lot like Crowley (but Crowley doesn’t know that’s why Azi likes Doctor Who) (that’s what Azi thinks of course but it’s clearly evident that he has a crush on the Doctor)

In secret, Crowley binged the entire series especially 10’s era just to take notes and feels a little jealous of Aziraphale’s (not so secret) crush on David Tennant..

[belladonna413]

Good Omens Head Canon...

Neither Aziraphale nor Crowley invented Chick Tracts, although when the obnoxious little religious pamphlets were first introduced in the 1960s, each thought the tracts were the work of the other.

Both Aziraphale and Crowley did take credit for them with their respective Head Offices.

Aziraphale reported to Heaven that short, evangelizing pamphlets were being passed out to the public in droves, and would encourage humans to read the Bible to learn more about the messages outlined in the Chick Tracts.

Crowley reported to Hell that, in America, Evangelicals were leaving Chick Tracts which appeared to be folded dollar bills in lieu of actual gratuities when getting brunch after Sunday service, thereby driving people working in the food service industry to resent and look to avoid those who touted themselves as pious and God-fearing.

While both Aziraphale and Crowley fudged the facts in their reports, Crowley was at least honest about the impact of Chick Tracts in his.

[crowleyscleaninglady]

IMAGINE AZIRAPHALE’S CAR

If Aziraphale drove I think he would drive a classic beetle

OR OR

HEAR ME OUT HERE

I know he would consider this to be more modern but the 1995 Mazda Miata MX5

HE COULD HAVE THE HEADLIGHTS WINK AT PEOPLE

It’s also based off of the British roadster so it would fit the image of him being very English

[parkadeparade]

I have this silly head canon that since doctor who is canon to the good omens universe, Crowley played the doctor just for the funnies, a short lived acting career! Why does nobody recognize him? A miracle of course, same sort of deal as the miracle placed on Gabriel!

(Aziraphale watched all the live taping of the show. Maybe Crowley did it for Aziraphale, since he seems to like doctor who!)

[ato-dato]

Reverse AU part 2

[tenthrees]

𝗔𝗭𝗜𝗥𝗔𝗣𝗛𝗔𝗟𝗘 & 𝗖𝗥𝗢𝗪𝗟𝗘𝗬 + ducks 🦆

[densewentz]

it's not just me who can't get over it, right?

[innefableidiot]

I'm supportive of Anthony "good with children" J Crowley. He didn't choose this life the kids chose him and will pull on his sleeve to get his attention and comment on his snake tattoo without a care in the world.

[aduckwithears]

My favorite explanation for the change in Bildad's hair? A glow-up once he realized Aziraphale was Heaven's representative on the Job job.

Cause let's be honest - from this:

To this?

Girlfriend was looking to impress.

[humbledragon669]

Lockdown Episode Write Up P2 – dialogue

Introduction

I don’t think there’s much linking the dialogue with the images (apart from the cake sequence), so I’ve broken this write-up down into tableaus and dialogue, because there are just as many Easter eggs (maybe more) to be had from the tableaus as there are from the script. This part of the write-up will address just the dialogue, with the tableaus addressed in a separate write-up. Right, housekeeping done, let’s get stuck in shall we?

Dialogue

So Crowley picks up on the second ring, sounding very irritated. Considering he’s about to tell Aziraphale how bored he is, you’d think he might actually be relieved about the prospect of somebody calling him. And poor Aziraphale; the brusque greeting clearly puts him off, presumably because he was hoping for a more enthusiastic response, particularly given that Crowley openly tells the angel he knows that it was him calling in the first place.

AZIRAPHALE: Uh… Hello. It’s me! CROWLEY: I know it’s you, Aziraphale.

My thoughts about this exchange? I strongly suspect Aziraphale is the only one that ever calls Crowley. Not only that, I think he’s probably calling the demon multiple times a day at this point. I mean, think about it – neither of them work for their respective agencies anymore. For the first time in 6000 years they can be open about their friendship, no more hiding. And for the first time in those 6000 years something other than Heaven or Hell is making it impossible for them to see each other. I know, they really could have formed a “bubble”, or just ignored the rules completely, given their otherworldly status, but they didn’t because don’t forget – this is a PSA film at heart. Everybody had to STAY AT HOME. Besides, it makes it so much more angsty if they can’t be within physical proximity to one another during this time.

AZIRAPHALE: Just calling to see how you were doing in Lockdown.

Aziraphale actually says makes it sound like this is either the first time the angel has spoken to Crowley during Lockdown (which had been going on for almost two months by the time this minisode was released), or that they don’t speak very often. Personally, I don’t buy this, not least because the demon openly says he’s incredibly bored. And what does Crowley like to do best when he’s bored? Hang out with Aziraphale. Be his personal nuisance.

CROWLEY: I’ve decided that if I can’t think of anything to do within the next two days, I’m going to have a nap and I’ll set the alarm clock for June.

I *think* this is the first time we have confirmation that he does sleep, at least as far as the show is concerned (I’m not counting cut/missing bits from the Script Book, or from the original book). There’s also proof here that he’s actually an optimist, despite his efforts to convince the world at large otherwise – he’s convinced that everything will be back to normal by June. Interestingly, the UK’s really strict national regulations had actually been eased by the time the minisode was released, allowing those who could not work from home to return to work (yeah, we didn’t really know what that meant either, considering those of us who were classed as key workers never stopped going to the workplace), but June was still a very optimistic estimate – whilst restrictions were eased as we went into July, local governments were given the authority to impose local lockdowns where necessary. And boy, did they.

AZIRAPHALE: Oughtn’t you to be out and about doing things?

It's interesting to hear Aziraphale actually encouraging Crowley to be more demon-like. And he doesn’t just encourage, he gives him very appropriate suggestions for things he could be doing to fulfil his demonly duties. To my mind, it suggests his preference for Crowley in a demonic state. Or it could be an opportunity to emphasise the STAY AT HOME message, seeing as (for once) Crowley seems keen to stick to the rules. Take your pick. I know which one I prefer. Either way, there are two pieces of information here that I find noteworthy – firstly, confirmation that Crowley can’t get sick because he’s a demon. I think it’s interesting what human weaknesses the angel and demon are susceptible to, and which not. Alcohol, for instance, albeit in larger quantities than a human could imbibe, has the same effect on their human bodies as it does to humans. Illness and disease on the other hand, it would seem not. Laudanum, as we see in series 2, has an entirely different effect on Crowley than it would do to an ordinary human, but Hastur informs us that ordinary fire would easily discorporate a demon. Makes me wonder if the effect that a Heavenly or Hellish being has on its hosting body is one to do with constitution – where the body has an increased resistance to toxic substances but is unaffected in its ability to deal with trauma.

The second piece of information in this little plea from Aziraphale is that he says Crowley still has a job to do. Which, given the outcome of season 1, he doesn’t. I don’t think it was made blatantly obvious that neither of them report to their respective agencies anymore, so perhaps this is just a slip of the pen, so to speak. It might have been a bit more difficult to slip in this blatant reminder to people that leaving home was a BAD thing to do and that staying at home was the GOOD thing to do otherwise, and this little speech is very clear about listing certain things that were being actively discouraged at the time.

CROWLEY: I could do that. I mean I could… but if I did then… well…people might follow my bad example and get ill. Or even die.

Crowley’s response is… less than enthusiastic. It’s funny to hear him say that people might follow his bad example – surely that’s exactly what he’s been contracted to do for thousands of years? But again, I am forgetting – the whole point of this piece of media is to remind them why we should all just STAY AT HOME. So, with that reminder, let’s look a little more about Crowley’s actual feelings on the subject, shall we?

CROWLEY: I know I ought to be making people’s lives even worse but everyone’s so miserable cooped up right now anyway I just… don’t have the heart for it.

And therein lies the problem for Crowley and his existence as a demon – he actually doesn’t like to make people miserable. He loves to cause mischief and make trouble, but not with the sole intention to bring misery into people’s lives. Ultimately, he’s just too soft at heart to be a very good demon, which David himself has described beautifully.

AZIRAPHALE: I’m not miserable. CROWLEY: Really?

I really love this little exchange. Crowley sounds genuinely shocked that Aziraphale is so certain in his proclamation that he’s not miserable. And it’s hardly surprising really – I strongly suspect the reason that Crowley is feeling so down in the dumps is because he’s not getting a regular fix of his angel, so it stands to reason that he would expect Aziraphale to feel the same way. He’s probably had a little bit of his heart broken to hear that his angel is seemingly coping without him so well. It’s a good thing we go on to hear that basically the reason why Aziraphale is so happy at this time is because he’s not getting any customers in with the threat of trying to buy one of his books, although the angel’s speech does present the writer with another opportunity to remind us of our obligations at the time – social distancing and STAYING AT HOME.

You have to be paying attention, but Crowley doesn’t seem too pleased with the idea that Aziraphale might have needed rescuing from some errant youths that he wasn’t able to help with; there’s a quiet groan from him when he hears the retelling of the story. I’d be lying if I said I didn’t think there was some sort of double entendre going on here with Aziraphale’s tease of there being “a few young lads” who “broke in through the back”, so that groan could actually be one of relief rather than frustration. What is interesting is that Crowley openly mocks the only potential rescue scenarios that Aziraphale would have had available to him – he’s obviously smarting that he didn’t get to be the white knight for once.

CROWLEY: Did you smite them with your wrath?

I’d be very interested to know if the script had been finished and handed to David and Michael at this time, because that particular line feels like a very obvious reference to the smited/smote/smitten exchange. And if the reference is a genuine one, my double entendre idea doesn’t seem so outrageous, given Crowley’s tone – could he be a little bit jealous?

What now follows is the only time that the images in the minisode link directly with the dialogue going on at the time, and they’re all to do with cake. Trigger warning, what follows is a lot of pictures of cake. If, like me, you are inclined to go out and buy cake as soon as you see a picture of one, I would suggest you look away now.

What I love about Crowley’s reception of the knowledge that Aziraphale sent the little vandals away with cake is that he uses the same expression that Anathema uses when she asks about the name of Newt’s car.

CROWLEY: I’m going to regret asking…

His tone shows just what he thinks of the angel’s method for rescuing himself. And if you consider Aziraphale’s tale to be a truthful account of what took place, it does seem odd - that somebody could just have a little chat with some wannabe robbers to change their minds, and then send them away with some excess cake. There is however a missing scene in the Script Book where several thugs enter the bookshop and start to make a mess in an attempt to get Aziraphale to sell the land the shop sits on. In a somewhat “miraculous” turn of events (see what I did there?), they change their mind, clear up the mess they made, and leave without a fuss. I suspect the same sort of turn of events occurred to the lads that turned up to steal the cash box.

AZIRAPHALE: It turns out I have a whole cookbook section here in the bookshop.

I love this idea, that the bookshop is so sprawling and diverse that even Aziraphale doesn’t know what it contains, despite the fact that he must have stocked it in the first place. And I love it because that’s the how every second-hand bookshop feels to me. I’ve spent my fair share of time in Hay-on-Wye and its multitude of bookshops, and I genuinely feel like I could get lost in some of them. There are another couple of lines from Aziraphale that suggests that he does not think it possible to eat anything unless it comes from an eatery.

AZIRAPHALE: Well all the restaurants and cafes are closed […] and I got peckish.

Because he couldn’t just go to the supermarket and buy some cake, could he? Like the rest of us were doing (and were allowed to do). He even goes on to say that he had to miracle the cherries in for one of his creations – quite why it was only the cherries he miracled in I don’t know, I mean he must have gotten the rest of the ingredients from somewhere. Which leads me on to another question – where is the kitchen in the bookshop? There must be some facilities somewhere, otherwise he couldn’t make all of those delightful looking goodies. He’s got to have a kettle or a stove for boiling water/milk at the very least for making his cocoa, so where is all that stuff?

Aziraphale then goes on to reel off a list of cakes that he’s made (another nod to the domestic activities that were going on up and down the country – for those not based in the UK, you might not know that during Lockdown it was virtually impossible to get hold of flour or eggs, largely owing to the huge increase in home baking people did), which includes angel’s food cake (you could argue that all of the cakes he makes is angel’s food cake, hahah. Hah. I’ll get my coat). I don’t know whether it’s interesting, whether it’s an oversight, or whether it’s deliberate, but there’s no devil’s food cake on the list that he gives. I’ve made and eaten devil’s food cake before. It’s awesome. I don’t think that he wouldn’t have made this particular recipe because of its lack of deliciousness. I actually wonder whether its absence is an indicator of Crowley’s eating preferences (and as a reminder, I’m someone who is of the mind that he doesn’t enjoy eating – more on this shortly).

 AZIRAPHALE: And then, once I’ve baked them, I have to eat them all myself.

This line makes me properly snort with laughter, because he simultaneously manages to make it sounds like eating all the cake is something he definitely doesn’t want to do whilst also expressing sorrow that he has no-one around to eat them in front of with. The idea that this angel would ever not want to eat food is laughable. Crowley takes the bait on the sub-text though, employing some his tried and tested temptation techniques to try to get what he wants.

CROWLEY: I could hunker down at your place. Slither over and watch you eat cake. I could bring a bottle of- a case of something… drinkable?

This is my favourite line of the whole thing. The throwaway reference to his serpent form is delightful, and who’s to say he wouldn’t transform for his trip over to Soho to avoid being stopped by humans? There’s  the idea that he would very much like to get drunk with Aziraphale again, and this time without an impending Armageddon to spoil the mood, and with the knowledge that he wouldn’t be going home at the end of their binge. But most of all there’s that line about the cake. He doesn’t say he can help Aziraphale eat the cake – he says he can come and watch the angel eat it. Which would not only go some way to confirming my suspicions that he doesn’t like to eat but would also help to cement the popular theory that watching Aziraphale eat is a pleasurable experience for him. The whole line is said with such longing too, it’s impossible not to hear it.

AZIRAPHALE: I’m afraid that would be breaking all the rules.

If you listen carefully to Aziraphale’s rejection of Crowley’s (quite frankly, adorable) suggestion, you can hear another little bit of the demon’s heart breaking with disappointment. I suppose he probably shouldn’t be surprised that his request of Aziraphale to go against protocol wouldn’t have gone down well and besides we were all supposed to STAY AT HOME, remember? What sort of a PSA film would this be if people just went around to other people’s houses for some flirting nookie company when there was a Lockdown in place?

AZIRAPHALE: I’ll see you when this is over.

So of course, Aziraphale says no thank you very much (quite a lot of Tory party members could have learned a lot from the angel’s morals, and none of them are half as likeable as he is), but how incredibly sad does he sound at the prospect of not knowing when he and Crowley will see each other again? Crowley might have quietly voiced his disappointment multiple times during the conversation, but Aziraphale’s own disappointment here is stated loud and clear.

Crowley’s upset can be heard again after this very final sounding line from his angel (and this time it breaks my own heart a little bit) but he rallies well, changing his planned nap end time to July, rather than June as declared earlier. It’s a pretty perfect way to get out of missing someone, isn’t it? Just go to sleep until you can see them again; I’m sure there are a lot of people that would definitely be on board with that approach. He doesn’t leave any further room for discussion either:

CROWLEY: Good night, angel.

It’s very definite – conversation over, nothing more to say. My thoughts are that he’s just too depressed to carry on talking on the phone to the one person he would much rather be spending time with in person, and now that he’s found a quick and painless solution to the problem (a nap), he just wants to get on with it. Charmingly though, this parting line sounds nothing like the dismissal it seems like it is when you see it written down. The delivery of this line conveys the familiarity and comfort that exists between the two of them, and actually makes it sound like this is a regular conversation that they have, despite the dialogue suggesting otherwise. As it turned out, July wasn’t really long enough to get completely clear of the restrictions that would see our heroes united freely, but who can blame him for being optimistic? And at least if he’s asleep, he’s definitely STAYING AT HOME.

Well I think that’s the lot for this write up. So much for this being such a short episode that it wouldn’t need a lot of time devoted to it. It was a fun little thing; in truth I think it serves more as a PSA that as an additional source of storyline/character development but that hasn’t dampened my enjoyment of it. Time to move on to season 2 now (which I am both excited and a little bit nervous about – there is so much to say!), so for the meantime, questions, comments, discussion: always welcome 😊

[mrghostrat]

hii!!! this is just random but i was wondering if you have a favorite era of azicrow? (like for example mine's 1941)

i’ve been thinking about this for days, because i was trying to answer with an era we haven’t even gotten yet ptpyhrjtp

i think 1941 is my favourite too, tied very closely with 1827 (edinburgh). but i yearn for 1890s-1920s ineffables. i think i like 41 so much because its as close to edwardian as we’ve gotten

give me gavotte aziraphale. give me fancy cane crowley. give me my edwardian boys somebody please i’m begging

[constanzel]

Okay, but I think that Aziraphale is going to be excited that Crowley has woken up from his nap. I think that scene where Crowley comes in a dings the service bell is from after he throws a lighting temper tantrum outside of the bookshop. I think that they have a fight in the bookshop (probably about Gab and Crowley being jealous? angry about the whole situation) and Crowley leaves the bookshop to not break anything while he throws a tantrum. Then he: 

“Are you done...?”

[nonlaregina]

(From a very personal statistic of what I have read so far, in the 90% range) Crowley's is long and Aziraphale's is thick.

Whatever.

By now I tend to think of it as "canon". 💅🏻

[ingravinoveritas]

So, it is now three days into Pride, and the gayness just keeps on coming. This is a screenshot from 2019 of Michael responding to a piece of Ineffable Husbands fanart of Aziraphale and Crowley at the cinema in the 1980s.

For those who may not know (as I didn’t, not being from the UK), La Scala was a cinema in King’s Cross, an area of London that (pre-Soho) was a haven for all things LGBTQ, and showed many LGBTQ-themed films throughout its notorious run.

But the extra special thing about these gay all-nighters (and which Michael would have undoubtedly known when writing that tweet) was that all sorts of debauchery (a.k.a., gay orgies) tended to ensue among its patrons:

...So, not only do we know that Michael has thought about Aziraphale and Crowley fucking, we also know that he has thought specifically about when and where they would fuck...and it’s in a place nicknamed The Sodom Odeon. On top of all that, we now have GO season 2 coming out with a scene filmed in the Bo’ness Hippodrome and Michael looking incredibly smug on the day of filming said scene. In a dark cinema. With David. I just don’t even know what else to say...

(Also...What were you doing in King’s Cross in the mid/late ‘80s, Michael? Is this knowledge all from firsthandjob experience? Because I would not be at all surprised...)

[jvmesart]

if you know me you know i love star maker crowley more than life. my program crashed and wiped my progress while doing this so have this version!